Dutch (1991)

Ohhhh, this is a good one. The magnificent dueling performances by Ethan Embry and Ed O'Neill keep you glued to the screen like you're watching some crackerjack tennis match as the two battle back and forth.

Ed O'Neill plays Dutch, a wealthy professional who feels more at ease wearing a softened pair of corduroy pants while drinking a beer and eating pretzels than he does seeing an opera or visiting the local country club. He falls for JoBeth Williams' character, Natalie, the divorcee to a rich, snobby businessman -the same man who has managed to turn their son Doyle against her. Knowing that he's going to "pop the question" soon, Dutch volunteers to go to Doyle's ritzy boarding school in Georgia to bring him home via car for the Thanksgiving holiday. By doing so, he's hoping that they will have a unique chance to bond and that the boy will be more loving to his mother.

Ohhhhh, Dutch....what were you thinking?? It's a nightmare!! From the moment they meet, the two are battling at every level. Ethan Embry is OUTSTANDING as Dobsy (errr, Dwayne...uhmm, no....Digby?). He plays the part of the spoiled rich brat to perfection. Their funny misadventures on the road home put them in all sorts of hilarious situations...from losing their car in a freak "accident" to hitchhiking a ride with some hookers to spending the night at a homeless shelter. It keeps getting funnier with every turn. Ed O'Neill takes Dutch to a whole new level with his calm, cool collectedness. He displays incredible control of his character and you'll just be cheering for the guy the whole time.

The touching moments are when we see Doyle by himself, contemplating his attitude about life and his family. When he thinks no one is watching, Doyle is surprisingly sensitive and not so much the young adult who probably has a stock ticker in his closet...he's just a lost, struggling teenager who's as vulnerable as the rest of us.

But the ultimate question is...will Dutch succeed in winning Doyle over? You'll just have to watch and see for yourself!

This 1991 John Hughes film was a gigantic dud at the box office and was critically panned by pretty much every critic. Well guess what?, I like it!. It's far from being great, but as far as guilty pleasures go, this one is a good one. Ed 'O' Neill plays Dutch Dooley, a normal, everyday schlub who is in a relationship with a well to do woman, played by Poltergeists' JoBeth Williams. Dutch volunteers to go get her son at a private school and bring him home for Thanksgiving. Easy as pie, right?. Well, no. The kid is an uptight, snobbish brat. The ride home is full of one disaster after another. Dutch and Doyle try desperatley to get home, while the two constantly bicker at each other. During this time, Doyle gets a good dose of reality thrown in his face. Many moments are actually quite serious. Your not expecting it. The funny momets are quite humorous. All the things Dutch does to Doyle is, I must say, pretty funny. Doyle is played by Ethan Randall, who went on to appear in "That Thing You Do", "Vegas Vacation", "Can't Hardly Wait", and the FOX series "Freakylinks", which he went under Ethan Embry. 'O' Neill displays his great comedic talent and sly witicisms that he perfected on "Married With Children". The ending, this being a John Hughes film, is warm, fuzzy, and happy. Would you expect anything less?. All in all, it's a decent and harmless little road movie. Not bad.

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Two things. First, I think this movie is somewhat of a sleeper that many people overlook, may have heard a little bit about, caught once on cable, or totally forgotten. That's tragic. It's an awesome movie, and, even if it does resemble John Hughes' close movie with Steve Martin and John Candy ("Planes, Trains and Automobiles") only to the extent that it involves trying to get home for the holidays and a road trip, from that point, it's a totally different movie and really stands on its own.

Second, this movie shows that Ed O'Neill should never simply be thought of as simply the dad from "Married with Children." He is an amazing actor, and I could envision NOONE else having filled this role. He was perfect for it, and I totally could relate to him at every turn. He was truly a fella after my own heart.

The bottom line is that this simply a great movie with a great message. Something you can watch with your old mom and pop, and your bratty neice and nephew and not worry about too much. Brief scene with a couple of hookers, but this is played down so much and is so tongue-in-cheek, that there are no worries there. Other than that, great movie, classic moments, outrageously funny situations and one-liners, with a good, solid message to send home.

I really can't recommend it enough and was very thankful to find it being released on dvd after all this time. Get it while you can.

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This movie is an original masterpiece!!! I have not seen the DVD but I have watched this film over million times since I the first time I had set eyes on it back in 1993. Ed O'Neil plays the hardworking, white-collar boyfriend who tries to befriend his girlfriend's son through a series of comical events. The story takes an unexpected twist (I won't say where)and what was a mile-high ride settles back into reality. I really thought this movie was awesome and being a fan of "Married With Children" you get to actually see O'Neil do something a little different, on the lighter side. If you liked the original "Home Alone" genre you don't want to miss this one!!!!

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This is a wonderful movie & I'm glad to see it finally on DVD! I'll be picking this up immediately as I'm wearing out my cable-recorded copy. If you're a fan of Ed O'Neil, see this movie. He plays the classic "blue collar" guy (think a more well-off version of "Married... With Children's" Al Bundy) to Ethan Embry's snotty brat.

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Stanley Kubrick: Limited Edition Collection (Spartacus / Lolita / Dr. Strangelove / 2001: A Space O

I won't review the films themselves. I have done so elsewhere, and if you are reading this, you probably are a Kubrick fan, anyway. My set arrived yesterday and I have spent some quality time with it, though I have obviously not had a chance to watch every disk all the way through, yet.

On one user's negative review with respect to the "destructive" packaging: all I can say is, if you stop and think about it before wailing on the disks trying to get them out of their sleeves, you'll be FINE. The sleeves, are indeed, engineered to keep the disks in, so they don't fall on the floor if you tip the package the wrong way. A moment's thought will tell you that a thumb on the label side of the disk, a forefinger on the edge, and some firm but gentle pulling while rotating a little is all you need to get the disks out without a hint of damage. The sleeve will release its grip and all will be well. Believe me, you'll be glad for the snugness of the fit when you realize how well it protects the disks when you're not watching them.

On the continuing Aspect Ratio controversy: I could be wrong about this, but I think the esteemed Mr. Kubrick would be fine with the 16x9 cropping of The Shining, Full Metal Jacket, and Eyes Wide Shut. It's true that Kubrick initially only wanted videos of his films released "full frame", i.e. with the whole negative image showing unmasked, because he hated pan-scan, and thought letterboxing distracting. After Barry Lyndon, he shot 35mm without a hard matte, but composed for 1.85:1 precisely because he knew some theaters would project it 1.85:1 while others would go for 1.66:1, and still others would have their own "custom" aspect ratio i.e. funky screen size based more on the way larger theaters were being chopped up into multiplexes at the time, than on the needs of the films being shown. But newer 16x9 HD TVs, which became popular after his death, largely obviated the need for near full-negative cropping, as far as video is concerned. Kubrick's visual compositions are just slightly roomy in 16x9, without the oddly empty quality of some of his shots when viewed in full-frame on a 4x3 TV. There are purists who get almost violent when discussing the "proper" aspect ratios of Kubrick's *oeuvre* on video, and who insist we should be watching them in 4x3 even now, because "that's what he intended." I am not among them. His original reasoning made sense when TVs were all squarish, but I think he would have accommodated 16x9 home theatre TVs, had he lived into the Blu-ray era. Such TVs existed in his lifetime, but they were not the norm the way they are now. If you read his interviews carefully, he was a surprisingly practical guy, for being such a perfectionist.

The transfers appear, in most cases, to be the same ones used for the last release of the collection, but in a format closer to their native 4k resolution. They are thank God NOT over-enhanced the way so many mass-market "popular" films seem to be when released on Blu-ray, these days. While they are sharp and detailed, they don't have those artificially "cut out" looking edges, either. I'm not a videophile, but I like what I see and hear.

While, as other noted reviewers have expressed, yes, most of the Blu-ray's in this set have been available previously. But altogether at once, including Dr. Strangelove, Spartacus, Lolita (first time on Blu), and Barry Lyndon (also first time on Blu), along with the new 40th anniversary edition of A Clockwork Orange? Yes, I'd say it's safe to venture that this set is worth the seemingly steep price. Because yes, at first glance, it seems like a lot of money until you realize the value at hand.

But value aside, the transfers are mostly fantastic, especially the transfer on my favorite of Kubrick's films, 2001: A Space Odyssey. The colors are crisp and the details are fantastic, especially the black and white on Lolita. I am so glad that this film had finally achieved a release on Blu Ray.

My only complaint is the lack of new features on the previously released discs and the lack of ANY FEATURES on Lolita and Barry Lyndon. Fans have been waiting years for these releases and we now only get half of a release (the other half should have contained a commentary by an expert AT LEAST). But the transfers are fantastic, making it a satisfying purchase.

Overall, I am especially happy with this release, save for the complaints that I have previously listed. I'd give the box set a four out of five.

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I was able to get the discs out easily without damage. They stick slightly but i just used my shirt and wedged them out. no scratches and no finger prints. They play fine. i did put them in jewel cases so i don"t have to worry about someone else having trouble. i wouldn't let the negative reviews turn you off to this box. They made it sound a lot worse than it is.

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This is regarding the non-blu-ray version:

GENERAL: If you are a fan of Stanley Kubrick, you probably own all or most of these movies. The versions on these discs are the most recent versions released on DVD, just re-ripped to these colorful discs to make a snazzy package. In other words, there are no new extras. (For example: Clockwork Orange just has audio commentary and theatrical trailer, just like the version in the last Kubrick collection.)

ASPECT RATIOS: These are fine. (I mean for goodness' sake, people, get a grip...) As with all of the other releases that I've seen (again... for goodness' sake, people, get a grip...) these all have the varying aspect ratios intended by Kubrick. For example, Clockwork Orange and Barry Lyndon are 1.66 to 1. Space Odyssey is 2.35 to 1. These are honestly the only three I checked.

(As a matter of fact, Clockwork is the first DVD with a 1.66 to 1 ratio that my DVD player actually reads properly! With Barry Lyndon which is on this set and Nightmare Before Christmas, I have to mess around with my DVD player and my TV to get it the movies to not be stretched out.)

THE PACKAGING: One early reviewer had a problem with the DVDs coming in cardboard casings that scuffed the discs. The package I received from amazon does not use this type of casing for the discs. The discs are cased in a beautifully practical plastic binding. Each disc is on its own "page" in the binding, stuck into a spindle. Works great.

NOTE: Watched Spartacus. Actually looks pretty awful, considering. One scene opens focused a line of people about 20 feet from the camera, and their faces are just total blurs. Also, there are little black film blemishes that come up sometimes. That said, who was really buying this set to see Spartacus?

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This is an absolutely amazing set in terms of the films and their respective transfers but the packaging is seriously atrocious. In terms of content I must advise anyone who is interested in Stanley Kubrick's films to buy this set but be forewarned, the packaging is really irritating. It's not because of how hard it is to remove the discs (that's not an issue for me), it's because of the smudges and scratches that may result from said removal. My advice: buy the set and some cheap plastic DVD cases, remove the discs and house them in the cases instead of the collection booklet.

Otherwise, I love this set. I've never seen Barry Lyndon look this beautiful!

Fallen Angels (1995)

Wong Kar-Wai has become my favorite director. He's as talented as Kurasawa, Fellini, Wells, Antonioni, Bergman or Altman. My favorite of his films, maybe because it is the last one I (re)viewed is "Fallen Angels". Wong Kar-Wai has a way of expressing longing that is neither cloying nor sentimental. His films are touching in a deeply profound manner. "Fallen Angels" is the double story of a hitman and his partner and a mute man with a unique business sense. Hilarious and over the top violent at the same time, Wong Kar-Wai pulls this off without a single misstep.

Visually stunning, this film looks like no other, save perhaps "Chungking Express" (which I plan to re-watch this afternoon). It's "Chungking Express" at night. Planned originally as a third episode of "Chungking Express" this film stands alone as a masterpiece of Kar-Wai's art. There are minor illusions to "Chungking Express" which allow the viewer to feel a continuity of spirit and theme. For instance, the mute midnight shop clerk played by Takeshi Kaneshiro mentions in voice-over that he lost his ability to speak after eating a tin of expired pineapple. This will resonate with viewers who have seen "Chungking Express" and bring to mind the character he played in that film. These are blood brothers. Variations of the same love-sick, lonely man.

Kar-Wai's films remind me of Altman in the 70's. You watch his films and wonder why all other directors are so unimaginative and pedestrian. Why does he seem to be the only director doing anything new and unique while even the most celebrated directors just recycle the same old [stuff] you've seen a hundred times before? He's an original. The look, the emotional feel and the grammar of his films belongs to no one else.

Any synopsis of his storyline can only diminish their scope and complexity, so I won't even try. It is enough to know his film resonate for days after viewing. They stick in your mind like something experienced first hand. They are fizzy, giddy, forlorn and hopeful. The final scene of "Fallen Angels" brings tears to my eyes everytime I see it, even though I know what is coming. It is a testament to the complexity and honesty of his vision that an emotional response is assured in the viewer. His characters are so honestly portrayed you wish you knew them in life. You want to call them on the phone and meet for a drink in a smokey, neon lit bar found only in a Wong Kar-Wai film. You end up feeling very protective of these characters, as you would with people you know and cannot quite reach. Cannot quite assure they are alright and worth loving. Cannot assure they deserve happiness.

"We all need a partner, when will I find mine ?" seems to be the theme running through all of Wong Kar-Wai's films, as well as his other usual ingredients: Mind-bending speed, innovative camera work (by Christopher Doyle), a great soundtrack, and a gorgeous cast. He also manages to show the murky side of society while never losing touch with its humanity. We see that even a cold-blooded hit man can have a side that's endearing.

Takeshi Kaneshiro as the mute is the shining star of this film. He's brilliant and lovable. The "May 30th 1995, I fell in love" scene is one I adore. In slow motion black and white, the background moves at different speeds, fades in and out...it's a piece of pure magical art, a painting come to life.

Like "Chungking Express", it slows down during the second half, and to me, this is when it gets even better. There is so much to see in this film, I know I'll be viewing it many more times, and appreciating its inventiveness...and through the darkness, its sweet soul.

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Three individuals whose lives intersect and parallel form the core of this stunningly photographed, moody and intense cinematic masterpiece. A hitman who is getting tired of the messiness of his job; his partner, who plans everything out for him in meticulous detail but would really like to cross the line with him between business and pleasure; a mute, who breaks into other people's businesses at night and forces unwitting passersby to purchase his wares. They rarely ever meet, but they share the same spaces, and sleep the same hours. The film alternates between: the intensely cool portrayal of a hitman with all the style of a Hollywood badboy, and all of the mellow of a Spaghetti Western antihero -the femme fatale lonely longing that simmers with an undercurrent of anger of his partner -and the slapstick comic silliness of the mute. The faded neon lights, the eclectic and moody music, the kinetic and flowing camera -this is unlike anything you've seen unless you've seen a Wong Kar-Wai film and if you have you know that he doesn't ever quite repeat himself. This film shares a good deal with the atmosphere of Chungking Express, but is darker and more moody, and in many ways more intense and exciting -I love both films but this one has an edginess that you don't find in the other -you might say that Chungking is the day film and this is the night. One connection between the films is that the mute in this film is played by the same actor as the pineapple-eating policeman in Chungking Express. Their characters share the same name, He Xiwu, and this one lost his voice as a result of eating bad pineapple from an expired can -but they are not exactly the same as this one never was a policeman and allegedly lost his voice at age 5. A beautiful and exciting film -definitely one to see for lovers of the art of film.

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Fallen Angels is a truly special film, but it's not for everyone. It's gritty in a stylish way, shot mostly handheld with available light. But it's not gritty in the way most American pictures are; shaky cameras with perfect lighting and snappy editing. The takes are long, and the film is often grainy.

Wong Kar-Wai explores the transitory nature of life here. It's a little confusing, and the characters are beyond weird, but they really do have heart. The frantic pace and confusion give way to brief, precious moments of poignancy. The bleakness and impermanence of the rest of the film makes these moments feel even more meaningful.

If this sounds like your style, the movie can be very rewarding. But it's definitely not everyone's style. I find Chungking Express is generally a more palatable Wong Kar-Wai picture for viewers with more mainstream tastes.

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I am not sure whether an average movie viewer would like this film. But, if you are into art, foreign, independent films, or if you are a film student, this is definitely something you cannot miss. Fallen Angel's strength lies in the character development. It follows four main characters, all unique in their personalities and manners. Like, other Wong Kar-Wai's (director) film, these characters' lives are intertwined eventhough they lead their own paths. Outstanding performances come not only from the main characters but from supporting characters as well--look for amazing performances from the father, and the man who was forced to eat ice-cream.

Cinematography, film direction as well as the music soundtrack also shine. Wong Kar-Wai pays attention to details, imagery and symbolism. It's shot in a very artistic way--a sort of Hong Kong, nouveau graphic art style combined with somewhat weird soundtrack. This is one of the best movies I've seen in terms of film making.

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Bloodsport / Timecop (Action Double Feature) (2010)

I discovered Jean-Claude Van Damme just recently. In fact I watched my first Van Damme film this summer (Universal Soldier), and I was blown away. Thus, I have begun to buy as many Van Damme films I can find. Though he is not really an excellent actor, he is good at making the audience root for him. No matter how ridiculous his acting gets at time, you can't help but be on his side. At this point, I have watched Universal Solider, Universal Solider: Regeneration, JCVD, Kickboxer, and Replicant. When I found out that Bloodsport and Timecop would be put in the same Blu-ray for the very affordable price of 20 bucks, I pounced. I was not dissapointed. Bloodsport is Van Dammes' breakthrough film. It is the story of Frank Dux participating in the Kumite, while this story has by all means been debunked and Dux has been ousted as a fraud and a liar, this movie continues to be one of Van Damme's best performances. Timecop is the real gem here though. Out of all the Van Damme films I've seen, Timecop is one of the most enjoyable. I absolutely loved the movie and the sillines of it all. You should be warned that this a bare-bones release of both films and the quality of the movies is quite impressive. If you are a Van Damme fan, buy this set. It is completely worth the money.

Interesting that they make this Van Damme Action Double Feature spread its focus to two different genres of movies. One being martial arts and one being science fiction. As others have mentioned it would have made more sense to do the same genres like TimeCop/Cyborg or Bloodsport/Lionheart (which gets my vote in spite of the just as viable Bloodsport/Kickboxer option). Unlike most combo packs that give you two movies on two disks this one is two movies on a single sided disk.

Bloodsport is arguably Jean Claude Van Damme's greatest martial arts film. Is it because of the amazing action? Not really? Deep and involved story? No. None of that here. Fantastic acting? Now you're making me giggle. Bloodsport hit a moment in time when martial arts movies were on the upswing and put out a kind of film that transcends your conventional concepts of what to find in a fighting film. In a very real way this helps negate the lack of a real plot or compelling character acting.

So what makes Bloodsport the exception to the rule? In a word: tournament. This is movie at its heart is all about a martial arts tournament. Sure there is a notoriously evil villain and a manhunt by the military. Sure there is a love interest and tragedy among friends, but all of that is really either just window dressing or distraction from the real reason the movie rocks. What you get in Bloodsport is the showcasing of martial arts from all over the world. Different styles going toe to toe against each other in a winner takes all full contact competition. Not since Bruce Lee's Game of Death has a movie taken the time to show varying forms of fighting.

You get to see martial arts styles in action like Kung Fu, kickboxing, wrestling, Muay Thai, Jeet Kune Do, Karate, Judo, Tae Kwon Do, street brawl and some I have never seen before. You get to see them all in the ring. Some all too briefly, but considering the sheer amount of various forms you can forgive that. You of course also get to see Van Damme doing his signature helicopter kicks, full splits and other moves I haven't seen him do on any other movie. This is also the movie that inspired Johnny Cage's signature non-fatality move in the original Mortal Kombat video game.

The acting is B-movie. Van Damme sometimes gives a good performance and other times overacts. Other actors offer varying performances. Donald Gibb, who plays Van Damme's street tough buddy, seems to enjoy his role and plays it with a slight wink and nod. Norman Burton and Forest Whittaker as the military police make a good ensemble performance. But lets face it. Most of these guys are not actors. They are fight choreographers, martial artists and stunt men. Besides you aren't here to see Shakespeare. You're here to see Bolo Yeung tussle in the ring (and did you know he was like 49 when he did this film?!? I wished I looked half that healthy years younger).

Now this is a Blu-Ray release so how does it look? Well... it's better than any previous release. You get a level of clarity that I don't even remember when I saw it in theaters. That being said it's still a VERY grain-ridden film. If you did screen caps of the movie it wouldn't even look like good standard definition close up. I don't know if this is because the movie was done on a small budget, thus wasn't using the best film (maybe it was shot in 16mm instead of 35mm?) or because nobody bothered to get the original negatives and do an honest restoration. Either way this movie will never hold up to other Blu-Rays. Heck it may not even hold up to newer movies in standard definition upscaled.

Audio is clear and in stereo, but that's about it. Nothing to scream about here. Then again this movie's montage-laden power songs sounded a little dated even back when it was first released in 1988. I swear those songs were stuck in 1985. So yea the soundtrack is a product of the time, but in a low budget movie sort of way it works.

I hear the movie's budget was just over a million dollars, and according to Box Office Mojo it made almost $12 million in the box office. Doesn't sound like much, but it's a ten fold return on investment.

Timecop I haven't seen yet on this disk and the last time I did see it was back in the theaters. I don't remember it all too well, but I do recall it was a cool enough concept. Imagine criminals that go to the past with modern weapons to steal. That's the general idea of the movie. I recall it was one of Van Damme's best acting performances to date. Special effect go from pretty good to over the top on the CG end. I will put more once I actually watch the thing.

From what I see there are absolutely no extra features on either disk. You get the films in English and French audio with the same in subtitles (plus Spanish subtitles). That's it. Bottom line if you want the best looking Bloodsport or Timecop video this is it, but don't expect anything else.

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I am not going to review the films themselves rather how they look and sound on blu-ray.

BLOODSPORT:being the older and cheaper of the two films you would expect it to have the worst video and audio and it has.The picture is fine though compared to dvd,could it be better,yes,but for the price i paid i don't think so.The audio in my opinion is worse than the video(i know its only DTS-HD 2.0)but i still had to adjust my system(which isn't the greatest i will admit)a lot to get the best sound possible.

TIMECOP:the audio(5.1 DTS-HD) and video are good,easily way better than the dvd.The picture is really good thru out and it holds up well even with the more modern CGI effects.The opening scene in particular is excellent.

I don't own either film on dvd but i have seen them a couple of times on dvd.

So for 12/13 dollars they are worth getting especially if you are a JVC fan.

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You're either a Van Damne fan or you're not...there's no in-between. If you are you're interested in the blu-ray transfer. Very good. Sound is definitely improved. Picture is excellent on both (I didn't notice discernable difference between the two films).

Proper aspect ratio on both. I recommend for fans...and if you're not a fan...these might make you one.

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I think the Bluray looks good. Anyone who thinks too much into this stuff needs a life. Van Damme is bad ass as usual and never gets enough credit.

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We Can't Go Home Again & Don't Expect Too Much (1976)

What a thrill it was to see these movies made available at last on video on Amazon. In fact, for the past three years, I regularly surfed Amazon in the event that "We Can't Go Home Again" would become available one day. And as a bonus, this DVD includes other short films made at this time of his career. I've seen nearly all of Nicholas Ray's films, but not these ones. Don't expect "Rebel Without a Cause" or "Johnny Guitar". The films on these discs are experimental and improvised collaborations conducted by Ray and his students, very talky but honest aand revealing. They are not easy to watch, at least in one sitting, but the conversations are compelling and even mesmerising, reflecting the political and social conditions of the times. These films are the bridge between Ray's main body of work and his collaborations with Wim Wenders. I will be watching these movies again and again as I am sure there is much more to be gained from multiple viewings of these multi-faceted rough diamonds.

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Art of Flight DVD and Blu-ray with FREE NowHere Snowboard DVD ($30 Value)

Best movie I have seen in quite some time. Looked ridiculous in it's full 1080p glory on my projector. Even with mediocre conditions in some of the locations they brought this film together with creative camera work, a lineup of great riders, and dialogue to keep it emotionally available. I cannot watch Art of Flight enough!

I had this DVD and lost it and was determined to buy it again. I could watch this video everyday. It was shipped and at my door within a couple days. Perfect timing!

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Good flick. The movie came with an extra snowboard DVD and a bunch of stickers that I wasn't expecting...l super cool

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I watched this movie a million times, it is definitely one of my top snowboarding movies. The effects and the soundtracks were amazing!

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Venus and Vegas (2010)

OK. I am going to be quick on this one. this is a very average movie. even below average at points. some chuckles. not any great laughs. mediocre story. not bad, not very good either.

the only thing that left me with a happy feeling after watching this was Eddie Kaye Thomas's acting (the guy from American Pie, the one with Stifler's mom)

he is brilliant. i think he is going to be a great comedian. he has so much more potential. just take the horse track scene. perhaps the only hilarious scene in the whole movie. and look at him in other scenes. he *can* act physically. and just look at his face movements. i really think he should be given a better chance in bigger movies.

and i can't figure out why his scenes are funny and OK, but other scenes are sometimes so boring and borderline bad.

could it be his are written by a separate writer? or others are not 100% acting their best (and they are good actors, from hilarious shows). i don't know....

to sum it up it's worth a watch. only if to watch Eddie's scenes.

Rarely (and I do mean rarely) do actor's personal vanity projects come to life in a way that audiences fully appreciate. I don't think that's so much the fault of the actor, per se; rather, I tend to believe it's because with all of the creative people involved in front of and behind the camera it's gets increasingly difficult for the actor to translate the full value of that vision into a completed project. In other words, what I find funny in my mind may not inevitably equate to big laughs when it's completed and put up on the silver screen because an awful lot of hands get to handle it before that happens. In the interim, tiny slivers of artistic intent as well as content get chipped away, and the end result probably ends up being something like the tepid VENUS & VEGAS, finally out on DVD since completion in 2010 from RLJ Entertainment.

(NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and characters. If you're the kind of reader who prefers a review entirely spoiler-free, then I'd encourage you to skip down to the last three paragraphs for my final assessment. If, however, you're accepting of a few modest hints at `things to come', then read on ...)

Three long-time Vegas friends Stu (played by Donald Faison), Alex (Eddie Kaye Thomas), and Eric (Eddie Guerra) are more than just platonic acquaintances: they're house thieves looking for their next big score. When they stumble across old-school gangster Frank Santino (Jon Polito) running a scam with counterfeit poker chips out of a rural warehouse, they believe they've found the perfect score: all they need to do is get in, steal the chips, and then cash them in at the casinos for some easy cash. But when the heist goes bad and one of their own gets caught and captured red-handed, they'll take their own hostage in hopes of eventually offering up an exchange while keeping the cash.

VENUS & VEGAS is the kind of flick that had real potential but it was never quite realized in the completed product. Demian Lichtenstein directs from a script by lead Eddie Guerra himself, and maybe the two of them were simply too close to the material to understand that the chemistry needed to pull off a `caper' flick never surfaced. Instead, the players move from one predictable set piece to another, all the while aping and mugging for the camera as though they were delivering big laughs. Instead, what audiences get are a handful of watchable sight gags along with some TV-grade acting from a wealth of recognizable faces.

To their credit, they try to make use of some bona fide talent. Jaime Pressly (from MY NAME IS EARL) does the best she can in splitting her time and relationship woes between Eric and mobster Bruno (Abraham Benrubi, who does the best he can to pull off an Italian accent). Roselyn Sanchez tries hard to muster some big-screen chemistry with Faison, but, unfortunately, her scenes are so brief and ineffectual one even wonders why she agreed to the picture. FEAR FACTOR's Joe Rogan gave his short scene all he was worth, and he manages to inject a bit of welcome irony and sarcasm into his good-friend, bad-friend relationship with Faison. Even Florence Henderson drops her BRADY BUNCH personae to play a Vegas bad-girl grandma with an insatiable sexual appetite and a desire to do bad things.

The chief problem I had with it is that Guerra's script is incredibly uneven. At times, VENUS felt like it was intended to be a piece of family entertainment, something that might air on a cable channel in relative obscurity but retain the chance (however slim) of finding a respectable TV audience. At other times, it tried to approach the bawdiness so common with other big screen films lately THE HANGOVER trilogy and BRIDESMAIDS come to mind but Guerra really missed the chief ingredient that makes those films work: chemistry. No one has any here when, at least, the men should as they've apparently been hanging together for over a decade. Their relationships felt rote, not natural but the creation of a Hollywood script, and, as such, they failed to convince this reviewer.

Alas, this one wasn't meant to be.

VENUS & VEGAS is produced by PasoFino Productions and Luis Moro Productions. DVD distribution is being handled through RLJ Entertainment. As for the technical specifications, this film looks and sounds very solid consistently. As for the special features, there's a brief `behind-the-scenes' featurette and the theatrical trailer, but that's nothing to phone mama Brady about!

(MILDLY) RECOMMENDED. Just because so much of VENUS & VEGAS wasn't for me, that doesn't mean you folks won't find it of value. Based on the trailer alone, I honestly expected more. What I took away from it makes me better understand why this one waited so long to `street' on DVD.

In the interests of fairness, I'm pleased to disclose that the fine folks at RLJ Entertainment provided me with an advance DVD copy of VENUS & VEGAS by request for the expressed purposes of completing this review.

Buy Venus and Vegas (2010) Now

Benda Bilili

5 year documentary of street band in Kinsasha Republic of Congo, organized by Papa Ricky to support street children sleeping on cardboard. Victims of polio, many paraplegic, mobile via wheeled chairs, gather to create music for hope and survival. Street Daddy's first song implores mothers to vaccinate their children. Polio is a preventable disease with immunization. The constant music is infectious rhythmic original. Tres Tres Fort

Papa Ricky wants to record an album to financially support street children to attend school with residuals. During the recording session the community street home burns. Survival needs force the group to disperse. The French documentary crew who happened upon the band near the Kinsasha zoo and tried to help the band record an album are forced to return home.

In 2006 a French recording label underwrites the return of the film crew to complete the CD recording and film. The documentary pursues the search for the musicians throughout small villages in the Congo: have you heard of a boy who plays music on a tin can?

Roger 13yo built his own musical instrument from a tin can, inventing unique string tones, playing on the streets to support his mother. Coco plays guitar and sings of loss of love, the end of life and the remaining tendrils of human connection offered by cell phones.

The band's joyful choreographer is paraplegic. Life's possibilities are seen in the community sports team composed entirely of polio paraplegics.

Once all the musicians are rediscovered, they congregate near the Kinsasha zoo. They are determined to stay on the street, sleeping on cardboard together to finish their CD.

September 2007 the demo CD is completed to incredible excitement.

The French Cultural Center hosts the opening concert for the album with champagne. The album is released in France: paraplegics living on the streets near Kinsasha zoo, Staff Benda Bilili.

Band members acquire passports, visas to travel to Europe: 4 paraplegics in handmade wheelchair hand driven tricycles, and 3 others including Roger who are able bodied. Roger's family puts intense pressure on him to succeed in Europe.

Still sleeping on cardboard on the streets, bathing in bowls, they prepare for the adventure of Europe.

Arrival in France: the chickens here are huge! they sell us the skinny ones.

Bellfort France EuroRock music festival first stop in a number of countries to sing their songs or life in the Congo: children never listen, what do you do?

Germany, Denmark, trophies, Oslo: it's very cold. Work is serious business. We used to sleep on cardboard if you mess up here, you turn into an ice cube.

Today you have a plate, you used to eat on the ground don't forget. Today a plate, tomorrow the ground. Don't forget the wind can blow the other way. Staff Benda Belili

Argentinian Ambassador and wife congratulate them on their performance. Acclaim across Europe.

Those things on the ceiling are marijuana detectors, too much smoke they throw water all over, you have to leave the hotel. Papa Ricky

At the end of the documentary Roger is 18. Papa Ricky: we are old, you have to take over the band.

Despair, hope, reality, acceptance. A remarkable documentary of perseverance, continuing despite disappointment, survival. Keeping up the effort.

5 star 5 year slice of life from the streets of Kinsasha with joie de vivre. Rhythmic underbeat throughout. Music as healing.

Other DVDs about hope and change and growth: The First Grader, Desert Flower, Dhamma Brothers, Temple Grandin, Departures, Renaissance Man, The Hobart Shakespeareans, P.O.V.: What I Want My Words to Do to You.

Book about confronting our selves: The Empty Mirror: Experiences in a Japanese Zen Monastery

Benda Bilili look beyond appearances; this is a street band from the Congo, who are given the chance to record their music and tour Europe. We see the musicians, 4 who are paraplegic and 3 others, who make music that gives them this success. However, since this was filmed in 2004 and it is now years later that this is released, it would be nice to have a follow up to tell what has happened to these men.

We do see an amazing acceptance of life. That is one of the amazing features of this film, not to mention their infectious music.

We see a group of men who know "the wind can blow the other way". It is a philosophy that is as good as their music is engaging. It's an interesting film not only for the music but to see the life these men live in the Democratic Republic of Congo one that many should take note of. I just wish there was more of a follow-up from 2004 to 2010 when this program is dated.

Buy Benda Bilili Now

This documentary is inspiring and entertaining. My two youngest children (10 and 12) watched this with me. It is a social eye-opener and the music is fantastic! What a talented group.

Read Best Reviews of Benda Bilili Here

The Lord of the Rings: The Motion Picture Trilogy (The Fellowship of the Ring / The Two Towers / Th

This is NOT the review of the movies. I am solely reviewing the facts that what EXTRA you get in this set than the previous editions. I will start with very basic facts for those who are baffled by so many editions being out there.

The basic facts-

LOTR series has basically two types of moviesa) Theatrical and b) Extended, each edition are available in both-DVD and Blu ray format.

Extended versions of the movies have humongous amount of extra film footage added to the theatrical editions (approx. 30, 40 and 50 additional minutes for movie 1, 2 and 3 respectively). So, go for the extended editions only if you are a die hard fan of the movies. If you are not, the review ends here. Buy whichever movie you like in your preferred format and enjoy. Thanks.

FOR LOTR FANS-

Let's get straight to-the-point. Now, many of you may as well own the DVD versions of LOTR (Either Theatrical or Extended ot both), and if you are trying to make a decision whether to spend more money on this blu ray extended, here is the comparison-

Extended DVD set-

For each movie they have 4 discs (2 movie discs and 2 extra features); So total 12 discs. Sound is DTS ES 6.1, which is significantly better than regular dolby digital. This set is probably the most gorgeous I have ever seen for any DVD. Colorful and feature packed, it stands out in your entire collection.

Extended Blu ray set-

For each movie they have 5 discs (2 movie blu ray discs, 2 extra feature DVDs and 1 behind the scene DVD). So, total 15 discs. Audio is spine chilling DTS HD 6.1 and it has the all the betterments of blu ray (HD pic, HD sound, BD live). Also, blu ray set includes the Digital copy of the Extended Versions of all three movies (Standard definition, not HD). The set itself is a delight, with a sturdy golden cardboard package that is durable and beautiful. The remastering of these movies have been handled excellently and with respect to both picture and sound, this one is SIGNIFICANTLY BETTER THAN THE DVD.

The GOOD (Blu ray set over DVD set):

1. Video and Audio significantly improved. Excellent blu ray transfer. I have not noticed any 'darker' colors as mentioned by some other viewers.

2. Blu ray set has THREE EXTRA DVDs (Behind the Scene for each movie) apart from the 2 extra feature DVDs.

3. Blu ray set has Digital copies of Extended versions of all three movies.

4. They did not waste a DVD for digital copy. You download them straight from the server.

5. Digital copies are great downloads and super easy. Together, it's almost 10 GB download, which was overwhelming for me.

The NOT-SO-GOOD:

1. Extra feature DVDs (2 for each movie) are the SAME as those of DVD editions. In fact, the DVDs are identical when I do head-to-head comparison. These DVDs are pulled straight from the older DVD editions, nothing new added there.

2. The overall appearence of the set is not as beautiful as the DVD sets. This one is excellently packed though, lacks the colours of the DVD set.

3. Extra feature discs are DVDs and not Blu rays.

FINAL VERDICT-

If you own the extended DVD set, then buy this only if you want to have a great improvement in pictutre and sound quality. The only extra features you get is 'behind the scenes' DVDs. All other extra feature DVDs (total 6 of them) will be a duplication of what you already own in Extended DVD set. Actually, I noticed that all the extra feature DVDs here are from the various older DVD editions. The two DVDs are from the Extended DVD set, and the one 'behind the scene' is probably pulled from the limited editions of LOTR (the double sided DVDs that New Line Cinema released sometimes back).

However, if you do not own the DVD versions, then this is a must buy as this includes almost everything that you can think of (HD movies, extra features, behind the scenes, plus digital copies).

UPDATE: Also check the images I uploaded which may help make the comparison.

Q Is it worth it, especially if I already have the DVD edition?

A To me it is because I like to watch movies at home on the biggest possible screen at the highest possible resolution. I still have the DVD editions which I'm keeping because I like the artwork and the quality gain on the Blu is significant.

Q Could this edition be viewed as 'the gold standard'?

A Yes. It has the extended cuts at the highest resolution with the best sound and the most extensive collection of special features.

Q How many Blu-ray discs are in the box?

A There are SIX Blu-ray discs. The additional 9 'extras' or 'bonus' discs are DVDs.

Q Are the movies delivered on one disc each?

A No. See above. Like the DVD extended edition, the movies are delivered on 2 discs each.

Q Why aren't the movies delivered on one Blu-ray disc each?

A Most Blu-ray players can only read single layer (25GB) and dual layer discs (50GB). Each of the Extended Edition movies require more than 50GB. Compressing them to 'under 50GB' would have degraded the quality of the picture and sound track.

Q Is the audio superior to the DVD editions?

A Yes, the movies sound track is DTS-HD 6.1 MA.

Q Are there alternate soundtracks?

A Yes. Each movie disc includes 4 additional commentary sound tracks: Director & Writers, the Design Team, the Production and Post Production Teams and Cast commentaries.

Q Is BD-Live supported?

A Yes, on the movie discs.

Q Is the BD-Live content specific to LOTR?

A No. It contains WB promotional material.

Q Will the Extended Blu-ray edition allow us to play the Theatrical cut?

A No.

Q Is the Extended Blu-ray cut be in any way different from the Extended DVD cut?

A No.

Q Are the bonus discs in the Extended Blu-ray edition in any way different from the bonus discs found in the Extended DVD edition?

A Yes. There is an additional 'Special Features' disc for each movie holding the Costa Botes documentaries from the Original Theatrical & Extended Limited Editions.

Q Are the commentaries different from the Extended DVD Edition?

A No.

Q Are there subtitles?

A Yes, subtitles are available in: English (for the hearing impaired), Spanish and Portuguese.

Q What spoken languages are available?

A English and Portuguese.

Q Are the Digital Copies on disc?

A No. The Extended Blu-ray Edition has access codes for downloadable Digital Copies.

Q What are the Digital Copies for?

A iTunes or Windows Media.

Q Will the Digital Copies be available to download forever?

A No. The Digital Copy offers expire on June 26, 2012.

Q What is the resolution of the Digital Copy?

A For iTunes, it's 853x352 (less than DVD).

Q Will there be separate Extended Blu-ray editions for each of the three movies?

A Yes.

Q Why get the Extended Edition instead of the Theatrical Edition?

A The Extended Edition adds about 2 hours to the Theatrical cut.

Buy The Lord of the Rings: The Motion Picture Trilogy (The Fellowship of the Ring / The Two Towers / Th Now

I already reviewed the regular "Motion Picture Trilogy" containing the non-extended editions of the legendary Lord of The Rings masterpieces on one set. However, this newest edition is a grand improvement on the previous edition. This item is a much, MUCH better investment than the old theatrical counterparts and is perhaps the greatest DVD purchase one will likely ever make.

A lot "Director's Cut" scenes are usually just added footage that doesn't do a whole lot to add onto the theatrical edition of movies with examples like Star Wars, Manhunter, or even most of the "Aliens" movies as well. The extra material is just that, extras, that wouldn't kill me to never see again.

It's a totally different story altogether with the "Lord Of The Rings" movies altogether. While the regular theatrical editions were mind-blowing, the extended cuts of the same films do wonders in fleshing out the story and expanding the characters a lot more. Several characters that were not much more than background people are shown much more screen time, stories are greatly expanded, other scenes are much more meaningful, and the movies overall have a totally different feel altogether thanks to all of the extra footage that was not included on the theatrical editions. Now as I watch them, the old editions of them are rendered almost completely obsolete due to the chopped up nature of them. I sometimes wonder if Peter Jackson grimaced when he had to leave a lot of extra shots out of the movies to fit them onto the theatres when they were released.

"Fellowship" has 30 minutes of extra footage included to a length of 3 and a half hours. "The Two Towers" was extended 43 minutes to a total of 3 hours and 42 minutes and finally "The Return of The King" is extended by a grand 50 minutes and the ultimate result is a whopping 4 hours and 11 minutes long! I don't know about you but I don't know how one can make a longer movie like this but Jackson did it! The grand total of all three extended editions is at least an astronomical 11 hours long! This is just the movies themselves.

As for all of the extras on the "Extended Editions", there are over a days worth of extras for surf through on the latter two discs of each film set. The things on them are too great to explain in detail with this review.

Whether you buy them individually or all at once on this massive gift set, "The Lord of The Rings" trilogy goes down as the greatest trilogy of all time. You could not make a better purchase. I swear it!

Read Best Reviews of The Lord of the Rings: The Motion Picture Trilogy (The Fellowship of the Ring / The Two Towers / Th Here

Some confusion among other reviewers that somehow we're obligated to post a five star recommendation for the movie. This is an incorrect understanding of the review process. If I were reviewing the movie itself it would get a five. This review is for the product, as listed--in other words, I DO NOT RECOMMEND BUYING THIS PRODUCT/DVD. This product is being created FOR NO OTHER REASON than to dupe people into buying this movie twice...again. Those of us who were huge fans bought the original DVDs of the theatrical releases. THEN the studio FINALLY released the extended editions, even though they could have released both at the same time. Now that Blu Ray has won the High Def battle, the studios are salivating at screwing us all again the same way!

Please do not let them get away with pretending that Blu Ray can't hold both versions on one disc--it certainly can! A simple menu option would let you watch the Extended Edition when you have time, or Theatrical Edition when you don't.

Their other argument, that "Peter Jackson is busy working on The Hobbit and will work on Extended Editions later" is 100% total BS. He's ALREADY DONE THE WORK--just copy what he did for the regular DVDs onto a new Blu Ray master!

BOTTOM-LINE: The studios will make whatever argument they think will fly to convince us they can't put both versions on one disc, because they want to double their income on this movie. Which has ALREADY MADE THEM A BILLION DOLLARS. Don't play along--let friends know not to buy ANY LOTR Blu Ray that doesn't have BOTH versions on one disc.

Please do not let them get away with holding the extended edition hostage until everyone buys the theatrical versions. If you agree with my review, you can do your part to exert influence on the studio by doing the following:

Want The Lord of the Rings: The Motion Picture Trilogy (The Fellowship of the Ring / The Two Towers / Th Discount?

For all of you who think owning the theatrical editions of The Lord of the Rings trilogy is good enough, think again. These editions are not like any other director's cuts or special editions of films that we've seen in the past. Usually, when a film has a special edition, we don't get a whole lot more added in, and it's stuff that doesn't really add anything significant to the story.

But with these editions, just the opposite is true. The extended editions of the first two Lord of the Rings films proved to enhance the plot and characters so much more than anyone ever anticipated. Characters and their journeys become so much clearer and more interesting. The story makes so much more sense. And the whole thing has been re-edited with new music for new scenes and extended musical scores for extended scenes! It's absolutely seamless! Everything that's added in really makes me wonder how I could've enjoyed the films in their original theatrical release. These extended editions make THAT MUCH of a difference. And I have no doubt that The Return of the King extended edition will prove just the same, based on previews I've seen and what's been proven with the extended editions of the first two films.

The Fellowship of the Ring has 30 minutes added in. The Two Towers has 42 minutes added in. The Return of the King has 50 minues added in. Can it get any better? Well, of course! With each movie, you get two discs of bonus features! And these are not features that are boring to watch. You really get a first hand look at the journey that many, many talented people took when making this trilogy. Everything from adaption of the books, to special effects, to the music, to the editing process, to stories that happened on set, etc. The bonus features make a whole story in and of themselves!

For some of you, you may be thinking that 3 hours was long enough for these films. I guarantee you that it was not. When you watch these extended editions, you'll seriously re-evaluate your standards for how long these films should be. And besides, it's not like your sitting for 3 1/2 to 4 hours on your butt in the theater with no break. This is DVD. It's a different medium that allows you to pause it, take a break, cook dinner, or do whatever else you want to do and then come back later to finish it. They won't seem as long, especially when you actually see how great the footage is that they added back in. Simply breath taking.

Of course I didn't wait for this box set to come out to own "The Fellowship of the Ring" and "The Two Towers" extended editions. The theatrical versions of those two films alone WERE plenty good to motivate me to buy their corresponding extended edition DVD sets. But I'll probably buy this set anyway and sell the extended editions of the first two that I bought, just so that I can have the trilogy in this nice collectors box.

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Barbie in The Pink Shoes (Blu-ray + DVD + Digital Copy + UltraViolet)

My two daughters (ages 3 and 5) really love Barbie. They have plenty of the toys and movies. This is a great new movie that seems to keep their attention very well. My oldest has been doing dance for several years and she was really excited to see this movie. Overall they loved it and it is a great addition to their collection.

This movie is a fantasy style movie where Barbie plays the main ballerina character named Kristyn who is in dance school with big dreams. After ripping her shoes in rehearsal, she has to find a new pair in the costume department. She ends up finding a pair of magical sparkling pink shoes that send Kristyn and her friend Hailey into a ballet world. There they find an evil Snow Queen. The storyline goes that the girls must dance their favorite ballets to defeat the evil queen and find a way home. There is some mild conflict with the Snow Queen, but nothing too upsetting for little ones. The best part about this movie is that your children are exposed to some great classical ballets (Swan Lake and Giselle) and music from famous composers (Tchaikovsky and Beethoven).

Overall, the movie was fun and colorful with great CGI graphics. It has educational value by exposing your children to famous classical ballets and music. And most of all, the kids love it. I can't imagine a movie that is more perfect for your little dancer. Highly Recommended.

=========================

UPDATE (05/06/2013):

So we've had this movie for a few months now and my girls are still really enjoying it. My oldest, who is now 6, has been doing dance for a while and really loves it. It is right up her alley. She has a little dancer doll that she says is Barbie in the Pink Shoes. Our 3 year old, who is more of a sports kid, is also really liking it. They have been requesting "Pink Shoes" a lot lately. This past weekend they requested a Barbie movie and they both agreed on this one over "The Princess & The Popstar". It is tough to get them to agree on anything, so this is a big deal for us, especially since it beat out "Popstar" in our house. It keeps their attention and they are really liking it lately... plus they get exposed to some Classical Music. My 3 year old has even expressed interest in taking a summer dance class, which is a first. Still Highly Recommended!

DreReviews

Barbie is back in 'Barbie in the Pink Shoes', a return to the classic music and storytelling that put the Barbie movies on the map. I love ALL the Barbie movies from Nutcracker to Princess and the Popstar, but like most fans, I far prefer the earlier classics. In this movie, Barbie (as Kristin) and her friend Hailey are magically transported into a living ballet world where they meet characters from Giselle and Swan Lake, confront the wicked Snow Queen and of course, dance. This movie, while providing a good balance of fantasy and humor, has a mature, almost subdued quality all its own. Possibly because the classic music and dance are such a contrast to the newer Barbie movies. Many children have grown up with these movies, and this one seems to have grown up with them. There has been a conscious effort on the part of the filmmakers in recent years to steer Barbie into a more modern rock-n-roll world, but they don't seem to realize that younger audiences tend to follow their own tastes in music, fashion, etc, before peer pressure influences them into following the crowd instead. Most younger viewers (and listeners) respond to a more civilized look and sound, and I think this fits the bill on both counts.

This brings forward the 'message' of the movie, which contends that one should follow one's own heart and not be shackled by conventions. When Barbie dances, the music seems to flow right through her and she deviates from the established choreography to create her own, ultimately winning the day. There are two sides to this contention; while art should not be squeezed into pre-established confines (after all, even 'classical' stuff had to establish itself at some point), traditional music and dance should not be discounted just because it IS traditional (after all, it is considered 'classic' for a reason). The point is, art is subjective and there is no right or wrong (unless it's gimmick-driven or fad-following). Ballet is a particularly traditional art form, but anything done right has its place, be it traditional or otherwise. Everyone has a voice, so let them use it and let the audience decide what works. This movie DOES work, and I recommend it highly.

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I bought this movie for my daughter's Kindle so she could watch it this weekend as we traveled to her dance competition.. She is 9 and loved it!!

Read Best Reviews of Barbie in The Pink Shoes (Blu-ray + DVD + Digital Copy + UltraViolet) Here

Honestly, I have not watched this. I have a friend who's daughter who just loves all these Barbie movies and I always get her the 2 new ones that come out yearly. She seemed to really enjoy this one, she said she watched it 3 times the first day! So I guess it must be that good!

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I've liked every Barbie movie made. I have not seen this one yet, but I'm a dancer, and with the helpful reviews, I'm sure I'll like it.

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Rush Hour (2010)

I love this movie. I didn't know how it would be at first. Mainly because of the huge difference in the two actors. Well after watching I realized that the two are perfect together. One plays a serious cop whos only goal is to solve the crime that has been committed. While the other is a cool, slick cop who likes women and having a good time. At first neither really gets along and they don't know how to act around each other. After a while of being together though this changes and they are both trying to solve the crime while having a bit of fun at the same time. This is one of the best movies I have seen in a long time so I would say try it out.

Rush Hour DVD

Rush Hour starring Chris Tucker and Jackie Chan is sort of a mixed bag. Partially a martial arts movie, but also, a comedy. I know it sounds weird ,but it works. A laugh a minute, as they say. Packed with action.

Recommended for fans of Chris Tucker and Jackie Chan.

Gunner December 2007

Buy Rush Hour (2010) Now

I get a kick out of this movie. The way Jackie Chan and Chris Tucker interact and play off each other is so hilarious. Jackie Chan's Hollywood career got a second break with Rush Hour and the plot has more substance than most Jackie Chan movies.

We got James Carter, played by Chris Tucker, who is an LAPD detective with a penchant for dancing Michael Jackson-style while blowing up blocks of buildings. This gets him into trouble with his sergeant who, at the request of the FBI, assigns him to a case where he ends up being a nurse maid to Lee (Chan), a Chinese detective who has just broken up a huge smuggling ring in Hong Kong. The FBI want Carter and Lee to not interfere with the investigation of the kidnapping of the Chinese Consul's daughter, but Lee and Carter do anyway, in their own charismatic manner and triumph where the FBI fail.

The martial arts expertise of Jackie Chan is fantastic and shows that his truly a master in what he does. Chris Tucker does a terrific job of playing the off the wall LAPD officer who trys to keep Chan's character out of the way of an investigation. Chris Tucker is an extremely well disciplined actor, and seems to go very smoothly with the styles of Jackie Chan. Not only is the action part of the movie good, the now common jokes in martial arts movies are all there, including many racial/cultural difference jokes not necessarily making fun of races, but the cultural differences. Rush Hour is nothing to take seriously, but it is fun to watch.

Read Best Reviews of Rush Hour (2010) Here

Rush Hour starring Chris Tucker and Jackie Chan is the new breed of all action packed and humorous police films. This film will keep you laughing from start to finish. Chris Tucker is too funny for words and Jackie Chan still has the quickest hands of any martial artist I have ever seen-other than the great Bruce Lee. It is a great story of how two cops from two different worlds and with two completely different personalities join up under the premise of steering clear of an FBI investigation involving the kidnapping of a Chinese dignitary's daughter. Of course, Detective Carter (Tucker) eventually fails in his attempt to keep Inspector Lee (Chan) out of the investigation. The two, however, ultimately bond and join forces to crack the kidnapping case without the help of the FBI. Rush Hour is full of explosive action and comic wit. I especially enjoy the feature on this DVD that allows the viewer to see those scenes that were deleted from the film and the feature that allows you to jump to a particular scene. Rush Hour is a must have for all movie lovers. Kudos!!

Want Rush Hour (2010) Discount?

Detective Carter (Chris Tucker) who has the fastest mouth in the L.A. police force has an assignment to track down a Chinese Consular's daughter with the help of Hong Kong detective Lee (Jackie Chan). The Two aren't getting along quite well for Carter thinks everything is his way, for Lee the mission is important but eventually along the way they become friends and must stop the international criminal mastermind behind this.

Phenomenal and entertaining action-comedy that has the right ingredients to make one of 1998's most popular movies! Chan and Tucker make a great team together. The movie has a perfect mix of action, laughs, and stunts from Chan, it's the best work Brett Ratner has done and the sequel is even better.

The DVD has crisp picture and sound with cool extras like audio commentary, isolated score, Deleted scenes, featurette, a short film, the theatrical trailer, DVD-Rom extras and music video by Dru Hill.

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Never Back Down (2010)

NEVER BACK DOWN is a teen-action-martial arts drama that has all the ingredients to entertain a VERY specific audience. The film isn't going to win awards for its story, but then again, what martial arts film ever had? The film has a very formulaic and routine storyline but what caught my notice are its action sequences. Please note that this is a review of the film's "Beat Down" edition that supposedly contains more punches and kicks, more blood and graphic violence.

A young man with an ill temper named Jake Tyler (Sean Faris) has been trying to keep his life together with his mother and younger brother after his father`s death. They move to another town from Iowa so his brother can pursue a tennis scholarship. Once in school, he gets baited by a pretty girl, Baja (Amber Heard), to a party that ended up with Jake getting his head kicked in by the resident "Beat Down" champ Ryan McCarthy (Cam Gigandet). Frustrated, Jake enlists Max's (Evan Peters) aid to introduce him to a master of mixed martial arts named Jean Roqua (Djimon Hounsou) with revenge on his mind. After training for sometime in the Dojo, Jake realizes more things about family, discipline and friendship; and more importantly controlling his anger. Jake isn't interested in fighting anymore. However, now that he's been training under Roqua, McCarthy is even more eager to fight Jake...

The film has all the elements we can relate to; family issues, bullying at school, forgiving oneself and atonement. At first impression, I thought it was just going to be a bad rethread of "The Karate Kid" with just more action and violence. Well, it actually is a rehash if you think about it in regards to its plot but the film is quite entertaining. The film actually explores the issues that often plague martial artists themselves and explores the relationship between Sensei and apprentice. Jake and Jean developed a common denominator to each other which is their failings in their family. McCarthy is a martial artist without discipline and as a result becomes a brash, arrogant fighter.

The direction by Jeff Wadlow knew what his goals were; and that is to provide popcorn entertainment. While the film does have a very unoriginal premise and frankly, those elements have almost been done to death; Wadlow manages to keep things small but focused. The pacing is quite competent enough to keep the viewer interested and never becomes too ambitious or pretentious by adding excess "fat" to the film's simple plot. There are some morality issues and quite a lot of preaching about the necessities of forgiving oneself. What helps the film along is that the relationship between Roqua and Jake were convincing enough and I was happy it took center stage rather than the sappy blossoming "teen love" between Jake and Baja. Just when does a Sensei know when his student has become the best he can be? When the sensei begins learning from his apprentice.

Now the film's main draw would have to be its fight sequences. For a Hollywood flick, I thought it was decently executed. Of course, the fights can never compare to the fight sequences choreographed by the legendary Yuen Woo-Ping or the best of Corey Yuen; but for the most part it was smooth enough to generate some intensity and pain in the proceedings. There is quite a bit of graphic violence in this dvd edition that stays within the realm of mixed martial arts. I credit the director that the managed to keep the scenes that make Faris and Gigandet look good and edit out the scenes that make them look bad. The fights were decent, and I thought the encounters were hard-hitting enough for what its worth. Just don't expect the fights to be in the same caliber as Asia's best martial arts action sequences.

Now, the film does have its share of problems. The performance by the supporting cast does seem a little too "wooden" at times. Max provides some of the film's 'comic relief' but you can see from miles away that he was a simple plot device to set up the film's final climax. Amber Heard who plays Baja is pretty, sexy and attractive but I think she had so little to work with, so I can't really criticize her acting that much. Well, she acted like a girl star-struck by the new boy in town and she does do that. Jake's Mom and little brother had limited screen time but they gave Jake more character development than what was provided by visuals alone.

Overall, I thought "Never Back Down" is an entertaining enough experience. It does play its cards well enough and it stayed focused on its main premise. Sure, its premise is pretty simple and very unoriginal; the stereotypical love triangle definitely got in the way but I guess there has to be something for everyone. Consider it a "Karate Kid" remake that focuses more on its action sequences rather than the drama. The film is pretty routine but it is a worthwhile watch for action junkies with its abundance of kicks and punches to satisfy that "fix".

Recommended for action junkies and a good rental for everybody else. [3 ½ Stars]

Ok, first off, people need to see this movie for what it is; a fast paced action flick full of girls, cars and fighting. This film is aimed squarely at a younger audience (like myself, 18) who enjoy some good action, even if it doesn't have the best plot, which, I will admit, is very thin. And to all the old farts giving their snobish reviews, go watch romantic comedies or some independent film and talk about how sophisticated it is and how clever you are for watching it. This movie is about adrenaline and thats about it. If your too old to remember what that is, then avoid this movie.

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From the trailer I assumed the best and I was rewarded. The action is fast paced, each scene is useful and masterfully written. If you like UFC or MMA fighting this movie kick serious a... You know it, I know it. So there is nothing like a good old brawl reminiscent of the original Rocky. The soundtrack is the strong suit of this movie it adds aggression and motivation. Watch it I strongly recommend it.

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I saw this on cable TV one night and really enjoyed the story so I got this to share with my wife. We were a little shocked to see some of the scenes that had been edited out for the version I saw. In truth, these were just gratuitous and added nothing to the story, but added because they could.

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The product is in great condition! Great movie, my husband is obsessed with the movie. Totally recommend this movie for both male and female.

Dolphin Tale (Movie-Only Edition + UltraViolet Digital Copy) (2011)

Just wanted to take a moment out to say a few words about this film. I do not go to movie theaters much due to their costs ever rising. I usually wait for dvd anymore. This one we actually did go see on the big screen. My 5 yr old wanted to see it. I took her and my mother to go see it and we ALL loved it. It will make you laugh, and cheer and even get teary eyed. It is not super depressing like some animal films. Instead it shows hope, courage, faith and perseverance and how people can come together and make things happen through trials. Great cast, cute movie. Best part is it is based on a true story. so cool. We will be buying this one when it comes out for sure!! I highly recommend this movie to anyone, kids or no kids..

My husband and I took our first-grader to watch this beautiful, uplifting movie this past weekend and had the most wonderful time. When the movie ended, the audience broke out in spontaneous applause, that's how much this movie affected all of us. Dolphin Tale is the story of overcoming the odds, of love between family and love among friends, and of courage and resilience.

Set in Clearwater, Florida and inspired by a true story (yes, there is a real Winter the Dolphin!), the story centers on a young boy Sawyer (Nathan Gamble in a finely nuanced performance) who is portrayed as being despondent at the beginning of the movie he is sad that his cousin,Kyle (Austin Stowell) a champion swimmer is going away to serve the country as a soldier. Kyle is Sawyer's role model and mentor, and the closest thing he has to a 'dad' figure given his own father left the family when he was very young. Sawyer's mom, Lorraine (Ashely Judd) tries her best to cope and provide for Sawyer, but she can't seem to bring Sawyer out of his doldrums. Sawyer is also very unhappy that he has to attend summer school, but something happens to change the way Sawyer views life.

One day, Sawyer comes across a stranded, injured dolphin and the amazing journey begins...soon enough, Sawyer is volunteering at the Clearwater Marine Rescue facility, headed by Dr. Clay Haskett (Harry Connick, Jr.), and the young boy finally sees a reason to be enthusiastic about life. He befriends Clay's young daughter, Hazel (Cozi Zuehlsdorff) and forms a close bond with Winter the dolphin. Unfortunately, the marine facility is in financial trouble and faces the threat of being bought out by a developer. Added to this is the sad fact that Winter, having lost her tail, may eventually face paralysis. Morgan Freeman plays a doctor who designs prosthetics for injured war vets, and whose unwavering perseverance plays a prominent role in the movie.

There's something in this movie that captures the imagination and interest of both children and adults. The antics of the dolphin, and the children's interactions between themselves and the dolphin will keep young children entertained and older children engaged. The riveting storyline, and the tension and drama keep the adults engaged as well. This truly falls into the category of "family entertainment". We did not watch it in 3D, but loved the movie all the same. Another friend who did watch it in 3D enjoyed the extra effects, so we might go back and watch it again. I will certainly be purchasing the DVD when it is released and adding it to our home DVD library.

The messages in this movie are timely and evergreen of resilience, hope, love, overcoming the odds, and of course, conservation. You can learn more about the real Winter at seewinterdotcom.Enjoy!

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Dolphin Tale is, first and foremost, a great family movie. What I mean by that is that everyone kids and adults alike can enjoy it and never feel either bored or like they're being talked down to. A lot of craftsmanship went into the making of this movie and it shows, mainly in how seamlessly it flows and how well everything fits together.

The movie centers around the true story of Winter, a young bottlenose dolphin found on a beach in coastal Florida whose tail was injured and ended up having to be amputated. The humans taking care of Winter ultimately had to create a prosthetic tail in order for her to survive, and in the process she became an inspiration to many, from children who were born missing a limb to veterans who had lost limbs in Iraq and Afghanistan.

In Dolphin Tale, the plot begins with Sawyer (Nathan Gamble), a young boy who's been withdrawn ever since his father left the family five years earlier and who's having to deal with his older cousin Kyle (Austin Stowell), who's been like a brother to him, leaving to do a tour in Afghanistan. Which leaves Sawyer even more lonely and withdrawn, until one day he happens to come across a dolphin stranded on the beach. The dolphin is injured, its tail caught in a crab trap which has washed up along with it. Sawyer cuts the dolphin free of the trap, animal rescue is called and the local aquarium comes and takes the dolphin away for treatment.

Curious, Sawyer later goes to the aquarium to check on the dolphin, sneaking into the Employees Only area where he runs into Hazel (Cozi Zuehlsdorff), the young daughter of the aquarium's resident vet, Dr. Haskett (Harry Connick, Jr). Hazel, who is as extroverted and chatty as Sawyer is withdrawn and shy, takes him out to the tank where the dolphin now named Winter is being treated. Winter, who had been lethargic and unresponsive, seems to perk up at the sound of Sawyer's voice, apparently recognizing him as the one who cut her free, and gradually Sawyer becomes part of the team of humans trying to save her. Which he does by playing hookey from summer school and spending his days at the aquarium, without telling his mother (Ashley Judd) who is furious when she gets a call from the school asking where Sawyer has been. But when she sees how much the experience is drawing her son out of himself for the first time and he's actually emotionally connecting with people once again, she decides to let him continue.

The damage to Winter's tail, however, is too severe and Dr. Haskett ends up having to amputate it, which makes them all wonder if Winter will be able to survive. In the meantime, Kyle has returned from Afghanistan after having been badly injured and is having to undergo physical therapy and learning to walk with a leg brace. While visiting Kyle at the VA hospital, Sawyer meets Dr. McCarthy (Morgan Freeman), who works with the veterans who need prosthetic limbs. Sawyer then draws Dr. McCarthy into the project of designing and building a prosthetic tail for Winter. And in the background, the aquarium is facing threats from budget problems which only worsen when a tropical storm wreaks havoc on the place.

There are admittedly in Dolphin Tale a number of Hollywood embellishments to Winter's story that frequently border on the formulaic, and at times the relentless optimism that permeates the film seems a bit much, but it is a mark of how well the film was written and directed that I never felt bothered by them. As director, Smith shows a deft hand at pacing and at balancing drama and humor so that you're always engaged in the film. He also seems to know exactly how to work with animals in this case the dolphin Winter (who played herself) and a comically territorial pelican named Rufus. Smith also has a fine eye for knowing just how to photograph animals to bring out their personalities, which may have come from his own experience working with wolves in the 1983 film Never Cry Wolf. The scenes between Sawyer and Winter, particularly the underwater ones, are beautifully crafted, and one genuinely experiences what it is to be in that special world where dolphin and human connect with each other.

Credit should also be given to the particularly fine performances by Nathan Gamble as Sawyer, Cozi Zuehlsdorff as Hazel, and Ashley Judd as Sawyer's mom, all of whom make their characters fresh and believable, which carry the emotional core of the movie without a hitch or a stumble. At 12, Gamble is already a veteran actor with appearances in films like Babel, The Mist, and The Dark Knight and numerous TV shows). The supporting cast is also excellent. Harry Connick, Jr is convincing as Dr. Haskett, the aquarium vet and Hazel's father, and you can see him noticing how Winter responds to Sawyer and recognizing that Sawyer seems to have a natural gift for working with animals... and then weighing whether he should involve a boy that young in something this serious. Kris Kristofferson does a nice low-key job as Haskett's father and Hazel's grandfather, offering calm advice and reassurance when it's needed. Austin Stowell is good as Kyle, Sawyer's cousin and a former champion swimmer who now has to deal with that part of his life effectively being over. And a number of familiar veteran character actors fill in various roles Frances Sternhagen as Gloria, the administrator having to deal with the aquarium's financial problems, Richard Libertini as the fisherman who finds Winter along with Sawyer, and Ray McKinnon as Sawyer's harried summer school teacher.

On a side note, I saw the 3D version of the movie, and I can actually say that, unlike most 3D films, Dolphin Tale actually made some nicely effective use of the 3D technology, particularly when the shots that take place underwater and in the part of the film where they're working on the design of Winter's prosthetic tail and the blueprints take shape, showing how they're supposed to fit and function. And again in a throwaway but nonetheless fun scene involving Sawyer's remote-controlled model helicopter buzzing out of control around and through the aquarium.

Highly recommended as a good, solid all-round enjoyable family film.

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First... let me say I thought the movie was a 4 1/2 star movie. My complaints are with this Combo set. This was my first combo DVD/Blu Ray/Digital where it is an ultraviolet digital copy. I must admit that I didn't fully understand the whole "ULTRAVIOLET" thing when I purchased it, so I must admit I made some poor assumptions. All of the past purchases (with the exception of one Sony which would only play if I had a PlayStation) have come with a digital copy I could download to my computer and place on my kid's iPods. But this one... BUYER BEWARE... it only allows you to stream the video through Flixter. This doesn't help when you're in the car and don't have an internet connection. I need a digital copy my kids can watch on their iPods while we are traveling in the car. So, this combo pack is a complete waste of time. I would have done better to purchase the DVD and burn my own digital copy to the iPods. I will know better next time. Also, you have to sign up for a Flixter account and select several required boxes which I did not agree with. So, this whole marketing scheme they have going is awful! I will never buy another combo that comes with the ultraviolet digital copy.

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Would you like the children you care about to see an entertaining, warm-hearted movie where decent, everyday people solve real problems using compassion, hard work, patience, thoughtful observation and ingenuity? If so, "Dolphin Tale" is for you.

In this "inspired by a true story" film, a baby dolphin is injured when she is entangled in crab pot lines. She washes up on a beach in Florida where Sawyer, the lonely son of a single mother, sees her. The Clearwater Marine Hospital picks her up. Hazel, the daughter of the hospital chief of staff, names the dolphin "Winter." Winter recovers but her tail must be amputated. She learns to swim by wiggling side-to-side, but if she continues to do that indefinitely, it will damage her spine and kill her. The movie concerns efforts to design a prosthetic tail that Winter will wear by Sawyer, Hazel, the marine hospital staff and a prosthetic specialist doctor Sawyer meets at the VA hospital when visiting his war-wounded cousin. The Marine Hospital is also struggling financially and trying to raise enough money so it can avoid being bought by a wealthy developer who intends to tear it down and build a resort. The lonely Sawyer finds a friend in Hazel and something to be passionate about in the effort to save Winter.

Here's what "Dolphin Tale" is missing:

1. Dazzling special effects

2. Bodily function jokes

3. Swearing

4. Anything remotely sexually suggestive (I expected the filmmakers to turn up the heat between Hazel's widowed father and Sawyer's abandoned mother, but they don't)

5. Magic

6. Super powers

7. Car, spacecraft or other vehicle chases

8. Battles

9. Explosions

10. Violence

11. Diva acting

Here's what "Dolphin Tale" has:

1. A story that engages even kids who usually demand slam-bang action, slapstick, magic and/or super heroes (like mine);

2. An appealing cast;

3. Situations that feel like something resembling reality: single parents doing their best to bring up their kids; young adults joining the military to get money for education and coming back from the Middle East with bodies and dreams maimed; nonprofits struggling to stay open in a bad economy

4. Positive images of people from a variety of backgrounds and abilities and disabilities

5. Positive values: family, community, perseverance, creativity, generosity, ethical behavior

6. An adorable dolphin you can't help but love; and

7. Considering the subject matter, a remarkably favorable balance of charm to treacle.

Adults will see through some of the more heavy-handed plot devices, but that's OK. There's so much in this movie that kids don't see enough of, it's worth it. Well done.