Red Dog BD Combo

Just finished watching RED DOG! Amazing performance by the dog character great eye expressions! The dog is very amusing and holds your interest throughout the movie. And no animal movie goes unfinished without pulling on your heartstrings. This was a very entertaining movie. Do not let the first 10 minutes put you off takes a little getting used to the characters but once you do, you will not regret it. Loved it!

I've always thought that one of the best "dog" movies of all time was the classic Disney movie; "Old Yeller" and I've often wondered why Disney hasn't done a modern remake of that great movie. I'm a 62 year old ex-marine and I still get a little teary eyed with I see that that movie.

What I'm getting to is this: If you like "Old Yeller" then you will love this movie. It's one of those movies that will make you laugh and cry and then laugh again. Not sure if this flick will be an instant classic but it will one that I will watch more than once.

Buy Red Dog BD Combo Now

I just saw this film at the TriMedia Film Festival in Colorado and LOVED it. Visually beautiful, rich characters, and lots of laughs. I have pre-ordered this and look forward to adding it to my library!

Read Best Reviews of Red Dog BD Combo Here

I just finished viewing the film as a rental on Netflix. Now I'm putting in an order here at Amazon for numerous copies to give as Christmas Gifts the film is THAT exceptional. Based on true events folks, and of course there probably have been some changes made to make the film version more 'palatable' for the masses. But at the heart of the story are the very true emotions of an American man in remote 1971 Austraila who didn't choose the dog the dog chose him. And everyone who came into the life of this dog in one way or another is touched forever, as you will be too. To be sure, there is a great deal of comedy, and very broad comedy at that. But it's very effective. Children will laugh at certain events and Adults will laugh at events the children won't probably get. Everyone will be pleased with this film. Still, with all the comedy, there is this very real dramatic vein that runs throughout, mostly from the half-way mark to the end that will enable Adults to be carried along. And let me tell you this, there will not be a dry-eye in your living room at film's end. Even now while I'm writing this and thinking back on this passage in the film, I am tearing up: 'Have YOU seen John?', 'Have YOU seen John?'. (You'll know what I mean about that question after viewing the film.)

Want Red Dog BD Combo Discount?

I watched this movie in an historic theater in Broome, Australia and I have been trying to get it in American format ever since so I can have it at home. I know it was full of Australian humor that I probably didn't understand, but the story and characters are so real and Red Dog is so special, this is truly a top pick of movies for me. I watched it again on the flight home. How can I get the distributors to make it available in the US?

Save 28% Off

Perfect Sense (2011)

I first saw "Perfect Sense" at the 2011 Sundance Film Festival, and I can honestly say that it was one of the most visceral movie-going experiences of my life. I have never walked out of a theater so happy to be alivein a good way! Ever since then, I've been eagerly awaiting the opportunity to see it again. Unfortunately, the film didn't receive much of a theatrical release in the US, so I look forward to introducing it to my friends and fellow film lovers once it's released on Blu-ray.

To be fair, I can understand why "Perfect Sense" might not have got the release it deservedit's a hard film to categorize. The film focuses on two residents of Glasgow; a chef, Michael (Ewan McGregor, "Trainspotting") and an epidemiologist, Susan (Eva Green, "Casino Royale"), as they meet & begin to fall in lovemeanwhile, an unexplained illness begins to cause humans across the globe to lose their senses one-by-one. In the beginning, it's just a few people losing their ability to smell, but things escalate quite rapidly from there. While this might sound hokey (and usually is, on an indie budget), director David Mackenzie and his team succeed in evoking an effective & terrifying global disaster from a local perspective, and the film does enough to suggest plausible causes for its illness while keeping it ambiguous enough to allow the larger metaphor to shine through.

The effect of the disease is made even more immediate thanks to an interesting side effect: prior to each new sense that is lost, victims are hit with a uncontrollable wave of emotions, varying from despair to hunger. This leads to terrifying scenes such as crowds of people devouring everything in sight like animalsedible or not! These montages are quite effective at putting the viewer in this situationone can't help but imagine how you would feel if you were losing your connections to the world and had no control over it.

Adding to the cinematic power of the disease are the unique perspectives of our protagonists. As a chef, Michael finds his whole livelihood threatened with the loss of taste and smell, and struggles to adapt to a world with little needs beyond the base essentials of "flour and fat". Likewise, epidemiologist Susan finds herself on the front lines of the disease, desperately trying to understand an illness that is clearly beyond comprehension (and one could argue is punishment for humanity's sins).

With all the mysterious disease and global chaos, one might place "Perfect Sense" squarely in the burgeoning indie apocalypse/sci-fi genre (a la "Children of Men"). However, it's clear that "Perfect Sense"'s dark backdrop exists to illuminate the film's true focus: the romance between Michael & Susan. These two lovers are hardly an ideal pairboth come with their own set of very human flaws, sabotaging their efforts at intimacy and admittedly making it hard to relate to either of them at first. But for this reason, their relationship feels very real their flaws reflect humanity's flaws. Both Ewan McGregor & Eva Green give excellent performances, anchoring the film with their natural characters and physical chemistry, even while serving as metaphors for the whole human race. As Michael & Susan find themselves drawn together, each new sense that is lost brings an examination of what it means to be human, and what is most important to us in this world. In the end, when even our bodies betray us, the only solace to be found is in the people that we love.

It would be criminal of me to spoil all of the film's pleasures, but I must mention several other aspects that made "Perfect Sense" such a powerful experience. First, the supporting cast is fantastic, and collectively they sell the reality of the situation. The film features several familiar faces, including Connie Nielsen ("Gladiator"), Ewen Bremner (Ewan McGregor's "Trainspotting" co-star, "Black Hawk Down"), and Stephen Dillane (currently starring as Stannis Baratheon in HBO's "Game of Thrones").

Finally, and perhaps most importantly of all, I must call attention to the incredible score by Max Richter ("Shutter Island"). His beautiful and heart-breaking music on piano & strings was truly captivating, and hooked me into this emotional journey from the very first frames. Indeed, the score elevates the entire film, adding layers of emotional depth & power to the larger ideas the film could only visually suggest for the sake of budget. I hope somehow there is a soundtrack release, because if you're like me, once this music gets in your head you may not want it to leave!

"Perfect Sense" was one of my favorite films of 2011, and I am delighted that it is finally being released in America. It's not for everyone, but it may just make you appreciate the world more, and realize that the things we should value most aren't possessions, but people. I hope you walk out of "Perfect Sense" as I did thrilled and appreciative of the wonders of life, and filled with a desire to share them with your loved ones. As the narrator so eloquently states, "without love, there is nothing."

(Update 10/17/12: I just wanted to add that Max Richter's amazing soundtrack for "Perfect Sense" is now available to download in the U.S., via Amazon, iTunes, etc.)

Susan is a scientist who lives in her own little world, her entire life is devoted to research, while everything else is neglected. For Susan, it was all work and no play, until she meets Michael. A talented scientist meets a talented chef, and the sizzling romance begins. As one would expect, Susan's life begins to change, but so does the entire world she lives in. The more steamy the relationship, the more a new epidemic spreads. As the couple fall in love and share their feelings, people all around lose their sensory perception. As the romance become intense, the mysterious disease becomes more disturbing. The outcome is global chaos as the mystery continues. "PERFECT SENSE" is brilliant, powerful, romantic, and chilling. The acting is superb, and the story is both touching and thrilling. Highly recommended for romantic suspense lovers and thriller loves.

Buy Perfect Sense (2011) Now

The ineluctably disturbing aspects of "Perfect Sense" linger long after the movie ends. "Perfect Sense" is a poetic thriller that forces people to make sense of a world that is literally stripped of all its sensibilities. Slowly, one sense is lost, then another, across the world, and the viewer becomes directly involved in sly and clever ways. Will vision be lost next? And then what? How much more can possibly be lost? Ewan McGregor is satisfyingly atmospheric and Eva Green's dramatic starts and stops provide genuine intrigue. One can only hope that should the world end this way, and if we could possibly survive the perceptual annihilation, that we could once and for all come to our senses about how we treat each other and never lose sight of what really matters to us.

Read Best Reviews of Perfect Sense (2011) Here

"I think it's OK to panic now." A very serious disease strain has begun to cause havoc all over the world and it's called severe olfactory syndrome (SOS). It begins by smelling something that reminds you of someone you know who has died, then one by one you begin to lose your senses. During the outbreak chef Michael (McGregor) and scientist Susan (Green) begin to fall in love and their relationship is tested over and over as their senses begin to fail. Even the the plot may sound a little hokey this is actually a very good movie. At once the movie is both disturbing and sweet as well as erotic. The acting is fantastic as you believe that they are really losing their senses and you really begin to feel bad for them. To me this is a little scary because it makes me wonder if this could actually happen (from some chemical) and how I would act. This movie will give you hope and break your heart at the same time. I recommend this but it is a movie that will leave you worn out and not really in the mood to do anything after. Overall, a very good movie that is both disturbing and wonderful. I give it a B+.

Want Perfect Sense (2011) Discount?

Of all the movies that I have viewed this year, this one has to be up there with the best. The amazing direction of David Mackenzie, the lulling and mournful soundtrack by Max Richter and the photography by Giles Nuttgens (both beautiful and distressing combined) pull a metaphorical statement from beginning to end.

Michael (Ewan McGregor) is an executive chef who meets Susan (Eva Green), a saddened epidemiologist, after she returns home from examining a patient with a very disturbing affliction. Inexplicable, as he suddenly lost his sense of smell for no apparent reason. This continues on to several other people at first then runs amok.

These two begin an intimate relationship quite rapidly, as everything in this movie happens quickly and without warning with one exception: each person will fall into a severe emotional occurrence previous to losing their ability to smell.

Susan and her team give it the name 'Severe Olfactory Syndrome' (SOS) as it reaches epidemic proportions and spreads world wide. There are no explanations given as there is no time, therefore one must think on their own of how, why or what is happening. The movie heavily affects your time in reacting. It causes suspenseful anxiety to build readily and rapidly as you are left questioning the reasons why.

The erotic relationship between Michael and Susan hardly gets a chance to develop, as the rapid-fire affliction follows into another sense (taste) and similarly eradicates it. Michael is 'affected' and this is devastating to his career as is Susan affected also. The couple is growing more and more dependent on each other as the happenings around them are rapid fire and deconstructing.

The symptoms preceding the loss of the senses are bewildering, wonder-struck and deeply disturbing. People are losing control, panicking and literally start unstoppable eating of anything and everything (from lipstick to things you have got to see for yourself). The photography and camera angles are astounding in bringing this chaos to life as it is all out catastrophic.

People are running wild, rioting in the streets as everything is unsafe and sickness is omnipresent. There is so much to this movie that I wouldn't want to go on with the plot any longer as I would hate to ruin anyone's response to this movie...and your response itself is everything.

Running amid the course of the film are short plugged in narratives that work well. They serve to make you think, as this is a frightening portrait of annihilation in a very different form.

When someone loses one of their senses, it is usually just that one and devastating at least. The ending of this movie presents a whole alternative view to this, as tomorrow is no guarantee and "gather ye rosebuds while ye may".

Save 43% Off

The Little Shop Of Horrors (1960)

Unfortunately, Little Shop of Horrors and every other Roger Corman Filmgroup production lapsed into public domain years ago and have generally been available on VHS and DVD only in poor-quality editions ranging from merely bad to atrocious. (The only Filmgroup features to get a decent official or semi-official release so far are Bucket of Blood, Beast from Haunted Cave, and Night Tide.) After researching every DVD version of Little Shop of Horrors available (there are at least eight!) I played a hunch and went with GoodTimes to replace my VHS copy, and I'm very pleasantly surprised at the overall excellent quality of the source print. When I saw the "preserved using the best available elements" line at the beginning of this disc I thought 'yeah, right,' but I have to admit that this is the brightest, cleanest, sharpest (if not exactly razor-sharp) print of this film I've ever seen. The black level, contrast, gray values, and shadow/highlight detail are fine, and physical damage is limited only to some very light speckling and blemishing (!!). On the downside, the transfer itself seems to be somehow deficient (low bit rate?), causing areas of flat white or smoothly gradated grays in the image to exhibit some very faint but noticeable pixelation or banding, especially during the opening credit sequence (areas of flat color seem to be DVD's Achilles Heel). The casual viewer probably won't notice this phenomenon unless it's pointed out, but it's there. That said, the superior quality of the source print more than makes up for this one barely noticeable flaw; this is still most likely the best edition yet available of this classic 'sick humor' gem and well worth the bargain price. It definitely blows away every TV print and cheapjack PD video version I've ever eyeballed. Grab this before it goes out of print.

The movie itself still entertains tremendously today, a funny, goofy (dare I say charming?) horror-comedy that basically plays like a stage farce (most of the action takes place on one or two sets). The story is essentially a remake of Bucket of Blood with a change in locale and a few fresh twists. This time Jonathan Haze portrays everyschlep Seymour Krelboine, who lives with his alcoholic hypochondriac mother (she listens to KSIK radio) and works at Mushnick's skid row flower shop. Seymour (temporarily) finds fame, fortune, and romance by nurturing (and eventually murdering for) an exotic talking cannibalistic plant. Mel Welles, in his finest hour (literally), steals nearly every scene with his droll portrayal of perpetually exasperated Gravis Mushnick, and Jackie Joseph (Andy Griffith Show, Who's Minding the Mint) seems born to play pretty, ditzy Audrey. Corman regulars adding to the fun include Dick Miller (Walter Paisley in Bucket of Blood) as Fouch, a flower-eating client, John Shaner as a sadistic dentist, and 14th-billed Jack Nicholson (featured prominently on most tape and disc box art) as his masochistic patient. Shot on a shoestring in just three days (at least all the interiors), Little Shop holds up better than many big-budget comedies of the day (anyone watched Story of Mankind lately?). Much credit must be given to Charles B. Griffith, unsung hero/architect of the AIP/Allied Artists/Corman style. His list of credits reads like Corman's greatest hits: It Conquered the World, Attack of the Crab Monsters, The Undead, Not of This Earth, Teenage Doll, Bucket of Blood, Beast from Haunted Cave, Wild Angels, Death Race 2000, etc. Griffith's clever, witty screenplay is a model of late-50s sick humor, working in a dead-on Dragnet parody, some wonderful malapropisms and bits of wordplay, lotsa Yiddish humor, and a handful of his patented icky-creepy moments. (Griffith also voiced the plant, Audrey Jr., played a few walk-ons, and directed some second unit scenes, all uncredited.) Fred Katz's memorable score is alternately goofy and spy-jazzy, and, unlike some of Roger Corman's other attempts at comedy (e.g. Creature from the Haunted Sea), I find his touch just right here, ably supporting Griffith's verbal bits with complementary editing patterns (check Sgt. Joe Fink and Det. Frank Stoolie's hilarious introductory scene). Lighter in tone and a bit broader and more farcical than Bucket of Blood (which I personally prefer), Little Shop, judged on its own terms, is still fresh and engaging, though the low budget is obvious at times. I'm not sure how fans of the Broadway show or movie musical will react to the original (I admit to being a purist myself), but if they share a taste for low budget horror or 50s-style sick humor they'll probably find it an offbeat treat.

Roger Corman's Original 1960 version of "The Little Shop Of Horrors" is considered by many as a true cult classic comedy of B-Movies,even the most respected of film critics.Unfortunately depending on the tastes and opinions of film fans that were used to seeing this legendary film comedy through the public domain since there was a lack of copyright in the titles,(same thing had happen to "Night Of The Living Dead") and for many years since the dawn of the videocassette and late late movie shows,those versions were vastly inferior and often poor-looking in terms of presentation and contrast.Now the great folks at Legend Films have finally put out a brand-new definitive and excellent restored presentation of this cult hit on DVD in both the original black & white version as well as the disc's main presentation of showcasing a brand-new restored digitally colorized version too.As with previous selected Legend releases of classic horror/B-movies in their DVD series,the disc features a well-done and at times hilarious commentary by MST3K's Mike Nelson and the great thing is that you can listen to the track on both versions of the film,giving the b&w version sort of a MST3K-flavor to it (I love how he refers to the opening Filmgroup logo as little Reese Cups !).Despite packaging claims that is the first time the film has been colorized,it's actually the second colorized incarnation of the film.First colorized on videocassette in the very late '80's with lousy and at times amateur results,this Legend version completely blows away the first attempt and looks like it was actually filmed in color,but of course this films' legendary budgetary constraints prevented from actually filming it in color.Of course lets not forget that the film features a very very young Jack Nicholson,in his fourth film role,in a memorable role as a crazy dentist patient.I must say,this Legend version of "Little Shop" is probably the most superior and sharpest looking out of all the previous versions of the film that you're possibly going to see and no wonder it was transferred from an excellent 35mm print of the film ! Other extras,besides the Nelson commentary,round out the package including both restored color/unrestored b&w trailers to "Little Shop",and the following colorized trailers for "Plan 9 From Outer Space","House On Haunted Hill","Carnival Of Souls",and "Reefer Madness".Plus a gallery of nine man-eating plants,if any kids are planning to do a school project on man-eating plants,this could actually be a fun reference guide,and also a very short clip called "Man Eating Plants" which is actually the president of Legend Films Barry Sandrew vigorously eating vegetable plants such as celery (always eat your vegetables folks !).Well-done packaging,excellent eye-catching menus and a sparkling transfer of both versions will definitely please any film buff,both Hollywood and B-Movie fans alike ! This is by far one of the first best DVD releases of 2006 and is highly recommended for old and new fans alike instead of those who only prefer the 1986 spectacular Frank Oz musical remake with Rick Moranis and Steve Martin.Highly recommended !

UPDATE 11/24/06:

Just Recently,Buena Vista Home Entertainment in association with Roger Corman have finally released an "authorized" DVD release of "Little Shop Of Horrors" as well as a nicely restored original black & white version of Nicholson's debut film "The Cry Baby Killer".Unfortunately,the recent disc's presentation of "Little Shop" is in fact the ORIGINAL colorized version,slightly mentioned above,that was first produced and eventually released to video in 1987 by Color Systems Technology.The source print used for the color version (other than the fact that the quality was directly copied off a video master for the DVD) is surprisingly in quite good condition,but it really truly is one of the worst examples of 1980's colorization technology I've ever seen and will probably be the last.The colors are often the same as certain objects (ie: the outside of Mushnick's Shop and the greens for the flowers,etc.),tons of continuity errors (ie: clothing,signs,etc.) and does anybody wish to care seeing Audrey Jr. looking like a talking watermelon plant? Reportedly,that color version was authorized by none other than Corman himself and it's easy to see why many directors above his stature hate and disregard colorization.Nicholson/Corman fans alike aren't going to be impressed with that bust of a release and it's very easy to see why the '87 colorized version was out of circulation for many years.Easier said than done,the newly restored Legend Films release is by far,hands down,the real winner due to the technology,version options,and bonus materials !

Buy The Little Shop Of Horrors (1960) Now

I had origanlly seen this movie on a late night horror movie host and loved it having already seen the musical version. I bought the DVD expecting DVD quality. The transfer to DVD is bad. It's proably one of the worse ones I own. It's a little choppy, very grainy and somewhat blurry. There's also a spotlight effect once in awhile that I don't remember being there before (where the egdes of the movie are a little darker then the center). If you look carefully you can see waves going though the picture during the first part of chapter 2. The sound is a little muffled. I rate the transfer at 2 (I'm sure there's a worse one) and only gave it a 3 becasue of the movie it's self.

Read Best Reviews of The Little Shop Of Horrors (1960) Here

This is the original that started it all, in 1960 which the film was shot for only two days. It's an good film, with a lot of grainy feel to it in black and white.

This version is about the bumbling Seymour who was almost out the door by his boss, Mr. Mushnick, for his incompetence. Seymour finds an unusual plant and Mushnick told Seymour if the plant turns out to be ok and fed, Seymour gets to stay at his job. Seymour names this plant, Audrey Jr., after his coworker, Audrey, who he loves. Before long, Seymour finds out that this plants wants nothing other than blood and human flesh...and ends up bringing dead people to the plant that were accidently killed. The cops were trying to find out what happened to the missing people (they were already eaten by the plant), and Mr. Mushnick stumbled on Seymour's secret. Mr. Mushnick offered a robber in the shop to the plant to save his life. The cops find out that Seymour is the one who killed the people when the pods of the plant opened up, showing the faces of those that were eaten, and there was a junkyard chase after Seymour. When Seymour goes back to the shop, he was mad at the plant, and intending to cut the weeds to kill it, he jumped in and the plant ate him. When the others came back to the shop, they found Seymour's face in one of the pods, then the movie ends.

There are some funny parts, and some silliness in other scenes (like the tramp that Seymour ran into, and their conversation is humorous!), plus you can find a young Jack Nicholson as the pain-loving dental patient.

This movie reminds me a little bit of the 1920s or 1930s films by the way some of the acting and the grainy image has portrayed in this 1960 movie, but overall, it is a good movie to watch.

Want The Little Shop Of Horrors (1960) Discount?

I recently watched the musical remake of Little Shop of Horrors and enjoyed it immensely, and my curiosity about the genesis of that film lead me to its progenitor. I hadn't realised that Roger Corman's original was intended as a comedy--I'd thought that it was a cheapie horror film with camp humor arising from its unintended absurdity. This is absolutely not the case, and I was very pleasantly surprised. The absurdity of Little Shop, and there is plenty, is all fully intended. At times it is almost as if the Monty Python troupe is doing a black-and-white horror spoof, it is so good. I find it impossible to say whether the musical remake or the original is "better"--they are simply different, and each amusing in its own way. I prefered Rick Moranis's Seymour to that of Jonathan Haze, but Jackie Joseph's Audrey had funnier lines and was less pathetic than Ellen Greene's. But what really surprised me was that the comic touches I had thought were signatures of the Saturday Night Live/Second City crowd were all in the original: the sadistic dentist and his masochistic patient; "Pain" magazine, "Feed me!", and more. Futhermore, the original had some more absurd characters that didn't make it into the remake, including a parody of the detectives from Dragnet and Seymour's mother, a hypochondriac whose home cooking is all flavoured with medicine! Although the sound and picture quality of the version I watched was poor, it was worth sitting through if you enjoyed the more recent version. Also worthy of note was the spiky, xylophone-timpani-and-baritone-saxophone-laden score by Fred Katz.

Save 47% Off

Superman: The Movie (2006)

This is a tough one to review. For a film made in 1978, I don't think it could look any better. I'm willing to bet this Blu-ray disc is as good if not better than the premiere screening of Superman back in 78. Great care must have been taken to clean up and restore this picture. It is practically free of scratches and dirt. It is detailed, far above standard definition. Colors are balanced and eye catching. Contrast is natural and evenly spread. Inserted scenes are consistent with the rest of the film. Never looked better. Still, 1978. There are a few scenes with plenty of grain and most of the film gives the impression of being a little out of focus, a little blurred. Five star transfer, four star visual impact. I doubt if a 1080p display is getting much more out of this picture than a 720p display.

(PS3 1080p projector 92")

At last, Superman is presented the way it was meant to be! The master print for the 1978 classic had deteriorated so badly that the film, particularly the white-on-white Krypton opening scenes, was almost unwatchable. (I had even gone so far as to write a critique on Amazon.com demanding a 'Director's Cut' DVD edition, digitally transferred and remastered, be made!)

Somebody was listening! While this isn't a 'Director's Cut' (Donner has said that the version that premiered in 1978 was the version he preferred), the movie has been expanded, to include a couple of brief scenes with Brando, and the famous Superman Gauntlet sequence at Luthor's underground lair (the remaining unused sequences can be seen in the 'Deleted Scenes' Chapter, on Side 2).

Technically, the DVD is fabulous; the Krypton sequences are now clean and sharp, a couple of shots where, previously, color balancing problems had turned Superman's costume green have been corrected, and, best of all, the soundtrack has been digitally remastered and sounds even better than it did in 1978!

Three fabulous documentaries are included on Side 2 about the making of the film, and how the flying effects were achieved. This was an incredibly expensive and difficult film to make (so much so that Donner, after 'Superman' was released to rave reviews, was fired, and replaced by Richard Lester, for 'Superman 2'), and through interviews with Donner, Christopher Reeve (who is honored for his work in the film, and his courage since his crippling accident), Margot Kidder, Gene Hackman, and several of the creative team, you can appreciate what a unique and wonderful film this is!

Two other 'pluses'; a full-length audio commentary track with Richard Donner, and a 'music only' option, where you can admire one of composer John Williams' greatest scores!

This Special Edition DVD should be an essential part of any film lover's collection!

Buy Superman: The Movie (2006) Now

Last night a friend that works at Warner Brothers brought over a surprise: The Superman-The Movie two disc DVD! And after watching it, I've got some good news, and some bad news.

First the good newsThis new version is even better that the original edit of the film. A lot more of Marlon Brando's scenes. And the really cool sequence in Lex Luthor's underground hide out where he tries to kill Superman with bullets, fire & cold. Plus more...

The picture quality is just stunning. Krypton has this insane glow to it. And the new sound rivals brand new movies. The music is bright & vibrant, swirling all around you, and the entire 5.1 mix is used very well.

Now, the bad newsThere's only the one version of the movie. I had hoped you'd be able to play the original, too.

More good newsThe second disc has an enormous amount of brand new special features (almost two hours worth.) In their entirety, they seem to transport you back in time to relive the fascinating story of how the two Superman movies got made--up until director Richard Donner was stupidly fired, and not brought back to finish the second film. There's a lot of never-been-seen before, behind-the-scenes footage. In the casting tests you can see early versions of the Superman costume as Chris Reeve plays against many actresses including Leslie Warren, Anne Archer (both who were very good,) and of course Margot Kidder.

And then there are the two exceptional documentaries with new interviews from almost everybody. They follow the history of the two films, and include very interesting business aspects. Chris Reeves' story is very touching. Also included is a documentary on the special effects with neat(!) early flying tests.

Now more bad newsMy friend took the discs with her.

To some up: this is the most complete, classy & top notch DVD package I have ever seen. Very well done ! A+

Read Best Reviews of Superman: The Movie (2006) Here

The movie:

"You'll believe a man can fly." That was the advertising tagline. Well, I can't think of many instances of it, but this was one time when a movie delivered on its hype. "Superman" fires on many cylinders, but the main one, the integral one, was believability. This film is an absolute achievement in terms of tone, style, and effects. For 1978, the effects are terrific, but also the performances and the writing really gel and sell the concept to the audience.

We haven't seen yet the actor who can top Christopher Reeve's Superman. The solidness, the goodness radiating from his presence in costume, combined with the vulnerability and sheer hilarity of his Clark Kent are (perhaps) impossible to top. Margot Kidder turns in a feisty Lois Lane, and their chemistry is great. Gene Hackman is a credible Lex Luthor, both funny and menacing at the same time. Supporting players fill out a cast that just really inhabits the world and never feels less than real.

The run time of the movie is perhaps a bit flabby, and this edition adds about 3 minute of new material. But I for one am quick to forgive it it just so captures a feeling of innocence, wonder, Americana, that I'm willing to just bask in it, even when the action slows down.

The Blu-Ray:

Well, this is not one of the discs you'll pop in to show off "how great HD looks." The film was shot almost throughout with soft focus filters which bump up the haze of lighting and obscure detail.

BUT: It looks as good as it probably ever can and ever will. In A-B comparisons with the previous DVD (which was great for its day) the upgrade is subtle but evident. Some shots show very strong detail, when it's in focus. Check out the foliage in Lois' rooftop apartment. Some facial shots show exceptional detail in fine lines. Whenever the soft filter is absent, you can really tell you're watching an HD presentation. The colors are the main upgrade in the Blu-Ray reds and blues really pop, and black levels are rock solid in most shots not involving visual effects. Film grain is present and generally not too obtrusive, except during some effects shots. But I prefer its presence to excessive digital noise reduction. In the end, how you feel about this Blu-Ray will depend on your emotions for the film itself (mine are very strongly positive), and how you feel about a home video accurately replicating the look and feel of the original presentation's film stock (something I'm also strongly in favor of).

Audio is presented in a strong Dolby Digital 5.1 channel mix. There isn't much of a workout for the surrounds, but John Williams' iconic score really sings, nonetheless.

Extras include an hour's worth of documentaries, reprises from the DVD edition. Casting tests, trailers, a commentary by Richard Donner and Tom Mankiewicz, and a wonderful score only track highlighting the music, round out the disc. Overall, at least average and probably slightly above average.

**********

I grew up with this film. I'm predisposed to enjoying it. As a Blu-Ray, it is hampered by the stylistic choices of the filmmakers, but still gives us a very good presentation of the film.

It's a five star film in my book. It's certainly in the top 5 comic book movies ever made (and was the true pioneer in terms of big budget successes from comic book material.) I considered downgrading this disc by one star simply because it can't overcome the flaws inherent to the source material. For the paltry sum Amazon is asking for it, you really can't go wrong, though. Kids of all ages (ages 3 to 83?) who just want to feel good about the world will be transported to a better, simpler, more beautiful place. Fans of 1970's cinema will find a lot to love, as well. There are many shots which really shine in detail, and almost all of the shots benefit from zippier colors. If you don't own this film otherwise, or are just a fan of the action/comic book genre, this is a must-buy. It's a classic.

Want Superman: The Movie (2006) Discount?

It is about time that this classic gets the full treatment--loaded with extras. However, if you are also interested in the Superman II special edition, it is more cost effective to get the "The Christopher Reeve Superman Collection (8-Disc Deluxe Special Edition)" which is currently the same price as buying this set and II, only you get films 3 and 4 too (which is better than paying for them, right?)

Also, Amazon has the Richard Donner Cut of Superman II available for pre-order which has the extended version of the film never before available (the special edition will be the theatrical release only).

Save $0.09 Off

River of No Return (1954)

This review refers to "The Diamond Collection" DVD(20th cent fox) of "The River of No Return".......

Think maternal instincts can't be sexy? Snuggle up to this romantic adventure, and let Marilyn Monroe sing you a lullaby in "The River of No Return" and decide for yourself! Also starring Robert Mitchum and Rory Calhoun as the men in her life, it's the perfect rainy afternoon flick.

After the death of his wife, Matt Calder(Mitchum) is starting life anew with his young son Mark(Tommy Rettig). He has a little cabin in the beautiful mountains of the Northwest and is going to teach Mark to become a man. But there's trouble amiss.... Harry Weston(Calhoun),a merciless gambler, beats and robs Calder of his gun and his horse, leaving him injured and defenseless against an impending Indian attack. Weston's fiancee(Monroe), the gorgeous saloon singer with a heart, stays on to nurse Calder back to health and look after the boy. But..there's no time to hang around, the Indians are getting closer and the three take off on a raft down river to escape the Indians and to find Weston.

The adventure begins as they fight off the Indians,and the elements, try to keep from starving, learn each other's secrets and find love.The dazzling cinematography capturing the river, the mountains, and the wooded areas is second only to Marilyn's beauty.You'll be taken in by the story and the scenery in this wonderful film directed by Otto Preminger. Monroe, Mitchum and Calhoun will cast their spells on you.

You'll be amazed by the restoration and outstanding transfer to the DVD 20th Cent Fox has made of this nearly 50 year old film. The Anamorphic Widescreen(2.55:1) picture takes in every bit of the beauty of the Northwest wilderness. The technicolor is bright and doesn't look in the least washed out.The audio in 4.0 Dolby Surround is wonderful, you'll think Marilyn and her guitar are right there in the room singing to you! The DVD "extras" include a comparison of the restoration with the original and a still galley with lots of photos. It may be viewed in French(Stereo) and has subtitles in English and Spanish. It's a great edition to any Classic Film collection.

Fall in love again.......Laurie

more of marilyn:Marilyn Monroe: Diamond Collection

From 1952 1954 MM (Marilyn Monroe) acted in three serious dramatic movies; 1952 "Don't Bother to Knock she played a crazy madwoman babysitter, 1953 "Niagara" a husband murdering adulterous (her greatest dramatic role ever) and 1954 "River Of No Return" a saloon singer who finds true love in the Pacific NorthWest (her Greatest dramatic love story)!!

In 1954 MM was voted Photoplay magazines favorite female actress (Todays equivalent is "Peoples Magazines). MM was reaching her prime and everyone loved Marilyn. Unfortunately many critics and fans would not accept Marilyn's dramatic talents and only loved her in comedies.

Well ladies and Gentlemen now MM's three greatest dramatic roles are now available in the Diamond Collection II.

The "River Of No Return" was one of the first CinemaScope, Technicolor, with stereophonic sound. Now this has been digitally transferred to DVD with Anamorphic WideScreen (enhanced for 16x9 tvs), masterfull digital color and digital sound. The picture 7 sound quality of this DVD is outstanding.

This movies has it all; a dynamic adventure story, Outstanding Actors Marilyn Monroe magical and beautiful. Robert Mitchum the perfect match for Marilyn (their film chemistry is real). Tommy Rettig (later to play Jeff on the tv show "Lassie) as Mitchums son. Rory Calhoun as the perfect bad guy gambler louse boyfriend of Marilyn. Director Otto Preminger performs his visual magic of this very picturesque out door adventure.

Summary: Beaten & robbed Mitchum, his son & bad guy saloon girlfriend (Marilyn)are left behind to die in Indian country by bad guy (Calhoun). Their only escape is down the "River Of No Return" on a raft. This perilous journey has hero (Mitchum), son (Rettig) & herione (Monroe) fighting Indians, Trappers, mountain lions and the rapid rich river. Mitchum's only focus is to get Calhoun.

Marilyn acts beautifully with fresh believable performance as the frontier saloon girl. Mitchum is the perfect leading man (Marilyns best romantic leading man). It is truly to bad people haven't until now on DVD been able to see MM as a very talented dramatic actress. Now for the first time we can on this digital DVD.

Extras include: Trailer, Restoration comparisons & film gallery.

Sit back and enjoy MM's acting versatility, beauty and cinema magic. This is Marilyns greatest love story. Enjoy.

Buy River of No Return (1954) Now

Okay, Marilyn Monroe does not look like the authentic 1880s saloon girl..... but who cares, she is marvelous in this western. Robert Mitchum is also superb in this gorgeous restoration on DVD.

It should be noted that to Marilyns credit, she DID most of her own stunts, and she was also seriously injured during the shoot in the Canadian Rockies. Most actresses would never do their own stunts in a movie like this. Running the rapids on a flat wooden raft... but she did, and she looked like she knew what she was doing as well! Of course, we see her in 3 Travilla gowns that are breathtakingly all Marilyn.

I love this movie... it has scenery, music, Robert and Marilyn, a bad guy, and pre-Lassie Tommy Retig, who is great in his role as well. This is grand entertainment and a quality restoration.

Read Best Reviews of River of No Return (1954) Here

Mitchum rescues Calhoun and Marilyn from a leaky raft; Calhoun returns the favour by stealing his horse and abandoning them (along with Mitchum's young son) to hostile Indians. This film isn't great by any stretch of the imagination, yet it presents the 27 year-old Monroe at her most beautiful. While the dialogue in this film leaves something to be desired, (Monroe herself was not pleased with having to do this film she thought she deserved better material by 1954) the chemistry between Monroe and Mitchum is very evident and the gorgeous Canadian Rockies scenery is breathtaking in Technicolor.

Want River of No Return (1954) Discount?

Marilyn doesn't play a dolly-girl in this film. She plays a very human female who has seen hardships and goes through many in the film, and takes it like a toughened woman. I've never seen her quite like this in any of her other films. I love all of her films, but this is a stand-out and unique. I wouldn't rate it as one of her best films, but she IS super in it. It's a Level 2 Marilyn film, not quite up there with How to Marry a Millionaire and The Seven Year Itch, but still pretty darn good!

Robert Mitchum is, as always, superb, and there is a good chemistry between the two. A definite must on DVD for any Marilyn fan. If only somewhat interested get the VHS, but Marilyn fans and Western fans will want the Widescreen DVD.

Save 32% Off

Bullets Over Broadway

Why do "reviewers" of Woody Allen always have to qualify their praise with something lame like "not his best, but...". It sucks! This move is as good as any Woody Allen movie I've ever seen, and that's saying a hell of a lot, and I've seen a hell of a lot of them. Own a lot too. This movie was colorful, funny, filled with fascinating characters, had more plot twists that a dog's hind leg, and the perfect ending. It was as original as anything could possibly be. I won't give away any of the plot, I'll leave that to the clods who have nothing else to say about the picture. Woody Allen is not in this movie, that disappointed me the first time I saw it, but now that I've seen it again, I don't mind. It was great. Though as a rule I prefer his movies with him in them. Also the movie had substance and structure. It was well-constructed and moved fast. I liked it a lot. Note: pay attention to the background music (songs actually) at significant events in the flick. I highly recommend it.

Correct me if I'm wrong, but I believe no poll has ever been made about which one is most deemed as Woody Allen's masterpiece by far. I once thought that we seemingly tend to pick whichever we can best relate to, but recently when I had a chance to sit down and watch five of his movies all over again -"Annie Hall", "Manhattan", "Hannah and her sisters", "Bullets over Broadway", "Mighty Aphrodite" -I realized that any of us could easily relate to at least something in each of those great films. That would define Allen's genius when it comes to directing (romantic or un-romantic?) comedies. When it comes to casting, though, "Bullets over Broadway" must be the best of all, featuring the finest performance of every actor. Not only the credit must go to those in lead roles (John Cusack -who played Woody Allen's would-be character, Dianne Wiest, Jack Warden, Jennifer Tilly), but the supporting cast was superb as well (with Tracy Ullman as Eden, Chazz Palmenterri as Cheech, Rob Reiner as Flender, Mary-Louise Parker as Ellen, and Stacey Nelkin -Allen's ex-girldfriend -as Rita). This film was perfect in each of its scenes, but if I had to pick my favorite one, it would be the final dialogue between Cusack, Parker, Reiner and Nelkin. I don't remember having heard in any other comedy a dialogue that's so hilarious and so thought-provoking at the same time.

Buy Bullets Over Broadway Now

Departing from the modern realism of 'Interiors,' 'Annie Hall,' and 'Hannah and Her Sisters,' director Woody Allen uses old-time, deliciously over-the-top Broadway to execute with brilliant precision themes concerning the artist, his art, and the motivation to create.

In a problematic but never unexciting performance, John Cusack is David Shayne, a play-write living in New York City in the midst of a stable relationship whilst directing a play found to be pretentiously unrealistic. He casts two generally wonderful actors, the melodramatic but passionate Helen Sinclair (a hilarious Dianne Wiest in a brilliant, Oscar-winning performance), and finally, a gangster's girlfriend, Olive Neal (Jennifer Tilly), who simply cannot act...at all. Every word she speaks is painfully bland and obnoxious, and she can't even recognize a few of the more complicated ones (she has a bit of trouble reading "masochistic"). David has no choice but to cast her, though, lest he face the mob and/or lose all financial support for the play. In addition to her obnoxious...erm...stage presence, she brings along Cheech (Chazz Parliminteri), a body guard who often contradicts David's directorial decisions and dialogue.

This storyline could have easily been played off as farce. But under the hands of master auteur Allen, it is obvious that art, theme and credible side-splitting comedy are first and foremost on his mind at all times. Through dinner conversation, casual walks through a serene park, and wonderfully portrayed rehearsals, Allen harnesses this potentially absurd setting with a grace that allows emphasis on the crucial themes concerning all that surrounds an artist's yearning to capture life at its brightest and darkest moments.

Dianne Wiest's powerhouse of a comedic performance only strengthens the fluidity of the writing and direction. Her seductive Helen Sinclair not only overacts her lines, but also everyday expressions (whenever David attempts to say something self-doubting, she shoves her hands in his face, screaming, "Don't...speak"). In addition to these hilarities, Wiest allows us to believe David began to fall for her. She injects a strong, luminous quality into Helen that could intoxicate the most impervious of hearts. Behind the cigarettes and the sparkling hats and dresses, Wiest developed a glowing gem of a human being who feels comfortably real.

Also notable was Chazz Paliminteri who successfully and convincingly began to shed Cheech's "tough gangster" persona to reveal a naturalistic talent for writing that clashed purposefully and appropriately with David's forced poeticism.

Despite some memorable performances and a well-written screenplay, 'Bullets' unfortunately concludes a little too easily. Fortunately, the tone is never monotonous and the laughs keep on coming. What's wonderful about Allen's comedy is that it doesn't feel contrived or trite at any point in time. Even when he plays with the dazzlingly over-expressive lights of old Broadway, whatever comes out of his characters' mouthes feels absolutely natural, and for the most part endearingly uproarious.

Read Best Reviews of Bullets Over Broadway Here

Oh Woody, Woody, Woody. When he is funny, he is one of the best comic writers around, and in this movie his writing is hilarious. What other auteur in the cinema today can poke fun at those little idiosyncracies that we all see in ourselves, and get away with it?

Our hero, in a rare departure is not played by Woody Allen but rather, John Cusack, who gives a subtle performance, rather than the over-the-top pisstake by Kenneth Branagh in "Celebrity". He is trying to get his latest play staged, and can only do so by accepting money from the Mob and having a mobster's girlfriend, with no talent, take one of his lead roles. The humour that ensues centres around each of the plays characters, from the fading diva played by Dianne Wiest to the compulsive eater played by the magnificent Jim Broadbent, as they prepare for the play's debut on Broadway. All the performances are spot on and the only criticism comes in the ham-fisted fashion that the film concludes with a mobsters shootout and its all too happy ending.

Nevertheless this is well worth watching to hear great comic lines and the splendid cast who deliver them.

Want Bullets Over Broadway Discount?

It's always all or nothing with Woody Alan. Either the film is brilliant, hilarious and wonderful (as this is) or tedious and flat (Celebrity or that Godawful Everyone Says I Love You). This film flat out makes me laugh hysterically. If you are a theatre buff--add even ten more enjoyment points!

It has a great sense of time and place---thirties Broadway that is just wonderful. What a thrill to see NYC circa 1933

with a great thirites soundtrack including Toot Toot Tootsie.

From Diane Wiest's over the top self absorbed Talullah Bankhead type actress ( Academy award winning performance) to Jennifer Tilly's hysterical mob girl to James Broadbent's nervous actor who just can't stop eating to Chaz Palmentiri's sensitive gangster (also an Academy Award)...this is a hoot and a half! Just can't stop laughing from this film. When I'm down, I watch it and it's a pick me up.

Lots of great surprises--Harvey Fierstein, Rob Reiner,

and other classic character actors in minor roles. This is one of Woody's best! Some of the funniest lines to ever come off an hors dourve tray. See this one. The plot is very surprising and outrageous and lovers of black comedy will

smile.

As for some of Woody's other good ones, see Radio Days or Mighty Aphrodite, Broadway Danny Rose or Hannah and Her Sisters. Avoid at all costs Deconstructing Harry and Sweet and Lowdown and the aforementioned Celebrity and Everyone Says I love you.

The Bad Seed (2011)

I personally feel that this is one of the greatest horror movie made. Forget all of that blood and guts and popping out of the bushes to scare people. That fear only lasts for a second...This movie plays with your mind and lasts forever. Nothing is scarier than polite Miss Rhoda Penmark.

This movie contains brilliant direction and an amazing cast. Many people feel that the acting is overdone and that they act like they are still in the stage version, entertaining an audience in a theater but that is the way it was meant to be made. Making it look like a regular movie would ruin the essence of the evil, 8-year old killer. Nancy Kelly is truly amazing as Christine. Her "breakdown" scenes are heart wrenching and done very well. She is most-natural and does a wonderful job in playing a woman going through the delemma of whether or not she should hate or love her daughter. Her performance is beautiful, "She killed him! But she's my little girl...and I love her!". The highlight of her acting is when Rhoda just kills one of her victims (I won't say who) and Rhoda is playing the song she always plays on the piano faster and faster and faster. It is such and amazing scene. She deserved the Tony she won during the play and the Oscar nomination. Now, there is Patty McCormack who is definatly chilling in this role. Her perfect smile is just as scary as her evil ways. When she describes the way she killed the little boy I always shudder ,"But he told me that he was going to tell on me...SO I HIT HIM WITH MY SHOES AGAIN!! I hit him harder that time." After the scene where she confesses her murders and Christine tells Rhoda to throw her shoes down the incinerator, the shot of Rhoda's sillouette tossisng the shoes while Christine just sits in the backround and watches with fear, as Rhoda smiles, brings chills down my spine. Her acting gets an A+ and she also deserved the Oscar nomination as well as Kelly. Another, nominated for an Oscar for her role, was Eileen Heckart for the role of (which I think is one of the greatest characters in theatrical history)Mrs. Dagel..the grieving mother of one of Rhoda's vicitms. Although only appearing in two scenes, she makes just as big of an impact as Christine and Rhoda do. Heckart is brilliant in the role and it would be almost imposible to find someone who could do as good of a job as she did. Her beautiful monolougues are truly amazing and heartfelt. Other great performances are that of Henry Jones, the creepy Leroy who is the only one who realizes that Rhoda is evil, Evelyn Varden, as the housekeeper, Monica, who spoils Rhoda terribly, Miss Fern (I can't quite think of her name), as the teacher at The Fern School, and Christine's father (I can't think of his name now either), who is a former mystery writer with a big secret that he is keeping from Christine, which has to do with why Rhoda is a bad seed, something inside of Christine that she passed down to her daughter.

There is a lot of controversy over the ending curtain call and the happy spank that Christine lays on Rhoda. I feel that the curtain call and spanking gives the audience a sese of relief since the movie is so disturbing.

I reccomend this movie to everyone that can handle a plot that is different and disturbing.

Don't blame Rhoda for her murderous acts. It isn't her falt, she is just a bad seed.

Does heredity and environment play equal parts in a child's development? Or is one factor stronger than the other? That's the loaded question the film The Bad Seed (1956) brings forth, seemingly siding on the side of heredity. Personally, I would tend to lean towards environment, but until we can definitely discern the nature of the wiring of our brains, mapping the neural networks and determining the thought processing pathways, we may never know...does bad beget bad? It's possible, but if so, what choices do we have in terms of ending genetically transposed evil from traversing one generation to another? Enforced sterilization? I wouldn't touch that subject with a ten foot Lech Walesa...

The Bad Seed, directed by Mervyn LeRoy (No Time for Sergeants), is actually a film based on a play written by Maxwell Anderson, which was based on a novel written by William March...quite a circuitous path to the silver screen, but one worth waiting for, in my opinion.

As the story begins, we meet the Penmarks, Kenneth (Hopper), Christine (Kelly), and their eight year old daughter Rhoda (McCormack), replete with blue eyes, blonde hair and pigtails. The family appears very normal, except Rhoda, who seems just a little too sweet, a little too ingratiating...but whatever...soon after Kenneth, who's a colonel in the military, has to leave for an extended period of time on some army business, one of Rhoda's school mates dies mysterious drowning incident, after supposedly falling off the end of a pier (seems the boy won an award coveted by Rhoda). No one is overtly posing the theory of foul play in the boy's death, but Christine discovers evidence suggesting her daughter may not be `sugar, spice, and everything nice' (by this time the audience has already entertained the notion that the glossy, sickly sweet veneer presented by Rhoda may conceal more than any of the cast is willing to accept). Connections are made, and truths are revealed (along with a long buried secret), but how does a mother accept the possibility that her child, her own flesh and blood, may be a cold, methodical, remorseless monster, especially when nearly everyone else believes differently .

While I did enjoy this movie, it does have its' faults. As others have mentioned, the film appears much like that of a staged play (not necessarily good for a film). The theater and film are two very different mediums, and what's good for one may not be good for the other. The theatrics within some of the characters (especially that of Ms. Kelly), while necessary for the stage, didn't always jibe on the screen. I do think all the actors did really well, even if a few of the performances tended to be over the top, but for the sake of the film, I think director LeRoy could have provided a stronger production coaxing a bit more subtly from certain cast members. Also, I have to say I found it a little hard to swallow at times that nearly everyone should except Rhoda's sweet, sweet act so whole-heartedly, as she tended to pour it on so very thick. Are, or were, adults ever this gullible? I could understand a certain amount of denial, as we like to think children are basically pure, unadulterated little lumps of clay, waiting to be fashioned into beings better than ourselves, but it seemed everyone (well, except for the handyman Leroy, played by Jones) was so very patently blind to her rather transparent act. Maybe I complain too much...the film did have an incredibly eerie quality throughout, and Patty McCormack did a wonderful job presenting her character, often giving me a major case of the creeps with a side order of the willies. Two performances that really stand out are that of Eileen Heckart and Henry Jones. Heckart plays the mother of the boy who died, drowning herself in the drink, trying to come to terms with what happened, knowing there is more to what happened than nearly everyone believes. Jones performance as Leroy, the creepy, borderline pedophilic handyman is probably the best, as he believes, while Rhoda has most everyone else fooled, he can see right through her act she puts on for the other adults, and takes some kind of perverse pleasure in teasing and taunting her, that is until he comes to the realization that Rhoda might not be just a spoiled, bratty child but something much more...something truly evil... The scenes with Jones and McCormack are chilling, partly because McCormack's character tends to drop the sweet, charming, adorable act knowing it won't work on Leroy, but also secure in the knowledge no one would believe him. The film runs surprisingly just a tad over two hours, but I felt the time was used well. Some have commented on the ending, and the difference between the film and the play, but one should keep in mind the ending used complied with The Motion Picture Production Code which had specific requirements with regards to criminal activity portrayed on the screen. It may have felt `tacked on', but it sure was satisfying (divine retribution, perhaps?)

The full screen (original aspect ratio) picture on this DVD looks really good, and the audio is clear and sharp. Special features include an original trailer, an interview piece with McCormack titled Enfant Terrible, and a commentary track featuring Patricia McCormack and everyone's favorite cross-dressing actor/playwright and Bette Davis enthusiast Charles Busch

Cookieman108

Buy The Bad Seed (2011) Now

Cool-as-a-cucumber Rhoda Penmark is not at all what she appears to be. Hiding underneath that sweet, perfect exterior exists an unspeakable evil. Patty McCormack is superb as Rhoda, the pig-tailed murderess. The whole cast, in fact, is first-rate here. Some chilling moments await the viewer of this film, including a classic ending! A very good music score accompanies the action, as well.

This film was originally a stage play, and this "stagy" feel somewhat comes through in the movie version as well. But the film's convincing and effectively-told story cannot be denied. I would have loved, however, to have been able to see the stage play version, which starred the same group of actors we see in the motion picture.

Patty McCormack was 10 years old when "The Bad Seed" was made in 1956. Patty was so good here, she received an Academy Award Nomination for Best Supporting Actress. She lost the Oscar to Dorothy Malone, however.

Two other "Bad Seed" actresses were also nominated for Oscars -Nancy Kelly and Eileen Heckart. Heckart was heart-breakingly good in this movie, playing the mother of one of Rhoda's victims.

In my opinion, Henry Jones (as handyman "LeRoy") could very easily have been yet *another* Oscar nominee that year. Jones was wonderfully "offbeat" in "The Bad Seed", delivering lines with a relish that simply *must* be replayed multiple times when watching this DVD. They are just too good and humorous to only view once. Such as his witty warning to little Rhoda: "They've got a little blue [electric] chair for little boys; and a little pink chair for little gals!"

This DVD retains the originally-shown "actors taking a bow" ending, which (in a way) dilutes the fabulous conclusion of the story. But, I like having the original ending included here nevertheless. You can always turn it off before you get to the last few minutes, so that you'll be left with that great ending "on the pier".

Original poster art adorns the cover of this DVD. And while I really like the diabolical look on Rhoda's face on this package, I'm perplexed (for the most part) by the written passages that are shown. They don't seem to quite "fit" this movie, IMO. Most curious I thought. Well, anyway, at least Warner Brothers has given us some original artwork for the cover (which is nice).

DVD Specs ...... Video is the OAR (Original Aspect Ratio) as seen in theaters in late 1956 -Full Frame (1.33:1). This actually kind of surprised me a tad bit. Because I thought this film just *might* have been shot in a Widescreen format (which was, by 1956, becoming commonplace among movie studios). But, obviously, I was mistaken. The Full Frame format is correct for this movie. .... Audio: 1.0 Dolby Digital Mono soundtrack (English only). The audio for the Commentary Track is in rich-sounding 2.0 DD Stereo, with excellent channel separation between the two channels. .... Subtitles: English, French, and Spanish.

The video quality on this disc is absolutely superb! Just perfect from what I can see. This B&W film has never looked better on your TV screen. Just a terrific DVD transfer.

DVD Special Features include an Audio Commentary Track and a 15-minute "Making Of" documentary ("A Conversation With Patty McCormack"). McCormack, who was 58 years of age when this DVD was produced, provides some interesting observations about the making of the film during the documentary and she also participates in the Audio Commentary Track as well. The Original Theatrical Trailer is also included on this disc. This trailer, which has a run time of 3:19, is in very good shape (picture quality-wise), and is of particular interest to me for the many "alternate takes" that are shown of various scenes from the film. Nearly every scene that is previewed in this trailer is a slightly different variant from what ended up in the final cut of the movie.

This 1956 suspense-filled treasure looks mighty fine on DVD. Pick up a copy of this Grade-A thriller and let little Rhoda come into your home any time of the day or night. Just make sure you don't kick the DVD around carelessly -because Rhoda wouldn't like that. And when Rhoda is displeased, she gets slightly cranky. :-)

Read Best Reviews of The Bad Seed (2011) Here

Over the years, there have been so many female villains, it's easy to lose track. Anne Baxter(ALL ABOUT EVE), Ann Blyth(MILDRED PIERCE), Joan Bennett(SCARLET STREET), Bette Davis(THE LITTLE FOXES to name one of many), Gene Tierney(LEAVE HER TO HEAVEN), the list goes on. But I think they all would have been more a little unnerved to get in the way of Rhoda Penmark. This movie is one that is so impish in it's own delight, it's impossible not to smile & go along for the ride. Originally a play, the film does tend to lose it's strength with all the psychobabble & it does occasionally get caught up in it's own pretentiousness, but fear not. For any & every minute that Rhoda(played to the absolute hilt by Patty McCormack)is on the screen, you BAD SEED virgins out there will wonder how this film is unknown to you.

Nancy Kelly delivers what would have to be one of the most over-the-top performances in the history of cinema as Rhoda's unsuspecting mother & Evelyn Varden's overbearing landlady, Monica, chews enough scenery to last a lifetime. But it's all about Rhoda. Evil, ruthless, determined, selfish, sweet, & yes, at times, loving. The sheer joy of watching this film is being secure in the knowledge that no matter how sweet this girl is to those around her, unlike us, & eventually her Mother, she's got them fooled.

Nancy Kelly was nominated for a Best Actress Oscar for her work here & both Miss McCormack & Eileen Eckhart(as the mother of one of Rhoda's victims)scored Supporting nods. Nobody makes films like this anymore..and why? Nobody could.......

Want The Bad Seed (2011) Discount?

This is yet another one of those late night classics I "sneaked in" when I was eight, (when I was actually supposed to be in bed). THE BAD SEED still packed quite a wallop, even then. Now, nearly a half-century since its release, the staid, somewhat static presentation certainly belies its stage play origins, and some of the acting borders on MST3K campiness. But it still retains much of its original ghoulish charm, and those only familiar with the noxious TV movie remake should definitely check out the original.

Christine Penmark has a great life with a handsome, successful husband in the military, (PERRY MASON'S William Hopper) and the cutest daughter anyone could be lucky enough to have, Rhoda. With blonde pigtails and fetching freckles, Rhoda is precocious, charming, polite, gregarious, outgoing, vicious, vindictive, manipulative, calculating, homicidal...She's 'DENNIS THE MENACE' with a sex change on a 'roid rage bender; Damien Thorn's demonic sibling in a pretty summer frock.

She easily dispatches several of the cast members with the same kind of shrug and smile she would use to ask for milk and cookies, and Christine begins a little intuitive detective work, searching her own troubled past for the clues to why, as Rhoda's crimes and her darker nature become more and more horrifyingly apparent...

Controversial in its day, I wish I could've been in the audience who attended its premiere. And the morality code be damned, I never accepted why they tacked on the "shocking" ending, though the times being what they were, I do understand why it was unavoidable. All I knew is that at the young age I was when I saw it, the concept of a little girl evil enough to make GOD strike her dead, scared the absolute Hershey squirts out of me!

Most of the cast is from the original Broadway production, and though the acting seems more geared for the stage than screen and therefore appears to be overdone, I thought Nancy Kelly was fine as the emotionally disintegrating Christine. Considering what she discovers about Rhoda, as well as what she learns about herself, it's a wonder she wasn't MORE freaked out! And what more can be said about the jaw-droppingly awesome performance by Patty McCormack? We can trace a line of child-acting evolution from her turn as Rhoda directly to outstanding screen tykes like Dakota Fanning, but we have yet to see a turn from any of our younger thespians that will give you nightmares the way Patty's has done for countless adult moviegoers. (Okay, there was Harvey Stephens as the adorable little devil who had this problem with churches...)

Henry Jones as Leroy should've damn well been honored with a Best Supporting Actor nomination at the very least. He made such an impression on me, that for years afterward, I always thought of him as "toasted Leroy." And Eileen Heckart balanced humor and histrionics with tightrope precision as Mrs. Daigle, the mother of the little boy who becomes Rhoda's first victim. Though you can't help but laugh at her at some points, your sympathy for her pain is always palpable.

It would be hard to do a bad movie with all these veterans around, and Mervyn LeRoy knew that. It's only too bad he didn't attempt to open things up a bit more to let the movie out of its "playhouse" cage. Still, it remains a classic, in spite of the fact that with what we now know about kids today and what they are capable of, in places with tragic histories like Santee and Columbine, the subject matter is sadly enough, no longer sensational or unique. Which is a lot more chilling realization than this movie could achieve for today's audiences.

Save 30% Off

Rush Hour (2010)

I love this movie. I didn't know how it would be at first. Mainly because of the huge difference in the two actors. Well after watching I realized that the two are perfect together. One plays a serious cop whos only goal is to solve the crime that has been committed. While the other is a cool, slick cop who likes women and having a good time. At first neither really gets along and they don't know how to act around each other. After a while of being together though this changes and they are both trying to solve the crime while having a bit of fun at the same time. This is one of the best movies I have seen in a long time so I would say try it out.

Rush Hour DVD

Rush Hour starring Chris Tucker and Jackie Chan is sort of a mixed bag. Partially a martial arts movie, but also, a comedy. I know it sounds weird ,but it works. A laugh a minute, as they say. Packed with action.

Recommended for fans of Chris Tucker and Jackie Chan.

Gunner December 2007

Buy Rush Hour (2010) Now

I get a kick out of this movie. The way Jackie Chan and Chris Tucker interact and play off each other is so hilarious. Jackie Chan's Hollywood career got a second break with Rush Hour and the plot has more substance than most Jackie Chan movies.

We got James Carter, played by Chris Tucker, who is an LAPD detective with a penchant for dancing Michael Jackson-style while blowing up blocks of buildings. This gets him into trouble with his sergeant who, at the request of the FBI, assigns him to a case where he ends up being a nurse maid to Lee (Chan), a Chinese detective who has just broken up a huge smuggling ring in Hong Kong. The FBI want Carter and Lee to not interfere with the investigation of the kidnapping of the Chinese Consul's daughter, but Lee and Carter do anyway, in their own charismatic manner and triumph where the FBI fail.

The martial arts expertise of Jackie Chan is fantastic and shows that his truly a master in what he does. Chris Tucker does a terrific job of playing the off the wall LAPD officer who trys to keep Chan's character out of the way of an investigation. Chris Tucker is an extremely well disciplined actor, and seems to go very smoothly with the styles of Jackie Chan. Not only is the action part of the movie good, the now common jokes in martial arts movies are all there, including many racial/cultural difference jokes not necessarily making fun of races, but the cultural differences. Rush Hour is nothing to take seriously, but it is fun to watch.

Read Best Reviews of Rush Hour (2010) Here

Rush Hour starring Chris Tucker and Jackie Chan is the new breed of all action packed and humorous police films. This film will keep you laughing from start to finish. Chris Tucker is too funny for words and Jackie Chan still has the quickest hands of any martial artist I have ever seen-other than the great Bruce Lee. It is a great story of how two cops from two different worlds and with two completely different personalities join up under the premise of steering clear of an FBI investigation involving the kidnapping of a Chinese dignitary's daughter. Of course, Detective Carter (Tucker) eventually fails in his attempt to keep Inspector Lee (Chan) out of the investigation. The two, however, ultimately bond and join forces to crack the kidnapping case without the help of the FBI. Rush Hour is full of explosive action and comic wit. I especially enjoy the feature on this DVD that allows the viewer to see those scenes that were deleted from the film and the feature that allows you to jump to a particular scene. Rush Hour is a must have for all movie lovers. Kudos!!

Want Rush Hour (2010) Discount?

Detective Carter (Chris Tucker) who has the fastest mouth in the L.A. police force has an assignment to track down a Chinese Consular's daughter with the help of Hong Kong detective Lee (Jackie Chan). The Two aren't getting along quite well for Carter thinks everything is his way, for Lee the mission is important but eventually along the way they become friends and must stop the international criminal mastermind behind this.

Phenomenal and entertaining action-comedy that has the right ingredients to make one of 1998's most popular movies! Chan and Tucker make a great team together. The movie has a perfect mix of action, laughs, and stunts from Chan, it's the best work Brett Ratner has done and the sequel is even better.

The DVD has crisp picture and sound with cool extras like audio commentary, isolated score, Deleted scenes, featurette, a short film, the theatrical trailer, DVD-Rom extras and music video by Dru Hill.

Save 33% Off

Kiss Kiss Bang Bang (2006)

Harry's a burglar in New York who, to escape arrest, winds up auditioning for a part in a Joel Silver like film that's destined for Colin Farrell. He's whisked away to the phony world of LA, where every girl named "Jill" spells it "Jylle." At a fabulous cocktail party he meets Harlan Dexter, once a B-movie actor and now a very rich enterpreneur whose daughter has only recently returned from a long sojourn to Paris. Harry also meets his high school sweetheart, a girl who never gave him a toss back then, but now she's seeing him with new eyes. The two of them share an appreciation for the pulp novels of the 1950s and 1960s featuring a Mike Hammer type PI called "Jonny Gossamer."

KISS KISS BANG BANG is a lot of fun. Walking into the theater you don't expect such a rambunctious, talky, endlessly yakking movie. You have to be on your toes, narratologically speaking, the entire time, and don't try leaing your seat to use the restroom, you'll have missed probably the entire point of the movie. Does even Shane Black know the story he's written, and why the three women who meet their maker got so confused that neither the police, the detectives, nor the gang that killed them seem to be able to piece them apart, like the old shell game.

The movie is stunning to look at besides. The credits are impeccable; we've seen numerous movie credits designed to resemble the old time look of the Bond films, but this one, in rusty shades of orange and black, is stylish and exciting. In general the designers of the movie deserve awards. The use of the hotel Standard is brilliant

Downey Jr and Kilmer are both pretty entertaining, but the excitement here is the performance of Michelle Monaghan as Harmony Faith Lane (a name that, oddly enough, strings together the names of two of Buffy's betes noires).

As Harmony Miss Monaghan, a Denise Richards lookalike, shows a talent that can stand right up next to the fast talking dames of the thirties like Rosalind Russell or Carole Lombard, and plus she has a genuine American beauty tht makes it believable she could come from somewhere central, like Indiana. You root for her to succeed, even when she shows the more disagreeable sides to her personality.

I can imagine some people disliking the movie and its constant air of being in love with itself, and yet when the dust is cleared we are always searching for an American cinema with wit and flair, and here it is in this giant, heaping portion, and you would be a fool to turn away such bounty on account of its presumption. I hope it does well enough to merit numerous sequels, as THE THIN MAN did. It's on that level if you ask my opinion.

PS, what happened to Shannyn Sossamon? Seems like just yesterday she was Hollywood's it girl, enjoying leading lady parts in such films as A KNIGHT'S TALE or THE RULES OF ATTRACTION. Here she plays, get this, "Pink Hair Girl"? Are they trying to punish her for being beautiful and talented, or what?

Robert Downey Jr. has not been as quick-witted and riotously funny since he played in Chaplin. He and Val Kilmer turn out to be a comedy team as good as those in Mel Brooks' early movies. There are scenes that cause uproarious laughter in the theater. Like when Downey sticks his severed finger into the ice bucket and the dog eats it. Or when Kilmer's cell phone plays "I will survive" when it rings. Michelle Monaghan plays Downey's old childhood friend, Harmony. They meet again in L.A. and team up with Kilmer to solve a murder. The trio charm the audience and keeps the laughter at a high volume. And finally, Downey's asides to the audience in his role as Narator are hilarious. From stopping the film to explain something, to changing the typical noir ending by bringing back all the dead characters plus Elvis and Abe Lincoln. It was two hours of razor-sharp dialogue and brilliant comedy. Don't miss this one.

Buy Kiss Kiss Bang Bang (2006) Now

"Kiss Kiss Bang Bang" is so full of energy and forward propulsion that it often trips over its own frenzied notions and plot machinations. This is screenwriter ("Lethal Weapon") Shane Black's first film as director and he is very keen on making the most of this opportunity: the 3rd wall is smashed and cleared away, the story is told both in flash backs and in flash forwards and Robert Downey Jr. as Harry Lockhart narrates in deadpan fashion that manages to be extremely witty and droll on the one hand and banal and silly at others.

"KKBB" opens with an explosion of activity in which Harry a petty thief, while in the process of a robbery and running from the police, accidentally bursts into a room in which actors are being auditioned for a movie dealing with private eyes. He is thrust into service as an auditionee and is asked to screen test...moving closer to actually nabbing the movie role. And so it goes: one incredible and often hilarious plot twist after another.

Downey, always a charming performer and who may be a bit too old for this part, in that he is supposed to be the same age as the smart, funny and adorable Michelle Monaghan who plays his childhood friend, Harmony Faith Lane...a great name, by-the-way. But be that as it may, the interplay between Monaghan and Downey as well as that with Val Kilmer as Gay Perry, a gay P.I. (I kid you not) is priceless: all are operating on the very highest level of their performing careers.

Not every thing works in "Kiss Kiss Bang Bang" but at least Black, by way of his throw in everything but the kitchen-sink style of directing, exhibits the cojones to play with the conventions of the detective story/thriller movie and make it work...most of the time: you must often risk the ridiculous in order to achieve the sublime is a lesson that Black has seemed to have learned very well.

Read Best Reviews of Kiss Kiss Bang Bang (2006) Here

Once you realize this movie isn't a porno, it's actually pretty good. Yeah, I was disappointed at first, but instead of hunting down the red light district I actually decided to stay. Besides, porn is accessible 24/7, but a movie this funny only comes around once in a while.

The plot revolves around Harry Lockhart played by Robert Downey Jr., a petty thief turned aspiring actor who soon finds himself in the midst of an old fashioned film noir plot. Val Kilmer plays Gay Perry, a private detective who is hired to show Harry the ropes for his potential new role. When someone from Harry's past shows...actually, the plot is really just a MacGuffin for the two actors to spout off clever lines at one another, and the movie itself seems keenly aware of this. In fact, Robert Downey's character narrates the film complete with fourth wall shattering comments (such as referencing the audiences in Times Square). His narration could have come off as annoying, but thanks to the strong script and funny delivery it works perfectly.

The entire film is really just an excuse for these two actors to play off of each other, and they do a fantastic job. Val Kilmer and Robert Downey Jr. can be two of the most frustrating actors. Sometimes they can seem so self-conscious that it's painful, and other times they can turn in a role that singlehandedly makes the movie (Val Kilmer in Tombstone for example). Here they're at the top of their game. They play off of each other perfectly. If you like smart sardonic humour, then you'll like this movie.

It's so difficult these days to find a good comedy that this movie felt refreshing. It feels like it has been over a decade since I've actually laughed out loud in a movie theatre. Most comedies are run by the Will Ferrell rule of comedy: if you yell it's automatically funnier. It's nice to know that someone out there thinks that a clever script can be funny too. (This is not a complete knock to Will Ferrell--he can be funny in the right role).

The qualities of this film don't stop at the humor. There's also some great send-up of film noir. For a noir fan like myself, this was merely icing on the cake. Not only does the film pay tribute to old fashion noir, but takes an opportunity to subvert it whenever it gets the chance. Film noir cliches are raised so they can be turned on their head.

Hopefully this film will get the audience it deserves when it comes out on DVD. It's easily one of the years funniest movies, and it's not even a straight up comedy.

Want Kiss Kiss Bang Bang (2006) Discount?

I don't know, how do you not love a movie that includes lines like this one, about women in Los Angeles:

"I swear to God, it's like somebody took America by the East Coast, and shook it, and all the normal girls managed to hang on."

And that's what Kiss Kiss Bang Bang is like: Relentlessly clever dialogue, witty screenplay, extremely self-aware without crossing the line into being eye-glazing about it.

Essentially an update of a second-tier LA-based noir film, the film moves so quickly and is so funny that many audiences may not catch that they're watching a film that could have once starred Alan Ladd or Humphrey Bogart. There's the beaten-to-a-pulp detective in over his head, the rich movers and shakers who can crush him at will, the dream girl who's alternately sexually available and loathes him, dead bodies that get moved around, seemingly on their own and lots more standard bits.

Toss in Robert Downey, Jr. doing his best work in years, Val Kilmer, funny again for the first time in decades and the new-to-me-but-ought-to-be-a-star Michelle Monaghan, and you've got a solid, solid cast capable of making the clever script pop. Heck, there's even some footage from a truly awful 1980s Corbin Bernsen action movie, which isn't something you see every day.

It's hard to figure how this got overlooked in theaters, but no fans of buddy movies (the film is written and directed by the creator of the first -and vastly superior to the sequels -Lethal Weapon movie), Downey or Kilmer should miss this.

Sensationally great fun.

Save 47% Off

Monster House (2006)

As studio execs continue to milk the cash cow that is the CG animated feature, MONSTER HOUSE is refreshing on two fronts; firstly, we see a departure from cutesy animals/toys in peril, and secondly, it's good!

I would imagine that fellow kids-at-heart who grew up in the eighties with INDIANA JONES and THE GOONIES will feel right at home with D.J., Chowder, and Penny; all characters we've met and identified with before in other movies. The focus is on story and character interaction, and thankfully there's a complete lack of "Gee! Look what we can do with computer graphics!" We're not subjected to nauseating shaky-cam and rapid cuts of other recent kid flicks this movie looks beautiful, and the animators allow you to appreciate it. Not surprisingly, the most interesting characters are Nebbercracker and The House. There's a good story here, ultimately with unexpected warmth and heart.

Is it aimed at the right age group? That's debatable. More sensitive kids may find it too scary. It's loud at times, there's a few in-your-face frights, and the tension builds quickly. Beyond the genre setting, there are a number of more mature themes present which parents should be aware of, notably alcohol usage and sexual themes when the babysitter and her boyfriend are on-screen. I could knock off a star for these points given the target audience, but they didn't detract from my overall enjoyment of the movie.

I highly recommend MONSTER HOUSE to animation lovers, big kids at heart, and little kids with a big kid to hide behind.

I just saw this film today (after missing out on a sold out sneak preview last weekend) and the increased level of expectation was met with one of the most rewarding moviegoing experiences I've had in the last five years. Monster House gives us one doozy of a spooky antagonist, a decrepit domicile of living malice that gobbles errant toys and passerby with equal ingenuity and viciousness.

The house is plain old MEAN, and for really small children perhaps a little too scary to take in a gigantic room filled with strangers and darkness. But for those of us who are too grown up for a nighlight this is perfect, creepy entertainment.

The same motion capture technology used to create The Polar Express (a film which I have still yet to see) is a very interesting and appropriate choice for this film, where the only truly fantastic element is the demented house that will not suffer trespassers. It works so well because the eerie realism that depicts the characters is so starkly contrasted with the insanity that ultimately drives the Monster House to be, well, so monstrous.

Now I fully expected to be entertained by the antics of the house, but I didn't expect there to be much of a story. Again I was pleasantly surprised by what I think is a script that I believe is just as worthy of an Oscar nomination as the script for The Incredibles was. There is, beneath the floorboards of this film, more heart than horror. A tale of love, retribution, acceptance, forgiveness, and ultimately letting go.

Monster House is, beyond a doubt, one of the coolest Horror movies for kids ever made. A Halloween tradition in the making that dares to answer that age old question: Can a house be haunted?

The answer is a resounding yes with a disquieting post script.

Whatever is haunted may also be hungry!

Buy Monster House (2006) Now

Watched Monster House in 3d last night with my 12 year old. It was fantastic, the 3d was great, next to no ghosting and i was paying attention to the detail of the movie. Lots of laughs and fun. The quality was alot better than Monsters vs Aliens and cloudy with a chance of meatballs, which i noticed much more ghosting around images. Buy it and enjoy, the last 15 minutes i kept saying wow.

Read Best Reviews of Monster House (2006) Here

Monster House uses the same motion-capture technology as Zemeckis' Polar Express but takes it to the next level. This time around, the whole context of the movie will appeal to a wider audience so this is a great opportunity to display the possibilities that this all digital technology offers.

Beyond the technical achievement, Monsterhouse is an excellent surprise for its family-oriented audience. Unlike Dreamworks and their Shrek-ish, below-the-belt, cynically adult-oriented features, this movie aims at both the kids and grown-ups in a way that tends to unite them around its subject, rather than addressing the two categories separately and alternatively.

To kids, this will be their first experience of an actual horror flick: the house IS seriously haunted and this is definitly no Casper-like curse. Lives are at stake here and the line between good and evil is not so strictly defined.

Some aspects of the plot have a very macabre touch, still a bittersweet feeling comes in balance towards the end.

A real implication is required from the kids, especially because a few thrills awaits them once the house has awaken.

On the parents' side, besides the fact that for those like me who grew up with the Amblin productions of the eighties (The Goonies, The Gremlins and co), you are in for a great back-to-the-future nostalgic trip. Not only because the action takes place in the 80's (various hints lead to believe it)but because the whole atmosphere, the characters, the humour will either make you wish you could still be 5 to 10 years old to fully dive into this nightmarish story, or simply will make you forget you've grown older and make you actually feel like you're a kid again.

So thank you Mr Zemeckis and Mr Spielberg for producing this little gem, which, though it draws its inspiration from a classic tradition of haunted mansion archetypes, never fails to find its own identity and energy.

In a nutshell: great style and screenplay, technically impressive and very concerned about offering a satisfying show to the audience.

Want Monster House (2006) Discount?

Monster House delivers a consistently gorgeous 3D transfer that dazzles even through the film's many dark scenes. The film's 3D elements impress at every turn; there's a marvelous sense of depth accompanying every minute of the film; there's always at least some background elements or spacing between characters and their environments that give the audience an honest 3D sensation. Best of all, however, is the sheer seamlessness of the presentation. There is not much "jumping out at you" images like in Monsters vs. Aliens.

I did not experience or notice any "ghosting" on my Samsung LCD TV (LN46C750) and Samsung Blu-ray player(BD-C6900). The sound was great at every turn; coming out of my Onkyo HT-S3300 Home Theater System.

Special Features include:

* 3D preview of Cloudy with a Chance of Meatballs and Open Season

* Filmmaker's Commentary

* Tons of thrilling Featurettes to check out!

* The Art of Monster House photo gallery

Overall a great addition to the limited number of 3D Blu-ray Movies.

Save 60% Off