La Haine (The Criterion Collection) (1995)

i have waited forever to buy this movie states-side. the only copy i've ever owned was on vhs and i lost it a long time ago. its been so long since the movie first came out; i remember that it was available as a zone 2 dvd in a european magazine or newspaper (it is common in some countries for them to distribute dvds this way).

anyway. im curious to see what criterion adds to this movie. this movie is a definitive "hip-hop" classic. and not many people know about it here. truly a gem.

I spent $40 a few years ago to buy the Zone 2 version, which I didn't know was unplayable in my DVD player. I will gladly, but somewhat grudgingly, spend another $30 to get a copy of this movie that I can watch without limitations. Truly an eye-opening movie; France's "Boyz in tha Hood," only better in pretty much every way.

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This is one of those movies that sticks in your head. I rented it on VHS years ago when it first came out. I heard about it through its attachment to Jodi Foster's production company Egg Pictures. They help it to get released in the States. From the opening voiceover hurtling towards the ground, to the brutal ending, it will move you. The performances are terrific, and the screenplay does a fabulous job of ratcheting up the tension as the movie progresses.

Whatever your feelings and knowledge about the issues surrounding immigration, this movie shows you how from the immigrants' perspective, the tensions of their new society can clash with those of their original ethnic society into a powderkeg waiting to blow. The three main characters are young and in over their heads. Their feelings of helplessness combine with the fortuitous discovery of a policeman's lost gun to lead them where their not sure they really want to go. It's an intersting and powerful dilemma to watch.

Highly recommended!

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Hate is a strong film about lost youth where the apparent message strikes the audience in the forehead like a nail-pegged baseball bat. The story is set the day after nightly riots in a Parisian ghetto after the young Arabian man, Abdel, was brutally assaulted by the police. Vinz, Said, and Hubert are three friends of Abdel that are set adrift in anger toward the police as they try to find reason and justice within their social environment. The impulsive Vinz, performed by Vincent Cassel, acts tough as he knows that he has a gun that he found after a police officer had accidentally lost it in the riots. Said is the follower who glorifies the violence and strives to be respected as he has a twisted view of what respect is. Hubert dreams of getting out of the ghetto as he does not glorify the violence within the ghetto while his two friends do. The audience follows these three characters throughout a full day as they are sitting around, getting into trouble, and learning through their errors. Kassovitz creates an authentic and explosive atmosphere which becomes the grounds for an exhaustive examination of the socioeconomic milieu of young adults in a poor Parisian ghetto. In the end, Kassovitz succeeds in developing an excellent persuasive and disturbing cinematic experience.

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La Haine is a film that flew beneath my radar for some time. Released to critical acclaim in 1995, it won numerous awards, and earned both the support and criticism of members of the French Government at the time. It explores a day in the life of three hood kids growing up in a public housing project outside of Paris. The film effectively and at times disturbingly shows the tension between the police and Paris' minority communities. Although it is 12 years old, its exploration of police brutality and racial/class disparity is relevant and applicable to modern American society and probably more generally any society in which there is an unequal distribution of wealth.

La Haine is shot in gritty black and white, and is subtitled. Although it is a deep film, it is still an entertaining and absorbing crime/hood drama. It is raw in its depiction of kids growing up on the fringes of society. It is not pretentious or cliche like 'Crash', a film with a similar theme. This is both an artistic and entertaining film, which retains its power after multiple viewings. La Haine deserves to be watched.

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The Brothers McMullen (Filmmaker Signature Series) (2012)

This is a pleasant film about problems concerning love. There are three brothers who run into difficulties that they have to solve. My favourite is the second oldest brother. Barry has seen how his mother had to struggle for years with a man that she did not love. After Barry's father is dead, Barry's mother is finally able to marry the man she has always loved.

Barry's reaction to his mother's fate and also to his own relationship with his father, makes Barry afraid to form a steady relationship with the woman of his dreams.

This film touches important issues like love, committment and religion. There were many funny scenes in this film too, so it was good to sit down and watch it.

The Brothers McMullen is supposed to be about what it's like having grown up Irish-Catholic in America, which, in the context of this movie, is supposed to be about being sexually repressed. It's an outstanding movie that everyone should see.

The movie is about the relationship of three brothers to the women in their lives and to each other. I must warn you, this is a serious romantic comedy-there's no severed limbs, exploding buildings, or sensational car wrecks. It's a quiet movie with no action. It's also a movie you can watch more than once and still be equally engrossed.

The oldest brother is a high school basketball coach, but, oddly, he's very non-jock like. He's somewhat sensitive and a little thoughtful for crying out loud! And he doesn't drink enough beer for a coach. He is friends with another woman who has the serious hots for him, but he keeps turning her down out of respect for his marriage.

Middle brother was engaged to a Jewish girl, but it broke up due to his own moral and emotional conflicts. Later on, he then picks up an old friendship with the Irish-American girl that grew up next door. She repairs cars in the backyard, drinks beer like the guys and has big hair to remind you she's a girl. I liked her better anyway.

The youngest brother is the most likable. He hasn't been a practicing Catholic since junior high; yet, he considers himself a believer. His charismatic crudeness and way of treating woman remind me of the characters Sean Penn plays, but this guy's got better personality and looks. Both older brothers tell him he drinks too much, but I'd say he drinks just the right amount for his age and station in life! He doesn't seem sexually repressed to me, but his slightly overplayed male bluster and beer drinking might suggest to a shrink that he's keeping his true feelings on ice.

At first glance I thought the McMullen family didn't typify mine--the brothers seem like libertines by comparison! But they call movies and plays drama because they're supposed to dramatize. I think the characters act out things that all of us have thought, felt, wished we'd done, experienced or observed, either consciously or unconsciously. The incongruity of values and lifestyle between the conventional straight-laced oldest brother and the carousing youngest brother was interesting. Unlike most men and unlike most Irish-Catholics, the brothers talk about all their conflicts with each other and their wives and girl friends (Otherwise, there wouldn't be a movie!).

There's some funny, typically Catholic hypocrisy. Middle brother is sleeping with his Jewish girlfriend. When they go looking for an apartment together, he decides they can't live together before marriage because he's Catholic. In another scene, they are in bed together having hank-panky and he tells her they shouldn't be using contraceptives because he's Catholic. Oops. I didn't use the word sex or intercourse. Does that make me sexually repressed?

Apparently, if a woman pursues a man and he's attracted to her, but he chooses to remain faithful to his wife, Hollywood considers that sexually repressed. And if a person is torn between what they've been taught is right and what their passions command, that is considered sexually repressed. I'd call it being a normal human being. I don't think the movie makers were trying to portray the youngest brother as liberated; rather, I think they were trying to portray him as another kind of emotional cripple, but I'm on shaky ground here.

I thought the brothers did O.K. in their relationships to others, but I was a little disappointed that none of the brothers lacked the intellectual depth and sophistication to sort out and resolve their inner conflicts. This is the real tragedy.

Unfortunately, the movie barely touches on the woman's point of view. It would make a great sequel.

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I love Ed Burns and I thought this film was good (I do like "She's the One" better) It's about 3 brothers, their lives and the reprocussions of growing up in a Catholic Irish American household in New York city.

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The people who criticise the film for not having a plot or storyline miss the point of this film. We watch the Brothers McMullen struggle with morality and love. It is nice to see a film that deals with love and sex on a deeper level than just love and sex. Edward Burns has a great ear for dialogue, keeping the dialogue real-sounding and never stilted. It's too bad that as a filmmaker, he has not reprised the artistic success he had with this film.

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Having worked in the entertainment industry for years I have found that the idea of "story" has become passe and "flash and glam" has replaced the craft of fine moviemaking. This film has resored my faith in the art. I would like to see what the result would be if we were to give the "great" film directors of the modern cinema a couple thousand bucks to shoot a film. Chances are they would fall far short of this first effort by a very talented writer/director/actor. Please sit down, enjoy, and laugh yourself to death.

If you're interested in the filming and scripting of this (and other) Ed Burns films... check out his book "Three Screenplays." It's well worth the read. Oh, and if there are any Irish-Americans out there looking for a film to relate to... this is the one!

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Men of Honor (2000)

Military training films are becoming so common that they are becoming a genre unto themselves. Among the more prominent we have, "Officer and a Gentleman", "Top Gun", "GI Jane", and now "Men of Honor". The fact that this one happened to be true doesn't change the fact that the formula is the same. This film is probably most like "GI Jane" since it focuses on the desegregation angle.

The story is actually quite inspirational and is probably the best human-interest story among those mentioned above. Carl Brashear (Cuba Gooding, Jr.) is unquestionably a man of great courage and principle, and his strength of character shines through brightly in this film. Unfortunately, director George Tillman, Jr. has tunnel vision in presenting the characters and eschews character development of various characters other than Brashear in favor of showing Brashear in a constant state of adversity. Billy Sunday (Robert De Niro) is a central figure, and except for the initial scene, the fistfight and a couple of scenes with his wife, we don't know much about him. For instance, Brashear sees the scars on Sunday's palms and we are to assume that he worked a plow, but there is no follow-up on that point. Mr. Pappy (Hal Holbrook) gets only one short scene by which we can judge him. The rest of his screen time shows him pacing around and ranting. If a director is going to make a human-interest story, he needs to humanize the characters.

Cuba Gooding Jr. gives an outstanding performance as Brashear. This is probably the best I've seen him. This is a role and a character that is far more complete than any part he has played before, and he rises to the occasion. In "Jerry Maguire", Rod Tidwell was a fascinating, but one-dimensional character with the depth of a rain puddle. Brashear is much more complex and grounded, and the issues he faces are life crises, making the part far more challenging. This is an excellent recovery from Gooding's last role in "Chill Factor", a film so dreadful that it was almost an act of professional suicide to take the part.

After a stint trying his hand as a comedian ("Analyze This", "The Adventures of Rocky & Bullwinkle", "Meet The Parents"), Robert DeNiro is back to his dramatic roots with an outstanding performance. DeNiro isn't a bad comedian, he is just such a great dramatic actor that it seems like he shouldn't waste his time doing comedy. DeNiro endows Billy Sunday with a rock hard personality belying a tortured soul. It is a pleasure watching him work.

It seems every film I watch lately has Charlize Theron in it. I saw "The Legend of Bagger Vance", "Men of Honor" and "The Yards" right in a row and I was beginning to wonder if she had a part in every film in 2000 (actually, she only did five). This was a minor role for Theron, but she carried it off well and managed to stay with DeNiro step for step. David Keith, who co-starred with Richard Gere in "Officer and a Gentleman", has a cameo here

The DVD has some interesting special features, including reflections by the real Carl Brashear and some deleted scenes.

I enjoyed this film despite the hackneyed plot and the one-dimensional presentation. I rated it a 7/10. I'm a sucker for underdog stories and I have a fondness for stories where strength of character is the central theme. This film is particularly strong in both areas and brings us two memorable acting performances that compensate for some of the director's shortcomings.

This is a wonderful, heartwarming film, as well as an indictment of the US Navy at a certain time in history. The story is a cinematic, biographical sketch of Carl Brashear, the first African-American to become a diver for the US Navy. Cuba Gooding, Jr. and Robert De Niro both give Oscar calibre performances in this gripping film.

The movie tells the story of Carl Brashear, whose parents instilled in him a determination that would cause him never to give up his dream of becoming a diver in the US Navy. He stuck to his guns, despite the overt racism that he encountered when he joined the Navy. The racism that he encountered would make it harder for him to achieve his life long dream.

Once he became a diver, Mr. Brashear upped the ante and strove to become a master diver. He struggled to do this against all odds, and just when he was on the cusp of achieving his goal, a tragic accident befell him, derailing him temporarily from the path to his ultimate goal. What he then does to fulfill his dream is radical, yet inpirational.

Cuba Gooding, Jr. gives a perfomance so moving and heroic, that the viewer feels like giving him a twenty one gun salute at the end of the film. Robert De Niro plays a racist master diver who is ultimately converted to the side of the angels, when he realizes that Carl Brashear is truly the best of the best. His performance is stellar.

The only problem with the movie is that most of the supporting roles pale in comparison to the two central ones played by Gooding and De Niro. Charlize Theron's role, that of De Niro's wife, is really superfluous to the story. Aunjanue Ellis, who affectingly plays Gooding's wife, has a more crucial, pivotal role than Ms. Theron, but remains a shadowy figure in the backround. Hal Holbrook's portrayal of a loony, racist Navy commander is rather one dimensional, more of a caricature than a character. Notwithstanding these small shortcomings, this is a riveting film that should not be missed.

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"Men of Honor" was another excellent film but it left me wanting to know more. It was the fact-based story of the Navy's Master Diver Carl Brashear. He was the first black man to attend and graduate from Diving School. Cuba Gooding Jr portrayed Brashear who at a young age decided he wanted to be a diver for the Navy. BUT when he entered the Navy blacks were only allowed in the kitchens.

After coming to the attention of his CO, Brashear was given an opportunity to attend the school he really wanted to. He came face to face with Billy Sunday played by Robert DeNiro. In many ways Sunday wanted to see Brashear complete the course but his commander portrayed by Hal Holbrook tied his hands. Eventually Brashear was successful.

As Brashear's career progressed, Sunday's fell apart. Then there was a terrible accident, which resulted in Brashear losing a leg. The Navy wanted to retire him but he fought to stay in. Sunday came to his aid and helped him recover from the amputation. He was by his side when Brashear had to go to court to fight for the right to stay in the Navy. The court scene was very moving.

Yes there was a little romance in the movie and yes there was vulgarity but this film was very good. However it left me wanting more so I will have to go find of copy of the book the movie was based on to learn more about this amazing man's life. I wanted to see more of his training, more of what he went through, and more of the treacherous dives he went on that made him what he became.

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I have heard some bad things about this film..."overdramatized fluff", "typical cliched writing" and so forth...

This film is so much better than the sum of its reviews.

First, the story--face it, it deserves to be told. This is about a real man who goes through the tenth level of hell and back to achieve his dream of becoming a Master diver. He has to face bigotry from his classmates and his superiors--the latter of whom are determined to fail him based on his skin color alone--and push himself past his limits to succeed. Yes, the plot was hokey in some areas, but a few hokey spots does not a bad film make.

Second, the acting. Only Cuba Gooding, Jr. could have pulled off the role of Carl Brashear, the diver in question. His performance was very well executed and brought me to tears in spots. Robert De Niro was wonderful as always, and I really don't care that Billy Sunday was a composite of Brashear's superiors throughout his career instead of a real person, because he pulled it off without a hitch. At times he reminded me of R. Lee Ermey, but the role would not have had the same depth if the latter had been cast--it was written for De Niro. The supporting cast was excellent as well--especially Charlize Theron and Aunjanue Ellis, whose roles, although small, were nonetheless pivotal.

The DVD version, both wide and full screen, includes a feature about--and narrated by--Carl Brashear himself, who was the head military advisor to the film, and it is definitely worth watching. I myself was amazed at the accuracy of the movie and was deeply inspired by this man who had had so much to overcome. George Tillman, Jr. did a wonderful job with his story.

Overall, I give it five stars out of five. If you thought this film was complete crap, then maybe you should go rent "Gigli." Criticism aside, though, "Men of Honor" isn't so much a biographical feature as it is a testament to the strength of the human spirit, and Carl Brashear is living proof.

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A dramatization of the life of Carl Brashear, the first African-American diver in the history of the U.S. Navy, "Men Of Honor," directed by George Tillman, Jr., is an uncompromising examination of personal courage, integrity and honor. Cuba Gooding, Jr. portrays Brashear, a man of unabashed determination who simply would not be deterred from achieving his goal, even in the face of apparently insurmountable obstacles, the most prevalent of which was blatant racial discrimination. As brutal and incomprehensible as it seems, there were those, including at least one high-ranking officer, who would rather have seen him die than pass diving school. That he stayed with it, passed and went on, not only to an illustrious career with the Navy, but one in which his achievements were nothing less than remarkable, is a demonstration of heroics tantamount to those for which medals are awarded. It's men like Brashear that should make veterans everywhere proud of their heritage as members of the Armed Forces. Such a story is, of course, a natural for the movies; and, if done properly, has the makings of a great one. And this one is. Tillman tells the story of Brashear, the son of a Kentucky share cropper, in a decidedly straightforward manner, without pulling any punches as he illustrates the inane bigotry faced by the young seaman. The heroics of the man speak for themselves, and Tillman wisely avoids any attempts at superfluous dramatic embellishments, the siren's song to which a lesser director may have succumbed, and which could so quickly have derailed this project. Tillman's work more than passes muster, and his attention to detail, along with impeccable pace and timing, are a major factor in the success of this film. It should land him an Oscar nomination. Another factor is the incredible talent with which Tillman had to work. Gooding embodies the qualities that made Brashear a hero, and it is through his outstandingly credible performance that we get to know this man. There's a subtle pride in his demeanor, a personification of his determination, that brings him so vividly to life on the screen; it's an Oscar worthy piece of work that should be acknowledged by the Academy. And Gooding had, not only a terrific role, but the best co-star with which an actor could hope to work. Robert De Niro stars as Master Diver Billy Sunday, the adversary turned ally who ultimately helped Brashear realize his goals. On the surface, Sunday is tough and pridefully simplistic; but underneath lies a complex individual that De Niro mines to full advantage. Any time De Niro appears in a film, expectations are high, as well they should be; he is an actor of immeasurable talents. And here, with his portrayal of Sunday, he scores another triumph. It's a brilliant performance, for which he must be recognized with an Oscar nomination. The outstanding supporting cast includes Charlize Theron (Gwen), Aunjanue Ellis (Jo), Hal Holbrook (Mr. Pappy), Michael Rapaport (Snowhill), Powers Boothe (Capt. Pullman), David Keith (Capt. Hartigan), Holt McCallany (Rourke), Joshua Leonard (Isert), Carl Lumbly (Mac, Carl's Father) and Lonette McKee (Ella, Carl's Mother). "Men Of Honor" is a superb, memorable film that recognizes the kind of heroics that go largely unsung and too often unheralded. That Tillman and this fine assemblage of actors have been able to illuminate the life of a man like Carl Brashear so fervently is a tribute to them as well as the Motion Picture Industry. But more than that, it is a well deserved tribute to a true hero, Carl Brashear. This is a movie that must not be missed.

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Enchanted (2007)

"Enchanted" (2007) has to be one of my favorite Disney movies in years; it is a return to the type of classic movies that were produced under Walt's supervision, but it also acknowledges the times we live in without being too negative. Right off the bat, I was amazed to be able to watch a film that had no profanity and other than the topic of divorce, hardly any adult situations. Of course, there is some 'wink-wink' adult humor that will go over the head of children, but even that is pretty tame. How refreshing to know that an excellent movie can be made without looking like the 10pm news or a tawdry reality show. PLENTY of fun references to vintage Disney films, and a number of cameos by some Disney favorites.

The film begins as a typical classic Disney animated film would; Julie Andrews narrates the story of Prince Edward (James Marsden) from Andalasia, who must find his true love to marry, and his evil stepmother Narissa (Susan Sarandon), who does not want to step down from her throne and will do whatever she can to thwart Edward's search. Enter Giselle (Amy Adams), a maiden of the forest with plenty of animal friends. She too is searching for her true love, and through song and fate, Edward & Giselle meet, fall in love, but are separated by Narissa, who sends Giselle out of the toon world and into the harsh reality of present day New York City. While Edward and Giselle attempt to reunite, a hardened divorce attorney, Robert (Patrick Dempsey) & his daughter attempt to help her along the way. Giselle's positive attitude and belief in true love has a profound effect on Robert, who has apparently been embittered by his own divorce (what actually happened to his first wife is somewhat nebulous, and basically left open for interpretation). Robert is already seeing someone; Nancy (Idina Menzel) is the romantic girl he has been dating for the last five years. No plot spoilers here; you will have to see how it all comes together.

This film rests on the able shoulders of Amy Adams; in the role of Princess Giselle, she could have easily done a parody of Snow White, Cinderella, and the other Disney Princesses. However, she brings warmth, charm, humor, and great emotion to her character; she is totally believeable. James Marsden again shows off his tremendous vocal talent, and as a toon Prince, he gives a letter perfect performance. Although he is a little one-dimensional at times, it works perfectly with the plot and how the movie progresses. Dempsey also does a wonderful job in his role, with just the right amount of bitterness; it is very apparent that he underneath he believes in romance but what happened with #1 has forced him to change. The only weak link in the cast is Sarandon, which is a shame. She is one of our finest actresses, and yet her characterization just misses the mark for me; she lacks the power and evil that we expect from a Disney Villain; in the climax of the film, she almost appears to be yawning through her part. It is the power and force of a Disney Villain that makes their "fall" so enjoyable; evil must be very evil for the triumph of good to be truly satisfying. Still, it hardly detracts from the overall product. The songs in this film will stay with you after you watch the movie...in a good way. Rarely have I immediately been overcome with the desire to purchase the soundtrack from a film in recent years. Overall, a definite 5 stars for this movie.

The DVD is a different story; although there are extras, it does seem like Disney skimped on them. The highlight is the behind-the-scenes look, "FANTASY COMES TO LIVE," at 3 sequences: "Happy Working Song," "That's How You Know," and the Ballroom finale sequence. Seeing the layering of the CGI effects and Amy Adams having to "act" to nothing ("Happy Working Song") gives an even greater appreciation of her talent. You will also learn that one of the dancers from "Mary Poppins" has a cameo in the "That's How You Know" number. There is also an "extra," PIP'S PREDICAMENT: A POP-UP ADVENTURE, that tells the tale of Pip's alerting Edward that Giselle was no longer in Andalasia. MAYBE very young children will find this amusing, but personally, it was a little on the lame side. There is also a "Hidden Mickey" that is basically a promotion for the Bluray version of "Enchanted." The deleted scenes are fun to watch, as is the blooper reel. Neither are very long though. The Carrie Underwood music video for "Ever Ever After" is also included.

I am sure (or at least I hope) there will be a 2-disc special edition in the near future. So, for this 2008 Widescreen edition, I give it 4 stars instead of 5 due to the lack of extras. The movie itself still packs a wallop!

This film is a delight from beginning to end. It really is a film the whole family can enjoy. My 11 year-old was "enchanted" by it, my 16 year old son was laughing hysterically, and my wife and I were never bored once.

This film falls into the "fractured fairly tale" genre much like The Princess Bride which is a difficult genre to produce successfully. To add to the difficulty level this film also tackles the switch over from cartoon world to the real one. "Enchanted" succeeds here as well. The cartoon world is a tribute in style to the old fashioned cartoons we all grew up with, but the comedy and approach of the cartoon component works and is in funny balance to the real world scenes.

Amazon and other reviewers have done a good job summarizing this film and with the traditional elements of most Disney classic cartoons, there isn't much I can add here, so here is my hits and misses approach:

The Misses:

(1) The ending goes a little over the top with effects and seems a bit out of place, although it's still fun and interesting.

(2) The songs are good, even above average in spots, but not nearly as good as prior Disney efforts.

The Hits:

(1) It's a great marriage of cartoon and real world storylines.

(2) The film nails the fractured fairy tale genre right on the head.

(3) The story is engaging no matter what your age is. My whole family truly loved this film.

(4) For the genre this film has terrific acted. Amy Adams is someone anyone one of us would want to marry (or adopt). Her role of the misplaced Princess in New York City is difficult to get a handle on without grating on one's nerve, but she manages to get us to love and adore her. Patrick Dempsey is simply perfect in his role and who would ever think that James (X-Men Trilogy Marsden could sing and act so lightheartedly. Of course, Susan Saradon as the evil witch is perfectly cast and she manages to not go over-the-top as Glenn Close did as Cruella DeVille in 101 Dalmatians. The supporting cast of both familiar and unfamiliar faces are wonderful in their roles. This film is perfectly cast and makes one wonder why there isn't an Oscar category for casting as the person who did it for this film would surely have won it.

(5) Good blend of cartoon, real world, and special effects (even if the end goes a bit wild).

(6) The humor in this film will have you on the floor laughing until your stomach hurts. I kid you not, this film is absolutely hysterical as it pokes gentle fun as Disney's more traditionally family films. Some humor is a bit contrived in a few spots, but many seem like ad libs too.

I can't speak enough good things about this film. This is one to treasure and watch with your family over and over again. I'm sure that I will always find something entertaining in this film even on my 100th viewing.

Respectfully Submitted,

Steve Hedge, May '08

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***1/2

"Enchanted" is a fish-out-of-water tale that is also an homage to "Snow White," "Sleeping Beauty," "Mary Poppins," and countless other Disney classics that have come before it. Here, a fairy tale princess (Amy Adams) crosses over from the world of animation to the world of live-action, without losing her cheery disposition and otherworldly charm in the process.

On the day she is to be wed to her long-awaited Prince Charming, the beautiful Giselle is tossed out of the storybook kingdom of Analasia by a jealous evil queen (Susan Sarandon) who has no intention of letting some pretty little upstart usurp her throne. When Giselle finally finishes falling, she lands smack dab in the middle of a live-action Manhattan that is only a tad less immaculate and a shade less colorful than the cel-animated world she calls home. The plucky heroine is both dazzled and a bit confused by this strange looking world where the people don't seem quite as friendly or optimistic about life as the inhabitants of Analasia. Giselle is befriended by an unromantic, decidedly commitment-phobic divorce attorney (Patrick Dempsey) who doesn't know quite what to make of this odd, undoubtedly deranged creature who, when she isn't inspiring critters to help her tidy up the apartment or breaking out into full-throated, spontaneous song, is extolling the virtues of true love and declaring her undying faith in happily-ever-after endings.

Most of the fun of "Enchanted" lies in watching this almost impossibly cheerful, utterly imperturbable former cartoon character going up against the harsh realities of the real world (as harsh as the "real world" in any Disney film can be, that is), yet maintaining her sunny disposition throughout. The filmmakers have devised some spot-on parodies of the typical Disney musical number, replete with high-pitched warbling, a chorus of singing animals, and lyrics that reflect an unquenchable conviction that all is for the best in this best of all possible worlds. At times, the idea of the film is better than its execution, opting, as it often does, for silliness and strained slapstick over sophistication and wit. And sometimes, even the concept itself falls flat, as when we are left to ponder whether these creatures, with their weird behavior and exotic garb, would really be all that out of place in Times Square. And, regrettably, the filmmakers couldn't resist throwing an utterly superfluous, CGI-generated dragon into the mix at the end.

Yet, for the most part, the movie is clever, bright and beguiling, and boasts a wonderfully ditzy performance by the lovely Miss Adams that brings the whole sugarcoated confection to life. The material many be stretched a bit beyond its breaking point, but "Enchanted" casts a spell over its audience anyway.

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Leave your cynicism outside the theater and enjoy "Enchanted," starring the talented Amy Adams. She is captivating as Giselle, the lovely, wholesome, and naïve young woman who is convinced that all she needs to make her life complete is her one true love. Alas, Prince Edward, aka "Prince Charming," has a rather unpleasant stepmother, Queen Narissa, played with raucous glee by Susan Sarandon. Narissa wants to thwart the lovers so that she can keep the throne for herself. She hatches a diabolical scheme in which she sends Giselle to a far-off place where innocent people are eaten for lunch--New York City.

"Enchanted" adheres to the conventions of the "fish out of water" genre, which was used successfully in such films as "Elf" and "Splash." Giselle emerges from a manhole wearing her tiara and an ornate wedding gown. Luckily for her, she runs into a kindhearted divorce lawyer, Robert Philip (Patrick Dempsey), who is bewildered and bewitched by this strange creature. Besides having a ridiculously optimistic outlook on life and a sickeningly sweet disposition, Giselle has a way with animals (including rats, pigeons, and cockroaches--this is New York, after all) who help her clean house and run errands. Robert's daughter, Morgan, is soon smitten with Giselle; this sweet and pretty lady represents everything that a little girl dreams of in a mother. Robert's girlfriend, Nancy, who has a more down-to-earth and practical disposition than Giselle, is less than entranced by this interloper whom she senses may be a rival for Robert's affection.

The director, Kevin Lima, wisely encouraged his performers to play their parts straight, with nary a wink at the audience. Bill Kelly's witty screenplay pokes fun at such fairy tale clichés as the wicked stepmother with her arsenal of poisoned apples and the plastic, square-jawed prince gallantly wooing his fair damsel. Among the many amusing visuals: Giselle uses curtains and other fabrics that she finds in Robert's house to make cutesy, off-the-shoulder dresses; a chipmunk accompanies Giselle to New York and keeps popping up in odd locations to warn her of the danger that she's in; Giselle strolls in Central Park with Robert and everyone bursts out in merry song.

Amy Adams is adorable as she tries to adjust to an urban environment as well as the realities of modern romance. James Marsden is an appropriately vapid Prince Edward and Susan Sarandon camps it up as the vicious queen. The gorgeous Patrick Dempsey nicely evolves from a bitter realist to a man falling under the spell of a beautiful and soft-hearted woman. The music and lyrics by Alan Menken and Stephen Schwartz are charming, and the animation is effectively eye-catching. "Enchanted" is great fun. Kids, take your parents!

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Whether you have kids or not, this Disney movie is a delight for people of any age. The characters are top-notch led by Amy Adams who amazes me in her portrayal of a to-be princess who's a fish out of water in NYC. Her performance is so charming, so sweet and just plain believable that it really makes you happy watching her and the story. I can't say that about a lot of films including Disney movies.

The rest of the acting is perfect with a story that is quite entertaining. The musical numbers are great too with Amy involving some cool film effects using animals in the scenes. And they don't over-do the music in this one which can drag a film down at times.

You won't be disappointed in this movie and I recommend it on blu-ray if you don't own it. Either way, you'll be happy you bought this gem of a flick.

Enjoy!

Hoffa (Filmmaker Signature Series) (2012)

Here is the closest thing there is in cimena to a real life story of a blood and guts union leader. Jimmy Hoffa was boss of the Teamsters (truckers) union for many years until he met his demise in 1975 at the hands of the same thugs that helped him secure his place as the union boss.

All the memorable moments of Hoffa's life are in this movie including his duels with then Attorney General Robert Kennedy, his accommodation to gangland members for union gain, and the circumstances that led to his final undoing.

I sure like this movie and watch it every chance I get. There are two fine films about the life of the late Jimmy Hoffa (who may or may not be buried in the Meadowlands) -this one and Sylvester Stallone's 1978 effort "FIST", which covered much of the same ground as this one.

Any movie with Jack Nicholson in the lead must be taken seriously, and he does fine work in this film. I enjoyed every scene but have to take issue with some of the historical accuracy, particularly that final scene at the "Road House".

Jimmy Hoffa was, in fact, last seen as a swanky restaurant in a swanky suburub of Detroit right down the street from one of the Detroit's biggest PR firms, not at some nickle and dime diner out in the middle of nowhere.

No matter, I suppose, since I enjoy the flick so much. You will too if you rent, purchase, borrow or steal a copy of this DVD.

A woefully underrated biography of the controversial Teamsters union president that deserved better than it got in 1992. Director Danny Devito and writer David Mamet clearly admire their subject, depicting Hoffa as a hero, a leader who has earned the loyalty of the working men he represents, rather than a self-centered puppet whose strings were pulled by organized crime. Whether or not Hoffa was deserving of such admiration is debatable, but the film offers a convincing argument that he was. As an actor, Devito has little to do but push people around and gape at Hoffa in awe, but behind the camera he performs admirably even if he seems a little too pretentious at times. As for Nicholson, this is one of his most challenging roles, one requiring more than an arch of those famous eyebrows and a flash of that killer smile. With the aid of a hairpiece and a few other modifications to his appearance, he gives one of his best performances in years. This is a fine, memorable film that seemed to have disappeared upon its release as thoroughly as Hoffa himself did in 1975. I don't know the whereabouts of Hoffa the man (and believe it's in my best interests not to know), but the film is on the video shelf. Check it out or buy it, but see it.

Buy Hoffa (Filmmaker Signature Series) (2012) Now

Hoffa is a surprising film which from time to time arises to keep alive the memory of the late Teamster president. Told in flash back form, the film ably describes the dramatic rise and fall of the popular labor leader. Indeed, with Nickleson's portrayal the viewer is convinced of the confrontational life of the man who became synonymous with the International union. Re-enacting the turbulent rise of Hoffa, viewers are treated to the fabulous talents of some of the giants of the silver screen. Few could argue that Jack Nicholson as James R. 'Jimmy' Hoffa is nothing short of magical. In addition there is Danny DeVito who as Bobby Ciaro, in my opinion steals the show. Further enriching the cast is Armand Assante as Carol D'Allesandro, the mob boss who assured Jimmy's rise to power and then later is suspect in the teamster's mysterious disappearance. J.T. Walsh is excellent as Frank Fitzsimmons. The dramatic film superbly encapsulates the early violent trials, successful triumphs and eventual tragedy of the great, but troubled teamster president. ****

Read Best Reviews of Hoffa (Filmmaker Signature Series) (2012) Here

Jack Nicholson's Hoffa is a Nicholson/Hoffa hybrid that plays very well on screen, though I don't know how much like the real man he really is. I've only seen brief news clips (including the extras in the special features section of the DVD). But Nicholson gives a moving and memorable performance as Jimmy Hoffa. The rest of the cast (a young John C. Reilly included) also give great performances.

I knew nothing about Jimmy Hoffa before this movie, so the nature of the film played well to me, giving an arc of events portraying Jimmy Hoffa's rise to President of the Teamsters from a young man concerned with union rights. It also dramatically covers his involvement with gangsters, the law, and Robert Kennedy.

Although Hoffa plays out like a sweeping epic (it IS 2 hours and 20 minutes long after all), there's something missing in its grandeur, and I really think it's as simple as an experienced director. Not that Danny DeVito does a bad job with the film and the actors, it's just every now and then something seems to miss the mark. A lot of the scenes look like they take place in obvious studios, which draws the audience away, and some of the scenes with bigger crowds lack that extra touch of humanity that needs to be given to remind the viewer of the individuals involved in the crowd.

Overall, though, the acting carries the movie through to the end, though, from what I've read, the ending is entirely fictionalized, which is a bit strange considering that it's somewhat of a biopic and not just a fictionalized account of a real man's life.

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Amazon's requirement of 20 words minimum for a review is BS. All I want to do is give a "star" rating. I don't have time to write something about everything I buy, plus my "headline" sums it up just fine. Anyone who likes the movie likely already owns it and they're just trying to decide whether or not to get it on Blu-ray.

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Clear and Present Danger (1994)

(I wrote this for the original, out of stock version)

Clear and Present Danger (1994 film)

The third film in the Jack Ryan series (and the last one to star Harrison Ford) deals with America's war on drugs and also the abuse of power in high places. As in Clancy's original novel, the plot hinges on one crucial question: how far can a President go to achieve a laudable goal, even if the means cross moral, legal and international boundaries?

As in the novel of the same name, the interception of an American-flagged yacht in the Caribbean results in the arrest of two Colombian "sicarios" (hit men) who have murdered the American owner (along with his entire family). The resulting FBI-CIA investigation reveals that Peter Hardin, the late yacht owner and personal friend of the U.S. President (Donald Moffat), had extensive ties to the Cali drug cartel. Hardin, as Jack Ryan (Ford) explains, had been skimming millions from his "partners," thus sealing his fate.

Although Ryan is aware that the President is understandably upset that his late friend was a money launderer for the drug lords, he is not aware that the National Security Advisor, Admiral James Cutter (Harris Yulin) and his CIA colleague Bob Ritter (Henry Czerny) have been given off-the-record orders to do "something about the drugs pouring into the country." When the President declares to Cutter that the drug cartels pose a "clear and present danger" to the United States, the somewhat slimy admiral and Ritter unleash several covert operations within the sovereign nation of Colombia.

While Ryan does get orders to go to Bogotá and find out about Hardin's financial dealings with the Cali Cartel, he is totally unaware that Cutter and Ritter have launched Operation Reciprocity, a clandestine invasion of Colombia by Spanish-speaking special-ops troops. These forces, supervised by ex-CIA field officer John Clark (Willem Dafoe), wreak havoc as they blow up drug labs and smuggling aircraft. Nevertheless, Cutter and Ritter keep Ryan in the dark, and the upright analyst and now acting Deputy Director (Intelligence) unknowingly tells a Senate subcommittee that there are no troop deployments planned for Colombia.

Further complicating Ryan's life is the sudden discovery that his boss and mentor, Admiral James Greer (James Earl Jones), is dying of cancer. Little does he know that his ascent to Greer's job will propel Ryan into the middle of a life and death situation in Colombia...and a constitutional crisis at home.

What makes the Jack Ryan books and movies work is not just the slam-bam action sequences or the glimpses at the mysterious workings of the CIA, but the very notion that a CIA employee can be portrayed as an honorable and decent fellow. Tom Clancy clearly desired to show that the agents and analysts who work for the CIA are not the "dark forces" depicted in films such as "Three Days of the Condor" or "Firefox." Nor are they martini-swilling, trigger happy, bed-hopping super-spies like James Bond. Ford (like Alec Baldwin before him, and like Ben Affleck after) shows Ryan has intelligence, courage, and, above all, integrity.

As in Patriot Games, Ford also shares a few short yet important scenes with his wife and two children. Ann Archer and Thora Birch returned to play Ryan's wife Cathy and daughter Sally, giving Ryan that most un-Bond-like sense of family and a tie to the audience.

Although the screenplay by Donald Stewart, Steven Zaillan, and John (Red Dawn) Millius strip the huge and complex Clancy novel to its bare essentials and changes many scenes and situations, Ford's acting and Philip Noyce's able directing makes Clear and Present Danger a top-notch action thriller. Even though as in Patriot Games the ending is rendered in a good-guy vs. bad-guy shootout (whereas in the novel the ending for the villains was more subtle and thereby more chilling), this movie is still worth watching.

The DVD I own is Paramount's first barebones release. Of course, even that is an improvement over the pan-and-scan "full screen" VHS tape I had previously owned. The movie has been restored to its original Widescreen presentation, given Dolby digital audio in both English and French, Spanish subtitles, English captions, interactive menus, and the theatrical trailer. The newer version has commentary tracks, making-of featurettes, and other extras.

Not only is this a very well-directed and action-packed movie, it also has one of the best surround sound-encoded tracks available on DVD releases. If you have a dolby digital 5.1 surround system, this movie will really overwhelm you. The explosions will shake the ground....a true theater experience without going to the theater.

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This is one of two films based on Clancy's novels which really work, the other being The Hunt for Red October. It is certainly far superior to Patriot Games in terms of plausibility and cohesion of narrative, quality of acting, exploration of central issues, and ultimate resolution of various conflicts. I do think the escape by helicopter from one drug lord's compound was overdone but the film concludes appropriately with Ryan's final conversation with President Bennett (Donald Moffatt) and then his arrival at the subcommittee hearing chaired by Senator Mayo (Hope Lange). I still would have preferred that Alec Baldwin continue as Jack Ryan but concede that Harrison Ford is far more credible in this film than he was in Patriot Games, perhaps because he and his colleagues were working with a much better screenplay, one on which John Milius collaborated with Donald E. Stewart and Steve Zaillian. (It should be noted that Stewart and Zaillian also collaborated on the screenplay and must share at least some of the blame for Patriot Games' inadequacies. Both films were also directed by Phillip Noyce, another accomplice.) Having the President of the United States actively involved in Danger's narrative gives it a unique substance, to be sure, but also affords valuable opportunities to explore moral corruption and political expediency at the highest levels of government.

There are several outstanding performances, including Moffatt's in a difficult role as is Henry Czerny's as Robert Ritter, deputy director of the C.I.A. and Ryan's principal adversary; also Willem Dafoe as Clark and Harris Yulin as Cutter. Anne Archer reprises her do-nothing-but-beam role as Cathy Ryan, adoring wife; James Earl Jones also reprises his role as Admiral James Greer whose health problems deny Ryan his mentor and friend's assistance when needed most. This is a "techno-thriller" in several respects but its special effects are almost never gratuitous. An important sub plot involves Moira Wolfson (Ann Magnuson) who is the F.B.I. director's administrative assistant and a key source of classified information which she provides to Felix Cortes (brilliantly played by Joaquim DeAlmeida) whom she believes to be a reputable businessman, not knowing that he is a key operative for one of the Colombian drug lords. Wolfson loves Cortes to death, literally.

Lots of well-staged action, including an ambush of the F.B.I. director and his entourage, another ambush of American troops in the jungle (a callous and bloody betrayal by their government), a missile attack on the drug lords and their families, and the final helicopter escape by Ryan and Clark. As in The Hunt for Red October, the story line sustains the film's momentum, aided by generally solid performances. I do not consider this film an indictment of any specific administration or foreign policy. Clancy is primarily a storyteller, not a polemicist. The United States will continue to have clear and present dangers no matter who is in the White House. When this film was first released (in 1994), one reviewer suggested that it was inspired in part by some of former C.I.A. director William Casey's elaborate schemes for secret operations against the drug lords. (I have no idea whether or not that is true.) In any event, I find this a thoroughly entertaining, well-made film and look forward to seeing it again.

Read Best Reviews of Clear and Present Danger (1994) Here

This movie is based on a Tom Clancy novel and it is simply awesome. The plot and subplots are well thought through and the execution as a motion picture is extremely well done. The story is about drug lords in Colombia who are connected to the folks behind secret doors in Washington. By direct order of the President, CIA agent Jack Ryan (Harrison Ford) has to solve the murders of a wealthy businessman and his family. The hunt takes Ryan back and forth between Washington and South America. More killings happen and the action becomes intense. Finally, there's a dangerous field operative (Willem Dafoe) who conducts covert operations for the U.S. government. The movie contains excellent cinematography, drama and action. We've watched it many times and it's always a delight as it is one of these rare breathtaking quality thrillers one will want to watch over and over again.

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I do have the Standard Def version but this will not be a comparison between the two; just a review of the transfer to Blu Ray without a summary of the plot or opinions on the acting, book, or whatever.

I gave this movie 5 stars because the transfer was so well done. The video displays a true life coloration with great detailing in the shadows as well as the lighter areas. There was a warm color grading but it was not overly rich as one often sees, especially when the action takes place in hot climates. Compression Mbps rates appeared to be mostly in the low 30's which contributes to a clearly improved video image. At no time did I see any artifacting or ghosting and the film played without a hiccup. For a film made in 1994, you will see a fine filmic grain but it only slightly softens the image without taking away from it. The storyline certainly holds up and the film retains its legs.

The audio is Dolby Digital True HD lossless audio and the sonic editors also did a fine job with realistic panning across both the front and rear sound stages and between the two stages. There was a goodly amount of discreet steering of foley effects to the various channels when appropriate and your LFE channel will get a workout in many places. For me, lossless audio makes a huge and audible difference as opposed to lossy audio.

Not found on the Standard Def DVD was a 30 minute doc with interviews with much of the excellent cast and director that I found quite interesting. They also talked and showed off the animated storyboard that was very uncommon back then.

To be honest, I did not expect either the audio or video to be as good as it was and strongly recommend the film and its upgrade to blu ray.

Hopefully, this review has been of some help to you in determining your purchase, and that I am on the correct path with a review of the transfer quality as opposed to providing plot summaries.

Thanks

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Stir of Echoes (2006)

This movie was truly a surprise, and a victim of bad timing. It was eerie, suspensful, funny, and somewhat similar to and released around the same time as the Sixth Sense. The mammoth success of Sixth Sense truly wounded this film's potential.Kevin Bacon does a great job as playing a madman driving by those subliminal movie messages like "Dig". He opens up a pathway into the paranormal world after being placed into a hypnotic spell by Ileana Douglas(Fox's Action). From there he finds that he not the only one in his family with the "Shinning", yes the Shinning. Do you want to get sued lad! Sorry, Simpson's reference after he sees his son talking to "imaginary" dead friends as we all tended to do from time to time. While the movie was overshadowed by Sixth Sense it had more action, and moved at a faster pace. The only thing that Sixth sense had over the films was it's incredible ending. The movie would have you jumping one minute and laughing the next, but not in the predictable way most horror movies do. It was truly well done, and had a great sex scene where the wife wakes the husband(Bacon) for some loving. It's true in movies dreams can come true. Go see it or buy it either way you shouldn''t be disappointed unless you one of the people that likes to ruin a movie by saying that's a rip-off from Sixth Sense or that doesn't happen in the Sixth Sense. Also, look for the microwave burrito on the nightstand. I'm still not sure of the symbolism, but I'm sure it's something genious. Take care, go get it!

It seems this movie will forever be compared with "Sixth Sense". The unfortunate timing that had Sense opening first seemed to push this movie off to the side. That is a terrible shame, because this movie is as good as any around. Comparing Echoes to Sense is like comparing DaVinci to Michealangelo. Both are great in their own distinct ways.

The story of an ordinary working class guy (Kevin Bacon) living in his version of a safe, ideal neighborhood whose world is throw out of whack when he is hypnotized by his ditzy sister-in-law (the always good Illeana Douglas). When he starts to experience strange things, it turns his and his family's world upside down. It would be a shame to say more and possibly spoil the suspenseful plot, but the twists and turns this tale takes are wonderful.

This movie will keep you on the edge of your seat and give you a good half-dozen or so jump out of your skin scares. Well acted (Bacon and Douglas are the "big" names, but Kathryn Erbe, Kevin Dunn, AJ Oto lead a great supporting cast, and Zachary David Cope does an amazing job as Bacon's son) and written, this movie should have been a much bigger hit. The second life it has received on video/DVD is well-deserved.

If you missed this one when it was first out, grab a copy. It is a GREAT film, and worth adding to your DVD collection.

Buy Stir of Echoes (2006) Now

WOW! This has to be the most underrated movie of 1999. This movie is guaranteed to freak you out. The visual effects, although low tech, are extremely well done and provide a very eerie look into the world of the paranormal. The plot is also done very well. Elements that are introduced throughout the film are tided together quite nicely in the end. The acting is superb, with Kevin Bacon giving the best performance of his career. He really makes you believe in his character, which is one of the elements that makes this movie work so well. I have the DVD edition, listening to this in 5.1 format is a must. The ghostlike voices that come from the rear speakers gives new meaning to the DVD experience, especially in a dark room.

Read Best Reviews of Stir of Echoes (2006) Here

I've heard all the comparison's between Stir of Echos and The Sixth Sense and I don't really think it's fair. They have some similarities, yes, but the storyline is totally different. Kevin Bacon is fantastic in this film. he is hypnotized by his sister-in-law at a party and begins receiving horrifying and eerie images in his mind of a shy girl named Samantha Koufax. He only sees bits and pieces of these images and he tries to place them together to figure out what they mean. He will stop at nothing to figure out this mystery whether it means tearing apart his house, his marriage or his life. It's a non-stop thriller that will keep your interest peaked and keep you guessing throughout the film. This is a good movie to watch in the dark!!! Maybe it doesn't get the accolades of The Sixth Sense but I believe it's just as good.

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"Stir of Echoes" was a major surprise. Big time. I wanted to see it since I first saw the trailer in July but I never got around to it. I waited for video (Which most of you have probably done also) and was thoroughly impressed. So impressed in fact, that I went out and bought it the next night. It's sort of a mish-mash of "Poltergeist", "The Shining", "Rosemary's Baby", "The Sixth Sense" and whatever else ghost movies are out there for that matter. Kevin Bacon gives the performance of a lifetime and the movie has dazzling surprises that truly surprise. On the DVD, I LOVED that creepy cool menu beginning. All those flash cuts and stuff FREAKED ME OUT! If you LOVE good horror flicks, this one is for you! It's pretty scary.

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Father of the Bride (20th Anniversary Edition) / Father of the Bride: Part II (1991)

These are the modern remakes of 2 classics, yet I actually like these more. I don't seem to ever tire of seeing them. Both are heartfelt and very funny, well made entertainment. Steve Martin does his best work here. Martin Short is hilarious. The Banks' are the kind of family every girl (or boy) wishes they had. Even the inlaws are fun. For a good time, I recommend them. Enjoy! :-D

This movie is the BEST movie ever ( besides of course Father of the Bride 2) ! A must have for any family!! Steve Martin is at his best, as well as Diane Keaton and Martin Short...destin to be a CLASSIC!!

Buy Father of the Bride (20th Anniversary Edition) / Father of the Bride: Part II (1991) Now

In 1950, the American comedy "Father of the Bride" directed by Vicente Minnelli and starring Spencer Tracy, Joan Bennett, Elizabeth Taylor was a big success in the box office and nominated for several Academy Awards. The film would inspire a sequel titled "Father's Little Dividend" in 1951.

Fast forward over 40-years later and a remake of the film co-written and directed by Charles Shyer ("Alfie", "The Parent Trap", "The Odd Couple") and starring Steve Martin, Diane Keaton, Kimberly Williams-Paisley and Martin Short was released in 1991 and earned over $89 million in the box office. And like the original film, would also inspire a remake of the sequel titled "Father of the Bride Part II" featuring the original cast and would go on to earn over $76 million in the box office.

And now both films will be release together on Blu-ray courtesy of Touchstone Home Entertainment.

VIDEO:

"Father of the Bride" and "Father of the Bride: Part II" were released back in the 1990's. The video quality is much better than the previous DVD. While there is a good amount of grain and even some noise considering the age of this film, including some scenes that look soft, there were also scenes that featured a lot of detail. From the skin pores that can be seen on Steve Martin's face to the vibrant colors that can be seen throughout the film, there is definitely an upgrade in quality video-wise.

AUDIO & SUBTITLES:

As for audio, "Father of the Bride" and "Father of the Bride: Part II" is presented in English 5.1 DTS HD-MA and French 5.1 Dolby Digital and Spanish 2.0 Dolby Digital. While the lossless audio features clear dialogue and the music sounds fantastic in lossless, it's not exactly a film that utilizes the surround channels all that much, especially during crowd scenes. But nevertheless, the soundtrack does sound very good, especially over its DVD counterpart for both films.

Subtitles are provided in English SDH and Spanish.

SPECIAL FEATURES

"Father of the Bride: 20th Anniversary Edition/Father of the Bride Part II 3-Disc Combo Pack" comes with the following special features:

Father of the Bride

An Invitation to Father of the Bride (13:36) Interview with director Charles Shyer and the cast of "Father of the Bride".

Martin & Short Interview Each Other (5:13) A humorous interview between Steve Martin and Martin Short.

Audio Commentary Featuring audio commentary with co-writer and director Charles Shyer.

Father of the Bride: Part II

Theatrical Trailer (2:28) The theatrical trailer for "Father of the Bride: Part II"

Production Story (4:21) Featuring behind the scenes of "Father of the Bride: Part II" and about how a few of the talents knew each other well.

Just Between Friends (3:53) Martin Short interviews Steve Martin for "Father of the Bride: Part II".

EXTRAS:

"Father of the Bride: 20th Anniversary Edition/Father of the Bride Part II" Blu-ray comes with a separate DVD for each film.

JUDGMENT CALL:

As a fan of Steve Martin comedies, I was pleased that both "Father and the Bride" films were released on Blu-ray.

First, let's talk about the first film "Father of the Bride". What I enjoyed about the first film is how it is a film that many parents can relate to. Seeing your children grow and then eventually getting married. As a father, I sympathize with the character of George Banks and I often myself looking at photos that seem like they were taken yesterday of my child. And realizing how quickly they grow up.

And for many fathers who have daughters, you worry that make good decisions when it comes to their lives, their careers and also the person that they marry. The film focuses primarily on the father's perspective and being a concerned father but also a fiscally conservative person, I can also sympathize with George Banks characters when the price of the wedding skyrockets.

But what this film had was a lot of charm. Aside from the crazy antics of George Banks snooping around the MacKenzie home, nearly everything else with the film, many people can relate to. From a parents noticing their child and their significant other being affectionate to that first meeting between a significant other and the parent. These emotions that George is feeling, many fathers can relate to. Although, the blow up in the supermarket as George feels he is being gouged in the wallet and then losing his temper when it comes to the number of hot dog buns in a package as a sign of release, was a bit over-the-top.

But what Steve Martin film isn't? You expect a lot of hijinks from his character and for the most part, Steve Martin delivers. Also, I felt that Diane Keaton was played the wife/mother remarkably well. It's one of those films to catch actress in a different role far from the roles we have seen of her back in "The Godfather" or Woody Allens films. She played the role wonderfully and both Martin and Keaton had wonderful chemistry.

And that leads us to new actress at the time, Kimberly Williams (before she married country singer Brad Paisley and would star in the ABC sitcom "The World According to Jim"). Kimberly brought innocence to her character and for her major film debut, it was important for her to portray a variety of emotions and for the most part, she succeed.

And then you have your supporting characters, Martin Short and Steve Martin always work great together, a young Kieran Culkin brought a bit of humor to his character as well.

So, the first film I enjoyed a lot because it's a storyline that was fun, enjoyable but also a story that parents can relate to.

As for the second film, "Father of the Bride Part II", while I enjoyed the storyline of the aspect of being a new grandfather, once again, something that parents who have children that are married, viewers can sympathize.

But by having two people pregnant, it took a bit away from the primary focus from Annie and her husband and while we know that George Banks can get out of hand whenever he is stressed out, while the first film was more believable, this one was getting a bit over-the-top. Perhaps people wanted to see more of Diane Keaton and Martin Short or the usual crazy Steve Martin character portrayal but I was hoping to see more of Annie and Bryan, but instead it became more about George and Nina.

The sequel was still entertaining but not as enjoyable as the first film. The whole "Selling the house, staying at the MacKenzie residence, getting the house back" scenes felt absolutely unnecessary and took away my enjoyment from the second film. I know the reason was to show this phase that George was going through and the irrational decisions that he tends to make while stressed out but it was a bit too-over-the-top for my taste.

As for the Blu-ray release, the video and audio quality is a step ahead of its DVD counterpart. Primarily visually, the film looks good, although it does show its age at times. But the film is well-detailed and vibrant, lossless audio was good but not as immersive as I was hoping during the crowd sequences. And both films have audio commentary and a few special features. Although, there is nothing new added to this Blu-ray release.

Overall, "Father of the Bride: 20th Anniversary Edition/Father of the Bride Part II 3-Disc Combo Pack" is a good double-film set that is lighthearted, fun and enjoyable. You're literally getting one film for the price of one on Blu-ray and if you are big fans of the films and own the previous DVD versions, the upgrade to Blu-ray is well worth it.

Read Best Reviews of Father of the Bride (20th Anniversary Edition) / Father of the Bride: Part II (1991) Here

My whole family loves this movies. It's nice to have a movie the whole family can watch. Steve Martin is a great actor. We got both one and two.

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This is a movie that holds true to the American values of family. My wife loves these movies and I never watch " chick flicks" but these are great.

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Bloodsport / Timecop (Action Double Feature) (2010)

I discovered Jean-Claude Van Damme just recently. In fact I watched my first Van Damme film this summer (Universal Soldier), and I was blown away. Thus, I have begun to buy as many Van Damme films I can find. Though he is not really an excellent actor, he is good at making the audience root for him. No matter how ridiculous his acting gets at time, you can't help but be on his side. At this point, I have watched Universal Solider, Universal Solider: Regeneration, JCVD, Kickboxer, and Replicant. When I found out that Bloodsport and Timecop would be put in the same Blu-ray for the very affordable price of 20 bucks, I pounced. I was not dissapointed. Bloodsport is Van Dammes' breakthrough film. It is the story of Frank Dux participating in the Kumite, while this story has by all means been debunked and Dux has been ousted as a fraud and a liar, this movie continues to be one of Van Damme's best performances. Timecop is the real gem here though. Out of all the Van Damme films I've seen, Timecop is one of the most enjoyable. I absolutely loved the movie and the sillines of it all. You should be warned that this a bare-bones release of both films and the quality of the movies is quite impressive. If you are a Van Damme fan, buy this set. It is completely worth the money.

Interesting that they make this Van Damme Action Double Feature spread its focus to two different genres of movies. One being martial arts and one being science fiction. As others have mentioned it would have made more sense to do the same genres like TimeCop/Cyborg or Bloodsport/Lionheart (which gets my vote in spite of the just as viable Bloodsport/Kickboxer option). Unlike most combo packs that give you two movies on two disks this one is two movies on a single sided disk.

Bloodsport is arguably Jean Claude Van Damme's greatest martial arts film. Is it because of the amazing action? Not really? Deep and involved story? No. None of that here. Fantastic acting? Now you're making me giggle. Bloodsport hit a moment in time when martial arts movies were on the upswing and put out a kind of film that transcends your conventional concepts of what to find in a fighting film. In a very real way this helps negate the lack of a real plot or compelling character acting.

So what makes Bloodsport the exception to the rule? In a word: tournament. This is movie at its heart is all about a martial arts tournament. Sure there is a notoriously evil villain and a manhunt by the military. Sure there is a love interest and tragedy among friends, but all of that is really either just window dressing or distraction from the real reason the movie rocks. What you get in Bloodsport is the showcasing of martial arts from all over the world. Different styles going toe to toe against each other in a winner takes all full contact competition. Not since Bruce Lee's Game of Death has a movie taken the time to show varying forms of fighting.

You get to see martial arts styles in action like Kung Fu, kickboxing, wrestling, Muay Thai, Jeet Kune Do, Karate, Judo, Tae Kwon Do, street brawl and some I have never seen before. You get to see them all in the ring. Some all too briefly, but considering the sheer amount of various forms you can forgive that. You of course also get to see Van Damme doing his signature helicopter kicks, full splits and other moves I haven't seen him do on any other movie. This is also the movie that inspired Johnny Cage's signature non-fatality move in the original Mortal Kombat video game.

The acting is B-movie. Van Damme sometimes gives a good performance and other times overacts. Other actors offer varying performances. Donald Gibb, who plays Van Damme's street tough buddy, seems to enjoy his role and plays it with a slight wink and nod. Norman Burton and Forest Whittaker as the military police make a good ensemble performance. But lets face it. Most of these guys are not actors. They are fight choreographers, martial artists and stunt men. Besides you aren't here to see Shakespeare. You're here to see Bolo Yeung tussle in the ring (and did you know he was like 49 when he did this film?!? I wished I looked half that healthy years younger).

Now this is a Blu-Ray release so how does it look? Well... it's better than any previous release. You get a level of clarity that I don't even remember when I saw it in theaters. That being said it's still a VERY grain-ridden film. If you did screen caps of the movie it wouldn't even look like good standard definition close up. I don't know if this is because the movie was done on a small budget, thus wasn't using the best film (maybe it was shot in 16mm instead of 35mm?) or because nobody bothered to get the original negatives and do an honest restoration. Either way this movie will never hold up to other Blu-Rays. Heck it may not even hold up to newer movies in standard definition upscaled.

Audio is clear and in stereo, but that's about it. Nothing to scream about here. Then again this movie's montage-laden power songs sounded a little dated even back when it was first released in 1988. I swear those songs were stuck in 1985. So yea the soundtrack is a product of the time, but in a low budget movie sort of way it works.

I hear the movie's budget was just over a million dollars, and according to Box Office Mojo it made almost $12 million in the box office. Doesn't sound like much, but it's a ten fold return on investment.

Timecop I haven't seen yet on this disk and the last time I did see it was back in the theaters. I don't remember it all too well, but I do recall it was a cool enough concept. Imagine criminals that go to the past with modern weapons to steal. That's the general idea of the movie. I recall it was one of Van Damme's best acting performances to date. Special effect go from pretty good to over the top on the CG end. I will put more once I actually watch the thing.

From what I see there are absolutely no extra features on either disk. You get the films in English and French audio with the same in subtitles (plus Spanish subtitles). That's it. Bottom line if you want the best looking Bloodsport or Timecop video this is it, but don't expect anything else.

Buy Bloodsport / Timecop (Action Double Feature) (2010) Now

I am not going to review the films themselves rather how they look and sound on blu-ray.

BLOODSPORT:being the older and cheaper of the two films you would expect it to have the worst video and audio and it has.The picture is fine though compared to dvd,could it be better,yes,but for the price i paid i don't think so.The audio in my opinion is worse than the video(i know its only DTS-HD 2.0)but i still had to adjust my system(which isn't the greatest i will admit)a lot to get the best sound possible.

TIMECOP:the audio(5.1 DTS-HD) and video are good,easily way better than the dvd.The picture is really good thru out and it holds up well even with the more modern CGI effects.The opening scene in particular is excellent.

I don't own either film on dvd but i have seen them a couple of times on dvd.

So for 12/13 dollars they are worth getting especially if you are a JVC fan.

Read Best Reviews of Bloodsport / Timecop (Action Double Feature) (2010) Here

You're either a Van Damne fan or you're not...there's no in-between. If you are you're interested in the blu-ray transfer. Very good. Sound is definitely improved. Picture is excellent on both (I didn't notice discernable difference between the two films).

Proper aspect ratio on both. I recommend for fans...and if you're not a fan...these might make you one.

Want Bloodsport / Timecop (Action Double Feature) (2010) Discount?

I think the Bluray looks good. Anyone who thinks too much into this stuff needs a life. Van Damme is bad ass as usual and never gets enough credit.

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I Know What You Did Last Summer / I Still Know What You Did Last Summer (2010)

As previously mentioned: there is absolutely nothing special about the dvd for the first movie in this set. It contains none of the special features that are listed on the packaging including the short film, documentary, photo gallery, or music video. This is a perfect example of false advertising designed by a studio to rip customers off. Do not buy this set. If you have already purchased it, find your receipt and return it to the store for a refund.

You can write Sony Pictures an email at SPHE_Customer_Service@spe.sony.com and they will send you an address to send your copy back so they can replace it with the previous set that did have the features...I have already recieved my replacement set and am quite happy with it.

Buy I Know What You Did Last Summer / I Still Know What You Did Last Summer (2010) Now

I've always had a guilty little weak spot for these two flicks and I'm very glad to say that the blu-ray transfer is great...especially in the dark scenes...which are abundant...tho the second movie is a little brighter being set in the island resort and all...the sound is much better on the blu-rays than the dvds...in short I think it's worth the upgrade for anyone who really likes these two movies and the great casts involved at the time...you'll be glad you did...

Read Best Reviews of I Know What You Did Last Summer / I Still Know What You Did Last Summer (2010) Here

One of my favorite things to do is sit in front of the television in the middle of the night, and watch a cheesy horror flick. It is extremely fun to do. So, in my mind, you can't go wrong with pretty much any horror film that came out of the nineties well, anything that came after SCREAM.

I have to say that these two films are dear to my heart. I adore them in all of their gory cheesiness, from Jennifer Love Hewitt's overwrought and occasionally hilarious performance "WHAT ARE YOU WAITING FOR, HUH?!" to the ridiculous and implausible storylines, not to mention the rest of the performances from the casts of both films. Here, most of us were introduced to the likes of Sarah Michelle Gellar, Ryan Phillippe, and Freddie Prinze, Jr. Well, that goes for me at least. Some of their careers have prospered, and as for the others, who knows.

With the first film, you have the traditional set up. After a fourth of July party, four teens find themselves in a hit and run situation. The victim dies. Of course, they all freak out and in a desperate attempt to salvage their reputations and avoid time in jail, they agree to dump the body. Well, they attempt to toss him off of a dock at first, but he unexpectantly springs back to life at the last second. Everyone screams, including us in the audience. This doesn't stop them from tossing him in anyways. They all make a pact to never speak of that night. Well, a year passes and they start getting letters that say I KNOW WHAT YOU DID LAST SUMMER. A man in a slicker with a fish hook starts terrorizing them, and

this is where the fun begins. You all know what happens. B-movie midnight glee! You even get a cameo from Anne Heche! What could possibly go wrong?!

Thankfully, in 1998, only a year after the first film talk about a rushed production the folks at Columbia/Tristar gave us I STILL KNOW. Doesn't do as well at the box office, but doesn't entirely fail miserably either. This time, Jennifer Love Hewitt, Brandy, and Mekhi Phifer find themselves at the sharp end of the fisherman's hook. Jennifer reprises her role from the first film, as does Freddie Prinze, Jr. This time we find Jennifer's character at college. She is still haunted by the events of the first film, and refuses to go back home to Southport, North Carolina. Another reason that she does not want to go home is because dun, dun, dunnn! it is the fourth of July. Freddie tries to convince her to come home for the Croaker Pageant, but she declines, telling him that she's just not ready to go back. Of course, he thinks it's his fault, and sulks away. Little does Jen know that her boyfriend plans on marrying her, and has already bought the ring. In the meantime, her roommate, played by Brandy in a "so bad it's good" performance, gets a phone call from a local radio station. They end up winning a free trip to the Bahamas. Well, to make a long story short, they end up in the Bahamas during storm season in a nearly empty hotel. Back home, Freddie runs into the fisherman and heads to the Bahamas in a hurry to save his future fiance. Mekhi Phifer desperately tries to bed Brandy throughout the whole movie, but to no avail. The killer slices and dices various hotel staff, including a pothead played by none other than an uncredited Jack Black. All the while, Freddie races against time to save his beloved. In a moment of desperation, he hocks her engagement ring for a gun. So sad. So melodramatic. So fun to watch!

Since the first two were released, there has recently been a straight to video sequel, I'LL ALWAYS KNOW. Haven't seen it yet, but it probably doesn't hold a candle to the first two. The SCREAM films were great, don't get me wrong. However, as far as nineties horror films go, these were the best.

They don't make 'em like they used to.

Want I Know What You Did Last Summer / I Still Know What You Did Last Summer (2010) Discount?

I hate it when studios release DVDs w/ features that aren't even on the discs. Albeit, I was interested in the bonus features "supposedly" on the first DVD, and disappointed, I never owned the original DVDs so this is okay. Yeah, I was pissed because I wanted the features but, oh well, can we sue the studios? I honestly don't know. But for the price I paid for these DVDs (13 dollars) I'll deal, just like J.Lo Hewitt does in that video on disc 2.

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Skateland (2010)

first there was american graffiti, then there was dazed and confused. i always wondered "why not the 80s, i mean i grew up in the 80s and it was great, they should recreate it , then i was standing at the redbox and there it was Skateland.

the only thing that didnt make much sense to me is a couple of time line things. this apears to be set in the 80s and its set around the death of the roller rink (which i remember happening for the most part

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Battling Butler / Go West (Ultimate 2-Disc Edition) (1925)

**** = Go West video

*****= Go West story

****1/2= Battling Butler video

*** = Battling Butler story

To be fair, I compared the old "The Art of Buster Keaton" DVD 2005 release to this new blu-ray release using the same Sony Blu-ray player, up-converting the DVD to 1080i.

GO WEST (1925) 68 minutes

Video = While a credit is given to a Library of Congress/Packard Campus for audio visual conservation, there is little improvement here. Some scenes such as the one where Buster falls out of the train & goes down the hillside look way better here. In fact, almost all outdoor scenes are a little darker, bringing out more detail.

One scene originally timed wrong in the original release still looks wrong here. At the 23:22 mark during a night scene, Buster hears a Coyote and then we cut to a daytime scene of a coyote. Was this originally darkened for the theatrical release to look like nighttime, or am I missing the point and this is a joke targeted at "day-for-night" scenes?

Other scenes such as those outside the cabin, in the general store, and inside the freight car look almost the same, just sharper.

There are some new flaws in this transfer that were not in the old DVD which leads me to believe that either 1) an older sharper 35mm print was used for this transfer, or 2) the original 35mm print has suffered some new damage.

At 16:27 & 47:48 there is some Nitrate deterioration on the left side that was not there before.

At 23:59 there is a white emulsion scratch that appears and stays for a reel, this scratch is not in the old DVD transfer.

I find it hard to believe this is all a new 1080i transfer as there seems to be some up-conversion artifacting in several scenes. I had heard that some Buster Keaton films were transfered to lower resolution Hi-Defenition before 1080i became the standard. I don't know if this is true for GO WEST, but it appears that way.

Story = This is Buster in top form! Go West deserves better notoriety, it is almost up there with The General! Jobless Buster heads west and finds a job as a hapless cowboy on a cattle ranch. In general there is little plot, just Buster let loose on a cattle ranch to make his own misunderstood mayhem. But there is an underlying plot of a neighboring rancher trying to keep the cattle from this ranch from making their destination on a train. Now Buster gets to play on some real trains again! To go on about the non-stop visual gems of this feature would ruin it for anyone who hasn't seen it before. So stop reading & click the "Buy" button.

BATTLING BUTLER (1926) 85 minutes

Video = The first change is a new Library of Congress/Packard Campus for audio visual conservation notice followed by a title card informing viewers of the story's origin as a play, then we get the MGM roaring (mute) Leo logo, all of which were not on the original DVD. After that the title cards seem the same, including another credit for the story to the original play. It is puzzling as to why this duplicate credit is made, but both seem to be in the original negative and not re-created for this video.

The image is so much sharper on this new transfer for Blu-ray that the camping scenes seem to jump off of the screen! The details of the trees in the woods is amazing! This definitely looks like a 1080i transfer & well worth the upgrade.

The only complaint I have is that the film negative blemishes are not cleaned up. Spots & scratches appear through out, heavier around the 10 minute reel changes.

Story = Battling Butler makes little use of Buster's unique qualities. Only the camping scenes in the first 17 minutes or so show off Buster's brand of comedy. I especially enjoy the fishing scene, it is pure Buster at his best. The next hour of the film is standard screwball situation comedy, you could have substituted Buster with Harold Lloyd and gotten the same film. The boxing scenes are done mostly without laughs, I think boxing comedies were done better with Charlie Chaplin or The Three Stooges. I kept waiting for their antics to liven up the film. This is not say the film is a failure, it is a fun situation comedy that lacks Busters special brand of humor.

PC WARNING = some may be put off by seeing the other boxer's wife with a black eye, suggesting the beating she got from her husband. This was to emphasize the threat to Buster when he would encounter the boxer.

The music seems to be the same exact music as used in the old DVDs. I didn't watch the entire DVD to see if there were any changes.

Overall I think there is a reason Kino paired these together. GO WEST may not be enough of an upgrade to warrant a Blu-ray purchase, but BATTLING BUTLER is. So you end up buying this for the upgrade. BUTLER is not a strong enough film to sell on its own, so others may buy this to get WEST.

If you are still unsure about buying this, then consider the NEW BONUS MATERIAL:

1) A rare 60 minute audio recording of Buster Keaton reading a proposed script for the western TV show "Wagon Train".

2) GO WEST a 1923 Hal Roach DIPPY DO DADS short performed by a troupe of monkeys.

3) A Gallery of photographs from the ORIGINAL 1922 stage production of THE BATTLING BUTLER.

4) Galleries of production stills for both films revealing un-filmed scenes.

5) Screenplay excerpts from a proposed 1947 remake of BATTLING BUTLER.

Any chance to see a Dippy Do Dad short is worth the price. And seeing stills from GO WEST that illustrate some un-filmed scenes are a pleasure to see.

I don't have the new DVD version of this Blu-ray to compare to, so i don't know how much of an upgrade it would be.

****** Contrary to Amazon's listing, the Blu-ray version is just a single (1) disc release, both movies and all bonus material are on one Blu-ray Disc. It is the DVD that is on two (2) discs.******

GO WEST (everything by Buster Keaton, 1925, 69 minutes) & BATTLING BUTLER (everything by Keaton what else is new, 1926, 68 minutes) have to both go here because I am tired of offering confusing reviews on these double-bill DVDs.

GO WEST was BK's homage some say parody of Charlie Chaplin films. I disagree strongly. BK was fond of parody and occasionally parodied Chaplin, but not here. For some strange reason, Keaton said this was his "best film". Apparently not his favorite film, which is also considered his best: The General (Enhanced) 1927. Here BK is "Friendless", a drifter from Indiana who ends up going West to cattle ranch. This film is excellent in that it shows the cruelty of ranching.

Essentially this begins with Friendless falling in love with a very sweet cow named Brown Eyes and he ends up successfully herding 1,000 head of cattle to the stockyard in Pasadena. (Though this was filmed on location in L.A., people always erroneously say it takes place in L.A.) There is so much hilarious fun I won't spoil anything. How can I? This film features innovative work such as the cow-mounted camera work and BK's uncanny ability with cattle.

As in College (see my review), this film shows a terrible momentary camera flare due to the sun. I suspect BK shrugged it off, unable to do anything about it, but it would never again appear on his films. It also has a hair-raising train ride and a cute ending that will have you rolling on the floor. I do not know why critics dismiss this fine work.

BATTLING BUTLER (BK at the helm again, 1926, 68 minutes) is one of the darkest and most haunting of Buster Keaton's films. This movie inspired not only the comedy ARTHUR but was also studied by Scorsese for RAGING BULL. Here BK plays millionaire playboy Alfred Butler, who falls for a gal and also discovers a rising boxing star whose name is Alfred Butler, called "Battling" Butler.

To impress his gal and her family (because in those days money meant nothing I guess), Alfred tells them he is the boxer "Battling" Butler. In a complicated and gothic plotline, poor little Alfred is sucked into the world of prizefighting and training hard. Here, as with GO WEST, BK is determined to show cruelty: the cruelty of the boxing world. As he does his dance with the real boxer's identity, he inadvertently gives the wrong impression with the other Alfred's wife.

BK shows up ringside to watch some training and encounters the boxer's wife again he had met her when she injured a heel and he gave her a ride. He asks, "How's your heel?" She points to the ring and says, "He's alright." Does that ever look bad! Funny! Like the mean, snarling villain BK played in his 1922 short FROZEN NORTH, here he steps out of his usual zone to give a terrific performance. Like his formal wardrobe, he is noble, stiff and formal. No porkpie could possibly enter this yet his girl's brother wears one. That BK!! Never a dull moment.

He of course marries his sweetheart near the beginning of the film, so the rest is all the tension mounting. It is unbelievable and prescient of Hitchcock in its suspense. The dean from COLLEGE here plays BK's trusty and troublemaking butler Martin. Not only does BK do his crying/foot-stamping routine to great effect here for the first and only time since his silent shorts; he also shows some serious acting chops in the great finale fight between himself and boxing Alfred. He kicks butt and looks vicious there is no comedy at all in that harrowing scene.

Only a word of caution: this film is sometimes panned by certain critics and I see it is not as popular as it should be. This has the most complex, fascinating story/plot of any of BK's films. If it lacks comedy, it is because BK was pushing some new frontiers as always. Do not rebuke his memory or refuse this film just because it leaves the comfort zone. What do you think Buster Keaton's whole life was about anyway?!

The viewer can examine the whole list of Keaton's Golden Years of film, and watch them all. What pops out is this: BK's 'life-motif' in his movies is that the average Joe can achieve his American Dream no matter what that dream is. You learn from BK that you must find what's really important whether it is a girl, a cow or a job after that, anything's possible and you can do what you wish.

Buster Keaton always pays homage to every American, to the American spirit. He IS the original American spirit. He is THE American film master, the master of all time, and he IS comedy. You'll see that American spirit here and in films such as COLLEGE, Our Hospitality: ULTIMATE EDITION (which makes BK America's Jane Austen) and THE GENERAL (see my reviews of all his greats).

You cannot call yourself a film fan and miss either of these two classics. Or for that matter, miss any of Buster Keaton's golden classics. You miss out on BK, you might as well give up watching movies.

Buy Battling Butler / Go West (Ultimate 2-Disc Edition) (1925) Now

This is for the new Blu Ray Buster Keaton "Go West" and "Battling Butler." First of all let me state that I love all Buster Keaton, these films rank among my top favorites for Keaton. He was an absolute genius when doing what he loved best. I'm not sure what I expected but I have many restored silent films and restored Blu Ray films of different eras and this is a disappointment. Many scenes are washed out and as stated in another review, there are many scratches and other blemishes that I find distracting. The pictures are indeed sharper but overall I would be just as happy to watch the earlier versions KINO produced. The extras do nothing for me, the short is not my cup of tea and the other extras are just okay. Both films and extras are on a single disc.

Suggestion: unless you are a die hard fan and do not already own the KINO versions then certainly buy this disc as the films are wonderful and deserve a place in your home, but if you do own the earlier discs keep watching them, they are not so bad one must upgrade. Blu Ray for me should be a vast improvement in picture and or sound, such as the recent Red Shoes release or grand sagas such as Lord of the Rings or Star Wars. Black and White Silent films need restoring and I am thrilled that such projects continue to be done but I am not wildly impressed with the results here. (The Blu Ray Buster Keaton Steamboat Bill, Jr. is recommended as it is a vast improvement over earlier versions and offers a second version of the film.)

Read Best Reviews of Battling Butler / Go West (Ultimate 2-Disc Edition) (1925) Here

Regardless of the negative reviews about the print imperfections. The two films have never looked better. Go West is not so grey-scale as the previous DVD release, much more clarity, clearer and shows much more detail, especially as this is as good a print that is available.

Battling Butler, displays a beautiful Tinted print, clear, sharp and not as dull as the DVD release from the Art of Buster Keaton set.

There are not very many extras offered, but as these two films are considered the "lesser" of Keatons films I do not mind.

All in all you get two feature films in HD in pretty great condition on one blu-ray disc. Beautiful packaging and the films most importantly are great. A must for any fan.

Want Battling Butler / Go West (Ultimate 2-Disc Edition) (1925) Discount?

Exciting, enjoyable and the magnificent physical comedy of one of the greatest stars of all time...Buster Keaton!

Have you been wanting more Buster Keaton on Blu-ray! Kino Lorber has a new Blu-ray release planned for Sept. 2011 with the release of "Go West" (1925) and "Battling Buttler" (1926).

"Go West" is a film written and directed by Buster Keaton and it was a film in which Keaton wanted to capture the realistic scenery by filming in the deserts of Arizona (something that his film crew did not want to do because of the extreme heat). In fact, during the filming of "Go West", the film had to be reshot a few times because the film stock melted and the crew realized, the only way this film was going to be made is by quick thing and that was to submerged their cameras in ice to keep cameras operable and film stock intact.

The film also became one of Keaton's most expensive films ever made as it required a stampede of cows, especially having the cows walk through the city.

In 1925, the film didn't exactly do great in the box office but many years later, many fans of Keaton's silent films do feel that it's one of his most entertaining silent comedies.

VIDEO & AUDIO:

"Go West" (1925) and "Battling Butler" (1926) receives its HD release and are presented in black and white while the latter does have color-tinting. Having previously owned "The Art of Buster Keaton" Kino DVD boxset, I can easily say that these two films do look great on Blu-ray. The contrast looks great, the films look sharp and these are the best version of both films via picture quality to date.

While "Go West" is the better of the two when it comes to picture quality, both still manage to look better than its DVD counterpart in the fact that the whites and grays show awesome contrast, much more detail and black levels are nice and deep. You do see lines and white specks from time-to-time on "Battling Butler" but by no means does it take away from the viewing of these two films.

The fact that both of these films show no major nitrate degradation and are complete films is a major plus and have no doubt that Keaton fans will agree that the picture quality for both films are very good!

As for the audio, for "Go West", the music is composed and performed by Eric Beheim and "Battling Butler" features music arranged and directed by Robert Israel. There are no alternate soundtracks but for those who enjoyed the music from the previous DVD release, will be happy that they are featured in the Blu-ray release.

The music for both films are well done and compliment the film just perfectly!

SPECIAL FEATURES

"Go West" comes with the following special features:

Go West A 12 minute comedy short produced by Hal Roach and features the trained monkeys (The Dippy Do Dads).

60-Minute Audio Recording An audio recording of Buster Keaton working on a script proposal for the Western TV series "Wagon Train" (courtesy of Bob Bergen).

Photo Gallery Production stills from "Go West".

"Battling Butler" comes with the following special features:

Screenplay Excerpt A screenplay excerpt featuring text on the unproduced remake of "Battling Butler" written by Keaton in 1947.

Gallery Gallery of photographs from the 1922 stage production of "Battling Butler".

Photo Gallery Production stills from "Battling Butler".

EXTRAS:

"Go West and Battling Buttler" comes with a slipcase cover.

JUDGMENT CALL:

Once again, Buster Keaton fans are treated with two more films from the filmmaker's oeuvre showcasing his physical comedy as an actor but also his directorial and screenplay writing efforts in "Go West" and directorial effort for the film adaptation of the stage play "Battling Butler".

Both films precede his "The General" (1927) and "Steamboat Bill, Jr." but there was no doubt that Buster Keaton, a perfectionist, would cause concern with Metro-Goldwyn-Mayer with "Go West" as it was an expensive film that required multiple do-overs because of filming in the desert of Arizona proved to be problematic for the cameras and the film stock.

While "Go West" would showcase Buster Keaton as a cowboy, it was a silent comedy western that was unlike any Western ever made and still is a unique film that holds up perfectly well in 2011. In 1925, Buster Keaton brought in a large numer of cows to walk the streets of Hollywood. Just watching the scene of, who knows how many cows were featured, walking through the city of Los Angeles in broad daylight was accomplished.

It's probably the only film in which a woman is not Buster Keaton's leading lady but a cow named Brown Eyes who is his true friend throughout the film and the female that he is trying to protect. It really is an absurd film but it is a hilarious film that showcases Keaton's comedy. From being a cowboy that doesn't know how to milk a cow, nor does he know how to ride a horse or to lasso a young cow, "Go West" is a film that provides a lot of laughs but a stampede sequence that is literally shocking when you watch it today.

As for "Battling Butler", this is a straight-up Buster Keaton film that takes misunderstandings and lies to make for one exciting sports film. In fact, I'm not really sure if "Battling Butler" is the first boxing film ever created but what we do know is that it is an adaptation of a popular Broadway play that ran from 1923-1924 and that the film was Keaton's most financially successful feature film in the box office.

Keaton has said that "Battling Butler" is one of his favorite films, despite it being forced on him by Joe Schenck but it's a wonderful farce as we see Keaton put into a boxing role and having to go one-on-one with experienced boxers.

But in this screenplay, it diverts from the original Broadway play in the fact that fans do get to see Keaton's character Alfred Butler actually getting into a fight to protect his wife's honor.

But it's a hilarious film that is classic Keaton. Farce combined with Keaton's physical comedy, "Battling Butler" is highly entertaining!

And of the two films, I admit that I am more fond of "Battling Butler" in terms of story but admire the direction of "Go West" because how Keaton directed a large herd of cows through Los Angeles is surprising but yet an amazing thing to watch onscreen. Many decades before CGI and yet, Keaton as always ahead of his time, was able to make it happen.

As for the Blu-ray release, once again...these are the best looking versions of the film to date. In fact, I don't know if I can even watch my older Kino DVD's ever again because these films look so fantastic on Blu-ray. Granted, these films were never 100% pristine but the fact that the contrast and overall look of both films are an improvement from the original DVD release is a major plus.

The special features for this latest Blu-ray release offers different special features compared to the previous release. As I would have loved to see the special features on the behind-the-scenes of the making of both films, at least we are given a rare 60-minute audio recording of Keaton working on "Wagon Train" plus an excerpt of the screenplay for the "Battling Butler" 1947-remake. Sure, I would have loved to have additional choices for audio score but the Eric Beheim for "Go West" and the score for "Battling Butler" from Robert Israel which were used on the original DVD release are already wonderful and compliment the films really well!

Overall, if you have been watching the previous Buster Keaton films on Blu-ray, more than likely you will purchase "Go West" and "Battling Butler". If you are new to Buster Keaton, both films are highly entertaining...are they better than "The General" or "Steamboat Bill Jr.", in my opinion, definitely not. But these two films are still very entertaining and do a great job of showcasing Keaton's physical comedy but also his efforts as a director.

Enjoyable, entertaining and fun...these two Keaton classics are definitely worth watching and this Blu-ray release is definitely recommended!

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