Showing posts with label wireless blu ray. Show all posts
Showing posts with label wireless blu ray. Show all posts

Sunday, October 12, 2014

Up (Five-Disc Combo: Blu-ray 3D/ Blu-ray/ DVD + Digital Copy) (2009)

UpSomeday, Pixar is going to do it -they're going to create an emotionally uninspiring, lackluster animated movie. But in the meantime, they're still putting out delightful animated movies like "Up," which defies the usual kid-movie conventions by starring a crotchety old man. It's a charming, fun little adventure story with flying dogs and balloon-powered houses, but underlying it is a bittersweet little story about loss and love.

As a child, the shy Carl Fredricksen bonded with the oddball Ellie over their shared love of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, move into their "clubhouse" together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.

Now crotchety, alone and harassed by a real estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn't going quietly -instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an enthusiastic, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the ride. Poor kid was just trying to earn an "assisting the elderly" badge.

And the jungle trek to Paradise Falls turns out to have some surprising obstacles: a big emulike bird that Russell names Kevin, a talking dog named Dug ("I am jumping on you, bird!"), and a mysterious old man who lives deep in the heart of the jungle. Turns out the old guy is very familiar to Carl -and to capture Kevin, he's willing to sacrifice Carl and Russell.

Industry experts were babbling about how "Up" wouldn't be as popular as the previous Pixar movies, because the protagonist is basically a crusty old coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages -while the humor and action appeal to children, adults can appreciate Carl's love for his lost wife, and his slow realization that he's clinging to the past.

In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I've seen in a long time. Without a word, they show all the ups and downs of a realistic marriage -joys, sorrows (Ellie's inability to have children), growing old together, and finally loss.

But it's not a depressing movie by any stretch -in fact, it's like a childhood fantasy come to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of great dialogue ("Do you want to play a game? It's called See Who Can Go the Longest Without Saying Anything." "Cool! My mom loves that game!") and an action-packed climax in an aged airship.

Ed Asner is absolutely perfect as ubergrouch Carl -crotchety, grumpy, and determined to fulfill his wife's lifelong dream, but gradually realizing he's clinging to the past. Nagai is equally perfect as Carl's polar opposite: a naive, chattery Scout who is determined to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special notice. These creatures are utterly hilarious -they talk ("I hid under your porch because I love you") and act the way dogs would if they talked. Three words: cone of shame.

The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to get shafted because the Blu-ray edition will have a bunch of exclusive stuff. Grr. As for this one, there's a digital copy, the director's audio commentary, kinda-alternate-ending "The Many Endings of Muntz," and the documentary "Adventure Is Out There" about the research for this movie.

There are also a pair of adorable animated shorts. "Partly Cloudy" has a much-abused stork having to deliver potentially harmful baby creatures from a kind but clueless cloud. And "Dug's Special Mission" is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.

"Up" continues Pixar's running tally of gloriously animated, emotionally layered movies that the entire family can enjoy. With that, I have only one more thing to say... SQUIRREL!

I had no expectations of being disappointed with a Disney/Pixar BD, and being that it took me a whole dedicated day to get through everything, I now feel it was worth every penny. The film was enjoyable, funny, sad, and scary filled with some nice messages about life and loss. I can understand why the majority of my customers loved it.

The Blu clarity is outstanding, and the amount of reference points are extensive, but one that stands out the most for contrast lines would have to be when the house is entering the lair (balloons against the dark cavern). The sound is selectable between 5.1 DTS, 2.0 DTS and Descriptive English. The 5.1 was beautiful with tons of reference points, sometimes excruciating (that bird screeching) but thorough nonetheless. Now for the supplements (all times in minutes):

DISC 1: (BD)

* 5:46 Partly Cloudy short film. Was hilarious. A great depth test for your display with the clouds. Nice little message of tolerance no matter how difficult someone might be.

* 4:40 Dug's Mission. An almost lo-def looking short take on our main dog dealing with the main three baddies on a chase.

* 22:17 Adventure Out There. A must see documentary about the crew taking the actual trip to the Tepui location in South America. A beautiful travel infomercial in itself. Loved how their guide only wore sandles for the ascent and hikes.

* 4:56 Alternate Scenes Ending of Muntz. Sketches and interviews regarding different endings for that bad guy that they had come up with.

* 1:00 How-to on using the Digital Copy.

* Cine Explore option while watching the film. The two directors give their commentary with multiple pop-up screens showing art, ideas, etc.

* Screen Saver. Allows you to set a time period for your screen saver to activate.

* Maximize Your Home Theater. The standard Pixar multi-step process for setting all of your theater capabilities.

DISC 2: (BD)

Documentaries

* 6:24 Geriatric Hero. History behind the creation of our old guy. All of these documentaries are interview oriented with sketches and film clips to supplement.

* 8:26 Canine Companions. In depth analysis on the breed choices, training and dog behavior studied to get the dogs in the film to be more dog like.

* 9:00 Russel Wild Explorer. Covers the reasons for his character to have the loss and why he was "egg" shaped as opposed to other sketch ideas.

* 5:04 Kevin (bird). Nice reference to the Swiss Family Robinson ostrich; covered the hardest part of any of these animation films the feathers.

* 4:38 Homemakers Pixar. Enjoyed the work that went into them studying sub-floors and lighting options in making this look so real in the house.

* 6:25 Balloons and Flight. Tells the now famous number of balloons used; some interesting dirigible history; shows the Pixar group using that local Bay Area air service I keep seeing fly around here (research stuff).

* 7:37 Composing for Characters. Have to be into the musical/scoring stuff for this one.

Extras

* Global Guardian Badge Game. After the initial setup of name, difficulty levels and tutorial material, the game has an extensive amount of country/geography material. Customers grouped around and we did fine for the United States section, but we randomly tried Africa and we bombed (some of the countries they were asking for I hadn't heard of in years) good learning tool though.

* 9:15 Alternate Scene Married Life. Another sketch/interview piece about more material being removed/added into that section of the film. The scene itself would have been only a minute longer.

* 6:00 montage. A mix of characters doing funny things will make the kids laugh.

* Screen Saver option.

DISC 3 (DVD)

* Film, plus special features from disc 1. WITH THE EXCEPTION of no Spanish subtitles/language; English only.

DISC 4 (Digital Copy).

* Code both unlocks the copy and gets you the usual points at the Disney site.

Overall, an excellent product no matter how you look at it. The case has that new single hinge, multi-page off center chassis that has proven to be less than durable, but it should suffice for low usage storage. Enjoy.

Buy Up (Five-Disc Combo: Blu-ray 3D/ Blu-ray/ DVD + Digital Copy) (2009) Now

Another commendable, 4-star outing from Pixar.

The DVD packaging is another matter. There have been many complaints about the computer-incompatibility, but my gripe is about the "pecking order" for those that want the single-disc DVD vs. the 4-disc Blu-ray and everything in-between.

Time was when you bought a 2-disc set of a Pixar film, you got hours worth of neat, entertaining and enlightening extras (example: the exhaustive Super Heroes guide with "The Incredibles"). By the time "Cars" came out, you could only get a single-disc version with very few extras. "Ratatouille": same story. "Wall-E" somewhat rectified the situation with the available 3-disc version, which did have generous bonuses if you shelled out the bucks, that is. "Up" has the most deceptive packaging of all: a bare-bones single-disc version (you just want the movie and a lot of promos? You got it!), the "deluxe" DVD version (which Amazon/Disney advertise as a "Two-Disc Deluxe Edition + Digital Copy", which can imply there are three discs [there are not], and there are certainly NOT "hours of new bonus! [sic]", as the slip-sleeve boasts), and a 4-disc Blu-ray version for those fortunate enough to own that format. Disney is obviously hard-balling the recession-weary public into buying Blu-ray players and their inflated-priced discs and punishing those who are scraping by with an archaic DVD.

What would have been nice is an extras-packed double-DVD w/o the digital copy (I don't know anybody who really uses this), a better-valued single-DVD version and maybe even a single-Blu-ray.

The release date for a Pixar movie used to be an event. Now it's a downer, waiting to see how Disney rips its faithful public off again.

Read Best Reviews of Up (Five-Disc Combo: Blu-ray 3D/ Blu-ray/ DVD + Digital Copy) (2009) Here

It is a good movie, but my wife is Deaf and can not enjoy this movie yet again (since we saw it at the theater) Also our Deaf friends and their children are excluded. This is a real waste of money for us. The movie companies are getting greedier and greedier.. shame on you Disney.

**Today and email was in my box via the Disney store says "The box states that it has captions for the hearing impaired, spanish (etc) and closed caption."

Well, the box SAYS IT it must be true!??

(Tested on several systems)

WELL THEY STILL AIN'T WORKING!!

Want Up (Five-Disc Combo: Blu-ray 3D/ Blu-ray/ DVD + Digital Copy) (2009) Discount?

Grab your husband or significant other (after packing off the kids for a sleep over, if applicable), pour some F.A.B.s (frosty adult beverage) and snuggle up on the couch to watch UP! A wonderful, touching movie about a widower who takes pleasure in circumventing those who would have him move to Shady Acres nursing home and give up the home he and his wife, Ellie, made. Walter, our protagonist, is known as a crotchety old man. What most people don't know is that Walter is a lonely man since his wife and life-long love died. They never made their dream trip to Paradise Falls. Like most of us of a certain age, we plan and dream, hoping to fulfill that dream one day. One day never came for Ellie and Walter; but now that the powers that be think he should be in a retirement home, Walter has a Plan. Unfortunately, or perhaps fortunately, a young scout (Russell), trying to achieve a badge for Elderly Assistance, is caught up in Walter's plan to foil the well-meaning social worker.

This is a Disney/Pixar Studios film, so the images are just spectacular. I have seen the behind the scenes video (included on the discs) where the team of artists travels to Tepui in South America, the area Walter (& Russell) have their adventure. It's amazing how realistic the animation depicts the natural beauty of this area! I don't normally watch the "Extras" that come with a dvd, but in this case, made an exception and throughly enjoyed them. From the 3 shorts (including alternate endings) to the aforementioned trip by the artistic team to South America. Another disc is devoted to in depth behind the scenes and documentaries showing their studies of geriatrics to dog breeds. Everything very informative and not boring. The set also includes a digital copy of the movie Up (Four-Disc Blu-ray/DVD Combo + BD Live) [Blu-ray]. There is also a game (Global Guardian Badge game--a geography skills game that can be set for different skill levels), a 'deleted scene' piece on married life and a montage of stills (kinda a blooper reel feel) of various characters doing funny things/situations. Very funny stuff, especially for children.

All in all, this is a lush, amazing movie--both the story line as well as the animation. Characters are well developed and mostly (with one notable exception) likeable...especially the dog! Lots of life lessons included, par for Disney. A great way to spend a day or night (or both for all the discs!). Amazon has a GREAT PRICE on this set, better by far than any local stores. Combined with the awesome shipping and customer service, you cannot go wrong purchasing this Up set! Buy it today, schedule that one-on-one time with the love of YOUR life and another viewing with the family. Even my 76 year-old mother loved this movie. Make sure you buy Puffs Ultra Soft and Strong Facial Tissues, Family Boxes, 744-Count to have on hand for viewing, it is a quite touching, moving story of love and life! Highly recommended.

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Last Chance Harvey (2009)

Last Chance HarveyBy no means do I damn with faint praise when suggesting that this is a "small" film. Rather, only to suggest that it covers a brief period of time (a few days), in a single setting (London), focuses primarily on only two characters, and there few plot developments. Briefly, Harvey Shine (Dustin Hoffman) is employed by an advertising agency in Manhattan as a jingle writer when we are introduced to him. Almost immediately we sense that he is dissatisfied with both his career (he would prefer to earn a living as a jazz composer and performer) and with the current state of his life (he is divorced and apparently alienated from his adult daughter, Susan, who is about to be married in London). The title refers to both situations: Charley is advised by his boss Marvin (Richard Schiff who played the character Toby Ziegler on the television program, The West Wing) that his job is in jeopardy. After a very brief encounter upon arrival at Heathrow Airport with Kate Walker (Emma Thompson) seeking to obtain travel information from passengers, Harvey is saddened to learn from Susan (Liane Balaban) that she has decided that her stepfather Brian (James Brolin) will accompany her down the aisle. Of course, Harvey encounters Kate again and then....

The acting is outstanding. The setting is especially appropriate for what happens to a troubled New Yorker, among strangers in a strange city, at a time when he is running out of options in all areas of his life. Kate has concerns of her own but seems less troubled, probably because she fulfills at least some needs by comforting and reassuring her mother Maggie Walker (Eileen Atkins) who calls her constantly throughout the day (and evening), concerned about trivial matters. We know almost nothing else about Kate's private life, other than the absence of romance and few (if any) chances of finding it. She clearly does not wish to be hurt and is sensibly reluctant to become involved with anyone, even a stranger who is clearly unhappy, feels rejected, and in need of attention and kindness.

Five Star ratings of films should be reserved for "classics" and that is especially true of romantic comedies such as It Happened One Night, Little Shop Around the Corner, Sleepless in Seattle, and You've Got Mail. Last Chance Harvey is not in their class. However, I think Hoffman and Thompson are not only superb but have charming chemistry, the film is well-made, respectful of awkward adult situations with potentially serious consequences, and arrives at its happy ending with a pleasing plausibility.

I understand that most people that go to movies are in their early 20's and the movie makers knowing this,aim their films for that audience generally,but this is a wonderful surprise.

A charming story of people at an older age that have hit many dead ends in life but because of chance,they discover that life doesn't have to be done, there can be a future filled with the excitement that you might feel only lived in the past.

With the two great actors,Dustin Hoffman & Emma Thompson and a wonderful supporting cast,this is a very well made movie that I feel has the legs to stand up for viewings in the future and still have that same warmth and heart.

I think that some of the twenty somethings that might see this now and write it off as silly,could very well see this film in several years and view it very differently after they gain some of the experience and disappointments that life brings.

I really feel this could be viewed as a classic in the future,

Buy Last Chance Harvey (2009) Now

For those looking for a fast-paced, ultra-modern, and formulaic romantic comedy feel free to run back to the bad acting, effects-laden Hollywood tripe so often produced for an unimaginative audience. If, however, you are looking for a thoughtful and surprisingly human story, then Last Chance Harvey deserves your attention. Rather than finding this movie slow and boring, my wife and I felt compelled to stay up past our bedtime because we simply couldn't fall asleep until it was over.

Yes, the movie moves at a walking pace--that's part of its charm! We should rediscover the skills of paying attention to a real story that does not require the aide of special effects and heart-pounding action. Simply put, the story itself is beautiful and wonderfully acted. Its true-to-life and a worthy addition to one's movie library if one has an eye for art rather than mere amusement.

Read Best Reviews of Last Chance Harvey (2009) Here

Very slow movie throughout. The plot revolves around a man, Harvey (Dustin Hoffman), a jingle writer. He is about to lose his job and has a difficult relationship with his daughter. He travels to London to attend his daughter's wedding and meets Kate (Emma Thompson) who works for an airline conducting research. They experienced an unexpected and lovely romance. The movie is indeed lovely but so darn slow! Although the acting was amazing; actually, it was phenomenal, I was still falling asleep. I can't help but wonder what this movie could have been in the hands of another, more dynamic director.

I especially like the featurette as it revealed a lot of interesting things about the movie. For example, I though the movie was based on a book. Actually, the screenplay was written especially for the actors Dustin Hoffman and Emma Thompson.

Want Last Chance Harvey (2009) Discount?

This movie is wonderful. I have to comment on some of the criticisms I have seen here--if you are looking for belly laughs and lousy computer generated effects,take your short attention span back to your x-box. This movie is a beautiful exercise in real story telling. These two seasoned actors bring incredible meaning and depth to a movie about real things that happen to people in real life. I was touched by the obvious and not so obvious messages in this story and feel it was, for me, a much awaited change from the fast-paced, meaningless bumblers Hollywood keeps ralphing out. Very well done--and thanks to Hoffman and Thompson for taking me along for the stroll. I needed the fresh air...

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Friday, September 12, 2014

Pirates of Caribbean: Dead Man's Chest (Three-Disc Blu-ray / DVD Combo in DVD Packaging) (2006)

Pirates of Caribbean: Dead Man's Chest"UNDEAD MONKEY! Top that!"....Well, Pirates of the Caribbean 2 has a solid go at topping the top-grossing film of 2003.

Johnny Depp, Oscar-nominated for the role of Capt. Jack Sparrow, possible the best-worst pirate ever owing a life debt to Davey Jones, Captain of the Flying Dutchman, another cursed ship. Also returning, Orlando Bloom as Wil Turner, the decent colonialist, who in the spirit of Flynn's CAPTAIN BLOOD, is drawn into the pirate's life along with Keira Knightley as Elizabeth Swann.Wil and Elizabeth are arrested instead of wed and slated to be executed for their part in Sparrow's escape. Wil cuts a deal to bring Jack;s quirky compass in return for a pardon for he and Elizabeth. The three become involved in Sparrow's struggle to free himself of eternal servitude onboard the Flying Dutchman, along with "Bootstrap" Bill Turner aka Wil's Dad. Captain Jack and Wil Turner's unlikely friendship continues in one misadventure after another, with more returning character's from the original than you can swash a buckle with, like Elizabeth's father Governor Wetherby Swann (Jonathan Pryce), the lovable buffoons Pintel and Ragetti (Lee Arenberg and MacKenzie Crook), first mate Gibbs (Kevin McNally) and the fallen Commodore James Norrington (Jack Davenport).

Director of the original, Gore Verbinski again throws the pirates into one amusing action sequence after another, from island cannibals, to an inevitable bar fight, some Treasure Island homages, battles with barnacled minions of Davey Jones and a runaway mill-wheel-three-way duel between Jack/Wil/Norrington that is worth the price of admission and beverages.

Depp's swaggering-staggering Sparrow makes any scene fascinating with his rock star take on pirates. But be WARNED: Pirates of the Caribbean 2 and 3 were produced back-to-back to allow for quicker release of two, meaning Dead Man's Chest is "a link film." And for those of us who endured the ending wait between The Empire Strikes Back and Jedi, you know what I mean. Pirates 2, ends with a bit of a cliffhanger which is always risky. The ending leaves almost nothing resolved and no villain thwarted.

The locales as breath-taking and effects are as stunning as the original, in particular the ship swallowing Kracken. Sadly the brilliant Bill Nighy as Davey Jones is wasted as the overly CGI and effect laden character, who could have been anyone and was less striking than the previous films nemesis. In fact, I would rather see Nighy play Sparrow's dad (who was supposed to be briefly in the 3 movie due out in 2007)

If you liked this movie as a regular DVD, you're going to love it in Blu-Ray. Everything there is to like about the film is even better here. The creepy stuff is creepier, the funny stuff funnier, the special effects more special. In fact, "Dead Mans Chest" fans will probably consider this the absolute best Blu-Ray movie there is. Personally, I prefer Pirates of the Caribbean Curse of the Black Pearl [Blu-ray] for its better storytelling, but this one has equally vivid color, equally outstanding detail and a soundtrack that will blow you away. Disney is obviously using its Pirates titles as its Blu-ray showcase, and has poured in the bucks to make them the best titles on the market.

VIDEO

Though "Pearl" has a better story, "Chest" has the better effects, and its squishy fishy pirates lend themselves better to Blu-ray detail than the first film's skeleton crew. The barnacles, coral, scales and tentacles that cover Davy Jones and his mates are much more visible here than in the standard release, and when Bootstrap Bill stuffs a crawling shell in his mouth you can tell it was hermit crab. In fact, the movie's near-perfect digital transfer reveals new details in nearly every scene, from the dark blue dye on Tia Dalma's teeth to the glisten and glimmer on the attacking kracken.

The images have rich shadows and, amazingly, no grain, so even the darkest details come to life. You can even see that cannibal who traps Will Turner -before he jumps out from the tree.

AUDIO

Wow! No other Blu-ray title sounds like this. Whether it's a simple explosion or the complex chase scene, the uncompressed 5.1 soundtrack delivers the goods loud and clear, with plenty of nuance and perfect channel separation -just like those reference DVDs at a Bose store. Often the sound is so vivid it seems you can watch the film with your eyes closed. The best sequence comes when Davy Jones plays his pipe organ. Turn it up and you can feel it in your spine.

BONUS FEATURES

There's just one hi-tech extra, an interactive Liar's Dice game. Here, you're pitted against Pintel (Lee Arenberg) in a contest that plays out through video clips that rarely repeat. Unlike most games of this type, this one renders its visuals quickly, thanks to a new technology called BD-Java. The other bonus features are the same as those on the standard DVD, at the same standard fidelity and resolution.

To sum up, "Pearl" is still better, but if you buy this disc you won't be disappointed. With video and audio that set a new standard for Blu-ray releases, this new "Dead Man's Chest" takes you for a real Pirates ride.

Buy Pirates of Caribbean: Dead Man's Chest (Three-Disc Blu-ray / DVD Combo in DVD Packaging) (2006) Now

If you judge this movie using the same checklist you would for "A Beautiful Mind" or even "Lord of the Rings" you've missed the boat. This movie is a bit more foolish than the others and that is what's so great about it. See this movie through the eyes of a child and allow it to make you laugh, to gross you out, to surprise you with its clever twists of plot, to amaze you with heroes that defy all odds, and to capture your imagination with peculiar pirates' treasures.

Read Best Reviews of Pirates of Caribbean: Dead Man's Chest (Three-Disc Blu-ray / DVD Combo in DVD Packaging) (2006) Here

As someone who's watched the first movie repeatedly, I was extremely happy when the sequel was announced. The first movie had a playful, whimsical aspect that made it endearing and fun to watch. The pacing was excellent, and the characters were well developed.

Sadly, the sequel turned out to be very different. The direction turned to "how many over-the-top effects and fight sequences can we pack into 2 hours." The characters were lost in a morass of confused and often irrelevant action scenes. About the best part of the whole film was [warning: spoiler] Barbossa's reappearance at the very end.

I like a well choreographed sword fight or SFX scene as well as the next bloke, but making a movie that is nothing more than a series of such scenes strung together with minimal plot is ridiculous. This film could have been so much more than it is. Instead, it's too long (I found myself checking my watch, which almost never happens) and badly plotted.

Given the reappearance of several minor characters (Pintel and Ragetti, who were apparently brought back as audience favourites despite the fact that they should have been in prison following the first movie) and the overall tone of the film, it appears Disney's producers saw fit to turn what was an excellent concept into little more than a marketing vehicle designed to appeal to kids.

I'll probably see the 3rd movie just to find out what happens, and to see if it improves somehow, but I'll never buy the 2nd movie's DVD. It's just intolerable.

Want Pirates of Caribbean: Dead Man's Chest (Three-Disc Blu-ray / DVD Combo in DVD Packaging) (2006) Discount?

MOVIE: Here we go, probably the most anticipated blockbuster of the year. When the first Pirates Of The Caribbean came out it became an overnight success, and of course immediately greenlit two sequels. Dead Man's Chest is a little different than the first film, which is definately a good thing. I would absolutely have hated to watch the same movie again, and thankfully this film brings a different approach to the story and the characters. The first movie was more epic in my opinion. It was very grand with open-sea ship battles, pirates swinging from ropes tied to the masts, firing cannons, and one on one sword fighting. This movie continues in that tradition a bit, but also brings fresh action and humor to the table. Instead of Barbossa and his cursed crew we have Davy Jones and his sea crew. Jack Sparrow is in debt to Davy Jones and in order to keep his freedom he must in turn find 100 men to be on Davy Jones' crew on the Flying Dutchman. In a seperate conflict we have Will Turner and Elizabeth Swann who had their wedding ambushed because a corrupt politician wants to find the dead man's chest so that he can control the assests of the East India Trading Company. Jack Sparrow on the other hand wants the chest so that he can have control over Davy Jones and keep a creature known as the Kraken away. The film basically follows our main characters from one island to another in search of this mysterious chest and the contents it contains. The film is the perfect blend of action and humor that keeps it exciting and entertaining. This is really one of the best action movies ever made. The set design, costumes, makeup, and visual effects were just breathtaking. Davy Jones and his crew are the most creative and amazing CGI characters I have ever seen on film. This usually never happens to me, but I am still in question whether Davy Jones' face was all CGI or a blend of prosthetics and CGI. The area around his eyes, nose, and mouth seemed so real and perfect that I am actually in question if it's CGI or prosthetics. It is simply amazing how much detail has been put into this film. Hans Zimmer steps up as composer after replacing his good friend Klaus Badelt from the first film. Zimmer's score really made the movie for me, it borrowed the themes we love so much from the first score and blends it in with darker and heavier music that truly makes this movie a swashbuckling movie. This movie was so much fun, it was so entertaining, so exciting, and funny. You will have a hard time finding a better time at the movies than with Pirates Of The Caribbean: Dead Man's Chest. It is an amazing continuation of the first film and a great lead-in to the final installment in the trilogy, which will be released next summer.

ACTING: Johnny Depp got an Academy Award nomination for his portrayal of Captain Jack Sparrow in the first movie. Depp is one of the most versitile and talented actors that we have ever seen on the screen. He truly has a presence that cannot be matched and he has crafted an iconic character with Jack Sparrow. Orlando Bloom and Kiera Knightly provide great acting in their supporting roles even though they have less to do with the main plot this time around. The real highlight here is the character of Davy Jones who is played brilliantly by Bill Nighy. Nighy is a British actor relatively unkown to American audiences. He was recently seen in The Hitchhiker's Guide To The Galaxy and The Constant Gardener, and he adds perfection to the character of Davy Jones. The cast makes the movie and they are all perfect in it.

BOTTOM LINE: What more can you ask for? The movie has everything you would want in a summer adventure fare. The first movie was one of the top grossing films of the year when it came out, and I have no doubt that this will do the same. Gore Verbinski was able to handle all that story and make it flow seamlessly, it was always entertaining and never felt long dispite it's long running time. The film was perfect in my opinion, I really would not change anything about it. Also, there is a little bonus for those who stay after the credits. So, go and enjoy the summer's best movie.

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Thursday, August 28, 2014

Billy Madison (1995)

Billy MadisonI've read every review of this movie quite thoroughly and I've noticed a common thread in each and every "bad" review given. All of Billy Madison's detractors say that the movie is stupid and childish. I suggest that these people stick to their "The English Patient", and leave this wonderful film alone. The movie's 'stupidity' as critics call it, is actually the essence of it's true genius. Billy Madison is ridiculous, illogical, and downright bizarre, but it is these elements that make this movie the most entertaining film I have ever seen. Sure, there are great, epic, emotional dramas that have the power to move you to tears, and these are exceptional films. Films can also be fun however, and Billy Madison is the most fun you will ever have from simply watching a movie. Doesn't this also make a film great? Why do critics always dismiss films such as these as "immature"? Billy Madison won't make you cry, but Gone With the Wind sure isn't gonna make you laugh either. Both emotions are important, and a film that makes you laugh uncontrollably (which I guarantee this film will) is just as effective as one that makes you weep, or feel warm and fuzzy inside. As far as Sandler's acting chops are concerned, he certainly wouldn't be considered a 'thespian', but his natural appeal is so exceptionally strong that it can carry a movie he is just that likeable. The man speaks pure gibberish and I laugh my fool head off, this is a talent that no other actor can match. I don't recommend that you see Billy Madison, I insist that you buy it, right now, from Amazon.com. The American Film Institute declared Orson Welles' "Citizen Kane" as the greatest film of all time? Just one question: where is the imaginary penguin, Mr. Welles? Where is the imaginary penguin? Peace, I'm outta here!

This is still my favorite of all of Adam Sandler's filmefforts. WHY, you ask? Because of it's LACK of a script. This moviedoesn't even try to create substance, character or plot! All it is, is Adam Sandler acting so lovably loopy that you can't help but crack a smile or let out a large guffaw. Sandler's other films (that I DIDN'T like) like "The Waterboy" and "Big Daddy" tried to be sort of serious in some parts and tried to be witty when in fact it wasn't.

"Billy Madison" is all about STUPIDITY. Heck, it's about a 28 year old guy going through grade school! Whatta ya expect, ya know! There are classically hysterical moments:

"O'Doyle rules! " "Shampoo is better! I help clean the hair! Conditioner is better! I make the hair silky and smooth! Oh, really fool! Really! . . .Stop looking at me swan." "No, I will not make out with you! "

And of course, who could forget Steve Buscemi putting on lipstick? Or the late great Chris Farley making out with a penguin. Or those stupid graduation parties! It's so stupid but sooooo funny for some reason. Watch this comedy today. END

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This movie is like -soo riotously funny. No bearing on relity, but you'll laugh your splitting sides off! See Adam Sandler before he became so well known. His comic genius was already showing big time. As an heir with whacky friends, he has to repeat all grades of school in just a few weeks to convince his dad that he's worthy of his inheritance. And he has a riotous good time in the process. He meets a teacher, Veronica Vaughan, played by Bridgette Wilson. This is her only lead role I know of -she's such an underrated actress who should have gone big places. See this underrated gem of a comedy!

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Is there a point to this story? No. Do you care? No. This is, in my humble opinion, Adam Sandler's best movie.

Adam(Billy Madison) plays a drunk, lazy, party going imbecile. His father is the proud owner of a big hotel chain. Billy wants nothing more than to take over this chain of hotels from his father. In order to do so he must graduate grades 1-12 in two weeks. He falls for his third grade teacher Veronica Vaughn. He actually has one of his third grade classmates call up his teacher to see if she likes anyone. That in itself is funny as I'm sure all of us guys and gals have had one of our friends call up someone we had a crush on to see if they liked us when we were younger. Billy, however is 28 years old.

Anyway, Billy Madison isn't for everybody. If you want a rich plot or great acting this is definitely not for you. This movie is for any Adam Sandler fan. It's that stupid, stupid humor that can make anyone crack a smile. If you want a movie to make you laugh see Billy Madison.

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Billy Madison is the most hilariously inane character that Adam Sandler has portrayed, and while I don't consider this one of Sandler's best movies, it is easily one of his funniest. A lot of the comedy seems to have come directly from the set of Saturday Night Live; it was funny there, and it is funny here. Even a few SNL buddies, namely Norm MacDonald and the late Chris Farley, turn up to revel in the infectiously entertaining silliness. Sandler plays Billy Madison (of course), the son of a filthy rich hotel magnate. He spends all of his time lazing around the pool, drinking copious amounts of alcohol, and pawing over nudie mags; his only hobby seems to be lighting bags of poo on fire on the front porch of people he doesn't particularly like. Even after his infantile behavior at a big business meeting, he is shocked to hear his father say he is giving the company to a particularly annoying executive rather than turning it over to him. He swears he will do anything, even go back to school and actually earn the diploma his father bought for him, to make his father change his mind. Monday morning finds him camped out in a first grade classroom, where he actually fits in pretty well. Every two weeks, he is tested and bumped up another grade. Billy really enjoys his time in third grade because he makes some good friends among the children and laps the elixir of knowledge from the fountain of the gorgeous Veronica Vaughn (Bridgette Wilson). As time goes by, Eric starts sweating and sets Billy up for a fall. Only the disciplinarian love of Veronica and the support of his new childhood friends can pick Billy up and get him back in the game.

I think Sandler is a comic genius, and few comedians could make such a silly, silly movie a real success. I mean, Billy does things like chase imaginary giant penguins around the house; that kind of thing just doesn't fly with any other actors. I should point out that there is actually a strong human element to this story as it progresses, though. Once all the alcohol is out of his bloodstream, Billy is a nice, good-hearted fellow, and the reliving of his old school days makes a profound impact on his character. I'm still not exactly sure what Veronica sees in him, but true success pretty much requires a good-looking woman to be there to kiss you at the end. Perhaps I should just say a final word to the parents of teenaged boys: while this movie does provide a strategy guaranteed to make any young man study his heart out, it is probably not something you will want to sanction in your own family life.

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Sunday, July 6, 2014

Billy Elliot

Billy ElliotBeginning with an exuberant title sequence, this charming, offbeat, coming-of-age story revolves around Billy Elliot (Jamie Bell), the younger of two sons of a widower coal miner (Gary Lewis) near Newcastle in Northern England. It's 1984, and the National Union of Mine Workers is engaged in a long, bitter strike, marked by street battles with riot police and protests against the busloads of scabs crossing the picket lines.

Following the family tradition, Billy is expected to learn boxing at the Everington Boys Club where, instead, the 11 year-old becomes enthralled by the girls' dancing class, led by a chain-smoking teacher (Julie Walters) who soon recognizes his raw talent. He loves watching Fred Astaire in old movies and is instantly drawn towards the ballet class, but when his macho father and rabble-rousing brother (Jamie Draven) discover he's taking ballet classes, they ridicule Billy "Lads do boxing and football and wrestling, not friggin' ballet!" forcing him to hide his slippers under the mattress and sneak off to class. Then come the auditions for the Royal Ballet School and Billy's defiantly joyful, foot-stompin' "I Want to Boogie" sequence.

What makes this heartfelt English import such a gem is the collaboration of screenwriter Lee Hall, cinematographer Brian Tufano ("Trainspotting") and former stage director Stephen Daldry ("An Inspector Calls"), who despite the simplistic predictability of the plot create eccentric, lovable characters and evocative imagery. One haunting sequences focuses on a little neighborhood girl dragging a stick along a brick wall, which dissolves into a phalanx of plastic police shields. Another involves the father grimly chopping up Billy's mother's beloved piano for needed firewood. While some of the authentic, heavily accented dialogue may be indecipherable to some, the musical soundtrack, combining classical and pop, is terrific.

In the title role, newcomer Jamie Bell embodies awkward determination, juggling grim reality with a surreal fantasy world, explaining, "Just because I like ballet doesn't mean I'm a pouf!" As Billy's father, Gary Lewis ("My Name is Joe") is tough-yet-tender, and Julie Walters ("Educating Rita") scores as Billy's crusty yet compassionate teacher. ("I feel like a sissy," Billy tells her. "Well, don't act like one," she retorts.) Jamie Draven and Stuart Wells lend strong support. Jean Heywood is touching as Billy's senile grandmother, whom he tenderly cares for and who repeatedly recalls, "I could have been a professional dancer."

While the bleak setting, in the 1984 miners' strike in northeastern England, is reminiscent of "The Full Monty," the energetic mood evokes "Flashdance" and it was a bit hit at both the Toronto and Cannes Film Festivals. On the `Lund Movie Scale' of 1 to 10, "Billy Elliot" is an exhilarating 9. Combining comedy and poignancy, it's all about being able to express yourself.

Jamie Bell is pure magic in this wonderful coming-0f-age film that tells the story of a working class English lad who takes up ballet as a way to hone his boxing skills. In the process, he discovers himself, learnes some valuable life lessons, and fills a deep void left by the death of his beloved mum. Despite his family's strong objections (and financial straits) Billy ends up studying dance from a local teacher (the effervescent Julie Walters, who won an Oscar nomination for her work here). Her lessons both technical and moral serve as the basis for a devastatingly real connection between Billy and his disgusted macho father. What ensues is a dramatic comedy that inspires us at every turn without condescension or pity. The heartening interaction that develops between father and son is truly evocative, especially so for anyone who ever followed (or didn't) their dreams despite their family's objections. Not only does Billy "Dance!!" for his supper...he befriends the local outcast gay teenager and copes with questions about his own sexual orientation heady topics for a movie about a dancing teen. All of this is handled in a mature, thoughtful manner, which makes the film a visceral, haunting experience. You can take or leave it's many messages, but theere is no denying its emotional core.

It's rare for a movie to challenge social mores and values by focusing on the dominant male principals. But "Billy Elliot" succeeds on more levels than other underdog-come-from-behind flicks. First, its based on a true story and resonates with truth, integrity and spirit. And, Bell's brash, authentic portrayal is pure magic. His feet literally take over his soul...he dances in the street, mimmicking Gene Kelly, and in the process taps his way into your heart. The performance is so accomplished it's a wonder Bell didn't receive an Oscar nomination. Even Russell Crowe who won the 2000 BAFTA and Oscar for "Gladiator" admitted Bell deserved the BAFTA Prize instead. Having resisted "Billy Elliot" at the movies, I finally caught it recently on HBO and was taken in immediately. This is a film your entire family can and should enjoy...if they don't, perhaps a little side trip to an English coal-mining town will help them appreciate this wonderful heartwarming film. Seriously, in this day and age, every one of us could use more Billy Elliots and fewer Scorpion Kings. A keeper!

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If you love intimate, moving character films like Cinema Paradiso, you will love love love Billy Elliot. A small, rousing British film with cleverly written characters, this movie is both sentimental and expertly crafted. The performances, particularly from Julie Walters as the dance instructor, and that winsome, melancholy but excpetionally gifted boy as Billy, will truly steal your heart. The simple premise is instantly grabbing -an artistic boy, only 11, is unfortunately the most forgotten element in a fractured, sad little family, which includes a pre-Alzheimer's grandmother, an angry older brother and a defeated, sad and tense father. While Dad and bro are on strike, money is tight the year is 1984 at the height of British strike/tensions. Billy is sent to boxing lessons, where, by happenstance, he discovers a true vent for his budding creativity -and especially his joy in dancing. Filled with infectiously appealing pop and light-classical music, this film is part Rocky, part Hollywood musical, part Flashdance and part Cinema Paradiso. The chance that these disparate, unlikely approaches might actually add up to something compelling are unlikely, but you must experience this movie to understand how exciting, moving and intensely gratifying it can be. Painted in bold, creative colors and shot with a springy exuberance, Billy Elliot is terrific.

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My son dressed up like Beauty(Belle from Beauty and The Beast...not the concept of beauty) for halloween. He dressed like the Mother Superior when we took him to the sing-along Sound Of Music. The other day he got a superman toy and was putting a Barbie Shoe on it. I am living in the world of the unique child.And I know there will be a day where someone will try to change my son........ This is why I cried in Billy Elliot......This is a beautiful film about being different in an uncompromising world. It is a film about economics and society, and how art is developed through frustration and need...but with all that aside it is a truly entertaining and fabulous film. Stephen Daldry, the reknowned theatre director, makes his debut here. The direction is the thing that gives this it's guts. This is a much better film than it needed to be. And the performances....Julie Walters, Jaime Bell and Gary Lewis(such an amazing performance as the dAd)...Just check this out. The movie goes places that you don't expect, and thankfully, places you do. I have just been thinking about the end of the film, and how it is an ugly duckling story...the coolest thing about it is that more than Billy turn into a swan. It seems like the entire community turns swanish. Art and individuality can do that. I was the quasimodo of ducks before my som came along.

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Billy Elliot is an 11-year-old boy played by Jamie Bell. On his way to a boxing lesson, he happened upon a ballet dancing class. Soon he discovered that he was very good at ballet, and he then wanted to become a dancer despite his family's wishes. This is a really touching and inspirational film about achieving dreams that will leave you cheering!

This is easily one of the best movies I have ever seen, and I have seen quite a few considering that I'm only 14. "Billy Elliot" is very similar to "October Sky", which is another great movie. (Even the kid's dad is a coal miner!) But it is also very different in the way that it is much more complex and subtle. I have noticed that because this is a British movie, it seems to be a lot more daring than most American movies, with a lot of things that Americans might consider extraneous. But that's what I like about it; Every character is so well developed even if they have a very small role (e.g. Billy's supposedly gay friend). These little aspects of these minor characters add a really nice touch to the already powerful story.

Also, DON'T let the R-rating fool you. THIS IS A FAMILY MOVIE. This movie is NOT pornographic, or violent, or chock-full of coke-sniffing. It just contains some language that little kids shouldn't use. Even so, the profanity is used very maturely. It is never gratuitous or unnecessary, it's just how these British people speak. And the film never seems to glorify the use of such language.

This film was WAY overlooked at the Oscars. It's definitely better than "Gladiator". "Gladiator" may have cool combat actoin, but it's got a very straightforward plot which doesn't make you think. I have NO IDEA why Jamie Bell wasn't nominated for his act. He has a very auspicious start in his filom career with this movie!

If there's one thing to criticize about this movie, it's the fact that the dialogue is spoken with heavy British accents, making it hard to understand at times. But that's not enough to keep me from saying that this is one of the best movies I have ever seen! Watch "October Sky" first, to give you an idea of how an American movie tells a dream, then watch "Billy Elliot" for a more sophisticated British idea.

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Thursday, March 27, 2014

Miami Rhapsody (2011)

Miami RhapsodyMiami Rhapsody stars Sarah Jessica Parker as Gwynn Marcus, one of several sibs of a prominent, wealthy, Jewish and dysfunctional family in Miami. Though things seem okay on the outside, tangled relationship problems threaten every quarter of the family. Her brother Jordan (Kevin Pollack) cheats on his pregnant wife with a high-strung model (Naomi Campbell); Her sister's (Carla Gugino) new husband is a pro-football player plagued by career insecurities and terminal cheapness; both of her parents (Mia Farrow and Paul Mazursky) cheat on each other; and she remains unhappy if only because she's the sort of person who's so concerned about happiness that she must strangle the happiness out of wherever it pops up in her life. Though she's engaged, Gwynn soon finds herself attracted to the male nurse (Antonio Banderas) who cares for the family's stroke-ridden grandmother.

"Rhapsody" is a lot like an overlong episode of "Sex and the City" without the neat closure of that show's half-hour snippets or the materialism or communal honesty of that show's leads. Gwynn obsesses over Miami and sex, noting that both are extremely popular despite the inherent messiness of either. I had never seen "SatC" when catching this flick back in '95. Instead I recognized the flick as more of a parody of Woody Allen movies the sort of rambling flick centered around a city (not NYC this time) and the hang-ups of those who endure it. The cinematography, Gwynn's neuroses (the film opens with Gwynn lamenting to a therapist), casting of Mia Farrow and even the opening credits hint at one of those small Woody Allen flicks that breezes through town without warning. "Rhapsody" works mostly on its stars' ernestness but also depends on some familiarity with that sort of Woody-ish kind of film. I doubt anybody who's never seen an Allen film will find this film more than amusing. Despite its dark take on marriage and relationships, I eventually married the girl I took to see it.

I had no idea that a lady NOT from Texas (and I LOVE my lady friends from Texas) could speak forever without actually taking a breath! :D This had me laughing so hard because SJJ's character was soooooooooo serious and apprehensive, AT's character was so disarmingly romantic and sincerely likeable, and her parents actually honestly shared their experiences candidly. Mia Farrow is light as a feather, as usual, with depths I've only seen in women who truly love their family, seemingly, effortlessly being there for whatever is needed. WONDERFUL film! This became a favorite the first time I saw it and watched SJJ spinning over the dance crowd! :D:D:D

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WATCHING THIS FILM MAKES YOU REFLECT ON YOUR OWN LIFE!! There is nothing make belief about it. It realy shakes you up about what people go through and what they feel about life and how they percieve it! Its probably true that most of the time we follow our parents life style...maybe not all the way...but they definately affect our way of thinking! And some people are able to change and make it thru the obstacles and some people are just not meant to be!! You should also check out the film PLAYING BY HEART with angelina jolie, shawn conneri and alot of other famous actors.! That too was a wake up call to how certain people find it easy to adapt and others are afraid of change while others fight for what the truley feel in their heart!

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This is one of those movies you either hate or love at first sight; certainly it has an Allenesque feel to it (It may not be a mere coincidence that Mia Farrow is one of it stars, doing a marvelous send-up of the kind of characters she used to play for Woody, from Hannah to [more closely] Alice Tate), but there's so much more to it than that!

Sarah Jessica Parker is the link in the story, but not necessarily the main knot. Take Antonio Banderas's turn parodying himself and the "suave latino lover" typecasts, or Carla Gugino's bubbly charm. Of course, good things always may come hand-in-hand with lackluster spots... one of the biggest here? Naomi Campbell sitting pretty and saying her lines with as much enthusiasm as a laptop computer with a british accent. She is typecast alrigtht, but instead of playing with the possibilities like Banderas did, she just walks by, remarkably far from fantastic.

Now that brings another contrast, for Gil Bellows' performance as Matt, the understated and understanding fiance is nothing short of great. His smile can lit up a room (common knowledge) and yet when he has to unburden his anger and pain he does it in a way that is quiet and convincing. No high drama, no storming through doors. His character is a man in love but pushed too hard by his beloved (Parker) so his empathy is believable to a fault. His is one of the most delightful moments of the film, including the possibility of salvage at the closing. Definitely not a masterpiece, but a good, entertaining and also aching film that is in no way forgettable after all.

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This is one of those movies that is funny, cute, with good acting and just overall good. Before Sarah Jessica's Sex and the City Days and Antonio Banderas "hotness" days, and of course Mia Farrow is also a great comedian and actress. Even Jeremy Piven (before Entourage) is in the picture and is just a funny movie. Highly recommend it.

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Sunday, March 16, 2014

The Greatest (2009)

The GreatestTHE GREATEST is a small film, quietly made in 28 days by first-time writer/director Shana Feste. The story/script is so unusual and touching that she was able to gather a rather extraordinary cast to bring this delicate story to life. It remains amazing to many of us that while the audiences flock to the gigantic CGI big noisy flicks, little jewels such as this film go completely unnoticed. The only hope is that enough people see this film now on DVD that that both the message of the movie and the quality of the acting and production gain the attention THE GREATEST so justly deserves.

Without introductory remarks the film opens with a brief prelude of the love between two (just graduated from high school) youngsters who after their first encounter with love pause on the drive home to attempt to make their feelings into words and BAM a truck plunges into them and the boy Bennett (Aaron Johnson) is killed while the girl Rose (Carey Mulligan) is spared. The camera takes us rather abruptly to the graveside where the grieving parents Grace (Susan Sarandon) and Allen (Pierce Brosnan) and their young drug addicted son Ryan (Johnny Simmons) stare blankly into the hole that has been placed in the middle of their lives. None of the family copes with the death well: Grace can't stop talking and crying about Bennett and searches for a way to find out how Bennett spent the last 17 minutes of his life (that time between the accident and his death) to the point of attending to the truck driver (Michael Shannon) in coma at the local hospital, awaiting his recovery to learn about those 17 minutes; Allen is unable to sleep and tries to cope with the tragedy by not allowing mention of it in his home; Ryan, now on frequent tests to see if he is drug free, attempts to relate to a group therapy session of kids whose siblings have died.

Into this dysfunctional crumbling decimated family comes Rose, three months later, pregnant with Bennett's child, seeking refuge from a mother who is an addict. She is invited to move in, despite the fact that Grace loathes the idea and thinks Allen is merely trying to resolve the grief he has ever faced by attaching to Bennett's only girlfriend. The remainder of the story reveals how each of these injured four characters gradually interact and by bearing their personal grief with their own life problems manage to find a place where they can recover together.

The acting is superb as one would expect from such a talented cast: Carey Mulligan again shows us that she is an important emerging actress; Susan Sarandon allows us to see and understand the degrees of near insanity that grief for loss of a child can distort a life; and Pierce Brosnan proves he is a first-rate actor, managing a difficult role with great sensitivity. The rest of the cast is also excellent in very minor roles Jennifer Ehle as an ex-lover of Allen, Aaron Johnson and Johnny Simmons as the brothers, and Michael Shannon as the driver of the truck who gradually awakens form his come to make Grace face some truths. As for Shana Feste, she is a strong artist and we should be seeing more beautifully crafted stories from her. Grady Harp, June 10

"The Greatest" stars Pierce Brosnan and Susan Sarandon as Allen and Grace Brewer, a grief-stricken couple whose family has been pushed to the breaking point by the accidental death of their eldest son, Bennett. When a young woman, Rose (Carey Mulligan, "An Education"), shows up a few months later announcing that she's pregnant with Bennett's child, the Brewers are forced to explore the depths of their empathy. Both Brosnan and Sarandon turn in believable performances. Brosnan in particular is really strong here. I've never seen him so open and so emotional before.

The problem is the portrayal of Bennett, whom we see only briefly before the accident that takes his life. More a metaphor for all that is good with untapped, unlimited potential, he never comes off as an actual flesh-and-blood individual. Since the accident is largely his responsibility, it's tough to get on board with his parents' grief. There are also some jarring moments when dialogue or actions seem really off and undermine the tone of the movie.

Movies about grieving are tough sells. On the surface, they are depressing and put off many people. It's the handling of the theme that determines whether audiences will embrace such a movie. Think "Ordinary People:" solid script, superb direction, first-rate performances. "The Greatest" falls far short of that high standard. Bonus extras include interviews with the director, Pierce Brosnan and Carey Mulligan, and deleted scenes.

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This movie exceeded my expectations as I had initially pegged it as a predictable tearjerker based on the plot. The leads in the form of Pierce Brosnan, Susan Sarandon, and the divine Carey Mulligan deliver credible and compelling performances that made this an engaging human drama. The prevalent theme in this movie is grief and coming to terms with loss Bennett Brewer (Aaron Johnson) is a popular student at his high school but deep down he is shy around girls and waits till the last day of school to ask Rose (Carey Mulligan) out. The two hit it off and fall head over heels in love. Bennett chooses an inopportune moment to declare his love to Rose, and tragedy strikes, killing Bennett.

Three months later, Rose arrives at Bennett's house and is greeted by his father, Allen (Pierce Brosnan). The Bennett's epitomize a family torn apart by grief mom Grace (Susan Sarandon) appears totally overwhelmed by grief to the point that she acts irrationally; Allen puts on a calm appearance although deep inside, he struggles to come to terms with his son's death and the strain it places on his marriage and his younger son; younger son Ryan (Johnny Simmons) is a druggie who attends support meetings but detached, feeling a sense of resentment towards his dead brother who was the favored child and who even in death seems to hog all the attention. Rose finds herself in a conundrum she is pregnant with Bennett's child and has nowhere to go. Allen warms to her immediately and takes her in, but Grace is mistrusting and unwilling to welcome the young woman.

The story flows well and the various characters credibly portray their grief and the process of healing, even though in the case of Grace it takes a long time for her to accept that her favorite son is dead. The sub-plots do not get any real development Jennifer Ehle plays Allen's colleague at school (he is a college instructor) who still harbors feelings for him (the pair were apparently involved in an intimate relationship some time ago), and Ryan falls for a girl in his support group.

Carey Mulligan of An Education delivers a finely nuanced performance as the young mother-to-be. This is a young actress who is showing the potential to be a great character actress and her role as Rose struck a chord in me. Pierce Brosnan is compelling in the role of the stressed out college instructor who can't seem to 'reach' his wife in her grief. Sarandon delivers a good performance as well though there are parts in the movie where her grief seems to be displayed with over-the-top histrionics without striking a note of credibility or emotionally connecting with this viewer.

On the whole, my husband and I both liked "The Greatest" thanks to the compelling acting by the leads, the movie rises above being a common tearjerker/ melodrama.

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This movie is intense, portraying a jagged, yet purifying emotional journey involving a sudden, brutal car accident, resulting in the death of favored son (Bennett), cameo role for Aaron Johnson. The shocking, unexplainable loss is complicated by the unexpected pregnancy of Bennett's true love, (Rose) with a stunning performance by Carey Mulligan. Rose and Bennnett's unspoken love is finally consumated, by these perfectly matched quiet, soulful characters...explosively mangled by devastation, jolting all the intimate characters into a dysfunctional, rag tag family. Rose has no where to go and ends up with Grace, Allen, and the younger, troubled brother (Ryan) Johnny Simmons. Everyone has their individual and collective demons, unhealthy diversions, and another unavoidable collision course with truth and acceptance.

The chemistry is exceptional, Pierce Brosnan (suppressed father Allen) is prodigious in his role of steadily degrading stoicism. Susan Sarandon (bereaved mother Grace) does insanity and loss with unrivaled panache. The two sons display perfection and realism, but the real star of this amazing drama is the newcomer, Carey Mulligan as "Rose." The viewer is captivated by her elfin beauty, desperate hopes, appealingly powerful, and delicate presence.

This family's drama echoes hauntingly dramatic, yet familiar tones. It is so well put together, that it just pierces you directly in the heart, like a syringe of adrenaline... where you find yourself gasping in the powerful breath of life emerging once again. Director Shana Feste is absolutely extraordinary, as I understand this movie was made in an unbelievably short window of time---signifying perfection in each scene and continual movement forward. A feat in itself, but even more satisfying is the story told and the potential awards it deserves.

It is NOT a blockbuster (in the sense of cost and marketing), but comes across as one, with exposed emotions, human frailty, vulnerabilities and the undeniable forces of love and spirit. All the characters find themselves in the same lifeboat of grief, paddling in different directions and eventually finding that its okay to just drift together and hold on...to each other...

A fantastic story and nobody could have done this better...Thumbs way up!

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This is a melancholy love story of loss and love. It depicts some of what one may need to be overcome to deal with grief and loss of a loved one in their life. It shows three different perspectives, the father (acted billiantly by Pierce Brosnan), the mother (which is acted to perfection by Susan Sarandon) and the lover (acted exquistely by Carrie Mulligan). The emothions are flying hiigh in this bittersweetexpression of love and compassion.

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Tuesday, March 11, 2014

Notorious (1946)

NotoriousA finely crafted, sumptuously produced romantic thriller that has the distinction of featuring director Hitchcock, and stars Grant and Bergman at their collective best. Even so, Claude Rains manages to dominate almost every scene in which he appears; his Oscar-nominated portrayal of the lovesick mama's boy engaged in espionage comes off as supremely menacing, emotionally ambiguous, and yet oddly sympathetic ... all at the same time.

The film-to-DVD transfer is quite good. There are a couple of jumps and pops in the master print that are a bit jarring, but overall it's a crisp and clean presentation with great contrast. Although the package doesn't mention it, the DVD does offer chapter search/scene selection which is always a nice perk. There aren't any of the bonus features that we spoiled DVD collectors are coming to expect (trailers, biographical sketches, etc.), but it's still a more than acceptable edition of a truly classic film.

The video transfer of new Criterion DVD version of NOTORIOUS is a bit sharper, more detailed, and has better contrast than that of the Anchor Bay DVD version released in 1999. Unfortunately, it also reveals a lot more film grains. The graininess is not noticeable in most parts of the film unless a direct comparision with Anchor Bay's transfer is made. But in a few scenes, the graininess just cannot be ignored, and could be detrimental to one's viewing pleasure. In spite of that, in my opinion the increased detail and sharpness of Criterion's transfer is still preferrable to Anchor Bay's comparatively softer and darker picture.

Regarding audio, it is no contest. Criterion's mono 1.0 sound has MUCH greater clarity, depth, details, volume than Anchor Bay's comparatively muted and muffled soundtrack. In addition, the Criterion disc also includes optional English subtitles while Anchor Bay's does not.

The Criterion DVD retains all of the supplementary material from their own CAV laserdisc version from 1991, and it adds some more...

There are two excellent audio commentary tracks. One is by Marian Keane, and it deals straight with the artistic aspects of the film by providing scene-by-scene, shot-by-shot dissertations. Commentaries like this are rare, and it is most beneficial to average viewers who want to learn more about the purposes and intentions behind every shot, every cut, every line. For instance, in a seemingly ordinary shot of a grandfather clock inside the Sebastian home, Keene analyzes the composition by pointing out the phallic symbol of the clock that suggests Alex's presence, the adjacent banister that reminds us of his mother, and the flower at the window that suggests the vulnerability of Alicia. Another commentary track, by Rudy Behlmer, was recorded for the laserdisc version, and it is the more common type of commentary, in which the commentator recounts the production's history, the logistical aspects, sypnoses of the lives and careers of the filmmakers, a few anecdotes. Behlmer mentions something omitted by Keane -Roy Webb's music (which is given a separate audio track on the DVD). At one point, he explains how the RKO Radio Picture logo was removed from the opening credits; but he refers only to the laserdisc version. This DVD version, however, restores the RKO logo.

Other extras include an all-too-brief excerpt of the short story "The Song of the Dragon" which inspired the film. There are about 40 production stills, mostly of Hitchcock, Cary Grant, and Ingrid Bergman. There is a section that explains how the many rear projection shots were done (some of the shots are quite seamless). There are a few production correspondences written by David O. Selznick, Bergman, and even FBI chief J. Edgar Hoover in response to the film's treatment of special agents. There are 4 theatrical trailers and short teasers. There is a one-minute newsreel footage of Hitchcock and Bergman arriving in England. There are script excerpts of 5 deleted scenes, and 3 alternate endings in which one or more of the four main characters get wounded or killed on screen. In a moving segment called "The Fate of the Unica Key", Marian Keane speaks on an audio track about how Bergman, during AFI's Lifetime Award ceremony for Hitchcock, handed the Unica key to the director as a token of love and respect (unfortunately, no footage of the AFI telecast is included). Last, but not least, there is a one-hour radioplay version of the film, in excellent audio quality, recorded in 1948, starring Joseph Cotten as Devlin and Bergman again as Alicia (the laserdisc version only has a 15-minute excerpt of the radioplay).

Buy Notorious (1946) Now

This review refers to the Criterion Collection DVD of Alfred Hitchcock's "Notorious".....

The master of suspense, Alfred Hitchcock, gives us another edge of your seat thriller. He combines, mystery,romance, and the evil's of Nazism in this chilling story.It takes place shortly after WWII. Alicia(Ingrid Bergman) is a woman with a past. Her father has just been convicted of spying. American agent Devlin(Cary Grant), enlists Alicia to infiltrate a Nazi spy ring.After her father's conviction, Alicia can prove her own patriotism by cooperating in this manner. She finds herself right in the thick of things and her own life in danger after she goes as far as to marry Alex(Claude Rains), one of the very powerful, rich and dangerous ring leaders of the group. Alex is on to her and tries to methodically get rid of his beautiful wife.Can the handsome "Dev" rescue the woman he has come to love so much before tragedy strikes.?

You'll delight to find Hitch's trademarks all through the film. The camera angles are definitive,the trademark staircase scene, the passion between Grant and Bergman electrifying,Claude Rains is terrifying, and the story a rollercoaster of suspense filled moments. There isn't a more perfect film I can think of.

Looking for Hitch: A little over an hour in you can have a little drink with him.(Not too much though, the Champagne needs to last the night at this party).

I am always happy to report on a great restoration of a classic film. This one made in 1946 is a beautiful, crisp, clean transfer to this DVD. The Black and White images are sharp and you will notice the attention that was made to every detail during the filming. The tears streaming down Ingrid's face look like drops of crystal. It's amazing. The sound is in Dolby Dig Mono and is very good. There are lots of "extras" on this edition. Among them is some great commentary from Marian Keane(she is a film scholar and talks alot about camera angles and other pertinent facts to the film) which you can listen to during the film if you choose, You can isolate that wonderful soundtrack,there is correspondce between Selznick and others connected to the film,TWO booklets, one about Hitch's Notorious and other films and another listing Criterions releases. And there is much more(see tech info for complete list).There are also subtitles which may be helpful to hearing impaired viewers.

You do get your money's worth on this one. However, if you are not as interested in the extras and are just looking to view this fabulous classic, there is another edition by Anchor Bay which costs much less. Although I have not viewed this particular Anchor Bay Release I do have many others by them and have always been more than happy with their treatment of the transfer.

Kick back with Cary, Ingrid and Hitch for a day of suspense and romance..........Laurie

More Hitch(see my reviews for film details):The Lady Vanishes / 39 Steps

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Read Best Reviews of Notorious (1946) Here

Notorious (1946) is a stellar achievement from director Alfred Hitchcock and master screenwriter Ben Hecht with Oscar worthy performances from all 3 principal stars, Cary Grant, Ingrid Bergman and the ever Oscar worthy Claude Rains. It is hands down somewhere (arguable I suppose) in the top 5 films Mr. Hitchcock has ever made and sports a truly nuanced and multifaceted performance by Cary Grant who proves in THIS film he is not just a pretty face but a very fine actor who was capable of much more than he is usually given credit for.

With that said, this review will focus on the technical aspects, both audio and video, of this Blu Ray presentation rather than the film content itself. If you are a casual viewer or someone who can not abide film grain, this transfer will most likely be less than satisfactory for your tastes and you could easily get by with the latest DVD version. I am, however, a MAJOR fan of Cary Grant and fully intend to purchase each and every title of his that becomes available on Blu Ray This review is for those of you who are OCD about the video/audio quality of B&W classics and need to know if it is worth spending again for this title. If this sounds like you, then read on!

The disc itself is housed in an appallingly cheap Eco-Case with equally appalling cover art. (I use the term "art" loosely here) The media is of good quality, not the cheap super thin discs that have been going around lately. The disc has color printing on it, the same as the case cover. The transfer uses the AVC codec with an average transfer rate of 38 MBPS on a 50 gig disc and presented in it's original full frame aspect ratio.

I read numerous online reviews regarding this transfer before purchasing, so I pretty much knew what I was getting myself into. I will be right upfront and state that although this is NOT the level of visual quality I had hoped for, it is still a large step ahead of any other transfer currently available. It would take a frame by frame restoration done from an original camera negative (similar to what was done with 'Ben-Hur' or 'The 10 Commandments') to improve much on the visual quality and I am afraid that studio profits trump my own personal wishes here. It is a real shame that Cary Grant's films are not shown the same reverence and care that are given to Bogart's in the Blu Ray market.

Bottom Line: 'Notorious', while a true cinematic masterpiece just doesn't get the same amount of respect shown to it as other titles from the same time period. The image quality at times achieves great heights of both clarity and stability, but at others reveals a troubled and damaged source. I would have to say after viewing that this transfer did NOT come from an original negative or any negative at all, rather from a decent quality print of dubious origins that has been cleaned up and scanned in at 1080p. While the bit rate of this transfer remains consistently high during the film, there is little depth to be had, and at times much noise , chemical damage to the nitrate/emulsion resulting in discolored contrast 'stripes' from time to time , film warping and a few scenes that seem to be sourced from lower resolution material of some kind.

Close-Ups, in particular, are very very good. The fine detail revealed during close-ups easily trumps anything you could ever see on even the best DVD transfer. If you screen this transfer in full 1080p with 24 frames engaged you will be treated to something very very close to a theatrical presentation. Once you overlook the downside of the source material, this Blu Ray can and will provide you with a very nice overall rendering, despite the print damage. Upon close inspection I found no instances of missing frames, although the bit rate is SO HIGH that occasional my equipment dropped one or two from time to time and upon rewinding and replaying it could not be repeated so this was not a fault of the transfer. For most of the film the contrast remains good and on a calibrated display you will mostly see things the way they were meant to be seen, although during the moments when a different source appeared to be used the contrast will be too dark or even too high depending on the scene.

These is all really REALLY picky observations, but I write most of my Blu Ray reviews for people who enjoy seeing their favorites in pristine condition and unfortunately 'Notorious' is not among them. The average viewer will be put off quickly by the amount of film grain visible. Of course if you remove the visible grain, you also remove the TRUE details which exist in the print so I prefer the grain to be left in and apply my own desired amount of DNR if I deem necessary.

Sound quality is fine. It is MONO but rendered in DTS-HD Master Audio into two identical 'stereo' channels. Selecting the stereo option on your receiver will yield a nice mono spread, otherwise your surround decoder may send all the sound directly to your center channel. Either way it sounds fine and there was no instance of any gross level distortion, clicks, pops or excessive hiss, although being an old analog recording SOME hiss is expected and excessive hiss removal can degrade the overall fidelity. The sound is fine, I thought it was actually a bit better than the visual presentation.

Extras included are ported over from the last DVD release and are fairly extensive. Commentaries from two Film Professors, various documentaries on the film and Hitchcock, a radio drama with Ingrid Bergman and Joseph Cotton, the original films trailer, an audio only interview with Hitch by Peter Bogdanovich and more. I watched/listened to them all and enjoyed them very much, being a fan of the film.

Overall, the Blu Ray release of 'Notorious' satisfies me, while still leaving a LOT to be desired. Unfortunately that seems to be the case with many classic Blu Ray releases. The studios are giving us just enough to make us happy, and not much more. This transfer does not begin to reach the heights of 'Casablanca', 'Maltese Falcon' or 'The Treasure of the Sierra Madre' and that is a real shame. Hopefully the upcoming release of 'To Catch a Thief' will make up for this fairly lackluster Blu Ray. Being a Cary Grant fan, I will continue to purchase every Blu Ray title he is in as it comes out, but like the latest Criterion release of 'Charade', this version of 'Notorious' misses the mark somewhat.

Recommended Highly for fans, but not so much so for the casual viewer.......

Want Notorious (1946) Discount?

One of Alfred Hitchcock's most complex romances features two of his favorite stars (Gary Grant and Ingrid Bergman) in the lead roles. Set against a background of spies and counterspies, Notorious remains first and foremost a love story. When Alicia Huberman (Bergman), the daughter of a convicted Nazi is hired as a double agent, she discovers she's in for more than she bargained for. While assigned to uncover scientific secrets from Germans hiding in Brazil, Bergman makes the ultimate sacrifice for her country by marrying her father's former conspirator, Alexander Sebastian (Claude Rains). Bergman is desperately in love with American agent T. R. Devlin (Grant), who she believes has deserted her emotionally, but marries Rains almost out of spite rather than pure patriotism. Through the many plot twists and turns, Bergman and Grant realize their true feelings for one another. A truly wonderful suspense, Hitchcock gets amazing performances from his cast. Bergman (never more beautiful or appealing) and Grant are excellent as the lovers who can't seem to express their mutual affection. Both seem ready to explode from all the pent up emotions. Rains is perfect as the mama's boy Nazi leader, and what a mother German actress Leopoldine Konstantin is in her only American film! The plot was so original that the writers of Mission Impossible II ripped it off (including the contact meeting scene at the racetrack!) with less than mediocre success.

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Friday, January 31, 2014

50 First Dates (2006)

50 First DatesYou know those movies where you see the trailer in the theater and then when you see the actual movie you discover all the good parts were in the trailer? Well, "50 First Dates" is not one of those movies. In fact, I can make the argument that while the trailer may indeed have most of the funniest moments in this film, it most decidedly does not have any of the best moments of the film. When you see the trailer about this movie in which Adam Sandler has to make a first impression on Drew Barrymore every day because she has no short term memory and wakes up every morning forgetting what happened the previous day, you would think that he discovers this the next morning when she wakes up in bed with a stranger and starts screaming. However, I am happy to report, "50 First Dates" is not that movie either.

I have been trying to think of last time a movie prompted tears in my eyes as often as "50 First Dates." We know that Lucy Whitmore (Barrymore) no longer has any short term memory because of a car accident, but what we learn before we meet Lucy is that Henry Roth (Sandler) is apparently the king of the love 'em and leave 'em of the Hawaiian islands. Thus the great irony is that he falls for the one woman who can forget him faster and more completely than any tourist he has ever dumped. What we also learn about are the extraordinary lengths to which Lucy's family and friends go make each day the same happy day for her. Lucy's brother Doug (Sean Astin) needs to lay off the steroids but her father (Blake Clark) is fiercely and lovingly protective of his daughter. Watching everything that he and his son do each night to reset the stage for Lucy's happy day got me big time.

Unlike "Groundhog Day," which only had a few minor flaws in logic (e.g., why does the music teacher claim Bill Murray as a student at the end?) there are giant holes in "50 First Dates" (e.g., how do the three guys manage to every day free to take care of Lucy?), but I do not care. The gaps are covered in just too many sweet and touching moments for me to object to George Wing's screenplay. The reason why I did not give "50 First Dates" is mainly because of the character of Ula (Rob Schneider), who represents the traditional "Adam Sandler" type of comedy in this film. There are a few moments where Sandler goes over the top (basically anytime his voice gets to the yelling level), but I could forgive most of those (the last song he sings redeems much), but every time Ula showed up it was like clips from another movie. The last time he shows up in the film I was really not happy to see him there because he was ruining a moment I had been eagerly awaiting.

One of the impressive things about this movie is that it does not cop out. Dr. Keats (Dan Aykroyd), Lucy's doctor, tells us repeatedly that Lucy is never going to get better and a lot of the power of this movie comes from the different ways in which Lucy and Howard deal with this hard reality. We also learn that for Lucy and his family there are what her dad calls "bad" days, and it because of them that Henry is inspired to try something different and provide another series of sweet moments in the film. As long as he refrains from going into overdrive, Sandler makes it totally believable that Henry would spend every day trying to get Lucy to fall in love with him. But it is Barrymore who is pitch perfect on both the comedy and the pathos of her role as Lucy. If Sandler did not know that he had found his perfect leading lady after "The Wedding Singer," then this film should do the trick.

The tagline for this film is "Imagine having to win over the girl of your dreams... every friggin' day" is a funny line, but it is as much misdirection as the trailer. Henry may treat his strange assistant Alexa (Lusia Strus) badly, but he could not possibly be more patient with Lucy. Even her skeptical father has to admit that he and Henry are kindred spirits. Because this is Adam Sandler we keep waiting for him to try and take advantage of the situation, but, to repeat myself, this is not that film. Yes, "Groundhog Day" is the better movie, but "50 First Dates" is also full of grace and more importantly the film finds of way of delivering on its promise. First kisses might be the sweetest of all, but in this film it is the last date that makes you surrender on the off chance you manage to hold off that long.

The idea behind this film is that in a successful relationship you have to fall in love over and over again. In this story it happens literally everyday.

The performances:

Adam Sandler as Henry Roth shows his vulnerable side in his best and most natural performance.

Drew Barrymore as Lucy Whitmore has never been better, and has great chemistry with Adam. She emerges as a fine actor.

Rob Schneider as Ula may fool you that he is really the character he is playing, I didn't know it was him for half the move! He is brilliantly funny.

Sean Astin as Doug Whitmore (better known as Sam from the Lord of the Rings) is funny in this comic role as Lucy's lisping brother.

Pomaika'i Brown as Nick (tattoo face) the cook, is great in his small role and deserves bigger roles in the future.

Shot in Hawaii, it has beautiful cinematography and vibrant color. The movie is a combination of humor and romance with more heart than you might expect.

Buy 50 First Dates (2006) Now

Adam Sandler's previous track record has been shaky, with some underwritten comedies (Anger Management) and movies that failed to find a mainstream audience (Big Daddy). 50 firsts Dates makes an improvement by not only providing an original script that lends itself to both comedic double entrees and depth, courtesy of Drew Barrymore's stunning performance, with convincing pathos. Sandler brings another great character to the screen, especially since this story provokes just as many tears as guffaws. This is possibly Sandler's best film and boasts great comedic turns from Rob Scheider and Sean Astin. This film really does work on all levels, and considering I'm not a fan of the genre. Combining an impressive supporting cast with a sprightly running time and hip soundtrack, and you have one of the best comedies of recent years. Highly reccomended.

Read Best Reviews of 50 First Dates (2006) Here

The 2004 film "50 First Dates" that was directed by Peter Segal (who directed "Naked Gun 33 1/3: The Final Insult" in 1994) was an unexpected pleasant surprise as I typically don't like films starring Adam Sandler or Rob Schneider. However, Sandler's role as Henry Roth, who falls in love with the artist Lucy Whitmore (Drew Barrymore), is well-acted in showing both the character's frustration and determination in dealing with Lucy's short-term memory loss that prevents her from remembering just about everything from one day to the next. Taking place in Hawaii, Henry works at a sea aquarium as its veterinarian with walruses, penguins and dolphins, as well as one of the animal trainers named Ula (Rob Schneider). For many years, Lucy has been taken care of by her aging father, Marlin Whitmore (Blake Clark) and her stuttering bodybuilding brother named Doug (Sean Astin). Henry is smitten with Lucy from the first time that they meet, but unfortunately, their relationship becomes difficult, as Henry must start over afresh each day because Lucy can't remember whom he is. Though they spend many wonderful days together and find a way to help Lucy remember what has transpired between them, she comes to the conclusion one day that she is holding Henry back from his dreams. He goes off to finish working on his sailboat and plans to leave the island (and her), but when he visits her one last time, he finds that she has been remembering him in her dreams and in her paintings. Will they find a way to build a lasting relationship or go their separate ways? You'll just have to watch this highly recommended film to find out!

Overall, I rate "50 First Dates" with 4 out of 5 stars. It's an inspiring and touching light romantic comedy with a wonderful soundtrack that features such songs as "Wouldn't It Be Nice" (by the Beach Boys), "Another Day" (by Paul McCartney & Linda McCartney, 1941-1998), "Could You Be Loved" (by Bob Marley, 1945-1981), and "Is This Love" (also by Bob Marley) to name a few. Other memorable characters in the film include Alexa (Lusia Strus), Dr. Keats (Dan Aykroyd), Stacy (Maya Rudolph) and Nick (Pomaika'i Brown). Of course, Adam Sandler, Rob Schneider, Dan Aydroyd and Maya Rudolph are all veterans of the long-running TV comedy variety show "Saturday Night Live", which has been on the air continually since 1975.

Want 50 First Dates (2006) Discount?

Just when I start getting used to the cookie-cutter formula of most romantic comedy movies, a film like 50 First Dates comes along, picks me out of my seat, spins me around, and drops me back down so I don't know which way is up. I walked into the movie theater expecting this movie to be cute and funny at best-and crude and obnoxious at worst. What I found instead was a touching, sweet romantic comedy that occasionally brought tears to my eyes. Best described as Groundhog Day with a twist, this movie tells the story of a love that defies a huge and unusual obstacle.

Adam Sandler plays Henry Roth: ladies' man, man's man, man about town-the love `em and leave `em type. Henry's the sort of guy most women detest-he dates a woman briefly, sleeps with her, and then tells her he's married/gay/about to be deported, etc. He's committed to his work as a veterinarian, and he's terrified of any other kind of commitment. This all changes when he meets Lucy Whitmire in a coffee shop.

Drew Barrymore is Lucy, a sweet, beautiful girl with a severe handicap. She was in a car accident over a year before the story begins, and, as a result, she lost her ability to retain her short-term memory. Each night when she goes to sleep, her brain "resets" itself, and she wakes up each day thinking it's October 13 of the previous year-the day the accident took place.

The story gets rolling when Henry not only decides that he cares about Lucy enough to have her meet and fall in love with him each day, but he also manages to convince her overprotective family and friends that he's the real deal.

Sandler and Barrymore prove once again that they have unbelievable chemistry onscreen (they were also wonderful together in 1998's The Wedding Singer). They remind me a little of Tom Hanks and Meg Ryan (Sleepless in Seattle, You've Got Mail, etc.) Although the character of Henry Roth has a softer, gentler persona than many of the characters we've seen Sandler play in the past, fans of the former SNL comedian will appreciate the subtle jokes and references to some of his earlier movies, such as Happy Gilmore. Even the requisite Sandler-composed song, "Forgetful Lucy," is sweet and romantic rather than over-the-top. Drew Barrymore portrays the sweet and confused Lucy to perfection-the audience can completely understand why Henry would go to such great lengths for this girl. Sean Astin and Rob Schneider are hilarious in their supporting roles, and the film has a great soundtrack to back it up.

This movie is definitely a must-see-whether you're on a first date of your own, with a long-term sweetie, or just with the gang. I highly recommend it.