Showing posts with label 3d blu ray movies sale. Show all posts
Showing posts with label 3d blu ray movies sale. Show all posts

Sunday, October 5, 2014

The Mission (2010)

The MissionRobert De Niro is Rodrigo Mendoza, a wealthy adventurer who makes a fortune as a mid-eighteenth-century slave trader, capturing Guarani Indians in Paraguay and selling them for a huge profit to the local governor. Mendoza's life takes a turn for the worse, however, when he learns that the woman he loves, Carlotta (Cherie Lunghi), has fallen in love with his younger brother, Felipe (Aidan Quinn). And when he discovers them in bed together, he loses control and kills his brother in a swordfight. Afterwards, however, Mendoza is consumed with extreme guilt and he becomes a Jesuit postulant after meeting Father Gabriel (Jeremy Irons). But Father Gabriel, who has always cared for the natives and resented the slave traders, is at first unsure if Mendoza's desire to do penance and achieve redemption is sincere. Mendoza fianlly completes his penance after suffering many hardships, and he helps Gabriel teach the Indians about Christianity. As the years pass, Mendoza and Gabriel become close if somewhat wary companions, running the isolated mission above Iguacu Falls together while allowing each other plenty of personal space.

Everything changes, though, when in 1750 Spain and Portugal sign the Treaty of Madrid, which redefines their territorial borders in the Americas. The end result of the treaty is that Spain (which has forsaken slavery) delivers the Indian land to Portugal (where slavery remains legal). To avoid the Jesuit order being expulled from Portugal, all Jesuit missions in South America are ordered closed by the Pope, which means the Indians living there will be abandoned to the slave traders. The Guarani Indians are determined to stay and fight for the mission they've come to love, and this deeply troubles Mendoza. Despite his Jesuit vow of practicing nonviolence, he knows that with his past fighting skills as a mercenary he's the only one who can teach the Guaranis to defend themselves. Gabriel also stays, but for a different reason. The end result of the inevitable battle is predictable but nevertheless is devastating to watch.

"The Mission" is without a doubt one of the most breathtaking masterpieces I've ever seen. It is simply stunning, both in a visual and spiritual way that few films can achieve. Robert De Niro, although boldy cast against type, gave one of his finest performances and certainly deserved an oscar. Jeremy Irons was also outstanding, and the supporting cast (including Aidan Quinn and Liam Neeson) was wonderful. The scenery was incredible, as was the cinematography. And who can forget the beautiful music by one of the greatest composers of all time, Ennio Morricone? In short, to call this one of the greatest movies of all time is an understatement. The dvd has an awesome picture and sound quality that even improve the viewing experience, and the in-depth making-of documentary was very informative and entertaining. If you enjoy watching movies at all, then do yourself a favor and add this treasure to your collection!

This is provocative cinema adventure of priests taking Kingdom of God to a native population yet untouched by advancing culture and technology.

DeNiro is powerful in role of changed mercenary/slavetrader who jumps sides, while Irons is just superb in role of spiritual giant with magic oboe who leads this people against all odds only to be overran -or were they?

The storyline develops slowly yet beautifully in this magnificent landscape of South America. What makes it all one moving drama is a great soundtrack by Ennio Morricone.

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"The Mission" is a heartbreaking tale of redemption, survival and tragedy told in the mountains of Argentina and Brazil. It stars Robert DeNiro and Jeremy Irons and focuses on Britain's involvement in colonizing the tribal indians and then, destroying their homeland. Not to be missed, this 1986 Cannes Film Festival winner is perhaps both DeNiro and Iron's finest hours on film and the moving, Oscar-winning score will make your skin crawl.

Warner Home Video has done a fantastic job on the DVD transfer. Though color and black levels are still a little weak, the picture is, for the most part, nicely balanced, with rich textured hues, excellent contrast levels and incredible detail, even in the remotest background information. Pixelization is non-existant. Aliasing and shimmering of fine details is extremely rare. There was only one instance where edge enhancement was detected and this, for less than 30 sec. of screen time. The audio is 5.1 remixed and has a nice expanse in the musical score and effects track. Voices do tend to sound front and center rather than spread across all three channels but, then again, this is a movie from 1986, with all the inherant shortcomings of a soundtrack from that decade factored in. Background hiss is non-existant.

Extras: An audio commentary, theatrical trailer and the absolutely brilliant documentary that revisits the actual sites used in the making-of "The Mission".

BOTTOM LINE: Warner deserves the highest marks for this 2 disc set. Long the leaders in DVD excellence, "The Mission" is just another reason why more people should be writing in to the studio to specially thank them for their mastering efforts. They are, bar none, the best in the business.

Read Best Reviews of The Mission (2010) Here

This is a true story and it is a very sad one in the history of the west and of the church.

Robert De Niro, Jeremy Irons, Liam Neeson and many more take us through the history of slavers in South America. Irons, who plays a Spanish Jesuit Priest, goes into the wilderness to build a mission, to convert the Indians. DeNiro plays a slaver who eventually joins Irons' mission and serves the native peoples.

The main question in this film is that of ownership, and the right to make slaves. The mission begins in Spanish territory that is sold to the Portuguese. The Portuguese do not want to accept that the natives are humans but at best trained monkeys and that their Christianity does not protect them from becoming slaves. The Cardinal who came to oversee the decision came with a decision already made, and his inner turmoil, as the narrator, draws the viewer into the political side of the decision and the political side of the church's role in the decision, at that time, in a way that few other films ever have.

The film is a cinematographic masterpiece. While watching the movie, pay close attention to light and darkness, the music, and the angles used in filming. This movie is great and a must see because of the story it tells and the way it tells it. It is truly a film and not just a movie.

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The Mission stars Jeremy Irons and Robert DeNiro, but also includes brief performances from Liam Neeson and Aidan Quinn. The movie is set in the jungles of South America during the late 1700s.

Jeremy Irons is a Jesuit priest trying to convert and protect the indigenous people. DeNiro is excellent in his portrayal of a hot-blooded slave-trader who has a change of heart. Together, they will struggle to save the people from takeover by the commercial exploits of the Spanish and Portuguese.

The story moves very well, and the scenery is gorgeous. I believe this film won an Oscar for its cinematography. The musical score is hauntingly beautiful. The message is still powerful today. I would recommend seeing this.

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Wednesday, August 27, 2014

Smokin' Aces: 2-Movie Collection (2007)

Smokin' Aces: 2-Movie CollectionThis is a great action flick for those who don't take their action flicks too seriously. Walter, a low level FBI worker suddenly has a $3 million dollar bounty on his head and no one knows why. The first part of the movie introduces us to a number of ingenious assassins performing their various skills on their victims. They are all mercenaries.

One group, the Tremor family appears to have been copied from a Rob Zombie film down to the sexy sophomoric humor of Sherrie Moon Zombie as the pretty Autumn Reeser. The action moves along to a good soundtrack. The movie uses its own fast forward for fight scenes. The unrated edition has simulated sex and very brief nudity. While the assassins are being introduced, Walter is moved to a secure bunker in Chicago under a jazz club. The assassins show up and fighting and killing break out between the FBI men and the assassins who also fight amongst themselves. There is a slight plot twist but the story line isn't worth a flip to care. Yes the acting is campy. It is a cult movie and I found it more enjoyable than the first one.

It's a good movie collection for a great price. Just FYI to all other buyers its a box set with two movies indivdually case not just two movies in one case.

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I love this genre of movies. Smokin' Aces was a good sequel to the first and had Ryan Reynolds in it.

Read Best Reviews of Smokin' Aces: 2-Movie Collection (2007) Here

Monday, June 16, 2014

Larryboy & The Bad Apple

Larryboy & The Bad AppleIt's been several years since LarryBoy has been sited, but he's come back. And it's just in time. Bumblyburg is getting ready to celebrate its 300th anniversary, but someone isn't happy about it.

Bad Apple has just moved into town and has a score to settle. With the help of her sidekick worm, she spins a web of temptation that traps people in what they love most. She wants to take over the town and has set her sites on the mayor, a news reporter, and LarryBoy himself. Will LarryBoy fall prey to her plot? Can he overcome his love of chocolate to save the day?

I'll confess, as much as I love the VeggieTales series, the LarryBoy episodes are some of my least favorite. I actually wasn't looking forward to this release, but I got it anyway. I'm glad to be proved wrong.

The plot, while predictable, is fun. Larry has never been the smartest of the Veggie characters, but they don't make his stupid here, a complaint in the earlier LarryBoy shorts. And the story is funny with several great lines and site gags along the way to entertain kids and adults alike.

While most Veggie videos cram two stories into their 45-minute running time, this episode only features the one story. They don't even break for a "Silly Songs with Larry" segment. However, they do include the counter top wrap around with Bob, Larry, and Archibald Asparagus. These scenes are easily some of the funniest they've done in several episodes. I was laughing the entire way through them. The video does include a new LarryBoy theme song, "Rock on LarryBoy." Performed by "Shux," they feature a new vegetable we haven't seen before. I bet you can guess what they might be.

The theme here is obviously temptation, and they do a great job showing both the power of it and our need for God and others to help us through. My only complaint is that all the temptations shown here are things that are ok in moderation like video games, TV, and chocolate. Of course, since previous LarryBoy episodes have dealt with lying and gossip, this is a minor issue. Still, parents will probably want to point out that some temptations should never be given into.

The DVD comes with the standard Veggie goodies. We've got an audio commentary and behind the scenes feature for the adults and storybooks and games for the kids. The animation continues to improve with each episode, and the full surround sound is great as always.

I may have to go back and give the previous LarryBoy episodes a chance. If they are as good as this one, I've written off a great character in the Veggie universe.

I saw this in a sneak preview edition (no bonus features, just Bob & Larry counter-top introduction and conclusion with the Larry Boy story and ending music video). I have to say that it is the best Veggie Tales product in years and even the best Larry Boy yet!

The opening banter/dialog between Bob and Larry (Boy) and its conclusion after the episode is great. During the entire show, the graphics are smooth. The music is enticing and well done. The story is compelling and, while at once simple, at the same time it is also cleverly crafted. There is obvious and effective humor for the kids and more subtle and equally effective humor for us adults. And the moral message is both clear and applicable to people of all ages.

I watched it with my wife and our almost seven year old son, and all three of us loved it.

This one's definitely a new Larry Boy classic!

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This video returns the plunger headed hero back to the animation format that he should be done in. The cartoon LarryBoy did not really get the approval from my child. I can't say that I was too crazy about the cartoons either.

That's in the past now! This LarryBoy is full of more adventure than was done with him before. I like the way they employ the use of his plungers more. The Bad Apple is a classic villian too. Thank you, Big Idea, for bringing LarryBoy back to the format he belongs in.

If you are a VeggieTales fan, this is one for the collection. If you aren't a fan, get it anyway. There is always a good message about God, Jesus and the great message that is offered to those who believe. Enjoy!

Read Best Reviews of Larryboy & The Bad Apple Here

My kids and I absolutely love this DVD. It is applicable to kids and adults alike. Big Idea has made another great video. I would give Larryboy and the Bad Apple 10 stars if I could. We are big VeggieTales fans and this has quickly become one of our most favorites. It is definitely Sunday morning values Saturday morning fun!!!!!!!

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Don't get me wrong, this was a nice story, with good morals, but it's (obviously) based on a very fictional world. What happened to the old VeggieTales shows where they based their story off of a real Biblical story?

This series is quickly becoming just a 'good' show to watch, and not one where your children are going to learn about stories from the Bible.

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Tuesday, May 27, 2014

Shrek: The Whole Story (Shrek / Shrek 2 / Shrek the Third / Shrek Forever After) (2010)

Shrek: The Whole StoryFor $10.00 per film you need to get this set. I find Blu-ray pricing to be a bit of a pain (on my budget that is!) But this set is priced as all Blu-rays should be. Ten bucks each! And for a great product.

The image quality is exceptional on my TV(Samsung LED). The detail and color in the films are just what you would expect from Dreamworks. Shrek never looked better. I watched the 1st Shrek movie again and was impressed. The other Shrek movies look better of course by default.

I don't need to review the films here since everyone knows you are getting three great films with one so-so film. For the price it is a must buy.

Again, I just want to vent here Studios: reduce the price of Blu-rays and we will buy more of them. The retail price on this set is $76.99 which is outrageous. Come on.

Ordered this for $31 for all 4 blurays . Cannot complain . Love the movie and great price. Packaging was great! Thanks Amazon!

Buy Shrek: The Whole Story (Shrek / Shrek 2 / Shrek the Third / Shrek Forever After) (2010) Now

The Shrek series is overall a fine and entertaining parody of the fairytale genre that cemented Dreamworks' status as the only serious contender to Pixar's reign as the kings of computer animation. I for one think that Dreamworks features for the most part are funnier. The first two features never before released on Blu-ray are a defininate upgrade over DVD. The third entry was a little weak as far as story goes but Forever After was a fine and fitting finale to the series to end on a high note.

However this otherwise great value priced box set is missing one near essential part of the story. Where is the 2008 Christmas special Shrek the Halls? The feature was only 22 minutes long. Why couldn't it have been included as a special feature?Paramount deducted it from the whole story therefore I am deducting one star.

Read Best Reviews of Shrek: The Whole Story (Shrek / Shrek 2 / Shrek the Third / Shrek Forever After) (2010) Here

great movies for family to watch even for all ages the things donky does are so funny you got to get this set

Want Shrek: The Whole Story (Shrek / Shrek 2 / Shrek the Third / Shrek Forever After) (2010) Discount?

It's a great complete set. My kid and family members love it. Great family entertainment to be enjoyed at home

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Thursday, May 22, 2014

Requiem for a Vampire: Remastered Edition (1973)

Requiem for a Vampire: Remastered EditionIf you are unfamiliar with the cinema of Jean Rollin, he made erotic, gothic, atmospheric films. If nudity is not your cup of tea, don't watch his films. You won't get it. Jean Rollin was making films in the 1970's, when film makers where pushing the limits of what they could put on screen. Whether it was nudity, sex or violence. And Jean Rollin used all of them to great effect with his french gothic style to make some of the most unforgettable imagery you will ever see. In Jean Rollin's fantastic 1971 film Requiem For A Vampire, this is most true.

(This is the Third film in a sort of Trilogy. 1: The Rape Of The Vampires (1968) 2: The Shiver Of The Vampires (1970) and 3: Requiem For A Vampire (1971))

The Film starts out with the two main characters (Marie-Pierre Castel and Mireille Dargent) dressed as clowns in car chase shooting at the chaser.

They escape and make it to an eerie castle where they are bitten by bats and meet a Vampire woman.

They are taken to a dark graveyard with a dungeon in the center, drenched in red light where the "Caged Virgin's" are held ("Caged Virgins" was the US title when this film was released in the United States.)

There they meet the last true living vampire, he sends them to find male victims and drink their blood so that they may be initiated as vampires.

They each find a man, Mireille Dargent's character lures her pray to the top of the castle, where she kills him. While Marie-Pierre Castel's charactor find a man, but she finds that she likes him. She loses her virginity and hides him in the castle. She lies and says she found no one.

When they are taken to be initiated, the Vampire knows her virginity has been taken, though it had been there just the day before. Marie-Pierre Castel's character does not tell where he is.

This Leeds to the infamous whipping scene. Mireille Dargent's character is forced under the consequences to whip Marie-Pierre Castel. She hangs by her wrists in a dark dungeon naked, and whipped. Do to censorship at the time, they shot the scene two ways. One with Castel nude and one with her wearing a bra and panties. The one on this release is the original nude scene.

That's as far as I'm going to go plot wise.

A trend I see among many reviews of Jean Rollin's films on here are people saying "not a family movie." I suggest you look a little into a movie before you throw it up on the TV for grandma and the kids to see. The trailer for most of Jean Rollin's films are on YouTube. Though I must say as a word of warning, these movies are basically rated x. No one under 17 admitted.

That in mind, The cinema of Jean Rollin is exquisite, unique and beautiful to look at. And Requiem For A Vampire is, in my mind, one of his best.

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Tuesday, May 6, 2014

¡Three Amigos! (2011)

¡Three Amigos!"The Three Amigos!" is good fun, a rare comedy that plays well with the whole family. Slapstick, wit, funny songs, sight gags, all tongue-in-cheek transcends generation.

The Plot?

Three actors get fired by their production company and try to make it on their own. Their first gig in Mexico turns out to be more than act. Much to their surprise, they were hired to protect a town from a thieving band of bad guys, lead by El Guapo, an unusual bandito with a strong vocabulary.

As great movie comedy goes, "The Three Amigos!" might be overlooked. It doesn't have the constant laughter that might be expected. Why? It has an intelligent plot.

While calling this a serious drama would be forgetting that Steve Martin, Chevy Chase, and Martin Short are the stars. Steve Martin, though, in the last 20 years, has veered away from total silliness, except when the humor is organic to the plot.

Of all the scenes I found funny, one with Martin Short hanging from a piñata, when El Guapo comments how the Three Amigos keep appearing, like they are falling from the sky. As expected, Short falls. Predicted, and still funny.

There are nuances of Monty Python in here, and some fantastic parody of silent films. Each of three stars purposefully overplays his role is makeup reminiscent of the great Buster Keaton. Overall, the balance between plot and humor, over-the-top and subdued humor works in grand fashion.

I fully recommend "The Three Amigos!"

Anthony Trendl

editor, HungarianBookstore.com

This is Steve Martin, Chevy Chase, and Martin Short in their comedic prime, playing recently fired silent movie actors forced to earn money by ridding a small Mexican village of its evil oppressor. They assume it is nothing more than a Public Appearance gig, but the enemy is quite real!

This movie is kinda goofy, kinda silly, and all funny. Each of the three comics gets his turn to shine in memorable gags, and there are too many of those gags to list here. Watch for a pre-"Saturday Night Live" Phil Hartman and John Lovitz in an early scene. Funniest bits: Short and Martin running out of water in the desert, Short telling his story of being "discovered" by Lillian Gish's sister, summoning the Invisible Swordsman, Chase trying not to blow his cover in front of the main villain and his henchmen, and Steve Martin's character learning that the supposedly "staged gunfight" is actually real.

Cost of DVD with shipping -[item price]

DVD player -$200.00

Microwave popcorn -85 cents

Laughing your [head] of watching "The Three Amigos" -PRICELESS!

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This is, without a doubt, one of the greatest movies ever made. Not only are the comedic situations hilarious, but a classic 'heros save the day' situation touches your heart while tickleing your funnybone. I could never understand why the critics all miss the joke while countless others share my absolute love of this cult classic. It ranks up there with the best of the Saturday Night Live alumni celluloid offerings.

Read Best Reviews of ¡Three Amigos! (2011) Here

I love this movie, but this transfer is horrible. It was taken from a movie print instead of an original copy of the movie, so it's grainy, has serious stability issues, and is generally not pretty. Not only that, but it's letterboxed on the disc, so if you have a 16x9 television, you'll be watching the movie with black bars on all sides of the screen, with the actual picture only taking up 50% of your TV's screen.

It's a shame that after all of these years that this movie still hasn't been transfered to DVD or Blu-ray properly. It's terrible that such a classic film has to be represented so poorly.

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This movie is a real riot! The characters, dialogues and situations are simply laugh-out-loud funny.

I am not sure this movie is getting it's' due credit, but at $5 this is simple a steal. The replay value alone is worth so much more! Get it!

P.S. The actors metioned as the main cast in this specific product are not really the principals (those are, of course, Steve Martin, Chevy Chase and Martin Short) although they do appear in the movie. I think Amazon was just trying to differentiate this dvd from the other one that is out of print but that still appears in the catalogue.

Still, Amazon should do something about this so as not to confuse people.

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Saturday, April 12, 2014

From Russia with Love (50th Anniversary Repackage) (2012)

From Russia with LoveFrom Russia With Love, the second James Bond film, is one of the best (in my view, second only to Goldfinger). Unlike the later films in the series, From Russia With Love is extremely faithful to the Ian Fleming novel with only slight variations on the story. In order to obtain a Russian decoding machine, 007 must travel to Istanbul, Turkey to aid a beautiful Russian defector ... even though he and the British Secret Service know it's probably a trap. But unbeknownst to Bond SPECTRE is playing the Russians and the British against each other. This is the most realistic of the Bond films with a story that could probably happen in the real world of espionage. The film does contain a gadget -a trick briefcase (also in the Fleming novel) that contains throwing knives, ammunition, a folding sniper's rifle, 50 gold sovereigns and a tear gas cartridge that explodes when the case is opened improperly. The film, however, takes a very realistic approach to the story with none of the cartoon antics present in many of the later Bonds.

Terence Young, who also helmed Dr. No and Thunderball, does an outstanding job of directing. He makes wonderful use of the locations, especially in Istanbul. As with his other two Bond efforts, Young eschews a cartoon approach to the action in favor of a more brutal, realistic approach. And unlike many later Bond directors, Young concentrates on developing characters, making them real people with real emotions. The audience feels for the characters emotionally -something unheard of with the cardboard cutout characters of the later films.

Peter Hunt's editing is a marvel. The action scenes are tightly edited and the film's pacing and continuity are flawless. In addition, the DVD documentary shows just how much Hunt helped shape the final project. He went beyond simply editing the film and actually helped shape and improve the story.

However, the best thing about the film is the casting. Young must have taken great care to properly cast From Russia With Love because every part matches their novel counterpart down to the last detail. Sean Connery, of course, is, and always will be, the best James Bond. Newcomer Daniela Bianchi is terrific as pseudo defector Tatiana Romanova. She is beautiful, sexy and appealing. It's too bad she didn't have more of a screen career. Lotte Lenya (Threepenny Opera), the famed German musical star, does a wonderful villainous turn as Rosa Klebb, former SMERSH agent who is now working for SPECTRE. Robert Shaw (A Man for all Seasons, Black Sunday, Jaws) is chilling as SPECTRE assassin Red Grant. And Pedro Armendariz, in the performance of his career, plays Ali Karim Bey, the head of Station T, Turkey. Aremedariz's performance is especially poignant because he was dying of cancer during the filming. He shot himself while in the hospital soon after he was through filming.

From Russia With Love is not only a good Bond film, but a good film alone, apart from the series. Along with Dr. No and Goldfinger, From Russia With Love represents a high point that the later films never quite matched.

The DVD transfer is spectacular, with terrific sound and picture quality. What makes the DVD special, however, are the special features which include three documentaries, trailers, TV and radio spots and cast & crew profiles. The main documentary is especially interesting as it details how the filmmakers drastically changed the story progression during the shoot. As with all of the Bond DVD's, MGM has done a superb job, giving the buyer much, much more than just the film to view.

Most James Bond fans have their personal favorites among all the films in this forty-year series: FROM RUSSIA WITH LOVE is mine. In many ways, this was actually the first film with the full James Bond formula in tact. DR. NO was enjoyable, but Sean Connery's Bond was very different in that film than in the subsequent films. In DR. NO, Bond was a serious, unironic, humorless secret agent, very much like the character in the Ian Fleming novels. In FROM RUSSIA WITH LOVE, Bond departed from the character in the novels, and became witty, ironic, and very much tongue-in-cheek. In short, he became the Bond we all know and love. This is also the first film in which Desmond Llewelyn appeared as Q, who went on to play in all the remaining films (excepting Sean Connery's comeback with a different studio). Q provides Bond with his trick attaché case, the first of the many gimmicks we associate with Bond. The story is a great improvement as well. On top of this, the villains in FROM RUSSIA WITH LOVE represented a huge leap forward from DR. NO. In the list of the great Bond villains, both Robert Shaw's Donald 'Red' Grant and cabaret legend Lotte Lenya's Rosa Klebb rank near the top. Shaw comes across less as a human being than a highly programmed cyborg, and Lenya's sadistic turn as a poisoned-knife-in-shoe harpy has been often imitated.

The setting for the film, Istanbul, is one of the best in the entire series. It perfect set the international tone for all subsequent Bond films. The city is used as a perfect backdrop for much of the film. Among all the other distinctions of this film, it also belongs on the short list of the great train films, with much of the film taking place on the train that travels along the route of the former Orient Express. The only film that I think rivals this one in the James Bond series is the immediate sequel, GOLDFINGER, which is my second favorite Bond film.

By the way, this is one of the few films in which Bond does NOT say, "Bond, James Bond."

Buy From Russia with Love (50th Anniversary Repackage) (2012) Now

Bonds come and go, but "From Russia With Love" (1963) is a screen classic in its own right. The second 007 adventure makes the most of its increased budget with expansive locales (Turkey, Italy and even Scotland), ruthless villains (memorably portrayed by Robert Shaw and Lotte Lenya) and Sean Connery in terrific form. Terence Young directs this Ian Fleming adaptation with a firm hand. "From Russia With Love" remains Connery's favorite Bond film . . . and it's easy to see why.

Read Best Reviews of From Russia with Love (50th Anniversary Repackage) (2012) Here

I love the movie "From Russia with Love"---end of story. This review is about the Blu-Ray edition. By way of comparison, I also own the recently upgraded DVD version of this film that was included in the James Bond Ultimate Edition set. That movie (the DVD) was restored to a sensational level of quality. In fact, I doubted it could be visually improved upon. I was wrong. The Blu-Ray edition looks even more sensational than the most recent DVD edition that was included in the Ultimate Edition set. In fact, it was clearly restored from a master print, with an almost indescribable level of visual detail included. This Blu-Ray edition is so good that it's like watching a brand new movie. Watching it with my family I repeatedly heard the comment "wow. Look at that. I never noticed that before . . ." The studio did a first rate job of restoring the movie for the Blu-Ray edition. And, after all . . . it's a James Bond film. I'll be getting the other Blu-Ray Bond films; if the restoration is half this good, it will be worth every penny.

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I am a James Bond purist. I've seen each James Bond movie (except Quantum of Solace) at least twice, and own all of the Special Edition DVDs from 2002. I have come to the conclusion that this is the best of the Bond films.

I've read several of the James Bond novels, and I believe that starting with Goldfinger, the film series began to rely too heavily on gadgets and other things that distracted from the plot. This and Dr. No are the most faithful to the novel series, and they also have the best production values. FRWL is the better of the two.

Since I already own all of the films on DVD from 2002, I was reluctant to re-purchase them when they were released as "Ultimate Edition" DVDs a couple years ago. I wound up not re-purchasing them, and I'm glad I didn't. I just bought Dr. No and FRWL on Blu-ray, which feature better picture and sound quality than the DVDs, and also have better extras. I highly reccommend picking this (and Dr. No) up on Blu-ray!Dr. No (James Bond) [Blu-ray]

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Monday, March 17, 2014

The Rescuers: 35th Anniversary Edition (The Rescuers / The Rescuers Down Under) (Thee-Disc Blu-ray/

The Rescuers: 35th Anniversary EditionThis review is not about the Blu Ray, which is outstanding in both the picture & sound. Instead, the review is about the packaging of the 2 bonus DVD's. Disney decided to go with a double case instead of a triple case. This resulted in the 2 bonus DVD's being stacked on one spindled on-top of each other, resulting in the top DVD being scratched. Surely Disney could have spent a few more cents & gone with the proper case to accommodate the 2 bonus DVD's & the 1 Blu Ray. A little disappointing for a company that always stood for quality.

WHAT'S MISSING from the original DVDs?

The Rescuers' biggest casualty is the loss of a 15-page Scrapbook holding concept art, character designs, behind-the-scenes production photos, and publicity artwork. Also dropped, and of lesser interest, is "Under the Hat Villains", a 90-second Toon Disney short celebrating the studio's animated villains (including Medusa) with clips and some animator comments. The last omission from the original movie's DVD is "The Ultimate Case" set-top game, which let you sleuth around rooms to find Penny's missing teddy bear (with the Devil's Eye Diamond inside) à la Bernard and Bianca with clues from "Orville."

Lost from The Rescuers Down Under's original Gold Classic Collection DVD are its original theatrical trailer, a virtual DVD storybook, and a 16-question trivia game. And expectedly not resurfacing from inside its case are an Animals of the Outback booklet and chapter insert.

You may want to hold on to your original DVDs and sell off the bare bones DVDs included here.

Buy The Rescuers: 35th Anniversary Edition (The Rescuers / The Rescuers Down Under) (Thee-Disc Blu-ray/ Now

The Rescuers was the last feature produced by Walt's legendary team of animators (the nine old men) and is easily their best since Walt's death in 1966. Released in 1977, The Rescuers is a delightful and heartfelt story full of adventure, poignancy and great characters. Both Bernard and Miss Bianca are wonderful creations that compliment each other. Madame Medusa may seem like Cruella De Vil but is not at all forgettable. The voice cast is spot on with Bob Newhart, Eva Gabor, Geraldine Page and the rest giving memorable performances and bringing unforgettable characters to life. The story of these two mice rescuing a little girl keeps you invested the whole time and you care for them very much. The Rescuers may seem a like a little obscure film but the truth is that is a Disney classic through and through.

Released 13 years later in 1990, The Rescuers Down Under was Disney's first official sequel produced by the main studio (not to be confused with a cheapquel). With high production values and using the CAPS system for the first time, Down Under is a breathtaking adventure. Bob Newhart and Eva Gabor reprised their roles as Bernard and Miss Bianca as they now are headed to Australia to rescue a little boy from an evil poacher. While I like the first film more, the sequel stills has a lot going for it. Again the voice cast is wonderful, the updated animation looks amazing and the flight scenes are absolutely mesmerizing.

Both The Rescuers and The Rescuers Down Under offer high quality entertainment and they're sure to delight the entire family.

Video & Audio

First, I have to say that The Rescuers DVD was one of the worst DVDs I'd ever owned. That being said, this BD is a very solid upgrade. The picture is clean for the most time although some tiny specs appear from time to time. Detail and clarity are strong and artifacting is nowhere to be found. A nice job done by Disney.

The Rescuers Down Under looks brighter and more striking than its predecessor. Detail and clarity are spot on and colors are bright and bold. It's not a CAPS transfer and some light grain permeates the picture but it gives it a nice filmic quality. A nice transfer all around.

Both films have 5.1 DTS-HD MA and while both get the job done, Down Under has a better use for it than the first film (due of course to inherent limitations). All in all, both are adequate mixes.

Bonus Material

This is the most disappointing part of the set. Being its 35 anniversary and being such a great film, I expected more and more substantial bonus material for The Rescuers. Anyway, this is what was included:

"Peoplitis" is a recently found deleted song from The Rescuers. Introduced by director Ron Clements, the song is nothing extraordinary and it is better that it was cut off.

"Water Birds" is an episode from Walt Disney's famous True-Life Advetures

"Three Blind Mouseketeers" is a silly simphony featuring mice.

"Disney Song Selection"

"The Making of The Rescuers Down Under" is a promotional piece that came around the same time the film was released. It's a very short piece but at least is something.

A DVD copy is included for each film.

Final Thoughts

The Rescuers is an absolute Disney classic. The Rescuers Down Under, while not as good as the first is still highly entertaining. Both films offer nice transfers, good sound and a slim amount bonus material. Anyway, buy this set and you won't be disappointed!!

Read Best Reviews of The Rescuers: 35th Anniversary Edition (The Rescuers / The Rescuers Down Under) (Thee-Disc Blu-ray/ Here

For those of you interested in the technical reality of this new Blu-ray release... Rest assured, this collection belongs on your movie shelf! I have always thought The Rescuers looked horribly bad on home video, from the VHS tapes to the DVD's, so I was very intrigued to see what this Blu-ray release would turn out. I was absolutely blown away by the level of quality showcased here! Crisp, clear, and beautifully rendered... The opening charcoal paintings in the credits have a real vibrancy to them, almost as if the viewer is looking at the original drawings. Bernard, Bianca, Penny, and the rest of these timeless characters literally jump off the screen, and I have no qualms saying that they have NEVER looked more alive than they do here on this release. I bought this title solely for this movie and I consider my money well spent. On to The Rescuers Down Under! Initially, I was more underwhelmed with this transfer than the original Rescuers. The overall picture looked bland and some scenes are not nearly as crisp as I saw in The Rescuers or other Disney Blu-ray releases. However, after viewing standard def 90s 'documentary' (featured as an extra on this release) on the making of this sequel, I realize what a stark upgrade the high definition transfer gives us! Yes, the palette is mostly in the realm of neutral colors with vibrant hues being a rare occurrence, but I doubt the video quality will ever look better than it does here without a complete overhaul of the original source elements. The worst the film looks is in the first five to ten minutes. Once Bernard and Bianca are on their journey to Australia, the quality most certainly improves. If I were to give out ratings based solely on the visual appearance, The Rescuers gets 5/5 stars and its sequel, 3.5/5 stars. However, fans of either or both movies will not walk away unimpressed! Buy this today because it deserves its home in your Disney Blu-ray collection!

Want The Rescuers: 35th Anniversary Edition (The Rescuers / The Rescuers Down Under) (Thee-Disc Blu-ray/ Discount?

My kids, who are 3 and 6, like to watch a bunch of goofy movies that I find to be pretty boring. But when I showed them The Rescuers they loved it and I enjoyed watching it too. Lots of action, drama, and humor. A great story line and positive family friendly fun. When we have a chance to watch a movie, I always encourage them to choose The Rescuers! The Rescuers Down Under is okay, but we love the original movie best.

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Thursday, January 30, 2014

The Twelve Kingdoms, Part 1: Shadow of the Moon, The Sea of Shadow (2011)

The Twelve Kingdoms, Part 1: Shadow of the Moon, The Sea of ShadowThis is an amazing anime that I would recommend to anyone. I already own this whole series on DVD (the original 10 individual DVD releases), but I love it so much I decided to buy it on blu-ray too. The picture and sound quality of this blu-ray release is great, so I do plan to buy the rest of the blu-ray releases for this series. I have only ever watched this series in Japanese with English subtitles (I watched this blu-ray release in Japanese DTS-HD 5.1 with English subtitles), so I cannot say what the English dub version is like. This release contains the first 14 episodes on 3 discs (there are 45 episodes total in this series), textless opening and closing, and pilot film. I know this product review is short, but I hope it helps anyone thinking of buying it!

Full disclosure: I love The Twelve Kingdoms and already own the complete DVD set.

This first set comes with the the beginning 15 episodes of the Twelve Kingdoms and perfectly end the first arc of the story, so if this is your first time watching the show it's a perfect introduction. Concerning the show, I personally love the Chinese themes from its beautiful scores to Chinese mythology on kingship that govern the fantasy world Youko enters. The blu-ray set has 5.1 audio and each disc (3 in the set) comes with a small bit of extra content. For instant comparison to the DVD release just watch the text-less opening (which is DVD quality) first, then begin to watch the show and wonder over the richness of the color and crispness of picture.

For a fan like me this was an immediate buy just as every subsequent blu-ray volume to come. However if you have yet to see this show, as someone who has watched hundreds of anime, few rival the Twelve Kingdoms for the content, attention to detail, and sheer complexity of the world. This is a show you can watch multiple times and still learn something new. A word of caution though, there are many terms for characters or sections of the world that aren't immediately explained, just trust that all the answers will come and the viewers confusion or wonder is meant to mirror Youko's as she ventures into this very different, but very relatable world. I hope you will enjoy this show as much as I have.

Buy The Twelve Kingdoms, Part 1: Shadow of the Moon, The Sea of Shadow (2011) Now

If you like fast action, bright colors and cute love stories, don't watch this anime, but this anime has so much more to offer than all that. On the first set (there are two other box sets), the story begins rather slowly and the Protagonist is extremely whinny. The first time I saw this (it was a while ago, I just wanted to get the blu-ray), I almost didn't watch past the first episode; I couldn't stand the protagonist and the back story was just so much to take in while trying to figure out what exactly was going on. It's starts to pick up a storyline around episode 7 and the protagonist stops being so needy.

Needless to say, just have patience and watch the full anime; it's a great story with beautiful music and animation. I can watch it in both English and Japanese and both offer really great voice actors that help to pull your emotions in with the storyline.

Read Best Reviews of The Twelve Kingdoms, Part 1: Shadow of the Moon, The Sea of Shadow (2011) Here

Be the first to own this in HD as an amazing story unfolds towards the destiny of a young school girl who will face many trials and challenges to be one day be known as the rightful ruler of a land corrupted by the years of emptiness at at the royal palace whom she is forced to take on the throne without even knowing the most basic things about life and her kingdom. The beautiful storytelling and the implacable quality of the actors are showing us many lessons of life that are learned as the story unravels itself and the girl becomes a woman of great character.

Out of a thousand anime series watched, this one has come through as the very best of its genre! It is on the same level of quality as Macross Frontier, Chrono Crusade and Heroic Age.

Dakaran

Want The Twelve Kingdoms, Part 1: Shadow of the Moon, The Sea of Shadow (2011) Discount?

It's epid yes!!!!!

it's intresting yes!!!!!

it's made for TV's from the 80's yes!!!!

so the screen is not wide screen and NO you cant change it !

Also no english dub, so you have to read and a lot.

this show is a million hours of epic fantasy, very good but very very heavy.

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Wednesday, December 11, 2013

My Big Fat Greek Wedding (10th Anniversary Special Edition) (2012)

My Big Fat Greek WeddingI love it when a sleeper of a movie like this one soars to prominence based on word-of-mouth. This little gem deserves every kudo it gets, and then some.

Refreshingly normal-looking Nia Vardalos basically plays herself in a script she wrote from memories of her own Greek-American upbringing. Maybe that is why the movie comes across as so real and so heartwarming. At any rate, Vardalos plays Toula, a 30-year-old spinster (in her traditional father's eyes) who helps run the family's restaurant, the Dancing Zorba. Hidden behind thick glasses, baggy sweaters and too much hair, Toula is miserable. She loves her family, but she wants to find her own niche in the world--without giving Papa a heart attack.

After much high emotion, Toula improves her looks, goes back to school, snags a job in her aunt's travel agency (after all, reasons Papa, it's still family) and meets the man of her dreams (gorgeous John Corbett, "Aidan" from "Sex and the City"). Everything should be happy, no? NO! Ian (the boyfriend) is NOT GREEK, and Papa is beside himself.

This movie is simply a delight, from the opening credits to the very end. It is unpretentious, warm, loving, and happy. And on top of all that, it's truly well-acted and very, very funny. I recommend it highly.

It is a rare gem of a movie when people can poke fun at themselves and yet not mind that everybody else is laughing as well. this movie truley does have something for everybody. if you are Greek, you will love the familiarity of this movie and will find yourself comparing the people in the film to your own family. You will also find yourself laughing at a few areas in the movie and see nothing but bewildered stares from the non-greeks in the theater. If you are not Greek you will simultaneously wish you were and be glad you are not when you see the closeness, love, overbearing nature and complete lack of any privacy poor Tula goes through in this film.

The movie starts with Tula, a 30 year old Greek girl who is looked at as somewhat of a failure by the family because she has not done what she is supposed to do, Marry a Greek man, Have Greek Children, and cook for everybody until the day she dies. but at least (As said by her aunt) she will be there to take care of her parents when they are old. As tula slowly starts to find her own way, thinking about goind to collage, switching jobs from the family resterant, ect.. enter Ian Miller, from a conservative, WASPy family, and somebody unlike everybody else in Tula's life. This movie could have so easily de-generated into the typical Hollywood pap, i.e. become preachy about Tula's right to do what she wants, or done the Three's company plot of "She tells a fib about her life, he finds out, gets angry, they make up at the end" or lastly and most commonly, made out the WASP family to be bigoted and unaccepting characitures who finally come around after basking in the glow emitted by the Greek family. This movie did none of that, instead you follow Tula and Ian as they realize they are falling in love, and then get to sit through the hilarious real life trouble they have dealing with their differences, most especially Tulas relatives dissbelieve that she would date somebody non-Greek. I gurantee you will NOT have a more enjoyable experience at the movies this year whether you are 12 or 92. The main plot is wonderful, but the little side notes, such as Ians mother bringing a bundt Cake to tulas family and nonbody knowing what it is, or Tulas father believing that windex can cure almost anything, add just another layer to this movie until comedy perfection is achieved. If your young daughters are refusing to go point out to them that a member of N'sync is in the cast then you can listen to them discuss whether or not he gained weight on the ride home. The combination of comedy, real looking people, not large headed starved, botoxed former modles and the real sense of affection with which this writer tells the story are too few and far between. There is a reason this movie is making more money each week than the week before even though it was realeased months ago. You will not be dissappointed.

Buy My Big Fat Greek Wedding (10th Anniversary Special Edition) (2012) Now

What a terrific movie. Very funny, very warm. A superb ensemble cast, a great script, and excellent pacing make this a real winner.

The mix of cultures is very well done--not, as some reviewers have said, tritely at all. John Corbett's ultra WASPy Ian Miller is a perfect foil for Nia Vardalos' ultra Greek Toula who, at the age of six, was the only girl in her school who was swarthy with sideburns. She's smart, attractive, and most of all full of innocent charm which is a huge plus in these days of Hollywood bombast.

The culture mix is upped several notches when Ian's SUPER-ultra WASPy conservative, reigned-in parents come to Toula's house for a "quiet dinner" which turns out to be an uproar attended by no less than about 25 people--Toula's family, of course, invited by her parents. It's great to see the uptight Millers consume mass quantities of ouzo, encouraged by their host's entreaties, and the resulting discombobulation.

Innocence, in fact, is everywhere in this film and gives it the tremendous charm and warmth it has. Confusing innocence for triteness is a huge mistake. Here, both leads radiate the innocence of pure romance which is very moving, and the romance is beautifully balanced with a lot of very funny moments.

Toula's father, played by Michael Constantine (a Greek), is constantly lecturing his family on how Greek is the language of origin of ALL words--even kimono--and applying Windex to EVERY pain or hurt a human being can experience. He can be a grump, but it's obvious he has real heart. His mother comes directly from Greece to stay with the family and is the source of some truly inspired hilarity.

Does the couple meet cute? Depends on how you define that. The real answer is, No, they don't; they meet normally, like two people might realistically meet.

Toula's mother is played by Lainie Kazan, a veteran (like Constantine) who portrays the correct balance of smartmouth and sentiment in her character. Also notable is Anrea Martin, a Second City TV alumna, as Toula's aunt.

Nia Vardalos, Toula, also wrote the film and did a great job as both lead actress and writer.

Highly recommended.

Read Best Reviews of My Big Fat Greek Wedding (10th Anniversary Special Edition) (2012) Here

I've read the reviews for this movie on Amazon, and boy am I glad I saw the movie first and that I make up my own mind. This movie was fun, moving & romantic. I'm not going to pop out the thesaurus and fill this review with over-large wording, just give this movie a try and I know you'll love it. After all, how can ALL the people who went to the theaters be wrong?!?

Want My Big Fat Greek Wedding (10th Anniversary Special Edition) (2012) Discount?

This movie takes every stereotypical assumption you ever had about Greek people, and multiplies it for this laugh out loud satire. Toula has been ruled by her dominating family her whole life, but when she starts seeing, and later gets engaged to Ian Miller, both are determined not to let anyone interfere. What a great romantic comedy, but since there is also a fair amount of drama, I may have classified it incorrectly. Both the acting and script were very well done.

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Tuesday, December 3, 2013

UFC: Ultimate 100 Greatest Fights (2010)

UFC: Ultimate 100 Greatest FightsThis set features many classic fights and is a worthy addition to any fight fans library, but is mainly targeted for the casual fan.

With that said, the set is missing many important, or otherwise, some of their greatest fights. When the concept of this set was created, SpikeTV listed X number of fights on their website and the fans voted the order. The top 100 from the poll were included in this set, in the order which they were voted. This created much controversy within the MMA community, when some of their biggest stars from the past and several key fights were nowhere found on the list of fights that the UFC allowed the fans to vote for.

Zuffa/UFC/Dana White decided to re-write history, by not including fights from fighters who were on bad terms with them or left to compete in rival promotions. Instead they only included bouts which shows their former draws lose to their current fighters (Tito Ortiz, Tim Sylvia, Nick Diaz, Josh Barnett, Ken Shamrock, and Vitor Belfort) or just pretend that others don't exist (Frank Shamrock & Andrei Arlovski). By them doing that, they ruined the credibility of a release that truly could have been something special.

Most notably are the lack of any Frank Shamrock fights (the UFC's first ever 5X MW/LHW Champ and their poster boy of the late 90's). Where's his stunning debut against the undefeated 2X Pan Ams champ Kevin Jackson? Where's his first title defense that ended with an absolutely brutal career ending KO? Where's the exciting grudge match against John Lober? Most importantly, where is his title defense against Tito Ortiz? It's a travesty that his title defense against Tito Ortiz is not included. The fight alone is widely regarded as the greatest fight of the UFC's pre-Zuffa era and is still regarded as not only one of the UFC's greatest fights, but as one of the greatest title fights in the short history of this sport we call MMA.

Shame on you Zuffa, UFC, and Dana White for trying to bury the past and re-write history to satisfy self-promotion, while giving the fighters, who made the UFC what it is today, a slap on the face.

A list of key fights that you won't find on this release and may want to look somewhere else, if you're expecting to find them here.

Frank Shamrock vs. Tito Ortiz, Igor Zinoviev, Kevin Jackson, and John Lober

Ken Shamrock vs. Tito Ortiz 1, Dan Severn 1, Kimo 1 & 2

Nick Diaz vs. Robbie Lawler

Tito Ortiz vs. Wanderlei Silva, Evan Tanner, Vitor Belfort, Guy Mezger 1 & 2, Ken Shamrock 1-3, Forrest Griffin

Yves Edwards vs. Josh Thomson

Marco Ruas vs. Paul Varelens

Vitor Belfort vs. Tank Abbott, Marvin Eastman, Wanderlei Silva, Tito Ortiz

Josh Barnett vs. Randy Couture

Ricco Rodriguez vs. Randy Couture, Andrei Arlovski, Tim Sylvia

Andrei Arlovski vs. Pedro Rizzo, Matyushenko, Tim Sylvia 1 & 2, Marcio Cruz, Cabbage

Mark Coleman vs. Mo Smith, Don Frye

With the exception of the Don Frye fight, all of Tank Abbott's infamous early fights, including the Oleg fight are missing.

If you're new to the sport and want to see a little history of the UFC first hand and watch some of their best fights that were omitted from this release because of politics, the list I provided should be a good start for you.

***The Blu-Ray version includes all 5 episodes of The Ultimate 100 Countdown Show, which is Blu-Ray exclusive and not included on the standard DVD version***

There is also a production mishap, where discs 5 and 6 are labeled incorrectly. Disc 5 is actually disc 6 and vice versa.

Whether youre an old time fan or wanna experience and learn more of UFC, this set is a must own! Almost all fights are exciting(some I find a bit boring); and the HD quality is superb, though one must understand older fights/videos wont have same picture quality as the newer ones, but still good nontheless.

Ultimate 100 Countdown Show is on disc six. A 5 part documentary of highlights and short talks about the 100 fights. Nothing special, but a nice way to recap the fights. Dont watch it if you havent seen the full fights cuz it contains spoilers!

If there are complains I have in this set, its that they should have included the entrance of the fighters, because it adds to the excitement, and some of them are just entertaining to look at! Also, it would have been nice if they added a way to view the fights chronological order, especially when there are rematches involved, cuz the announcers will talk of the previous fights during a rematch, thus spoiling it to newcomer fans. But these complains are just minor, and doesnt really affect the overall experience, so its not worth deducting a point.

NOTE: Previous complains that Disc 5 and 6 are mislabelled/switched, this new set corrected it. And to those wondering why there are 2 of the same item in Amazon, but with different price this newer and cheaper one uses a regular Blu-ray case, while the expensive one is a digibook version with a booklet of some stuffs. But other than that, the video contents are EXACTLY the same, nothing was remastered or changed.

Heres the list of the fights per disc.

Disc One

100. UFC 80: Kelly vs. Taylor

99. UFC 31: Newton vs. Miletich

98. UFC Fight Night: Florian vs. Lauzon

97. UFC Fight Night: Evans vs. Salmon

96. UFC 60: Hughes vs. Gracie

95. UFC 90: Sherk vs. Griffin

94. UFC 32: Penn vs. Thomas

93. UFC 78: Alves vs. Lytle

92. UFC 39: Penn vs. Serra

91. The Ultimate Fighter: Franklin vs. Shamrock

90. UFC 41: Penn vs. Uno

89. UFC 66: Jardine vs. Griffin

88. UFC 67: Edgar vs. Griffin

87. UFC 54: Liddell vs. Horn

86. UFC 45: Tanner vs. Baroni

85. UFC 49: Parisyan vs. Diaz

84. UFC 30: Rizzo vs. Barnett

83. UFC 49: Liddell vs. White

82. UFC 54: St-Pierre vs. Trigg

81. The Ultimate Fighter: Koppenhaver vs. Rollins

Disc Two

80. UFC 42: Franklin vs. Tanner

79. UFC 69: Serra vs. St-Pierre

78. UFC 76: Jardine vs. Liddell

77. UFC Fight Night: Silva vs. Irvin

76. UFC 42: Hughes vs. Sherk

75. UFC 1: Gracie vs. Gordeau

74. UFC 58: Franklin vs. Loiseau

73. UFC 52: St-Pierre vs. Miller

72. UFC 92: Mir vs. Nogueira

71. Ultimate Ultimate 96: Frye vs. Abbott

70. UFC 17: Williams vs. Coleman

69. UFC 34: Penn vs. Uno

68. UFC 84: Machida vs. Ortiz

67. UFC 31: Carter vs. Serra

66. UFC 94: St-Pierre vs. Penn

65. UFC Fight Night: Fisher vs. Stout

64. UFC 62: Liddell vs. Sobral

63. UFC 50: Hughes vs. St-Pierre

62. UFC 72: Griffin vs. Guida

Disc Three

61. UFC 80: Penn vs. Stevenson

60. UFC 46: St-Pierre vs. Parisyan

59. UFC 91: Lesnar vs. Couture

58. UFC 38: Hughes vs. Newton

57. UFC 69: Huerta vs. Garcia

56. UFC 53: Franklin vs. Tanner

55. UFC 92: Evans vs. Griffin

54. UFC Fight Night: Silva vs. Leben

53. UFC 64: Sherk vs. Florian

52. UFC 40: Liddell vs. Sorbal

51. UFC 88: Evans vs. Liddell

50. UFC 92: Jackson vs. Silva

49. UFC 71: Alexander vs. Jardine

48. UFC 35: Pulver vs. Penn

47. UFC 31: Liddell vs. Randleman

46. UFC 71: Jackson vs. Liddell

45. The Ultimate Fighter: Smith vs. Sell

44. UFC 83: St-Pierre vs. Serra

43. UFC 45: Hughes vs. Trigg

42. UFC 56: St-Pierre vs. Sherk

Disc Four

41. UFC 81: Nogueira vs. Sylvia

40. UFC 15: Couture vs. Belfort

39. UFC 84: Silva vs. Jardine

38. UFC 31: Couture vs. Rizzo

37. UFC 3: Gracie vs. Leopoldo

36. UFC 52: Liddell vs. Couture

35. UFC 48: Mir vs. Sylvia

34. UFC 84: Penn vs. Sherk

33. UFC 63: Hughes vs. Penn

32. UFC 74: Couture vs. Gonzaga

31. UFC 75: Jackson vs. Henderson

30. UFC 46: Penn vs. Hughes

29. UFC 98: Machida vs. Evans

28. UFC 66: Liddell vs. Ortiz

27. UFC 44: Couture vs. Ortiz

26. UFC 87: St-Pierre vs. Fitch

25. UFC 57: Liddell vs. Couture

Disc Five

24. UFC 1: Gracie vs. Shamrock

23. UFC 65: St-Pierre vs. Hughes

22. The Ultimate Fighter: Huerta vs. Guida

21. UFC 43: Couture vs. Liddell

20. UFC 79: St-Pierre vs. Hughes

19. UFC 82: Silva vs. Henderson

18. UFC 47: Liddell vs. Ortiz

17. UFC 68: Couture vs. Sylvia

16. UFC 58: Stout vs. Fisher

15. UFC 85: Alves vs. Hughes

14. UFC 34: Hughes vs. Newton

13. The Ultimate Fighter: Sanchez vs. Guida

12. The Ultimate Fighter: Sanchez vs. Diaz

11. UFC 86: Griffin vs. Jackson

10. UFC 76: Griffin vs. Rua

9. UFC 70: Gonzaga vs. Cro Cop

8. UFC Fight Night: Sanchez vs. Parisyan

7. UFC 77: Silva vs. Franklin

Disc Six

6. UFC 64: Silva vs. Franklin

5. UFC 81: Mir vs. Lesnar

4. UFC 58: St-Pierre vs. Penn

3. UFC 52: Hughes vs. Trigg

2. UFC 79: Liddell vs. Silva

1. The Ultimate Fighter: Griffin vs. Bonnar

Buy UFC: Ultimate 100 Greatest Fights (2010) Now

This set features many classic fights and is a worthy addition to any fight fans library, but is mainly targeted for the casual fan.

With that said, the set is missing many important, or otherwise, some of their greatest fights. When the concept of this set was created, SpikeTV listed X number of fights on their website and the fans voted the order. The top 100 from the poll were included in this set, in the order which they were voted. This created much controversy within the MMA community, when some of their biggest stars from the past and several key fights were nowhere found on the list of fights that the UFC allowed the fans to vote for.

Zuffa/UFC/Dana White decided to re-write history, by not including fights from fighters who were on bad terms with them or left to compete in rival promotions. Instead they only included bouts which shows their former draws lose to their current fighters (Tito Ortiz, Tim Sylvia, Nick Diaz, Josh Barnett, Ken Shamrock, and Vitor Belfort) or just pretend that others don't exist (Frank Shamrock & Andrei Arlovski). By them doing that, they ruined the credibility of a release that truly could have been something special.

Most notably are the lack of any Frank Shamrock fights (the UFC's first ever 5X MW/LHW Champ and their poster boy of the late 90's). Where's his stunning debut against the undefeated 2X Pan Ams champ Kevin Jackson? Where's his first title defense that ended with an absolutely brutal career ending KO? Where's the exciting grudge match against John Lober? Most importantly, where is his title defense against Tito Ortiz? It's a travesty that his title defense against Tito Ortiz is not included. The fight alone is widely regarded as the greatest fight of the UFC's pre-Zuffa era and is still regarded as not only one of the UFC's greatest fights, but as one of the greatest title fights in the short history of this sport we call MMA.

Shame on you Zuffa, UFC, and Dana White for trying to bury the past and re-write history to satisfy self-promotion, while giving the fighters who made the UFC what it is today a slap on the face.

A list of key fights that you won't find on this release and may want to look somewhere else, if you're expecting to find them here.

Frank Shamrock vs. Tito Ortiz, Igor Zinoviev, Kevin Jackson, and John Lober

Ken Shamrock vs. Tito Ortiz 1, Dan Severn 1, Kimo 1 & 2

Nick Diaz vs. Robbie Lawler

Tito Ortiz vs. Evan Tanner, Vitor Belfort, Guy Mezger 1 & 2, Ken Shamrock 1-3, Forrest Griffin

Yves Edwards vs. Josh Thomson

Marco Ruas vs. Paul Varelens

Vitor Belfort vs. Tank Abbott, Marvin Eastman, Wanderlei Silva, Tito Ortiz

Josh Barnett vs. Randy Couture

Ricco Rodriguez vs. Randy Couture, Andrei Arlovski, Tim Sylvia

Andrei Arlovski vs. Pedro Rizzo, Matyushenko, Tim Sylvia 1 & 2, Marcio Cruz, Cabbage

Mark Coleman vs. Mo Smith, Don Frye

With the exception of the Don Frye fight, all of Tank Abbott's infamous early fights, including the Oleg fight are missing.

If you're new to the sport and want to see a little history of the UFC first hand and watch some of their best fights that were omitted from this release because of politics, the list I provided should be a good start for you.

Read Best Reviews of UFC: Ultimate 100 Greatest Fights (2010) Here

All of these posts have NOTHING to do with this DVD, The product on this page is the ULTIMATE 100 GREATEST FIGHTS... Not UFC 100 which all of you are ranting and raving about... UFC 100 would never sell for $90... you are all tools.... this is a recap of the top 100 fights in the UFC, Fans voted for their favorite fights of all time, they had a series on Spike that lasted about 5 episodes briefly covering all 100 bouts, this DVD *probably* has the entire length of the 100 fights on it, instead of just the Highlights like the show. Ha, even the front of this DVD has Chuck Liddell and Wanderlei Silva on it, which was one of the most exciting fights of all time at UFC 79:Nemesis... Far from UFC 100, Next time you write a review and start telling everyone how great it is, make sure your writing a review on the correct product, in this case, the correct DVD. I do not own this DVD, and Im not saying what this DVD is or is not, but it is obviously not what the other posts are referring to. So Buyers beware, this product is not even for sale until November 2009, and the people below that are "Reviewing" this product, are sadly mistaken.

Want UFC: Ultimate 100 Greatest Fights (2010) Discount?

The first and oft addressed issue with this set is that the list lacks some credibility. Certain fights weren't eligible to make the list because the winning fighters were on the outs with Dana White at the time. While Dana has done great things for the sport, this kind of manipulation is eventually going to be the thing that keeps this sport from becoming truly mainstream, the NFL wouldn't get away with that.

That said, the fights that are included are for the most part great fights, the audio and video are the best available for each fight. Keep in mind a number of the early fights were shot in 4:3 format and in a quality only slightly better than VHS.

My biggest complaints about the set are in the actual quality of the DVD production. The menus are incredibly basic with a painful lack of useful information in them. Just seems lazy.

Even worse, though kind of funny, the discs themselves are mislabeled "Disc 6" is in fact Disc 5! Zuffa really aught to be able to hire a production team that can avoid silly mistakes like that!

Overall, it's a satisfactory product with a lot of great fights for the price! But it is a little lacking in polish.

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Thursday, November 28, 2013

Cool Hand Luke (2009)

Cool Hand LukeThis movie is anything but cool. The characters are rough, foul, and awkward. The setting is realistic and harsh. It takes place in the scorching sun and humidity. There's many a scene of sweat and overheating men. Luke, though, is cool. He's the figure of composure; he's classy, smart, proud, and witty, but he rarely talks, keeping aloof. Or he's independent free man who won't let anyone get him down.

There's a scene when he bluffs his way to victory in a poker match, thus his nickname "cool hand Luke". Another scene has him fighting with another inmate until he's nearly unconscious, but he never surrenders. Yet another has him eating 50 eggs in an hour for a bet, and he doesn't give up. And I think this is the metaphor for the rest of the film. You can either see him as a cocky stubborn man, or more appropriately, a man who won't give up his freedom. He's thrown in prison and chain gang labor for a case of petty vandalism during a drunken stupor, yet he never utters a word about it, even during the most humiliating or painful punishment, but his conviction and sentence are hardly a matter in this film. Here is a man who is troubled and dysfunctional (as the story slightly exposes), but is already in an advanced state of personal freedom. Though he'd like to be living a normal life, searches for it, and deserves as much, he doesn't need it. He's spiritually and mentally invincible, and eventually it leads to his ultimate fate.

Cool Hand Luke is a marvelous film. It's one fourth romantic, three fourths gritty reality. Paul Newman and the gorgeous cinematography are the romance. Newman nearly carries the film. Here's this movie star, a charismatic leading man who liberally uses his smile to get himself through scenes, but he immerses himself into his character. I think Luke is one of the greatest, most complex male characters to grace the screen, and Newman is really the only actor who could ever do him justice. But he isn't playing Newman, he's playing Luke, every inch of Luke. He IS Luke, he is this renegade rebel, this charming dapper Dan, and this tragic everyman. Newman's supporting cast is superb, in one of the best acted films I've ever seen. George Kennedy is incredible as the only sizable supporting character, though the rest of the cast do their utmost to fit their roles, especially the various sinister and slimy wardens, and they do it beautifully. No actor wastes his time on screen. They create the atmosphere.

I just have to mention the dialogue. This is one of those films with incredible dialogue. Nothing is sappy or soupy. It embraces wit and logic, a lovely razor sharpness, and a down to earth realism. Every sentence is perfectly placed, there are no superfluous words, every character with they're own style that still allow them to sound like real people. End of dialogue discussion.

This film is simple. It's simply told, simply filmed, and on the outside it's a simple story, but I think it delves a lot deeper than at first appearance. It's unpretentious. Without us knowing it paints an environment, it paints a setting. It's a movie with certain faintly stylized points and flourishes, with a bit of a Southern storytelling air and lilt to it, and a definite love for fun. But it's intense, from the acting, to plot twists and character developements, to minor "action" sequences (a movie populated by inmates and movie stars has to have some excitement), it has incredible depth in it's subtle symbolism and it's layered messages and it's performances with their emotional tapestries. Thus, it has an immense replayability quotient.

This is drama at it's finest. It is a complex intriguing film that can get under your skin in it's rawness, but can still entertain you, and send you into that dreamy mesmerized state of being in awe of a film and the characters portrayed in it.

And I really mean it. They used to show this film often on the Superstation. When I was twelve, I watched it; the next time it came on, I taped it, and watched it probably more than 50 times over the next few years (I didn't know for a long time that the TV version has several scenes cut out for length, so getting it on video was a new revelation). What is it about "Cool Hand Luke" that is so moving? Well, it starts with Paul Newman's performance. Lucas Jackson is one of the most psychologically complex characters in the history of cinema, and Newman, criminally denied the Oscar for this film, makes him seem larger-than-life without saying much. Everything that comes out of his mouth is a revelation. The Christ allusions, which are fittingly done, heighten the sense of injustice that Luke is being slowly crucified by the lawmen, simply because he won't bend to their rules. On the surface, Luke seems self-destructive and ignorant, but in repeated watchings of the film, it becomes apparent that Luke is answering to a call that is bigger than the prison, bigger than the bosses, bigger than the law itself. I could go on and on about the myriad other ways in which this film is perfect, but why bother? I only get 1,000 words. Suffice it to say that this is the movie that makes George Kennedy, of all people, seem noble. YOU MUST SEE THIS FILM. The only flaw: I grew up in Georgia, and I can assure you that it is not filmed where it is set. Looks more like the Central Valley of California to me.

Buy Cool Hand Luke (2009) Now

*** This comment may contain spoilers ***

"What we have here is failure to communicate"

So says the captain about the inmate called "Cool Hand Luke" in the film of the same name. In the movie, Paul Newman plays a man who lives in a small town. He personifies the very individualistic mindset.

Having nothing to do and no friends, Luke (Newman) decides to do a little drinking while cutting the heads off of parking meters. When confronted by the police, Luke acts like he is drunk (either he is actually acting or he actually is drunk) and finds his way into prison .Once in prison, Luke joins a chain gang. All goes well and, despite a rough start, the inmates begin to like him. He even makes a friend in the form of Dragline, an illiterate man played by George Kennedy. Luke is just about to get out of the prison. Then fate deals him a bad hand.

Luke learns about his mother's death. In his sorrow, Luke breaks out of prison, only to be caught. He escapes again, only to be caught and beaten. Then, he takes a prison truck and escapes along with Dragline, only to be shot by a very accurate prison guard.

This film comments on society's treatment of the individual. In the beginning of the film, Luke's attitude equals the epitome of self sufficiency. He is a loner who considers rules and regulations, as he puts it in the scene with the famous "Night in the Box" speech, "nothin' worth listenin' to." As he lives on in the prison, his attitude of I don't need you frustrates the prison officials who try to get his "mind right" repeatedly. They take their dismay, and persist in doing this despite it's lack of effectiveness, to the point that they beat Luke. Luke fights them at every turn. They lie and beat him, showing this most sadistically in a scene where they tell Luke to get his dirt out of the captain's ditch. They make him get the dirt out, then complain about the unavoidable effect of having that dirt on the lawn when he is done. He has to put the dirt back in. Right after that, he is forced to take the dirt back out again. This cycle continues until Luke reaches the point where he lashes out in frustration, only to be beaten to the point where he falls into the ditch. He comes back out, wrapping his arms around the nearest guard, crying about how his mind is now right.

Then there is the climactic scene with Lukein a church. Dragline comes in and tries to get Luke to give up peaceably. Here, Dragline represents society's desire to get everyone to just mindlessly conform to its ways. Luke refuses, and ironically gets shot. This shooting is interesting if nothing else for the fact that the authorities not only have no reason to believe Luke is armed, but also for the fact that he gets shot for impersonating a prison official. Luke's soul has refused to conform to society's rules and ends up needing to get extinguished.

Thus, "Cool Hand Luke" becomes a comment on society. Luke dislikes the need of his fellow inmates to latch onto him so tightly. Luke dislikes rules, becoming a non-conformist. Society has constantly tried to extinguish the non-conformists. Examples include the Civil Rights Movement, the Feminist Movement, and the homosexuals. Like them, Luke is also a non-conformist. Like them, society clashes with Luke. Like them, society tries to kill Luke. Too bad society has not learned to deal with other people's views.

Read Best Reviews of Cool Hand Luke (2009) Here

Paul Newman portrays Lucas Jackson, an iconic film anti-hero, in this classic film.

Luke seems to have wandered aimlessly after winning several medals in WWII, and in the beginning of the film he's arrested for "maliciously destroying municipal property" using a pipe cutter to cut the heads off of parking meters.

The film has little exposition and in the next scene plunges our anti-hero in the middle of Division of Corrections, Road Prison 36, in the south. Strother Martin plays the "Cap'n", the warden of this group, and Luke is instructed that all the other guards are to be called "Boss". The bosses are frighteningly sadistic. Morgan Woodward is terrifying as "the man with no eyes". He speaks no words from behind his mirror sunglasses, but has a rifle brought to him every so often so that he can demonstrate his sharp-shooter accuracy.

George Kennedy won Best-Supporting Actor Oscar as "Dragline", bull of the herd of prisoners. Dragline leads the group, running gambling and the small barracks "bank", and all the other prisoners follow his example and look to him as the source of what little self-respect they have.

Luke and Dragline knock heads, figuratively and later on, literally, when Dragline beats Luke nearly unconscious in a brawling boxing match. Dragline and the other prisoners live a pretty vivid fantasy life. They blow-up the smallest slivver of hope into a bright shining ray of hope. In a famous scene the prisoners are working just down the road from a beautiful blonde who stretches and teases and caresses the car she is washing with a soaped up sponge (this scene has been copied many times since in more juvenile films). The other prisoners immediately attach themselves to the fantasy image of "Lucille". She is just some innocent, beautiful girl who "didn't know what she was doin'" while she postured her curvy side for the men. "Oh, she knew what she was doing, and she loved every minute of it", Luke states plainly, bursting the fantasy balloon of the other prisoners. This leads to the famous boxing match with Dragline.

Luke is insolent and rebellious and talks back to the Bosses in a way the other prisoners wouldn't dare. He gradually earns the respect of the other prisoners, and one of the best scenes of the film occurs at a poker game where Dragline finally comes to respect Luke and gives him his nickname.

Luke doesn't want responsibility, even the responsibility of the admiration of the prisoners. The film charms it's way under your skin, though, and it's very easy to lose the perspective that by the end you've spent the entire movie rooting for a man who by almost any other definition would be a loser.

Paul Newman has seldom been better.

Want Cool Hand Luke (2009) Discount?

Released in '69, 'Cool Hand Luke' is in my opinion Paul Newman's signature film and one of the great classic films of all-time. Everything worked together perfectly in this movie; A marvelous directing job by Stuart Rosenberg, terrific contemporary soundtrack by Lalo Schifrin and and ensemble cast to die for. There are so many well known faces in this film and so many great, quotable lines you'll never forget.

Newman plays the recently incarcerated Luke. Assigned to a chain gang to serve out a relatively short sentence for cutting the heads off parking meters, his non conformist ways earn the respect of the other inmates and the hatred of the guards and captain.

What makes 'Cool Hand Luke' so memorable is the fact that it's a story within a story. On the one hand you have a mundane prison tale of a group of societal misfits serving time for their various indisgressions. However on a deeper level you have a Messianic parody with Luke as the Christ. As the inmates embrace him as their "Chosen One" the guards seek to destroy him for disturbing the established order. A great film on so many levels. For those who like to read into the story, or for those who are just looking for a little entertainment.

George Kennedy received a well deserved Oscar for his supporting role, but it really should have won many more. Newman is magnificent and Martin Strother once again proves himself to be one of the greatest character actors of his generation. A near perfect film.

One of the Essentials!

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Friday, November 15, 2013

The Last Emperor (The Criterion Collection) (1987)

The Last EmperorWhen I was informed that the Blu-ray of the deluxe 4 disc Criterion edition would be missing the extended cut of 218 minutes, I sent an e-mail to Criterion to confirm this information. I have included my e-mail and the response I received from Jon Mulvany at Criterion. I hope this helps in your decision if you are planning to upgrade to the Blu-ray.

Dear Jon,

I have long been a fan of your company and the fine treatment it gives to movies. I originally purchased one of my all time favorite movies, The Last Emperor earlier this year when it was given the deluxe 4 disc treatment, I was thrilled with all of the extras that were included. I was most impressed that both versions of the movie were included for me to chose from. When it was announced that it was coming to Blu-ray, I sold my copy and was waiting to upgrade. I was! I have learned that the 165 min. version is the only one that will be included on the Blu-ray and not the 218 min (my preferred version) cut. WHY, WHY WHY? I am sad to say, that if this is indeed really true, I will not be upgrading to the Blu-ray version since this would in fact be considered a step down from the standard DVD edition. Why give us a great product initially, but then short change us on the Blu-ray upgrade, How sad!!!

Michael Ruiz

Jon's reply is as follows:

Hi Michael,

When we made the special edition dvd of The Last Emperor, we pulled out the stops. The film won nine Academy Awards from best picture and director to production design and editing. On top of that, it was the first international film of this scale produced in China, and that story in and of itself was extraordinary. In short, all aspects of the film merited attention and discussion. In addition to the director's cut of the film -the original theatrical version -we gave an entire disc to the longer Italian television version of the film for comparison. We also included an elaborate bound book and slipcase to hold the four disc set. Although the set was expensive, at $59.95, it was as close to definitive as we could make it, and we felt it offered good value.

When it came time to make the Blu-ray edition, we felt strongly that a single-disc edition containing all the added content of the four-disc version would offer our customers the best version of the film, the best value, and the best user experience. Having addressed the myth that the television version is the director's cut with our DVD box set, we didn't feel that including it as an extra Blu-ray disc was worth the added cost to the customer. Similarly, because the Blu-ray market place is still much smaller than the market for DVDs, the cost per copy of printing Blu-ray sized perfect-bound books would have driven the price of our edition up to a level we considered prohibitively expensive for consumers.

We also know that many or our customers already own the current dvd set. For them we are offering an upgrade program that will allow them to have the director's preferred version of the film on Blu-ray, while keeping the rest of the original package. Just send in your disc 1 and we'll send you the blu-ray disc for a $20 (+ $5 shipping and handling) replacement fee. If you are determined to have all the content of the DVD edition as well as the Blu-ray disc content, you could always go that route -buy the DVD set and trade in disc 1 for a Blu-ray. In the end I think the cost would still be less than we would have had to charge to make an all Blu-ray version of our original edition.

I hope this helps you understand our thinking. Thanks, as always, for your support of Criterion.

Sincerely,

Jon Mulvaney

I won't go into the movie itself. It is already well known. It swept the Oscars winning all 9 for which it was nominated, including Best Picture and Best Director. A first for an independent foreign film. It is an historical epic about a culture which until then was little known in the West. It tells the story of China's Last Emperor, a weak and ineffectual man who came to the throne hailed as The Son of Heaven and The Lord of 10,000 Years. His misfortune was to be born at the twilight of Imperial Rule in China. Enthroned as a God, he is cast out by Chinese Republicans, used as a puppet by the invading Japanese, humiliated by the Communists and then "re-educated" to finally become a "useful" member of society a common gardener. It is the story of one man's tragedy and of an ancient civilisation's painful march into the modern era. A film not to be missed.

This is a truly magnificent set. Criterion at its best. Spread over 4 discs, it includes both versions of the film, fully restored and remastered, plus an additional 6 hours worth of Extras; about everything you could possibly want to know about the film, the director or the central character, Pu Yi.

The roaring controversy however is over the decision to crop the film from its original 2.35:1 theatrical aspect ratio down to a narrower 2:1. Vittorio Storaro who was responsible for this has defended his action and Criterion has taken the line that they follow the wishes of the creator. However after having seen the new cropped versions, my preference is still for the older 2.35:1 widescreen.

The newer versions by and large look fine and you won't notice the cropping unless you do a 1 to 1 comparison. However in more than a few scenes, the new visual composition looks askew awkward and ugly. Scenes that were originally perfectly framed now appear inadvertently cropped arms, ears, sometimes whole figures are cut in half Eg. during the enthronement of little Pu Yi, the court official who issues the proclamation is standing toward the left edge of the screen but is otherwise supposed to be fully visible. In the new 2:1 crop for the TV version, he is cut into half. In the new 2:1 crop for the Theatrical version, the panning is more to the left and only his arm is missing. This is just one of many instances which infuriate viewers. Criterion should remember that its customers are avid cinephiles who scrutinise films in minutest detail and expect faithfulness to the original release. I for one do not take kindly to a creator coming back to redo his work with the result that it looks uglier than before. Especially when I know that he has an ulterior motive for the revision.

For those who are still unaware, Vittorio Storaro pioneered a new film format in 1998 called Univisium (aka Univision) which just so happens to have a 2:1 aspect ratio. It is intended as a compromise format between the 2.35:1 theatrical aspect ratio and the new 1.78:1 widescreen TV aspect ratio. Storaro wants his new 2:1 aspect ratio to be the new universal aspect ratio for all films. So far only he has used it in shooting his newer films. No one else is interested so he has gone about reformatting (cropping) all the older films he has shot into this new 2:1 Univisium format. He has already mutilated Francis Ford Coppola's "Apocalypse Now" to the chagrin of film fans worldwide. Now he has come round to mangling Bernado Bertolucci's "The Last Emperor".

His various statements in support of this cropping are illogical, contradictory and at points ludicrous. The question is, when did he first consciously compose his pictures for the 2:1 format? Criterion cites Storaro's claim that "The Last Emperor was the first film he shot specifically for 2.0 framing". Storaro on an earlier occasion had already made the claim that he first conceived of shooting for 2.0 during the filming of "Apocalypse Now" way back in 1978. He said this in support of his cropping the war classic down from its original 2.35:1 to 2:1 for its Redux Edition and subsequent video transfer. These two statements are patently contradictory and cannot both be correct.

Both "Last Emperor" and "Apocalypse Now" were shot in Technovision which is in 2.35:1. The only format using 2:1 aspect ratio at that time was the old SuperScope. Why choose 2.35:1 Technovision, when (as he now insists) he wanted to shoot in a 2:1 aspect all along? Criterion also trots out the red herring that the producers had initially hoped to release it on 70mm. But that means composing for 2.2:1 not an odd ratio like 2:1. Actually I personally believe the films were indeed composed for 2.2:1 and they would look just right if reframed in that ratio. The only reason for cropping it down to 2:1 is to accommodate Storaro's new Univisium format. For all the Storaro apologists out there (and there are many), the Oscars he won for "Last Emperor" and "Apocalypse Now" were for the films in their original 2.35:1 presentation NOT the new 2:1 crops. I hope Criterion bans him from supervising any more transfers of his old films. In his monomaniacal quest to promote his Univisium dream, he has become more like a vandal than an artist.

But enough carping. Aside from the cropping issue, Criterion's transfer of The Last Emperor is the best so far. Truly gorgeous picture quality. One caveat however. The 218min TV Version is not up to the quality of the Theatrical Cut. The TV version is darker, grainier, softer, cooler and has slightly higher contrast. You'll notice it immediately if you watch the films one after the other. Still, it's good enough to eclipse any previous versions.

A minor detail on the TV version: The single profanity uttered in the original film where the Red Guard curses Pu Yi during the Cultural Revolution, has now been eliminated. In the TV version, the original "F___ Off," has been replaced with a more polite "Buzz Off".

The Extras are what make this Criterion set really worth getting.

There are 2hr 40mins worth of extras on Disc 3 and another 2hr 45mins worth of extras on Disc 4. I especially liked the Southbank Show's 61min Special Edition (British ITV Production) on the Making of The Last Emperor. It includes interviews with Pu Jie, the Emperor's younger brother, as well as the prison governor who helped "re-educate" him. We also get to see archive footage of the real Pu Yi, as the Japanese puppet in Manchuria, his capture by Russian paratroopers, his testimony at the Tokyo War Crimes Trial, and finally his "re-education" at a Chinese labour camp.

On more than one occasion, Bertolucci speaks of the penultimate "Cricket" scene as a metaphor for freedom or metamorphosis. Personally I see the cricket as a symbol of renewal or rebirth. (Every year the cricket dies in autumn only to be reborn once again in spring.) That penultimate scene where Pu Yi disappears into the mists of history and the cricket slowly emerges from its wooden box is for me one of the most poetic in cinema history it marks a new beginning, a rebirth for both Pu Yi and for his country. The final scene itself is delicious in its mix of cheery sarcasm and sadness. As the loud jarring notes of "Yankee Doodle" resound in the Hall of Supreme Harmony, we watch in dismay as hordes of chattering tourists come pouring in. And the bitter reality dawns on us 2,100 years of Imperial Glory have been reduced to nothing more than a tourist attraction.

Of the extras, only 3 are brand new. On Disc 1 is "Making The Last Emperor" a new 45min documentary with interviews of the technical crew that swept the Oscars. One fascinating titbit was that the replica of the Empress Dowager's Golden Robes weighed in at an astonishing 50lbs because it was made out of gold-plated aluminium. The old lady playing the Empress Dowager spent 1 week in hospital recuperating from exhaustion after the filming. The second new documentary is a 25min interview with composer David Byrne on both his and Ryuichi Sakamoto's collaborative efforts in producing the splendid score. Ironically the most eastern sounding pieces were written by Byrne while Sakamoto wrote most of the more western sounding music. The documentary "Beyond the Forbidden City" hosted by Professor Ian Buruma, is a 45min, "Cliffs Notes" version of China's tumultuous years, from the reign of the Empress Dowager CiXi (Tsu-Hsi) who selected Pu Yi as her heir, to the end of Imperial Rule, the Japanese invasion, the Chinese Civil War, Mao Tse Tung's disastrous Great Leap Forward (where 30-million Chinese died at the hands of their own government), culminating in the madness of Mao's lunatic Cultural Revolution, during which Pu Yi himself passed away or as the Empress Dowager would have put it "The Emperor is on High. He is riding the Dragon now."

Criterion's set comes with a sumptuous 98-page booklet printed on thick glossy paper and filled with handsome photos and articles. Everything is packed into a 4-way gatefold package and slipcase coloured in red and gold.

Buy The Last Emperor (The Criterion Collection) (1987) Now

This review is not so much a review of the movie or this release in particular. It would seem that there will be no shortage of glorious reviews of this movie and I would just be adding my voice to the gale winds of appraise. I write this to clear up the common mis-perception that the longer cut of this movie is a director's cut.

The previously released longer cut of The Last Emperor which was released on DVD and subsequently labeled as a "Director's Cut" is in fact a longer, made for television mini-series version that was made to satisfy a particular distribution/production deal. Bertolucci himself has gone on record to say that the actual version of the film that he envisioned is the one that went out to theaters, thereby making the shorter "Theatrical Cut" the actual director's cut.

Being the huge fan of this movie that I am, I can't help but want more of this movie, but I'd be lying if I said that the shorter version isn't great just as it is. The movie does not lose any of its magic without the added content. I've given this review a 4 star rating because of the completist in me. If there are two versions of a movie out there. I would enjoy the option of playing the version that I want. Criterion did so with their DVD release, but failed to do it with their Blu-ray release. Welcome to double-dip country. As of this writing, I still have not determined if I shall fall prey to their marketing ploy since I have been waiting so long for a good transfer of this film.

Read Best Reviews of The Last Emperor (The Criterion Collection) (1987) Here

I'll make this review short and sweet. First off, the movie itself is derserving of all its Oscar wins. The acting is superb, the cinematography is breathtaking, and the story is significant if not moving. If you are a movie lover you will certainly appreciate the beauty and power of this film. So why only 3 stars? I simply can't give the DVD more than 3 stars, becuase quite frankly, this movie deserves a better film transfer and better audio on DVD. The picture is sub-par when you compare it to almost all the new DVD releases today, and the sound is a little better, but not by much. Perhaps the studio should revisit this title and clean it up with a loaded new special edition release with a squeaky clean anamorphic picture transfer with DD 5.1 and DTS sound to boast. This DVD's director's cut is also much longer than the original, which in my opinion, doesn't hurt the film at all, but it doesn't improve the film drastically either. So base your buying decision on the following fact: this is a masterpiece movie on a sub-par DVD transfer. To me, the movie was a must have DVD, which was worth the purchase price alone. Afterall, it is still better than VHS.

Want The Last Emperor (The Criterion Collection) (1987) Discount?

This is not a rating of the film, which is excellent, but of this particular edition.

Unfortunately Criterion fell into the same trap that the producers of the previous "Apocalypse Now" DVDs did. They allowed Vittorio Storaro, the original cinematographer, to tamper with the widescreen image. Storaro has been on a crusade for the last few years to advocate 2.00:1 as the most desirable widescreen aspect ratio. This is fine if applied to new productions but, disastrously, he wants to demonstrate his passion for this by going back and chopping up movies he worked on in years past. Despite whatever care he may have taken in this project, it is painfully obvious in many scenes that some of the screen image has been cropped from the sides. I compared this to the scenes in their original ratio of 2.35 and there is significant information missing. In tight scenes inside cars you often lose portions of people seated on either side of the picture. The worst for me, though, was what happened to a couple of the breathtaking scenes where the child emperor is viewing the large assembled crowd of his subjects. In the original framing you can see the complete perfectly symmetrical formations filling the screen and perfectly tapering off right at the edges of the picture. In this version chunks of that image are chopped off on either side and a lot of the power and beauty of the scene is diminished.

I had been eagerly anticipating this release but the butchering of the image took all of the joy out of it for me. Even though other aspects of the package such as the extras are very nice and well done, I ended up selling off my copy

I'm surprised and disappointed that Criterion let something like this happen.

Fortunately the new Apocalypse Now blu-ray has corrected the previous poor decision and is restoring that movie to its original 2.35 widescreen aspect ratio. I just hope that Criterion, or someone, will do the same thing somewhere down the line and give us a proper release of The Last Emperor.

It's been frustrating since the previous Artisan DVD was in the proper aspect ratio but the transfer itself was horrible. The visual quality of this transfer is a huge improvement but the picture is chopped. You just can't win

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