Showing posts with label discount blu ray. Show all posts
Showing posts with label discount blu ray. Show all posts

Thursday, September 18, 2014

Executive Decision / Point Break / Swordfish (Triple Feature) (2012)

Executive Decision / Point Break / SwordfishI have been a skier, skydiver, surfer, fast car driver and more. All of these movies kept my attention and at least got a smile or two out of me. I had seen them all in the past before U purchased these but I figured that since they were decent films I would enjoy watching the again. Three movies for a low price is a great deal.

Point Break seems to be out of place in this collection from my personal point of view as I am not a surfing enthusiast, the Bluray transfers ore good on the 3 separate discs, However if you are a surfer this would certainly be a recommendation

Buy Executive Decision / Point Break / Swordfish (Triple Feature) (2012) Now

Three exceptional action thrillers. All three in this package are well worth your time if you enjoy action movies.

Swordfish: You have John Travolta as a rogue agent that takes hostages at a bank to make the government pay him millions in compensation with the assistance of Hugh Jackman and Halle Barry. Lots of twists in this one making it hard to tell who the bad guys are and what they really have in mind.

Point Break: Patrick Swayze and his ex presidents are robbing banks with Keenu Reeves in pursuit for the FBI. Keenu joins them undercover and develops a friendship that will make it hard to take them down.

Executive Decision: Steven Seagal and his team with the aid of Kurt Russell try to regain control of a commercial flight full of terrorist. Kurt actually an analyst, but he gets roped into onsite support that becomes much more than he bargained for. Great support cast in this one.

CA Luster

Read Best Reviews of Executive Decision / Point Break / Swordfish (Triple Feature) (2012) Here

Three great movies in one case and all you have to do is get the popcorn ready, soda and candy to eat.

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Friday, September 12, 2014

Don - (Blu Ray)

Don -First of all, "Don" is an important film for Indians because it is a modern remake of a 1978 cult classic starring Bollywood legend, Amitabh Bachchan, but I'm confident that this up-to-date Don will also appeal to an English/American audience which is tiring of the usual loud, hard-core Hollywood action-suspense blockbusters. Take a bit of 007 James Bond, Tom Cruise and Mission Impossible, mix with sophisticated Indian song and dance routines and some essential Bollywood-style sentimentality, and you've got "Don": a slick, suave and smooth crime-action-suspense drama, Indian-style. Filmed mainly in Malaysia, "Don" has a splash of all the Western-style trappings such as exotic locations, high-tech gadgets, stunning city skyscrapers, dare-devil stunts, unbelievable action and beautiful girls, yet the overall style and impression of the film is still pleasantly subdued and refreshingly sophisticated, especially when compared to its American counterparts. This might be partly due to the very clever script with several unexpected twists and turns, as well as attention to the personal emotions of some of the characters, but let's face it: how can you take an indestructible drug-trafficking bad guy like Don seriously when he breaks into a song and dance routine every 20 minutes?

Keeping faithful to the original famous Seventies "Don", it is most appropriate that the new Don is played by Mr Bachchan's successor to the Bollywood throne: Shahrukh Khan, who manages to make bad look cool with the ease of a sneer and the flick of a cigarette. Move over, Tom Cruise, Brad Pitt, Bruce Willis and `Big Arnie' Shahrukh Khan is all of these, and far more. A mega superstar in India for over a decade, Khan has played an impressively vast range of diverse characters with his trademark dynamic, expressive and emotive manner which has made him incredibly popular with men, women and children viewers alike. Although some of his best-known films are glossy feel-good romance musicals in which he is the nice-guy hero (such as Kuch Kuch Hota Hai, Mohabbatein, Veer-Zaara and Kabhi Khushi Kabhi Gham), I personally find his bad guy and psycho roles far more fascinating and entertaining. In fact, he began his successful career with such challenging psycho/bad guy roles, (Darr, Baazigar, Ram Jaane, Anjaam) and in "Don" he is able to combine both good and bad characters as he plays a dual role: the bad-as-bad-can-be Don, and his exact look-alike, harmless and innocent Vijay, who is recruited to help the police bring down Don's crime gang. It sounds simple enough at first, but the plot gets more involved and intriguing, until the final climactic twist takes your breath away. While in my personal opinion Khan's best dual performance is in "Duplicate", a surprisingly good action-comedy from several years ago, his performance in "Don" is no less entertaining and exciting than his other successful roles. Some expertly-crafted music and choreography, as well as attention to photography and overall colour/lighting of the film are other highlights which enhance the story and Shahrukh Khan's character. Needless to say, "Don" is an essential addition to any Bollywood collection, and also a nice change for anyone with a taste for foreign films which have something new and different to offer. The packaging of this DVD is just as slick and sophisticated as the movie, with good photos and comments by cast and crew, a bonus disc of special features (although the 1-hour "Making of..." is without subtitles and a bit hard to follow) and for a special treat, try to get the DVD (released in the UK) which has a thick comic book with pictures straight from the movie.

Hi, All

I bought this from Amazon last month and realize now when I watch it that this movie sold by Lola's Dream is not a Blu-Ray at all. The cover is blu-ray but the disc is a DVD format. DO NOT GET THIS MOVIE. I will be making an official complain to amazon about this. Lola's Dream is a con company.

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Shahrukh Khan once said he wanted to be the first Indian James Bond. But what need now--Don is way cooler. The film has all the fun hallmarks of a Bond flick--exotic locations (Paris and Kuala Lumpur), beautiful women, criminal masterminds, high-tech gadgets, fantastic fight scenes, and glamorous parties--but it is not a take-off of the 007 franchise. Rather, it's a remake of the 1978 Bollywood cult classic Don, which starred Amitabh Bachchan in the title role. The character is not ambiguous like Bond, but a bad, bad man--and Khan makes him his own.

Don is in charge of the Malaysian operations of a global crime syndicate run by Singhania (Rajesh Khattar), and Don has designs on ousting his boss and taking over the whole organization. Police inspector D'Silva (Boman Irani) is trying to catch Don, Singhania, and another mysterious mobster, Vardhaan. When Don kills Ramesh (Diwakar Pundir), an underling who tries to go straight, Ramesh's fiance Kamini (Kareena Kapoor) goes undercover and tries to seduce Don. But he dispatches Kamini as well. So Ramesh's sister Roma (Priyanka Chopra) worms her way into Don's gang--with much more success. D'Silva has his own mole--Vijay, a Don look-alike (also played by Khan). D'Silva secretly captures Don and puts Vijay in his place, and the good-hearted goof feigns temporary amnesia until he learns to play the part of the utterly smooth, outrageously arrogant sociopath. Roma and Vijay don't know they're on the same side, and Don's girlfriend Anita (Isha Koppikar) is jealous of the sparks between them. There's a suspenseful, complicating subplot involving the lost boy Vijay cares for, Deepu (played by Tanay Chheda, one of the child actors in the 2008 Slumdog Millionaire) and Deepu's estranged father Jasjit (Arjun Rampal), which ramps up the emotional stakes.

Don marks a career turning point for actor Arjun Rampal. The former model went from so-so to solid as Deepu's desperate dad (and his trajectory continued with a memorable role in the 2007 Om Shanti Om, a National Film Award for his performance in the 2008 Rock On!!, and critical acclaim for his turn in the 2010 Raajneeti).

Farhan Akhtar, the talented director of the coming-of-age film Dil Chahta Hai (2001) and the military drama Lakshya (2004), shows off his versatility with this stylish action thriller that's full of surprises. (The original Don was co-written by his father, Javed Akhtar.) He's also directing the sequel, Don 2: The Chase Continues, which is expected to release at the end of 2011. Khan, Chopra, Irani, Koppikar, Rampal, and Chheda will be reprising their roles. Lara Dutta will join the cast.

The Bollywood Ticket: The American guide to Indian movies (Subscribe: The Bollywood Ticket)

Read Best Reviews of Don - (Blu Ray) Here

Loved it! If you enjoy Shah Rukh Khan films and are looking for one that isn't a love story this is a great one he did. Keeps you thinking and the ending is great can't wait for the sequel.

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Don is slick and well conceived on plot with lots of surprises along the way. When I was trying to work out originally whether this one was for me I wasnt sure how serious it was or whether it was a light Bollywood. For those who have the same question in mind it isnt really light overall.

Don is an arrogant psychopath drug trafficker and I'm afraid, unlike other Bollywoods, good doesnt win in the end and the nasties dont meet their consequences. This may not particularly bother you or you may like endings that arent politically correct. For those not in that category be aware that the surprise ending actually left me and my adult daughter feeling quite uncomfortable and gave us a restless nights sleep after. Those we had identitified with dont triumph (sorry about the spoiler but you may need to know that if you want to assess whether this is for you).

I have given it a 5 because of its quality but a different ending would have made me more excited about this movie.

Given the amoral ending its fascinating that Indians wanted to do this movie twice (it is a remake of an earlier celebrated one) and seem to love the character of Don.

The music was fine but none of it stayed with me or stood out. A few of the dance sequences were good so there was song and dance amongst the plot (something I also wasnt sure of when reading prior reviews).

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Tuesday, July 29, 2014

Resident Evil: Damnation (+ UltraViolet Digital Copy) (2012)

Resident Evil: DamnationResident Evil: Damnation improves upon the first Resident Evil CG movie, Degeneration, by leaps and bounds! Not only did Capcom tweak the appearances of the characters (and for the better!) when in comparison to the last movie, they also took many demands of the fans to heart. A good part of the appeal of the Resident Evil franchise is its trademark monsters, in which case this feature film does not fail to resurrect some of the most notorious creatures from the more classic games of the series. That does not go to say that they have done away with the new, either. With an interesting blending of creatures, Damnation takes that next step into the future of Resident Evil, teasing you with what is to come a few weeks down the line with Resident Evil 6.

The plot at first may seem difficult to follow, but with Leon Scott Kennedy holding the reigns and Ada Wong throwing him a bone here and there, the story definitely does not disappoint. Between all of the monsters, fighting, and oh yeah... more monsters... You really appreciate the effort that was placed in the finer details that truly connect this movie with the rest of the series. Whereas Degeneration felt slightly more disjointed, Damnation is much better woven into the framework of the global threat of Bio-Terror looming on the horizon. The world really is turning into a mess and it's only a matter of time before it spins horribly out of control. This gives the film the intricacies and polish that its predecessor was lacking.

If you're new to the series, the gore and rather flavorful action scenes may be enough to hook you. However, for loyal fans this is a breath of fresh air and you will feel entrenched in Leon's cause and perplexed by all of the questions the ending scenes present.

As you watch the beginning to the ending of the movie it feels like the producers and writers intentionally made the movie as a prequel to the RE6 games storyline but don't let that detract you from the entertaining story that is already in the movie itself. Like on reviewer stated the movie brings into play many of the former monsters and creatures that you see in the games as well as some cameo time with another iconic RE character as well. The CGI Animation is great and the actions is pretty good too.What is almost sadly ironically funny is that some of the fight scenes here are much better then the ones in the live action RE movies. Basically this is a must for any Resident Evil fan or those who like CGI action movies but regardless this is a nice collection to anyone's movie collection and for fans enough to tide us over until the release of RE6.

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In one of the special features on the Blu-ray, director Makoto Kamiya says he was aiming for a "Resident Evil 4" Leon and that he wanted to put Leon through hell. That is the perfect way to describe Leon's journey throughout "Damnation." The Las Plagas virus is now being used for war tactics and utilized in ways that have yet to be introduced in the games. What's great is that "Damnation" throws you into the first person perspective and makes you feel like anything can jump out at Leon and attack him at any moment. The renders as well as the computer animation are crisp and fluid at all times, especially the hosts of the Plaga, the Lickers, and the Tyrants. The only time it looks awkward is when people talk for long periods of time. You begin to notice that their facial expressions don't seem as natural as they should be, but it's easy to overlook.

The lighting in the movie really stands out, especially in the basement sequence and whenever Leon picks up a flashlight. It's just done so well, feels natural, and even helps add tension at times. "Damnation" can pat itself on the back for actually utilizing the slow-motion effect properly. Lately it seems like most Hollywood pictures use slow-motion for the most pointless sequences like when someone is just standing there in the rain or when somebody turns around. The slow-motion scenes in "Damnation" actually enhance the story and action sequences. There are effects that come out at you better than most movies that are released in or post-converted to 3D and released in theaters; there's some really amazing headshots including one where Leon shoves a crowbar through somebody's skull, a table being flipped over and a cup of tea flying at you, a water jug being kicked in your face, and the tongue of a licker jumping out at you.

The story is written in a way that seems intelligent, pulls you in, and feels like it coincides in the same universe as the games. While the screenplay isn't perfect and kind of misses its mark at times (the JD character, Leon's lame one-liners, the final speech Leon gives Buddy), it more than gets the job done and even gets pretty emotional at times.

"Resident Evil: Damnation" is the perfect reminder of how great this franchise really can be and is an ideal lead-in to "Resident Evil 6" due out October 2nd. If you'd lost faith or had been purposely distancing yourself from the atrocity that is the live-action movies (and if that's the case no one could blame you), "Damnation" is the movie for you as its predecessor "Degeneration." These CG motion pictures are what everything "Resident Evil" fans wished the movies would have been. Smart, bloody, well-written, and incredibly creepy, "Resident Evil: Damnation" more than lives up to the "Resident Evil" name.

Special Features include The DNA of Damnation (a thirty-minute making of featurette), Las Plagas: Organisms of War (around seven-minutes, be sure to watch this if you have any remaining questions after the movie), a six-minute Gag Reel, game trailers for "Resident Evil 6," "Devil May Cry," and "Dragons Dogma," and a Conceptual Art Gallery which is exclusive to the Blu-ray.

"Resident Evil: Damnation" will be released on single-disc DVD and Blu-ray this Tuesday, September 25th. The feature is presented in 1080p High Definition with a 1.78:1 aspect ratio. DTS-HD MA audio is available in English, French (PAR), and Portugese with Spanish and Thai being available in 5.1 Dolby Digital. Subtitles are available in English, English SDH, Chinese, French, Korean, Portugese, Spanish, and Thai. The movie is approximately 100 minutes long and is mastered in High Definition.

Read Best Reviews of Resident Evil: Damnation (+ UltraViolet Digital Copy) (2012) Here

This movie was slow in the beginning 5-10 mins but after they show the first person using their mind to control lickers it gets better. The russian nemesis's(or whatever they are calledthey were used in RE:Umbrella Chronicles too) are f@###kin awesome as unstoppable beasts trying to kill leon and that other guy using las plagas to control lickers. Man the last 30 mins of this movie are worth buying the movie for, Ada wong is in this too. So much action and story, this is way better than RE: Retribution. I give this movie a 10/10, only downside is it's a little slow in the beginning.

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Finally...an adaptation that is worthy of being called a Resident evil movie. Resident Evil: Damnation rose to the occasion on this second installment of the CG movies. It does a great job of captivating a viewing experience that will appeal to hardcore fans of the video game franchise as well as viewers who are unfamiliar with the games. The storyline was thoughtful, entertaining and engaging. The mood and tone of the film stays true to the games and the overall themes conveyed in the game come through in the film beautifully-without making it any less of a film. As I watched the film I felt myself being immersed in the gameplay all over again when the composition of a scene looked eerily familiar to one I remembered from one of the games. Leon and Ada's characters remain respectful to their originals in the game and are not overshadowed by characters created in the adaptation. BOW's do not become uncharacteristically humanized -or beautified into infected superhuman heroines in tight clothes--insuring the integrity and the severity of the threat they pose. In essence, this was a film made with the intention of making a respectful adaptation of the Resident Evil Games franchise--not a series of shameless mockeries disguised as Resident Evil live action films. In surmise, yes, you have the introduction of new characters and a new setting but the overall important core elements of a Resident Evil based movie are not lost unlike the live action films. If you want to experience the survival horror series Resident Evil without playing the games or if you just want to see a good CG horror / action / zombie movie, then this movie is a must see.

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Sunday, July 27, 2014

Father Goose (1964)

Father GooseIf you liked the original The Odd Couple slob and compulsive neatnik thrown together in the same apartment or Heaven Knows Mr. Allison tough guy WWII Marine marooned on an enemy-held South Pacific island with a pretty nun, then you should enjoy FATHER GOOSE starring Cary Grant, Leslie Caron and Trevor Howard. I saw it once again on the telly this past weekend while doing the ironing, and I'm fortunate to be old enough to have an appreciation of all three films.

Grant is Walter Eckland, an antisocial, unkempt escapee from "civilization" that spends his time bumming around the South Seas on an old yacht. At the start of WWII, he's coerced into service as a "coast watcher", an observer stationed on a remote island as a lookout for Japanese planes or ships, by the wily and dry-witted local Royal Australian Navy authority figure, Comdr. Houghton (Howard). Eckland is bribed with booze to perform in His Majesty's service. One of his first assignments is to boat over to another island and rescue a fellow coast watcher. But, on arriving, he finds only his colleague's grave and the Caron character, Catherine Freneau, the daughter of a French government official, who's been stranded with a bevy of underage schoolgirls of which she has charge. Walter naturally takes them back to his island and his hovel, where the differences between the two adults soon surface. To Eckland, Freneau becomes "Goody Two Shoes", while, to the latter, her knight in stained armor becomes the "Filthy Beast".

While admittedly silly entertainment, FATHER GOOSE is a delightful romantic comedy that doesn't, like some of the current Tinseltown offerings, rely for laughs on sensitive body parts being caught in zippers, bodily fluids masquerading as hair gel, or carnal knowledge of apple pies. This film has Class, chiefly due to the presence of Grant, who character demonstrates more suavity unshaven and without socks than any one of today's crop of male actors dressed up in a tux. (Perhaps only Sean Connery, Robert Redford and Paul Newman are close to being in the same league.) Caron's strong-willed and very feminine Freneau is more than a match for Eckland's obstinately boorish masculinity a pairing made in heaven, or at least Hollywood.

Perhaps my high esteem for this film is more a function of nostalgia. But there're a lot of other films from that same period of my youth that are eminently forgettable, so I have to think that FATHER GOOSE is a cut above.

Cary Grant is cast as Walter Eckland in this very funny classic comedy. His normal sexy leading man characteristics are downplayed to let his comedic genius shine through. He stars opposite Leslie Caron cast as Catherine Freneau. They are an accident waiting for a place to happen at their first meeting, and it just gets worse from there. Walter is bribed and threatened into service as a watcher in WWII. Catherine is a diplomat's daughter given the responsibility of escorting several school children into a safer area. When they are all stranded together, the hilarity, and battle of the sexes begins.

This is one of my favorite comedies, and one of Cary Grant's last movies. No one does it like he does. A great film that the entire family can enjoy together.

Buy Father Goose (1964) Now

One of the immortal Cary Grant's last films, this particular one is a romantic, witty little gem. Well-scripted, well-acted, and full of really weird humor, this is one to treasure.

Walter Eckland has no intention of getting himself involved in World War II -no intention, that is, until he is "drafted" into service to the Allies. Basically he needs to keep an eye open for the Japanese. He reluctantly obeys, but his mission suddenly takes a weird turn when he rescues a slew of civilians: the prim, devious schoolteacher Miss Freneau, and her seven little girl charges. Before Eckland knows what's happening, they've taken over his little house, his clothes, his food -and his whisky. (It's the last one that really makes him nuts) To his horror, they won't be picked up for at least three weeks.

An extended, very witty battle of the sexes takes place, as Miss Freneau dodges and weaves around Eckland, and Eckland tries to retain some mastery over his domain. But a series of crises (comical and serious) force Eckland and Freneau not only to deal with the Japanese, but also with each other.

Cary Grant shows more of his versatility in this film, since his comical talents are usually passed by in favor of his rugged sexiness. That sexiness is buried in this one, under the scraggliness of a beachcomber who is rebelling against the world with alcohol. Revelations about his past are somehow quite appropriate; as a character in another of Grant's movies said, "you have unexpected depth."

Leslie Caron, whom I had previously seen only in "Gigi," is also in rare form here. She makes Miss Freneau both sympathetic and mildly repressed, with a dry wit and a very devious mind. She also manages one of the funniest scenes I have ever seen in a movie, where Miss Freneau gets drunk after being bitten by a snake. Her acrobatics ("Ooooooh, is it getting hot in here?"), weird confessions ("I'm a picture straightener!") and the occasional lapse into insanity ("Tell me, I want to know, what did my blood taste like?") are too funny for words.

Other highlights include the chaplain and the accordian player, and the delightfully deadpan Trevor Howard as a Navy commander who's not afraid to play dirty. The writing is excellent; the mutual realizations by Freneau and Eckland may seem a little hasty and contrived, but that can be easily passed by.

This is fine to watch with the kiddies -there is virtually no profanity, no smut, a little non-bloody violence, and children will probably enjoy the antics of the seven little girls (such as the of-repeated whine "I wanna go home!"). There is one scene of drunkenness, however, and we are treated to sly indicators of more mature material ("he... he made a GESTURE, sir!" "Oooh, he called the captain a dirty name"). The little girls themselves are remarkably well-acted by believable child actors, except for the oldest one. One particular highlight is the little girl who keeps biting Eckland's hand.

Recommended especially for romantic comedy fans, and for fans of Caron and Grant. Or simply watch if you're in the mood for fun.

Read Best Reviews of Father Goose (1964) Here

"Father Goose" is one of my all-time favorite movies. Made in 1964, it's a warm, slightly off-beat romantic comedy, starring Cary Grant and Leslie Caron.

Walter Eckland (Grant) is an irascible, middle-aged, slightly besotted curmudgeon sailing the South Pacific during World War II in search of...well, something...anything! After getting caught "borrowing" some gasoline from the British Navy for his boat, he's blackmailed into serving as a plane spotter. Resentful after being stranded on a tiny island, he misses his liquid companionship, which the Navy has taken from him and hidden. So, Walter vows not to lift a finger to help the Navy. He relents, though, (after being promised some liquid refreshment) and motors on over to a neighboring island to rescue a fellow plane spotter in danger of capture by the Japanese.

Alas, the fellow plane spotter is dead. Walter instead finds Catherine Freneau, a very proper, teetotaling, but attractive French schoolteacher with seven young girls in her care. Stranded on the neighboring island, she asks Walter for help. He reluctantly agrees, and they all return to Walter's home base. And then...

Well, I won't give the story away. Needless to say, fireworks erupt between Catherine and Walter, and the classic battle of the sexes is on!

This is a very funny movie, although it's probably better for the guffaw and the bellylaugh, rather than the outright howl of laughter. Grant is superb in his role as the gruff but kind-hearted Walter (a refreshing departure from his usual role as a romantic "smoothie"), and Caron nearly steals the show with her comic portrayal of the equally warm-hearted schoolma'arm hiding behind a facade of old-fashioned primness.

If you like a good old-fashioned romantic comedy with great action, a superb plot, sparkling screenplay, lots of laughs, AND featuring your favorite stars...you'll love Father Goose!

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"Father Goose" is a lot of fun and is arguably Cary Grant's funniest and finest film. Yes, he was great in "Charade", "North by Northwest", "Notorious", etc -but here his honed skills and comedic timing pay off in this very funny film and makes it well worth seeing. You don't have to be a Cary Grant fan to enjoy this film -but after seeing it, you will be.

"Father Goose" was nominated for Best Picture (Musical/Comedy) by the Golden Globe and won an Oscars for Best Writing, Story and Screenplay Written Directly for the Screen in 1965. The cast, production, direction, photography, story -all are top notch.

The film looks terrific on DVD with an aspect ratio of 1.85. The South Pacific cinematography adds greatly to the visual impact of this film. There are brief bios and filmographies of the priniciples. That's all. No further extras. This film is 16x9 enhanced.

Highly recommended!

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Thursday, June 19, 2014

Pals of the Saddle (1938)

Pals of the SaddleThe Three Mesquiteers tangle with secret agents in a race to keep the villains from smuggling deadly monium gas to foreign governments. If nothing else, the Three Mesquiteers series "modernized" the Western. This movie begins with a blazing WWI battle scene depicting European armies pounding each other. Historical details are vague. Maybe it's some other European conflict. Anyway, the 3M encounter a '30s Emma Peel-type secret agent at a dude ranch. She is woking for the U. S. Secret Service. Depicting a strong, independent woman is another positive innovation of this little picture. Republic Studios was excellent at producing fast moving B Westerns that stressed outdoor action. Intrusive musical numbers were thankfully absent in the 3M series. Lullaby (Max Terhune) provides ventriloquist comic relief via Elmer, the dummy. Stony (John Wayne), Tucson (Ray Corrigan), and Lullaby are a three man army that stand off the bad guys until the Border Division of the 81st Cavalry arrives. This could be the only sighting of WWI era cavalry in a B Western. Before he became a major star, John Wayne was a familiar face in B Westerns. The VHS edition of this flick is recorded in the EP mode. This is great Saturday matinee fun. Today's high-tech youth may be a little puzzled at first, but cowboys and blazing six-guns can interest even the most plugged-in kids around. Saddle up and ride, pardner. ;-)

Republic Pictures presents "PALS OF THE SADDLE" (28 August 1938) (54 mins/B&W) (Fully Restored/Dolby Digitally Remastered) -The series was based on a series of western novels by William Colt MacDonald, which began with "Law of the .45's" in 1933 --The Three Mesquiteers is the umbrella title for a series of 51 western B-movies released between 1936 and 1943, including 8 films starring John Wayne --The name was a play on The Three Musketeers, and each film featured a trio of stars --The series blended the traditional Western period with more modern elements, which was not unknown with other B-Western films and serials --Towards the end of the series, during World War II, the trio of cowboys were opposing Nazis --The Three Mesquiteers series was extremely popular at the time of its release --The series was the only one of its kind to be specifically named and ranked in contemporary polls of the top western film stars --For example, from 1937 to the end of the series in 1943, The Motion Picture Herald consistently ranked the series in its top ten, reaching a peak of 5th place in 1938, when a pre-Stagecoach John Wayne was the series lead

Under the production staff of:

George Sherman Director

Betty Burbridge Screenwriter

Stanley Roberts Screenwriter

Reggie Lanning Cinematographer

Cy Feuer Musical Direction/Supervision / Composer (Music Score)

Tony Martinelli Editor

William A. Berke Associate Producer

Our story line and plot, Our heroes Stony Brooke (John Wayne), Tucson Smith (Ray "Crash" Corrigan) and Lullaby Joslin (Max Terhune) members of the Three Mesquiteers returning a lost item to Ann (Doreen McKay), Stony arrives just two men shoot each other --Ann is a Government Agent and she gets Stony to replace her now dead partner --An important chemical is being smuggled out of the country and she sends Stony to the storage facility posing as the foreign Agent --He fools the guards but the boss arrives to expose the hoax and Stony is made a prisoner --Director George Sherman paces this 54-minute effort like a Republic serial, with excellent results --Ray Corrigan as Tucson Smith does some camera mugging, a comedic style for which he has never been properly acknowledged --John Wayne, is, well, John Wayne, a presence to be reckoned with --The Duke's "Listen Mr. Big Chest" remark to Corrigan as they duel verbally over the femme interest is a great moment. Undoubtedly unscripted --"Pals of the Saddle" is the first of eight Three Mesquiteer series westerns that John Wayne made for Republic's 1938-39 season --During this time, "Stagecoach" would be released, and the rest, as they say, is history --Granted, Max Terhune as Lullaby Joslin has too many "I'll look after the horses!" moments but he is not left to get lost.

the cast includes:

John Wayne ... Stony Brooke

Ray Corrigan ... Tucson Smith

Max Terhune ... Lullaby Joslin

Doreen McKay ... Ann aka Mirandy, Secret Service Agent

Joseph Forte ... Judge Hastings (as Josef Forte)

George Douglas ... Paul Hartman (Foreign Agent)

Frank Milan ... Frank, Secret Service Agent

Ted Adams ... Henry C. Gordon (Smuggler)

Harry Depp ... Hotel Desk Clerk

Dave Weber ... Russian Musician

Don Orlando ... Italian Musician

Charles Knight ... English Musician

Jack Kirk ... Sheriff Johnson

Special footnote -The 32 year old John Wayne was fortunate enough to have talented writers around him to write novels that could be adapted into vehicles for his career, as well as short stories and screenplays that would immortalise him as the American hero --This film is one such example --When you watch this film you're not watching it for the story (like you would do in 'Rio Grande' or 'The Man Who Shot Liberty Valance'), you're watching it to see John Wayne in action --He is the romantic embodiment of what it was like for the settling community to live in the post-civil war era --Despite the fact that most of these westerns distort history, what Wayne delivers gives you access to his humanity --That's what we like about him.

BIOS:

1. John Wayne (aka: Marion Robert Morrison)

Date of Birth: 26 May 1907 Winterset, Iowa

Date of Death: 11 June 1979 Los Angeles, California

2. Ray 'Crash' Corrigan (aka: Raymond Benard)

Date of Birth: 14 February 1902 Milwaukee, Wisconsin

Date of Death: 10 August 1976 Brookings Harbor, Oregon

3. Max Terhune

Date of Birth: 12 February 1891 Anderson, Indiana

Date of Death: 5 June 1973 Los Angeles, California

If you crave action, drama and plenty of adventure check out other western double features --Ask Amazon.Com to carry the volumes as they are not available on Amazon as of yet --you can order and pick up your copy now from VCI Entertainment

THREE MESQUITEERS WESTERN DOUBLE FEATURES FROM VCI ENTERTAINMENT

VOL 1 -GHOST TOWN GOLD & COME ON COWBOYS (VCI #7215)

VOL 2 -HIT THE SADDLE & HEART OF THE ROCKIES (VCI #7218)

VOL 3 -THE THREE MESQUITEERS & ROARIN' LEAD (VCI #7254)

VOL 4 -PURPLE VIGILANTES & PRAIRIE PIONEERS (VCI #7277)

VOL 5 -OUTLAWS OF SONORA & WEST OF CIMARRON (VCI #7290)

VOL.6 -CALL THE MESQUITEERS & RIDERS OF THE WHISTLING SKULL (VCI #7310)

VOL.7 -GANGS OF SONORA & PIONEERS OF THE WEST (VCI #7321)

VOL.8 -CODE OF THE OUTLAW & OKLAHOMA RENEGADES (VCI #7330)

VOL.9 -GAUCHOS OF EL DORADO & OUTLAWS OF CHEROKEE TRAIL (VCI #7332)

VOL.10 HEROES OF THE SADDLE & THE KANSAS TERRORS (VCI #7337)

VOL.11 RIDERS OF THE RIO GRANDE & SHADOWS ON THE SAGE (VCI #7339)

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --If you're into the memories of B-Westerns with high drama, this is the one you've been anxiously waiting for --please stand up and take a bow --all my heroes have been cowboys!

Total Time: 54 min on VHS/DVD ~ Republic Pictures ~ (4/15/1997)

Buy Pals of the Saddle (1938) Now

Again a Three Mesquiteers Picture so sharp and clear it's like being in the movie theater. The famous trigger trio is here played by young John Wayne, Ray "Crash" Corrigan and Max Terhune. The plot is exciting, the story intelligent and witty and there are lots of great action. Doreen McKay is a very convincing heroine and it is good to see mainstays like Jack Kirk and Ted Adams. This one is highly recommendable for b-western fans and for newcommers who would like to explore the magic of the genre.

Read Best Reviews of Pals of the Saddle (1938) Here

Love the Mesqueteer series. The eight films with John Wayne as "Stony Brook" are my favorites. The music in the Wayne films is the best. Pure B western. I can watch them over and over again. Wish they would put the series out on DVD.

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Thursday, June 12, 2014

Pitch Black (Unrated Director's Cut) (2000)

Pitch BlackPitch Black was arguably one of the most overlooked films of the early year. Although the setting of the film could seem routine to a casual viewer(space travelers stranded and bickering on a hostile planet infested with alien nasties), director David Twohy's wonderful use of color and stylistic flourishes more than makes up for any trivial complaints.

For those of you curious about the film's plot, it deals with a group of marooned space "passengers" who spend the majority of their time searching for a way to evacuate a harsh desert planet. Their efforts are unexpectedly forced to quicken however when they discover a particularly vicious type of nocturnal alien ready to emerge to the planet's surface during an eclipse.

Viewers can't help but like the film's villainous hero(played by Vin Diesel of Saving Private Ryan and Boiler Room)who brings to memory Arnold Schwarzenegger's famous role as the Terminator.

The film looks and sounds great and has more than a few moments of nail-biting tension thrown in for good measure. For Science Fiction fans this is a must-see. And as for the rest of you, try giving this fine movie a chance.

You'll thank me when you do.

I rate movies along simple lines. There are classics, there are flicks and there are horrible pieces not worth the film that they were printed on. I sorrily skipped Pitch Black in the theatre. The trailer was horrible. I couldn't make out *anything* about the movie and had no interest in seeing it. Thankfully, on vacation, I was holed up in a hotel that had Pitch Black on pay-per-view and decided to give it a try. I was stunned. Not only did I wish I had seen it in the theatre to truly appreciate the special effects but I enjoyed the quirky dialogue between the characters. I appreciated the seeming abandon with which character upon character is removed from the story line without my abilities of prediction serving me in the slightest. The dialogue is often cheesy. These people are space faring commoners and the movie revolves around the predicamnet they face and not their lives. Their lives form the substance to which I temporarily attached care for each. Short-lived as it may be, this care for the characters extended throughout the movie and left me feeling very satisfied. I recommend this movie as a flick. It should have been seen by all in the theatre but we weren't all so fotunate. Check it out by yourself and if you like it pull the friends around. Give it a chance. Van Diesel is what it's all about. You'll recognize him from Saving Private Ryan. The washed out scenes reminded me of Gladiator and Three Kings. The world as seen through the eyes of the aliens put me back in Fincher's Alien3. While ultimately the plot is fantasy I let this movie take me away, in much the same way we all let Star Wars (the first three) move us and Starship Troopers moved us (appealed to our collective bizarre fascist sensability or something). Have fun with it. I know I did.

Buy Pitch Black (Unrated Director's Cut) (2000) Now

No need for a plot overview: If you're reading the reviews, you have probably already seen the movie that launched Vin Diesel's career. This was the very first Blu-Ray movie that I purchased from Amazon after getting a player last year, and watching it in High-Definition was simply amazing.

I had already seen Pitch Black on DVD, and based on the sounds and visuals, I figured that Blu-Ray would bring the movie to life. I'm glad to say that I wasn't the least bit disappointed. The colors look amazing, the audio is great, and the level of detail was just unreal. I did read a few comments from other reviewers about the Blu-Ray freezing up on them, but fortunately that has never happened to me. I've since purchased countless Blu-Ray movies, but Pitch Black is easily one of my favorites to watch in HDTV.

Read Best Reviews of Pitch Black (Unrated Director's Cut) (2000) Here

With the release of The Chronicles of Riddick (2004) aka Pitch Black 2, Universal Home Video has decided to try and squeeze a bit more juice from the original film, releasing a Special Wide Screen Unrated Director's Cut edition. Is it worth it, for all of you out there who've already bought one of the numerous previous releases? I'll answer this question later. Pitch Black (2000) was directed by David Twohy, better known to me for his writing credits, specifically the Kevin Costner suck fest Waterworld (1995). Despite that particular credit, he did write and direct The Arrival (1996), which I did enjoy, but when the hole you're trying to exhume yourself from of is Waterworld, you have a lot of digging ahead of you. The most notable star in the film is Vin Diesel as Riddick, and, while not his first film, this is probably the one that really got him and his bald head noticed by the public. The film also stars Cole Hauser as William Johns, an actor I most recall from the 1993 film Dazed and Confused and sometimes get confused with Ben Affleck, who was also in that movie. Also appearing in the film is the delicious Claudia Black, a woman that any sci-fi aficionado would recognize as Aeryn Sun from the popular Farscape television series and Keith David, popular character actor I recognize mostly from John Carpenter films like The Thing (1982) and They Live (1988).

Anyhow, the film opens on a giant ship traveling through space. We see a number of people in cryo sleep, as since we all know, space travel takes a long time, so in order to pass the extended periods of time, people must be partially frozen, like green peas, and then thawed out when needed. Well, something goes wrong with the ship, and various peoples begin popping out of cryo sleep, as the computer, who probably screwed things up in the first place, now needs people to fix matters. But there's no fixing these particular matters as the ship makes a crash landing on a pretty crummy desert-like planet. As the surviving members of the ill-fated cruise extricate themselves from the wreckage, soon begin to learn more of these individuals. There's the Skipper, Mary Ann, the Professor...wait, that's not right...ah skip it...anyway, we do get to meet Riddick, the only passenger chained and bound during cryo sleep, who manages to escape his bonds, to which Johns begins to run around looking for him. As the others begin looking for water, a couple stay behind, one in particular to begin burying those who didn't survive the landing. As he's digging, he finds a hole, decides to stick his head inside, and poof, he's gone, leaving an awful lot of blood behind...where did he go? We see Riddick standing over the hole, to which everyone assumes he killed the man, but we learn pretty shortly afterwards that's not the case. An investigation turns up some pretty hideous (and hungry) creatures that can only venture out when the sun (or suns, as there's three of them on this world) is down. The stranded individuals eventually find water, in the form of a deserted mining camp. Also in the camp is a space skiff, a small ship capable of getting them off the planet and into space shipping lanes where they would most likely be picked up by a passing freighter. Only problem is the skiff needs power to operate, so heavy power cells from the crashed vessel must be transported to the skiff, and the distance is more than a hop, skip and a jump. Oh yeah, night is falling, causing the indigenous inhabitants to stir, and stir they do...by the millions...by the way, did I mention Riddick has some strange modification to his eyes that allow him to see in the dark? You can see where this might come in handy in the darkness of a planet inhabited by big, hungry, scary, carnivorous nocturnal creatures...

So, is this film any good? Being so inundated by B-movie flicks over the many years of my movie viewing existence, I was pleasantly surprised to find this was actually a very good film with better than average special effects. Okay, originality isn't its' strong point, but certain elements within the story makes it better than most, the key being that there is a coherent story throughout. And real, honest to goodness character development, to the point where I became unsure who was actually going to make it to the end of the film. The presentation of the character of Riddick, the anti-hero, was fun, and the notion of fighting evil with evil, as the tag line states seems a misrepresentation, as I really didn't see the creatures as being evil, only doing what they would normally do...the one character I found most annoying was that of Jack, given his whining and such, and sacrifices made to accommodate him. The element about the story I enjoyed most was that very little seemed to be what it appeared to be, specifically with the major characters and plot lines. Things get a bit topsy-turvy as revelations are made.

So, is it worth buying this version if you've already bought a previous DVD release of the film? Probably not...the special features included are commentaries by the director and stars Diesel and Hauser, additional commentaries by the director, the producer, and the guy in charge of the special effects, which were available on previous releases. The list of new features is listed on this website, but I found very little of them really worth my time, so if you already own a previous version (I didn't), you're not missing much. There was a free movie pass included in the DVD case, one for the new movie The Chronicles of Riddick (2004), so that's pretty sweet, give that going to the theater to see a new film has gotten so expensive.

Cookieman108

By the way, did they rename this film The Chronicles of Riddick Pitch Black? Was this done to help people remember it was the first film with the Riddick character? If so, it was a daft manuver...it will always be Pitch Black to me..

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Pitch Black is the story of a ship that crash-lands on a planet that is a scorching desert with three suns. The survivors of the crash include Fry the ship's pilot (Radha Mitchell), Riddick a prisoner (Vin Diesel) and Johns (Cole Hauser) who is guarding Riddick. While searching their surroundings the cast eventually finds some nasty aliens that live in darkness. And it turns out an eclipse is coming also. The story is relatively simple, however there are quite a few plot twists thrown in that keep the viewer constantly guessing. The effects are quite impressive for a movie of such a low budget. And Vin Diesel is one of the best anti-heroes. Keith David also provides solid support as a Muslim Priest.

The cut presented on the Unrated DVD is 3 minutes longer than the rated. There is no more violence then the R-Rated version. It is actually more character development and a few more scenes that only serve to add to the film. The picture on this DVD is quite impressive. Just watch all the colors that the three suns emit when they are walking along the horizon and you will see how impressive this DVD is. The sound is also very impressive. Especially the DTS track, just watch the opening crash scene with it on and get ready for a full on surround workout with amazing depth and clarity.

The extras however are not as impressive as the sound and video transfers. There are two audio commentaries, one with Twohy, Hauser and Diesel and another with the FX crew and Twohy. The first commentary is more casual were as the second is a technical one. Other than these two commentaries there is nothing of great value on the rest of the DVD. The 20 Minute Pitch Black Rave Event is a waste of space and should be avoided.

This is quite a good Sci-Fi film that is much better than Supernova and most movies that came out in 2000. The Unrated DVD presents the film with an excellent video transfer and two amazing soundtracks with limited extras.

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Thursday, May 22, 2014

Requiem for a Vampire: Remastered Edition (1973)

Requiem for a Vampire: Remastered EditionIf you are unfamiliar with the cinema of Jean Rollin, he made erotic, gothic, atmospheric films. If nudity is not your cup of tea, don't watch his films. You won't get it. Jean Rollin was making films in the 1970's, when film makers where pushing the limits of what they could put on screen. Whether it was nudity, sex or violence. And Jean Rollin used all of them to great effect with his french gothic style to make some of the most unforgettable imagery you will ever see. In Jean Rollin's fantastic 1971 film Requiem For A Vampire, this is most true.

(This is the Third film in a sort of Trilogy. 1: The Rape Of The Vampires (1968) 2: The Shiver Of The Vampires (1970) and 3: Requiem For A Vampire (1971))

The Film starts out with the two main characters (Marie-Pierre Castel and Mireille Dargent) dressed as clowns in car chase shooting at the chaser.

They escape and make it to an eerie castle where they are bitten by bats and meet a Vampire woman.

They are taken to a dark graveyard with a dungeon in the center, drenched in red light where the "Caged Virgin's" are held ("Caged Virgins" was the US title when this film was released in the United States.)

There they meet the last true living vampire, he sends them to find male victims and drink their blood so that they may be initiated as vampires.

They each find a man, Mireille Dargent's character lures her pray to the top of the castle, where she kills him. While Marie-Pierre Castel's charactor find a man, but she finds that she likes him. She loses her virginity and hides him in the castle. She lies and says she found no one.

When they are taken to be initiated, the Vampire knows her virginity has been taken, though it had been there just the day before. Marie-Pierre Castel's character does not tell where he is.

This Leeds to the infamous whipping scene. Mireille Dargent's character is forced under the consequences to whip Marie-Pierre Castel. She hangs by her wrists in a dark dungeon naked, and whipped. Do to censorship at the time, they shot the scene two ways. One with Castel nude and one with her wearing a bra and panties. The one on this release is the original nude scene.

That's as far as I'm going to go plot wise.

A trend I see among many reviews of Jean Rollin's films on here are people saying "not a family movie." I suggest you look a little into a movie before you throw it up on the TV for grandma and the kids to see. The trailer for most of Jean Rollin's films are on YouTube. Though I must say as a word of warning, these movies are basically rated x. No one under 17 admitted.

That in mind, The cinema of Jean Rollin is exquisite, unique and beautiful to look at. And Requiem For A Vampire is, in my mind, one of his best.

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Sunday, May 4, 2014

Hop (Blu-ray + DVD + Digital Copy + UltraViolet) (2011)

HopWith films like Yogi Bear, Alvin & The Chipmunks, Scooby Doo, Marmaduke and worst of all Garfield littering the cinescape with dreadful dreck involving live action people and computer animated cartoon animals, I wasn't exactly jumping for joy when I saw the trailers for Hop. In place of a nonsensical farce filled with more rubbish than a fleet of garbage trucks, in Hop we are treated to a whimsical tale with positive messages and loads of good old fashioned fantasy style fun. Anyone who grew up watching Rankin Bass holiday specials on TV will appreciate the classic themes beautifully updated for the modern day in Hop. Usually it works to advantage, occasionally it falls short.

The visual landscape and the animation of the characters is startlingly realitic and very quickly has you feeling you're just watching a regular movie where animals really do talk and there really is a secret lair of the easter bunny.

Like some other reviewers noted, there is a definite Willy Wonka meets christmas with Santa theme going here, and that's what really works. Visiting the people of the world only once a year and mastermminding the secrecy of the operation, many times the characters seem bogged down with non-information about the world inhabited by people, and thats just classic comedy perfection.

There are some weak points scattered about, but somehow, overall in the scheme of the movie, they are momentary and forgotten immediately as EB, our main character, immediately after a shortcoming does something else heartwarming to endear you to him and his situation.

When I emerged from the theater, I felt as though I saw a very substantial film, quite a task in an animated holiday kids movie, and one that involves Easter, a holiday not usually covered by cinema in terms of kids fare. What holiday can they take on next? I really don't care as long as the result is of the high quality that Hop exhits throughout. If you want a live action animated movie with real substance, hop on over and see Hop.

Fun movie. Certainly for kids. It's not in the category of "Despicle me" or "Toy Story-3" (or 1, or 2) but still lots of fun. In the beginning it has a bit of Willy Wonka feel to it, while more to the end, it leans more to Santa. But it's all Easter-bunny power (sorry for the chicks). I liked it better at the beginning, and the middle. Quite some surprise-jokes there. But somewhere before the end, I get the feeling, the makers suddenly realize they need to bring to movie to an end. From that point on everything gets very rushed and quick-paced and to me the movie looses some of it's magic at that point. But still we had lots of fun. Definitely a movie to watch with the (young) kids.

Buy Hop (Blu-ray + DVD + Digital Copy + UltraViolet) (2011) Now

This movie was a lot better than I was expecting. It was heart-warming, and had the right amount of comedy suitable for any age. E.B. was adorable and hilarious. Russell Brand was the perfect choice. E.B.'s dad is retiring and wants his son to continue on and become the new Easter Bunny, but E.B. doesn't want that life. He runs away to Hollywood to start a new life, but is almost run over by a slacker named Fred O'Hare. Fred is having trouble with his family as well. While Fred is house sitting, E.B. decides to crash with him. Back at Easter Island, a chick named Carlos plots to take over the Easter holiday, unless Fred and E.B. can stop him. I highly recommend HOP!!!

Read Best Reviews of Hop (Blu-ray + DVD + Digital Copy + UltraViolet) (2011) Here

Hop is a really good animated movie for kids. It is not as good as Despicable Me (Illumination Entertainment's first film) but still awesome. I love this animation. It's not just yoyr typical animation design, it has really cool details to everything. Especially the main character and the whole Easter egg and candy factory. One scene that shows an awesome animation and live action hybrid is where the human Fred is a kid and see's the easter bunny. That was my favorite scene too. Out of 10, Hop to me gets a 8.5!

P.S. Why hasn't this movie come out on bluray yet?? It has been exactley 8 MONTHS since it was released in theaters. What the hell universal. I'm dying to see this movie again. Thank you for reading!

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This is a really cute movie. I hope they release it in the US. It has been released in the United Kingdom.

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Saturday, December 28, 2013

Skateland (2010)

Skatelandfirst there was american graffiti, then there was dazed and confused. i always wondered "why not the 80s, i mean i grew up in the 80s and it was great, they should recreate it , then i was standing at the redbox and there it was Skateland.

the only thing that didnt make much sense to me is a couple of time line things. this apears to be set in the 80s and its set around the death of the roller rink (which i remember happening for the most part

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Tuesday, December 17, 2013

Lethal Weapon 2 (1989)

Lethal Weapon 2Okay, let me start by saying you're not going to get any reviews on any of these three movies from me. Anyone who lived through the late 80's and early 90's already know the action greatness of these films that launched Mel Gibson from just being known as "Mad Max". No, my review is solely based on the new "Warner Bros. Triple Feature" packaging of the first three movies in the Lethal Weapon series.

On November 7th 2006, Warner Bros released 23 DVD titles from their library with three films in each case with varied subjects like trilogies, westerns, star's films, animals, and others. But probably the best bang for your buck is this Lethal Weapon set (maybe, maybe the second would be the camp-horror classic "It's Alive" trilogy, which I'll be getting as well). Yes it's true, SOME of these titles will bother most videophiles because quite a few titles offered in these triple features are FULL FRAME only when originally they may have been released in Widescreen when first appeared on DVD (see the Free Willy, Poison Ivy, and 15 Minutes triple features for those disapointments). But not, I repeat NOT, the Lethal Weapon one. This one has all three films presented in Widescreen with the original 5.1 AND DTS audio tracks. To put it simply, you get all three films as they were originally released separately on DVD back in 2000: the Director Cut editions, nothing has been changed whatsoever.

I've read videophiles say, "Well then, since it's THREE movies on only TWO discs, the compression has to be weaker". Wrong. Here's the disc set-up: Lethal Weapon's One and Two are on ONE disc, but it's a DVD-18, otherwise known as "double-sided/dual-layered". Both these movies were released in 2000 as DVD-9's (one-sided/dual-layered). Meaning, it's the EXACT compression as originally, but now you just have to "flip" the disc over to get to the other movie. And the second disc is exactly the same as before, with the Lethal Weapon 3 disc artwork on label & as a DVD-9. So you see, the only thing you really lose in buying this over the 2000 box set is two DVD cases and three discs instead of what you get now, two. I'm pretty sure that's the compression/set-up for all the Triple Feature titles, but Warner chose to instead press the Full Frame side on some of these titles instead of the Widescreen. Why, I have no idea.

Also a plus is the price. At Wal-Mart, I paid only $9.00 dollars for the Lethal Weapon triple feature. Even if I found all three titles separately in the "bargin-bin", I'd still pay at least $15.00 dollars for them. This version is cheaper, but just as good. And the normal suggested retail price is still cheaper than buying them apart, so this really is the way to go.

Finally, alot of fans of the Lethal Weapon series also have claimed "Why not include Lethal Weapon 4?". Well, One: all these releases are under the "Triple Feature" title, not a "Quadruple" one, Two: this one also features "The Unrated Director's Cuts" when 4 was released as "Theatrical Rated R", and Three: alot of people just didn't like 4 to begin with (not me, I thought bringing in Jet-Li really added to the franchise). So that should explain that!

So, if you're on the fence about buying this new "Lethal Weapon Triple Feature", I say do it...but only if you don't own the single Director Cut discs already...because you won't get anything new here. And look at each other Triple Feature title's back cover to see if it's Widescreen or not, and could you live with the Full Frame version of the other titles at such a low cost. So: 3 stars for the entire "Warner Bros. Triple Feature" line, 5 stars for the "Lethal Weapon" title from it.

After recently purchasing a PlayStation3 primarily for its functionality as a Blu-ray high-definition movie disc player, I was really looking forward to seeing some of my all-time favorite films on the new format. I mean, Blu-ray has 50gb of storage capacity on one side of a disc, enough room to pack a pristine 1080p video print and uncompressed 7.1 PCM audio, not to mention loads of extras... Having said that, Warner Home Video really let me down with their first issue of 1989's "Lethal Weapon 2" on Blu-ray disc. This is exactly what I feared they would do. Rather than do the job right the first time out, consumers are being setup for an obvious double-dip on several titles, including the first two "Lethal Weapon" films.

I grew up watching a VHS of "Lethal Weapon 2" with my older brother. He and I both loved this movie and used to watch it constantly, so naturally over the years we hope and pray for vastly improved ways to watch this 18-year old favorite. This Blu-ray disc is NOT that vast improvement we've been waiting for. From the opening frame, what we get is an image so jagged and grainy that it tempted me to insert my "Lethal Weapon 2: Director's Cut" DVD and see if the 480p image upconverted to 1080p was any better. So I did that, and while the DVD did make the Blu-ray presentation look good, that's not saying much. While there's a lot more detail and color depth in the Blu-ray version, there is also the huge distraction of seeing jagged edges around everything and everyone on screen. Just look at the opening frame of the film, where it says "A Time Warner Communications..." etc, and look at the text. Skip into the film a few chapters where we see a fax printing out of a fax machine, and look at the jagged edges around the printed page, everything on Murtaugh's desk... The list of flaws is endless, because it goes on throughout the entire film. Did anyone actually watch this master before sending it off to the Blu-ray duplication factory? The biggest reason why I would consider upgrading my DVD library to Blu-ray is for film-like images and detail, and this is one title where the studio needs to mint a brand new master from the ground-up if we're ever to see a better presentation. I have two words for Warner Bros: Lowry Digital. See what they did for James Bond? Enough said. Incidentally, after watching the film, I did some searching online to find out if other's have complained about this problem. I found out the technical reason for this is that Warner simply took an existing 1080i master and put it through a process of "vertical filtering" to convert it to 1080p. They did the same thing with the first "Lethal Weapon" film, along with at least five other Blu-ray transfers created from 1080i masters, so I'd be cautious of which early Warner titles you pick up on Blu-ray.

For this initial wave of Blu-ray titles, Warner also decided to do nothing with the format's audio capabilities. Instead, we just get the same Dolby Digital 5.1 track with slightly more detail, but not enough of an improvement to really notice. Where's the Dolby TrueHD or uncompressed 5.1 PCM audio tracks? On top of that, where are the audio commentaries? Come on, "Lethal Weapon 2" is a modern classic, surely deserving an audio commentary with Richard Donner, Mel Gibson, Danny Glover, Joe Pesci, etc. Instead, we get a French language track. Lame.

The extras are equally as unspectacular as the picture and sound. I just don't get how some films are treated to 2-3 re-releases over 10 years, yet the "Lethal Weapon" franchise goes by hugely overlooked in the Special Edition department.

Bottom-line: Don't buy it. I bought it, and I'm returning it. Hold out until Warner gets their act together, creates new 1080p masters from cleaner elements, and gives us a deluxe box set of all four films with new extras. They've proved they can do it with other films, so I'm guessing it's only a matter of time before Riggs & Murtaugh get their due respect on high-def disc.

Buy Lethal Weapon 2 (1989) Now

The previous reviewer is correct on all points, which prompted me to purchase this over the Director Cut Editions individually.

What makes it even better is the DTS audio tracks are full bitrate @1536Kb/s! Most, if not all, DTS DVD's are half-bit rate @768Kb/s (Saving Private Ryan, Jaws, Lord of the Rings Trilogy).

Getting three great films in one package, widescreen, and w/full bitrate DTS for $11 is a once in a life time deal.

Read Best Reviews of Lethal Weapon 2 (1989) Here

The tone is a bit lighter, but the "lethal" action continues unabated and non-stop as two of L.A.P.D.'s finest go after a South African consulate, dirty up to his neck in drugs and hiding behind diplomatic immunity in "Lethal Weapon 2," directed by Richard Donner and once again starring Mel Gibson and Danny Glover. Still crazy, but no longer suicidal, Riggs (Gibson) continues to hunt down the bad guys with partner Roger Murtaugh (Glover), and this time around they find their lives in danger when they get too close to the underhanded dealings of South African Arjen "Aryan" Rudd (Joss Ackland) and his band of thugs. Along the way, they're assigned to baby-sit an informant in a money laundering racket, Leo Getz (Joe Pesci); and Riggs at last finds someone, Rika Van Den Haas (Patsy Kensit), who helps ease the pain of his wife's death, while also discovering who was responsible for the automobile accident that took her life. As he did with the first "Lethal Weapon," Donner keeps it all moving along at a brisk pace, though he allows the intensity level to drop somewhat this time while infusing more humor. There's some "Stooges" on hand, and a bit that finds Murtaugh the target of some office gags after the debut of a television commercial, starring his daughter, Rianne (Traci Wolfe), for a product that takes him by surprise, but the real laughs come courtesy of Pesci, who's upbeat, manic characterization of Getz becomes a real scene stealer. Though serious at the core, this movie is more of a joy ride than the first, though there are moments of true menace and apprehension, as well as a sobering resolution involving one of the featured characters. Performance wise, Gibson is as charismatic as ever, by now settling comfortably into Riggs' skin while further exploring the more intricate details of the character's personality. Glover, too, manages to take Murtaugh to the next level, leaving no doubt as to who this guy is and what he's about, from his dedication to the job, to his even more stringent dedication to his family. And, most importantly, these two really click as a team, and Donner knows just how to bring out the best in them. What really raises the bar in this second installment, however, is the addition of Pesci, who makes Leo Getz a truly memorable character. Inserting him into the mix was a real stroke of genius, and Donner wisely uses him just enough to effectively lighten the mood and counteract the drama. The supporting cast includes Darlene Love (Trish), Derrick O'Connor (Adolph), Steve Kahan (Capt. Murphy), Mark Rolston (Hans) and Jenette Goldstein (Officer Meagan Shapiro). With snappy dialogue, plenty of action and some good guys to root for, "Lethal Weapon 2" is a thoroughly entertaining sequel that more than does justice to the original. Donner knows his territory, and his stars know their stuff and how to deliver it, and that's a "lethal" combination any way you look at it. And what's even more gratifying, is knowing that they didn't stop here; after all the action of the first two, you know there's another one waiting for you. At this point, do not pass go, do not collect two hundred dollars; "Lethal Weapon 3" is available, and it's yours for the asking.

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The summer of 1989 was loaded with blockbusters, yet there was only one movie that I really wanted to see more than any other. In a season that saw such blockbusters as a new Indiana Jones movie, the latest Star Trek picture and Timothy Dalton's second outing as 007, the movie that held the most excitement for me was LETHAL WEAPON 2. Not because of Mel Gibson or Danny Glover or a particular love of the original, but because the love interest came in the very lovely shape of the lead singer of one of my favorite 1980s bands (Eighth Wonder) Patsy Kensit.

Truth be told though, there's not much to Kensit's role here, she is there simply as window dressing in the part of a secretary at the South African consulate. The movie as a whole though is a great, fun ride and is easily my favorite of the franchise.

The plot of the movie involves drug smuggling that is being conducted by officials at the South African consulate. Back in the 1980s South Africa was largely an international pariah because of its policy of apartheid. This made it easy to target them as the villains and their position as diplomats provides them with the protective vbeil of diplomatic immunity. As lead villain Arjen Rudd (played wonderfully by British actor Joss Ackland) comments when confronting the Los Angeles police officers "you could not even give me a parking ticket."

Starting with a chase through the night streets of Los Angeles, the movie races from one action sequence to another rarely pausing for breath in what is a classic cop buddy movie. Both Gibson and Glover make a great team and the interplay between them provides for some really subtle humor.

Which brings us to Joe Pesci, whose humor is about as subtle as a sledgehammer in the role of witness Leo Getz "Whatever you want Leo Getz get it!?" Pesci is at times annoying and at other times loveable, but he is always funny. Obviously he was also a hit with the audience too as he would return in the third and fourth movie of the series.

As a bonus for Kensit fans like myself in the scene where Leo is cleaning Riggs house you can hear Eighth Wonder's biggest hit "I'm not Scared" playing in the background. It's a shame they did not have Kensit's character survive until the end as they had originally planned, but I understand that her death leads Riggs to take the dramatic action that he does.

This is my favorite cop movie (alongside "Beverly Hills Cop" and an entertaining way to spend 114 minutes or 118 minutes if you go with the directors cut.

Scenes included in the directors cut includes Leo using numbers to remember a suspects address and Murtaugh getting some bad news from an auto-repair man after Riggs drives his new station wagon up against a guardrail. Pretty standard stuff that I felt did not add anything particularly.

The directors cut also comes with a making of featurette, cast and crew bios and a theatrical trailer. Here's hoping that one day soon Warner will put out an ultimate edition. Director Richard Donner has already done a great commentary track on the original Suoerman movie and a commentary track here would be welcome also.

Recommended.

Tuesday, November 5, 2013

Trust (1990)

TrustThe film has never looked better, it sounds great too. I wish there was more in terms of extra features, but that is only because what is there is so good. Do Simple Men next, please!

FINALLY!!!!! Finally this masterpiece is available not only on DVD, but BLU-RAY as well!

Trust is an EXCELLENT film. This is the one this is the first "independent" film that got me HOOKED on indie films. I don't like ALL of Hal's stuff, but this one this one is one of my favorite movies of all time! I'm THRILLED to get it on Blu-ray and I just know all of his fans are thrilled as well!!!!

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Quick and in great condition. I've waited so long for this film to be released on anything post-vcr. I am grateful they made the last part of that wait short.

Read Best Reviews of Trust (1990) Here

Hal Hartley fans have been waiting for years for this to be officially released! For many years it has only been available in bootleg versions, unless you had an old VHS copy banging around from the good ol' days. The film looks fantastic on Blu-Ray, and the short documentary reflecting on the experience of making the film is very interesting. If for nothing else, watch the extra to be reminded of how amazing Adrienne Shelley was and imagine the creativity that she still had to give before her murder in 2006.

This film should be seen by anyone who likes indie films with clever dialogue, understated performances and a cadence that only Hal Hartley can create. If you enjoy it the first time, you will go back to it again and again, year after year.

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Trust was a revelation when it came out. It lifts your spirits with its clean and sober, funny and sweet style. The movie allows the viewer to cast their own feelings into the scene because the acting is delivered with that neutral affect that became a signature of Hartley. It's a unique gift to Indie film. So glad it's out on Blue Ray. My Adrienne Shelly crush began here. She was so totally funny and endearing on-screen like no one I'd ever seen. Oh, and ridiculously sexy. All the acting is first class, but Shelly won our hearts. (BTW (...).adrienneshellyfoundation.org)

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Friday, October 11, 2013

Batman (1989)

BatmanThe worldwide success of Christopher Nolan's "Batman Begins" has prompted Warner Bros. to finally release Tim Burton's 1989 "Batman" with an extra disc of special features...and this is an event worth cheering about!

A groundbreaking cinematic achievement (and one of the most expensive films ever produced, to that time), "Batman" was a tremendous gamble, and the story behind the ten-year struggle to bring it to the screen is fascinating! It is a tale of visionaries, beginning with Michael Uslan, a young student/Batman fan, who not only convinced his university to include comics in their curriculum, but, fired up by Richard Donner's "Superman", knew a Batman film could be just as powerful, and took the idea, with Batman creator Bob Kane's blessing, to Hollywood; of Peter Gruber and Jon Peters, who listened to Uslan, after every studio had passed on it, saw the potential, and decided to gamble; of Sam Hamm, who had a "Batman" script in his head, praying to get the chance to write it; and, most importantly, of Tim Burton, whose dark, quirky sensibilities made him THE director to film it, despite only two feature films to his credit.

This remarkable story, with archival footage and new interviews, is the highlight of disc two, but there is much, much more! Did you know that Robin was scripted to make an appearance in the first film? That Sean Young, not Kim Basinger, had been cast as Vicki Vale? That the Batmobile, designed by Oscar-winner Anton Furst, could actually do 95 mph (and that Tim Burton drove it, once?) That the room where disfigured Jack Nicholson received his unsuccessful plastic surgery was actually a studio prop room? Each chapter is a revelation!

Not that there aren't a few disappointments in the presentation; there is no chapter with deleted scenes (although a few moments are shown that never made it into the finished film...a little girl, seeing Batman, asks, in all seriousness, "Is it Halloween?", which causes him to pause, and grin); the 'History' of Batman, despite a wealth of photos and clips from the comics, serials, and graphic novels, does not offer a single visual from the campy 60s TV series (whether this was a refusal by 20th Century Fox, who produced the series, to permit their use, or an attempt to distance the movie from the "ZAP! BAM! POW!" silliness is not explained). Also, the brief appearance of screen legend Jack Palance, as 'Boss Grissom', is largely ignored, other than in Tim Burton's audio commentary, which is surprising. Still, many of the cast share their memories (Billy Dee Williams still expresses disappointment that he didn't get to play 'Two-Face'; Robert Wuhl, regret that after they rewrote his death scene to allow his character to survive, he never appeared in another film in the franchise).

I guess what I'm saying, is...chuck your old copy of "Batman", and replace it with THIS one!

You'll be glad you did!

This film proved to the world that comic book films could be much more than action-packed carnage festivals. This film (and the first sequel "Batman Returns") have so much more to it than that. "Batman" is a gripping and very moving exploration of the psyche; it peers into the souls of not only the Dark Knight, but also those of the people whose lives he changes with his presence. The film is brilliantly acted by its perfectly-chosen cast, which includes Jack Nicholson (the Joker), Michael Keaton (the Batman), Kim Basinger (Vicki Vale), Micheal Gough (Alfred Pennyworth), and Robert Wuhl (Alexander Knox). Tim Burton makes perfect use of his wonderful directorial talents, Anton Furst designs a gothic, beautiful Gotham City, and Danny Elfman's classic musical score further help make this a unique, thought-provoking, and very powerful modern classic, a masterpiece of film noir and grand opera. "Batman Returns shares these wonderful qualities, but, sadly, Joel Schumacher's "Batman Forever" and "Batman and Robin" lose all of that depth and meaning, and become little more than standard mindless action. But, we'll always have Burton's dark vision of a haunted and brooding Batman.

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If you want to look at a superhero adaptation done right look no further than this movie or the latest Spiderman movies. After watching the last two Batman flicks, I had kind of written the series off, but watching this on TV the other night I realized that I had forgotten how good this was. Michael Keaton was perfect as Batman, if you think about it Bruce Wayne is not the most tightly wrapped guy out there, he dresses up as a giant flying rodent and runs around at night in Gotham City beating up on criminals, and Keaton captured this essence perfectly. Kim Basinger was great as Vicki Vale and Jack Nicholson was awesome as the Joker. indeed I'd have to say that this is the last good performance that Nicholson did, after this movie he phoned everything in and cashed in on his Jack Nicholson act.

In addition to a well-written script (the only contrived part being the fact that the Joker had killed Bruce Wayne's parents years before) the sets for this movie were totally cool and like nothing else we had seen at the time. Tim Burton was still a young and fresh director and Danny Elfman scores hadn't become tiring. If this movie looks a bit stale now it's only because so many other movies have imitated it and because Burton and Elfman have become one-trick ponies. However when you look at it as the leader of a cinematic vanguard of action movies you realize how good it is.

Read Best Reviews of Batman (1989) Here

Acclaimed filmmaker Tim Burton brings the legendary caped crime-fighter to the big screen in the spectacular 1989 blockbuster "Batman". In the dark streets of Gotham City, an urban myth known as "the Batman" (Michael Keaton) uses the night to strike fear in the hearts of criminals. When the city is threatened by the psychotic criminal known as the Joker (Jack Nicholson), the mysterious Batman becomes the city's only hope. "Batman" is an outstanding action-packed spectacle that honors Bob Kane's popular creation. Director Tim Burton's unique style gives the story much emotion and depth. Michael Keaton gives a fine performance as Batman/Bruce Wayne and Jack Nicholson is terrific as the Joker. The movie also contains some nice visuals, impressive action, great humor, cool gadgets and a rich music score. The cast also includes Kim Basinger, Robert Wuhl, Michael Gough, Billy Dee Williams and Jack Palance. This comic book film became the runaway smash hit in 1989 and launched a multimillion dollar franchise.

For fans whom been waiting years for a special edition release, "Batman" Special Edition really delivers. The 1989 blockbuster is presented in its original 1.78:1 theatrical widescreen format. The DVD contains a truly vibrant picture quality and an intense 5.1 Dolby Digital sound. Its supplemental extras include a detailed audio commentary by director Tim Burton, the comprehensive 40-minute "Legends of the Dark Knight" documentary, several behind-the-scenes featurettes, "Heroes & Villains" galleries, theatrical trailers and three music videos by Prince. With such new bonus features, "Batman: Special Edition" obtains an "A".

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The film:

Disclosure Batman was the first movie that really knocked my socks off as a kid. I saw it several times in the theater, and it ignited a decade long love of comic books for me (that ended when I moved out on my own and didn't have the money any more). So reviewing this film is an exercise in taming my nostalgia.

It is a very good movie. It's got some very good performances, especially Keaton and Nicholson. The story overall is strong, intertwining the origins of the two principals. It gets a bit flabby in pacing at the end, and about 10 minutes could have been cut. The ending is easily the worst bit, as Batman suddenly becomes rather homicidal, in contradiction to well-established characterization in 50 years of prior stories. Some of the effects work doesn't stand up very well today, with obvious model shots and some pretty bad animation which would now be done by CGI. Actually, what strikes me now is how "low budget" it seems at times, if you're looking for it anyway (and the vision is generally so powerful that you might not but then I've seen this film a good 20 times).

Overall, the fractured vision of Tim Burton and designer Anton Furst, married to a tenuous grip on reality (which was completely gone by the sequel, unfortunately), makes this compelling viewing. It's not as good perhaps as the new Nolan movies. But it's a classic. It inaugurated the boom of comic book movies that we are still enjoying/suffering through today. Kids 8 to 80 should enjoy this film. It's well worth owning as a home video.

The Blu-Ray:

This video transfer is very faithful to the original film. Which is to say, it's drab, dark, monochromatic, and not at all the kind of thing you want to demo your shiny new HDTV with.

Don't get me wrong. This looks better than the previous two DVD editions. When a scene is lit reasonably well, you can see pretty good detail in hair, facial wrinkles, and wet pavement. But the overall dynamic range of the image, from dark to light, is pretty flat. This is a very dim-looking movie. The audio is a competent Dolby TrueHD 5.1 channels mix.

Extras are comprehensive, but they are all in SD, and they are all recycled from the previous 2 disc collector's edition. There are LOADS of cast interviews, production featurettes, and one large documentary which is a 70 minute cut from the one that spanned all four "original" movies. All told I would guess there are about 3 hours of featurettes, most of which are pretty worthwhile for Batman fans. Irritatingly, most of them do not have a "play all" option. So you're forced to navigate a large menu full of small type and try to remember what you've already seen. Argh.

Burton's commentary is very entertaining. He only trails off one or two times in the 2 hours of the film. He starts to repeat himself a bit by the last half hour, but overall it is very engaging, loaded with information, and has plenty of honest opinion from the director.

***********

If you own the 2 disc collector's edition on DVD, I'm not going to say this is a strong recommendation. It's just not that much of an upgrade. All of the extras are the same, and the transfer isn't one of those revelatory HD experiences.

If you don't already own it, and you're looking to expand your comic book film collection, then definitely go ahead and pick this up. It laid the groundwork for all the films we've gotten since. It's easily the best of the original 4 Batman movies.

Saturday, September 21, 2013

Man on a Ledge (2012)

Man on a Ledge"Today's the day that everything changes, one way or another." After Nick Cassidy (Worthington), a convict doing 25 years for theft, escapes from custody he ends up in a hotel. After his planning is complete he climbs out on a ledge in order to prove his innocence. This is an exciting movie that is very tense almost from the beginning and doesn't let up till the end. Not only are you on the edge of your seat wondering what Nick will do, but there is also a diamond heist going on at the same time that keeps you holding your breath. For this type of movie the cast isn't really all that amazing, but this is an exception. The cast is super in this and that actually adds to the enjoyment and gives the movie a more serious feel. This is a movie that keeps you guessing all the way through and is full of excitement. There were a few over-the-top scenes that made me laugh, but the movie was good enough to overcome those parts. I highly recommend this one. A really fun "popcorn" movie. Overall, very entertaining and fun to watch. I liked it. I give it a B+.

"Man on a Ledge" is a movie in which a man contemplates jumping to his death. Who is he? Why is this his chosen method of suicide? And why is he so insistent on dealing with a particular police negotiator?

Nick Cassidy (Sam Worthington) is an escaped, convicted diamond thief with an elaborate plan to clear his name. After checking into an upper-floor room at Manhattan's Roosevelt Hotel, he orders a hefty meal, then exits the window and positions himself on a ledge. People below notice him and soon the police are called in. When a cop attempts to talk him in, Nick asks to speak with a different negotiator, Lydia Mercer (Elizabeth Banks).

Mercer has been ostracized by her peers recently because she lost a previous jumper. Her self-assurance has been tarnished, and she is perplexed as to why this potential suicide has requested her. The cops dust for fingerprints to identify the would-be jumper, but the room is clean. So Nick's identity remains unknown to them for quite some time.

Ms. Banks never convinces us that she has risen to the rank of detective and been entrusted to such sensitive work as negotiator. She has fashion model looks, and doesn't have the command the role requires. A better casting choice would have been someone like Frances McDormand, Debra Monk, or Stockard Channing -older women who could convey a harder edge than Ms. Banks.

Much of the plot involves a scheme Nick has engineered, and we gradually see it unfold. It is convoluted, depends on split-second timing, and is the kind of plan that could work only in a screenwriter's imagination.

Worthington ("Avatar") is adequate as the enigmatic man on the ledge, though he fails to bring any distinction to the role. His Nick is determined to call the shots, and it soon becomes obvious that his threat to jump is masking a far more clandestine plan.

The supporting cast is impressive. Jamie Bell plays Nick's brother, Joey; Anthony Mackie is Nick's former co-worker; stone-faced Titus Welliver plays the cop in charge of the operation to get Nick off the ledge; and Edward Burns plays Det. Dougherty, the negotiator Lydia replaces.

As a thriller, "Man on a Ledge" works reasonably well. A large part of the movie involves an intricate caper that occurs as Nick teeters 25 floors above the street. The mystery unfolds as the police, Nick's family, a wealthy businessman (Ed Harris), dirty cops, and Nick himself converge in the film's denouement.

Rated PG-13, "Man on a Ledge" is not a bad movie, just a so-so one. There's a sense that we've seen the film before and the screenwriter has cobbled together scenes from previous movies. For a theatrical film, it has a decidedly TV-movie feel, although the crowd scenes and New York filming are impressive. Asger Leth is a competent director, not an inspired one. He has a good sense of pace and the movie never bogs down.

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Sam Worthington is convicted of a crime he claims he did not commit. He goes out on the ledge of a building, in what we know early on is a diversionary tactic as he conspires with his brother (Jamie Bell) to prove his innocence. He requests Lydia "Grim Reaper" Mercer (Elizabeth Banks) to be the person to talk him down. By the nickname, her track record of talking people down has been less than desirable. She is hungry to save someone while fighting her hangover.

The film uses a good intense sound track to raise the thriller level as Jamie and his girlfriend (Genesis Rodriguez) attempt to prove Worthington is innocent.

Good intensity. Minor expected twists.

F-bomb, no sex, no nudity, Genesis Rodriguez in bra/panties.

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I don't normally write reviews unless it is really good or really bad. This movie was really good; one that I would watch again. It kept my attention throughout, with surprise plots. I thought the actors did a great job. It is one of those movies where you can't figure out who is the good guy and who is not...(without giving too much away). If you liked the movie The Negotiator, you will most likely like this one.

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Great movie, would recommend. Great suspense, drama, and action. With a good plot and cast in the movie. Liked it allot story line is good X-cop setup goes to prison and then plots his revenge and eventually gets it.

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