Showing posts with label cheap blu rays movies. Show all posts
Showing posts with label cheap blu rays movies. Show all posts

Monday, October 13, 2014

Twilight Saga: New Moon (2010) (2010)

Twilight Saga: New MoonWARNING: This edition DOES NOT contain all the special features available with the New Moon release. Summit did an evil, evil, manipulative thing with this DVD release and divided up the special features among multiple retailers.

On Amazon you have just the standard discs with a limited number of extras.

If you buy your version at Target, you get an extra disc with Deleted Scenes, Interview with the Volturi, Fandimonium, The Beat Goes On: The Music of Twilight, and Frame by Frame: Storyboards to Screen.

If you buy at Borders, you get extras including Extended Scenes.

And if you buy at Walmart, you get a Sneak Peek at Eclipse (which includes an Eclipse scene), Team Edward v. Team Jacob, Becoming Jacob, Introducing the Wolfpack, Jacob Fast Forward, Edward Fast Forward, and Shooting in Italy.

Summit's hoping you buy THREE copies so that you can get to see all the special features they divided up. Don't give them the satisfaction! Buy one and call it a day!

Amazon only sells the Blu-Ray 1-disc "Special Edition," with very limited special features if you want deleted scenes and more, you must buy the 2-disc "Deluxe Edition" from Target! If you're just a casual movie watcher (and this review isn't for the movie, but rather the Blu-Ray disc package) and are just interested in seeing the film, with some "making of" and music video-type extras, this edition is just fine. However, if you are (or are buying for) a more devoted Twilight fan, you will definitely want to purchase the "Deluxe Edition" with the second disc that is (to the best of my knowledge) only available at Target stores. It includes all the bonus stuff found on the Amazon version, along with these 2nd disc extras: Deleted Scenes; Introducing the Volturi Featurette; Frame by Frame: From Storyboard to Screen Featurette; Fandamonium: A Look at the Die Hard Fans; and The Beat Goes On: The Music of New Moon Featurette. The Amazon Special Edition has none of those, but costs $5 less. The "Deluxe Edition" also has a collectible film cell. I made the mistake of pre-ordering from Amazon without knowing that there would be two versions, so am forced to return mine to get the better version for the Twilight fan in my family.

Buy Twilight Saga: New Moon (2010) (2010) Now

Let me say, I LOVE the "Twilight" books. Like, REALLY LOVE them. I love to read, and I usually read the classics. I'm a Jane Austen, Elizabeth Gaskell, Bronte Sisters kind of girl. My friend insisted for two years that I should read "Twilight", but I kept thinking, "Teen vampire romance? Not my kind of book." Finally, this 29-year-old mother of three was on a flight by myself with some time to read, so I bought "Twilight". I absolutely DEVOURED it--I read one book a day until I had finished the entire saga in four days. Luckily, "Breaking Dawn" had just been released, so I didn't have to wait. The "Twilight" books are my absolute FAVORITE guilty pleasure--I love the fluff, the cheesy dialogue, the LOVE--all of it.

For me, "New Moon" really needed to redeem all that was wrong with the "Twilight" movie. After watching "Twilight" last year, I was SO disappointed. Catherine Hardwicke had just taken our beloved series and turned it into a made-for-TV movie. I laughed at all of the wrong places. How Bella and Edward fell in love was completely rushed. I could go on. Melissa Rosenberg butchered the book and everything that made me obsessed with it. Sure, "Twilight" was fun to watch because it was "Twilight", but the portrayal was so, so, so wrong on so many levels. My favorite book had been reduced to lines like "spider monkey."

WELL, "NEW MOON" JUST MADE UP FOR EVERY CATHERINE-HARDWICKE WRONG! FANS OF THE BOOK WILL ADORE THIS MOVIE. Edward actually smiles! The acting was SO much better, the visuals were stunning, and the dialogue was much, much improved over "Twilight". I honestly didn't want it to end. It stayed so true to the book we all love, and the little additions were perfect. I really felt like I was watching Bella on screen--Kristen Stewart was spot on. Every expression, every sad word was perfect. AND THEY SAID, "I LOVE YOU," something that was blaringly absent in "Twilight". Chris Weitz has made a stunning, gorgeous film that lovers of the book will adore! **I secretly wish he could remake "Twilight". This is what "Twilight" should have been!** This closet Twilighter was pleased beyond belief.

It seems like most of the critics' negative reviews have problems with the plot, the story, etc. Well, if you like the book and, therefore, like the plot and the story, you will love the film because Chris Weitz is true to the book beyond what I could have imagined or hoped for. This movie felt like it was made for the fans, so I can understand that if you're not a fan of the series how it may feel like a laboured effort to watch "New Moon". But if you love Bella and Edward **and even Jacob--Taylor Lautner was FANTASTIC in this!**, you will leave wanting more!

Chris Weitz for "Breaking Dawn"!

Read Best Reviews of Twilight Saga: New Moon (2010) (2010) Here

I wasn't expecting to like it very much but I found New Moon to be very nearly perfect, however I cannot speak to how the movie comes off to those who did not read the books. This movie is a gigantic improvement on Twilight. Thank you Chris Weitz! Can we re-do Twilight now?

This assessment includes, of course, accepting that the movie was 2 only hours long. We can argue around in circles whether the movie should have been longer, but in the standard 2 hours that it had, the movie covered everything that had to be covered. If you found yourself wanting more of a scene or an extra scene, what would you have cut to include it? I would have liked to see Edward smile more, see his sense of humor, and to have been reminded of how happy he and Bella were together up until the fateful birthday party, but alas there was no time. I will be very irritated though if we don't get a longer director's cut on the DVD.

My assessment also includes an acceptance of the source material as it is. The plot is the plot and if it's boring on screen to those who haven't read the books, I understand, but as a visual representation book, the movie was terrific. Also, as intriguing as Stephanie Meyer's characters are, there is sometimes a lack of depth to their thoughts and motivations which readers fill in for themselves. I thought that the actors did a great job filling in the details with the scenes that they were given which, in part, goes back again to the time restriction issue. Bella in the books is, to some degree, a blank canvas. While Bella describes Edward's every facial expression and tone of voice, she does not delve too deeply into herself as far as how others might see her. This is a choice that the author made and we are left with only what thoughts Bella chooses to share with us as readers (And I don't think that she shares everything with us). Kristin Stewart manages to give Bella three-dimensional life in this movie just as she did in Twilight. Kristin's Bella might not be the Bella that you have in your head but she creates a viable version of the character.

I, for one, did like the minor changes to the plot that were made. Most of them were done as necessity to summarize the plot, and I thought that they were well executed. One change in particular, however (the secret twist at the end) was a departure from the book, but I thought that it fit exactly with the direction that the story is going in. I actually thought (yes, this is blasphemy) that the end was an improvement on the book and a better set up for what is to follow in Eclipse.

Overall, the acting was much improved. Bella was still Bella, Edward was no longer shy and creepy, and our little Jacob was all grown up. Taylor L. was wonderful and captured Jacob's transition from a happy boy to an intense werewolf very convincingly. I was looking carefully for over acting from the three main leads but I didn't find any. At least nothing that was outside of the over sappiness of the books themselves. I actually found the blush worthy things that Edward says more palatable coming out of Rob's lips than I had when I had read them to myself. Here again is an actor breathing life in to a character and making those corny lines sound believable.

The supporting high school cast was still a bit silly but I think that the movie was playing to the younger crowd with them. There were things to laugh at but most were intentional and the book had it funny moments as well. However, the little house on the prairie scene (Alice's vision) should have been re-thought. That was painful and it didn't convey what it was supposed to convey anyway unless you happened to notice Bella's newly golden eyes.

Aro and Jane were great and Felix gets a bit more action than in the book, but overall the Volturi were not well-developed. The Cullens were barely seen and I didn't like Jasper's new hairdo but the story's not about them anyway.

I didn't like how the soundtrack was used in the movie except for a few songs that were well placed, like Possibility. Most of the others were fuzzy background pieces. And as a HUGE fan of DCFC and was very unhappy that their wonderful song was relegated to the second song over the credits. In my mind this song needs to be played dramatically as Bella runs wildly through the woods after Edward: EVERYTHING, EVERYTHING ENDS (Sing it with me folks).

The visual effects were great, not revolutionary but believable and that's fine by me. My only requirement was that the effects did not distract from the movie as they did in Twilight. This is not an action film.

So, in my opinion, the movie was well worth seeing.

Want Twilight Saga: New Moon (2010) (2010) Discount?

So personally I'm a fan of the Twilight books, and while this film is much better than Twilight (not that this is saying much), it still waters the novel down to the point where it's rendered a shadow of its "paper and ink self." I actually feel kind of sorry for Bella-the-book-character because her depression is portrayed as solely the result of getting dumped and, as several reviewers have already noted, is doused with all these teen angst themes when in the novel it's much more complex. She's a young girl who's always related poorly to most people, and Edward and his family are among the very few whom she feels on the same wavelength with; they've essentially become her family and she's already made the choice to become one of their kind one day, and when he leaves her she loses all of that and to her mind, it really is "like she had died." To me that makes her emotional state understandable within the context of her one-track mind and marked lack of cynicism, but of course all that gets glossed over in the film and it's just this blank character with no ambition other than to be with Edward in some way. What's more, Kristen Stewart's empty expressions through it all made me gag, but at least they were somewhat better there than in Twilight.

Still, I thought Taylor Lautner did very well in both films, especially for his age, and all of the actors playing the Quileutes more than made up for Bella's lack of acting skills. However Michael Sheen took the cake with Aro: he portrays the creepily manic, greedy, utter-know-it-all of the books to a "T" and for me his hysterical laugh when Jane failed to torture Bella with her mind was the best part of the whole movie. It has its good bits and its decent bits, but the script is crap and sounds even crappier to viewers unfamiliar with the novel, since for most of the cast the most clumsily delivered lines come straight out of it.

All in all, the film is an okay rendition of the book, but far too manipulated to suit the commercial preferences of ninth-grade girls to appeal to much of an adult audience outside the Twilight fanbase.

Saturday, October 11, 2014

Up in the Air (2013)

Up in the Air(2008 HOLIDAY TEAM) As someone who has both laid off staff and a year later, became the victim of a layoff after twelve years with the same company, I had a personal interest in seeing how director/co-screenwriter Jason Reitman (Thank You for Smoking, Juno) was going to adapt Walter Kirn's smart, unsettling 2001 novel. Even though eight years have elapsed since the book's publication, the filmmaker along with co-writer Sheldon Turner manages to deepen Kirn's themes in this wry, emotionally resonant 2009 dramedy and make them even more relevant with the pervasive downsizing of corporate America. The movie also manages to surprise even when certain plot turns seem evident before they occur. Initially, there is a veneer of cynicism that makes you think the story will be an abject lesson in the impermanence of life, but instead, it evolves into one man's journey into the heart of the emotional turbulence he had been careful to avoid. Toward that end, Reitman seems to be inspired by Alexander Payne's equally perceptive road movies, About Schmidt and Sideways, films that reflect a similar storytelling style.

The plot focuses on laser-sharp corporate layoff consultant Ryan Bingham, a man who regales in the impermanence of life by traveling 322 days on the road, informing targeted employees that they are about to lose their jobs. There is a necessary callousness in his approach, but he knows it's necessary to be present and honest when it comes to conveying the unpleasant news. Bingham is also a motivational speaker who espouses unburdening one's life of possessions and fitting everything essential within the confines of a backpack. Proving his case, he lives in hotels, airplanes, and airport terminals with his one life goal being the seventh person to collect ten million frequent-flier miles. If you can get past the Spartan one-bedroom apartment he keeps in Omaha for the 43 days he is forced to be at home, the hatchet man appears to lead a charmed if rather solitary life. Complications, however, ensue on both personal and professional fronts.

Bingham meets a fellow transient traveler named Alex Goran in an airport lounge and assesses that he may have found his soul-mate, so much so that he invites her to come to his estranged sister's wedding in Wisconsin. Meanwhile, Bingham's boss wants to introduce a new strategy proposed by a fresh-faced, post-grad school upstart. New hire Natalie Keener suggests using remote teleconferencing to perform the layoff notifications. Since the new technology is the antithesis of Bingham's one-on-one method, he brings Natalie along on the road to show her how it can't possibly work. In a role that feels custom-tailored to all his strengths, George Clooney plays Bingham with an emotional precision that complements his charismatic persona which pivots between swaggering and self-effacing. On one hand, it's his most definitive movie-star role, and yet Clooney has never revealed as much about himself onscreen.

The always watchable Vera Farmiga (The Departed, Down to the Bone) is sexy and confident as the woman who seems perfect for Bingham, even though their adroit compatibility could not possibly sustain an actual commitment. Their interplay is fun to watch because there is a Cary Grant-Rosalind Russell-level rapport that keeps both on their toes. Anna Kendrick (Twilight) is winning as Natalie even if her character's naiveté feels a bit manufactured at times. Jason Bateman has a field day playing Bingham's smarmy boss, while Amy Morton, Melanie Lynskey, and Danny McBride (Pineapple Express) plays their accustomed types with aplomb as members of Bingham's immediate family. In cameos, J.K. Simmons (Juno) and Zach Galifianakis (The Hangover) sharply play two of the victimized employees, but for the rest, Reitman uses non-actors replaying their recent experiences of getting laid off. As usual with Reitman's films, it boasts an eclectic soundtrack that works really well with the storyline.

Hard to understand how a movie that manages to make you feel down in the dumps in many instances can have you laughing out loud the rest of the way. Perhaps because UP IN THE AIR is a movie so very full of surprises and complete knowledge of its main subject (I swear the next time I go through security in an airport I'll be looking for the oriental businessmen and avoid babies at all costs).

All throughout the movie I was expecting the obvious conclusion (the firer being fired) and was surprised to get something completely different in return, but even UP IN THE AIR's schocker scene, managed to make so much sense it's hard for me to understand how I didn't see it coming.

There's no question in my mind UP IN THE AIR will be the movie future generations will look back in trying to understand this particular era we live in. It is quiet simply a classic.

Buy Up in the Air (2013) Now

This hybrid comedy-drama-romance is a rare treat that honestly addresses job loss, love and relationships without resorting to common cliches or contrived situations. George Clooney and co-star Vera Farmiga are reminiscent of Cary Grant and Deobrah Kerr in An Affair To Remember.

Vera Farmiga is the strong, female co-star Clooney has long needed. She is beautiful, sophisticated and restrained, similar in many aspects to Brigit Bardot and Sophia Loren. She is Ukrainian but was raised in America. However, she did not speak English as a child which probably explains her elegant restraint when speaking English. Men will truly enjoy the brief but wonderful scene of Farmiga naked in Clooney's motel room. Wow, what a hot body.

Clooney is superb as a confident, insensitive but charming employee terminator during the economic collapse of 2008. Clooney works for a corporate consulting company based in Omaha, Nebraska that performs the dirty work for spineless business owners. It is a thriving business during the 2007-2009 recession. This movie was released during late 2009.

Clooney as Ryan Bingham boasts that during the previous year he spent 322 days on the road, flying from city to city in pursuit of victims. But, one day while sitting a hotel bar, he initiates a conversation with Vera Farmiga playing Alex Goran, a fellow road-warrior and corporate shark, equally consumed by frequent flyer perks and privileges. They end up in bed but the traditional, cliche love story never evolves.

The script is superb as is Farmiga who previously appeared in The Departed by Martin Scorsese and the 2004 remake of the Manchurian Candidate. Obviously, she is not an obscure actress but this role was meant for her. She plays her character with incredible charm, grace and sexual vitality telling Clooney "Just think of me as yourself with a vagina." Although captivated by Clooney's charm and appearance, Alex always remains his alter-ego much to his dismay.

In the end, Clooney is consumed by a life free from personal responsiblity and the daily toil of earth-bound inhabitants as he pursues his goal of becoming the seventh person in the world to achieve 10-million frequent flyer miles. I don't know if American Airlines paid a fee to partially sponsor this film but it is a long-form commercial for American Airlines elite frequent flyer awards program which bestows unique privileges to a select group of travellers.

The screenplay by Sheldon Turner and director Jason Reitman was adapted from the 2001 novel by Walter Kirn. It should be studied by screenwriting students at cinema schools because it is a rare example of honestly addressing difficult issues such as job loss and life without love. And, Jason Reitman should be applauded for honestly presenting the devestating effects of economic collapse while simultaneously entertaining us. It is both rare and rewarding to see documentary film seamlessly interwoven in a fictional story. Instead of resorting to token cliches, Reitman gives us real victims expressing their rage and anguish after losing long-time jobs.

This film is a tribute to great writing, acting, directing and producing. It successfully embraces comedy and tragedy and is truly enjoyable to watch.

Read Best Reviews of Up in the Air (2013) Here

After a while, it gets pretty tiring to have nearly every Hollywood movie either overtly or subtly suggest that real happiness lies in marriage and family. I love this movie because it asks us to consider that happiness is personal, not cookie-cutter. The protagonist loves his life of traveling and the lack of ties that go along with it. Some might see this as melancholy, and at times it is portrayed that way in the movie, but overall, it's clear that what most people want is not what the protagonist wants. I love the realistic, insightful way that this different outlook on life is presented in this movie.

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Ryan Bingham (George Clooney) has carved out a life of weightlessness (almost). He's an executive for an out-placement firm that is engaged when a company needs to get rid of large swatches of their employees. He's pared down his existence to a single carry-on; so much so that he's beginning to carve out a side career teaching others how to shed their possessions, their obligations, even their relationships and loved ones.

He lacks one of the key elements of what it is to be human. He's almost estranged from his family, he has no wife, no kids, no pets, not even a houseplant. He does have a good business relationship with his boss, his assistant, and that's pretty much it. He is so detached that he doesn't even notice anything is missing. But, things will soon happen that shake up his world.

On first viewing, I admired the acting (especially Clooney), the set design, the lighting, the cinematography, and the sound. The story itself was clever, but the movie watcher really knew what was going to happen. Bingham was going to experience something (or someone) that would make him realize that his goal of being the seventh person to achieve the coveted 10 million mile status (the youngest to get there) paled in comparison to his startling lack of human involvement. The movie was extremely well directed (by Jason Reitman) and well achieved, but curiously non-involving. It's good, but it's not a film that will be taken down from the DVD shelf very often.

It's only after watching the commentary with director Reitman that I really appreciated the craft of the movie. This commentary is why DVD special features were invented. Playing the movie with the commentary on added a whole other dimension to the film. Reitman grew up on Hollywood, his dad produced the film (Ivan Reitman), and he has many, many stories to tell about the making of the film. So many, in fact, that he hardly ever stops talking. There are two other members of the crew on the commentary, but you seldom hear from them. Reitman just won't let them get a word in. He's good and very entertaining to listen to, but why even have the other guys there? And yet, he is entertaining as hell. What a great dinner companion he would be. Once he got going, you'd just sit back and listen.

I do have to also comment on the film's 'fired folks'. Some of them are actors, but most of them are non-actors who were asked by Reitman to appear on camera and sort of relive their own firings. These non-actors were very, very good, and certainly lent an air of authenticity to the film. A stroke of brilliance to include these people.

Three and a half stars for 'Up in the Air'. Four-and-a-half for the DVD extras (there's also an interesting interview with the company that did the opening shot, and other aerials in the film).

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Sunday, September 21, 2014

Hood To Coast Special Edition Blu-ray (2011)

Hood To Coast Special Edition Blu-rayWatched in a theater 6 months ago, and could not wait to get a copy the documentary is so great, and it's finally available for purchase! It captures the spirit of the race, as well as spirit of people who do this wonderfuly crazy run... You won't regret the purchase.

As a runner who runs for the mental and physical benefits of the sport this documentary spoke to me. It embodies the true emotion and the joy of running while still showing a team that just did the race to say they did, although they were so not prepared it was comical to them and the audience. A wonderfully done movie and I believe runner and non-runners alike could take something away from watching it.

Buy Hood To Coast Special Edition Blu-ray (2011) Now

I could watch this movie over and over....and never get bored with it. Even the music gets my heart pumping. After seeing it in theater, I couldn't wait to finally own a copy. The first few seconds of the movie is one of my favorite parts. I won't spoil it for those who haven't seen it yet, but I will say this, "WHOA!". Most of us have probably felt that way during a race at some point. I am the road kill they speak of so frequently throughout the movie.

Read Best Reviews of Hood To Coast Special Edition Blu-ray (2011) Here

I LOVE this movie!! This year the HTC celebrated it's 30th year, my husband Tim and I were fortunate enough to have the opportunity to run it this year for the first time. I was so nervous that I wouldn't be able to do it, until I watched this movie. It was inspiring.The teams that were picked for this were perfect! I actually was crying the first time I watched it (I was at home alone with our cat) and my husband thought I was nuts crying about a running movie. Well, after he watched the movie he felt a little different.The relay was one of best things that we have ever done. Being able to do it together made it even more memorable for us.Totally looking forward to doing it next year.Team Heart n Soul were amazing! I was lucky enough to be able to meet Kathy at the Safeway this year, and I got my picture with her. Those ladies assured me that if they could do it, I could do it!! We also loved Team Thunder and Liakaning (sp?). The theory "If you can run 3 miles, you can run 10miles." Is priceless. Whether you are a runner or not, this movie is for everyone!

Want Hood To Coast Special Edition Blu-ray (2011) Discount?

This presentation of an independently produced/directed documentary chronicling the trials and triumphs of four teams competing in the annual Oregon-based Hood to Coast event features an excellent transfer of the film with care paid to sound, picture quality and index/access points. The second disc contains extras that are not 'fluffs' but substantial supplements that will enhance the overall viewing experience, whether the viewer is a runner or not. The overall level of presentation, packaging and content is substantially better than the usual offerings from the major studios (shame on them!), and definitely worth the reasonable price. I bought two copies!

Thursday, August 21, 2014

Super (2011)

SuperForget about Batman. The Crimson Bolt is now my hero. This movie was so great and they did such a great job for the limited budget they had. The story was touching and heartbreaking. I also enjoyed the amount of dark humor and comedy that came out too. Not to mention the violence that added to the point that you "Don't butt!" Rainn Wilson's character Frank D'Arbo touched my heart as well. So far the best character he has played in a long time. Also Ellen was fantastic as Libby. I loved her awkward, psychotic demeanor, it was a perfect collaboration. I wish I could give it an extra 5 stars.

As a fan of both excellent, bad, and trashy cinema (Close Encounters of the 3rd Kind, Poultrygeist: Night of the Chicken Dead, and Hudson Hawk are all proudly on the same shelf), I am naturally a fan of James Gunn. Like John Waters before him, Gunn's list of films and internet contributions offer a little bit of all three, blended in different doses: Slither, Scooby Doo, Tromeo & Juliet, PG Porn, Humanzee, etc.

Naturally, I was looking forward to Super, Gunn's take on the D.I.Y. superhero a la Kick Ass and the Watchmen graphic novel (the film took liberties with the abilities of what were supposed to be normal people + 1 superbeing). Even with high expectations, the film blew me away. Unable to see it in the theater due to my market, I was nonetheless allowed the privilege of seeing it through IFC OnDemand's "In Theaters" category, and was not disappointed. Gunn's trademark profanity laced insanity is certainly present -Ellen Page's psychopathic sidekick Libby would fit into any one of Gunn's films -but also present is the heart of his more sophisticated works like Slither. Sophisticated is an odd word to use when talking about films that feature tentacle rape scenes or holy roller superhero hallucination scenes, but there it is. What's special about Super is that on this outing, the gratuitous insanity or sexual issues are turned down (while still present) and the heart gets turned up, as well as the emotional resonance. Even the arguably craziest scene in the film, where Rain Wilson's Frank experiences a tentacular brain rape from God, is powerful and moving in a disturbing sort of way. This is no doubt in some part due to Gunn being a sufferer of a rare and real condition whereby he has experienced strange visions at random intervals all his life. The violence is over-the-top to be sure, but serves an emotional purpose as well as a comedic one. By the end of the film, you will find yourself rooting for a man who has been driven to a violent, clearly insane depth in his life, despite the fact that you would never want to meet him. Super may just be James Gunn's masterpiece: violent, trashy, crazy, hilarious, sad, real, and triumphant.

Buy Super (2011) Now

If you think this is just a Kick-Ass Rip Off then you are terribly wrong.

Super is really well executed and delivers a fresh experience.

I think there is some Troma Spirit in it...if you are into that this is a Must See.

Read Best Reviews of Super (2011) Here

It's a movie about a sad loser who decides to become a vigilante, because his wife left him to become some drug slut. The violence in this is intentionally designed to make you feel uncomfortable. Therefore, this movie is great. Yeah that's all I'm going to say about it.

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Super is very different from your usual superhero movie. It is a dark comedy and extremely violent. Frank D'Arbo (Rainn Wilson) is essentially a below average human being, who turns himself into a superhero in order to fight crime. However, his methods are questionable to say the least and that is where the violence comes into play. Frank gets overly violent for petty crimes, but it is his moral belief that he is doing good. This is where the film shines because it is what makes Frank an interesting and complex character. You could say Super is a character study in a sense. You actually sympathize with Frank because you understand that he is somebody who has a very tough life and his fuse has blown. This added with lots of hilarious bits is what makes the film great. The humor isn't so much dark humor as it is just humor surrounded by violence and a somewhat dark theme. So I think the comedy will appeal to a wide audience. Like most indie films, Super is like a breath of fresh air. Definite recommend.

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Sunday, August 17, 2014

The Chronicles of Narnia: The Voyage of the Dawn Treader (Blu-ray / DVD / Digital Copy) (2010)

The Chronicles of Narnia: The Voyage of the Dawn TreaderIf there's anything that Walden Media's CHRONICLES OF NARNIA movie franchise (based on C.S. Lewis' timeless novels) is known for lately, it could very well be that it ever continued at all. The first film, THE LION, THE WITCH, AND THE WARDROBE, was a box office smash, but successor PRINCE CASPIAN didn't achieve the same success. But when Disney, who distributed and funded both films, decided not to participate in anymore NARNIA adventures, it seemed as though Lewis' tales were destined to remain forever frosted by the White Witch. But thankfully, Walden Media refused to let NARNIA die so easily, and so they've teamed up with 20th Century Fox to complete the third movie in the series, THE VOYAGE OF THE DAWN TREADER. It could also very well be the last entry; critics have been lukewarm to negative on this film, and faced with so much competition this year from family films such as TRON LEGACY, HARRY POTTER, and even upcoming duds like YOGI BEAR and GULLIVER'S TRAVELS, this film could very well have a hard time finding its audience. Whether the franchise continues or not is ultimately irrelevant, however, because what ultimately counts is that THE VOYAGE OF THE DAWN TREADER is a wonderful way to spend another two hours in the world that Lewis conjured up so many years ago.

I knew it would happen. From the moment the opening titles came across the screen, I could feel the nostalgic magic so prevaliant in the first NARNIA movie seeping in, and it stayed that way for me the whole time. The major difference, of course, is the set-up of the story. Lucy (Georgie Henley) and Edmund Pevensie (Skander Keyes), both approaching adulthood, are staying with their snarky, obnoxious cousin, Eustace (Will Poulter) when they notice a beautiful painting of a fantastical ship sailing on the ocean waters. And of course, the picture comes to life, resulting with the squabbling children washed on the deck of the ship in question, the Dawn Treader, where their old friend, Caspian (Ben Barnes), now a bonafide king, welcomes them. It turns out that Caspian is searching for the seven lords that were banished from Narnia during the reign of his evil uncle. Acompanied by the swashbuckling mouse warrior, Reepicheep (voiced by Simon Pegg), the youngsters travel to various islands across the oceans in search of them. And will Aslan (voiced, once more, by Liam Neeson) be there to help them? You betcha.

In addition to being a seagoing adventure (inevitable since most of the action takes place on the titular vessel), this tale also deals with spiritual matters. Rather than matching wits against an evil menace as with the last two films (although the White Witch does make some brief cameo appearances), the major conflict deals with Lucy, Edmund, Caspian, and especially Eustace, all dealing with their own inner demons. Each island adventure places the quartet through a series of psychological trials that they must overcome. The lands they visit are a strange, yet fascinating lot. There's the Lost Islands, operated by greedy slavemasters who make fortunes out of auctioning kidnapped people to baddies. Another is seemingly deserted, trippy-looking place that looks as though it could come from ALICE IN WONDERLAND inhabited by invisible creatures as well as a magician (whose book can conjure up all kinds of spells, including one that grants pure beauty). Still others include a cave with a pond that turns everything into gold, a dragon's treasure horde, an abandoned temple that turns out to be under a spell, and, ultimately, a thick fog of darkness in which one's worst fears comes alive. It is within these places that each character undergoes some growth. One of my particular favorite scenes involves Lucy wishing she could be as beautiful as her older sister Susan (Anna Popplewell, in a brief cameo), until Aslan admonishes her for stealing the spell from the magician's book. This is very powerfully depicted through dramatic lighting and emotionally charged acting. At one point, Edmund and Caspian both become jealous of each other when they are tempted by greed, but it's ultimately Eustace who shows the most growth in the picture.

In the beginning of the film, Eustace is just about what you would expect from Lewis' text--he's snobbish, selfish, and condescending, delighting in bullying others while declaring himself superior. He hates his cousins and quickly makes an enemy out of Reepicheep, who, at one point, chastises him for grabbing his most precious attribute: "No one touches the tail!" And just when you've had enough of him, he is transformed into a fire-breathing dragon midway through the film. This is where Eustace's character development really begins, as Reepicheep takes him under his, well, paws, and inspires him to do the right thing. This abovementioned dynamic is the heart of the entire picture, and most of the credit goes to Will Poulter and Simon Pegg for their chemistry. Poulter does a bang-up job of making Eustace bratty and unlikeable, and his maturation is a joy to behold. This guy seriously needs an award for his performance. Pegg, although vocally different from predecessor Eddie Izzard, is a delight as the mouse warrior; his voice is a cross between John Cleese and Cary Elwes, which captures his attitude to a T and beyond. He has the best lines in the picture and obviously has fun with his role--although the real success to the character is the very convincing computer-animated effects that bring the mouse to life.

That's one of the many memorable aspects of VOYAGE OF THE DAWN TREADER, which isn't to say that it is without its faults. The film is directed by Michael Apted (the previous ones by Andrew Adamson), and he moves the tale along at a rapid pace, making it the breeziest (and shortest) of the NARNIA films. However, I do have some qualms about both his direction and the adaptation; one of them is the scene where Eustace shows himself as a dragon for the first time. Rather than having him see his reflection in the water, Apted decides instead to show Eustace's charred clothes, and then have his dragon form fly out of nowhere. This disappointed me somewhat, as I felt that Lewis' original description of this moment was more powerful. Furthermore, the encounter with Lilandi (Laura Brent), Caspian's future queen, is dealt with rather quickly. An extra five minutes to show Caspian's affection for the girl wouldn't have hurt. Finally, although the film is faithful to the novel for the most part, there is at least one addition that felt very pointless--a girl named Gael (Arabella Morton) who stows away with her father in search of her missing parents. The new character doesn't have a particularly compelling personality and feels so irrelevant that one wonders why the screenwriters included her at all.

But those are, truthfully, the only quibbles I have with THE VOYAGE OF THE DAWN TREADER. Other controversial changes are nowhere nearly as bothersome. At first I wasn't so sure about the newly invented subplots concerning the search for the missing swords of the seven lords or a menacing green mist that appears every time a character is tempted, but in the end, I ultimately approved them wholeheartedly. This especially works in favor of the climactic fight against one of the ugliest sea serpents ever committed to film (particularly when it literally tears apart into the likeness of a centipede), which is occasionally interspersed with ghostly images of Tilda Swinton's White Witch tempting Edmund to join her. Although longer than in the book, this sequence is nonetheless very thrilling and arguably a more epic scene than in the original. (It should be known, though, that this scene may be too scary for the young.)

Every other aspect of the picture is exactly what one would ask for from a NARNIA adventure. The cinematography and visual effects are both breathtaking and gorgeous to look at (there were a couple of places where some CG was obvious, but not enough to detract--the film was made on a smaller budget than predecessor CASPIAN), and David Arnold's score is amazingly epic, occasionally using some of original composer Harry Gregson-Williams' original tunes at various points in the movie. Finally, the performances are top-notch. Henley's Lucy has always been the most appealing attribute about the whole story, and she is no different here. Every minute she is on screen is a pure delight, and her expressions and emotions are perfectly conveyed. Keyes, who had a much smaller part in the previous movie, gets to do a lot more in this third chapter; granted there are some moments where one feels that his character briefly reverts to his old self, but Keyes handles that very effectively. Barnes mysteriously loses the Spanish accent he was criticized for in the last film, yet it is hardly noticeable, as his performance is much more confident this time around. The chemistry between all three is fantastic and, after Eustace and Reepicheep, provide the film with a warm, emotional ebb that works effectively in the final parting scenes at the end of the film.

Overall, THE VOYAGE OF THE DAWN TREADER, although not quite as magical as the first movie, is still a very entertaining, joyous escapist fantasy which provides a lot of fun for every second of its 115 minute running time. There are some differences from the book that purists may quibble with, and a couple of scenes that could stand to be either better or at least more fleshed out, but nonetheless it is a pleasure to join the Pevensies on one final adventure in the world of talking animals, monsters, prophecies and enchantment. Whether the series continues or not, this is a fitting end and a delight from start to finish. Now if only the film could be about 30 minutes longer....

Right off the top, if you're looking for a literal book-to-movie adaptation, you're going to be very disappointed. Aslan may as well be a tiger. There are countless modifications that did not completely align with the book and numerous subtleties noticeable to anyone familiar with the story.

For the most part, however, TVOTDT stayed true to form, following Lucy (Georgie Henley) and Edmund (Skandar Keynes) along with their easy to hate cousin Eustace (Will Poulter) through the fabric of a family painting and into the vast tapestry of the Narnian world created by C.S. Lewis and onto the Dawn Treader (the ship in the painting). Aboard the ship the join forces with recently crowned a year in Earthly time, and three in Narnia King Caspian (Ben Barnes) who, along with his crew of sentient beasts and willing sailors, seeks out seven Telmarine lords and swords. Almost immediately after they board the Dawn Treader, and unequivocally after they disembark for their first island excursion, the movie begins to take liberties with the original tale. Speaking of tales...Eustace did NOT spar with Reepicheep; he swung the mouse around by the tail. This sort of misguided subtraction by addition is why many fans of the original storyline could be displeased by this movie. Nonetheless, it's still a fantasy-adventure tale in which the characters grow and learn from their tribulations.

Acting-wise, everything was professionally done. Actors and voice actors alike were entertaining (Simon Pegg was particularly good as the voice of heroic Reepicheep), but Will Poulter absolutely stole the show as the obnoxious cousin. I'm not sure I've ever wanted to punch an animated character before. Maybe Scrappy Doo. Anyway, Poulter is either as pompous and irritating as Eustace in real life, or idiot savant, Rainman brilliant.

CGI is naturally prominent in a movie about talking animals, dragons, and magic. None blew me away like in Avatar or Tron, but considering the target audience the realism presented was, in my opinion, nearly perfect. Scary, but not quite nightmare-worthy. The characters that were supposed to be terrifying (i.e. sea serpent) were shrouded in shadows and those who had redeeming qualities were shown in triumph and sunlight, and ways that capture the audience's attention.

Considering its engaging story and alignment with Christian allegories, this is a very good movie, an easy recommendation for families, and a worthy addition to the Chronicles of Narnia canon, despite not completely faithful to the book.

For thoroughness, a few of the differences...

MAJOR DIFFERENCES

The addition of the green mist and the sword collection was neither necessary nor a substantive improvement. The extra subplot about a father, and his stowaway child, who joins to save a wife captured by the mist was completely pointless and distractive.

MINOR DIFFERENCES

-Edmund had no big problem with his king-kid-king timeline

-No mention of the Dufflepuds giant foot looking like a mushroom.

-The sea serpent didn't die; it got tricked

-Eustace attempts steals water, not an orange

-Where is the old dragon that croaks near the water?

-The end mentions nothing about light and water

-The end mentions nothing about a marriage

-There was no prisoner/slave saving; it was a purchase

-Multiple island substories are intertwined and/or out of order

-Lord Bern got married and settled down on Felimath; he didn't get imprisoned

Buy The Chronicles of Narnia: The Voyage of the Dawn Treader (Blu-ray / DVD / Digital Copy) (2010) Now

For those seeking a good fantasy/adventure film, this is definitely worth it the acting, casting, special effects, visuals, etc. are all great; the basic plot of a voyage to uncharted isles in a magical land is just ripe for entertaining movie-making I'd probably give it at least 4 stars if I wasn't so attatched to CS Lewis's book. But, to me, the book this is based upon is such a great adventure story, and a classic favorite of my (and many other people's) youth, it seems a sin to make a movie adaptation and not try to stick with Lewis's original. They got the main plot sequences in, but they rushed through them in order to add a completely unneccesary plot of their own: that Caspian and friends have to collect 7 swords and arrange them on a table to stop some magic mists that are threatening Narnia. Now, for a series with a Christian subtext, it seems particularly stupid to have this meaningless mumbo-jumbo added when there are plenty of meaningful themes there that this will only detract from.

So overall, an entertaining fantasy film, but a disappointment to those who like Narnia as C.S. Lewis wrote it.

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At least on Amazon right now, this is the only 3 Disc (BD, DVD, Digital Copy) version for sale. So I had no choice. But the photo Amazon includes does not show this case as being anything other than the standard plastic case with a sleeve.

Which I would have loved. But nothing I hate more than a crappy storage case for a 3 disc blockbuster title.

I have included pics. I give this product 3 stars for "OK". Even though I hate it. If you want a movie review, check out the many movie review sites. If you want a film transfer review for video and audio quality, check out blu-ray.com.

This is one of the most annoying storage cases I have owned. The worst was the Toy Story complete box set, which was so bad that I returned it at a loss and bought all the films individually with multiple versions just to have the better cases.

So what makes this storage so bad? Check out the pics. It's basically paper sleeves for the discs (2 of 3), folded together. And then that folded mess it stuffed into a box sleeve, and then that sleeve is pushed into the box sleeve you see in Amazon's photo. If they would have duplicated the outer box art and disc specs from the front and back, onto the internal Box sleeve, I could at least ditch the outer box sleeve and store just the inner box sleeve on the shelf. But the inner box (while it does have specs like rating, time, etc on the back) is not as detailed as the outer box sleeve.

So it's annoying when having to get out the discs and more importantly I don't trust paper sleeves to protect the finish of the discs due to sliding motions across the disc surface.

Again, no other choice if you want BD and DVD in the same purchase/set. And even if I wanted to spend more and buy them separately, you can't on Amazon. They sell the DVD only or this set. I wish everyone would just stick to the standard BD case or case/sleeve.

UPDATE: It's not even standard BD case height! They could have at least made this crappy box look good on the shelf with all the other Blu-Rays. Who wants to mix their BD movies with their DVD cases? Again, if there was another combo set to buy, I would return this one.

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Of all the Narnia books "The Voyage of the Dawn Treader" is not an exciting Hollywood adventure. I have read the books many times since I was a child and I have listened to them on audio cd's. I love them and I love the movies.

I doubt people, these days, are going to sit through a movie based exactly on this book. The book is a series of small self contained adventures with no kind of antagonist present. Its a good read but not much of a Hollywood movie. So they changed it, just like the second movie. Big deal.

There were plenty of advance reviews warning people about this. I have never gone to a movie, based on a book I have read, and expected it to be the same. If it is, great. If not, no big deal, because I go without expectations. It's much more fun if you leave your expectations at home.

Besides, it's just a movie. If you can't deal with the fact that you are going to see someone's interpretation, other than your own, than don't go to movies based on books you have read. Or at least check the reviews before you go.

I sure hope some studio gives the "Silver Chair" and "The Last Battle" a go. I'm sure they would be fun to watch.

That's why I go to the movies.

Saturday, August 16, 2014

The Hunger Games (3-Disc Deluxe Edition + Digital Copy) (2012)

The Hunger Games"Hunger Games" is certainly the best film I have seen since many many months, and it is a very successful adaptation of an excellent book.

In my personal opinion, both the book and the film are much deeper and much more ambitious, than what most critics and reviewers would make us believe. After reading the reviews in "New York Times", "Le Monde" and on "Msn.com" (to cite only few) I was surprised that they mostly missed everything that is important in this film. With a kind of amused superiority, which people from Capitol in this movie would immediately recognize, the "professional" reviewers pointed at the obvious allusions to gladiator fights, the reality shows, the importance of trashy entertainment in today's TV, the search for a new franchise able to replace "Twilight", etc., etc.

But they almost entirely failed to see, that this film is first and above all about much more important things: how to keep hope, not lose the courage and preserve humanity and dignity under a totalitarian oppressive regime.

I believe that almost everybody now knows that when writing "Hunger Games" Susan Collins attempted basically a modern (even futurist) retelling of the old Greek myth of Theseus and Minotaur. According to this ancient tale, after losing a war, every year the city of Athens had to send a tribute of seven young men and seven maidens to the king of Crete. Once there the young people were locked in the Labyrinth, to be devoured by the monster Minotaur. This yearly punishment and humiliation lasted until Theseus, crown prince of Athens, volunteered to be one of the tributes and once locked in the Labyrinth he defeated and killed the Minotaur.

In "Hunger Games" what was once United States (and I think also Canada) is now called the Panem. It is a country divided in twelve Districts remaining under the control of the Capitol central metropolis. There was once thirteen Districts, but when they rebelled against the central power, the Capitol destroyed completely the District 13 with all its population and then defeated and submitted again the twelve others. In order to remind to its subjects how absolute is its power, the Capitol claims a yearly tribute one girl and one boy of ages from 12 to 18 from every District. The tributes are then send to an arena and forced to fight, until only one remain alive. This yearly event is called the Hunger Games and it is shown live on TV to all the population of Panem. This film tells the story of what happened at the 74th edition of Hunger Games...

For Capitol the purpose of Hunger Games is to remind yearly how powerful is the central metropolis and how dire can be the consequences of its wrath, but also and even more importantly in my opinion to humiliate and degrade the people of the Districts by forcing them to become accomplices (even if under duress) of a barbarian custom in which some of their own children are send to the slaughterhouse. And as all bullies and abusers know, it is much easier to oppress, abuse and brutalize victims who lack self-esteem...

Well, in this film we can see how one of the tributes from District 12, an exceptionnal young girl named Katniss Everdeen (Jennifer Lawrence), manages to turn the tables on the Capitol and by allowing people of Panem to regain some of their dignity she will be the pebble which starts the avalanche. The exact way in which she does that will not be revealed here, but both in the book as in the film it is described in a very intelligent and very moving way...

This may seem a rather improbable thing that a 16 years old child can do something that will ultimately bring down a seemingly invincible and all-powerful tyranny, but let's not forget that in the real world, the great wave of revolutions of Arab Spring began on 18 December 2010 with a desperate gesture of a dirt-poor 27-years old Tunisian street vendor, Mohamed Bouazizi, who set himself on fire after having been robbed and beaten by the corrupt local police one time too much... Less than two years after, the opressive regimes in Tunisia, Egypt, Libya already collapsed, the seemingly invulnerable dictator of Yemen had to resign and the Syrian brutal regime is facing a massive armed rebellion..

Bottom line, this film is first and before all a story about how even a seemingly powerless person can horribly hurt a tyrannic regime with a magic potion made of lots of courage, an ice-cold determination, a great personal dignity, a little compassion, a handful of flowers, a couple of tears and one defiant and powerful gesture...

The powerful message and excellent scenario are not the only reasons why I consider "Hunger Games" as a masterpiece. Actors were selected very carefully and they perform well. Jennifer Lawrence is simply perfect there is no other word to describe her performance! However, after seeing her in "Winter's Bone" and "X-Men: First class" I didn't expect anything less.

But the real surprise in this film comes from Josh Hutcherson who plays Peeta Mellark, the boy tribute from District 12. His character is more difficult to play, because Peeta is in the same time more limited but also more complicated than Katniss. Josh Hutcherson could have very easily fall in one of the many traps which are build in Peeta's character. By overacting or underacting he could have make him a wimp or a passive follower or an immature kid, but he avoided those snares with grace and his Peeta comes out of this film as a surprisingly complexe and also a very likeable character. He is certainly not a hero and a fighter like Katniss but until the very end he preserves his honor, in a deadly place where he shouldn't ever be send...

A special mention goes to little Amandla Stenberg, who plays 12-years old Rue, the youngest of all the tributes. Her character is both secondary and in the same time incredibly important and this little cute pixie played it perfectly!

Other, more known actors contribute to the success of this film. Woody Harrelson is excellent as Haymitch, the only person from District 12 who ever won in the Hunger Games and is now an advisor to Katniss and Peeta. Lenny Kravitz portrayed a perfect Cinna, the man in charge of image of tributes from District 12 in public appearances before the games begin. And finally there is the giant figure of Donald Sutherland, who plays the supreme ruler of Panem, President Coriolanus Snow. He is purely incredible. There is a moment in this film when he says to somebody "I like you" and I believe that I have never heard such a terrible and deadly threat in one short sentence since the archifamous Schwarzenegger's "I will be back"...

I also absolutely adored the using of the cameras. In some moments of this film we have the impression of going after the characters with a camera, like a war correspondent following the fighters (this style was also very skillfully used in "The Shield" series). Of course not all the film is turned in this way, but mixing this kind of scenes with more conventional ones gives here an excellent effect.

The games themselves are very skillfully described and are a very dramatic tale, full of surprises and twists. I found them much much better than "Battle Royale", to which this book and film are often compared. The games are deadly and brutal, but there is only limited gore I think this film is suitable for young teenagers, although not for children younger than 12. There is also absolutely no nudity, sex or strong language and I for one found it a most excellent thing.

There are still many more good things to say about this film, but I believe you should discover them by yourself. One more thing however about the book it is of course possible to see and greatly enjoy this film without reading the book, but I believe that reading the novel first is a good idea. If reading the whole book is out of question, I would advise to read at least the first hundred pages. It will not reveal much about the games themselves, but it will allow for a better understanding of some of the key elements: the strength of the bond between Katniss and her younger sister, the history that Katniss shares with her hunting partner Gale, the complicated relation between Katniss and her mother and last but not least, the mysterious bond existing between Katniss and Peeta Mellark.

About this last point: if you did not yet read the book I do not want to spoil the pleasure of discovery so I will say just this Katniss and Peeta lived for 16 years in the same village, but they never spoke one to another (except for an occasional "Hello") and they never touched one another in any way. And still, they share a secret as big as life and death, a secret which both bonded them together and in the same time separated them deeply... If you want to know the solution of this riddle you have either to watch very very carefully every scene of the film or simply read the book...

Conclusion: this film is a masterpiece! I loved it and I am going to buy the DVD as soon as it is available. And I am SOOO going to see the the second part, as soon as it opens!

I enjoyed this movie. Yes, I've read the books. People will always be upset because things are always missing from the story when you take a book and transfer it to film. I thought it was done well. Other people didn't understand the concept. This is a trilogy, you're not supposed to learn everything in the first book. Everything will come together, and there will be more understanding. Overall, it was a great representation of the book, in my opinion.

Buy The Hunger Games (3-Disc Deluxe Edition + Digital Copy) (2012) Now

For the record I am a HUGE Hunger Games fan and have been of the books for over 2 years. Please do not read this as a rant, but rather a fans opinion.

This movie is garbage in the representation of the books. It was created specifically with Twilight fan-girls in mind. The first chunk of the movie is very, very slow and does not explain anything well. If you did not read the book (or books, actually, as the movie jumps a bit ahead on features), I cannot see something really understanding what is going on. At the very least, the true meaning from the book is lost.

"HEY! Movies can't be exactly like the books!" you may say. Yes, I agree with this but to a point. The books revolve around the main fact: the Capital forces two children from each district to brutally murder each other to survive. The film makers took this and decided for the young children audience that the kids would fluff each other to death. Deaths magically become fuzzy or shaky, with music or odd sound overlayed to the scene.

I went to see this movie opening night at a nice theater it cost me about $20 a reserved seat which I purchased first available day. It was packed 90% with teenage girls who screamed over the barely-there deaths and gasped out loud over the kiss which, if you read the book, is not a "real" kiss. Before the movie 12 year old girls were running around yelling "TEAM PEETA!".

Greed took advantage of what had amazing potential. Money was the key factor young girls will be running out to buy the "team" shirts and action figure toys. A rated R movie would have been true to the story, but would generate a mere fraction in sales.

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Director Gary Ross's version of Suzanne Collins's HUNGER GAMES manages to sanitize the entire concept of kids-killing-kids in order to produce a PG-13 blockbuster that's sure to rake in the big bucks. But what was devastating and heart-wrenching in the novel is glossed over and prettified here, leaving me feeling none of the emotional impact I experienced in reading the book.

[**SPOILER WARNING** I'm assuming readers are familiar with the novel, so some plot elements will be discussed in this review.]

Don't get me wrong, this is a slick and well-made film, with plenty of action and a sensational performance from Jennifer Lawrence as heroine Katniss Everdeen. The settings are well done, especially the Capitol in all its crazy-colored chic-ness and over-the-top luxury. District 12, the poorest district in Panem, is believably presented as well, complete with starving people dressed in rags and walking like zombies to their depressing jobs. The scene of the "Reaping" is chillingly done, and the scenes of Katniss and Peeta (Josh Hutcherson) getting primped and trained in the Capitol hit perfect satiric notes (it's all so "reality TV," which is what makes it all so believable).

What doesn't work are the scenes of the Games themselves. From the start, Ross misses the mark. When the Games are seconds from beginning, the 24 teens are standing in a semi-circle, staring down at weapons and backpacks strewn about around the Cornucopia as they wait for the countdown to hit zero. We need to feel what they're feeling. We need to feel their terror, their horror, and yes, even their excitement. But Ross doesn't let us feel any of that. Instead, he keeps the focus almost solely on Katniss, and once everyone starts rushing forward, he cuts so quickly between scenes that it's almost impossible to see what's going on. We are aware that people are being killed, but it happens so fast and with so little reaction from the characters themselves, that it has little impact.

The same holds true for the rest of the games. Horrible things happen, but I never felt that they had much affect on Katniss or Peeta. Most of the killing in the film happens off screen, or the camera cuts away before anything brutal is revealed. That wouldn't be a bad thing if we could at least see some believable reaction shots. But we don't. On top of that, none of these characters look like they've been out in the woods for days, trying to kill each other. Close-ups of hands show clean, manicured fingernails, and everyone looks amazingly dirt-free (aside from Peeta, who camouflages himself with mud at one point but even then, he's clean and chipper-looking a few scenes later).

Rue's climactic death scene is equally ridiculous. Rue (Amandla Stenberg) looks downright gorgeous, like she's on her way to a photo shoot instead of swinging in trees to avoid getting knifed (in fact, we don't get to see her swinging in trees at all, just peeking out from between branches). Her hair is perfect, there's not a scratch or bit of dirt on her, and when Katniss is holding her as she dies, it's impossible to imagine that they've been out in the woods for days without soap and water, fighting for their lives. It's just all too pretty, all too nice.

I walked out of the theater feeling oddly detached from what I'd just seen. That's not at all the way I felt in reading the book. The novel was gripping and gut-wrenching, and although it was certainly not graphically violent or bloody, the situation Katniss found herself in was chilling and horrifying and impossible to forget. At the end of the film, however, Katness seems almost unscathed by what she has just experienced. I didn't see any indication that she is the wounded, devastated young woman she is in the novel. In the final scene, she's more bothered by seeing Gale (Liam Hemsworth) in the crowd at the train station while she's holding Peeta's hand. Yikes, girl, you've just KILLED people and seen children covered in blood . . . surely you'd be thinking of something more than which guy you like better.

There are changes in the film that might bother the die-hard fans. The "Mutts" that attack during the final act are just generic beasts in the film (they don't have the faces of the fallen tributes), which minimizes their impact. The symbolic Mockingjay pin just shows up near the start of the film without explanation. But these are minor changes. Stanley Tucci is great as Flickerman, Woody Harrelson is terrific as Haymitch, and I enjoyed seeing Donald Southerland as President Snow (although his performance was so low-key I had trouble imagining him as a ruthless dictator).

This is a big movie, and it's going to be a huge success. I have no doubt a huge percentage of HUNGER GAMES fans will be thrilled with what they see on the screen. I just wanted to feel more. The whole idea of being forced to kill people for a TV viewing audience is absolutely horrifying I wanted to see that and feel that in this movie, the way I did in the novel. You can't win a "game" like this. Haymitch is proof that you can't win (what happens to his life after winning the Games is evidence of what such brutality will do to you). In the novel, Katniss herself is torn apart by what happens. In the film, not so much.

HUNGER GAMES is not a terrible film. I'm glad I saw it. But it in no way does justice to the novel, and that's too bad.

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EDITED AUGUST 19, 2012

I bought the DVD of "The Hunger Games" yesterday and watched it for the first time since seeing it in the theater. Looking back on my previous review, I realized I was a little too harsh on the movie. Watching it the second time around, I liked it a lot more than I originally did. However, it's still not without it's flaws. My overall rating for the film is now teetering at about 3.5. Not quite a perfect 4, but not a 3.

**SPOILER ALERT**

THE GOOD

*The acting. This was one of the things I was able to appreciate more watching the movie the second time around. Jennifer Lawrence appears to have been born to play this role. She embodied the role of Katniss perfectly. Josh Hutcherson played a pretty good Peeta. He certainly looks the part, with a round, sweet face. I especially liked him at the beginning, the way he followed Haymitch around like a dog, trying to get tips. I have a few quibbles with him, but overall, really enjoyed his performance. Liam Hemsworth was okay, I guess. It's sort of hard to judge his acting, with what little we were given of Gale (I mean, he wasn't in the book much more, but still.) Most of his scenes were just making angsty faces when Katniss and Peeta kissed.

Haymitch (Woody Harrelson) was also perfect. He was exactly how I envisioned Haymitch. I also loved Effie (Elizabeth Banks.) Banks played the airheaded Capitol native well. She had excellent comedic timing with her lines and had a bubbly, vacant personality that was perfect for Effie.

(I realize I'm using the word "perfect" a lot.)

All of the tributes were also well-cast. Rue (Amandla Stenberg) was absolutely adorable. Cato was scary. His movement throughout the film just seemed to say, "Don't mess with this guy." I liked his monologue at the end, which showed that he wasn't all bad and, like the other tributes, was scared and wanted to go home. Clove was terrifying. The actress who played her was younger than what I imagined Clove in the book to be, but her younger age made her more frightening, with how vicious she was with a knife.

Donald Sutherland was different than the Snow I imagined, but that's not a bad thing. I liked that he looked a little more friendly. He looked more like Santa or someone's grandpa. The way he delivered his lines and his voice, though, said otherwise. He was wonderfully creepy.

Moving on...

*Costumes and makeup. The Capitol's costumes and makeup were insane and I loved it. It was wonderful. It really reflected how silly and airy the Capitol people are. Oh, and some of the hairstyles in this movie. I loved Katniss's hair during the "girl-on-fire" scene was beautiful. Also, Seneca Crane's beard? It made me sad that he died, knowing that I would never see that beautiful beard again. RIP, Seneca.

*Glimpses outside the arena. I thought that was a nice touch, since in the book, we're limited to Katniss's perspective. It was interesting to see the Gamemakers add things to the Games. That scene from District 11 was also a nice addition to the movie. In the books, we only hear about a revolution starting via Haymitch telling Katniss and it seems sort of distant. In this, we got to see that the revolution was happening NOW.

*Followed the book pretty well. The movie followed the book very well. Of course, not everything was perfect, but what book-to-movie adaptation is? Overall, I was impressed with how the book transferred to the screen.

THE BAD

*Cinna. Now, he wasn't exactly terrible. My expectations for Lenny Kravitz were kind of low. He surprised me and I'll admit, he didn't seem completely miscast. But something about him still felt kind of...off. I personally feel that Cinna could have been cast better, but like I said, Kravitz wasn't terrible.

*The score. It didn't have that broad, epic sound I thought maybe it would have. When a movie is this big, you expect it to have a theme song that will be memorable (think "Harry Potter" or "Lord of the Rings.) I feel that we didn't really get to hear enough of the score, since there were so many silent moments in the movie. What we did hear was, in my personal opinion, just seemed sort of generic, like music you hear in other action/adventure movies. It just didn't really strike me as anything special.

THE UGLY

*Long awkward silences. At certain points during the Games, the movie goes practically silent or the sound is muffled. Occasionally, it works, but overall, it's just very awkward.

*Cinematography. As many other reviewers have mentioned, the cinematography is incredibly shaky. I will praise it for this: It helped with the gore. I think the shaky cinematography eliminated some of the violence. You could tell what was going on, but it didn't get as graphic as it could have. However, it became kind of annoying after a while. I understand what the filmmakers were going for, but I don't think it had the effect that they wanted. It just made some parts difficult to watch. I also wasn't a huge fan of the zoom-ins they did (like when they zoom in on Katniss's lips before she blows up the supplies.) While the cinematography helped tone down the violence, it ended up looking more like a little kid had taped it with a camera.

*Games felt rushed. Not horribly so, but I think the movie could have had a little extra time. I think the fandom would have sat through twenty-thirty extra minutes. One part that really suffers, in my opinion, were Rue's scenes. Katniss wakes up, finds Rue, there's a short (and I mean, SHORT) bit showing them eating, then it launches into the blow-up-the-supplies scene where Rue is ultimately killed.

*Cave scene. This kind of goes along with the "games felt rushed" problem. I feel like this scene needed a little extra time. It ends up being one of the bigger scenes in the book, with Katniss pretending she loves Peeta, Peeta thinking it's real, and Katniss realizing it might not all be an act. In the end, this scene was mainly just Peeta telling Katniss about his near-lifelong crush on her, along with some rather creepy dialogue. "I watched you walk home from school every day. Every day." Well, hello, Edward Cullen! It also made it seem like Katniss was really, truly in love with Peeta, as opposed to faking it, although I will say that towards the end, when they come home to District 12, she seems a little awkward with Peeta.

Overall, this certainly wasn't a bad movie. It was a good adaptation of the book with some amazing acting. But it did have its flaws and it wasn't perfect. However, I think fans will enjoy the movie.

Saturday, August 9, 2014

Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996)

Don't Be a Menace to South Central While Drinking Your Juice in the HoodThere are a few conditions required for "getting" this movie. You have to understand a few things before getting the jokes. Probably the most important thing is that you've seen Boys 'N The Hood and/or Menace II Society. These two movies contain the majority of the spoofs seen in Don't Be A Menace... There are also references to Poetic Justice, Juice, and Higher Learning. Without having seen the first two, most people will probably not get the jokes. Secondly, if you're into the hip hop culture, this movie will be a lot funnier. There's a lot of play on words from the rap lingo that you won't get if you haven't listened to it.

I really enjoyed this movie. It's a hilarious spoof of gangsta movies and gangsta rap. Keenan Ivory Wayans' cameos were hilarious. Shawn and Marlon make a great comedy team. It's just too bad they don't get more exposure (they're TV show on WB is hilarious, too). It's all tongue in cheek fun pointed at the harsher looks at inner city life that we get from movies and music.

If you're one of those people that hates movies like Naked Gun, Airplane, and Spaceballs, this movie is definitely not for you. Otherwise, pick it up and try not to fall off the couch :)

So many people just hate this film but I found it absolutely hilarious. Like the Scary Movie flicks it helps if you know the source films (Boyz N The Hood etc) fairly well. A lot of the funniest moments come from the deadpan way ludicrous lines are said, eg, of a pretty girl: 'What's her name?' 'Oh, that's Dashiki.' And the way characters refer to 'the hood' in inverted commas all the time, as in, 'I'm leaving 'the hood',' (cue gunshot). Who wouldn't laugh at the love-making scene where Trey ups the erotic ante by libating Dashiki with kool-aid then melting government-surplus cheese & dripping it like molten wax over her body? Well, a lot of people, apparently. But I laughed out loud a good many times watching this movie. The 'guilty' aspect is that it makes it almost impossible to re-watch Boyz N The Hood, Menace II Society etc in a serious manner because so many key scenes and moments are burlesqued in DBAMTSCWDYJITH.

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MY GOD! You have absolutely no sense of humor whatsoever if you didn't find at LEAST one part of this movie hysterical! I was rollin from the opening part! Who is anyone to say that I have a shallow sense of humor just because I liked it? You have to know how to laugh at certain things and everyone these days are so "politically correct" and "edgy" that they forget the funny things and don't keep it real! Obviously they've never been in the hood or known anyone like the characters in Don't Be A Menace, because there really are people like that! I think it's most likely a movie that only blacks will understand. If you're white and you loved, more power to ya. This movie is just wayy too funny!

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`Don't Be A Menace To South Central While Drinking Your Juice In The Hood' is an hilarious take on all the hood type movies and surprising it does come off really funny. Just as funny as `Friday' and such movies. Brothers, Marlon and Shawn Wayans, don't have any problem making fun of the typical ghetto life that a lot of Afro-Americans might have to experience. The thought of this might not be too appealing at first but give it a try and you should end up laughing without a doubt. Some viewers have said that you need to be a black person to find this movie funny, or you need to have lived in the hood, which, in my opinion, is not true, I'm white, I live in England and my face was so sore after laughing at this. The only thing that helps is if you've seen the movies that this is parodying, and then you should certainly have no problem finding this film hilarious. Just like I did.

To say, `Don't Be A Menace...' is a comedy classic is quiet the understatement. All the characters in this movie provide laugh after laugh. It's the practice run for Wayans movies to be made years later on. `Scary Movie 1 & 2' clearly have borrowed the mold from `Don't Be A Menace...' More films should be as funny as this one. Marlon's character `Loc Dog' certainly squares up to `Smokey' from the `Friday' anyday. Marlon's dialogue/appearance is cleverly written to poke fun at the stereotypical male you've seen in any John Singleton film. The cast is strong, good comedic performances come from the Wayans brothers (although, Marlon is the much better of the two), Suli McCullough, and Lahmard J. Tate, playing Ashtray's father, the second funniest character in this movie. The script is almost faultless in its field, and the jokes come quick and they don't let up until the end. This all helps to make this an addictive comedy classic. This truly is TOTALLY GHETTO FABULOUS!

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This is a great parody of all the hood movies that came out in the early 90's. "Don't Be a Menace" throws laughs at Hood Flicks such as "Juice", "Menace To Society", & "Boyz In Da Hood". So if u haven't seen those movies, you might not understand a lot of the comedy in this....but if u have seen em, check this out!

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Saturday, May 17, 2014

Patton / Longest Day / Sand Pebbles / Tora Tora (2012)

Patton / Longest Day / Sand Pebbles / Tora ToraTo answer the person who questioned which version of THE SAND PEBBLES is featured in this package, it IS the 3-hour roadshow version. Of the 4 movies in the package, I would say PEBBLES is still the weakest transfer, although it is still of a higher quality than many blu-rays I've seen. I suppose that just points to the superior quality of the other 3 in the set. Both PATTON and THE LONGEST DAY are stunning. Extras are strongest with PEBBLES. It's possible that PATTON and LONGEST are single disks in multiple-disk collections. Still, given the price and the quality of the selection, this is a very strong package.

Great value for the money. A must have especially for the World War II afficiando. Tora Tora Tora is the best movie depicting Pearl Harbor.

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In all fairness, I have not purchased this DVD 4-pack. These are four excellent movies all in their own right. I just question the wisdom of including "The Sand Pebbles" in a package of World War ll movies.

I think that anyone of a number of movies should have been substituted. Movies such as "A Bridge Too Far", "Midway" (the original 3-hour version and not the edited 132 minute version), " The Bridge at

Remagen," "MacArthur" or "Saving Private Ryan." There are probably many more that could have been included. I think, however, that the four movies are excellent.

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When Sand Pebbles came out on bluray it was the shortened version.The cut scenes were placed as an extra. At least the dvd is the original 3 hour Roadshow version (which I saw in 70mm many times). To shorten this much underated masterpiece is a crime. Let us hope we will get the full version on this bluray release.

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Sunday, April 13, 2014

The Preacher's Wife (1996)

The Preacher's WifeAs a rule I dont tend to warm to remakes of classic films however the Penny Marshall directed Christmas story "The Preacher's Wife", is a definite exception and has become one of my favourite festive season viewing experiences. Based on the classic Samuel Goldwyn film "The Bishop's Wife", which starred legends Cary Grant, Loretta Young and David Niven, this 1996 effort has a charm and slant on the essentially same story all its own. Denzel Washington in the role of an angel sent down to earth to sort out the life of a preacher who has lost sight of what really is important, is a most worthy successor to Cary Grant in the original film and Whitney Houston in the female lead displays a warm screen presense and great musical talent that couldn't be bettered in this type of story. Amazingly I only saw this film for the first time 3 years ago but it has become a firm favourite of mine ever since. Combining a traditional and much loved Christmas tale with some truly wonderful gospel singing gives this effort a really upbeat feel which however never sacrifices for one minute the more touching aspects of the story.

"The Preacher's Wife", focuses on the parish of St. Matthews run by Rev. Henry Biggs (Courtney B. Vance), a well meaning and dedicated preacher who has been trying to be all things to all people in his needy area. Along the way through court cases for wrongly convicted minors, leaking furnaces, and offers by local big wig Joe Hamilton (Gregory Hines), to "upgrade", to a new flashy parish of the future, Henry has lost sight of his wife Julia (Whitney Houston), and their small son Jeremiah (Justin Pierre Edmund). Just when things look the blackest and Henry feels he is acheiving nothing an unexpected answer to his prayers for help comes in the form of debonair stranger Dudley (Denzel Washington), who has a hard time convincing the embattled preacher that he has been sent down to earth by "the big guy", to help him with his problems. Dudley has his work cut out for him as Christmas approaches and Henry gets more and more ground down by his duties in the parish. Dudley begins to provide the warm understanding companionship that Julia craves much to the growing alwarm of her well meaning mother Beverly (Loretta Devine). The pair go skating, and even go out at night to the jazz club where Julia used to perform and where Henry proposed to her. Warned off by Beverly, Dudley begins to see that he is falling in love with Julia and that that was not why he was sent back to Earth. Some well timed intervention in Joe Hamilton's crass plans for Henry makes the preacher begin to see where his real value is and what is important to him, first and foremost his family. All things come together for the Christmas pageant and service where Henry reaffirms his faith in God and his family and his place in the world. Dudley realises his work is done on earth and in a poignant finale blesses the family with a beautifully decorated Christmas Tree after which they will not recall his presense in their lives at all. Dudley attends the Christmas service at St. Matthews but the adults have no memory of him, however Jeremiah still so young at heart does still know him and wishes Dudley a Happy Christmas before he returns to Heaven with his task successfuly completed.

A truly inspirational and touching story filled with some beautiful music and comic pieces is the best way to describe this beautiful little movie. I love all three lead performances here and it's a joy to see Denzel Washington, normally the star of some intensely dramatic films, in such a charming and light hearted role as Dudley. He displays a fine comic talent and teams especially well with the other two leads. If ever there was a proper successor to Cary Grant in this role then Denzel Washington is it. Whitney Houston does very well in the role of Julia and she displays a nicely touching persona especially in her scenes with her screen son. She of course comes alive in the musical numbers many of which she produced herself. I've become a big fan of gospel music after her terrific rendition of such numbers as,"Step by Step", and especially the show stopping "I believe in you and me". Courtney Vance playing the earlier David Niven role of Henry is also excellent and his performance contains alot of the dramatic meat of the story as the essentially kind hearted preacher who is torn too many ways and sees himself loosing his family. His work with Denzel Washington in particular is note worthy especially in the scenes when he can't seem to understand just "where", this mysterious helper has suddenly come from. Other standouts in the cast are Jenifer Lewis as Julia's mother in a very funny performance full of great lines and wry observations about what is happening in the Biggs household, and Gregory Hines as sharp business man Joe Hamilton who in turn is also affected by Dudley's presense in his previously rather shallow life. The look and feel of "The Preacher's Wife", makes it a wonderful newer Christmas viewing experience and much of the credit goes to the church scenes with the St. Matthew's choir taking centre stage. Their singing and expert handling of all the gospel music is perfect and really gets you into the feel of the season.

As a "modern", Christmas story I personally feel "The Preacher's Wife", is a most worthy successor to the well known and greatly loved earlier classics like "White Christmas", and "Miracle on 34th Street". Taking a very different slant on the story than the earlier 'The Bishop's Wife", it manages to be wholly original in its own way and makes delightful seasonal viewing. Try and see this touching film next Christmas and I'm sure it will become a treasured part of your holiday viewing like it is in my home.

Fine and uplifting remake has everything going for it. A great leading man (Denzel Washington) and a great cast of characters that will lift your sprits when you are down. Great support is giving by Courtney B. Vance and Whitney Houston, and the soundtrack by Miss Houston is simply amazing. See it, and let a smile come a cross your face.

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The Reverend Henry Biggs is a good man who's doubtful about his ability to make a difference in his troubled community and home. Help is on the way in the form of an angel named Dudley who soon becomes the source of and solution to their problems. This movie is wholesome, great family entertainment with a good message. I absolutely loved it.

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I'm fond of the original of this film; "The Bishop's Wife". But, contrary to your own reviewer, I think this film is just as good, and an excellent update with lively gospel/jazz musical score. Ok, it may be too sweet for some people. But the cast does a great job with the material, which is clean, non-violent comedy focused on family values and which sends you out with your feet tapping to a great jazz rendition of "Joy to the World".

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A few years ago I picked this up at a record (OK-movie, CD, DVD) store when the sales were good because the business was collapsing about their ears. Hadn't seen it until this (2011) Christmas season when I reached it in the unwatched section of the movie shelf. Naturally, I learned what I presumed many already knew. It was intended to be, and it is, a welcome addition to the regular movie fare for Christmas. Can't imagine why we should try to compare it with the Cary Grant-Loretta Young version. Different generations, unique performers, quite different socio-cultural reference and quite similar warmth. Denzil Washington is not Cary Grant; Cary Grant was not Denzel Washington (in white face). There was no Whitney Houston in the older film, there is no Loretta Young in the new one. Enjoy each when you are in the mood for one or the other.

No doubt the star of the film is the music. Whitney Houston leading a church choir or Whitney Houston in a Jazz club makes no difference. She IS ONE CLASSY SINGER. The singing with and without Ms. Houston is stimulating and satisfying. Nothing in the film can beat it; but, it makes everything else in the film better than it might otherwise be. Perhaps surprisingly, despite the number of singer/actors we have had, she also does a fine job as the Preachers Wife, who is getting a bit tired of the lack of a private life with the minister (although, with a father in the same profession, one would have thought she would have expected i)t. Denzel Washington is charming as the Angel; no room here for his normal intensity, but he fills the role well. The Preacher's role is competently handled as is the mother's; they both make solid contributions. Those handling the two little boys are to be congratulated. The boys are cute without being cloying or annoying. Hard to achieve. Gregory Hines gets to play the, was it Henry Travers', role in a Father O'Malley film, requiring nasty turned saintly (more or less). There is no way to be more than OK in such a role

All in all, therefore, this is a family picture, so-called, well worth a family viewing around the Christmas holiday (or any other time, for that matter). Don't expect a film for the Hall of Fame equal to Citizen Kane; do expect a light, good-spirited, musically satisfying, little film worth watching when in the mood.

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Animal Kingdom (2010)

Animal Kingdom"Animal Kingdom," David Michod's debut feature, is undeniably well-made and compelling, but it's strictly for people who thought "The Departed" was too optimistic. Seventeen-year-old Joshua Cody (James Frecheville), known as J, never had a chance, as "Animal Kingdom" makes plain from the opening shot. Once J's mother dies of a heroin overdose, he has nowhere to go but the home of his "Grandma Smurf" (Jacki Weaver) and uncles, a violent group of career criminals that makes "White Heat" and "Bloody Mama" look like "Mary Poppins." The Codys live in a seedy section of Melbourne in which police and crooks are essentially competing mobs, sometimes cooperating but more often taking hits out on each other. It's a true jungle, just as merciless as the Serengeti and far more corrupt.

"Animal Kingdom" is essentially the story of how J is sucked inexorably into a life of crime, enhanced by ominous music and portentous slo-mo camera effects. Ben Mendelsohn--playing J's Uncle Andrew, a/k/a The Pope--is absolutely terrifying. So is Weaver as the outwardly cheery but inwardly satanic Grandma Smurf, who will sacrifice anyone and anything to preserve the family business. "Just because you don't want to do something," she remarks at one crucial point, "doesn't mean it can't be done." As for Frecheville, at the beginning he's reminiscent of Forrest Gump if Forrest had been played by the young Rupert Everett. His performance gains in power, however, as his afflictions pile up and his true nature starts to come out.

There are a few things about "Animal Kingdom" that don't fit together; for example, it's a little too convenient that upright Detective Sergeant Leckie (Guy Pearce) should be so ignorant of the corruption in his own police force. Nevertheless, "Animal Kingdom" is a persuasive crime drama and an admirable debut film for Michod. Just don't watch it when you're already depressed.

ANIMAL KINGDOM is tough little film from Australia, well written and directed by David Michôd, and acted by a fine ensemble cast of actors. It is a frightening tale of crime and corruption, of one family of criminal sociopaths both pitted against and partnered by the police in Melbourne, Australia. Though the film wanders times, altering past and present in a manner that proves confusing to the whole, the impact in the end is stunning.

Joshua "J" Cody (James Frecheville) narrates the film and we first meet this young 17-year-old sitting beside his mother who has just died from an overdose of heroin. In a most detached way he calls his maternal grandmother Smurf (Jacki Weaver) and asks if she remembers him: his mother has been estranged from her family for years. Smurf welcomes his call and complies with his desire to move to her home. And what a home she runs! Smurf's sons are sociopathic criminals on the run from the law (but also involved with the law in the illegal sale of drugs with bad cops). The worst offender is Pope (Ben Mendelsohn) who is the brains behind the crimes the family commits: he is also on medication for his mental challenge. The other two brothers are drug-addled Craig (Sullivan Stapleton) and the strange very young Darren (Luke Ford). Pope's best friend in crime is the rather tender Baz (Joel Edgerton) with whom J can relate. J is thus thrust into the family he has not known and becomes reluctantly involved with the criminal shenanigans and killings of Smurf's boys. Smurf has a bizarre relationship with her 'gang' of sons, seemingly kind and protective but with a surprising evil side of her own. As the story progresses J is caught between the family and the police in the form of Investigator Leckie (Guy Pearce, in another memorable role) and the story deals with how this contrasting set of circumstances molds the young J.

There isn't a weak link in the cast and after viewing the film it is understandable why Jacki Weaver was nominated for an Oscar. This is a different sort of crime drama and the flavor of the Australian setting adds immeasurably to the mood. Grady Harp, March 11

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A surprisingly understated gem, Australia's "Animal Kingdom" is more adept at showcasing the psychological dissolution of a crime family than being a gung-ho action picture. In his choices, writer/director David Michod has produced a unique film that combines elements of a character study within the structure of a domestic drama. Placing that domestic drama inside a criminal family in flux, in decline and in desperation provides a slow build urgency to the film that causes the suspense to rise exponentially as the film proceeds. Effectively employing a moral ambiguity to his central protagonist, Michod creates a complex family unit that alternately protects its own or, if need be, devours the weakest. I loved the quiet intensity throughout and appreciated the thoughtful characterizations that made the "Animal Kingdom" an effective study of humans pushed to the edge.

The film is centered around James Frecheville, a rather passive seventeen year old that comes to live with his grandmother (Jackie Weaver) when his mother overdoses. Unbeknownst to him, his mother has shielded him from a family that lives outside the limits of the law. Frecheville, however, seems content to play a marginal role within the family enterprise as it garners him acceptance and connectivity. As the police, led by Guy Pearce, start to close in on the various members of the group--a splinter starts to form that will eventually rend everyone apart. The further the film progresses, the larger the body count until everyone left is scrambling in desperation mode for survival. The film is exceedingly well acted. Weaver is cool and cheerful even at her most treacherous. Sullivan Stapleton is terrifically unhinged as Uncle Craig, Joel Edgerton is astutely level headed as Uncle Barry, and Luke Ford is surprisingly sympathetic as the over-his-head Uncle Darren. But aside from Weaver's subversive villainy, it's a manic Ben Mendelsohn that provides real menace throughout "Animal Kingdom."

If anything keeps the film from being perfect, for me, it's the naive and passive Frecheville. He never elicited much sympathy or empathy and pairing him with a girlfriend who was equally foolish didn't help matters. In many ways, you know the young couple is doomed--but it merely seems like they brought it upon themselves with their patent refusal to acknowledge what is going on before their eyes. Still, "Animal Kingdom" packs a powerfully hard edge. The film is thoroughly entertaining and works as an intellectual thriller, not as a shoot-em-up. Don't get me wrong, there's plenty of well placed violence in "Animal Kingdom"-the film, however, revels in the choices that people must make in extreme circumstances. And, in the end, it's all about survival instinct. I really loved this movie. About 4 1/2 stars--I'll round up for the distinct and effective characterizations (although I'm tempted to round down for the idiot girlfriend!). KGHarris, 1/11.

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This Aussie crime drama rates very high on my list of best crime dramas in the past 15 or 20 years. The screenplay, directing & acting were all superb, rivaling that of Heat & Goodfellas. It also has some similarities to the 80's film At Close Range with Penn & Walken, which was also brilliantly acted. This film was a directorial debut for the director, which makes it all the more impressive. This film is far superior to The Departed, which won best picture a few years back, but I'm sure it will get slighted by OSCAR because it's an Aussie film. The film keeps your attention & is very unpredictable, has many twists & turns & has a brilliant ending. Don't miss this film.

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I had not even heard of this movie until learning of Jacki Weaver's Oscar nomination. Liking great performances in interesting looking films, I purchased the dvd and was pleasantly surprised. This is one terrific crime drama with equally terrific peformances. Jacki Weaver not only deserved her Oscar nom but in my opinion should have taken home the Academy Award, she was that good. The rest of the cast was impressive as well, but it was Ben Mendelsohn whom I thought was the real standout. From the moment he appears on screen he catches your attention, and I for one was mesmerized by his performance as "Pope," one of the more intriguing screen criminals in recent memory. There's one particular favorite scene of mine, with an Air Supply music video playing over it, wherein Mendelsohn doesn't utter a word, and barely moves, yet terrifies with his mere presence and stare. He is chilling here and throughout. Aside from the performances I liked the fact that this was a crime drama that focused more upon the criminal family than the deeds they perpetrated which led to their reputation. With one notable exception that sets off a violent chain of events, those deeds are not shown and I think the movie is the better for it. It's a much different take on the subject matter, making for a much more interesting film, although I must admit I would love to see a prequel that shows how the notorious Cody clan got started on their life of crime. Hopefully David Michod (great directorial debut here) will consider it.

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