Resident Evil: Degeneration (Blu-ray Steelbook Bonus Disc) (2008)

The Resident Evil series has become one of the top selling titles for video game company CAPCOM. Known in Japan as "Biohazard", the series has sold over 34 million games and among the series, one of the most popular titles was the 1996 Sony Playstation game "Resident Evil 2' which introduced us to the characters of Racoon City rookie police officer Leon Kennedy and Claire Redfield (sister of "Resident Evil 1' hero Chris Redfield).

The two were popular characters that fans enjoyed and in 2005, "Resident Evil 4' featuring Leon Kennedy became a huge hit earning "Game of the Year" by various publications.

With the popularity of the character of Leon Kennedy, how fitting was it when CAPCOM announced the reuniting of both Leon and Claire. As a fan of the video game series, I was definitely excited and couldn't wait to see the film. "resident evil: DEGENERATION" takes place seven years after "Resident Evil 2'.

VIDEO & AUDIO:

Picture quality is pretty good. The film is entirely in CG and was created in Maya. The CG was well done but not as fluid as "Final Fantasy: Advent Children" but still looked very impressive. The rendered character models were just great to look at (especially at the beginning when you see the airport or even the WilPharm HQ. Both look very realistic!) and Leon, Claire and Angela Miller model renders were just very well done. If anything, there is slight jerkiness when it comes to a close up of a character and trying to make it do natural and realistic movements during a conversation. But during the action scenes, the movements were very nice and overall, the CG was very well done.

If anything, fans of the video games will more than likely enjoy these CG rendered scenes.

As for audio, the audio is featured in Dolby Digital 5.1 and during the action scenes (which there are many), sound does come alive and sounds very good on my system. Dialogue is quite clear. As for the music, the ending theme "Guilty" is by Japanese music artist ANNA TSUCHIYA.

SPECIAL FEATURES:

The DVD features quite a few special features which include:

* The Generation of DEGENERATION featurette This featurette interviews Makoto Kamiya and other CAPCOM staff and their goal with the film, why they used the actual English voice actors in terms of the motion capture (including having them learn how to hold a gun) and more behind-the-scenes footage on the creation of the film. Also, fan reaction at San Diego Comic Con.

* Character Profiles Profiles feature a text blurb on each character and you can access a video or photography profile (from parts of the film).

* Voice Bloopers This is more or less bloopers but not sure if it was intentionally created or if it was actual bloopers. One featured Leon Kennedy telling the others about his "fee". Quite funny to watch.

* Faux Leon Interview I'm not quite sure what this feature was about. A man is interviewing one of the motion capture actors and the actor is talking about working with Kamiya-san and others on the film.

* Resident Evil: Degeneration Trailers Trailers for the film

* Resident Evil: Degeneration Tokyo Game Show Trailer Tokyo Game Show trailer

* Resident Evil 5 Special Game Footage Promotional video for the upcoming Playstation "Resident Evil" game.

* Resident Evil 5 Game Trailers Trailers for the upcoming Playstation 3 video game.

Let me first say that I am a big fan of the "Resident Evil" series and I own nearly all the US releases. "Resident Evil 2' really was innovative when it first was released for the Sony Playstation and was my favorite R.E. game until "Resident Evil 4' was released and that video game was just incredible.

So, that being said, watching this film had me smiling because I absolutely adore both the characters of Leon Kennedy and Claire Redfield. How this film furthers the storyline of the two characters but also builds on certain situations that may have major ramifications for future video game releases is quite exciting.

So, with that being said, I enjoyed the film because the creators really wanted to pay homage to "Resident Evil 2' and "Resident Evil 4' video game series and its fans. But I realize that many people who are not familiar with the video game series are wondering how the context of this film is to the live-action film series featuring Mila Jovovich.

There is a relation by name and of course, the virus that turns people to zombies but really, this film was created for the fans of the video game series in mind.

Also, with this being a video game-related film, many who crave a deep storyline with character development of who is Claire and who is Leon may feel disappointed. The reason why video gamers who played the video games is that through those video game moments of playing these characters for hours, there was a vested interest.

I would assume that many viewers not familiar with the video game series won't pick up the importance of Claire or Leon to the actual "Resident Evil" storyline. In fact, some may wonder why they should care about these characters especially at the end with the politics surrounding the viruses.

So, with that being said, "resident evil: DEGENERATION" is an awesome film for those who followed the video game series. The film features plenty of non-stop action, bloody violence courtesy to the zombies and you even get a scene with blood that splatters on to the camera. But the enjoyment comes from those who had the experience of playing "Resident Evil 2' and "Resident Evil 4' and to see Claire and Leon again.

The CG looks great and there are some moments that I was just really in awe but at the same time, there are some movements that were jerky and robotic at times. But overall, the model renders were good and Leon and Claire look very good. So, the bottom line is that this film is just total fan service for "Resident Evil" video game fans. So much that I highly recommend this DVD.

For those who are not familiar with the video game series, you may enjoy it but if you are expecting a continuation of the live action films, then this DVD may not be for you. In fact, some may be disappointed because there is no strong plot for them to truly enjoy these characters especially without playing the video games. So, I can understand if they don't get into it.

Again, if you are fans of the "Resident Evil" video games, you can't help but have a smile on your face because there is now a "Resident Evil" film that was created with the RE video game fan in mind. And for that, I recommend this DVD for you!

I love Resident Evil and really enjoy the video games a lot even though I am not to much on the live action movies. With that said I was surprised that I liked this movie even though I didn't love it.

The video quality is pretty awesome in the blu ray version with pretty thing I noticed wasawesome sound. The one thing I noticed was the close up of faces are greatly detailed but from far away look like they have kind of a plastic coating or something that reminded me of Advent Children. I enjoyed certain scenes of the usually overdone slow motion, like when Leon throws Claire a handgun in the airport or Leon shooting a mutant in the face in the facility are really great. The animation is great but not really an as advanced as I hoped from when Advent Children. I did notice more vibrant colors and the flame effects are very good with fantastic lighting and rich blacks.

I was hoping for more of an open movie instead of being in claustrophobic atmospheres and Leon has too much perfect hair. Even at the end of the movie no one seemed roughed up to bad and their hair and faces remained intact unless you suffer from a case of zombiefacationism of course. Like I said earlier this movie surprised me that I enjoyed it. I wish it felt bigger and on a larger scale but the whole thing just felt small be it the amount of the immediate cast or the location. The only open part being the airport at the beginning and thank goodness they didn't make the whole thing based in the airport. The whole movie could have been a bunch of cut scenes from a video game like a new Resident Evil game and why so serious all the time Leon. I think I enjoyed this better than the current Resident Evil trilogy and wonder why this isn't the route they took instead of live action. The story doesn't feel like a movie but more part of a mini series which is why I didn't enjoy it as much as I could have by the end.

Fans of Resident Evil should watch since it is a nice inclusion and it didn't hurt the series or make it look bad. The blu ray is fantastic to show off its capabilities since it just looks so pretty even if sometimes character movements aren't always fluid and an occasional plastic texture face. Special features aren't the greatest but still nice to have and I guess they will have a special edition later. Though it is three stars for me I still enjoyed it and its a 5 star just for its picture and audio quality but that's not enough to warrant a purchase. Rent it if you love than give it a buy.

Buy Resident Evil: Degeneration (Blu-ray Steelbook Bonus Disc) (2008) Now

I watched Degeneration in NY Horror Film Festival. At first I didn't expect a lot from this movie, cause the live action trilogy is very disappointing and I just didn't dare to expect it would be good, but it is. If you're an RE fan, it's a must-see movie. You won't be disappointed. Luckily the movie doesn't focus on fighting zombies too much. It is a drama/thriller. The movie successfully combines T & G-virus storyline fans are familiar with. Although not much character development, you can enjoy the story. CG part in my opinion is not as good as Final Fantasy. Characters' facial expression is a little stiff, and their "stares" are dull. Women look like they had plastic surgery. But these are not serious problems, just the technical parts they need to improve. Degeneration story is much better than FF. After watching its premiere, I can't wait to buy the DVD.

Read Best Reviews of Resident Evil: Degeneration (Blu-ray Steelbook Bonus Disc) (2008) Here

Going into Resident Evil: Degeneration I wasn't sure what to expect, but I did have slightly low expectations; the first Resident Evil game was classic and I was never hooked on a game like I was with that. I would spend hours and hours playing that game, but never played the rest until Resident Evil 4. Well I played a couple of levels of Resident Evil 2. It's not that I didn't want to it's just something I never really got around to, but I really enjoyed the first and fourth game a lot. As for the film franchise, which this has no connection with Degeneration, I thought they were alright. All 3 movies are watchable, but very forgettable and on multiple viewings they tend to get worse.

If you've never played the games before you can still enjoy Resident Evil: Degeneration, while knowing the games would probably help you enjoy this a little more when all is said and done you really don't have to know the games to enjoy the movie. I've only really played two of the games, none in which had Claire, but Leon is in Resident Evil 4 so I don't really know Claire's character, but yet it didn't take away from the movie for me at all. But knowing the games again will probably help you enjoy this a little more, but it's not a must.

Even though Degeneration has no connection to the live action series I still went in with slightly low expectations and Resident Evil: Degeneration is far better than the live action series and overall far better than I thought it would be it still falls a little flat. The movie gets off to an amazing start with some good suspense and tension. The first act is set in an airport and the scenes were great. As I'm watching it the first thought I had was this is the best zombie movie to come along in ages (not counting the 28 Days/Weeks Later movies since by right they aren't zombies).

But after the opening act Resident Evil: Degeneration does start to decline a little bit, but always stays entertaining it just wasn't able to keep the high level of the first act. As stated before the opening act is very solid. It has a great build up and is filled with suspense and tension. But as we get more into the G-Virus it loses a little steam and the zombies pretty much go MIA for the remainder of the movie except a couple of scenes; while the plot is pretty good it does sort of feel like it drags in some spots.

Writer Shotaro Suga does a pretty good job for the most part; the characters are all solid and entertaining, but not all works. The opening act Senator Davis (Michael Sorich) plays a pretty big part and his character seemed like it would be crucial, but after the airport scenes he barley plays a part. I think there was some potential there, but nothing comes about. The script isn't perfect, but gets the job done and is far better than the three Resident Evil movies written by Paul WS Anderson.

Director Makoto Kamiya early on creates a lot of suspense and tension and the set up is excellent, but Degeneration as I stated before does run out of steam, but Kamiya is able to keep the movie fairly interesting despite the sometimes lack of action. Kamiya manages to get some the suspense and tension back for the final act, but it never reaches the level of the opening act. But overall he gets it done and crafts an enjoyable if not slightly lackluster of a movie.

Fans of the game are probably the best audience for Degeneration, but non-fans can still watch this and enjoy it; if you're disappointed in the live action series this while not great or anything if overall a lot more enjoyable and worth checking out.

The Blu-ray looks and sounds excellent and is jam packed with special features, which are pretty much the same as the DVD except a couple of minor features excusive to the Blu-ray.

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Having just completed Resident Evil 4 once again I was all revved up for Degeneration hoping for a continuation of the story with Leon Kennedy. All the RE games have followed a set template consisting of a lone armed man or woman fighting a hoard of undead and genetically altered beasts leading to a final confrontation with a powerful, virus infected human. The reason Capcom sticks with this formula is because it works but Degeneration breaks the pattern to its detriment. Zombie's (or virus infected human's) are present but no modified creatures. No embiggoned spiders or snakes or freaky dogs or sharks, just zombies and the inevitable G-Virus monstrosity who takes nearly half the film to destroy.

I was pleased to see that Leon is voiced by the same actor who played him in RE4. Problem is Leon looks a little bit off. Let me step back for a moment and say that the United States is clearly ahead of Japan in terms of computer generated visuals. The big problem in Degeneration is that even the living characters look undead. It appears to me that what the animators did was model the faces add some blinking and mouth movement and call it a day. The problem is it creates a very odd plastic look as if all the characters were wearing masks. The face they modeled for Leon looks like Leon except in a permanent scowl and his eyes are obscured by the shadow of his brow so you can scarcely see them. Clair looks even worse with an unexplainably odd mouth rendering. The still shots look fine but her facial movements just aren't working and character motions often look mechanical.

I really wanted to like this one. Unlike the live action movies it's put out by Capcom so I assume that it will be integrated into the series canon and I would expect to see it referenced in future games. Too bad the plot is so flat and uninspiring that maybe it doesn't even matter. There are no interesting characters like Luis Sera, Krauser, Saddler, Salazar and Chief Mendez. In Degeneration we get the laughably evil Senator Ron Davis, Fredrick Downing, Curtis Miller and Leon's potential love interest, the forgettable Angela Miller.

My only complaint with RE 4 was that it wasn't scary. It was often creepy but never scary. Degeneration takes it even further by being neither scary nor creepy. That's not quite true; the mannequin like appearances of the characters is kinda creepy. Degeneration is pure action which seems to be the unfortunate direction that Capcom is taking the series. The extra features are actually pretty good and if you watch the preview for Resident Evil 5 there is a clear tie to Degeneration. This is a pretty exciting time for Resident Evil fans and I hope they continue to make these movies but this first effort is pretty disappointing with a lot of room for improvement.

Monsieur Lazhar (2012)

How is a class of eleven/twelve-year olds to cope with a tragedy that suddenly and out of the blue takes away their teacher? How do parents and teachers react to the trauma the children are experiencing? The school principal is under pressure to keep things "normal", none of the other teachers can take on the class, one school councillor is designated for the class of twenty plus young minds a crisis of great proportion... Into this challenging scenario walks Bashir Lazhar and offers himself as the ideal replacement teacher. With great subtlety and compassion does the film, Monsieur Lazhar, explore the evolving relationships between teacher and students, among various teachers and last but not least, between Bashir Lazhar at the school and his personal struggles beyond. While set in Montreal, Quebec, the messages of the film are nor locality specific, and could happen anywhere. The story touches on the different ways of dealing with loss and guilt, with honesty, lies and pretense, with prejudice and expediency. And finally, how the coping mechanisms of adults cannot easily be transferred to those of children living through a crisis. The story concentrates on two of the children, Simon and Alice, their growing hostility and Bashir's strict yet sensitive methods in dealing with the emotional struggles that the children go through.

Mohamed Fellag's acting in the role of Monsieur Lazhar is excellent, his interpretation of his character utterly convincing in his unassuming and often understated acting. The child actors, especially the two interpreting Simon and Alice, come across as natural and genuine. Philippe Falardeau, the film's Canadian writer/director came to international attention last year with his film "Incendies" that, like Monsieur Lazhar this year, was nominated for the Academy Award for best foreign-language film. [Friederike Knabe]

There is no shortage of good French language films about children and their teacher(s). Though this one is set in Montreal, it has many of the endearing qualities that French directors bring to their portrayal of the interaction between children and adults.

What makes this film excellent is its overall tone. It's touching, it's heartwarming and ultimately sad, but in an almost uplifting way. The acting the children is flawless.

And while the subject matter of death is at the core of the film, it is enveloped in a

feeling of awe and detachment at how the kids deal with it, and themselves, and a humanistic

portrayal of the teacher who has to take on the class following the suicide of their previous teacher. The teacher himself though has his own understated but real demons to cope with. But the heart of the film, including most of its scenes, take place in a classroom.

Technically, the film has a near perfect touch. Scenes end when "they should" instead of being drawn out for unneeded effect (and the ending included), histrionics are absent, and it flows like a calm stream with potentially turbulent undertones. It's a film ultimately about life, love, respect, hope and endurance.

It's a film you'll enjoy owning so that it can be viewed on multiple occasions. And being a foreign film, you can bet that most of your friends and family haven't seen it.

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And I don't throw that word around. Everything about this film is exquisite: the story, cinematography, editing, pertinence, depth, character development, acting, soundtrack -and the French (my second language) is pristine. I don't recall breathing while watching it in the theatre, but I must have. The popcorn went untouched. I can hardly wait for the DVD!

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A replacement teacher and his students help each other come to terms with tragedies in their lives. Compassionate, thoughtful, often very funny.

Recognizes that a modern classroom with its heavily regulated behavior can be an environment hostile to compassion and connection and addresses that both as a part of the inciting tragedy and as an obstacle to dealing with it.

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I'm sure I can't improve on the review that originally brought this Quebecois film to my attention. Je vous remercie profondément, Madame Knabe! Was "Monsieur Lazhar" nominated for Best Foreign Language Film for 2012 or 2011? In either case, it deserved to win just as much as whichever motion picture captured that condescending prize, including even Michael Haneke's intense "Amour." The acting is wonderfully well attuned, both from the adult teachers and from the students in a Montreal public school distraught over a well-loved teacher's suicide in her own classroom. The dynamics of faculty relations in the small school are perfectly convincing, which is not often the case in films. [I taught art and music in a grade school for two anxious semesters, by the way, decades ago at the beginning of my adult life.] As is so predictable, the brightest children are both more perceptive and more vulnerable than their teachers. It must be scary to confront such a realization for the first time as a beginning teacher. The title character, Monsieur Lazhar, has more immediate reasons to be scared, however. Only his gentle, humane decency carries him through.

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Dr. Seuss' How The Grinch Stole Christmas (Blu-ray + DVD) (2000)

I was hesitant to buy this because there are so many reviews that say the color transfer was bad, but it seemed to be the only option to own this movie, so I decided to risk it. Colors on our copy were brilliant and the sound quality was great and clear much, much better than the worn out video I grew up with. The Grinch was definitely very green. I assume that there must have been a problem with a batch of these DVDs that has since been fixed. I'm really happy with this purchase.

Many kids

Enjoy Christmas

They like it a lot

And this film

Is about the Grinch

Who did not

The film gives the background, and fills in some blanks

The Grinch as a child was subjected to pranks

He fancied a Who, with the name Martha May

He tried to impress her and to his dismay

They laughed at his efforts, his gift and his face

So he destroyed the classroom and fled from that place

Then,

He moved to Mount Crumpet

And made him a home

While the green hairy creature seethed under the dome

Until one cold day at the town Christmas party

When young Cindy Lou showed him how to be hearty

Then Mayor May-Who went and spoiled all the fun

By taunting the Grinch 'til he came all undone

He went up his mountain, and he started scheming

And when he was through he was smiling and beaming

He'd ruin their Christmas; he knew what to do

Revenge is the sweetest when it's overdue

If you've read the story you know how it ends

How the Grinch stole that Christmas from his former friends

So what happened next?

I won't give it away

This Christmas this movie will show every day

So if you're a Grinch you can run, but not hide

As you try to stifle the feeling inside

Just gather the kids for a clean yuletide treat

Merry Christmas to all!

(Now this poem's complete)

Amanda Richards, December 10, 2006

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I have always been a fan of "How the Grinch Stole Christmas" and ordered it in blu ray. It is beautiful in that the colors are vibrant and clear. The sound is excellent. Yet none of the original charm is lost.

I also like the way it allows me a free digital download of the film.

Highly recommended.

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Its the classic tale of the hate-filled outcast who with time grows to be accepted into society. In this instance, the Grinch, a hideous abnormality that lives off his passion for yuletide misery, is eventually persuaded from obscurity to join the Whos in their picture-perfect village. Under the layers of leathery green skin, Jim Carrey is instantly recogniseable as he writhes and extends his facial features to the limit capturing the loveable rogue stature perfectly. Ron Howard's takes charge of the direction and provides an magical yet comprehendable depiction of the dedicated Whos as they prepare for the festivities. Its not laugh a minute entertainment but it is inventively produced and provides a credible reproduction of Dr Seuss classic childrens stories. Hilarious in parts and cringeworthy in others, this is family fun encroaching upon the the best in DVD entertainment.

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Pretty much all of us know the classic Dr. Seuss story about the Grinch, a somewhat green meanie, who wants to stop Christmas from coming to his local neighbor's, the Who's. Ron Howard's film version starring rubber faceman Jim Carrey simply takes that story and adds a bit more to it (to fill the extra hour and twenty minutes of running time as opposed to the original cartoon version's 25 minutes). I for one love the backstory that was created. I always wondered why did the Grinch hate the Who's so much. What made him hate Christmas? These questions are answered quite well with some well imagined backstory of the Grinch as a child who actually grew up among the Who's, only to be ridiculed and made fun of for his strange appearence and unique behavior. It seems that the Green one became interested in a young girl that another boy liked (and who ultimately would later became the Mayor of Whoville). The film evens goes on to have Cindy Lou Who (who's given a bigger part in the film) question her family's values of what Christmas is really about...presents?...buying stuff?..is that's all it's about?..she wonders. It is she who realizes the good in the Grinch and crusades for him to be head chairmeister at one of the Who celebrations. I'm not sure what other people were really expecting, but this is pretty much what I thought the movie should and would be like. The sets and costumes are amazing..very Seussian! And Jim Carrey?...Well, I personally believe that Jim is great in everything he does and doesn't recieve enough credibilty by critics and certain moviegoers mainly because of where he came from (i.e. comedy and Ace Ventura: Pet Detective, the film that made him a star). I think critics that gave the film a bad review missed the whole point and probably need to watch fewer films 'cause they're obviously burntout! All I can say is the fans have spoken, which is why, despite lukewarm reviews, the film went on to become a huge hit and success back in November of 2000! I will still of course watch the cartoon version, but this version will also find plenty of time in my DVD player as well!

My only gripe with the DVD is that certain special features are too short or missing. The "Spotlight on Location" is barely over 7 minutes long. There are about 5 such featurettes included on the DVD that run between 4 to 10 minutes long. With such an interesting story like "The Grinch", a 60 minute or longer documentary should've been made to really take us inside not just the filming process, but the world of Seuss and Whoville as well. The other disappointment is there is no audio commentary included. I had almost expected one from director Ron Howard, who had always done one for previous Universal Pictures Collector's Edition DVDs (Apollo 13 & EDtv). I really wanted to know more about just how stressful it was on Jim Carrey to wear the Grinch costume. From interviews I've seen by Howard on Late Nite talk shows, Carrey became so tortured that he ripped the mask off his face and walked off the set. He was in the makeup chair everyday for 92 days straight. They had to get a Navy Seal team leader to instruct Carrey on ways of dealing with torture just so he could finish the shoot (no joke). This kind of story deserves much more insight, which is why I'm so disappointed that no commentary is available on the disc. So whenever people say Jim Carrey wasn't good as The Grinch, I scoff and say, "he went through torture to make that movie!" Some people are just hard to please. But don't let it ruin your Holiday Spirit! Add "The Grinch" to your collection today. And catch the special sneak preview trailer of E.T. The Extraterrestrial on this DVD (just before the movie begins), coming only to theaters in March 2002, with added footage, new special effects shots and more!

The Grinch It's not easy being green.

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The Most Wonderful Time of the Year (2008)

The movie starts with introducing us to a lovable cop who enjoys beating up burglars. Then it takes you to meet Jennifer, a single mom, and her darling son, as he asks (paraphrased) "How can Santa be real? It isn't possible! But I do want to believe!" Jennifer does her best to answer her sons questions, but struggles to find the right answers, as she herself does not like Christmas.

Then you meet Morgan, a nomad. He usually spends his time sleeping on the floors at the airport until by chance, he meets the cop. The two become fast friends and pull a con on one of the workers at the airport. The worker upgrades them to first class on the plane. When the friends arrive in Chicago, Morgan heads off too board his next plane only to find that the airport in Denver, where he is headed, is closed down because of a snowstorm. So, reluctant to let a stranger into her home, Jennifer finally invites Morgan to stay with her, her uncle (the cop), and her son.

Filled with laughter, awkward moments, apologies, and break ups, this movie is a wonderful tale that teaches you to love the little things in life and to not let all the preperation for Christmas keep you from enjoying the holiday's season. The movie was a real tear jerker nearing the end, so have your tissue box ready!

This film is great and one I will be watching for years to come. Henry Winkler is fabulous in the role as the retired cop...and man oh man, Warren Christie is a great actor and beautiful to boot. Only one thing to watch for-(possible spoiler here) and that is...there is alot of talk of the reality of Santa and the little boy fearful of him not being "real" due to school kids. A large part of the plot, for those of us with young kids, makes it pretty clear that someone other than Santa is coming on Christmas Eve. The movie eventually leads the adults to fabricate Santa arriving to reassure the boy of Santa's existence and even the gift he asked Santa for is clearly hunted for and purchased by the Mom (during part of hysterical mishaps in the film) and left from Santa Christmas morning. I love the film 100%, I love the message behind it and the acting is fantasticbut I am sad that I cannot watch it with my young kids. In five minutes, I was already turning it off and trying to explain a scene away...but that doesn't stop me from watching it after they go to bed!!

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I really enjoyed this movie when I saw it on tv. I was a little uncomfortable with the two unnecessary towel scenes but they were tastefully enough done that I could overlook it. I was thrilled to see it was on dvd and bought a copy immediately. Sometimes it's cool when they add deleted scenes back into the movie. Sometimes not. This DVD release had one of each instance. There's an added car scene with Jen and Morgan after they pick up the bike that was kind of sweet. The other added scene was of a definitely naked Jen getting into the shower. You don't see anything except her bare back (extending very low down her back) but unlike the towel scene where one could assume for filming she was actually wearing a strapless bathing suit, the shower scene is quite a bit more revealing and really completely unnecessary. I know there are many who will think I'm being silly but had I known about the shower scene I would not have purchased this dvd. This review is more to warn people like me. The rest of you, I'm sure will enjoy the movie and be glad it was released so quickly onto DVD.

Read Best Reviews of The Most Wonderful Time of the Year (2008) Here

I really like Christmas movies. Why? Because they all end "happily ever after." After loosing my wife of 30+ years to cancer eight years ago, I don't need drama, I need happiness. This movie has it all. The "Fonz" is great Brooke Burns is beautiful, it moves right along, and ends happily ever after.

Another great addition to my survivor package for the Holidays.

noelvm

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I TIVOed this movie last year (December 24, 2008 to be exact) and didn't delete it until I purchased this DVD. Although the story is somewhat predictable, the scenes are played out with tenderness, sensitivity and yes, humor. Henry Winkler is wonderful as Uncle Ralph, the devoted father-figure to single mother, Jennifer Cullen (Brooke Burns). When Ralph, on his way to spend Christmas with his niece, runs into free-spirit wanderer, Morgan Derby (Warren Christie)at the airport, the two develop an immediate friendship. When Morgan's flight to Denver is cancelled, well, let's just say that's where the fun begins as Uncle Ralph talks Jennifer into letting Morgan stay at her house until another flight can be scheduled. The film's description decribes Jennifer as a "Scroogette", but I feel that is a bit of an overstatement. She is happy enough and tries hard to get in the spirit of the season...but she is overwhelmed with the "shoulds" and "musts" that are certain to sabotage her holiday cheer. To make matters worse she is dating a man whose pretentious and irritating demeanor are obvious to Uncle Ralph, who, by the way, makes no bones in expressing how he feels. The film unfolds with Morgan alternately helping and ticking off Jennifer, who feels his presence in the house "looks bad". Jennifer's son, Brian, forges a bond with Morgan and is upset when Christmas morning finds Morgan gone (I won't spoil your viewing experience by revealing the details). The film has a happy ending, though. Let's just say that Uncle Ralph has the satisfaction of knowing that he has played his cards quite well indeed! This is a lovely film...romance, sweetness and humor all rolled up into one little holiday package. I recommend this film to anyone who loves Christmas and the miracles it brings.

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Silver Linings Playbook (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet) (2012)

This is why we go to movies. Silver Linings Playbook is that rare breed of movie where all the moving parts got put together in exactly the right way. The dialogue is sharp, witty, insightful, funny, and often brutally honest. It respects and holds true affection for its characters and the wonderful ensemble cast makes it look easy. The direction, editing and soundtrack are spot on. It is a future classic and the best movie of the year.

Pat is an underachieving substitute high school history teacher who has just been released from the Karel Psychiatric Facility after spending an eight month court-ordered stint for nearly beating the history teacher to death when he finds him in the shower with his wife. His doting, eternally optimistic mother brings him home hoping that the worst of his previously undiagnosed bipolar symptoms are under control. But his refusal to take his meds and an unfortunate incident concerning Earnest Hemingway and a window quickly dispels that optimism. Pat is in fact clueless, living inside a self-delusion bubble in which he reunites with the truly unattainable object of his obsession, his wife Nikki. Two more mismatched souls the world has never seen but he is the only one who doesn't realize it. He plods doggedly on in pursuit, oblivious to everything and everyone else around him. His illness has removed the normal barriers that prevent him from expressing the unfiltered truth as he sees it, making for some awkward, cringe-worthy, often humorous exchanges. Pat is hardly ready for the real world.

And he certainly is not ready for Tiffany. Pat's best friend invites him over for a homecoming dinner which turns out to be a blind date with his wife's recently widowed sister, Tiffany. Tiffany suffers from severe depression and her mood swings run the gamut volatile, bitter, vulnerable, stubborn, sexy, and sweet all thrown randomly into a mixer and blended at high speed. Everyone is a little afraid of her. Her depression results from her guilt over her husband's death which she attributes to her loss of sexual interest in him. She sleeps with everyone in her office in an attempt to anesthetize herself from her emotional pain. She is dead inside, just breathing air. And into this web steps the unsuspecting Pat.

From the moment they meet sparks and barbs fly indiscriminately between them, much to the horror of their hosts who believe they are witnessing a train wreck in the making. But these two lost and damaged souls immediately connect, kindred spirits seeking respite from the storm. Pat is overwhelmed, unable to come to grips with guilt over the intensity of his attraction to Tiffany and the incident sends him into an uncontrolled manic episode. Tiffany feels the same connection and it jolts her far enough out of her stupor for her to see the possibilities. When Pat turns down her offer to sleep with her the flame sparks higher, her curiosity is piqued, and her pursuit begins in earnest. As she starts to nurture and guide Pat, she develops such a flaming torch for him that it would blister the skin off any ordinary guy. But he is oblivious, content just to follow her around like the lost puppy he is. She grabs the opportunity full throttle, dragging the perplexed, not-quite-ready-for-reality Pat along for the ride.

The cast is simply brilliant. Bradley Cooper is a revelation as the bipolar misfit whose philosophy consists of working hard and staying positive to find the silver lining in everything. He and Jennifer Lawrence have such electrifying chemistry together that you find yourself rooting for them to find a way to be together from the moment they meet. Robert DeNiro comes alive in his Oscar-nominated role as Pat's Eagles-obsessed, superstitious, OCD bookie father. Chris Tucker deserves special mention as Pat's equally optimistic fellow psychiatric inmate and friend Danny ("Black it up Pat!").

But make no doubt about it this is Jennifer Lawrence's movie. At twenty two she is the real thing. Her performance here is transcendental. Even with the marvelous supporting cast holding the bar so high the movie would not work without her. She is visceral caustic and vulnerable in the same breath. Her facial expressions hide nothing she is fearless, willing to expose Tiffany's raw emotional core to everyone around her, warts and all as she juggles staying one step ahead of both Pats obsession as well as her own. The transformational changes that occur are put into motion and propelled forward by her. She bets everything with no guarantee that he is capable of giving her what she so desperately needs, willing to run the risk of diving off the emotional cliff for a chance at the real thing. Her character is the lynchpin of the story. And Jennifer Lawrence is nowhere to be found here. The success of the movie rides on her shoulders and she is brilliantly up to the task. Her talent is embarrassing.

The film is unapologetically romantic but dismissing it as a simple romance is missing the point. It deals with family, friendship, truth, sacrifice, and love as imperfect ideals worth fighting for regardless of your place in the world. It is a brave film. Do yourself a favor, go see it. It is ultimately a joyous affirmation of life's possibilities. And who doesn't need a little of that?

David O. Russell's "Silver Linings Playbook" is a big hearted and nearly irresistible concoction that presents one of the year's most unlikely romances. I've been a huge Russell fan since his debut with "Spanking the Monkey" and "Flirting With Disaster" is one of my favorite flights of outrageousness. Russell can have an edgy cynicism about his eccentric characters, but he knows how to make an audience identify with even their most offbeat characteristics. Make no mistake, "Silver Linings Playbook" is loaded with an expected array of troubled souls. But the most remarkable thing about this film (and its screenplay) is the amount of compassion it shows to just about everyone. With a stellar cast including Bradley Cooper, Jennifer Lawrence, Robert DeNiro, Jacki Weaver, Chris Tucker and John Ortiz, the movie boasts easily one of the best ensembles of the year. Each of these actors is given a fully written character and each makes a huge impression in the screen time allotted. That's what impressed me most about the film. It embraces its large cast and allows every member to shine!

Cooper plays a man being released from institutionalized care after a violent episode got him into trouble. Having lost his job and his wife, he is taken in by his parents (Weaver and DeNiro) who must contend with his bipolar condition. Cooper is single-minded in his pursuit to get back together with his wife, to the point of obsession. When he meets an odd young widow (Lawrence) dealing with plenty of personal demons, the two seem like they've got a lot in common. Of course, they seem perfect for each other but Cooper remains oblivious for most of the movie. Cooper and Lawrence have a great chemistry, even in confrontation (which is most of the time), but their verbal exchanges and smart dialogue are really what distinguish this piece. On paper, "Silver Linings Playbook" sounds like it might be a bit of a disaster. It might be filled with cliches about mental illness and stock romantic subplots. But Russell travels off the beaten path. The movie speaks volumes about family and commitment with unexpected plot detours that include gambling, football, and even competitive dancing.

Every character in the movie is a mess! Really! But you still root for them to come together. Cooper shows new acting chops, while Lawrence is smart and appealing. DeNiro has one of his best supporting roles in years, he's playing an actual character and not just a caricature of himself. His estrangement with Cooper fuels much of the movie. The saintly Weaver is so good, worlds away from her Oscar nominated turn in "Animal Kingdom" as the evil matriarch. And Ortiz and Tucker really score in smaller roles. The movie might follow standard romantic comedy conventions in its primary plot, but you've never seen them orchestrated in quite this way. The big finale, in fact, has one of the most uncomfortable (and biggest) laughs of the year as our leads strut their stuff on the dance floor. This is not all comedy, nor all drama, but an appealing blend that feels both fanciful and real. Russell obviously loves these characters and I think you will too. About 4 1/2 stars. KGHarris, 12/12.

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I didn't expect to like this film since I've disliked Bradley Cooper's past roles and because the script sounded shallow and formulaic. Initially, I thought they'd included De Niro as a come-on. In fact, the only reason I saw the film was because of Jennifer Lawrence, whose sophisticated performance in WINTER'S BONE convinced me I'd seen the breakthrough of a gifted actress.

Well, I was wrong about Cooper, wrong about De Niro's inclusion, wrong about a formulaic script, and dead-on about Jennifer Lawrence. Simply stated, this quirky, brilliant story of the evolution of love between two world-worn, emotionally troubled people -against the chaotic background of family madness -was one of the most satisfying, funny and affecting movies I've seen in recent years. In terms of clarity, continuity and heart, it surpasses the book on which it was based.

Since others have described the plot on this page, I will say that millions of viewers who have not seen the film will find parts of their emotional lives in the trials of the lead characters. They will marvel at Bradley Cooper's jaw-dropping portrayal of of a man shackled by the manic phase of bipolar disorder. They will wince at those moments in which the love between the principals starts to emerge, and falters. They will discover a performance by Lawrence that is comfortably sensual, and an actress who is equally powerful whether she is mute or screaming.

The script is complex and masterfully written, with surprising outburst of pathos and hilarity. The climax of the film -and I won't enter a spoiler here -caught me by surprise. I wept at the beauty of it, the director's mastery of realism, and the restoration of originality and complexity to American comedy.

It may be that we're all fundamentally "crazy" and that these two lovers legitimize the chaos we feel inside. It may also be that the art direction, score, supporting performances (De Niro is simply wonderful) and choreography are jaw-dropping. In the end, it's the confluence of so many virtues that make this film as fine as it is. For Bradley Cooper, it's a career-defining moment For Jennifer Lawrence, it's confirmation of what the wise always believed, and hopefully she'll be spared casting in horror films in perpetuity. She is one of our very best, and her beauty, grace and innate power to inhabit the souls of her characters -are most unusual.

While I've enjoyed it once, I plan to view it again tomorrow evening, will continue to discuss it with friends, and add it to my list of favorites.

That's not bad at all.

SILVER LININGS PLAYBOOK is a gift. Prepare to receive it because it delivers.

Read Best Reviews of Silver Linings Playbook (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet) (2012) Here

I have to be honest and say that i didn't hear very good reviews on this movie. But, because I am a movie fanatic i must always see for myself. First off, I am a huge fan of Jennifer Lawrence and that was exciting in itself. The movie was hilarious, witty, charming, crazy, confusing and in all good ways. Robert Dinero oddly made me cry of course. The overall story was amazing. Love does not always come like in fairy tales and this movie proves that. Sometimes the pain can bring two people together, and sometimes the people we need the most are right in front of us, even if we cannot see it right away. All i can say its suprizing-ly entertaining and you will not regret watching it. I suggest you watch this when you arent distracted by noise because everything that they say ,,,trust me you want to hear! I bought it the next day. GREAT movie!

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An absolutely great movie. Bradley Cooper and Jennifer Lawrence have two outstanding performances for which Lawrence won the Best Actress Oscar, not too mention the supporting jobs done by Robert De Niro, Jackie Weaver, Chris Tucker and many others.

Set in Philadelphia, the movie shows Pat Solitano (Cooper) returning home from a stint in a mental institution after a domestic incident with his ex-wife highlighted his struggle with bipolar mood swings. Pat moves back in with his parents (De Niro and Weaver) as her tries to get his life back together, hoping to reunite with his ex-wife. Things get very interesting when Pat meets Tiffany (Lawrence), a young woman with issues of her own.

If nothing more, the movie shows that life is not always perfect. Things can get out of control and spiral. All the same, with family and friends in our lives, it's always worth moving forward.

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Solomon Kane (2009)

The hero, Solomon Kane, is an early 16th century Puritan who roams the earth fighting evil. The character was introduced in 1928 by Robert E. Howard, the creator of Conan.

This movie is a wonderful sword and sorcery story. It's not quite true to the Solomon Kane stories as written by Howard, but it's a very exciting and entertaining origin story for the Kane character. Purists may complain that it's not verbatim Howard, but it is well written. Presumably now that he has been given a back story, he can go forth in sequels vanquishing evil in true Howard fashion.

The film introduces Solomon Kane as a murderous privateer who one day discovers that his wicked past has caught up with him and the devil is ready to claim his soul. A near escape from the devil's own reaper is enough to set Kane on the path to righteousness. He forsakes his violent past to become a man of peace but, as they will do, circumstances conspire against him.

James Purefoy is marvelous, as always, in the Kane role. He is one of those rare actors who can deliver pages of exposition with a well timed facial expression. Max von Sydow and Pete Postlethwaite are excellent in their supporting roles. Rachel Hurd-Wood is luminous as the young Puritan girl whose rescue becomes Kane's mission.

As sword and sorcery should be, this film is quite dark...figuratively and literally. Dark magic, demons, ghouls, witches, bloodletting, murder, and torture are portrayed against a background of dark, dreary, icy winter days not to mention the somber dress and sober speech of the Puritans as Solomon Kane seeks redemption for his past transgressions.

This movie was originally premiered in 2009 and went into release in Europe in 2010. US fans of Kane and Howard have had to wait until now for a domestic release. It's a mystery why this film didn't find a US distributor until now, but the long dry spell is over. It's terrific! I have one of the region 2 DVDs, and was pleased to see the HD instant video rental is better quality. I'm looking forward to a Reg A BluRay release in the not too distant future, too!

Highly recommended!

Can a person who has sinned truly be redeemed, and if so, how can he do it?

That question is at the heart of "Solomon Kane," a grimy, rainy story focused on a man who has done horrible things, and now desperately tries to redeem himself. But despite a lack of real setting, Michael J. Bassett's dark fantasy is a strangely compelling, haunting one, and James Purefoy's lean, desperate performance fits his character beautifully.

For many years, mercenary Solomon Kane (Purefoy) killed and stole without regard for anyone. But in one raid in Africa, he found the Devil's reaper waiting for him -and only barely escaped. Terrified by the prospect of hell, Solomon devotes himself to peace and God at a monastery. And after the abbot sends him out into the world, Solomon befriends a family of Puritans, particularly the pure-hearted Meredith (Rachel Hurd-Wood).

But when the family is slaughtered and Meredith is kidnapped, Solomon throws aside his vow of nonviolence, believing that saving her from death will save his soul from hell's grip. So he sets out to rescue her from the evil sorcerer Malachai, his skin-masked swordsman, and his hordes of cursed soldiers but he has little idea of what they're planning for him.

I honestly didn't expect to like "Solomon Kane" as much as I did -most movies that try to combine action with theological/philosophical stuff fail miserably. But somehow it just clicks in this movie, especially since the main character truly believes himself to be destined for hell, but he tries to do the right thing anyway.

And Solomon's world is suitably bleak: a gritty, muddy, rain-soaked, grey-skied world, where witches and black-eyed soldiers wander around killing people. There are some filler scenes (like the crazy priest tossing Solomon to a zombie pack), but the story feels almost like a spiritual journey that happens to have a lot of hack'n'slash gore and forbidding dark castles in it.

But it does have some flaws -there's a lot of theological sketchiness, and apparently one of hell's best minions is a... wingless Balrog. And the whole crucifixion scene felt unnecessary and a little silly ("GOD, GIVE ME STREEEEEEEEEEENNNNN...").

But James Purefoy gives a really powerful performance, giving Solomon a raw, hungry energy and a dark-light duality that is very compelling -he's a natural warrior, but craves peace and justice. It's also rather refreshing that he doesn't have any romantic tension with Rachel Hurd-Wood's wide-eyed Meredith -Solomon just admires and treasures her for her innocence and kindness.

"Solomon Kane" is a movie I didn't expect to enjoy as much as I did, especially since I'm still scarred by the horrors of "Jonah Hex." But it ends up being a gritty, gripping quest with some very strong acting.

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This is an Awesome Movie! I am a bigtime REH fan and although this might not be word for word Howard text, personally I believe it accuratly embodies the spirit of Solomon Kane. I love it.

UNFORTUNANTLY!!! For whatever lame reason this has not been released in Theaters or on DVD in America. So what do you do?

I bought the UK version trying to be legit and all, and although its real nicely packaged, it is no better than any of the high quality Peer to Peer versions available for download. The disc itself is a little less than 4 gigs and the bitrate is unimpressive.

My advice is to either wait till someday it does come out in America and then buy it (hopefully a better copy) or buy the Blu-Ray Disc for twice the money and assume that its of better production quality.

I dont fault the seller, but the manufactuer.

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When I was growing up, it was through Robert E. Howard's Conan and the Lord of the Rings that I got introduced to Fantasy. As much as I enjoyed Conan, I actually found Solomon Kane to be a superior character created by Howard, although there were fewer stories and since I don't think Frazetta ever did a cover for the paperback reissue, it did not nearly approach the popularity of at least many of the Conan stories in the 70s.

That said, when I encountered this on rental with Amazon, I had to check it out for old time's sake, and thoroughly enjoyed the production values, the acting and direction of the film, and its overall faithfullness to Howard's original character and to the ambience (moody, dreary, winter) of some of the Solomon Kane stories. Solomon, as I recall, was a Puritan swashbuckler who dedicated his life to finding and fighting demonic evil. He is not a "fun" character, but the religious underlay of his motivation in the film is relevant without being cloying. Quality of the rental and streaming on the XBox360 was excellent.

The story is fast paced, and the back story is quickly and effectively delivered. I watched in HD, and the special effects were mostly quite good IMO, although I found the fleet battle in the beginning not very convincing -but it can't be on more than thirty seconds. Dialog drew a good balance between avoiding obvious anachronisms while avoiding pedantic fidelity to the language of the day. Likewise, fighting and stunts were also generally plausible. There is no fencing per se in this movie -rather there is sword "fighting". It's about survival. I had never seen a demon quite like the CGI demon who comes after Solomon in the climax, but it was very effective. The supporting cast (Von Sydow and Postlewaite and others) are excellent.

How disappointing that this was not released at all in the USA in theaters. I really hope there will be a sequel.

RECOMMENDED: No sexual content or language, but considerable graphic violence and blood.

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I have been waiting for Solomon Kane to arrive in the US for quite some time. The title has languished, sadly labeled "unknown release" at the bottom of my Netflix queue for over a year. And then, lo, Amazon offered a "pre-theater release rental."

The film was a delightful dark fantasy romp with stunning visuals provided by effects master Patrick Tatopoulos. Filled with action and adventure, the movie did a good job of representing the spirit of Howard's classic Solomon Kane. It weaves together incidents that could be the subject of Howard short stories into a strong storyline and pays homage to the original fantasy witchhunter. With good pacing and a tip of the (large, Puritan) hat to classic adventure films, the movie actually provides a far more entertaining experience than many recent, more lauded fantasy adventure films.

The format currently offered by Amazon (pre-theater streaming) is absolutely brilliant. I wish more companies would release films this way. I was able to thoroughly enjoy the film in the comfort of my own home on my own system. This distribution model is wonderful, and I hope more follow it. I, for one, am more than willing to pay a few dollars more for the opportunity to avoid the theater experience and its added costs.

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Snow White (2012) ( Blancanieves ) ( Blancaneu )

The professional reviews for this were so ecstatic that I may have been

a bit over-hyped, and felt a twinge of disappointment in seeing it,

which is not to say I didn't quite enjoy it

Entertaining and beautifully made, this is another modern black & while

silent film, this one an adult re-telling of the Snow White myth.

There's no denying the technical virtuosity on display, and the ways

that film-maker Berger finds to update the tale to Spain in the 1920s,

center the story around bullfighting, and still stay true to the

original story are clever and sometimes very amusing.

What was missing for me was a deeper layer of emotion. I appreciated

and respected the film, but it was too much a fairy tale for me to

believe in it, yet too real for me to be carried away into a fantasy.

That said, it's good enough that I will gladly re-visit it.

Executive Decision (2011)

Okay, it's Die-Hard-on-an-airplane the way _Speed_ is Die-Hard-on-a-bus, _Under Siege_ is Die-Hard-on-a-battleship, and _The Rock_ is Die-Hard-at-Alcatraz. But it's a fine action flick and it beats the heck out of _Air Force One_.

I like Kurt Russell; to my mind he's never gotten the credit he deserves as an actor. And if (like me) you're not a big Steven Seagal fan, you'll be gratified to learn (about half an hour into the film) that he's _not_ the hero of the story.

This film probably couldn't have been made today. In the post-9/11 world, every moviemaker is carefully shying away from the 'Arab terrorist' stereotype; the screen adaptation of Tom Clancy's _The Sum of All Fears_ substituted neo-Nazis, and even the Gubernator took the safe route (using Columbian drug lords in _Collateral Damage_). But in fact, this script does a pretty good job of making clear that the head terrorist (David Suchet) is a loon who doesn't represent even the views of his collaborators, let alone those of the larger Arab/Muslim world.

Anyway, if you like a good action-suspense yarn, you'll like this one. Sure, parts of it are implausible, but less so than in lots of other good action films. And Russell makes an excellent hero.

Terrorists hijack a jumbo jet with over 400 passengers. Terrorist expert Dr David Grant (Kurt Russell) believes that the terrorists have nerve gas bombs on board and therefore, they can't let the plane enter US airspace, since the nerve gas could probably destroy the entire Washington DC. And they don't want to shoot them down, since that would lead to a big scandal. Instead, they send up a special military unit, led by Lieutenant Colonel Travis (Steven Seagal), to get on board the jumbo jet and take control over it. This turns out to be even more difficult than they had thought.

This is an action thriller that unfortunately doesn't seem as unrealistic now as it would've done some months ago, and some people would maybe prefer not to watch it because of the recent attacks. On the other hand, it could be interesting to watch because of that. Either way, it's a very good and well made movie. It's not so different from Air Force One and if you liked that one, you'll probably like this one and vice versa.

Steven Seagal's role is actually quite small, he's out of the movie after approximately half an hour, or even less, and you don't miss him. Kurt Russel, Oliver Platt, Halle berry and the other actors are good.

If you like quality action movies, here is one that will keep you at the edge of your seat for a little more than two hours. I really liked it!

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My attention was fixed to the TV like never before the first time I saw this come on cable. We need more films that can generate suspense as well as this did. But did they really have to have Kurt Russell's character get his foot stuck in that..."thing on the wall" near the end of the film? I think the movie producers could have come up with a better (and more believable) way to hinder him for the situation he was in. There goes the 5th star.

But, holy cow, did any movie foretell 9/11 better than this one? Airline security employees should have been made to watch this; maybe at least some of them would have believed an event like 9/11 was more probable and taken their job more seriously, preventing the disaster.

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Even though Executive Decision today would remind the viewing audience of the tragic, if not cowardly attacks made by Islamic terrorists on September 11, 2001 AD, it is still an entertaining and enjoyable action/suspensful/political thriller. I mean, if any film has Steven Segal killed off within the first 40 minutes of the picture (mirroring Roy Thinnes's demise in Airport 1975) and British actor David Suchet playing an excellent heavy, then it has to be worth watching.

Released in 1996 by Warner Brothers, Executive Decision was the directorial debut of British film editor Stuart Baird (Superman The Movie and Outland). With the material he had been given by screenwriters Jim and John Thomas, Baird does an excellent, if not remarkable job in film direction. Especially when it comes to the staging and filming of the action sequences.

The plot of the storyline centers around a group of Islamic Terrorists from the Middle East who hijack a 747 en route from Athens to Washington DC. The Islamic extremists main plan is to force the release of a known terrorist leader, who had been captured and imprisoned by British and American military forces.

Unknown to some of the terrorists, their leader has smuggled a Soviet nerve toxin gas left over from the Cold War. A nerve gas hooked up to a bomb, which is controlled by an al-Queida sleeper agent. The real purpose of the terrorist leader is soon revealed. His plans are to use the 747 as a weapon and detonate the nerve agent over Washington, killing all citizens there and those living along most of the East Coast.

Enter into the picture a group of U.S. Army anti-terrorist commadoes, along with a intelligence analyst/field operative from the Pentagon and an aircraft designer. Their mission is to transfer from a U.S. Air Force stealth fighter onto the 747 in mid-air, locate the nerve toxin, deactivate the bomb, kill all of the terrorists and sleeper agents with extreme prejudice, re-take the plane, and ensure the safety of the passengers and flight crew. Easier said than done. With the help of a courageous flight attendant/stewardess and a U.S. Sky Marshal, it becomes a fight to the death five miles above the Earth, with the fate of the U.S. Capitol and the eastern seaboard hanging in the balance.

Better than Air Force One, The Delta Force, The Die Hard Trilogy, and the Under Siege films, Executive Decision pulls all the punches and the stops when it comes to high flying action and high octane political thrillers. With a cast that consists of Kurt Russell, David Suchet (in a non-Hercule Poirot role), Halle Berry, Whip Hubley, Oliver Platt, B.D.Wong, Joe Morton, John Leguizamo, Andreas Katsulas, the late Charles Hallahan and J.T. Walsh, it is an ultimate winner in explosive action and political thrillers. Even the soundtrack by veteran composer Jerry Goldsmith is explosive and excellent. One of his best soundtracks since the 1968 version of Planet Of the Apes.

If you enjoy films that deal with politics, the U.S. Government's policy of not negotiating with terrorists, and the right-winged, if not the best way, to eliminate Middle Eastern terrorism, then Executive Decision is the film for you. Civilian, veteran, any patriotic citizen who wants to stop terrorism dead in its tracks!

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In "Executive Decision", Kurt Russell stars as a reluctant hero who is charged with saving the country from a airborne terrorist attack on the US that would have unbelievable consequences on the country. Co-starring are Steven Seagal as Col. Austin Travis, the leader of a group of Army Rangers who provide Russell with the backup that he needs during the movie. Halle Berry (before she really became HALLE BERRY) stars as the brave airline attendant, Jean, who provides the Rangers and Russell with help during their counterattack.

The plot revolves around a terrorist group's reaction to the capture of their leader in the Mideast. Their response to the arrest is to take over control of an American airliner and hold the passengers for ransom. Or is that really their plan? Rather than provide the viewer with too many plot details, let me suffice to say that a significant plot twist occurs during the first third of the film that changes the pacing and interest level of the film dramatically.

Viewers who enjoy Kurt Russell's action movies and any of the "Die Hard"/"Lethal Weapon" genre' of films will certainly enjoy "Executive Decision". The action is pretty much non-stop and will keep many viewers on the edge of their seats.

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Prom (Blu-ray/DVD Combo) (2011)

*No spoilers*

Prom is from Walt Disney Studios, and is rated PG. That should have conveyed a lot of information to prospective viewers. You can't expect the characters to reflect the darkest depths of any high school population--no cussing, no sex, no drinking, and no drugs. And you'd do well to be prepared for some corny and idealized moments.

But, considering this movie's upfront identity and obvious target audience, people are unjustifiably harsh towards it. This movie knows what it is, and what it is is nothing to be ashamed of! It's cute and fun and still manages to possess relatability and discernible depth.

The fact that this movie doesn't delve into the truly bad and ugly doesn't make the characters that ARE presented any less real. We all know/knew the star athlete and the "it" girl, the loner and the oddball, the stellar student and the awkward kid, the gossip and the forever couple. They're all there. I love every character because they're relatable, and those meant to be likable are. It doesn't hurt that I think the newcomer cast is excellent. I especially hope to see more from the actors playing Lloyd, Nova, and Jesse. The parents are represented here, too, and we know them as well: the protective dad, the mom who works her tail off to support the family, and the open-minded, uncritical mom...Parents being given presence and some substance in teen flicks is rare and refreshing. The movie even got the clothes and music right. (And the soundtrack is great!) I can't say the same about others of its kind, whose crew didn't seem to have stepped foot in a high school of today.

I liked what critic Leonard Maltin had to say about the movie: Teen feelings aren't trivialized in this film. And, I might add, they're not dramatized, either. It's not as simple and artificial as, "OMG, Johnny is so hot. He should have asked me to prom, not Melissa! How dare he?!" Nova combats her preconceptions about what defines a person; how far she is or is not willing to go to adhere to her image, one her father supports; and how well she can take others at face value. Jesse fights taking after a detrimental role model, works on containing his rage, and tries to shed his bitterness from being judged. Jordan chooses between having the night she's built up in her mind falling flat, and taking on the less perfect night her self-respect demands she take on. These are meaningful emotions and conflicts, and they lead to as many warm moments as there are funny ones. Sure, maybe it's on the messagey side, but do I need to remind you this is from Disney?

So, ultimately, this movie isn't about prom. It's about what prom stands for in the lives of each of the characters, and it's the setting for the culmination of every student's four-year journey of personal and social development. This isn't some empty Cal sweet treat: it has some substance, too!

Prom. The anxiety of trying to find a date, going with your friends to get a tuxedo or a dress, renting a limo and finding out what to do later in the night.

And when it comes to movies, there have been a good number of prom films in the '80s from "Footloose" and "Pretty In Pink", the 90's with "She's All That", "American Pie" and "10 Things I Hate About You" but lately, prom films have become more horror-driven, and in recent memory for non-horror prom film's in recent years, the only thing that comes to mind is the 2004 film "Mean Girls" and the 2008 film "High School Musical 3'.

But in terms of a film that primarily focuses on a high school prom, I guess America's due for a new prom film.

And so we have Disney's "Prom" directed by Joe Nussbaum ("George Lucas in Love", "American Pie Presents the Naked Mile") and written by Katie Wech.

The film focuses on a group of teenagers from the same high school preparing for the prom.

VIDEO:

"Prom" is presented in 1080p High Definition (widescreen 1:78:1). For the most part, "Prom" is a beautiful looking film. Because there are so many characters, various locations, outdoor, indoor, you get a wide range of colors featured throughout the film. Colors are absolutely vibrant, black levels are nice and deep and you can see actually see the detail on the faces of the characters as well.

Picture quality is very good!

AUDIO & SUBTITLES:

"Prom" is presented in English 5.1 DTS-HD Master Audio (48 kHz/24-bit), French and Spanish 5.1 Dolby Digital. The film is primarily dialogue and musically driven. So, dialogue and music is crystal clear and when it comes to surround usage, its pretty much the music that envelops the soundscape. From Katy Perry's "Firework", Taio Cruz's "Break Your Heart" and plenty of Indie music playing throughout the film, definitely makes the film upbeat. But aside from that, I don't recall any major use of the surround channels. "Prom" is pretty much a front and center-channel driven film.

Subtitles are in English SDH, Spanish and French.

SPECIAL FEATURES:

"Prom" comes with the following special features:

Last Chance Lloyd (10:18) Scenes featuring Lloyd trying to ask a girl out for the prom and his younger sister Tess trying to help him out.

Putting On Prom (5:58) Producer Justin Springer, writer Katie Wech and director Joe Nussbaum talk about how they cast the characters for the film and the cast talk about working with each other.

Bloopers (2:34) Outtakes from "Prom".

Deleted Scenes (7:44) Featuring an introduction by Director Joe Nussbaum and producer Justin Springer for each of the four deleted scenes.

Music Videos (24:16) Featuring the following music videos: All Star Weekend Not Your Birthday, Neon Trees Your Surrender, Moon Time Stand, Nolan Sotillo We Could Be Anything (English Version), Nolan Sotillo Junto Lo Havemos Bien (Spanish Version), Those Dancing Days I'll Be Yours and Girl in a Coma Come On, Let's Go.

EXTRAS:

"Prom: 2-Disc Combo Pack" comes with the Blu-ray and DVD version of the film. The DVD is presented in widescreen (1:78:1) Enhanced for 16×9 Television, English, French and Spanish 5.1 Dolby Digital, English 2.0 DVS Dolby Digital and subtitles in English SDH, French and Spanish. Also, a slip over case is included.

JUDGMENT CALL:

Prom films are not the easiest films to create especially if you incorporate many characters to the film.

Back in 1999, "She's All That" incorporated a lot of people but opted to include Hollywood's up-and-coming stars such as singer Usher and Lil' Kim, actor Freddie Prinze , Paul Walker and actress Rachael Leigh Cook, Gabrielle Union and Anna Paquin. But what made the film work was how you have high school life outside of the prom and everything leading to the prom as the climax.

We have seen the efficacy from that formula for prom films such as "Pretty in Pink", "Footloose", "Mean Girls"...you have to showcase the high school life of these characters and then lead to the prom.

And sure, you have the banality of the dance scene, the fight scene that you typically get from prom films but with "Prom", the problem is that there is too much focus on different characters, there is not enough story development to make you care for them. The only couple you are emotionally invested in is Nova and Jesse. Two people who are opposites but are attracted to each other.

But when it comes to the other characters of the film, you just don't care. Mei and Jared, we assume they a long time couple but there was no plot device to setup the friction between the couple until later into the film. The same goes with the love triangle between Tyler, Simone and Jordan. Jordan's character wasn't really explored. She shows up earlier in the film and disappears until prom day.

There is so many of these situations where you felt blocks of story may have been edited out for time, that it's unfortunate. In fact, there are deleted scenes that probably shouldn't have been cut out at all. And this is sad, considering Joe Nussbaum mentions it right after his commentary for the deleted scenes, in which he tells viewers "hopefully, you agree that these scenes should have been deleted"...but unfortunately, some should have stayed in.

"Prom" is a film that feels incomplete because the pacing of the storyline for the characters outside of Nova and Jesse is off. I liken it to a child's first try at connect the dots. When the child forgets to follow the correct order and miss a dot, the picture doesn't seem right. It's the same thing with "Prom" and how it introduces so many characters without building the storyline around those characters.

But Aimee Teegarden and Thomas McDonell do a wonderful job playing the main couple of the film. For those who grew up in the '90s, it was quite interesting to see Christine Elise (who was the spunky teenager, Emily Valentine on "Beverly Hills 90210') playing Jesse's mother and also a brief cameo by actress Faith Ford ("Murphy Brown" and "Hope & Faith") as the mother of Nova.

As for the Blu-ray, there a quite a few special features and its cool to see a good number of music videos included on the Blu-ray. The only thing that I wish was included on the Blu-ray are the web episodes of "Corey & Lucas For the Win" featuring "Prom" Sophomores Cory (Cameron Monaghan) and Lucas (played by Nolan Sotillo).

Obviously the purpose was to show how different types of students deal with prom and also, its target audience are more than likely tweens and teens who probably are not going to delve so much into how deep the story is. If anything, it's a safe film as well, so parents wondering if there is going to be any hanky panky teen sex ala "American Pie", they need not worry about that with "Prom". There is a fight scene and teens ditching class but nothing else beyond that.

Overall, "Prom" has its fair share of fun moments but also is hurt by its missed potential. If you are a tween, teen or a parent looking for an upbeat prom film, then Disney's "Prom" is definitely for you!

Buy Prom (Blu-ray/DVD Combo) (2011) Now

I really liked this movie. It is a classic teenager movie about relationships, cliques and going to Prom. The characters in the movie all have their own relationships and problems, but Prom brings everything together. The main characters though are a classic good girl and bad boy, but there are many other great characters that surprise and make you laugh! The movie doesn't have any sex, bad language or anything inappropriate so it is really good for any ages. I think teens and pre-teens would really like this movie, I mean I did and I'm way to old for it! I really like how the characters deal with going away to college issues, cheating, being a third wheel in a relationship, being dateless for Prom, and most importantly not judging someone without getting to know them. It does have some great lessons in it. The music is fun and modern, I actually think I'd like the soundtrack too! The Blu-ray combo set is probably the best bet too since it comes with the Blu-ray and DVD discs.

Read Best Reviews of Prom (Blu-ray/DVD Combo) (2011) Here

A lot of people are going to give this a bad review over the hokey status this movie. I simply went into this film with no expectations rather than a simple clean family film. It delivered. I think this film was great fun and in this day in age it was great to just watch a film like this!

Want Prom (Blu-ray/DVD Combo) (2011) Discount?

Prom

Rating: 5 Stars

Grade: A+

I loved this movie!

My description to my father was "guys want to ask girls to prom, and girls want to be asked by guys. And the guys and girls end up going together!"

For a movie with such a simplistic summary, it was spectacular.

The jokes were funny, the characters were sweet and likable, the plot had no holes, and throughout the movie I just had a string desire to say "YAY!"

If you like rom-coms, this is for you. You won't be disappointed.

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Hairspray (Two-Disc Shake & Shimmy Edition) (2007)

`Hairspray' is a non-stop, exhilarating song and dance extravaganza. This exuberant remake of the John Waters' musical is funny, fast, and fabulous. Adam Shankman's direction is appropriately lilting in the right measure, but balanced with social commentary highlights. Unlike 'Dreamgirls,' there are no Oscar worthy performances, but the production is so fun there doesn't have to be. The entertainment is winning on every level, and, as for the songs, it never goes limp.

Once again we are transported to the early sixties in Baltimore, where flannel is uniform, Blacks and Whites are segregated, and beehives are in fashion. The plot is fairly simple: Overweight teen Tracy Turnblad (Nikki Blonsky) wants to break the mold on her favorite TV program "The Corny Collins Show" (an "American Bandstand"-like feature) while discovering a more urgent need to end segregation on a show that only sometimes features "Negro Night". She gets her big break when teen singing sensation, Link Larkin (Zac Efron) makes advances that bring her to the stage floor. In the meantime, her success is challenged by the show's program manager, (played with overbearing skill by Michelle Pfeiffer) and her daughter, Amber, the show's reigning "Miss Teenage Hairspray," a nasty nemesis . Joining forces with her Afro-American friends, especially Motormouth Maybelle (Queen Latifah) and dancer Seaweed (Elijah Kelly), she works for equal time on the dance floor.

`Hairspray' is set as perfect entertainment. John Travolta provides likable loopiness as Nikki's mother while he dances and cross-dresses his way into our hearts. The villains are nasty enough, and the sweetness pervades even amongst important demonstrations on key social issues. When it all comes down to balance, 'Hairspray' fills the bill.

(2008 HOLIDAY TEAM) This is the sort of brassy, candy-coated musical to which you either give yourself entirely or not at all because there is little room in between. First, there was the edgy 1988 John Waters comedy followed years later by the sunnier 2002 Broadway musical version. I thoroughly enjoyed the elaborate stage version thanks mainly to Marc Shaiman and Scott Wittman's ebullient music and sharp lyrics and stellar performances from Harvey Fierstein and Marissa Jaret Winokur as a most unlikely mother and daughter in 1962 Baltimore. That most of that high-kicking, watusi-gyrating spirit remains intact is quite an accomplishment for director Adam Shankman, whose previous track record consists of mediocre studio comedies. Adapting Mark O'Donnell's stage book, screenwriter Leslie Dixon seems equally unlikely of pulling it off. Yet, somehow they do and even bring a deeper sense of gravitas than the previous incarnations with the heavier elements of racism and segregation. Starting out his career as a dancer and choreographer, Shankman provides the energetic, in-your-face choreography that is appropriately applied here.

The story centers on Tracy Turnblad, a genuinely optimistic teenager, a bouncing bundle of energy obsessed with the local Corny Collins dance show. Living in a working-class neighborhood with her agoraphobic, self-consciously plus-sized mother Edna and her congenial, novelty store-owner father Wilbur, Tracy only wants to dance on Corny's show. Standing in her way is the malevolent Velma Von Tussle, an aging beauty who owns the TV station, and her equally venal daughter Amber. Once a month, the station allows the dance show to have a co-host, blonde-tressed Motormouth Maybelle, who holds a "Negro Day" to allow the local black kids to dance on their own. These kids seem to end up in detention a lot since Tracy finds them there and learns new dance moves from them. She realizes the world would be a better place if black and white kids were able to dance together on Corny's show. This sets up the story's central conflict, which comes accompanied by romantic complications among the various characters. All of this ends with the Miss Teenage Hairspray pageant and naturally a pull-all-the-stops production number.

The casting is inspired. Following Divine and especially Fierstein in the cross-dressing role of Edna is no easy task, but John Travolta brings a surprising delicacy to the character. The novelty of his casting never wears off, but he also does not stoop that much to parody either. Even with a slightly garbled Baltimore accent, he is convincing as a woman who has accepted life's compromises for the sake of her family. Alternating quickly between clever and broad, Michelle Pfeiffer has a field day playing Velma, though she has precious little opportunity to show off her long dormant singing talent. As Maybelle, Queen Latifah seems to be cornering the market on musical earth-mother types and gets her shining moments on "Big Blonde and Beautiful" and especially on the gospel-flavored "I Know Where I've Been". Christopher Walken has comparatively less to do as the put-upon Wilbur, though he shows off his singing and dancing skills on his sweet pas de deux with Travolta on "(You're) Timeless to Me".

For all the veteran talent on display, it's Nikki Blonsky who carries the heart of the movie as Tracy, and her sunny demeanor and "American Idol"-caliber talent keep the story aloft. The other teens Zac Efron as singing heartthrob Link, Amanda Bynes as devoted best friend Penny, Brittany Snow as spoiled Amber, and Elijah Kelley as Maybelle's son Seaweed are all played with energetic adolescent brio. Complementing the principal cast are James Marsden as the perpetually smiling Corny and Allison Janney as Penny's Bible-thumping mother. Everyone is in the right spirit, and the pacing and tone are spot-on. The film's one weakness is a certain lack of energy in the camera movement around the production numbers, as Shankman's tendency is to film key dance sequences intermittently at mid-waist level. The net effect is a reduction in the overall energy level at key moments such as Travolta's Tina Turner-style turn at the end. Regardless, this is fun stuff for those open to this genre.

Buy Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Now

Information below was found on another site I hope it's accurate. If Amazon wants to add this to the description and delete this comment it's fine with me.

Single-Disc Edition:

* 16×9 widescreen version of the film or 4×3 fullscreen version of the film

* English Dolby Digital 5.1 EX Surround Sound

* English & Spanish subtitles

* Closed captions

Two-Disc "Shake and Shimmy" Edition:

* "Behind the Beat" picture-in-picture option allowing viewers to watch behind-the-scenes footage and on-screen commentary concurrently with the running feature (HD Exclusive)

* All new musical number, "I Can Wait"

* Feature-length audio commentary from director and choreographer Adam Shankman, star Nikki Blonsky and producers Craig Zadan and Neil Meron

* Deleted scenes with audio commentary from director and choreographer Adam Shankman and star Nikki Blonsky

* "You Can't Stop the Beat: The Long Journey of Hairspray" documentary

* "Step By Step: The Dances of Hairspray" featurette offering how-to dance instruction

* "Hairspray Extensions" featurette, giving viewers dance breakdowns

* Jump to a song with optional sing-along feature

* "The Roots of Hairspray" featurette

* Interactive menus

* Theatrical trailer

* 16×9 widescreen version of the film

* English 2.0 Stereo Surround

* English Dolby Digital 5.1 EX (on feature, deleted scenes and interactive menus)

* English & Spanish subtitles

* Closed captions

Read Best Reviews of Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Here

Any film that features a touching love scene shot in a Baltimore backyard with laundry hanging on the line (as Moms used to say) between Christopher Walken ( Wilbur Turnblad) and John Travolta (as an almost scary Edna Turnblad) is OK with me. That that scene may also be one of the most romantic scenes of this or any year is crazy on the one hand and perplexing on the other. With that being said, director Adam Shankman has magically turned the stage musical into something that is more full of life, more effervescent than either the play or the John Waters slight, though terrific film of 1988.

Tracy Turnblad (Nikki Blonsky who almost makes us forget Rikki Lake from the film) is a Baltimore teenager: chubby of body, colossal of hair and bubbling over with good cheer and ironclad self esteem. The year is 1962 and the signs of change are everywhere Tracy goes foremost of which is the "Corny Collins Show," an American Bandstand-type show which features a "Negro Day" once a month: a situation that Tracy and her friends Penny (Amanda Bynes) and Link (Zac Efron) are desperate to change into an everyday occurrence. Edna, who hasn't left the house since 1951 and therefore very much aware and embarrassed of her size discourages Tracy from auditioning as a dancer for the show but Tracy, to her credit, feels confident enough about her dancing does so anyway and is finally accepted into the Corny Collins fold much to the chagrin of both Velma Von Tussle ( a gorgeous Michelle Pfeiffer) and her daughter Amber (Brittany Snow).

"Hairspray is also very much a capsule of its time and place: pregnant women smoking and drinking martinis, children in cars without seat belts buckled, boys and girls hair greased and sprayed to within an inch of its life (Tracy is accused of having a "hair-don't" at one point) and bigots spouting the kind of gunk that bigots do.

"Hairspray" is ultimately a big, calorie laden birthday cake of a film: you know you shouldn't imbibe but you can't help yourself. But along with the sugar rush of this spectacle there lays some lumps based on reality which point out, not only how much has changed since 1962 but more importantly how much has stayed the same.

Want Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Discount?

I enjoyed this movie more than I can say. I felt happy for hours after watching it. It was energetic, happy, sweet, funny and delightful. The casting was perfect. Everyone seemed to give it there all. The songs and dance sequences were very entertaining. I especially loved the innocent chemistry between Nikki Blonsky and Zac Efron. They are both very talented. I would highly recommend this movie. For those of us over 40 the energy of these kids is invigorating! I hope this movie succeeds beyond all expectations so that they will make more like it in the future.

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