Showing posts with label best blu ray reviews. Show all posts
Showing posts with label best blu ray reviews. Show all posts

Tuesday, July 29, 2014

The Piano (1993)

The PianoJane Campion's "The Piano" does what many truly great films do: It inspires fascinating discussion and provokes mixed reactions. The male friend with whom I saw it back in 1993 and I were so enthralled that we kept our significant others waiting to leave for our respective Christmas vacations because we kept phoning each other to discuss symbolism and interesting themes in the movie. While I continue to absolutely love the film, I also recognize why some viewers have not shared my reaction. Perhaps you have to have at least considered a forbidden love affair or perhaps you have to have found yourself trapped in a relationship where you feel you have lost your voice to appreciate what Campion explores.

The story centers around Ada (Holly Hunter in an Oscar-winning performance) and her daughter, Flora (Anna Paquin--who also won an Oscar for her extraordinary performance). They leave their upper-class home in Scotland after Ada's father (apparently) arranges her marriage. Ada, who has willed herself not to speak since age 6, expresses herself through her beloved piano.

The true story of who fathered Flora is never revealed in the movie, but the context suggests that she is Ada's illegimate child born from an illicit affair. The hinted-at story of Flora's conception provides a key to understanding both why Ada later begins an affair with her New Zealand neighbor Baines (Harvey Keitel) and why she makes a mail-order marriage in the first place. I suspect that Ada's aging father may have wanted to see her settled--preferably far away so that her unconventional behavior would no longer be a source of social embarassment--and given Ada's muteness and out-of-wedlock child, her father probably couldn't find a suitable suitor in mid-Victorian Scotland.

Stewart (Sam Neill) first encounters his future wife on a lonesome gray beach surrounded by her crated belongings. His Maori porters begin carrying many household items up the muddy path to his dreary homestead. But Stewart refuses to bring the piano along, despite Ada's apparent distress and Flora's pleas that her mother MUST have her piano.

Ada's piano, abandoned on the barren New Zealand beach, captures the sense of what 19th century colonial life might have been like for too many women--treasured possessions, the last ties to "civilization" left behind.

Rendered voiceless without her piano, Ada begs Stewart to return for her instrument through notes and more pleas from Flora. Finally she persuades Baines--a colonist whose tattoed face evidences the extent to which he has "gone native" and who is considered less civilized by his neighbors--to guide her back to the beach. Ada comes to life again as she, at last, gets to play. Drawn by her passion for the piano, Baines arranges with Stewart to trade land for the piano. Without consulting his wife, Stewart assures him that Ada will provide lessons too.

During first of these lessons, Ada strikes her own bargain with Baines, whom she still considers a boor: She will trade sexual favors to earn back her piano, one key at a time. Ultimately, her reluctant bargain grows into full-blown love and passion. The dark, brooding tone of "The Piano," however, suggests that something in this situation will go tragically, and probably violently, wrong.

Campion has filled her movie with haunting piano music (actually played by Hunter) and intriguing imagery. The metaphor of piano as voice and losing and regaining one's voice, Flora's role in changing her mother's fate, the question of whether Ada's bargain reflects a woman taking control of her life or just being victimized in a different way, and many other complexities make this a movie worth watching again and again and again.

By the artwork I believe this Blu-ray to be an import from Australia and the bad news is that it is a terrible transfer.

Having purchase this disk I offer the following review based on the assumption that it is the same product.

The back cover states that this disk has been mastered to 1080i Standard. Why on earth 1080i???????

Why was the film not re-mastered from film stock and to 1080p Standard?

The interlacing is apparent from the very start. The title sequence background has very obvious horizontal streaking. An ominous beginning.

This Blu-ray suffers from too much green and too much grain. Most of the red seems to have been filtered out thereby making the film darker than it should be. As a result the flesh tones are unnatural. Having seen the film in the theatre, to me this print has been made unusually dark for no apparent reason. The opening sequence where Ada McGrath is looking at the light between her fingers is strange because her fingers appear to be black, when in reality as anyone who has done this themselves know that the light through your fingers appear flesh coloured or red. This sets the darkness for the rest of the film. My Region 2 DVD has colours that are lighter, more red and natural looking (as I remember them from the theatre).

Viewed on a small screen (i.e. my PC) the picture generally looked OK, however on a large LCD TV all the shortcomings were accentuated and became unacceptable.

Another annoying feature of this disk is the omission of automatic subtitles for translations where required;

(i) When Ada and Flora McGrath are both conversing in Sign Language.

(ii) When George Baines or any of the Natives are speaking Maori.

Automatic translation subtitles were included in the theatre and also on my Region 2 DVD, however, on this Blu-ray; nothing.

There are selectable subtitles for the Hearing Impaired, but these have no translations for the Maori dialogue either.

The only thing that is an improvement over the DVD is the addition of a DTS-HD 5.1 Audio track. Everything else, I consider to be sub-standard for a Blu-ray.

What the manufacturers of this Blu-ray have done to this wonderful film is nothing short of a disgrace. A DVD up-scaled to 1080i would have been quite OK if the source material had been better. At US$34.99 I would expect a bit more effort should have gone into the making of this Blu-ray.

Being more than a little disappointed with my purchase, the next day I returned the disk and obtained a refund.

The 3 stars are for the Disk not the movie. The film deserves 5 stars.

Buy The Piano (1993) Now

I missed this movie in the theaters 10 years ago, and saw it for the first time purely by chance on HBO recently. I was so enchanted that I watched each of the next three showings in the very same day, and then bought the DVD for my collection. It is one of the most unique, truly deep, thought provoking, awe-inspiring, movies I've seen in a while. The drama is almost Biblical, the love story almost Shakespearian in quality (think Othello). I was enraptured by the music, the crashing waves, and the amazing synergy between the players.

And Harvey Keitel who knew? Those gangster/tough guy roles just don't even touch this man's talent. George Baines is intense, tender, passionate, a total jerk so it would seem but underneath the gruff exterior lies the heart of a prince. Keitel really puts it all out there, literally and figuratively. It's a risky role and it works for him.

Holly Hunter was spectacular, as usual, but in this film the fast-talking, high-energy woman you came to know in "Broadcast News" or "Texas Cheerleader Murdering Mom" must dig deep. Ada's silences surpass powerful, she conveys more with her facial expressions than most people say out loud in a lifetime. Speech is clearly an overrated and overused form of communication. Ada's will is almost a character onto itself. And one can see clearly that no one is more surprised by her emerging emotions and unfolding events than she.

Sam Neill's character is sad, broken, pathetic, frightening, and your basic worst nightmare all at once. Jealousy is indeed and ugly and and devastating emotion.

I disagree with a few of the other reviewers about Anna Paquin's character, Flora. Some saw Flora as innocent. Watch closely. She's diabolical, almost schizophrenic. She has the wide-eyed, innocent visage of a pathological liar. Note the scene with the photograph, the dog under the porch, her conversations with the other women in the village (where you begin to see her turn on her mother as she realizes that she's being replaced as the center of her mother's universe) and when her final act of betrayal results in horrific violence (don't think for a second that she didn't know what she was doing), then note her repentence, and subsequent absolution (the soiled angel wings in the river), and her redemption. Miss Paquin could never be considered a "child star" she's already shown more maturity than many adults in film today.

And of course, the Piano, the center of it all, Ada's voice, the music in this movie is so moving and expressive, so perfect for each scene. My next purchase is the soundtrack.

In sum, heart-achingly beautiful, devastatingly real and dream-like all at once. I highly recommend.

Read Best Reviews of The Piano (1993) Here

I saw this movie when it first came out in theaters in 93 and it has continued to haunt me ever since. Watching it again last night, I realized once more what a wonderful movie it is--rich in symbolism, character, excellent acting, and a story so deep and beautiful it won't leave your brain.

Many reviewers have given a plot synopsis but I want to talk about the way the piano itself is used in the movie. It is a beautiful instrument and from the start of the movie we can see that Ada loves it. We soon see why she is so attached to it--it is literally her voice since she has not spoken since the age of 6. When she and her daughter are dumped on the shores of New Zealand, her new husband refuses to acknowlege her need to have the piano with her. He leaves it behind despite her pleas that they take it rather than her clothes or household goods. There is a very poingnanant scene with Ada standing on a cliff and looking out to the beach at the piano with such longing in her eyes. It is clear she is leaving a part of herself behind--perhaps the most important part and yet her oaf of a husband completely misses it.

It is Bains, the neighbor and friend of Ada's husband who finally grasps the significance of the piano. At Ada's insistance, he takes her and her daughter back to the beach so she can play her beloved piano and 'speak' for the first time in days. You can see by the way her face lightens from the harsh mask it has been through most of the movie so far how much this means to Ada. She actually smiles and her movments lose their stiffness and become flowing as she lets the music move through her, saying things impossible to express through words. Bains displays a quality here that Ada's husband has little of--patience. He stays on the beach and listens to Ada play most of the day. There is another interesting piece of symbolism at the end of this scene where Ada walks in the wet sand, leaving her footprints behind. Her daughter runs to join her, walking in the same set of footprints and after a moment's hesitation, Bains also follows, adding his footprints to hers and making the track a single one--forshadowing the end of the film in which the three of them will form a family.

After hearing Ada play, Bains is captivated by her. He arranges with her lunk of a husband to buy the piano and Ada is forced to give him lessons. At first she has nothing but contempt for Bains whom she considers ignorant because he can't read but after they strike their bargain--1 black key on the piano keyboard for one sexual favor in order for Ada to earn her piano back--she gradually begins to see him in another light.

Much has been made in other reviews of the fact that Bains proposes such a bargain to Ada in the first place. But this is not the act of a man bent solely on gratuitous sexual gratification--rather it is the only way Bains can think of to make Ada his--to bring the elusive and aloof woman down to his level so he can love her and give her a chance to love him. Throughout the movie it is clear that Bains is deeply moved by every aspect of Ada--the way she looks, the way she expresses herself through music, the play of muscles under her skin as she 'speaks' through the piano, even her scent. And it is clear that he understands the significance of the piano because he treats it as an extension of Ada herself. In one evocative scene, he takes off his clothes and uses them to polish the richly carved wood of the instrument after Ada has gone. He touches the piano with reverence and love, using the same gestures that he later uses with Ada herself when he caresses her body.

I must digress here to say that many reviewers have commented on the full frontal nudity of both Ada (Holly Hunter) and Bains (Harvey Keitel) in the movie. Some people seem to think it is gratuitous but I really liked it because I felt it added to the symbolic quality of the film. Bains looks like you might expect a New Zealand farmer to look--his body is hard and deeply tanned from working in the sun--he is everything that is rough and rugged and masculine. In contrast, Ada is pale and fragile looking--everything soft and feminine and when she does finally yield to Bains with her whole heart, the differnces between them combine to make a deeply sensual scene.

It is in the love scene that we first see the beginning of the end of the piano. Ada, who hasn't spoken a word out loud since she was 6, says something we can't quite catch while she and Bains are making love. Bains doesn't quite catch it either but he urges her to 'whisper it' in his ear which she does. Now that Bains has unlocked her voice, we can see that the piano is going to become obsolete. And in fact, at the end of the film when she and her daughter are leaving via canoe with Bains, Ada orders that it be pushed overboard. The piano now symbolizes her old life, a life she wants to leave behind forever. But it almost takes her with it--she nearly drowns with her piano when her foot catches in the ropes that bind it. She struggles free at the last moment as much to her own surprise. She is surprised that her will has chosen to live rather than to die with the piano which now symbolises the stagnant life she is leaving behind.

At the end of the film we see Ada learning to speak. Though she still plays the piano, it is no longer her sole means of communication. She has grown from a cold, silent woman to a warm and loving one, the change fostered by Bains' love and understanding. He has helped her find her true voice and let go of her past though in her dreams she still sees herself tied to the piano which rests at the bottom of the ocean. Perhaps she sees the part of herself she had to leave behind in order to grow and find true happiness and self fulfillment.

The Piano is a moving and beautiful film, one of my top five favorties of all time. I can't say enough about this lovely movie. Rent or buy it today and see what I mean.

Want The Piano (1993) Discount?

My wife & I love the movie The Piano.. let's just say it strikes all the right chords and it falls into that category we have reserved for just a handful of special movies that are worthy of being watched over and over. Anyway when the Blu-ray version of The Piano was released(apparently Australia made this happen)we immediately bought it from Amazon and tried it. This was a very disappointing experience.. you get all worked up to see one of your favorite movies upgraded in glorious Blu-ray and suddenly it all turns into a big non-event. It absolutely would not work in my newer model Sony Blu-ray player.. no picture, nothing. I even went so far as to drive to the local dvd shop around the corner and they allowed me to try it in their Blu-ray player.. nothing. I quickly sent it back to Amazon for a refund. Later on I decided to take a chance and try out another copy of the The Piano (Blu-ray), this time I obtained it from a local dvd shop (the shop is actually one of the ones on Amazon's secondary market). The dvd packaging was identical to the first one I had obtained from Amazon(same Australian source) labelled "a world of stories dendy heart", it was noted however that there was a small black sticker on the package that states it is compatible with PS3. What about the average Blu-ray player that most people have? Anyway, I tried this second copy and you guessed it, it also did NOT work! I returned it for a refund. I give up. Why is this inferior type of product being sold and why doesn't Amazon address this. My recommendation is don't buy this product unless you want to be inconvenienced.

Save 25% Off

Friday, July 25, 2014

You Again (Two-Disc Blu-ray/DVD Combo) (2010)

You AgainThis flick was cute in the previews and delivers even more than it promised in the full-length film.

After years of healing success and maturity post high-school, Marnie aka MOO, finds out that her brother is marrying her nastiest high-school tormentor. With no time to process the information or put on full body armor, Marnie is thrown into the situation just days before the wedding. Joanna, oddly, doesn't even remember Marnie the queen-of-geeks and has gone on to become a perfect blend of Martha Stewart and Mother Teresa. Or maybe not!

Chick-flicky, yes. But its more about friends, enemies and the painful art of growing-up. The movie contains a few cheesy moments and a few underdeveloped relationships because the cast of characters is huge. But, it's respectful of friendship, forgiveness, character and marriage. Jamie Lee Curtis and Sigourney Weaver are delightfully amusing and seem to enjoy every bit of working together in this film. There is a scene at the end of the movie that is hilarious and worth every bit of cheese and I can't say one more thing about it because it would be a big spoiler. The film is clean and would be a terrific pre-teen movie choice.

Comparable movies are Mean Girls, Monster-In-Law, Bride Wars, Win a Date with Tad Hamilton and Confessions of a Shopaholic. If you liked any of the above or any of the You Again cast of characters you should enjoy this film. This is one I'll be adding to my DVD collection.

I see a lot of movies and one of the movies that really surprised me the most is YOU AGAIN. It is so well written, so well acted and just left a smile on my face throughout the entire movie because it was so hilarious -yet it was also so heartfelt -these characters are really likeable people and the situations they get into is just so well done. I highly recommend this movie. Hands down the best comedy of the year -and by the way -it got a cinemascore (the people who first saw the movie) gave it an A and if you look on boxofficeguru.com, people also gave it an A.

It's superb.

Buy You Again (Two-Disc Blu-ray/DVD Combo) (2010) Now

I saw "YOU Again" when it was in theaters and I have to say it was one of the funniest movies I have seen in a long time. And it is not just a chick flick! I'm a guy in my 20's and me and my friends all enjoyed it. If you like physical comedy, you'll love this movie. Jamie Lee Curtis and Sigourney Weaver are top notch. So, if you want to laugh, buy this DVD.

Read Best Reviews of You Again (Two-Disc Blu-ray/DVD Combo) (2010) Here

You Again, finds humor in all of the expected places and even more! The movie centers around Marni Olivia Olsen (Kristen Bell), who as a previous high school "loser" becomes a beautiful, successful VP out of school. Always antagonized by the "popular girl", aka Jo-Jo (Odette Yustman), Joanna as she now goes by; Marni has suddenly found herself thrown into an unexpected dilemma. Her brother Will is engaged to marry Joanna. As they first meet face-to-face, Joanna seems to have no recollection of Marni. But as days tick on, the obviously frustrated Marni cannot stand to see her brother fall for her act and devises a plan to show Joanna's true colors. Hilariousness ensues and with ode to the 80's, Hall & Oats and other assorted music, the event goes on without a hitch. A movie to enjoy with the whole family. Not one inappropriate situation to shield young eyes from. Loved it! Betty White, Sigourney Weaver and Jamie Lee Curtis are awesome as the older versions of high school meanness.

Want You Again (Two-Disc Blu-ray/DVD Combo) (2010) Discount?

After reading some of the reviews slaughtering this campy flick I had to comment. First it has such a great cast I had to see it. Sigourney Weaver's acting was the best. Jamie Lee Curtis who is normally amazing was a bit overboard but that's probably the fault of the some of the writing. Nevertheless, my young tween and teen and I had fun watching it. It speaks to the pressures of being popular and getting your self worth trampled by your peers. And, it does a decent job treating revenge, repentance and forgiveness. It was often funny and the ending scene was hilarious. It's just the sort of movie Disney used to churn out in the 60's and 70's.

Save 10% Off

Monday, July 21, 2014

Death Race 2 (Blu-ray + DVD) (2011)

Death Race 2After a bank robbery goes bad Carl Lucas (Goss) gets sent to prison. The crime boss who sent him out (Bean) is afraid he will testify against him and sends in assassins to the prison to make sure he doesn't. First of all, if you haven't seen the first "Death Race" I would start with that (you will get some of the call-backs), but I would say its more like the "Star Wars" prequels...you can watch in either order and it will still make sense. I loved the first movie and was very leery about a direct to DVD prequel, but I was very surprised. There were a couple characters from the first one, along with a few "set-ups" that happen in the original movie. I would say this is more of an origin story, it explains the origins of the death race and the character of Frankenstein. Most sequels/prequels are never as good as the original (especially direct to DVD ones), but this is a rare exception. The first Death Race is still the better movie but this one holds up very well. I give it a B+.

I was skeptical about this movie seeing as I am a huge Jason Stathan fan but Luke Goss had me in the palm of his hand from about frame three.

Death Race 2 follows the story ,or leads you into it,I should say perfectly.

It starts off with death matches and when that starts to fizzle they decide to start Death Race.

It takes awhile to get to the actual racing but what precedes it is action packed and entertaining ,so much so you almost hope that it continues to stay with the death matches.

I love Danny Trejo and after seeing his full potential in Machete feel he was a bit wasted here,they could have expanded his character some.

They of course show the evolution of "Frankenstein" which was sad but effective. If you're a fan of Death Race you will like or love this movie.After viewing I immediately wanted to go and pop Death Race into my DVD player,and I did,it's like watching one long movie when you view them consecutively ..

Buy Death Race 2 (Blu-ray + DVD) (2011) Now

I was lucky enough to be in the audience of the Toronto premiere of this film 1/10/2011 and DR2 BLEW ME AWAY!!!

FIRST This movie was made as a PREQUEL to the movie with Jason Statham and this film is NOT about that character. Luke Goss plays Carl Lucas, Jason played Jensen Ames.

And as I have seen this I can tell you that it is absolutely FABULOUS!

It started fast and hard and I knew from that moment that we were all in for a heck of a film, and we were not disappointed!

The audience gasped and laughed, cheered and applauded. Luke Goss took you through the emotional transformation of Carl Lucas and made you feel it all!!

The effects and stunts made you lean toward the screen in anticipation and made you forgot that you were actually not a part of it.

The cast was perfectly chosen and the whole audience agreed that this film should have been a theater release!!

This movie is receiving much more positive reviews than negative... and MOST of the negative comes from people with preconceived ideas about it because it does NOT have Statham. Luke Goss is a STELLAR actor who did AWESOME in this movie. I HIGHLY recommend it and I can not wait for my pre-ordered dvd to arrive!

Read Best Reviews of Death Race 2 (Blu-ray + DVD) (2011) Here

Loving the Death Race series, starting with Death Race 2000, I was skeptical about a sequel as most movies fail to match or beat the predecessors. After watching this movie I came away very happy.

For those who don't know, this is a prequel of the series. In this movie they clue you in on how it all started and how Frankenstein came to be.

I bought this elsewhere and paid more to do so... would definitely recommend you buy it from here.

Want Death Race 2 (Blu-ray + DVD) (2011) Discount?

Let me just first say that I fully realize that this move, the 2008 movie with Jason Statham and the original Roger Corman flick are all 'B' grade movies and I judge them on that level. I am a fan of Mad Max / Road Warrior type movies and the recent Death Race movies have been the only movies in that Car Wars genre for quite some time. I disagree with most who say that this is surperior to the 2008 film. It's clear that this movie has been made with the leftovers from that movie. I was expecting new characters and new cars (save Frankenstein's Mustang) what we get it the same cars with vaguely analogous characters Big Bill is no Machine Gun Joe, Sheik is no Reaper and so on. 14K is the only driver other than Frankenstein to be in both movies it seems like we could have seen more of the track history of the drivers in the first movie. The scenes with Sean Bean were clearly shot separately and edited in, as he never seems to interact with others ... the same is almost true of Ving Rhames.

In short, I wanted more combat car action and I got less and the bit that I got wasn't as fast paced and thrilling as the 2008 movie.

Who knows, maybe this series of films has done well enough to make a third film (death race 3000?) that would actually be a remake of the original

Save 47% Off

Tuesday, July 15, 2014

Law Abiding Citizen (Unrated Director's Cut) (2009)

Law Abiding CitizenSOME SPOILERS IN HERE BUT NOT REALLY I love a good revenge movie! And this is one! Good story and an interesting M-O. I loved the idea for this movie. It chose a controvertial topic and really ran with it. The judicial system has been known to have its flaws and sometimes if people want justice they have to take it. A man (Gerard Butler) goes ape s*** for ohhhhh ten years plotting and scheming over the death of his family. Hell bent on his lack of justice after the main culprit of his family's death gets a ridiculous plea bargain. Well, this man decides to enact revenge not just on the killers, but on the whole judicial system. Because, you see, he is a war device inventing genius who has been helping the special forces for years. Sweet! Action thus ensues and you are left wondering, how the hell is he doing this stuff. Well you gotta watch to get this little tidbit. There have been complaints about the ending and while it is tough to make a truely satisfying ending to a movie that starts out so strong, it isn't that bad. But I also say judge this one for yourself and give it a watch.

Clyde Shelton is a law abiding family man, and inventor. After his wife and child are brutally murdered an up and coming lawyer hands out a deal to the killer in exchange for his accomplice. Clyde isn't happy about the way the "justice system" functions. Like many of us Clyde wants to right the wrongs in our flawed legal system. He proceeds to track down and kill the man that killed his family. After being put in jail, Clyde starts killing many of the others involved in the court case. The judge and the criminal defense attorney are among his victims. The problem is that he is in jail. It's hard to commit murder when you're locked up. He is pulling it off somehow. His former lawyer, Nick Rice, is determined to bring him to justice. He learns how hard it will be after he finds out that Clyde was a CIA tactician and inventor.

This movie blew me away. The acting, story, and soundtrack are all amazing. This film has action, drama, suspense, and comedy. It's pretty well rounded, and a major thrill ride. You don't wanna miss Law Abiding Citizen.

Buy Law Abiding Citizen (Unrated Director's Cut) (2009) Now

This movie was a lot better than I had expected. To me, it was like a mix of 'Saw' and 'Max Payne. Gerard Butler does an awesome job as a psychotic man with nothing to lose. Ten years after a home invasion that leaves his wife and daughter dead, Clyde Shelton returns to seek true justice. I love when he dismembers the man who murdered them. When Clyde is sent to jail, people are still dying in mysterious ways, and Nick Rice tries to stop it. When Rice interrogates Clyde, he wants something in return such as his iPod, and a steak. Soon, nobody feels safe leaving their homes, because they don't know where or when Clyde will strike next. Does he have an accomplice? I highly recommend LAW ABIDING CITIZEN!!!

Read Best Reviews of Law Abiding Citizen (Unrated Director's Cut) (2009) Here

It's sad when people can make accurate jokes about a broken justice system with its technicalities and fine details. Then again, when you've been planning vengeance for ten years and have studied in all that time, what can one do besides exacting that plan? Ask Clyde, who's trying to get his late wife's rapist/child's murderer to be legally dead. Problem is, with the way the judicial system is, he could get away, and he knows it. So, after taking the law into his own hands, things play out precisely as he expects them to, including him being thrown into jail and having court procedures and hearings and getting called a "criminal" with no one giving a second thought about the cause behind his motive. But even in the courtroom does Clyde's guile play out effectively.

Throughout a whole process of exacting vengeance for his wife and daughter, he comes up with cruelly inventive ways of killing key people and "pawns" off, manipulating things to show "lessons" of what happens when people don't do things the precise way he requests them to be. And none of it is for the faint of stomach nor heart.

Though it's called "Unrated Director's Cut," it could also be called the "Original NC-17" edition since it was threatened to be that rating if they didn't shave some of the violence out. They did, as well as have additional dialogue (some comical, some just because) and things that may have improved the story, but only slightly, just to give slightly more personality to key characters.

This was a great film to have, but only watch if you can handle the extremely disturbing violent content and can handle the language used,or can handle certain shocking death sequences. Some, though I've watched this a couple times, still manage to make me jump, no matter how much I anticipated and flat-out expected them.

That just shows this has effective storytelling.

Want Law Abiding Citizen (Unrated Director's Cut) (2009) Discount?

Love it! Great movie about how the political the justice system is and a law abiding citizen getting retribution to those involved in the murders of his wife and daughter.

Jamie Foxx and Gerald Butler are amazing, must see!

Save 50% Off

Saturday, June 28, 2014

Live and Let Die (50th Anniversary Repackage) (2012)

Live and Let Die"Live and Let Die", released in 1973, is the eighth entry in the James Bond series produced by Cubby Broccoli and Harry Saltzman. It is also the debut of Roger Moore as the British secret agent, a role he would play of total of seven times, more that any other actor.

Sean Connery was originally slated to reprise his starring role but no amount of money could tempt him to sign on. The producers turned to an actor they had originally wanted to play Bond back in 1962, Roger Moore. At that time, Moore had to turn down the role because he was committed to play Simon Templar in the successful television series "The Saint". But by time "Live and Let Die" was ready to go into production, Moore was available to take on the role. Guy Hamilton did return to direct his third Bond film and "Live and Let Die" does have a feel similar to "Diamonds are Forever". Bernard Lee and Lois Maxwell reprised their roles as "M" and Miss Moneypenny but Desmond Llewelyn is notable for his absence, the only time "Q" has not appeared in a Bond film. Also missing, this time permanently, is the evil organization SPECTRE and its leader Blofeld. Except for one uncredited cameo, Blofeld never again appears in a Bond film.

In this outing, James Bond is investigating a series of murders targeting British intelligence. The one common thread appears to be the prime minister of the island nation of San Monique, Doctor Kananga, who is currently residing at his consulate in New York City. The CIA already has a team led by Bond's opposite number Felix Leiter keeping tabs on Kananga. Bond follows Kananga to Harlem where he meets another ruthless character named "Mr Big", the boss of bosses in the black underworld. Bond also meets a mysterious young woman named Solitaire who seems to be able to predict the future by using tarot cards. Somehow, these two men are connected to each other and Bond must go to San Monique where he must penetrate a world of voodoo and discover the secret which has killed all others who tried.

"Live and Let Die" was shot on location in New York City, Jamaica and around New Orleans. It was the first Bond film (and the last) where African-American actors played many of the prominent roles. Yaphet Kotto plays Doctor Kananga with the sauve, menacing manner usually associated with Bond (some have called Kananga, rather than the assasin Scaramanga the anti-Bond). Solitaire is played by Jane Seymour, who portrays her in a detached, wistful manner. Bond participates in his first interracial love scene with the lovely CIA agent Rosie Carver(played by Gloria Hendry). Kananga's henchman TeeHee is well played by Julius W. Harris and Clifton James provides the comedy relief by playing Sheriff J. W. Pepper up as the reddest redneck one could ever hope to meet. Finally, Felix Leiter is played by his fifth different actor, David Hedison, who would later become the only actor to play the CIA agent twice.

Despite all the promising elements, "Live and Let Die" comes off as a pale shadow of Bond films past. Unlike his excellent portrayal of the Saint, whose character was similar to that of Bond, Roger Moore comes off as very stiff and formal, earning him the nickname as the "wooden Bond". However, the dry wit that is characteristic of the Moore Bond is much in evidence in this film. The female characters seemed to have regress from the strong minded women in the earlier Bonds. Even CIA agent Rosie Carver is played as hopelessly inept. Another problem is the growing tendency to play James Bond up for laughs, continuing a trend started in "Diamonds Are Forever". James Bond and his world are becoming a caricature of its sixties self. That kind of formula works better with Bond facing a major foe rather than a small time one. It is ironic that the story of "Live and Let Die" might have worked might have worked better if it had been made in the 1960's. In 1973, James Bond almost seems wasted here since the moviegoing public expects him to save the world or at least some of part of it.

If the sum is less than satifactory, "Live and Let Die" certainly has some good parts. The action scenes are first rate, particularly the boat chase and the plane chase. The fight scene on the train between Bond and TeeHee is reminiscent of the one from "From Russia With Love". Geoffrey Holder's portrayal of Baron Samedi is downright eerie, it is a shame that this fasinating character could not have had a more prominent role in the script. Perhaps the best element of all was the lack of references to earlier Bond adventures in order to establish Roger Moore as the new Bond. Moore is Bond, period.

Despite it all, "Live and Let Die" did well enough at the box office to permanently associate Roger Moore with Bond. Moore would in time make some of the best Bond movies of all time.

The special edition DVD contains the best print and sound track of "Live and Let Die" this reviewer has seen. The movie is shown in the widescreen format although it was not shot with the very wide Panavision camera like many earlier Bond films. Typical of the special editions, there are two audio commentary tracks and the documentary material as well as trailers, advertisements, and still photos. If one was just starting out their Bond collection, one might start with "The Spy Who Loved Me", "For Your Eyes Only" or "Octopussy" to see Roger Moore at his best. However if one has to have a copy of "Live and Let Die", the special edition DVD is the one to have.

In 1973 Roger Moore made a smooth transition from his most famous role that of Simon Templar to yet another literary character who had been made famous by another actor. Whereas the Saint had been immortalized by George Sanders in a series of movies much earlier (allowing Moore to make it his own in the highly successful television series), the memory of Sean Connery as James Bond was much more recent in the publics mind so Moore had his work cut out for him.

It is hardly surprising then that "Live and Let Die" plays it relatively safe. Moore went on record as saying that he read one line detailing how Bond had to kill once, but didn't very much like it (from the novel "Goldfinger"), and took his portrayal from that. In fact in his first couple of movies Moore plays the character much closer to his television Simon Templar persona than later in the series (the producers subsequently felt it was too close to Connery's interpretation of the role). This is a sad development as Moore never really had the chance to show he could play both charming and ruthless as he had plenty of chances to portray on The Saint.

Taking one of Fleming's most controversial novels (the villains are all black) the producers were faced with a vexing problem. They overcame this by not only giving Bond a black ally, but also allowing the villains to get the better of 007 on several occasions. They also threw in a redneck sheriff as comic relief for good measure.

The movie is essentially one long chase and in a definite break with tradition we are offered up a pretitles sequence in which James Bond does not appear. In the opening we see two British agents killed by ingenious means first a man is killed at the United Nations through use of what can only be assumed a sound weapon and a second by snakebite on the Caribbean island of San Monique. James Bond (in only the second and last time we see a glimpse of his London apartment) is assigned by M to investigate.

What follows is a chase as Bond pursues the Prime Minister of San Monique Dr. Kananga and an underworld gang leader named Mr. Big across the United States to a fiery, explosive (literally) climax in the Caribbean. On the way our interepid hero must escape from all manner of tricky situations, such as being stranded on a tiny island surrounded by crocodiles. The action highlight is most probably a boat chase half way through the movie that has probably only been bested by an even better boat chase sequence in "Puppet on a Chain."

This movie does seem to have trouble deciding if it wants to be humorous or serious and I liked the introduction of the voodoo element that makes this a very unique 007 picture.

Truth be told, the initial Bond movie by Roger Moore is a mixed bag in my book. Whereas the supporting villains are excellent, the main villain is underwhelming and his plot (flooding the US with drugs) is rather ho-hum compared to bigger plots like destruction of the world (Moonraker) or the nuclear attack of British cities (For Your Eyes Only).

Roger Moore is also still finding his way in the part and apart from a few glimmers of what he would eventually deliver, the movie and his performance seems to be on remote control.

The DVD is one of the refurbished releases of late 1999. Previously the Bond movies had been released by MGM in the accursed snapper cases with few special features. MGM corrected this oversight throughout 1999 and 2000 releasing special editions of the movies in a series of three waves.

"Live and Let Die" was one of the seven movies released in the Oct. 19, 1999 wave (the first). For this reason its format is slightly different from releases in subsequent releases with this one serving up two audio commentaries and one documentary on the making of the movie.

It is in the commentaries were the real joy of this DVD lies. We are treated to a scene specific commentary from writer Tom Manckiewicz. The fact that he is sitting in the studio watching the movie with us is very obvious he even noticeably yawns during the opening credits (hold in there Tom there's another couple of hours to go). His commentary is informative and very enjoyable. There is also a commentary by Guy Hamilton which is also entertaining. Aside from this the special features are very recognizable to collectors of these DVDs with trailers and tv spots and a still gallery with over 150 images. There is of course the requisite "Making of" documentary and a very short "On the set with Roger Moore" featurette that will prove interesting to Bond fans. Perhaps most curious of all is a UK Milk Board commercial that was released to tie in with the new James Bond movie. One special feature also here (and one I really miss on MGM releases these days) is a very handsome collectible booklet with trivia and notes on the production.

UPDATEIt should be noted that there is a rerelease of this movie coming up on DVD which will feature a newly recorded scene specific audio commentary by Bond actor Roger Moore. So, it may well be worth holding off on a purchase until these Ultimate Editions are released towards the end of 2006.

Buy Live and Let Die (50th Anniversary Repackage) (2012) Now

Roger Moore's debut as Bond, in terms of quality, is a so-so outing, as was expected. Moore brings about an aura distinct with that of Connery's. The Bond that Connery portrayed was more of the consummate professional type, serious, rather impatient, edgy, relying more on toughness and innate resourcefulness to see him through. On the other hand, Roger Moore concentrates on the finesse side of Bond. He is debonaire, more intuitive, more blueblooded in the sense he is articulated and sophisticated, and a definite poster child on what it is to be a British gentleman secret agent. Moore reflects the 70's, where poise and style rules and therefore more adequate than Connery to play Bond in this point of time. Live and Let Die lays the foundation of this revolutionized Bond attitude the next six films, with Moore at the helm.

Although Live and Let Die wasn't quite anything truly special in terms of overall story quality, besides Paul McCartney & the Wings' eerie, but memorable theme song, this film has to be one of, or if not Moore's most provocative and intriguing under his tenure as 007. First off, the mood and the pace of this particular episode has changed. Aside from the fact that the 70's feel prevails throughout, there is a supernatural, superstitious sense, a very foreign concept to the Bond series, even to this very day. There is a sense of mystery and unsettled emotion in Live and Let Die right from the get-go. Bond must investigate the enigmatic murders of three of his fellow agents: Dawes on the floor of the United Nations, Hamilton on a New Orleans street right in front of a funeral procession, and Baines who became part of a bizarre voodoo ritual on the island of San Monique. Getting a lead, 007 is on the trail for a Dr. Kananga, a UN representative of San Monique who "witnessed" Dawes' murder, while a Harlem kingpin Mr. Big (Kananga's other personality) gets in Bond's way. Bond also encounters an intriguing tarot reader, Solitaire (a very young Jane Seymour) who aids Kananga in foretelling the future. Bond is calm, cool and collected, amidst intimidation, inspired by the spiritual and supernatural circulating the movie and obviously, by Mr. Big's African-American organized crime machine. Successful in dispatching Solitaire's fears of the superunknown, Bond embarks on a mission to foil Kananga's plot to smuggle and distribute free heroin in an attempt to control the heroin market.

The most controversial aspect of Live and Let Die is obviously its stereotypical subject. Filmed during touchy times, naturally African-Americans are portrayed as the big, bad, baneful dirty criminals, selling or in this case, giving away heroin for gain. At the same time, blacks obtain somewhat of an irrational label, portraying voodoo as just that, an irrational, outdated religion. The relative uneasiness of race relations is focused on as well (i.e. Bond/Rosie's love scene, the "Billy Bob" segment) Whites aren't exactly exempt from exploitation either. J.W. Pepper, played by Clifton James, is the stubborn, tobacco-spitting, indifferent redneck Louisiana sheriff, in essence, mocking southern culture. And of course, Bond, the seemingly omniscient, refined white man conquers all.

Other than the relevant shortcomings, Live and Let Die is an action-packed extravaganza, meant to be taken with a good sense of humor. Moore elicits more of an over-the-top, lighthearted element to the film. Seymour's peformance as Solitaire is a definite bright-spot, as she plays out the innocent, vulnerable side of her character well. Yaphet Kotto's Kananga/Mr. Big is a competent villain who is seen off, Monty Python style and arguably is given the unenviable association with the worst death of a head villain in the Bond series. The supporting cast, in particular, Rosie Carver, Baron Samedi, and J.W. Pepper add a smart, eerie, and hilarious touch, respectively. And of course, the action scenes make up for its blatant flaws. A stellar speedboat chase, highlighted by Bond's crocodile-crossing stunt getaway before the chase even starts the chase, takes the cake, as the best sequence of the movie. All in all, a high-octane Bond adventure caper with an odd, but enticing supernatural kick.

Read Best Reviews of Live and Let Die (50th Anniversary Repackage) (2012) Here

And none the worse for it, since every Bond film needs a fresh spin on the same old formula. Roger Moore's first outing as JB is, in equal measures, comical and action-packed. You'll never get bored. But it's definitely the weirdest Bond ever with loads of utterly bizarre moments.

It begins with M turning up at JB's house in the early hours while he's pumping some Italian agent for information (don't you just love his initialed dressing gown). Before sending him to America to investigate a Harlem pimp known as Mister Big he delivers some gadgets from Q-Branch, including a very useful watch. Q himself, or Major Boothroyd if you want to call him by his proper name, doesn't make any appearance in this one.

Standing out like a Muslim in an airport, almost every single black person JB encounters in Harlem is on Mister Big's payroll. And they've got a seemingly endless bag of tricks to play on him. The funny thing about Moore is that he's very proper and British and doesn't think anything of walking into a tough Harlem bar while dressed up like the Duke of Edinburgh. His stunned reactions when they mess with his head are seriously funny.

The action then moves to Louisiana and a savage Caribbean island as JB uncovers a massive heroin plot. There's a particularly long speedboat chase across a bayou where JB encounters Sheriff J.W. Pepper, the most stereotypical southern redneck ever. Think of Texas Businessman from The Simpsons and you get the idea. JB also gets to dodge a hundred hungry Gators and do, many times over, Solitaire, Mister Big's Tarot card reader.

I'm not sure what kind of formidable villain uses a Tarot card reader to help him do business but when you also surround yourself with a hook-handed maniac called Tee-Hee, a quiet fat guy called Whisper and a seemingly unkillable voodoo high priest called Baron Samedi then you really do become a serious baddie. Right? He even goes on a big speech about how his master plan works before attempting to kill JB slowly. Obviously this makes much more sense than just shooting him right away. When will they learn?

Despite being the oldest actor to debut as Bond (at 46), Moore does look younger than Connery. And while Sean was gruff and Scottish, Moore is perpetually calm and refined, even in the face of danger (fingers being chopped-off, snake in the bath, being eaten by gators/sharks). Everything that the British once thought they were. He has a certain sarcastic edge that the other Bond actors lacked. While some of his films may have been the sillier of the franchise, Moore has always been my favorite. And the massive revolver and holster he uses at the end is so much more masculine than the usual, wimpy as hell, Walther PPK.

And, as much as I am no fan of Paul McCartney, you gotta love that theme song! Exciting and iconic at the same time. And also yet another juxtaposition in the weirdest Bond movie ever.

MI6, Harlem, Pimps, Paul McCartney, Gators, Heroin, Voodoo, Snakes, Sharks, Clairvoyance, Rednecks, Afros, Fake Afros, Fillet of Soul, Human Sacrifice, Scarecrows and a small-headed man in a Top-Hat who lost a fight with chickens. Is this a Bond film or did the whole world just go insane?

The DVD is in 1.85:1 anamorphic widescreen (this AR doesn't suit a Bond movie) with Dolby Mono sound and a fair whack of extras.

Want Live and Let Die (50th Anniversary Repackage) (2012) Discount?

I had very high hopes for Moore who just "looked" the part of Bond. I like him on "The Saint" series and thought he'd be a natural as Bond, and admittedly, he was at times. I just hated the storyline of this Bond and the emphasis on chases and stunts which Connery feared the franchise was focusing too much upon as time progressed. It was all rather silly and the staged stunts all looked just that, staged.

Moore decided to play Bond more as a cartoon-like character. He did go on to much better Bond flicks though such as "The Man with the Golden Gun", "Moonraker", and the outstanding "The Spy Who Loved Me." However, he was a rather forgettable Bond in the end. I liked him, but it wasn't until Pierce Brosnan took the role that I really enjoyed Bond films again.

NOTE: Connery's last Bond film, "Diamonds are Forever", cost about $7 million and grossed $120. Not a bad profit and this first outing of Moore as Bond had almost identical numbers. Whether I necessarily like Moore or not as Bond means little as the general public certainly did and he played Bond very successfully for the producers. His versions always brought in a nice profit.

Save 15% Off

Friday, June 13, 2014

The Whistleblower (2010)

The Whistleblower"The Whistleblower," based on a true story, is a gritty movie about sexual trafficking in Bosnia. Kathryn Bolkovac (Rachel Weisz), a Nebraska cop, is a divorced mom who takes a job with a security contractor for big pay and a short tour in the Balkans. She discovers that ethnic tensions have caused local cops to refuse to investigate domestic violence cases, particularly those involving Muslims. She is promoted and put in charge of gender affairs by a U.N. official (Vanessa Redgrave), but is increasingly frustrated. After building cases against sexual traffickers, she's told they enjoy diplomatic immunity.

Bolkovac is a lone crusader, persuading fearful women to testify against their abusers, bucking diplomatic hypocrisy, and dealing with rampant paranoia. Ms. Weisz heads this topical political thriller, turning in a powerful performance, one of her best. The movie underscores the collateral damage caused by politics and maintaining the delicate balance of world peace, though it's far more compelling as one strong woman's efforts to advocate for those without a voice.

The sole special feature on this release, available in Blu-ray and DVD editions, is a featurette about real-life whistleblower Kathy Bolkovac.

The Whistleblower is not a comfortable film to watch, nor is it supposed to be Rachel Weisz takes on an extremely difficult role here that could have come across as monotone in the hands of someone less capable. I used to think she was a fairly average actress but she's clearly become somebody extremely skilled around challenging material. Some of her final scenes in the film are Oscar-worthy and underscore a number of sickening truths that have been developed throughout the script.

From the first few minutes, it's pretty clear that the story isn't going to have a happy ending and once you see what military contractors and UN officials were conspiring to achieve, it's enough to make you want to write letters to your elected representatives. I haven't read anything to indicate that the situation shown in this film is untrue and it paints an extremely shameful picture of what Westerns organizations were doing while supposedly protecting civilians.

Overall, it's an intelligent and believable political drama with sharp dialog and fast pacing. Be warned that there are a couple of very unpleasant scenes that are necessary to convey the atrocities involved but may be too much for some viewers.

Buy The Whistleblower (2010) Now

THE WHISTLEBLOWER is a film that kicks you in the stomach and then continues to play out the worst possible truths that we'd rather not admit exist. The theme of the film is Human Trafficking, and apparently there are about 2.5 million victims around the world today young people who are sold into sexual slavery for the financial gain of people from all areas of life, including our own government, the International Practices Task Force, and contracted companies supported by the US Government to rebuild who are assigned to third world countries and countries besieged by or recovering from war, and in our own cities in this country. This film is based on a true story, a story written (and discussed in the bonus track on the DVD) by Kathryn Bolkovac who was transferred from her police job in Lincoln, Nebraska to Bosnia (with the promise of $100,000. and a six month term) to monitor the local Sarajevo police and advise them on proper police procedures. Bolkovac's story was written for the screen by Eilis Kirwan and director Larysa Kondracki who also directed the story with stinging reality.

Kathryn Bolkovac (Rachel Weisz) is a recently divorced mother of a young girl who has lost custody of her daughter because of her constant commitment to her job. When she is offered a lot of money and an advancement if she will go to Bosnia on a special assignment she accepts, feeling that if she ha money she can return home to live close to her young daughter. When she arrives in Sarajevo she is treated with distance from the colleagues with whom she will be working. Her first accomplishment is bringing to justice the abuse of a Muslim woman who has been constantly a victim of spousal abuse something not considered a crime until Kathryn proves it in court. She soon discovers that there is a human trafficking problem in Bosnia where young girls are brought into the country, sold as sex slaves to tend to the needs and whims and cruel and often sadistic whims of the IPTF (International Practices Task Force) as well as the US and international soldiers assigned by the UN to cover the recovery of Bosnia. She visits the bars where the girls are kept, finds evidence of physical violence and abuse in the filth of the atrocious living conditions the girls are subjected to, and begins her attempts to save the girls particularly Raya (Roxana Condurache) and Luba (Paula Schramm) whom she promises to protect if they will testify about their conditions. Kathryn seeks solace from a Dutch compatriot boyfriend Jan (Nikolaj Lie Kaas) and takes her case to the UN person in charge (Monica Bellucci) who is a by-the-rules leader and cannot offer help to Kathryn. Kathryn is contacted by Madeleine Rees (Vanessa Redgrave), the High Commissioner for Human Rights who aids her in her plight and puts her in contact with Peter Ward (David Strathairn), in Internal Affairs chief of the UN complex. Kathryn finally discovers that the perpetrators of the human trafficking are the very people with whom she works and she is ultimately fired from her position. But before she leaves she releases the documents she has created that prove the victims of human trafficking are under the direction and service of the employees of the UN in many ways her dangerous mission has been accomplished and the Democra, a security contractor, is exposed.

Rachel Weisz brings a very human quality to her role, making her transformation into a heroine for the abused victims all the more credible. Her performance is outstanding and in the conversation with the real life Kathryn Bolkovac in the bonus feature with the film the manner in which Weisz succeeded in her role is all the more impressive. This is a tough movie to watch, but it is a necessary statement to make the heinous crime of human trafficking more widely known and punished throughout the world. Highly Recommended. Grady Harp, January 12

Read Best Reviews of The Whistleblower (2010) Here

Personally working in Darfur, Southern Sudan, Nuba Mountains, DR Congo, Romania, Moldova, and Peru, I can tell you that I was skeptical of this movie, before I saw it. Kathryn does an amazing job of conveying her and the girls story as well as the larger problem. And, once again, Rachel delivers an unflinching rendition of a heart-breaking, no-win situation. Many would call Kathryn a fool because she was not "successful" in saving the few, however, I know that the price she paid--and continues to pay--renders her life a broken prayer (as in K.D. Langs song, Hallelujah). God bless you both Kathryn and Rachel.

Want The Whistleblower (2010) Discount?

"Humanity, I love you because when you're hard up you pawn your intelligence to buy a drink." E.E. Cummings

'The Whistleblower' did a fine job of focusing attention on the atrocity of sex-trading young women in postwar Bosnia. Even further troubling, for some of us, is the fact that U.N.'Peace Keeping Contractors', another phrase to add to my list of paradoxymorons in this case, were involved. This was an intelligent thriller and Weis was, as usual, extraordinary.

This movie, about the abuse and trivialization of women, provoked an interesting response in me, for sure. But that would be a rant and I will not perpetrate it upon you...

Save 39% Off

Thursday, April 24, 2014

Shorts (2009)

ShortsI thought this was a really good and very funny movie that the whole family will love! It has an awesome plot, funny situations, and lovable characters. The movie is told out of order in a series of 'short' episodes! In the town of Black Falls, all the adults work for Black Box Unlimited Worldwide Industries Incorporated. Toby Thompson is a lonely kid who gets picked on gets picked on by Mr. Black's kids, until Toby finds a Rainbow colored wishing rock that will grant his every wish. Toby is just one of the many kids who have found the rock, like Nose Noseworthy, Loogie, Cole, and Helvetica Black. When Mr. Black gets ahold of the rock, he uses it for world domination. Can the kids of Black Falls stop him before he becomes mad with power? I highly recommend SHORTS!!!

A cute family movie geared towards the younger generation! It was fun to watch with the children though.Mostly clean with a little crudeness.

Buy Shorts (2009) Now

My daughter saw this movie in the theatre a few years ago and just wanted to see it again. Not as good as the SPY KIDS brand which Rodriguez directed as well.

Read Best Reviews of Shorts (2009) Here

Robert Rodriguez does not dissapoint my kids! Creative and funny. Like all the Spy Kids movies, my kids were entertained!

Want Shorts (2009) Discount?

my kids 3 and 5 really enjoyed this movie. they watched it 3 times in 2 days. a good movie the whole family will enjoy. kept the kids laughing till the end.

Save 49% Off

Saturday, February 22, 2014

Hairspray (Two-Disc Shake & Shimmy Edition) (2007)

Hairspray`Hairspray' is a non-stop, exhilarating song and dance extravaganza. This exuberant remake of the John Waters' musical is funny, fast, and fabulous. Adam Shankman's direction is appropriately lilting in the right measure, but balanced with social commentary highlights. Unlike 'Dreamgirls,' there are no Oscar worthy performances, but the production is so fun there doesn't have to be. The entertainment is winning on every level, and, as for the songs, it never goes limp.

Once again we are transported to the early sixties in Baltimore, where flannel is uniform, Blacks and Whites are segregated, and beehives are in fashion. The plot is fairly simple: Overweight teen Tracy Turnblad (Nikki Blonsky) wants to break the mold on her favorite TV program "The Corny Collins Show" (an "American Bandstand"-like feature) while discovering a more urgent need to end segregation on a show that only sometimes features "Negro Night". She gets her big break when teen singing sensation, Link Larkin (Zac Efron) makes advances that bring her to the stage floor. In the meantime, her success is challenged by the show's program manager, (played with overbearing skill by Michelle Pfeiffer) and her daughter, Amber, the show's reigning "Miss Teenage Hairspray," a nasty nemesis . Joining forces with her Afro-American friends, especially Motormouth Maybelle (Queen Latifah) and dancer Seaweed (Elijah Kelly), she works for equal time on the dance floor.

`Hairspray' is set as perfect entertainment. John Travolta provides likable loopiness as Nikki's mother while he dances and cross-dresses his way into our hearts. The villains are nasty enough, and the sweetness pervades even amongst important demonstrations on key social issues. When it all comes down to balance, 'Hairspray' fills the bill.

(2008 HOLIDAY TEAM) This is the sort of brassy, candy-coated musical to which you either give yourself entirely or not at all because there is little room in between. First, there was the edgy 1988 John Waters comedy followed years later by the sunnier 2002 Broadway musical version. I thoroughly enjoyed the elaborate stage version thanks mainly to Marc Shaiman and Scott Wittman's ebullient music and sharp lyrics and stellar performances from Harvey Fierstein and Marissa Jaret Winokur as a most unlikely mother and daughter in 1962 Baltimore. That most of that high-kicking, watusi-gyrating spirit remains intact is quite an accomplishment for director Adam Shankman, whose previous track record consists of mediocre studio comedies. Adapting Mark O'Donnell's stage book, screenwriter Leslie Dixon seems equally unlikely of pulling it off. Yet, somehow they do and even bring a deeper sense of gravitas than the previous incarnations with the heavier elements of racism and segregation. Starting out his career as a dancer and choreographer, Shankman provides the energetic, in-your-face choreography that is appropriately applied here.

The story centers on Tracy Turnblad, a genuinely optimistic teenager, a bouncing bundle of energy obsessed with the local Corny Collins dance show. Living in a working-class neighborhood with her agoraphobic, self-consciously plus-sized mother Edna and her congenial, novelty store-owner father Wilbur, Tracy only wants to dance on Corny's show. Standing in her way is the malevolent Velma Von Tussle, an aging beauty who owns the TV station, and her equally venal daughter Amber. Once a month, the station allows the dance show to have a co-host, blonde-tressed Motormouth Maybelle, who holds a "Negro Day" to allow the local black kids to dance on their own. These kids seem to end up in detention a lot since Tracy finds them there and learns new dance moves from them. She realizes the world would be a better place if black and white kids were able to dance together on Corny's show. This sets up the story's central conflict, which comes accompanied by romantic complications among the various characters. All of this ends with the Miss Teenage Hairspray pageant and naturally a pull-all-the-stops production number.

The casting is inspired. Following Divine and especially Fierstein in the cross-dressing role of Edna is no easy task, but John Travolta brings a surprising delicacy to the character. The novelty of his casting never wears off, but he also does not stoop that much to parody either. Even with a slightly garbled Baltimore accent, he is convincing as a woman who has accepted life's compromises for the sake of her family. Alternating quickly between clever and broad, Michelle Pfeiffer has a field day playing Velma, though she has precious little opportunity to show off her long dormant singing talent. As Maybelle, Queen Latifah seems to be cornering the market on musical earth-mother types and gets her shining moments on "Big Blonde and Beautiful" and especially on the gospel-flavored "I Know Where I've Been". Christopher Walken has comparatively less to do as the put-upon Wilbur, though he shows off his singing and dancing skills on his sweet pas de deux with Travolta on "(You're) Timeless to Me".

For all the veteran talent on display, it's Nikki Blonsky who carries the heart of the movie as Tracy, and her sunny demeanor and "American Idol"-caliber talent keep the story aloft. The other teens Zac Efron as singing heartthrob Link, Amanda Bynes as devoted best friend Penny, Brittany Snow as spoiled Amber, and Elijah Kelley as Maybelle's son Seaweed are all played with energetic adolescent brio. Complementing the principal cast are James Marsden as the perpetually smiling Corny and Allison Janney as Penny's Bible-thumping mother. Everyone is in the right spirit, and the pacing and tone are spot-on. The film's one weakness is a certain lack of energy in the camera movement around the production numbers, as Shankman's tendency is to film key dance sequences intermittently at mid-waist level. The net effect is a reduction in the overall energy level at key moments such as Travolta's Tina Turner-style turn at the end. Regardless, this is fun stuff for those open to this genre.

Buy Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Now

Information below was found on another site I hope it's accurate. If Amazon wants to add this to the description and delete this comment it's fine with me.

Single-Disc Edition:

* 16×9 widescreen version of the film or 4×3 fullscreen version of the film

* English Dolby Digital 5.1 EX Surround Sound

* English & Spanish subtitles

* Closed captions

Two-Disc "Shake and Shimmy" Edition:

* "Behind the Beat" picture-in-picture option allowing viewers to watch behind-the-scenes footage and on-screen commentary concurrently with the running feature (HD Exclusive)

* All new musical number, "I Can Wait"

* Feature-length audio commentary from director and choreographer Adam Shankman, star Nikki Blonsky and producers Craig Zadan and Neil Meron

* Deleted scenes with audio commentary from director and choreographer Adam Shankman and star Nikki Blonsky

* "You Can't Stop the Beat: The Long Journey of Hairspray" documentary

* "Step By Step: The Dances of Hairspray" featurette offering how-to dance instruction

* "Hairspray Extensions" featurette, giving viewers dance breakdowns

* Jump to a song with optional sing-along feature

* "The Roots of Hairspray" featurette

* Interactive menus

* Theatrical trailer

* 16×9 widescreen version of the film

* English 2.0 Stereo Surround

* English Dolby Digital 5.1 EX (on feature, deleted scenes and interactive menus)

* English & Spanish subtitles

* Closed captions

Read Best Reviews of Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Here

Any film that features a touching love scene shot in a Baltimore backyard with laundry hanging on the line (as Moms used to say) between Christopher Walken ( Wilbur Turnblad) and John Travolta (as an almost scary Edna Turnblad) is OK with me. That that scene may also be one of the most romantic scenes of this or any year is crazy on the one hand and perplexing on the other. With that being said, director Adam Shankman has magically turned the stage musical into something that is more full of life, more effervescent than either the play or the John Waters slight, though terrific film of 1988.

Tracy Turnblad (Nikki Blonsky who almost makes us forget Rikki Lake from the film) is a Baltimore teenager: chubby of body, colossal of hair and bubbling over with good cheer and ironclad self esteem. The year is 1962 and the signs of change are everywhere Tracy goes foremost of which is the "Corny Collins Show," an American Bandstand-type show which features a "Negro Day" once a month: a situation that Tracy and her friends Penny (Amanda Bynes) and Link (Zac Efron) are desperate to change into an everyday occurrence. Edna, who hasn't left the house since 1951 and therefore very much aware and embarrassed of her size discourages Tracy from auditioning as a dancer for the show but Tracy, to her credit, feels confident enough about her dancing does so anyway and is finally accepted into the Corny Collins fold much to the chagrin of both Velma Von Tussle ( a gorgeous Michelle Pfeiffer) and her daughter Amber (Brittany Snow).

"Hairspray is also very much a capsule of its time and place: pregnant women smoking and drinking martinis, children in cars without seat belts buckled, boys and girls hair greased and sprayed to within an inch of its life (Tracy is accused of having a "hair-don't" at one point) and bigots spouting the kind of gunk that bigots do.

"Hairspray" is ultimately a big, calorie laden birthday cake of a film: you know you shouldn't imbibe but you can't help yourself. But along with the sugar rush of this spectacle there lays some lumps based on reality which point out, not only how much has changed since 1962 but more importantly how much has stayed the same.

Want Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Discount?

I enjoyed this movie more than I can say. I felt happy for hours after watching it. It was energetic, happy, sweet, funny and delightful. The casting was perfect. Everyone seemed to give it there all. The songs and dance sequences were very entertaining. I especially loved the innocent chemistry between Nikki Blonsky and Zac Efron. They are both very talented. I would highly recommend this movie. For those of us over 40 the energy of these kids is invigorating! I hope this movie succeeds beyond all expectations so that they will make more like it in the future.

Save 37% Off

Monday, February 17, 2014

The Rebound (2012)

The ReboundHey-film geek girl here(actually,woman)!! I watch a lot of rom-coms and it is hard to find ones that are really great throughout like this one. I have thought that Justin Bartha(and his gorgeously almost neon blue eyes)was adorable and funny ever since the 1st "National Treasure" movie and Catherine Zeta usually makes great film choices,this is definetely no exception.Also when I stumbled upon this in the new to video part of amazon instant,I didn't notice at first that the director was Bart Fr...Sorry,can't remember at the moment how to spell his last name. I do know that he is married to the beautiful and talented Julianne Moore and that they know about a successful relationship involving a slightly older woman.Sure can relate to liking and lusting after younger men. The chemistry between Sandy,the 40yr old mother of 2 kids that is on the rebound from a cheating,kind of awful husband and Arol(not really sure what his name was),the 25 yr old college grad,that works at a cafe and starts working for Sandy, is pretty warm and fantastic. They seem to appreciate each other and care about each other and the kids. The film doesn't rush into the walk down the aisle and quick love but reveals the strengths and passions of both of the main characters. All the travel scenery was nice too,of one of the character's,towards the end."The Rebound" is a wonderful example of how what makes a family beautiful and unique can vary so much. I gotta say,it makes me a little lonely and very much uplifted at the same time. It also stars other great people like Art Garfunkel as Aros' father and Lynn Whitfield as Sandy's eventual respectful,strong boss. I highly recommend this film for any hopeless romantics out there,that don't mind a little real life raunchiness and some bad words interspersed throughout.

I found "The Rebound" a delightful Adult Romantic Comedy, written and directed by Bart Freundlich, and not your usual fare. After all, this one stars Catherine Zeta-Jones (Sandy) and Justin Bartha (Aram) as the two leads. You really can't go wrong with these two presenting a younger man and an older woman theme. Sandy's two children, Sadie (Kelly Gould) and Frank (Andrew Cherry) are just adorable and precocious as ever. The R rating is for the themes explored and for some 'bawdy' language making this a romance, with a generous lending of comedy...for grown ups.

This story basically starts with forty-year old married Sandy, on her laptop looking through video clips of Sadie. As she's perusing through her young daughter's accomplishments, she spies in the background her husband being 'unfaithful'. This issue is not explored in detail. We quickly focus on Sandy and the children moving into an apartment in New York City, above a coffee shop. This is where the very sweet Aram works and they first meet, as the children quickly take notice of him and immediately like him.

Shortly after meeting Aram, he offers babysitting services. Sandy gains work for a major sport's network as she's an avid sports fan and educated in this area. Her boss (Laura Reilly) is strongly acted by Lynn Whitfield who becomes a role model. The 'babysitter', whom the children adore and so does Sandy, is smartly employed as the kid's "nanny". The two find a comfortable friendship with each other by this time and Sandy is getting more stable and happy with her life.

Aram has a Sociology degree, although is content working in the coffee shop as he has been hit hard by a relationship also. He married a French woman who used him cruelly to gain a 'Green Card' for citizenship, then left him. He won't divorce her or she would not be able to stay in America. He lives with his parents, the Finkelstein's (Art Garfunkel acting the part of the father in an uniquely comedic role). Aram possessing a generous, warm and thoughtful nature that you cannot help but love.

One of Sandy's friends begins urging her to go on a blind date with a Chiropractor (John Schneider) as Sandy really doesn't want any part of it. Although she finally relents and leaves the kiddos with Aram to go out with him. As far as blind dates go, this one takes the cake as Schneider is a complete fool and Sandy's responses to him are equally funny. When she returns to the apartment after the date from hell, Aram is there for her after she downs a partial glass of vodka. The two begin talking and as one thing can lead to another the friendship shifts into an 'intimate' realm.

As usual with these types of movies, there is a plot twist, and this one was a big unexpected one for me. So to go on with a descriptive way of reviewing this would really be a spoiler for anyone interested in seeing this film. You will see some beautiful scenery and further explore the soundtrack that starts with a bang from the beginning, by Jim Black. From Sandy yelling out the song "B****" by Meredith Brooks in her car driving, to Aram singing "Everytime You Go Away" to Sadie so she'll fall asleep.

It is always enjoyable to see Catherine Zeta-Jones in this type of role; strong and vulnerable at the same time. She is one actress that can do this plausibly and add some sharp, dry wit. Justin Bartha has always had the innocent, sweet quality to pull the role of Aram off and bring him to life. The two share an easy rapport and screen chemistry. A great movie just in time for Valentine's Day.

Buy The Rebound (2012) Now

Forty-year-old Sandy (played by a radiant, 41-year-old Catherine Zeta-Jones, Traffic, Chicago, The Mask of Zorro) has been a stay-at-home mother the past ten years. Her husband is a domineering man whom she's never found the courage to confront. Not even when she discovers he's been cheating on her in her own home. Instead, she simply walks out with her eight-year-old daughter (Kelly Gould) and her six-year-old son (Andrew Cherry), moving from the suburbs of metropolitan New York City into the City itself. Her obsessive hobby of compiling and charting sports statistics lands her a job at a sports broadcasting station, and further good luck leads her to an very nice apartment over a coffee shop where she meets 25-year-old Aram Finklestein (played by then 30-year-old Justin Bartha, National Treasure, The Hangover), a barista at the coffee shop.

College-educated Aram has had multiple chances for employment as a highly paid office "suit" in the City, but he's opted instead to live with his parents and work at a menial job while he searches for something more meaningful to do with his life. After Sandy runs into Aram at a full-contact, self-defense class at a local woman's center, where Aram has hilariously volunteered to be the human punching bag for outraged women who've been ill-used by men, Sandy asks him to babysit her children. This one-time favor leads to his becoming her full-time nanny, and ultimately to the two of them embarking on a May-December romance.

Academy Award-winner Zeta-Jones is a brilliant dramatic actress who is equally talented at comedy. As a big fan of romantic comedy in particular, I enjoyed her very much in America's Sweethearts and Intolerable Cruelty (though the movies themselves were not among my favorites), and I was delighted to learn she had made this film. She does a very believable job playing the downtrodden Sandy. If we had entered Sandy's life before the inciting incident of her husband's cheating, we would very likely have found her a very boring person living a passive existence. However, Sandy is anything but passive during the course of this movie. Zeta-Jones convincingly portrays Sandy's extremely interesting journey from a woman made timid by low self-esteem to one who is confident in herself both personally and professionally.

Zeta-Jones also has excellent chemistry with her romantic lead, Aram (Bartha). Aram and Sandy are both struggling with similar life issues, including a painful divorce from a betraying spouse, being taken advantage of and pushed around due to a sweet, yielding disposition, and struggling to find themselves as they face a major crossroads in their lives. Aram is the kind of guy every divorced woman with kids dreams about, intelligent, thoughtful, fun to be with, great with kids, an excellent cook, and a sensitive lover.

He sounds like a saint, doesn't he? And saints are supposed to be dull characters, or so we are told. But truly he is not. Sandy is equally nice, and the audience is rooting for her to choose kind, decent Aram, whom she deserves and wants, rather than the jerky, age-appropriate men her friends urge her to date instead of Aram in order to avoid a sexist social stigma that men don't have to worry about.

I had never seen Bartha's work before viewing this movie, having missed the films he is most known for. I was very impressed with his acting, and I will certainly be on the lookout for him in the future.

Unlike several recent romantic comedies I've watched with a huge amount of--to me gratuitous--nudity (No Strings Attached, Friends With Benefits, Love & Other Drugs), there is no nudity in this movie! Yes, there is some swearing, but I'll take that any day over endless rounds of naked bed romping.

As any romantic comedy worthy of the name should, this movie has many humorous moments, but importantly, it is quite poignant as well. It is a cliche to say, "I laughed, I cried," when reviewing a movie, but the truth is, I did, and I think that's a very good thing. I believe that this is what any romantic comedy of merit attempts to achieve for its audience.

All in all, this film is a keeper in a special place of favor on my romantic-comedy shelf!

Read Best Reviews of The Rebound (2012) Here

Just loved it. Not your typical cheesy totally made-up romance story, but a honest and realistic one. The movie will make you feel that love do exist and it has nothing to do with age. Love is just love even though sometimes it might take a while for people to realize it, but at the end, true love will shine. The movie put a smile on my face, and I am sure it will do the same for you. So enjoy.

Want The Rebound (2012) Discount?

This is Michael's wife. I loved this Movie!! I loved Justin Bartha as a romantic lead and hope he does many more romantic comedys. I have to admit the first time I watched it I had to fast forward through some scenes. The "F" word is mentioned some. Not sure how many times because I muted through them (and it starts right from the beginning) The movie in my oppinion had some unnecessary crudeness for my taste but.... the romance in the movie is so good it left you wanting so much more and way out shined the language and crudeness) The chemistry between Catherine Zeta Jones and Justin Bartha just worked so wonderfully. I have watched this movie 3 times already this week and want to watch it again. You fall so in love with Aram's character. It's so rare to see a guy so faithfully devoted to his true love these days. His character made the movie. Catherine Zeta Jones did an outstanding job as well. The kids were funny too. The bowling scene was one of my favorites. For couples or women that are looking for something to do on a weekend or afternoon by themselves this is the perfect romance movie. (as long as you can handle the crudeness factor and a little language.)I still give it 5 stars because it left me wanting more.... More romance...more Aram.

Save 29% Off

Friday, January 17, 2014

Witchfinder General

Witchfinder GeneralEvery lover of film has had a pivotal film experience, the movie that made such an impact on them that they have never forgotten it. For me WITCHFINDER GENERAL is that film. I first saw it in 1969 as THE CONQUERER WORM (AIP's American release title designed to cash in on the Vincent Price/Edgar Allan Poe series although the movie has nothing to do with Poe). I was 17 years old, just about to complete my junior year of high school in Greenville SC, and was a big fan of the Roger Corman/Vincent Price Poe series. I had seen very few films that would not qualify as G rated. The ratings system had just been introduced the year before and this film was rated M (for mature audiences, later GP then PG). It was a complete shock to the system in every way. It was the first time I had seen nudity/lovemaking before and the violence was painful and ugly. Vincent Price was cold and hard without a trace of his usual mannerisms and therefore not sympathetic in the least. To top it all off there was no happy ending and people were worse off than they were before. Of course these things had been in films since the silent era but it was the first time I had seen them and we always remember our firsts.

I have seen just about everything in the movies since then but seeing WITCHFINDER nearly 40 years later I'm amazed at how well it holds up. I am happy to report that after years of substandard VHS and Region 2 DVD editions this version features the original director's cut and restores the original soundtrack which was not available in America. An added bonus is the commentary which features star Ian Ogilvy that fills in the background of the making of the film. For those who don't know, the film is set during the English Civil War and pits two young lovers against a sadistic Puritan witchfinder. The director, Michael Reeves, died shortly afterwards of an accidental prescription drug overdose at the age of 25. The 5 star rating is purely subjective because of the important part it played in my overall movie development but it's a solid 4 star film anyway.

The Conqueror Worm is a textbook example of a movie's potential prospects as an acknowledged classic being wrecked by the stupidity of critics and the cynical manipulations of a distributor underestimating the intelligence of American viewers. Distributed by AIP in America as "The Conqueror Worm" and purportedly "based on the writing of Edgar Allan Poe", the film got buried by disinterested US critics who incorrectly passed it off as simply another addition to the increasingly tiresome Poe fare being churned out by AIP, Roger Corman and others. The casting of Vincent Price, of course, only strengthened this unfortunate and lazy critical impulse. For this, the distributor is as much to blame as the critics, by consciously pursuing a marketing strategy which implied precisely what critics chose to believe. And by tampering with the film itself to contrive to provide a Poe connection (by adding prologue and epilogue commentary by Vincent Price quoting from Poe's poem) AIP hung its sinking critical reputation around the neck of this great movie. In fact, The Conqueror Worm has nothing to do with Edgar Allan Poe and was not even made by the AIP studio either. And when US critics began hearing European buzz about a great little horror movie called The Witchfinder General by an innovative young Brit director, Michael Reeves, how were they then to know it was the same movie they had so flippantly disregarded? By the time The Witchfinder General was rereviewed as the stand alone original it is, it was too late. The movie's moment had passed amongst the moviegoing mainstream. It is only through its devoted cult following that memory of it and its tragic young director (who died in mysterious circumstances at the age of 25) has deservedly been kept alive. Considered in the context of its time, The Conqueror Worm is a powerful, violent tale of hypocrisy and vengeance. It tells the story of the villainous opportunist Matthew Hopkins and his sidekick, the brutish moron John Stearne, who went from village to village in Cromwellian England torturing, hanging and burning "witches". The movie pulls no punches in its portrayal of the methods used by Hopkins and Stearne to extract confessions and exact punishment, but is also satisfyingly contemptuous in its portrayal of these two psychopaths. In this regard, Reeves manages something even Roger Corman couldn't do: extract a layered, complex and credible performance from the normally corny Vincent Price. This simply has to be one of his best performances ever the one that could've given him consolidated mainstream respectability, but the one that probably the least people actually saw. Ian Ogilvy (TV's The Saint after Roger Moore's stint)is also very good as the tender then vengeful soldier, Richard Marshall. I am of the view that the original reason this film got trumpeted as a horror movie related to the casting of Vincent Price and AIP's cynical business calculations. However, it is indeed a horror movie, just not the kind of horror movie AIP wanted the public to believe. It falls rather despite its gorgeous costume dress and sets into the same category of horror sub genre which deals with studies of pure evil a la Henry: Portrait of a Serial Killer. (In fact, the knowing, murderous collusion and tension between Hopkins and Stearne resembles somewhat the relationship between the calculating Henry and moronic Otis in the later movie.) The Conqueror Worm is also, however, a revenge movie a kind of proto-Death Wish in that the story is driven by Richard Marshall's obsessive quest to avenge the violation and rape of his fiance by both Hopkins and Stearne. The movie looks fantastic, probably the best sense of that period ever captured on film. The shots of Marshall racing his horse through the English countryside under a foreboding evening sky are simply breathtaking. The images are strong and dark as well, contributing to a grave atmosphere of oppression in the air. The opening scenes incorporating a lone townsman preparing a hilltop gallows against a dark sky and an old woman being dragged to her execution are as powerful as anything you'll ever see. The wonderful thing is, the movie never lets up on this opening power. It runs its violent course without dragging and delivers a stunning visual feast of violence and evil. This movie absolutely has to find its way to DVD and soon. And, for once, the audience frustration that builds up in the face of hypocrisy and cruelty, is satifactorily resolved. So, for those of you who are still wound up from having experienced Nicholas Hytner's brilliant version of Arthur Miller's The Crucible, watch this movie to get the closure you need! Highly recommended to serious moviegoers and collectors but also as a great midnight with popcorn movie for couples! At under $12, buy, buy, buy. Or wait for the DVD which will be stunning.

Buy Witchfinder General Now

There's more good news regarding MGM's long awaited September 11 DVD release of WITCHFINDER GENERAL (aka THE CONQUEROR WORM). Producer Philip Waddilove has confirmed to DVD Drive-In that the movie will not only be presented as Michael Reeves' director cut, but will also contain the original music score by Paul Ferris which was removed from all previous home video versions in the U.S. For this DVD, Waddilove has also just recorded an audio commentary along with star Ian Ogilvy, and an additional supplement will be a collection of Waddilove's personal stills, taken on the set. Looks like it's going to be one hell of a release!

Read Best Reviews of Witchfinder General Here

"The Conqueror Worm" is the American title of "Witchfinder General," which was sold -deceitfully -by American International as part of the Edgar Allan Poe cycle (a dubbed-in recitation of Poe's poem "The Conqueror Worm" by Vincent Price is its only connection). While "Conqueror Worm" contains all of the picture elements of the available British version (though the version released to theatres in 1968 was even more graphic in the torture scenes), the superlative music score by Paul Ferris did not make the transition and was replaced by an initially pleasing, but quickly repetitive and inadequate synthesizer theme (in some scenes the music simply runs out, then starts over again like its on a loop). Even so, this grim historical thriller features one of Vincent Price's all time best performances as Matthew Hopkins, a powerful man with no redeeming qualities whatsoever. Price was not so much directed by Michael Reeves as goaded by him (Reeves really wanted Donald Pleasence for the role and was bitter over having Price forced on him by AIP). But Price acquiesced and managed to keep the twinkle out of his eye and his tongue out of his cheek, and the result is ferociously evil. In addition, the settings and costumes are so authentic that you will believe you are really watching the 17th century play out before you.

If only they could have retained the music...

Want Witchfinder General Discount?

... or maybe the best horror western ever. What you make of this will depend on two things. How much you like old British horror and how much you know about the production of this particular film. When you realize that this is the last production of a young talented Director, Michael Reeves, who died (25 accidental overdose) on the path to being one of the all time greatest film directors, and that this is his third, last and best film, you will under its value (as an example of his talent watch the shot in this film of young children cooking potatoes in the ashes of a `witch' that has just been burned). It is a notch above your average late 1960s early 1970s horror films. In fact it is a notch above nearly every British film making it one of the British modern classics.

The story is based on the real life times and crimes of the lawyer and Witchfinder General Mathew Hopkins, who set about destroying alleged witches across England with the full power of the law. This film depicts the various acts of torture and trials conducted on witches making it an extremely important historical document (as a note the Western influence comes from the gallant long countryside horseback riding shots, mobs in the villages and things like gallows being erected in the same vein as the cowboy movies in the USA of that era. It WORKS extremely well!) It is also certainly the best rendition of such grim persecutions to date on the screen (US viewers should think Salem Witch Trials x 100).

There is an interesting plot involving a young soldier whose fiancée's father a priest, is put on trial for witchcraft while the soldier is away. When the soldier returns he vows to track down Hopkins for the crimes he has committed against his wife and father and so the movie is essentially a story of revenge as this soldier chases Hopkins across the countryside passing through villages where Hopkins has been.

Some find this film hard to watch because of this subplot but stick with it because after the first twenty minutes or so the film really takes off. This is also Vincent Price in his best role ever and some would say his best work although the production values are somewhat low (a very restrictive budget with a young director practically making it by himself). Many of the scenes are underexposed, dirty, bad cuts, lots of zooms (a no-no in cinematography these days), daft credits that almost underexpose Hopkins face in the background and other elements of film making associated with tight finances. However ALL of the fight sequences and torture sequences are very well done. In fact some of those scenes had to be cut!

The real gem in this movie though is to know how much it has been through. The director set out to make one of the most violent films ever conceived in the UK. The UK censors immediately cut it to ribbons saying that it would shock the viewers too much. Also the US censors agreed that the violence should be toned down considerably but agreed that the US version could contain different takes with nude women. This led to several versions of the film over the years.

This review refers to the superb DVD version of the film. You can only currently get it on PAL but it contains 2 versions of the films, excellent bonus materials including documentaries, Empire Magazine's Kim Newman provides excellent production notes (best seen on any DVD to date), trailers and biographies. It is dirt cheap. Get it!

Anyway the DVD has 2 versions The Directors Cut (featuring NO nude women and all the restored cuts) and the Export Version (featuring nude women and all the restored cuts). The VHS version is CUT. However this decade one scene was restored that was originally omitted from the screen version of the infamous boot in the eye sequence. So all new VHS versions of the film have this restored... but the DVD has also restored (1) A priest being tortured, (2) A women being slapped, (3)An extended version of the river dunking, (4)A witch missing her eye being tied up and burnt alive, (5)A woman being tortured and (6) the notorious axing sequence. Unfortunately these cut scenes had to be restored from a poor quality tape recording in the Director's own personal collection, so these cut scenes look very different from the quality of the actual film however this is only a minor point given that the film is over 30 years old and was made on a shoe-string budget. The fact that we get to see these cuts at all on a DVD in SUBLIME for fans!

So for the first time ever The Fully Restored Witchfinder General as it was meant to be seen is now available!

CLASSIC!