Ong-Bak: The Thai Warrior (2003)

You like Jackie Chan films? Or remember Bruce Lee? If so, don't miss this one from Thailand, where the film industry is thriving more than ever. And remember the name of Tony Jaa, stunt-turned-actor (incidentally, he was a stunt in the second 'Mortal Kombat' film, and his then co-worker was Ray Park, 'X-Men') Jaa's martial arts skills based on Muay Thai (Thai-style fighting) are simply astonishing.

[NO STUNTS, NO CGIs] Strangely titled film 'Ong-bak: Thai Warrior' is, as the title says, an exciting Thai actioner starring Tony Jaa (real name Panom Yeerum), who plays the hero Ting living in an apparently sleepy country in Thailand. Not exactly, you soon see. In this interesting opening scene, you see these scantily dressed guys climing up one big tree, and during the fighting, they fall one by one onto the ground. This is actually a kind of festival, or ritual, of the hero's village, but what you should realize is, the film uses NO CGIs, NO WIRES ATTACHED.

[FORGET THE STORY] Story? Need one? OK, Tony Jaa's hero has to track down the theives who cut off and stole the head of the sacred statue in his village. With this mission, he goes to town, where he meets one middle-aged man George, and his friend (perhaps girlfriend) Muay. Before you know it, they all got in troubles for the thugs start attack them.

[ACTIONS] Then, actions begin, which are simply eye-poping. One example: in the cat-and-mouse chase scene in the market, running away from the bad guys, Tony Jarr jumps over the tables, stalls, and cars (!) with Jackie's comic timing. And look how he slides into UNDER an RV! To add to them, he leaps through a ring of barbed wires (real ones, I suppose), and comes out unharmed, never stopping a moment!

Himself a Muay Thai fighter, Tony Jaa (or his character) joins in several illegal boxing bouts. You might say you have seen this kind of bloody, bone-crunching fight sequences in the past. Not Tony Jaa's high-kicking that strikes the opponent at the speed of lightening. This sounds like cliche, I know, but it is true, his agile movement reminds me of the deadly power of Bruce Lee and the ultra-fast speed of Jet Li.

And that's not the end, for Jaa does many, many other actions, which I refuse to write about here, for you should see them for yourself in theatres. Again, I say, Tony Jaa uses no stunts, no special effects or no strings. Of course, he will not win the Oscar for acting the hero of this film, but when he can fight like Lee, Chan, and Li, who cares?

My advice: 'Ong-bak' is a must for any fans who love action films. Watch it, and be surprised.

I saw this movie recently at the Acadamy Theater in Pasadena, California. I was feeling a little under the weather. There were about 20 other somber people in the theater, including my five year-old daughter who I brought with me despite my concerns about the R rating.

Suffice it to say that about thirty minutes into the movie the entire audience was visibly activated and energized by this stone-cold classic-for-eternity. My health had suddenly returned, I was pumped up on massive doses of epinephrine. Folks, this movie succeeeds on every level. I'm not a huge martial arts expert like many of the reviewers, but I was a kid in the late 60's when Bruce Lee (and Jimi Hendrix) ruled the world, and rightly so. This is the only fighting movie which I've seen since which even comes close to one of the better Bruce Lee movies. I will even contend, with some reservation, that it surpasses the Bruce Lee classics: there is humour, dramatic and sophisticated tuk-tuk chase scenes, foot-chase scenes, splendidly convincing archeological sights, and obviously, absolutely SAVAGE multiple fight scenes where good defeats evil with satisfying Dirty Harry righteousness. The fight scenes in this movie are certified artistic masterpieces and deserve their own special place at the Smithsonian. And, even the soundtrack is good, with a pulsating techno-style music that really builds the tension. This movie delivers the goods.

Having been to Thailand several times and loving that country, I was very happy that this movie pays such a fitting tribute to their culture, the Thai kickboxing sport as well as the gentle and happy demeanor of the Thai people.

I should mention that by the end of the movie I had nothing but pleasure in having had my daughter watch the movie and share this unique experience. Goodness prevails over evil. Bad guys die a deserved death. Disciplined boy saves his village through courage, honor, persistence and skill. Wayward soul (Ting's cousin who has gambling debts and other character...flaws) is reminded of his roots through observing the integrity of his friend, and he finds spiritual redemption through his efforts at becoming a good guy once again.Boy returns to village having honored his family and completed the mission...I'm afraid Sesame Street could not teach a better lesson about life and its struggles.

This movie will almost certainly become more famous as time goes on and people outside of the martial arts community learn about it. I left the theater stunned and enthralled. Just awesome.

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From a small Thai village the statue of the revered deity Ong Bak is vandalized ... his head is stolen. The film shows how the eight moves of Muay Thai are executed by Ting, the best maritial arts fighter in the village who is sent to the city to find and return this sacred object. The local priest admonishes Ting to use only peaceful means because the moves can be deadly. Ting is given money and valuables by the villagers who aresimple and poor but faithful he will succeed ... He is advised to seek the help of a cousin, who lives in the city. Ting finds his cousin who is less than enthusiastic to receive a visitor from his village. The cousin is ashamed of his village roots, he has taken on an American name and has a girlfriend whom he likes to impress that he is "cool" ... unfortunately, he also has a gambling habit that has gotten him into deep debt with the underworld bosses.

After the cousin stole Ting's money and gambled it away, Ting ends up fighting goons sent by the local gangster to put fear into his cousin, essentially pay up or risk permanent injury. Ting's fighting prowess impresses his cousin who gets the idea to have him fight at a local arena against the best fighters where betting takes place. The cousin is certain he will recoup his losses ...Ting agrees on the condition afterwards his cousin will help find Ong Bak. While the story line is basic, the fighting scenes captivate and capture the viewer's attention and hold it throughout the film.

The scenes where Tony Jaa jumps over several produce carts during a chase in the city while knives are thrown at him is astonishing. Another phenomenal scene involves a huge number of three wheeled taxis which are driven by Ting's would-be captors as he fights them off while he is riding in a moving taxi. When they come to the end of the freeway there is an unexpected drop off ... like the edge of a cliff, the freeway is under constructed and incomplete. There is an explosive ending related to the capture of the gangster boss and the *surprise* location of an unprecedented number of Buddha heads which were stolen. This DVD has great extra features, such as a live performance of martial arts by Tony Jaa on stage in Paris during the opening of his film. It also has a rap music video which incorporates phenomenal martial arts performed by Tony Jaa. Some behind the scenes footage features the creation of specific stunts within the film. Erika Borsos [pepper flower]

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This one is well worth catching at the big screen if it happens to be playing close by, the action is very well done. If you like Jackie Chan, Bruce Lee or Jet Li, than this action adventure flick with plenty of fighting scenes will not disappoint. The lead character, a young man named Ting, has to leave his village and go to Bangkok to try and track down a religious relic stolen from his village, when he gets there, he, as we might expect, gets more than he had bargained for running into a criminal gang.

While the production was behind our modern standards here in the states, and certainly wasn't as refined as movies like Hidden Dragon or other modern Jackie Chan flicks, it easily competes with early Kung Fu movies and is on the same level as earlier Chan flicks that were done in China.

The athletic abilities and grace demonstrated by the lead were very skilled, and while some of the action sequences were obviously influenced by some of Chan's work, including inventive use of props and adding some humor to action, there was a lot here that was original in its form, at least to my eyes, and I think there is a big future, perhaps in American films, for the star.

My five star rating is based upon its place in this catagory of film, some of the acting is a bit cheesy, and being subtitled hurts a bit, however, in this genre it's easily a five star flick and I highly recommend it to fans of marital arts movies.

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It may be uncut, but the 20th century fox version has much better picture quality and good subtitles too. The only thing you are missing out on is a couple mroe parts in the village. It is just not needed. If the story was actually good, it might matter. But the reason to watch this is the stunts. The fights are some of the hardest hitting stuff you will ever get but Tony Jaa's stunt work is second to none. If you are a fan of watching great action movies, check this out casue it is the best one that has come out in a while.

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Don Giovanni (1979)

This is possibly the most beautiful opera video ever produced. It was not filmed on stage, but on location in Vicenza, Italy, with absolutely stunning setting. It features excellent performances, including Ruggero Raimondi (the perfect Don) and Kiri Te Kanawa (the perfect Donna Elvira). Of the 5 or 6 greatest operas ever written (all Mozart's, in my opinion), some say Don Giovanni stands out as the most perfect achievement. Whatever your opinion may be, by getting this video you will be getting the very finest rendition of this masterwork I have ever seen. It is sung in the original Italian, with English subtitles. Incidentally, one reviewer complained of the poor quality of the sound. This is unfortunately true (shame on Kultur Videos!) but don't let this stop you from purchasing this excellent video you won't regret it.

This is a "movie opera", and I am not a fan of them, because I find some of the passion is filtered out when the singing is separated from the acting, and though this film is well done, it has a lot of that "lip-synch" look, which dims the dramatic impact. I would rather watch a filmed live performance, with less gloss, and more feeling.

The lavish production is stunning to look at, with great art direction (by Alexandre Tauner) and cinematography (by Gerry Fischer), a very attractive cast, and of course, Mozart's score, which I think is his most sublime masterpiece.

The singers are excellent: Kiri Te Kanawa as Donna Elvira, and Edda Moser as Donna Anna really shine above all, both so lovely and graceful, and vocally wonderful. Moser especially manages to be emotionally expressive. Ruggero Raimondi is a fine Don Giovanni, Jose Van Dam a rather elegent Leporello, with John Macurdy as Il Commendatore, Kenneth Riegel as Ottavio, Teresa Berganza as Zerlina, and Malcolm King as Masetto rounding out the cast well.

The sound: The volume fluctuates depending on where the singer is placed in the scene, fading out as they walk away for instance, which is dramatically appropriate, but a musical disaster. There is a quartet that is bizarre in its balance, since two of the singers are in the background. Lorin Maazel conducts the Paris Opera, which in this, and other recordings I have heard, does not have the richest and fullest sound in the world, and may be adding to the problems.

The Don's demise however, starting with the Commendatore's "Don Giovanni a cenar teco" is marvelous, and despite the camera inexplicably lingering on the servant boy instead of the action at times, it is a riveting scene, with some of the most superb music ever written.

Though well worth viewing, I would put this film into the "rent not buy" category, unless one is an inveterate opera collector.

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Joseph Losey's Don Giovanni is masterful. The opening scenes resonate perfectly with the music. The gathering clouds slowly darkening the sky and the melancholy sea beating against the shoreline foretell of a sea-change. Bad days are ahead for the Don. Ruggero Raimondi is the perfect Don Giovanni totally believable and true to Mozart's characterization. The location shots add a dimension to Opera that take this production to another level. Losey makes sure the music is always in sync with the action. When Don Ottario is singing in the Gondolla, for instance, the oarsman is keeping perfect time with the music which, esthetically, is a major improvement over what is normally a dry section of the Opera. Another interesting touch that Losey gives to this production is the character, played by Eric Adjani, called the "Silent Valet." A sly mephistophelean presence that provides an excellent counterpoint to the levity of José van Dam's Leporello. Though he never speaks, his demeanor encourages the Don's baser instincts (one might even argue that he is an image of the younger Giovanni). Losey is masterful in creating visual images that give the story more depth. There is a scene in particular, in which Giovanni watches a nude girl bathing. While she is unaware of his presence the scene is a combination of innocence and sensuality. When she does become aware of the intrusion, Giovanni gives her his penetrating stare, which she returns with a look that is knowing and somehow sad. There has indeed been a sea change and the Don is travelling inevitably down a road that will lead to his demise.

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I have a very personal relation to that production. Being a teenage vandal I used to record heavy metal music over the operatic masterpieces on Decca's cassettes there was a shortage of a quality tape in Russia these days.

One day in was Don Giovanni soundtrack's turn to fall victim my friend's Black Sabbath album yearned to be duplicated. I was in a strange mood so I just turned on the opera to make things worse for me the usual teenage masochism.

The sounds streaming from Hi-Fi made me listen till the end. Then I pushed the rewind and listened once more. Got hold of the film next day. Yesterday was a day of my 100th viewing give or take a couple times.

Since then I've seen a lot, but Losey's film is still my favourite. The movie is a perfect introduction to the world of opera.

It takes care of many preconceptions that prevent lots of people from enjoying the genre.

The casting is perfect. Many of us have a problem with separating a voice and a body. Young lovely virgin sung by colossal diva does not look veritable. Wrinkled and potbellied owner of the divine tenor voice makes us wish for a younger and leaner replacement for the romantic lover's part. How to solve that?

The sensous lips of deliciously breasted Sophie Lourent were opening to the voice of Renata Tebaldi in Aida's production but the result is pure kitsch.

Enter the Losey's masterpiece. Everyone is perfectly cast. Ruggero Raimondi makes you care for the character, despise the lecher and respect the brave man who challenges Fate. He contributes his eyes to the best closeups in opera films, his non-athletic body to the bathtub scene, when the fluffy clothes are shod and we see that sagging flesh the striking visual commentary on the nature of sin.

Kiri Te Kanawa is passionately unrestrained, she stalks the monster, warns the potential victims...and loves him till the final pyrotechnics. I suspect well after that too.

Donna Anna cradles her purity so fervently that you begin to suspect that such fervor is meant to fight the temptation that is equally strong.

Don Ottavio is corpulent and not very brave his self-inflammatory singing warms him up for the task ahead. And he looks funny when informed that after all these trials the physical consumation of his love is postponed for a whole year!

The rest of the singers are also the perfect match except maybe Theresa Berganza's Zerlina, who is lamely coquettish and unconvincing.

The production was filmed in Vicenza, the villas, the canals and gardens combine in a world of beauty. And very laconical, truly classic beauty that is. No dusty curtains of theater just marble, sky and greenery.

That production is terribly underrated, it does not occupy the place it deserves the DVD is a must, but there is still no disc, while a host of mediocre opera films has already got their tickets to eternity.

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I truly wanted to enjoy this Don Giovanni. Unfortunately, not enough advantage is taken of the film medium (for example, the entire "Mille torbidi pensieri" section of "Sola, sola in buio loco" is done in a single shot, with all the actors standing in a line, providing no advantage over a staged production). The sound, as it has been said before, is quite terrible, but what I simply cannot force myself to overlook is the character interpretation.

Raimondi is a decent enough Don Giovanni, being sinister, shameless, and coldly proper. Unfortunately, Don Giovanni is not the only character in the opera. If he were, this would be a pretty good movie. Much of our view of Don Giovanni's character has to do with his servant. Typically, Leporello is unwisely played as a complete doofus. In this case, Leporello is the opposite, if just as bad--almost completely devoid of personality, which is nothing short of a wonder, considering both the music and the text given to the character. I never knew that "Ah, pieta, signori miei" could be sung almost completely lifelessly. He looks somewhat unconcerned when his life is threatened in "Sola, sola in buio loco," and, far from being afraid of his master, seems quite indignant when Don Giovanni tries to blame him for the attack on Zerlina. The amount of propriety he displays would work for a more typical servant role, but Leporello is not a typical servant role, being both our access to the story and our contact with reality, and most of the comedy in the opera, to boot. I was severely disappointed in this case. I wanted the wit and sarcasm of Leporello to have more than a cameo appearance. I wanted him to have a little humor to him, maybe even the capacity for a smile. I wanted him to actually make sense.

Kiri Te Kanawa is a wonderful singer, but she seems to have a similar problem to Jose van Dam's in her Donna Elvira. She is angry, but there isn't exactly a personality to go with her anger. She reacts to the situations and the text, but without any great thought to why her character reacts this way. I found it very odd, actually, that she's singing "God protect my trusting heart" with a joyous smile. Her "Mi tradi" is slow, frustratingly lyrical, and altogether unsatisfying, but that is truly the fault of the conductor.

The filming of Masetto's "Ho capito, signor si" is a little silly. He is standing outside the house into which Don Giovanni and Zerlina have disappeared as he sings to them, which works until he sings, "Vengo, vengo" ("I'm coming, I'm coming"). This line is meant to be sung to Leporello, who is urging him to come away to Don Giovanni's palace. When Masetto sings this to the air, it doesn't make sense. Unfortunately, this sort of disregard for the text occurs throughout the opera. For example, Leporello imitates the footsteps of the statue without having actually heard them--he only sees a brief, ghostly visage of the statue, which quickly fades in and out, but never walks at all.

The rest of the cast is made up of gorgeous voices. I could have closed my eyes and been quite happy, but watching them is quite boring. The only one that shows a real glimmer is Zerlina (thank God for Teresa Bergonza), who very much seems to enjoy tormenting Masetto during "Batti, batti."

I did like the way the Catalogue Aria was filmed, if not the way it was sung. It is visually interesting for various servants to pull out enormous volumes and spread their single lengthy page far, far across what appears to be Don Giovanni's front lawn, down into the nearby village. It's over-the-top, but appropriately so. I also like that Donna Anna is not the first to see her father dead--that the Commendatore is killed in the middle of a street, and people are gathering and some servants are even lifting the body onto a stretcher when Donna Anna and Don Ottavio see the scene. I was quite happy that Don Giovanni and Leporello are literally shouting in each others' faces at the end of "Eh via, buffone," even if Leporello appears more stuck-up than angry.

One scene which made me excited for a brief moment was the Act I finale, just as we are entering the "Tremor, tremor, scellerato!" section. Don Giovanni seizes Leporello and pushes him through the crowd, and the Anti-Giovanni Wheel follows them. "Ah! Camera movement!" I thought excitedly. "They're taking advantage of the action in the music!" It was short-lived. The Don and his servant quickly reach a point where they stop and keep singing while everyone else stands some distance away. This is what I mean when I say this movie does not take advantage of the film medium.

There are definitely better Don Giovannis on DVD, including even the all-right von Karajan production with Samuel Ramey. Far superior is the Met production of 2000 with Bryn Terfel, Renee Fleming, and Ferruccio Furlanetto, which I have reviewed on Amazon. While no specific production will please everybody, some come closer than others, and regrettably, this one does not even come close for me.

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Hood To Coast Special Edition Blu-ray (2011)

Watched in a theater 6 months ago, and could not wait to get a copy the documentary is so great, and it's finally available for purchase! It captures the spirit of the race, as well as spirit of people who do this wonderfuly crazy run... You won't regret the purchase.

As a runner who runs for the mental and physical benefits of the sport this documentary spoke to me. It embodies the true emotion and the joy of running while still showing a team that just did the race to say they did, although they were so not prepared it was comical to them and the audience. A wonderfully done movie and I believe runner and non-runners alike could take something away from watching it.

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I could watch this movie over and over....and never get bored with it. Even the music gets my heart pumping. After seeing it in theater, I couldn't wait to finally own a copy. The first few seconds of the movie is one of my favorite parts. I won't spoil it for those who haven't seen it yet, but I will say this, "WHOA!". Most of us have probably felt that way during a race at some point. I am the road kill they speak of so frequently throughout the movie.

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I LOVE this movie!! This year the HTC celebrated it's 30th year, my husband Tim and I were fortunate enough to have the opportunity to run it this year for the first time. I was so nervous that I wouldn't be able to do it, until I watched this movie. It was inspiring.The teams that were picked for this were perfect! I actually was crying the first time I watched it (I was at home alone with our cat) and my husband thought I was nuts crying about a running movie. Well, after he watched the movie he felt a little different.The relay was one of best things that we have ever done. Being able to do it together made it even more memorable for us.Totally looking forward to doing it next year.Team Heart n Soul were amazing! I was lucky enough to be able to meet Kathy at the Safeway this year, and I got my picture with her. Those ladies assured me that if they could do it, I could do it!! We also loved Team Thunder and Liakaning (sp?). The theory "If you can run 3 miles, you can run 10miles." Is priceless. Whether you are a runner or not, this movie is for everyone!

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This presentation of an independently produced/directed documentary chronicling the trials and triumphs of four teams competing in the annual Oregon-based Hood to Coast event features an excellent transfer of the film with care paid to sound, picture quality and index/access points. The second disc contains extras that are not 'fluffs' but substantial supplements that will enhance the overall viewing experience, whether the viewer is a runner or not. The overall level of presentation, packaging and content is substantially better than the usual offerings from the major studios (shame on them!), and definitely worth the reasonable price. I bought two copies!

Yi Yi (The Criterion Collection) (2000)

Once in a while you walk out of the theatre and you find yourself giving a big sigh. When that happens, it's not because you're tired about a movie you just have seen. On the contrary. In my case it means that I just experienced an artform that cannot be compared with any other kind of art. Yi Yi is a good example of this. For those who watch carefully, they will discover that the story of Yi Yi is not more than a saga, perhaps even a soap plot of a ordinary middle class family in Taipei. But those who have patience to go beyond the facade of the ordinary, they will see a movie dealing about individualism, childhood, commitments, second chances, urban loneliness, broken promises, families, despair and death. But Yi Yi also shows us the small qualities of life: humour, laugther, life questions posed by a diligent and intelligent young kid, first love, courage, the meaning of life and the search for happiness. But Yi Yi is told without the explosivity of American Beauty. Instead, we witness (instead of watching passively) most of the narrative through windows and doors. Just as we're the neighbours of the protagonists of this film. Sometimes we will find ourselves shedding a tear. Sometimes we laugh. And that, my friend, is the reality of life. Shame that this one was overlooked by the Academy Award Association. Crouching Tiger, Hidden Dragon couldn't be a match to this one.

Cinema doesn't get any better than this. If you haven't seen this film then don't hesitate buy the DVD right now, and play it when you're most in need of inspiration it will dispel any doubts you might harbour about the power of film, the worth of art. The ability of Edward Yang to fuse imagination with, it must be assumed, an amazing honesty in reflecting upon his own life, to share what he holds most dear, and what evokes the most wonder, is something we, as an audience, can only marvel at and give thanks for. To say that 'Yi-Yi' inhabits the points of view of a child, an adolescent, an adult, a parent, a matriarch, the points of view of both male and female, that of the earnest, the honest, the ironic and idealistic, is to say that it truly touches upon life's richness. At one point in the film a character comments that films allow us to live life three times over, that's to say, they show us three times as much life as we could live by ourselves most films give lie to this optimism, but 'Yi-Yi' itself makes such a statemest seem miserly. One of the best films I've ever seen.

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"Crouching Tiger Hidden Dragon" has been getting all the attention with its high-flying kung-fu action, but "Yi Yi" may very well be the best movie to come out of Taiwan in 2000.

This movie reminded me a lot of Wong Kar-Wai movies (with the exception of "In the Mood for Love", "Yi Yi" is probably the most beautifully filmed movie I saw in the past year) but unlike Wong's movies which often place more emphasis on style than stories, "Yi Yi" has more accessible plot lines -half a dozen of them, in fact. It starts at a wedding and ends at a funeral, and packed in the middle is a story of a Taipei family, each reacting to different crises in their lives.

Clocking at almost 3 hours, you may find this movie a bit long and slow at times, but I absolutely loved every minute of this movie, because all the stories are told with such patience and subtlety. Edward Yang (the director/writer) also does a wonderful job with character development, and while you may struggle to figure out who's who in the beginning of the movie, you will no doubt get to know and care about each member of the troubled Jiang family by the end of the movie.

"Yi Yi" will make you cry and it will make you laugh. But most of all, it will make you glad that you didn't miss out on this gem of a movie.

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OVERVIEW & STORY:

This review is intended to be part critical analysis and part celebratory love letter to a film that's a genuine modern masterpiece of cinema. Writer/Director Edward Yang's Yi Yi is as close to a "perfect" film as I've seen; warm, funny, humane, poignant, beautiful, evocative, and expertly crafted in every sense of the word.

For those who don't know, Edward Yang is a part of the New Wave of Taiwanese Cinema, along with other acclaimed directors like Hou Hsiao-hsien and Tsai Ming-Liang. These directors all share some similarities; One is a consistent use of precise framing and static long takes. This technique might be most famously utilized by legendary Japanese director Yasujiro Ozu. The comparison is even more apt than that as all of these directors applied their technique to subjects dealing with people in changing societies. Their films perfectly capture the zeitgeist and work equally well as social commentary, historical documents, and film-art.

At its simplest, Yi Yi is a portrait of a middle-class family in Taipei dealing with (as one reviewer stated) "romantic, economic and spiritual upheaval." But if the idea itself is simple and mundane, its execution is complex and incredibly rich. To even attempt a plot summary is difficult, though I will try.

The film opens with the marriage of Ah-Di to a pregnant Hsiao-Yen. This is interrupted by Yun-Yun, Ah-Di's ex girlfriend and current business partner. Ah-Di's brother-in-law is NJ, the central character, if indeed you can apply that title to any here a loving father and husband caught in a crossroads in his life; at his work when he is coaxed into befriending a possible business partner in Mr. Ota, and personally when he runs into his first love, Sherry, at Ah-Di's wedding. NJ's wife, Min-Min, is caught up in a spiritual crisis when after the wedding an accident sends her mother to the hospital, and eventually home with the family to take care of. This accident is even more distressing to Ting-Ting NJ's and Men-Men's teenage daughter who feels the accident is her fault for forgetting to take out the garbage. Ting-Ting becomes quick friends with the neighbor girl, Li-Li, whose family is having problems of their own, and whose boyfriend, Fatty, becomes a source of contention between the two girls. Finally, there's little Yang-Yang, NJ and Men-Men's young son, who provides a great deal of the humor and profundity throughout the film with his imagination and child-like honesty.

REVIEW:

If the above plot synopsis sounds convoluted and unwieldy, then place the blame on my summary instead of Yang's film. If I had to choose one aspect of this film which succeeds above the others it would be Yang's handling and crafting of the narrative which is so adept that the film never makes one feel it's as complex as it actually is. Though the film is constantly shifting between characters and storylines, the transitions appear seamless. Part of this can be attributed to the editing, which is smooth and extremely unobtrusive, and part of it is due to the aesthetic and emotional flow which perfectly connects scenes and characters together like a fine silk.

When looking at the narrative and characters as a whole it's difficult to find any negatives. Yi Yi is one of the greatest films I know of about ordinary people. It's not just the fact that Yang refuses to hype the characters or their reality, but it's the breadth and depth that's given to both in all the superficial simplicity. One review of Ozu's legendary Tokyo Story mentioned that it was "a film that encompasses so much of the viewer's life, that you are convinced that you have been in the presence of someone who you knew very well." and the same could be applied to Yi Yi. By the end, we get to know these characters almost as real people instead of fictional creations. The same could be said of the narrative which, despite the difference in societies and cultures features characters dealing with problems that plague us all; whether it's NJ's frustration with his failing job, or his nostalgic attempt to recapture a piece of his life that faded long ago, or Men-Men's frustration with her dull, repetitive everyday life that compels her to seek out spiritual fulfillment. Even the children are easy to relate to, with Ting-Ting decision of whether or not to sleep with Fatty for the first time, or Yang Yang's ability to capture a piece of childish imagination and innocence lost to us all. If I had to find a single flaw it might be that the Ah-Di, Hsiao-Yen, Yun-Yun storyline isn't as compelling when compared with the others. It's by no means "bad", but its weakness perhaps lies in the fact that they are the least developed characters in the lot.

Beyond the narrative and characters Yang's themes are as rich as anything else in the film. On the simplest level Yi Yi works to reveal the effect of society on modern people and families and vice versa. However, Yang is less insistent on the import of his themes compared to the likes of Hou Hsiao-hsien. If Hou's films actively explore the state of Taiwanese society, then Yi Yi seeks only to observe, but not comment too deeply. It's this lack of force that prevents the criticism of pretentiousness from ever applying to the film.

Yi Yi is also a film of wonderful moments and scenes. One such scene is of Yang-Yang in AV class, watching the girl he's infatuated with as thunder and lightning play on the screen behind her with the apt subject of "two opposing forces coming together". Another is the masterful montage of Ting-Ting's date with Fatty, paralleled by the dialogue and scene of NJ and Sherry's `reunion'. Yet another features NJ and Mr. Ota discussing their love for music. Other moments are so small they might go unnoticed, such as the simple shot of Ting-Ting entering her grandma's bedroom and grasping her hand, or the musical montage of a vision of Tokyo. But I'd be remiss if I didn't mention Yang-Yang's closing monologue. It's a scene so poignant and so perfect that it has instantly become one of my absolute favorites. In a film full of superb scenes it's a testament to Edward Yang's greatness that he was able to close on the most cathartic of all.

The acting is consistently superb. Even though Nien-Jen Wu (NJ) is perhaps the most accomplished, it's hard to find a weak spot in the cast. Issea Ogata (Mr. Ota) steals most every scene he's in with his exuberance. Elaine Jin (Min-Min) has a couple of tough, extended, emotional monologues and without the aid of editing she pulls them off marvelously and believably in a single take. Kelly Lee (Ting-Ting) brings a sense of subdued emotional subtlety that's indicative of skill far beyond her years. Jonathan Chang (Yang-Yang) practically steals the whole film with the straight-forward honesty he brings to the role of Yang-Yang. He's not adorable in the horribly fake, classic "precocious child" manner, but in a way that's much more truthful to the spirit and purity of childhood.

Yang's direction is masterful and quietly understated. He rarely attempts to draw attention to the camera, and it would be easy for the wealth of incredible shots to go unnoticed. One particularly unique technique is Yang's use of reflective surfaces. This has a remarkable effect of expanding the audience's field of vision, so often we're not only able to follow the story, but get a feel for the environment that's such a crucial aspect of any film. Other times it serves as a source of economy, allowing Yang to capture a scene with as little movement as possible. Beyond the mere shots, the editing is phenomenal. Yang expertly utilizes transitional devices to weave the diverging strands of his complex narrative together. One perfect example is the AV room "storm" film with Yang-Yang transitioning to Ting-Ting caught in a real storm. While devices like this may seem banal, it's the fact that they're never pronounced in a pretentious manner that allows them to serve the film and narrative rather than distract from it. One particularly brilliant narrative device is the comatose grandmother, which after being prompted by the doctors to talk to her the family takes turns revealing their innermost secrets and fears to her and the audience as well. Yang also puts a lot of trust in his actors by liberally utilizing long takes, such as NJ and Sherry's hotel meeting. Finally, Yang presents most of the film in a very patient manner. While he doesn't maintain as much narrative perspective distance from events as some of his contemporaries, he does often use a somewhat voyeuristic style that observes but doesn't attempt to actively involve. This often has the effect of capturing the environment which can speak as powerfully about a scene as what's happening in the story. Two obvious examples are Ting-Ting and Fatty's meeting at night near the road, and NJ and Sherry's meeting in the park. Yang's overall visual aesthetic of one of calm, meditative, and patient observance; certainly the opposite aesthetic of the common, modern ADD riddled Hollywood.

One final remarkable accomplishment I'll mention is how despite the near 3 hour runtime it almost feels too short. There are very few lengthy films I know of that have ever pulled of that trick; one is Kurosawa's incomparable The Seven Samurai, and that is indeed fine company to be in. As the credits rolled, I kept thinking how nice it would be to have spent more time in this world with these people. It's not that Yang doesn't provide a resolution; it's merely that the film is such a perfectly crafted world you might not want to leave.

Sadly, Edward Yang died June 29, 2007 from his long bout with colon cancer. He left behind a handful of masterpieces, including this film, A Brighter Summer Day and Mahjong. In closing I'll reiterate what I said in the opening: Yi Yi: A One and a Two is a genuine masterpiece from one of cinema's greatest and most unsung masters. All I can do is give it my highest recommendation and hope that more people discover one of the strongest candidates for best film of the 21st Century. It's one of those films that celebrates life, and will perhaps make you appreciative of the life you live and the people and places in it. Yi Yi has quickly become one of my absolute favorites and I only wish I could heap enough eloquent superlatives on it to reveal the greatness of this truly brilliant film.

DVD REVIEW:

As per usual, the Criterion edition is magnificent. After renting and falling in love with the film in the Fox Lorber edition I immediately bought the Criterion Edition and was stunned by the increase in quality. The visual transfer is pristine and perfect, but it's really the extras that should prompt a fan of the film to pick it up. The audio commentary by Yang and Tony Rayns is insightful and adds even more richness to an already gorgeous tapestry. The rest of the extras are equally welcomed, including Rayns's excellent interview where he discusses the New Wave of Taiwanese Cinema and Yang's importance in the movement as well as the extensive booklet essay.

Want Yi Yi (The Criterion Collection) (2000) Discount?

I will not plow the ground covered by others reviewing the substance of the film. Suffice it to say that Yi Yi is utterly compelling and merits five stars.

BUT -the Fox Lorber DVD transfer listed for sale here is unwatchable. This is not a video tech geek's mere quibbling over small details. I seriously mean unwatchable. The sound is garbled and distracting, even for those who rely entirely on the subtitles as I do. The image is dark, muddy and often so completely out of focus one cannot make out faces well enough to distinguish one character from another. Colors are garish and strange -in this version, much of the film seems to have been shot under cold blue buzzing fluorescent light. The rest -anything shot in subdued lighting -is a black hole without any visible detail.

I attempted to watch this DVD and gave up after about half an hour of frustration. This transfer never should have seen the light of day.

The Criterion Collection edition of Yi Yi is absolutely luminous and electric -and a sheer joy to watch. That's the one to buy!

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Aladdin Blu-ray (Region Free) (1992)

When Disney's Aladdin was released on videotape and laserdisc for the first time in October 1993, it debuted with a PC alteration, immediately into the film, as a line from the opening song was changed because of concerns over Arab stereotyping "Where they cut off your ear if they don't like your face" became the neutral "Where it's flat and immense and the heat is intense".

As the film makes is debut on DVD later this year, prepare for more changes, albeit subtle. Just like they did with The Lion King, the Disney team is not using the original theatrical presentation of the film, but a re-issue created for IMAX theatres, which featured some redrawn sequences, supposedly necessary because the original footage in question was problematic on the giant IMAX screen (Examples of the changes to The Lion King can be easily found on the web). The difference this time around is that no one ever saw it. The IMAX presentations were financially unrewarding to Disney, and Aladdin was never shown.

The original release had wonderful color composition, especially in the opening scenes introducing Jafar and the Cave Of Wonders, and Pixar's digital images of The Cave's exterior would foreshadow their upcoming quality feature work that Disney would distribute. As far as casting, it sounds like Robin Williams and Gilbert Gottfried had a great time cutting loose in the studio.

With few exceptions, this film is a delight from start to finish. The low rating comes from the fact that the original theatrical version will not be used, but the redrawn IMAX version. It deserves to be part of your collection, but not like this...

Aladdin" continued Disney's hot streak of family friendly but witty animated classics that broke box office records. Unfortunately, the magic was to last for a couple more movies. No small part of the success of "Aladddin" can be attributed to the songwriting team of Alan Menken and Howard Ashman. Menken and Ashman (who also wrote the winning songs for "Beauty and The Beast" and "Little Shop of Horrors"). Also, the witty self assured direction, like that of "Beauty and The Beast", helped define a hip, new Disney that had something for everyone.

So what's the difference between the "Special Editon" and the "Special Edition Gift Set". Plenty but as to whether it's worth the extra cost depends on how much of a fan you are of the film. The "Special Edition" comes only with the DVDs (the featurettes and documentaries are discussed below). The "Special Edition Gift Set" comes with all that plus six original illustrations on heavy stock of characters from the film. You also get a deluxe book that's housed in a slipcase. It's very nice, indeed. Now, if I were Disney I also would have included the soundtrack and also made this edition a numbered, limited edition. While it might grow in value until the next generation of disc players come out and this is re-released yet again for Blu-Ray discs, it would have been better for fans to do a limited numbered edition. Oh, and I forgot the film frame from the original movie.

"Aladdin" looks great on DVD with sharp, clear images and bright, vivid colors. I didn't detect any analog or digital blemishes worth noting. The Disc looks even better than the laserdisc version issued nearly a decade ago and worlds better than the VHS with crisper, clearer sound and a much cleaner more vivid (and colorful)picture. The "Disney Enhanced" 5.1 soundtrack actually improves the dialogue and songs giving them better clarity and added presence.

The extras are a mixed bag but most of them are well worth having. There's deleted scenes presented in rough pencil animation, deleted songs highlighted by the terrific "Proud of Your Boy". Clay Aiken sings a version of the song for a music video. We also get "A Whole New World" performed by the dipsy duo of Nick Lachey and Jessica Simpson. The two hour "A Diamond in the Rough" is a fascinating glimpse behind-the-scenes of this marvelous movie. We also get to see scenes from the deleted storyline for the film. Pop-up trivia facts can also be programmed to play on the DVD player as well. The two audio commentary tracks feature the directors and producer of the film while the second has some very funny commentary from the various character animators involved in the film.

"Aladdin's Magic Carpet Ride" is the best of the extras included here. It's actually not a game per se but a magic carpet ride that's best experienced on as big a TV as possible with the lights out. It's as close to a thrill ride ever presented on home video. "Inside the Genie's Lamb" is a mildly interesting and entertaining glimpse into the Genie's habitat. We also get "Genie World Tour". This bit of whimsy is fun and Disney directors actually entertained the notion of putting it on during the end credits at one time. It's clever and a witty short. "3 Wishes Game" might keep little ones entertained once or twice although some little ones will need help operating the DVD remote to play the game. Parents stay close by so the kids don't throw the remote at the TV in frustration. You can also select your favorite "Aladdin" songs with onscreen lyrics to help you sing along (God save your neighbors if you're a bad singer).

All in all a terrific package well worth picking up. "Aladdin" is a funny, charming and entertaining movie with the Disney team at their peak. The "Special Gift Edition" is truly for the hardcore Disney fan that collects everything Disney. The two disc "Special Edition" is more for the casual fan or those that love the movie but just don't collect Disney stuff. I had some reservations about the DVD release as I was afraid they might screw it up but they didn't. The only thing missing is a discussion about the original song lyrics that were changed for home video release due to concerns about their anti-Arab sentiments. Also, we don't get any new footage of Robin Williams but we do see some vintage stuff from his very funny recording sessions.

Buy Aladdin Blu-ray (Region Free) (1992) Now

Aladdin is one of the last great animated films from Disney, and a lot of the credit is owed to the bad guys. The voices of Jafar and Iago are dead-on perfect for their characters and when combined with Robin Williams in a role where he can really cut loose, they create movie gold.

In a classic poor-boy-makes-good story, it would be easy to ignore the villian and concentrate on the "heart of gold" and love-interest storylines, but directors Clements and Musker gave plenty of screen time for the wonderfully sneering and arrogant Jafar. The interplay between him and Gottfried as Iago is nearly as fun as listening to Williams's wide selection of impressions and verbal explosions (my favorite is Bill Buckley with "restrictions and quid pro quos").

Some of the extras are snooze-inducing, but the commentary is engaging, especially if you've seen the film a few times. This is definitely worth the upgrade from your old VHS copy.

Read Best Reviews of Aladdin Blu-ray (Region Free) (1992) Here

Disney's Platinum Editions are rapidly becoming a must buy not only for the Disney enthusiast, but also the general film buff. The annual release of the Disney top titles with a whole new set of extras spanning over two discs is now a real date-for-the-diary. The latest for the Platinum treatment is Aladdin one of Disney's biggest hits of the 'Golden Era' (now sadly ended).

The film deserves it's fame and success. Beautifully written,designed and animated, the studio should now look back at it and see how it should be done. The songs by Ashman and Menken (with help from Tim Rice post Ashman's death)are excellent without a weak link among them. The same can be said for the vocal talent on display. Although Robin Williams' Genie has always received the most praise and attention, my personal favourites are Jonathon Freeman's witty Jafar and Gilbert Gottfried's abrasive Iago.

The extras, looking at the line-up, don't seem as exhaustive (and exhausting!) as Lion King or Beauty and the Beast's but there definately seems to be an emphasis of quality over quantity. The main attraction on these discs is always the never-before-heard songs. Unlike the previously mentioned films, Aladdin will not have the songs intergrated into the film. This is probably due to the fact that the main deleted song (Proud of your Boy) was originally to be sung by a character that did not survive into Aladdin's final scipt Aladdin's mother. The reprise (Humiliate your Boy) was to be sung by Jafar which seems to point to both versions being replaced somewhat by Prince Ali and it's Jafar sung reprise.

A commentary by the Disney artists is always welcome and the Howard Ashman tribute should be another highlight. A lot of the extras seem to be depressingly child-friendly (hopefully this won't alienate the buffs) with the Magic Carpet Ride sounding like a carbon-copy of the poular Timon and Pumbaa Safaris available on the Lion King releases. An in-depth making of sounds wonderful but I for one could have lived without the pathetic padding that is the 'All New Music Video'.

With Bambi apparently the next for the full platinum treatment and 101 Dalmations, Jungle Book and Little Mermaid to follow (one per year and just in time for Christmas!) Disney shouldn't need to worry just yet that they are running out of decent movies to polish. I just wish they'd start making them again. In the mean time we can indulge ourselves in past glories and buy this DVD!

Want Aladdin Blu-ray (Region Free) (1992) Discount?

Disney's "Aladdin" isn't as spectacular as some of it's other films like "Beauty and the Beast," but it's proves itself to be worthy entertainment for adults and children alike. The dazzling animation and animal characters will provide hours of mockery and cheers from children, while the superb comical talent and witticism of Robin Williams will be a sheer delight to both sets. The movie tickles my fancy in new ways; I loved it.

The story centers around a "street urchin" named Aladdin, who'd give anything to live within the walls of the Sultan's palace. One day in the marketplace, he meets a girl who turns out to be the princess, but he is soon arrested at the hands of Jafar, the Sultan's advisor who has a thirst for the throne. Jafar takes Aladdin far into the desert, to a place known as the Cave of Wonders, where he ventures inside to find a magic lamp containing a giant blue genie with a flare for comedy. Aladdin uses the lamp to make himself a prince, in hopes that he may win the heart of Princess Jasmine and finally live in the palace. But Jafar has different plans. Spurned by the princess and annoyed by the Sultan, he makes it his life's goal to retrieve the lamp and become master of the universe.

While this movie doesn't have the grandeur and magnificence of Disney's spectacle pieces, it's clear that it doesn't need that look or feel to make it work. This movie is basically a Disney comedy, possessing a simple story for children while the dialogue will appeal more to adults as well. It's not a very serious film, which makes it even easier to enjoy the comedic lightheartedness it brings with it.

That comedy rests on the shoulders of Robin Williams, who provides the voice of the Genie. Some of his best work is done in this film, and he brings some of the funniest one-liners and gags ever to a movie that works well with them. And since his character is one of animation and not reality, then the possibilities are endless. You'll laugh until you cry watching Williams in action, as he switches many different forms, voices and attitudes.

Everything else for a typical Disney movie is right in place: there's the setting, the Arabian town of Agraba, overlooked by a palace complete with dome-topped towers and sparkling white walls, all with a certain Disney touch. There's the main protagonist, Aladdin, who hopes for a better life and then gets one. There's Princess Jasmine, the maiden whom everyone wishes for their own. And there's the villain, Jafar, complete with talking parrot Iago, who provides comic relief in the midst of his master's evil doings.

I wasn't expecting much from "Aladdin," which is why I liked it so much. Perhaps people expected a bit too much out of it, being a follow-up to "Beauty and the Beast," but in order to enjoy it, you just have to sit back and relax and let it roll over you. The comedy is the best thing about it, and Robin Williams succeeds beautifully at bringing a warm and funny nature to the picture. "Aladdin" is laugh-out-loud funny! I loved this movie!

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Twins Of Evil (Blu-ray/DVD Combo Pack)

"Twins of Evil" is a Hammer vampire classic of note for several reasons. First, it is the conclusion of the Carmilla trilogy which began with my favorite of all Hammer's works, The Vampire Lovers -which closely followed the original novellaand continued with the lame cash-in Lust for a Vampire, which relied entirely on sex appeal. "Twins of Evil" was also notable in that it combined two different horror genres (witchhunting and vampires) into one seemless entity. Then there is the fact that the horror studio's premiere hero, Peter Cushing, played a character whose righteousness was dubious at best. While the film itself may not thrill or chill as much as Hammer's best, it still stands as a solid entry to their (un)hallowed pantheon.

While it is generally implied that this film is sexploitation, that is not at all the case. But considering the twins in question were Playboy playmates and given the rife sexuality and lesbianism present in the preceding films of the series, it is an easy thing to assume. There is actually only one nude scene and the film often deliberately cuts away from unclothed ladyparts, which is actually quite annoying in a film from this era where the girls were so impossibly beautiful and charmingly seductive. But in the end, it helps the film that you stay focused on the central conflicts of the story rather than when the next sex scene is coming up. There is a rather suggestive shot involving a candlestick that will raise eyebrows, but gratuitous nudity is pretty nonexistent. But there is some decent blood, violence, and miles of cleavage so straight exploitation fans need not pass this by.

Cushing plays a fanatical witchhunter terrorizing the women of a town where Count Karnstein openly worships Satan under the protection of the emperor. Since the Count himself is untouchable, Cushing's character tries to find solace in purifying the young girls he feels may have been corrupted by his influence with fire. Meanwhile, Karnstein sates his increasingly vile appetite by offering a human sacrifice to The Devil, who in turn sends him an apparition of his ancestor Mircalla (check the anagram), who bestows upon him eternal unlife. The wicked Count then sets his sights on the witchhunter's beautiful twin nieces whom nobody can tell apart but are as different in personality as they are similar in appearance.

The main theme of the film is the grey area in the conflict between good and evil. While Cushing's character feels he is doing God's work in purifying corrupted souls, he knowingly allows the source of the corruption to thrive, fearing the consequences. This makes him a hypocrite and as good as a murderer as he waits for each victim to take out his personal anger on young girls. The Collinson twins play their parts well (though their voices were dubbed), and make for a mesmerizing onscreen pair. The cast is solid all around.

The region 2 DVD release features a lame musical deleted scene, a very cool image gallery, and extensive liner notes chronicling the film's history and even features some actor bios. Not a ton of special features, but better then most Hammer films get treated over here. "Twins of Evil" is not must-see material, but it is certainly a decent addition to any vampire fan's collection.

3 1/2 stars, rounded up for originality.

Director John Hough steers this Hammer Films Classic with absolute relish ~ The film stars Hammer Master 'Peter Cushing' as Gustav Weil, leader of the 'Brotherhood', a Puritan Witch-hunting vigilante group determined to stamp out vampirism ~ the 'Twins' are played by identical twins Mary & Madeleine Collinson, born in Malta in July 1952 ~ they were the first twins to appear in Playboy ~ like many Hammer films, sex was always an underlying theme used to sell the production, & explicit pre-production artwork made the film more like an expensive X-movie ~ much of which showed up in the films publicity shots, depicting the female cast clad in very loose nightgowns & less ~ even so, the film is stubborn in its anti-pleasure theme ~ ...'Twins' was to be the last round in the "Mircalla Trilogy", based on characters & settings by le Fanu ~ Mircalla is mostly absent, as Hammer concentrates on decedent Count Karnstein, praised as perhaps the most promising successor to Christopher Lee's Dracula ~ of great worthy note is the fact that just two months earlier Cushings wife had passed away, & yet he continued on, giving possibly his hardest & most gritting performance ever, casting himself fully into the role ~ he left production of Blood From the Mummy's Tomb due to her illness, & such a return makes the film even more important ~ though looking taunt & tired his performance alone makes the film worth watching ~ dark moody & atmospheric settings, horrifying special effects, & great acting by all involved make it a winner ~ Fun Stuff!

Buy Twins Of Evil (Blu-ray/DVD Combo Pack) Now

When Synapse Films announced that they would be releasing the Hammer Films which I always eluded to as the elusive three, I had great reservations. The titles were only available on Japanese Laser Discs and were promised to be released many times over the years. Anchor Bay Entertainment released many of the 20th Century Fox titles, Warner Home video and Universal Pictures released their output, Paramount sporadically released a handful and finally Sony/Columbia released their titles. But what about 'VAMPIRE CIRCUS', 'TWINS OF EVIL' and 'HANDS OF THE RIPPER'? 'THE VAMPIRE LOVERS' and 'COUNTESS DRACULA' were released by MGM as part of their Midnight Madness series and finally Synapse took up the gauntlet and came through with the DVD/BLU-RAY release of Director Robert Young's 'VAMPIRE CIRCUS'-1972 last year. It was an incredible set which destroyed my doubt about their announcement of the other titles. Now they have come through with their promise once again with Director John Hough's 'TWINS OF EVIL'1971, a prequel to the Mircalla Karnstein characters derived from screenwriter Tudor Gates and a film in Hammer's horror canon that was severely butchered by Universal Pictures when released in the US making it look like a costume picture peppered with the occult resembling Director Michael Reeve's 'WITCHFINDER GENERAL' aka 'THE CONQUEROR WORM'-1968 and a few fangs showing up amongst the characters. Synapse has gone back to the original negative released by the Rank Organization in a gorgeous high definition transfer and restored the film to its erotically bloody glory. After over 40 years, the film shows why any release by Hammer was an anticipated event at that time. The film has also one of actor Peter Cushing's greatest performances as the tortured Gustav Weil who appeared in the film after the death of his beloved wife, Helen. It is an astonishing characterization and he incinerates the screen every time he appears. There is also an appearance from past vampire femme fatale Isobel Black who erotically charged another Hammer opus, Director Don Sharp's 'KISS OF THE VAMPIRE'-1964' which also deals with a vampire cult. The highlight of the set is an excellent documentary called 'THE FLESH AND THE FURY: X-POSING TWINS OF EVIL' clocking in at over 85 minutes and gives you the history of Author Sheridan LeFanu's character Carmilla and how Hammer adapted the character within their trilogy of films. It explains everything about the state of eroticism and horror of that period with interviews with many top horror writers and critics and we also have interviews with Director John Hough and actor Damian Thomas who played Count Karnstein. There is also an extra on the rescued props from Hammer sets by Mr. Wayne Kinsey from his personal collection , a deleted scene which should have been deleted, two theatrical trailers including the double feature with 'HANDS OF THE RIPPER', and a stills gallery. Synapse promises the release of 'RIPPER' next year and also a BLU-RAY release of Director Peter Sasdy's 'COUNTESS DRACULA'-1970(will it contain a longer version?). Every Hammer Horror fan living or undead deserve to have this in their collections. Bravo, Synapse.

Read Best Reviews of Twins Of Evil (Blu-ray/DVD Combo Pack) Here

This region free DVD offers just the film in an enhanced anamorpic presentation. This transfer won't blow you away like some of the recent Hammer film releases via Sony. Some digital artifacts are present but overall this is a decent if unremarkable transfer.

It should be noted that my DVD arrived without a DVD case! It was mailed flat with just the DVD and the DVD insert. However, I did buy a used copy. No playback issues to report.

Rumor has it that Synapse films has aquired the rights to VAMPIRE CIRCUS, HANDS OF THE RIPPER and TWINS OF EVIL for release on DVD and Blu-ray(!) in the United States by the end of 2010! So you might want to hold off on this title for a bit longer.

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I recently received TWINS OF EVIL as a gift in the form of a DVD not yet available in this country. I must admit that I was not particularly enthusiastic, for I typically find "Hammer Horror" more than a little too obvious in style--but this particular title surprised me with its understated atmosphere, and was all the more effective for it.

Loosely based on characters created by author Sheridan Le Fanu, TWINS OF EVIL concern twin sisters Maria and Freida (Mary and Madeline Collison) who have been recently orphaned and are sent to live with their guardian and uncle Gustav Weil (Peter Cushing.) Gustav is a most unpleasant man, the leader of a religious "brotherhood" whose ideas of salvation and repentance involves routing out every attractive woman in the district and burning them alive at the steak. Ironically, Gustav's hapless victims are innocent, and he finds himself unable to attack the real evil of the locality: the devil-worshiping Count Karnstein (Damien Thomas), who enjoys the protection of the Emperor.

Needless to say, it is not long before the sisters catch the attention of the Count, who has now been transformed by the black arts into a vampire--and one of the sisters soon falls under his sway. But truth be told, Gustav is such a distasteful creature himself that it becomes difficult to know which of the two men is worst.

Like most Hammer Horrors, TWINS abounds with well endowed women in plunging necklines and enough colorful gore to float a small boat. But in this instance, the splashes of blood are all the more effective for the muted background against which they are seen. The usually baroque settings of most Hammer films is not in evidence here, little is romanticized, and the atmosphere is quite tense.

The Collison twins (whose last film this was) give reasonable performances and are so attractive that you do not mind the fact they have very obviously been dubbed by English-speaking actors. Damien Thomas makes for an impressively suave vampire, and David Warbeck is appealing as the hero of the piece. But the real drive of the film comes from Peter Cushing, who gives a surprisingly powerful performance as the maniacal Gustav; if given the choice between facing him or trying to ward off Thomas' vampire, well, most of us would probably feel we had a better chance against Count Karnstein! It is an unexpected effect, and it is quite powerful.

This is not to say that TWINS OF EVIL is without flaws, and now and then some pretty big ones. The script is no winner, and the details of the story are a bit loose, to say the least. The sisters are supposed to be from Vienna, but they somehow wind up in what seems to be a very unappealing area of Germany where the men all dress like American Puritans! There are also one or two scenes that border on the unintentionally comic. But most viewers will be able to suspend disbelief for the film's duration. Recommended for fans of both Hammer and gothic horror.

GFT, Amazon Reviewer

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Nim's Island (2008)

This lightweight bit of fluff actually has a bit more substance than I expected, but nearly enough mass to bog it down. On the surface, it's a kid-empowerment movie. Nim, the nine year old girl, is adventurous, interested in everything, and fiercely self-reliant. Alex (that's Alexandra, much to the surprise of people expecting a male Alex) is too timid to open the front door, and gets carsick before the car even starts moving. Nim is fearless and Alex is omniphobic. Still, once their friendship forms, Alex overcomes her fear of everything but her shadow to help Nim when disasters leave her alone, hurt, and frightened.

The two main characters balance beautifully. Nim is yound and bold, by nature, but still a little girl who gets scared when truly scary things happen. Alex embodies timidity, but has a core of mousy bravery that rises to the occasion. Nim lives in the world of Alex's adventure stories, which turn real around her as she reads them; Alex lives with the characters she writes, too, but has a much more argumentative relationship with them. A few other things come across nicely, too: the pervasive love of reading, nearly lost in today's media-mad world, and the image of scientist-geek as loving, strong, and physically competent. The girl-power message is there too, without being exclusive or overbearing. And despite a positive view of science, Nim brings a touch of magic, too.

I might not remember this one a week from now, but it's great entertainment for any kid in your life (with a very few slightly scary moments). If you have a rainy afternoon, have a blast.

-wiredweird

This is exactly the kind of film I've been waiting for Jody Foster to do. I always knew she had this well-hidden comedic side. In addition, Gerard Butler makes a great Scottish Indiana Jones!

Again, Amazon has done a nice job summarizing the film, so not much of that here. This is just a special film to me because I just love how this family friendly film intertwines fantasy, adventure, relationships and love into one clever package. Gerard Butler does terrific double duty as Abigail Breslin's father and Jodie Foster's alter ego who gives her the courage to face her fears to save Breslin who has been separated from her father on their island, which has been "invaded" (another clever storyline). Foster must get over her fear of the outside world in order to get to Breslin's character on that isolated island and those moments when she battle with herself and her alter ego (Bulter) are the show stopping moments for me.

The films sparkles with originality and heart. I was delighted by the performances and left smiling when the closing credits ran. This film may not delight all though. It is an awkward mix and bounces around wildly as if the writer and director had forgotten to take their A.D.D. medications, but for some, like me, that is the charm of this film, but for others, that can grate on one's nerves. It's a matter of taste.

Although just a bit too uneven at times, I completely enjoyed this film.

Buy Nim's Island (2008) Now

My three children have all read Nim's Island at some point and loved it so we decided to check out the movie and purchased it for Christmas this year. I should clarify this review is based on our love of the book, which is short and could have easily been made into a movie without changing it. Well, Hollywood was lucky (or unlucky) enough to get the wonderful Jodi Foster and Gerard Bulter (who are both great), however, it ended up causing them to change the story completely to "satisfy" the big names. While the book focuses on Nim's life on the island (her daily routines and getting food etc), her relationship with the animals and her relationship with Alexandra via email, the movie does none of those things. It instead, focuses on the big stars of Jodi Foster and Gerard Butler and creates a dialogue between her character Alex Rover (Butler) and the extra-reclusive Alexandra (Foster). I don't think they had much of a choice landing such big stars, they had to use them but it totally changes the story in the book. The most endearing aspect of the book is the wonderful relationship of Nim and Alexandra via email and Nim and her animals. Those relationships are diluted down and lose all potency as we are forced to endure the Alexandra's (Foster) agoraphobia/social anxiety disorder and have Nim endangering her animals by flinging them in a catapult? What? I am not an animal expert but I would consider flinging your "pet" a hundred yards in a wok-catapult is abuse! So in summary this has the characters of the book but doesn't follow the story there. Nothing is the same as the book save for the very beginning and the very, very end. So if you are looking for a cute story and nice acting but don't expect this to follow the story then it is worth watching, as for us, we wanted the book relationships not a study on the psychology of overcoming agoraphobia! I was going to list all the differences of the book versus movie but it would be everything! They even changed Trop Tourists and their interesting hats to Buccaneers and gave their unlikable tourists a lot of screen time. Too bad really. Hope that helps!

Read Best Reviews of Nim's Island (2008) Here

Anything can happen on Nim's Island, a magical place ruled by a young girl's imagination. It is an existence that mirrors that of her favorite literary character, Alex Rover the world's greatest adventurer. But Alexandra, the author of the Rover books, leads a reclusive life in the big city. When Nim's father goes missing from their island, a twist of fate brings her together with Alexandra. Now they must draw courage from their fictional hero, Alex Rover, and find strength in one another to conquer Nim's Island. If you have any children or the child you once were still lives inside you somewhere, then you should definitely see Nim's Island. Wonderful Little Kid Big Kid Movie.

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This is one of my favorite movies. I viewed it at the theater when it was first released and ordered it when it was released on DVD. It's a wonderful family movie with lots of laughs and beautiful scenery.

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Holy Rollers (2010)

In truth, I had never heard of the picture "Holy Rollers" but the idea of Jesse Eisenberg as a Hasidic Jew who becomes entrenched in a drug mule operation held an undeniable appeal. And this film is one of those undiscovered little gems--it may not rock your world, but it's a solidly constructed character study based on a real world case. Funny, moving, and suspenseful--I quite enjoyed this film. The depiction of Eisenberg's orthodox upbringing is well served, but his decision to color outside the lines is also believably demonstrated. As he is seduced to the dark side, the transition is well wrought. In fact, I think this is one of Eisenberg's most well rounded performances--one that uses his offbeat mannerisms to good affect.

The story, in and of itself, is undeniably fascinating--it documents a ring of Ecstasy smugglers in the late nineties who transported their wares internationally using the least likely suspects. Justin Bartha colorfully portrays the neighborhood bad boy who eschews the conventional expectations of the Hasidic community. Eisenberg is his neighbor and friend who becomes a bit disillusioned as his life does not seem to be going precisely as planned. When Bartha proposes an opportunity for Eisenberg to score some cash for traveling to Amsterdam, he is reluctant. But after an initial foray into this new venture, he begins to embrace it more and more. The corruption of innocence and the seduction of power are primary themes in this tale of lawlessness. But how far is he willing to go? And is there any way out?

A taut and succinct screenplay maintains the film's momentum as Eisenberg rises in importance. The movie does a great job documenting the real danger of the enterprise and undeniable allure it holds for our young protagonist. Wrestling the classic demons of evil versus good, Eisenberg relates the moral and ethical dilemma with precision. But Bartha also steals just about every scene he's in! Clearly on a path to destruction, he nevertheless maintains a charisma and likability that keeps the film grounded. The film doesn't provide an easy out and everyone must face the consequences of their choices. "Holy Rollers" is quite entertaining and an easy recommendation, but beware of the hyperbole of one critic that is printed on the DVD. Comparing this to "Scarface" or "The Godfather" will set unreasonable expectations. It shares some of the same basic themes, but this small and understated film is much more specific in its tone and modest in its goals! KGHarris, 3/11.

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A Star is Born (Kino Classics Edition) (1937)

The historical 1937 film A STAR IS BORN has remained a classic for many many years. This film's merits are many, I need not comment on them, but will make a comment on the cast. While the entire cast is outstanding, the real standout is Janet Gaynor who portrays Esther Blodgett/Vicki Lester in such a way that you can connect with her and feel her sincerity on a level that you cannot with Judy Garland in the 1954 version (and the less said about the 1970s Barbra Streisand version the better). The rest of the performances in this film are super.

This film, produced by the late great David O. Selznick and released through United Artists, is currently in the public domain and many of the numerous DVDs/VHSs of such films are of deplorable picture and sound quality. Fortunately, it is not so on this DVD release from Image. The colors are extremely bold and vibrant. There are some age-related artifacts present and graininess is visible in a number of places, however this has been kept to a minimum. I will forgive these shortcomings considering the elements used for the DVD transfer are nearly 70 years old. 3-strip Technicolor was still in its infancy in 1937 (indeed, the first feature shot entirely in this process was released only 2 years earlier), but some outstanding results were had even then. The sound, while obviously rendered in 1937 recording technology, has been nicely cleaned up for this release, allowing the musical score by the venerable Max Steiner to shine as it should.

Pass up the cheap DVDs and look only for the release from Image Entertainment, edition # ID2777IMDVD. I guarantee this will be the best DVD of A STAR IS BORN you will find.

As with other fans of this classic film, I am greatly disappointed that KINO'S latest offering is not much of an improvement over previous KINO DVD releases of the film. While the IMAGE/KINO DVDs in 1998 and 2004 were at that time a marked improvement over the myriad of public domain travesties, the elements utilized for this release are only marginally better, despite the HD processing. This is also particularly disappointing when the film's fan base is aware that a restored print (by UCLA) exists.

According to a March, 2010 blog-post by NY POST film critic Lou Lumenick, he said, "Daniel Selznick, son of producer David O. Selznick, told me two years ago that WHV was doing a high-definition transfer of a UCLA restoration of the 1937 original, which has long languished in public-domain hell." Lumenick also quoted a Warner rep as saying, "When we looked at the master of the '37 'A Star is Born,' we realized that it really needed, more importantly, deserved a special restoration...using our Ultra Resolution process to bring out the glorious Technicolor of that film. So rather than it be an add on...some less than-terrific extra content, we pulled it back so as not to diminish the importance of either versions."

I suppose it was wishful thinking on my part that KINO would be releasing that long-awaited "restored" version. This will be the VERY last version I invest in until either Warner Home Video, Criterion or KINO offers us the ultimate version -and that will only be when the restored print from the UCLA effort is finally utilized as the source material.

Despite's the Selznick Estate's stamp of approval, I would suggest people save their money and wait.

Buy A Star is Born (Kino Classics Edition) (1937) Now

Though this is the only non-musical version of the thrice filmed tale, this original is my favorite. It may more than likely appear dated to some, but it is not only a wonderful story about the price of fame, but an early record of Hollywood history. Fredric March and Janet Gaynor are wonderfully touching as the doomed couple ,"Norman Maine" and "Vicki Lester", she being the new discovery whose *star* is ascending, totally eclipsing March's descending stardom. This was my first glimpse at Janet Gaynor, and I fell in love with her. May Robson is great also as Gaynors feisty Granny, who encourages the young, unknown dreamer to follow her dreams, and is there at the end when she seems to have given up. There are many wonderful moments, as when Gaynor, as the then pre-stardom "Esther Blodgett" tries to get the attention of movie big-whigs by her impressions of then popular stars Mae West, Katherine Hepburn, and Garbo. Andy Devine (that VOICE!!) is comical as the fledgling director who befriends the naive, broke, and new to Hollywood "Esther", and sticks with her through her metamorphosis to "Vicki Lester", and her tragedy and heartache. There's also fun scenes of early Hollywood locales, like the Hollywood Bowl, and interesting behind the scenes looks at the star-making process, when a little nobody is given everything from a new hairline to a new name. I always find myself blubbering like a fool at the films end, when Gaynor, having triumphantley come back from tragedy, delivers her final, famous line with a teary-eyed close-up. Yes, it's corny, but I'm crying not only because it's a tear-jerker, but also at the memory of all those beautiful fools of that long ago time, when there really was a place called HOLLYWOOD.

Read Best Reviews of A Star is Born (Kino Classics Edition) (1937) Here

This is the original... The best.... It has a great feel of the Hollywood that was... Gaynor and March are great. I love u Judy but THIS is THE classic film of the often-told-story... Judy is a class act, but HER film was/is not a classic.

BUY IT FOR GOODNES-SAKES hehehe:)(:

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Having been in public domain for so long now, it seems everyone has put out a print of this movie on video. They are consistently poor quality issues. This DVD issue is not perfect by any means, but it far exceeds any others I've seen. If ever a film was in need of a full restoration this is it. A great movie about that land of hopes and dreams called Hollywood. Honest, realistic, touching, and tragic. Although Judy Garland's version is excellent this is the version that truly delivers. I won't even mention the Streisand remake.

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Little Rascals: Best of Our Gang

****Note: This review is for the LEGEND release The Little Rascals: Best of Our Gang, not the 3-D release that Amazon has grouped it under****

I give this only **** four stars because most of these films have already been released on DVD restored from 35mm. There is little new here.

The thought is that kids won't watch B&W films, so lets COLORIZE The Litle Rascals. Purists can watch this in B&W also, which is good since the colorization looks cartoony & unnatural.

I just could not pass up the extras that are included on these DVDs.

BEST OF OUR GANG has

Alfalfa short soundie "The Singing Lesson",

Broadway Highlights short clip of Pete the Pup becoming a member of a entertainment night club,

"You Asked For It" clip of the segment with the OUR GANG REUNION showing the silent stars (Jackie Condon, Joe Cobb, Farina & others) as they are in 1955.

Our Gang clip from "The Stolen Jewels" ( o.k. this is the only clip un necessary as the complete short is widely available ).

Oh, yes.. there are the comedy shorts. These are all from 35mm 1950's RE-ISSUE PRINTS, not the same MGM transfers as the Cabin Fever / Hallmark DVDs. But they are 35mm prints and they look very good. There is a variety of title sections representing almost every company that re-issued these shorts in 35mm, including Official Films which I never knew made 35mm prints.

BEST OF OUR GANG

"FLY MY KITE" Official 'Famous Kids' titles The rascals help Grandma save her property from the evil banker.

"A LAD IN A LAMP" ERKO 'Kids 'n Pets' titles (1st time on DVD?)Spanky & the gang find a 'magic lamp'. Spanky whishes Buckwheat was a monkey and thinks his wish came true when a real monkey comes in (there is always one around in a Little Rascals comedy).

"KID FROM BORNEO" Monogram titles a short that has been long banned from television due to racial jokes & the main character being a wild man from borneo who goes around saying "Yum , Yum , Eat'em Up" while chasing Spanky & the gang. It is unlikely that Hallmark will do an official release of this on their DVD sets, so you might want to consider this if you don't have the old Cabin Fever videos.

"HI! NEIGHBOR" Allied Artists titles The gang gets a new neighbor, who owns a shiny new kiddie firetruck.

"HIDE & SHRIEK" Official 'Famous Kids' titles another classic featured on this disc starring Alfalfa, Buckweat & Porky. Alfalfa plays a sherlock holmes type of detective and hires Buckweat & Porky to investigate some missing candy.

The shorts are offered in both Colorized & original B&W restored versions, but switching back & forth while playing the short is not possible. The bonus material is B&W only.

You probably remember the Cabin Fever tapes from back when you were a kid. After all, where can you find a more wholesome piece of Americana than in the Depression-era antics of Spanky and company? Now that you're grown, you probably want to introduce your kids to Our Gang the same way that your parents introduced them to you, as a part of their socialization as equally wholesome, proud citizens. There's only one problem, I suspect: kids today have no tolerance for "antiquated" black and white cinema. And really, who can blame them? Color, the de facto standard to which they were raised, lends life, vibrancy and realism to anything that it glazes.

Thanks to this DVD, you can now bridge that generation gap by watching this newly colorized version of the Little Rascals' greatest shorts (even on the kids' Playstation if need be!). The drab, depressing black and white of '30s film suddenly comes to life in a full rainbow. And, should you succeed in making your kids into new fans, you'll always have the option of graduating them to the thoughtfully included black and white versions of the colorized material. From what I can tell, there's simply no other DVD that allows you the same flexibility.

Hardcore fans of Our Gang should take note of this disc's special features, which include clips of the gang's twenty year reunion and a hilarious skit where they encounter peer jokesters Laurel and Hardy.

Buy Little Rascals: Best of Our Gang Now

I give this only **** four stars because most of these films have already been released on DVD restored from 35mm. There is little new here.

The thought is that kids won't watch B&W films, so lets COLORIZE The Litle Rascals. Purists can watch this in B&W also, which is good since the colorization looks cartoony & unnatural.

I just could not pass up the extras that are included on these DVDs.

BEST OF OUR GANG has

Alfalfa short soundie "The Singing Lesson",

Broadway Highlights short clip of Pete the Pup becoming a member of a entertainment night club,

"You Asked For It" clip of the segment with the OUR GANG REUNION showing the silent stars (Jackie Condon, Joe Cobb, Farina & others) as they are in 1955.

Our Gang clip from "The Stolen Jewels" ( o.k. this is the only clip un necessary as the complete short is widely available ).

Oh, yes.. there are the comedy shorts. These are all from 35mm 1950's RE-ISSUE PRINTS, not the same MGM transfers as the Cabin Fever / Hallmark DVDs. But they are 35mm prints and they look very good. There is a variety of title sections representing almost every company that re-issued these shorts in 35mm, including Official Films which I never knew made 35mm prints.

BEST OF OUR GANG

"FLY MY KITE" Official 'Famous Kids' titles The rascals help Grandma save her property from the evil banker.

"A LAD IN A LAMP" ERKO 'Kids 'n Pets' titles (1st time on DVD?)Spanky & the gang find a 'magic lamp'. Spanky whishes Buckwheat was a monkey and thinks his wish came true when a real monkey comes in (there is always one around in a Little Rascals comedy).

"KID FROM BORNEO" Monogram titles a short that has been long banned from television due to racial jokes & the main character being a wild man from borneo who goes around saying "Yum , Yum , Eat'em Up" while chasing Spanky & the gang. It is unlikely that Hallmark will do an official release of this on their DVD sets, so you might want to consider this if you don't have the old Cabin Fever videos.

"HI! NEIGHBOR" Allied Artists titles The gang gets a new neighbor, who owns a shiny new kiddie firetruck.

"HIDE & SHRIEK" Official 'Famous Kids' titles another classic featured on this disc starring Alfalfa, Buckweat & Porky. Alfalfa plays a sherlock holmes type of detective and hires Buckweat & Porky to investigate some missing candy.

The shorts are offered in both Colorized & original B&W restored versions, but switching back & forth while playing the short is not possible. The bonus material is B&W only.

Read Best Reviews of Little Rascals: Best of Our Gang Here

I wanted to share what Jamie at Legend Films advised me -

that the 3D Blu-ray will not include a 2D version.

Hope this helps you decide to buy or not to buy.

UPDATE 11/2/12

I received another call from Jamie who advised me that

if you play this in a NON-3D BLU-RAY player, it WILL

play in 2D!

Count me in!

Want Little Rascals: Best of Our Gang Discount?

As a Little Rascals fan, I was mesmerized by how these selected episodes came out in color. It would be nice to see further episodes done likewise. I highly recommend this product to both the fan and the occassional viewer of the Little Rascals

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Trials of Life

A must see for any nature lover, great for kids to watch... I have watched it several times and the photography amazes me every time!

I was mesmerized when i saw this British documentary series on US television c. 1993, and viewing it 14 years later i was still awed.

Quite simply, this is the best nature series i've ever seen, and i've seen hundreds of them, since i fell in love with "wild kingdom" as a kid back in the early 1970s.

Better than the classic 1960s Disney nature films? Yes.

Better than the classic Jacques Cousteau specials? Yes.

Better than the classic National Geographic specials? Yes.

Better than the other Attenborough nature series, Life on Earth and Life in the Freezer? Yes.

Better than the 2006 Planet Earth series? Yes.

Better than anything ever done by the PBS Nature series or by Discovery Channel or Animal Planet? Yes.

Trials of Life is the best 600 minutes of Nature footage ever released to the public. All 12 episodes are great, not a clunker in the bunch.

If you like nature shows and have never seen this, buy the DVD immediately. You can actually get it cheaper from Amazon-UK.

The only way this could be improved is if they released it on Blu-Ray, but for now, DVD is the best option available.

Buy Trials of Life Now

This is the 3rd entry in the David Attenborough Life series following The Living Planet. The groundbreaking first series Life on Earth was based on evolution and started with bacteria making its way up to modern humans over the course of 13 episodes. The Living Planet was 12 episodes long and dealt mainly with adaptation over a wide range of environments that also incorporated more Earth science along with the life science in terms of geology and environments. The Trials of Life is all about animal behaviour.

While the first two in the life series are very similar The Trials of Life is a little different in that Attenborough has less screen time because animal behaviour needs to be captured discreetly. So most of it is one large narration however there are classic moments where Attenborough does appear. So be prepared for a little cutback in how often you see him engage wildlife.

This is also the harshest of the three and nature red in tooth and claw does emerge more often. For example this is the series with the classic footage of killer whales crashing onto beaches to capture seals and then taking them out to sea only to toss them into the air using their tails before eating them. We also have Chimpanzees hunting and killing monkeys with their bare hands. Sea lions take out their aggression on pups. So be prepared for it.

The 12 episodes are mainly about births, growth, finding food, hunting and evading, navigation, housing, communities, fighting, interactions, communication, courting and mating. It is a wonderful series and worth hunting down if you can find it even if it does sometimes redo some of what was in the first two series and not so much Attenborough, however The Trials of Life is worth it for the Killer Whale scenes alone.

As a note some of the animal behaviour covered in Richard Dawkins' books that where written before The Trials of Life are filmed in this series.

Read Best Reviews of Trials of Life Here

Attenborough is one of the great videographers of all time, and I have never seen anything by him that I didn't like. What sets this series apart is its central focus on animal behavior. Even after all this time, the illustration of key concepts in the study of animal behavior is generally spot on. Some of the videos such as the killer whales attacking seals on an Argentine beach or the birds of paradise courting are among the first of their kind, and thus have a place in history in terms of documenting behavior that had not been filmed previously, or not been filmed well. I wish it was available in the US format; however, these DVDs can be read by certain players (I use VLC media player) on your PC without monkeying with your DVD player's region settings. And, if you have a Roku or equivalent, they can be streamed from your PC to your TV. Be aware that the resolution of video is NOT high-def.

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I had this a long time ago and loved it so it was a replacement. David Attenborough is one of our families heroes. My daughter and I always loved this and she is now going to college to be a zoologist. I am sure James Herriot, Jack Hanna, the Krat Bro.s and Steve Irwin (God rest)and her Moms obsession had something to do with this as well but David, well he is a charmer!

This series has stuff that may now be old news but when it came out it was like WOW I can't believe animals are that smart. I can't wait to build on my collection.

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