Stitches (2012)

I am aware that some people might absolutely loathe the horror/comedy hybrid "Stitches" and that's a perfectly reasonable reaction. Is it a great movie? Well, it certainly won't be picking up any Oscars. But as sheer lunacy, I am quite in love with this over-the-top bit of ridiculousness! Filmmaker Conor McMahon displays an ample appreciation for the cheesy splatter-fests of yore. In fact, this seems to be a throw-back to the campy horror films that flooded the video market in the eighties. He takes a supremely silly premise, in this case a murderous clown who has been reanimated from the afterlife, and runs with it. With copious amounts of humorous gore, each retribution killing is staged to be more outlandish than the last. Nothing is real. The effects are comic at best and the mechanics of the deaths are ludicrous (forget logic, anatomy, or basic biology and enjoy), but the movie absolutely revels in its own madness. Some might complain that the film isn't scary enough, but I'll contend that it's just right. I didn't need it to scare me, just entertain me. It is pure unapologetic fun. My head tells me I'm crazy for liking "Stitches," but the heart wants what the demented heart wants!

Comedian Ross Noble plays Stitches The Clown, the worst investment a parent could make for a child's party. We meet this low-rent entertainer as he embarks on a gig for Tommy's eighth birthday. His routine is underwhelming, to say the least, but the kids in attendance are monstrously out-of-control. Things take a dramatic turn when the clown meets his untimely demise. Years later, a teenaged Tommy (Tommy Knight) is still haunted by the memory of that fateful day. Despite his better instincts, he decides to once again host a birthday party in an effort to connect with his unrequited love. As the invitations go out, there is one uninvited guest ready to shake things up. Stitches has a score to settle with the brats that put him in the ground, and the night will become a bloodbath of revenge. In typical slasher fashion, Stitches works his way through the party until the inevitable confrontation will determine who will survive and who won't.

Again, "Stitches" really works as an homage to many films that preceded it. It is fast and funny, and it simply works better than you might think. Noble is appropriately disgusting as Stitches, but it is Knight that gives the movie surprising heart. He and many of the young cast prove to be quite likable. It's rare to connect with the characters in a movie of this type, but the screenplay actually makes you care about what happens to them. But the real star of "Stitches" are the murders. So absurd, it's borderline genius. I won't spoil anything, but the movie is loaded with terrifically gory sight gags. "Stitches" seems designed to become a cult movie that people will discover through time. Many will hate it, I'm sure. But if you like this genre, and can give yourself over to the silliness--there is a lot to recommend this experience. For the right audience, this is tremendous fun. KGHarris, 3/13.

By far the most fun i've had watching a movie in a long time. The gore was over the top and the laughs were plenty. Anyone who gives this movie a low rating took it way to seriously. Just watch and enjoy !!!

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Very funny in parts and not really scary but made well and very entertaining. The gore is a little bit rubbery but still has some good kill scenes...who can resist a killer clown?

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This movie was really fun. I LOVED it. I rented it but I am thinking of definitely buying it. It did everything right. The humor in it is excellent but not too much where it makes the movie seem stupid or silly. I thought the killings were very creative and over the top fun. The acting was good too! I thought the direction in this movie was outstanding. One of the best I have seen. The lighting used and camera angles were top notch. The cinematography was beautiful. For the budget, it definitely worked.

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Stitches is a near flawless Slasher /Comedy.An offering from Ireland All I can do is thank them.

Ross Noble as Stitches was joy to watch as was most of the cast, it was a great ensemble.If you like hard core gore and off the wall humor and "did that really just happen" moments you will love this film.

Stitches gets violently killed during a prank at a kids party. The kids were mean bratty and caused his death. Enter 6 years later when the kids that did this are in high school and Stitches rises from the dead to wreak havoc and make it rain blood at the party.What ensues next is one of the most enjoyable, hilarious and goriest slasher/Comedies I have seen in a very long time.The deaths are so fun and creative and the one liners are enough to make you lol,I say do yourself a favor and buy the blu ray or DVD,you will want to watch it again and again..

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Yi Yi (The Criterion Collection) (2000)

Once in a while you walk out of the theatre and you find yourself giving a big sigh. When that happens, it's not because you're tired about a movie you just have seen. On the contrary. In my case it means that I just experienced an artform that cannot be compared with any other kind of art. Yi Yi is a good example of this. For those who watch carefully, they will discover that the story of Yi Yi is not more than a saga, perhaps even a soap plot of a ordinary middle class family in Taipei. But those who have patience to go beyond the facade of the ordinary, they will see a movie dealing about individualism, childhood, commitments, second chances, urban loneliness, broken promises, families, despair and death. But Yi Yi also shows us the small qualities of life: humour, laugther, life questions posed by a diligent and intelligent young kid, first love, courage, the meaning of life and the search for happiness. But Yi Yi is told without the explosivity of American Beauty. Instead, we witness (instead of watching passively) most of the narrative through windows and doors. Just as we're the neighbours of the protagonists of this film. Sometimes we will find ourselves shedding a tear. Sometimes we laugh. And that, my friend, is the reality of life. Shame that this one was overlooked by the Academy Award Association. Crouching Tiger, Hidden Dragon couldn't be a match to this one.

Cinema doesn't get any better than this. If you haven't seen this film then don't hesitate buy the DVD right now, and play it when you're most in need of inspiration it will dispel any doubts you might harbour about the power of film, the worth of art. The ability of Edward Yang to fuse imagination with, it must be assumed, an amazing honesty in reflecting upon his own life, to share what he holds most dear, and what evokes the most wonder, is something we, as an audience, can only marvel at and give thanks for. To say that 'Yi-Yi' inhabits the points of view of a child, an adolescent, an adult, a parent, a matriarch, the points of view of both male and female, that of the earnest, the honest, the ironic and idealistic, is to say that it truly touches upon life's richness. At one point in the film a character comments that films allow us to live life three times over, that's to say, they show us three times as much life as we could live by ourselves most films give lie to this optimism, but 'Yi-Yi' itself makes such a statemest seem miserly. One of the best films I've ever seen.

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"Crouching Tiger Hidden Dragon" has been getting all the attention with its high-flying kung-fu action, but "Yi Yi" may very well be the best movie to come out of Taiwan in 2000.

This movie reminded me a lot of Wong Kar-Wai movies (with the exception of "In the Mood for Love", "Yi Yi" is probably the most beautifully filmed movie I saw in the past year) but unlike Wong's movies which often place more emphasis on style than stories, "Yi Yi" has more accessible plot lines -half a dozen of them, in fact. It starts at a wedding and ends at a funeral, and packed in the middle is a story of a Taipei family, each reacting to different crises in their lives.

Clocking at almost 3 hours, you may find this movie a bit long and slow at times, but I absolutely loved every minute of this movie, because all the stories are told with such patience and subtlety. Edward Yang (the director/writer) also does a wonderful job with character development, and while you may struggle to figure out who's who in the beginning of the movie, you will no doubt get to know and care about each member of the troubled Jiang family by the end of the movie.

"Yi Yi" will make you cry and it will make you laugh. But most of all, it will make you glad that you didn't miss out on this gem of a movie.

Read Best Reviews of Yi Yi (The Criterion Collection) (2000) Here

OVERVIEW & STORY:

This review is intended to be part critical analysis and part celebratory love letter to a film that's a genuine modern masterpiece of cinema. Writer/Director Edward Yang's Yi Yi is as close to a "perfect" film as I've seen; warm, funny, humane, poignant, beautiful, evocative, and expertly crafted in every sense of the word.

For those who don't know, Edward Yang is a part of the New Wave of Taiwanese Cinema, along with other acclaimed directors like Hou Hsiao-hsien and Tsai Ming-Liang. These directors all share some similarities; One is a consistent use of precise framing and static long takes. This technique might be most famously utilized by legendary Japanese director Yasujiro Ozu. The comparison is even more apt than that as all of these directors applied their technique to subjects dealing with people in changing societies. Their films perfectly capture the zeitgeist and work equally well as social commentary, historical documents, and film-art.

At its simplest, Yi Yi is a portrait of a middle-class family in Taipei dealing with (as one reviewer stated) "romantic, economic and spiritual upheaval." But if the idea itself is simple and mundane, its execution is complex and incredibly rich. To even attempt a plot summary is difficult, though I will try.

The film opens with the marriage of Ah-Di to a pregnant Hsiao-Yen. This is interrupted by Yun-Yun, Ah-Di's ex girlfriend and current business partner. Ah-Di's brother-in-law is NJ, the central character, if indeed you can apply that title to any here a loving father and husband caught in a crossroads in his life; at his work when he is coaxed into befriending a possible business partner in Mr. Ota, and personally when he runs into his first love, Sherry, at Ah-Di's wedding. NJ's wife, Min-Min, is caught up in a spiritual crisis when after the wedding an accident sends her mother to the hospital, and eventually home with the family to take care of. This accident is even more distressing to Ting-Ting NJ's and Men-Men's teenage daughter who feels the accident is her fault for forgetting to take out the garbage. Ting-Ting becomes quick friends with the neighbor girl, Li-Li, whose family is having problems of their own, and whose boyfriend, Fatty, becomes a source of contention between the two girls. Finally, there's little Yang-Yang, NJ and Men-Men's young son, who provides a great deal of the humor and profundity throughout the film with his imagination and child-like honesty.

REVIEW:

If the above plot synopsis sounds convoluted and unwieldy, then place the blame on my summary instead of Yang's film. If I had to choose one aspect of this film which succeeds above the others it would be Yang's handling and crafting of the narrative which is so adept that the film never makes one feel it's as complex as it actually is. Though the film is constantly shifting between characters and storylines, the transitions appear seamless. Part of this can be attributed to the editing, which is smooth and extremely unobtrusive, and part of it is due to the aesthetic and emotional flow which perfectly connects scenes and characters together like a fine silk.

When looking at the narrative and characters as a whole it's difficult to find any negatives. Yi Yi is one of the greatest films I know of about ordinary people. It's not just the fact that Yang refuses to hype the characters or their reality, but it's the breadth and depth that's given to both in all the superficial simplicity. One review of Ozu's legendary Tokyo Story mentioned that it was "a film that encompasses so much of the viewer's life, that you are convinced that you have been in the presence of someone who you knew very well." and the same could be applied to Yi Yi. By the end, we get to know these characters almost as real people instead of fictional creations. The same could be said of the narrative which, despite the difference in societies and cultures features characters dealing with problems that plague us all; whether it's NJ's frustration with his failing job, or his nostalgic attempt to recapture a piece of his life that faded long ago, or Men-Men's frustration with her dull, repetitive everyday life that compels her to seek out spiritual fulfillment. Even the children are easy to relate to, with Ting-Ting decision of whether or not to sleep with Fatty for the first time, or Yang Yang's ability to capture a piece of childish imagination and innocence lost to us all. If I had to find a single flaw it might be that the Ah-Di, Hsiao-Yen, Yun-Yun storyline isn't as compelling when compared with the others. It's by no means "bad", but its weakness perhaps lies in the fact that they are the least developed characters in the lot.

Beyond the narrative and characters Yang's themes are as rich as anything else in the film. On the simplest level Yi Yi works to reveal the effect of society on modern people and families and vice versa. However, Yang is less insistent on the import of his themes compared to the likes of Hou Hsiao-hsien. If Hou's films actively explore the state of Taiwanese society, then Yi Yi seeks only to observe, but not comment too deeply. It's this lack of force that prevents the criticism of pretentiousness from ever applying to the film.

Yi Yi is also a film of wonderful moments and scenes. One such scene is of Yang-Yang in AV class, watching the girl he's infatuated with as thunder and lightning play on the screen behind her with the apt subject of "two opposing forces coming together". Another is the masterful montage of Ting-Ting's date with Fatty, paralleled by the dialogue and scene of NJ and Sherry's `reunion'. Yet another features NJ and Mr. Ota discussing their love for music. Other moments are so small they might go unnoticed, such as the simple shot of Ting-Ting entering her grandma's bedroom and grasping her hand, or the musical montage of a vision of Tokyo. But I'd be remiss if I didn't mention Yang-Yang's closing monologue. It's a scene so poignant and so perfect that it has instantly become one of my absolute favorites. In a film full of superb scenes it's a testament to Edward Yang's greatness that he was able to close on the most cathartic of all.

The acting is consistently superb. Even though Nien-Jen Wu (NJ) is perhaps the most accomplished, it's hard to find a weak spot in the cast. Issea Ogata (Mr. Ota) steals most every scene he's in with his exuberance. Elaine Jin (Min-Min) has a couple of tough, extended, emotional monologues and without the aid of editing she pulls them off marvelously and believably in a single take. Kelly Lee (Ting-Ting) brings a sense of subdued emotional subtlety that's indicative of skill far beyond her years. Jonathan Chang (Yang-Yang) practically steals the whole film with the straight-forward honesty he brings to the role of Yang-Yang. He's not adorable in the horribly fake, classic "precocious child" manner, but in a way that's much more truthful to the spirit and purity of childhood.

Yang's direction is masterful and quietly understated. He rarely attempts to draw attention to the camera, and it would be easy for the wealth of incredible shots to go unnoticed. One particularly unique technique is Yang's use of reflective surfaces. This has a remarkable effect of expanding the audience's field of vision, so often we're not only able to follow the story, but get a feel for the environment that's such a crucial aspect of any film. Other times it serves as a source of economy, allowing Yang to capture a scene with as little movement as possible. Beyond the mere shots, the editing is phenomenal. Yang expertly utilizes transitional devices to weave the diverging strands of his complex narrative together. One perfect example is the AV room "storm" film with Yang-Yang transitioning to Ting-Ting caught in a real storm. While devices like this may seem banal, it's the fact that they're never pronounced in a pretentious manner that allows them to serve the film and narrative rather than distract from it. One particularly brilliant narrative device is the comatose grandmother, which after being prompted by the doctors to talk to her the family takes turns revealing their innermost secrets and fears to her and the audience as well. Yang also puts a lot of trust in his actors by liberally utilizing long takes, such as NJ and Sherry's hotel meeting. Finally, Yang presents most of the film in a very patient manner. While he doesn't maintain as much narrative perspective distance from events as some of his contemporaries, he does often use a somewhat voyeuristic style that observes but doesn't attempt to actively involve. This often has the effect of capturing the environment which can speak as powerfully about a scene as what's happening in the story. Two obvious examples are Ting-Ting and Fatty's meeting at night near the road, and NJ and Sherry's meeting in the park. Yang's overall visual aesthetic of one of calm, meditative, and patient observance; certainly the opposite aesthetic of the common, modern ADD riddled Hollywood.

One final remarkable accomplishment I'll mention is how despite the near 3 hour runtime it almost feels too short. There are very few lengthy films I know of that have ever pulled of that trick; one is Kurosawa's incomparable The Seven Samurai, and that is indeed fine company to be in. As the credits rolled, I kept thinking how nice it would be to have spent more time in this world with these people. It's not that Yang doesn't provide a resolution; it's merely that the film is such a perfectly crafted world you might not want to leave.

Sadly, Edward Yang died June 29, 2007 from his long bout with colon cancer. He left behind a handful of masterpieces, including this film, A Brighter Summer Day and Mahjong. In closing I'll reiterate what I said in the opening: Yi Yi: A One and a Two is a genuine masterpiece from one of cinema's greatest and most unsung masters. All I can do is give it my highest recommendation and hope that more people discover one of the strongest candidates for best film of the 21st Century. It's one of those films that celebrates life, and will perhaps make you appreciative of the life you live and the people and places in it. Yi Yi has quickly become one of my absolute favorites and I only wish I could heap enough eloquent superlatives on it to reveal the greatness of this truly brilliant film.

DVD REVIEW:

As per usual, the Criterion edition is magnificent. After renting and falling in love with the film in the Fox Lorber edition I immediately bought the Criterion Edition and was stunned by the increase in quality. The visual transfer is pristine and perfect, but it's really the extras that should prompt a fan of the film to pick it up. The audio commentary by Yang and Tony Rayns is insightful and adds even more richness to an already gorgeous tapestry. The rest of the extras are equally welcomed, including Rayns's excellent interview where he discusses the New Wave of Taiwanese Cinema and Yang's importance in the movement as well as the extensive booklet essay.

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I will not plow the ground covered by others reviewing the substance of the film. Suffice it to say that Yi Yi is utterly compelling and merits five stars.

BUT -the Fox Lorber DVD transfer listed for sale here is unwatchable. This is not a video tech geek's mere quibbling over small details. I seriously mean unwatchable. The sound is garbled and distracting, even for those who rely entirely on the subtitles as I do. The image is dark, muddy and often so completely out of focus one cannot make out faces well enough to distinguish one character from another. Colors are garish and strange -in this version, much of the film seems to have been shot under cold blue buzzing fluorescent light. The rest -anything shot in subdued lighting -is a black hole without any visible detail.

I attempted to watch this DVD and gave up after about half an hour of frustration. This transfer never should have seen the light of day.

The Criterion Collection edition of Yi Yi is absolutely luminous and electric -and a sheer joy to watch. That's the one to buy!

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Another Earth (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2011)

I'm a cantankerous old goat, rarely moved to hyperbole, but I was simply enthralled by this film: totally absorbed throughout, except when I found myself chuckling giddily at the realisation I was watching a profoundly brilliant piece of cinema. The last time I had that sensation was in 1991 when I saw Silence of the Lambs. Another Earth is an utterly different film, but in its own way it offers, just as completely, everything that this medium of film promises and so rarely delivers.

In Another Earth, a new planet appears, close by, in the sky. In fact, it is another Earth, identical to our own. Thereafter, Earth II precipitates, frames and propels a delicate and desolate gravitational attraction between two irreparably damaged people. Irreparably damaged because the only thing which will heal them is the only thing that cannot: each other. Another Earth explores that relationship and, with the aid of the planet-sized metaphor, the ever-present path-dependency of our short, brutish existences.

This is an independent film: budgets are tight and much is shot, Blair Witch style, on a hand-held camcorder. The blown-out exposures, over-sharpened lines and noisy, boxy sound give the picture the feel of a student project. But science fiction with production values at zero is like silent film: if forces you to watch, and undistracted by dazzling computer generated images and 7.1 digital surround sound, you are drawn fully into the ingenious screenplay and the human resonances it explores.

Rhoda Williams is about to go to college. She's smart: she'll be an MIT astrophysics undergraduate, and she's handsome: not a million miles from a young Laura Dern. You might call her pretty, but she's by no means saccharine sweet. She is, however, tipsy: intoxicated not just with the promise of the path on which her young life is taking her, but with a little too much champagne. She gets in her car to go home. Rhoda takes her eyes off the road and gazes at this new Earth.

There is, of course, a ghastly accident. It brings Rhoda together with John Burroughs, a composer and a devoted husband and father who is the only survivor when Rhoda's car ploughs into his at a pedestrian crossing. Thus are their characters brought together and simultaneously flung apart by the centripetal force of their own damaged psychologies to the most isolated, remotest reaches of human space.

When John Burroughs emerges from his coma his reaction to his family's death is, well, to burrow: he retreats to the huge, draughty and decaying New Haven house, to drink, wither and die. He compounds his downward spiral with clutter: rubbish, bottles and piles of trash: the detritus of his life are the physical manifestations of his disintegrating psyche.

Rhoda emerges, after a similar period, from prison. Her spiral seems as destructive and hopeless as John's; she withdraws into herself and hatches various plans to escape the here-and-now altogether. Her more benign attempt is to enter an essay competition to win a seat on a probe to Earth II being organised by an Australian entrepreneur (yes, I found this odd too: perhaps this is a parallel universe where the men from down under won the space race). Rhoda also tries more damaging means of putting an end to her suffering, too.

While morosely visiting the scene of the accident Rhoda observes John Burroughs doing the same. He knows little of the details of the accident and nothing of Rhoda. She resolves at least to apologise to him, gets as far as his front door and, human frailty being what it is, fluffs her lines. Instead, she makes an excuse by dint of which she winds up in a distant, but ongoing interaction with Burroughs anyway.

Thence commences the tragic, and delicate, convergence of these lonely orbits. All the while that missing admission, like Earth II in the sky, looms ever larger.

Their burgeoning relationship, we know, is as flawed by human weakness as was the accident, and yet here are two people, with no alternative means of recovery and who offer each other great redemption, but only so long as there is this awful lie between them.

The film unfolds carefully, slowly and wondrously, without a false step throughout its length.

When I emerged from the cinema a giant gibbous moon hung low over the Soho skyline like another world, as if even the universe itself was pitching in to Cahill's metaphorical scheme. It followed me home, slinking behind the trees and between buildings, always there, watching my every step. It's still there now.

Beautiful, and profound.

Olly Buxton

This movie is very well done. No 3-D aliens and nothing exploded. Very thoughtful dialog and great use of the Science Fiction genre to tell a very human story. William Mapother (probably best known as "Ethan" in the seies "Lost") and Brit Marling (who has an economics degree from Georgetown an looks very comfortable playing the "smart girl" role)are very good. Kids will find this boring as will people that need helicopters in every other scene to keep their attention. But if you want to view deep characters in an interesting story, this is a jackpot. I gave this 4 stars but I'd call it a 4+.

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Why didn't this film do better at the box office? Was it the marketing or, was it was just too cerebral for most of the movie going public. Perhaps the trailer gave the impression of unremitting and unrewarded suffering. In the last case, be assured that there is true and well deserved redemption that comes with a twist at the end. Whatever the problem was, the fault was not the film. But, it prevented this movie from drawing an audience in numbers it should have. And that is a shame. Its failure at the box office will further dampen the spirits and limit the opportunities of truly original film makers. Don't let this happen. Buy this movie and reward intelligent, creative and thought provoking films that will provide a welcome relief to the normal mindless Hollywood fare.

Read Best Reviews of Another Earth (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2011) Here

brit marling is like a dream, and the movie is more like her beautiful but disturbed interruption upon wake: we, the viewers are watching her story unfold. this isn't like an ordinary 'movie', set so differently from real life, or that the actors are separated from their trailers and coffee breaks, to the players and costumes they portray. this is like watching a woman, behind a raspberry bush, following her as she walks through life, brilliant, suffocated, ashamed, gracious. she's the most beautiful, kind-hearted, warm-intentioned 'criminal' i've ever watched upon the screen and thus the most realistic. i've rarely been able to hold a piece of the actor's heart, and intentions, into my own personal life i've, sure, been able to escape into brad pitt's biceps in 'fight club', been thrown off guard by keira's rosy cheeks and beauty in 'atonement', wished my life could be as dangerous and wonderful as the scoundrels in gregg araki's films, but i've rarely felt as approachable to those characters. if i saw them in real life, i would most likely feel fat, ugly, unhip, unmodelesque, un-actory. brit is someone i Want to meet, be friends with, look at, despite her looks or actions. she isn't even acting, in a sense. she's connecting with another persona, but using her words, glimpses, thoughts, like she would as if making a present for her mum, presenting a graduation speech, listening to a friend as she reaches out in tears... she's all about connecting, and honesty. she's just like you and i if we could care less about weight, or impressing our parents deciding to be in a film and use a new kind of media for discovering about the poetry of life, science, space, people, pain... It's one of those films that will be overlooked, turned down, judged voraciously, but only because it isn't immediate, but it is also the most captivating piece i have watched in a long time. it wasn't uncomfortable, cliche, frustrating, nor depressing for me. it was inspiring to see her struggle, heart breaking to know i could be in that same situation and learn the same road lose my friends, want to die, feel honestly dis-tached from family, and take haven in others stories rather than my own. it was breath taking to see so many metaphors and music put together the cello playing every time brit entered the scene, tumbling on rocks, or the piano and cello chaotically together when she made love with the other. or the way the first human she saw after being set free... was a man in an alien costume. the irony. or how the astrophysicist chose to speak to the alternate Her from planet 2, asking about Astro Strawberries and when she was 7, instead of the terrified or panicked beacons that governmental employees are known to embark, when speaking to extraterrestrial forms. it's also infuriating how this got a 64 percent rating on Rotten Tomatoes, and that the general public found it dull, repetitive, and over-dramaticized, where i found it fresh, completely realistic, and clenching.

the kind of movie where blowing your nose or taking off your shoe a three second act that removes you from the screen was enough to make me rewind, and capture those seconds lost. the kind where after watching, i told everyone i knew in proximity all of my roommates and my friend that day later, to 'watch this movie, no matter what'. the kind that isn't even a movie, really, but a piece that i was fortunate enough to see, that didn't use gimmicks or flash to attract me, and is what movies should Aspire to be.

it's also one that will be a classic, cult or general, in years to come. the kind that isn't favored by the public or critics initially, but is well-traveled down the road, for being something new, broad, sweeping, and challenging. the kind where you Want to be in the main character's shoes, be gawked at by the same brother, make love to the same man, throw up elegantly on the same train toilet, stare at the same flock of birds, and tuck the same lock of hair behind the ear, but don't want to, because only she can be as beautiful and honest, as herself.

please give this another thought. at least appreciate it for it's power to invoke a primal emotion, rather than immediate excitement and then forgetfulness.

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This is a beautiful movie. I simply cannot get inside the heads of those who give this movie negative reviews. It is a beautiful concept, executed with sere, tender restraint. The primary character, Rhoda, is drawn and acted with authenticity. Brit Marling is phenomenal. If you like good movies, you will like this film.

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Deeper BD (2010)

I hope that Deeper starts a new trend in shred videos. What makes Deeper unique is that it offers the viewer a chance to see some amazing big mountain riding without having to sit through the usual embarrassing, self-indulgent, 10 minute long slow-mo montages of helicopters filming snowmobiles, helicopters filming other helicopters, etc. that you usually see in the big mountain videos. None of that stuff here. The riders in Deeper earn their turns, hiking and camping deep into the wilderness to get some of the most amazing lines ever captured on video. This video will really appeal to people that have a love for the mountains and enjoy things like mountaineering and backpacking in addition to snowboarding. But it also opens up a whole new world to all snowboarders, and sends an awesome new message to your average shred: you can find and crush epic lines, even right here in the lower 48, without the international flights, chartered helis and sleds that only pro-bros can swing...if you're willing to take on the hard work and research that it takes to get out there.

I don't want to dis anyone that loves to get out on the snow in any fashion. But there are a lot of different kinds of riders out there, and it is nice to see some much needed variety in shred videos to reflect that. It is great to see a big mountain snowboard video that isn't just a Warren Miller rip off, or (worse) a self indulgent fantasy of technology ogling and European alpine luxury to live vicariously through. Those videos are satisfying in their own way, but snowboarding is a diverse culture and we all benefit from there being more options out there. I hope Jeremy Jones is making Deeper 2 as I type, and I hope others will make more "earn your turns in uncharted territory" videos...and many other new styles too.

Classic Jeremy Jones, always bigger and better. This is well worth the money. If you like back country, powder, and EXTREME you will like this.

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If your a fan of skiing, or snowboarding alike, you'll love this movie. Jeremy Jones takes snowboarding to a whole new level in this film. With segments in Utah, Chamonix, and Alaska, this 2 year TGR project is exciting and awe inspiring. The movie has spectacular mountain views and places that have never been seen in a ski film before. You'll be on the edge of your seat from the very beginning. This is not your typical ski movie with Terrain park jumps and Helicopters. Jeremy Jones, Travis Rice, et al. hike every single one of lines, many times with technical mixed climbing gear like ice axes, crampons, and rope. So if your looking for crazy ski lines with un-tracked powder and good music. Definitely buy this DVD/Blue-ray.

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This movie is done in the documentary style of "First Decent ", but does a much better job of holding your attention and respect for the players. The cinematography is quite good as well; though there isn't much difference between BD and standard DVD on this one. Overall, this is definitely worth watching and gives you an appreciation for what Jeremy Jones is trying to accomplish.

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I got this for my boyfriend who is a HUGE snowboarding fanatic. Says this is " the best video ever"! great soundtrack as well

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Tiger & Bunny, Set 1 (2013)

In the future, there is an evolved breed of humans called "Next" with special powers. Sternbild City has found a good way to put these powers to use "Hero TV" a real reality tv show where superheroes are sponsored and ranked, with a "King of Heroes", a title that goes to the hero with the most points each year. Wild Tiger is a hero on the show whose popularity is on the decline, while his destruction bill is on the rise. Given one last chance at heroism, Wild Tiger is forced to partner up with the newest hero to join the show, the young and charismatic Barnaby Brooks Jr.

This show was so much fun. The concept behind Hero TV, while flawed, is brilliant. I've always wondered about who covers the bill when some superhero destroys millions of dollars worth of property. I am probably weird. But it is still a fun concept even if you don't wonder about that sort of thing. The characters were all distinct and the relationships very well developed. It was fun having a main character not in high school. Wild Tiger definitely embraces his inner child, but he can show maturity at times :) Actually, his development is one of the best parts of the show.

The plot moves along at a brisk place, sometimes slowing to flesh out the other heroes. The other heroes surprised me a little they were interesting characters. I kind of expected them to be background characters, but they are more developed then that.

I watched this series on Viz and have been eagerly waiting for the DVDs to rewatch the series with my sisters and/or friends (or by myself, I'm not picky :). This set contains episodes 1-13, out of 25 total. There are a couple of movies, but I don't know if they will be released stateside or not. The series ends really well though, so movies aren't necessary to finish the story.

This is the sort of show that can be enjoyed by people of all ages with all tastes. Do you like heroes? Bad guys getting their butts kicked? Comedy? Mystery? Tiger & Bunny has it all and much more! So go ahead and give it a shot :)

this is a great series, i have long awaited its release here in the USA. the series revolves around heros fighting to protect people. these heros are NEXTS(similar concept done by the armored core video games), anyway these nexts have special abilities but only become a "hero" when they have a sponsor, our hero tiger is long in the tooth apparently and down on his luck until a new sponsor takes him and partners him with Barnaby whom he calls "BUNNY" due to the pink points on his suit. they quickly become the only duo team to fight evil and uphold justice and this makes for great ratings (as the heros are watched on a tv show by the populous and win points according to deed, most heros have different abilities but tiger & bunny have the same ability weirdly enough.

this english dub was first vied on viz's new stream "NEON ALLEY" along with others such as blue exorcist, inuyasha, fairy tail, ect

this blue ray set 1 has roughly 12 episodes and is in high quality, while haveing 2 disks, so i predict at least 9 ep on disk 1 and disk 2 is ep 10-12 with special features. this is the common format as done by sentai filmworks and funimation releases.

also please note that like fairy tail this will be released in multiple parts(sets 1-8) and will be available in either dvd or blu ray , i hope we get up to 8 anyway.

look out for this amazing show, it is a fan favorite and if your not sure, watch episode 1 & 2 online to get an idea for the show

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Been waiting for the official release for this in America! Tiger & Bunny is truly one of the best shows ever created. It's highly original for an anime and anyone who's a fan of animation should watch it. The storytelling is fast pace and westernized while still maintaining the feel we all love in anime. Characters are diverse and actually look different from eachother. The art direction is practically flawless, and the japanese voice cast is top notch. Haven't given the english cast a shot but for those of you who are looking for it it's on there too. The blu ray has great updates in the some of the scenes that were lacking in the original release (Which you can see for free on Hulu) and everything is very crisp and bright. Overall a pretty good buy.

Cons? (Not related to Amazon or the series itself)

Well my main complaint is the packaging. While this seems like a total nitpick it's important to consider if North America wants to do a better job of marketing companies really need to take into account how well their advertising is. Honestly the dvd cover looks like something Viz gave to a kid who just discovered photoshop in high school. Or it looks like a bootleg I could pick up in New York from those guys selling dvds on the street. (i.e what is with the type and star background?!) Not the most alluring thing, especially for the price you pay. Yes ideally it is about the content inside which is actually great but for the money paid I would think Viz would've put a little more thought into how the case aws presented and marketed. Also, inside you literally open up the case and the dvds are right there. No pamphlet, no nothing. Just a little paper ad on Viz's neon alley. The package is the first thing a buyer is going to see when picking something up. And yes from and advertising point of view people DO judge a book by its cover (Honestly I don't know why the original Japanese packaging wasn't kept since the title is in english anyway.)

One other con is I wish bonus material was added and I'm not talking about the digital features. If anyone researched the European and Japanese releases there were goodies included in theirs. Just saying.

Read Best Reviews of Tiger & Bunny, Set 1 (2013) Here

In 2011, the anime studio Sunrise, best known for its anime series for "Mobile Suit Gundam", "Cowboy Bebop", "Dirty Pair", "City Hunter" to name a few, went on to work on anime series that would captivate older viewers but also something unique and different for anime fans.

And the 25episode TV series "Tiger & Bunny" was created.

Directed by Keiichi Satou ("Saint Seiya the Movie", "Karas", "Asura"), a screenplay by Masafumi Nishida, music by Yoshihiro Ike ("Asura", "Cobra: The Animation", "Dead Leaves"), character designs by Kenji Hayama ("Baccano!", "The Big O", "Casshern Sins", "Getter Robo: Armageddon") and Masaki Yamada ("Ergo Proxy", "Appleseed", "Great Dangaioh"), background art by Kinichi Okubo ("Ex-Driver", "Honey and Clover", "Angel Beats!"), mechanical design by Kenji Andou ("Origini ~Spirits of the Past~", "Votoms Finder"), Yoshikazu Kon ("Gurren Lagann", "Shangri-La", "Mobil Suit Gundam 00″).

The series aired in Japan on April 2011 and also was seen in the U.S. via Hulu and the Anime News Network. And most recently on Viz Media's "Neon Alley".

In Japan, a one-shot manga by Masakazu Katsura ("Video Girl Ai", "DNA2″, "Zetman") was published in "Weekly Shonen Jump" and in Sept. 2012, an animated film was released and a second film currently in production and planned for a fall 2013 release. Also, the anime series has led to a PSP video game released in Sept. 2012 and a second game planned for a March 2013 released.

And in the U.S., the first volume featuring the first 13 episodes of "Tiger & Bunny" will be released on Blu-ray in Feb. 2013 courtesy of Viz Media.

"Tiger & Bunny" takes place in NC1978 in the city of Sternbild City. 45 years prior, humans with supernatural abilities known as "NEXT" began appearing in the planet. And now, these people with special abilities and are superheroes sponsored by major corporations such as Pepsi, Softbank, Calbee, etc. and are featured on the popular reality TV show titled "Hero TV".

Each season, these heroes try to achieve points by capturing/defeating criminals and the best ranked superhero will be crowned as "King of Heroes". While each are competing with each other, often they work as a superhero team.

VIDEO:

"Tiger & Bunny" is presented in 1080p High Definition (1:85:1 aspect ratio). "Tiger & Bunny" is probably one of the best, recent anime TV series that I have seen in awhile. From the detail of the futuristic structures, the costume design for the characters in superhero form, the mechanical design of vehicles and costumes and just the many location shots utilized for this anime series alone, these days, you don't see too many anime studios going all out for a TV series, but in this case, Sunrise went all out with "Tiger & Bunny".

Awesome character designs, background art is fantastic but just the character and mechanical designs featuring animation and CG is well-done. The character designs catches your attention with the colors and shading but the mechanical design and the superhero character designs look awesome. Even the art backgrounds as the futuristic city is well-painted, full of detail and adds to the overall look of the series.

"Tiger & Bunny" looks magnificent in HD!

AUDIO & SUBTITLES:

"Tiger & Bunny" is presented in lossless English and Japanese DTS-HD Master Audio 2.0. Both are similar when it comes to special effects. Dialogue is crisp and clear but voice acting is well-done on both the Japanese and English soundtrack. While it would have been nice to have a 5.1 lossless track, especially since this series has plenty of action, the series does sound crisp and clear through the front channels.

SPECIAL FEATURES:

"Tiger & Bunny: Blu-ray Set 1″ comes with the following special features:

The Making of Tiger & Bunny(24:01) The challenges from the Japanese crew at Sunrise in creating a new anime series that would appeal to manga fans, longtime anime fans and trying to come up with a series that is fresh and new. In Japanese with English subtitles.

Production Art Using your remote (or keyboard), you can look at the production art of "Tiger & Bunny".

Special Logo Art Using your remote (or keyboard), you can look at the special logo art of "Tiger & Bunny".

Japanese Trailers (4:12) The Japanese trailers for "Tiger & Bunny".

Clean Opening and Clean Ending

JUDGMENT CALL:

As a person who enjoys anime, we have seen the team dynamic in many forms.

From the sentai teams of yesteryear, may it be "Gatchaman", "Voltron" to super teams such as the Z-Warriors of "Dragon Ball Z", the ninjas of "Naruto" or the high school friends as seen on "Bleach" and "Yu Yu Hakusho".

But one thing that we often see in America through comic books, animated series and live action films are the superhero teams. May it be Marvel's X-Men, The Avengers or Fantastic Four or DC's Justice League of America, The Teen Titans or Legion of Super-Heroes and it has always been in the back of my mind, what if there was a caped superhero for an anime series?

We have seen a singular costumed heroes from anime series such as "Moldiver" and shows like the Kamen Rider or even Ranger series but what Sunrise was able to create with "Tiger & Bunny" is exciting, unique and different from anything ever featured in Japan.

Humans with special abilities known as NEXT who take on the bad guys, but in a twist, are featured on television and challenge other heroes of who can catch the most criminals and get the most points to increase their ranking, as each compete for the title "King of Heroes".

The characters are nothing like American superheroes in the fact that these are individuals that are flawed.

The main protagonist Kotetsu is an older superhero who knows he is not a great father. He speaks to her on intercom but is never there to see her face-to-face and his daughter pretty much gave up on seeing him. He knows he causes trouble for the station because he causes quite a bit of damage and now, to help put him on the right path, he is given a partner with Barnaby.

And while Barnaby has a cool demeanor, a strategist who thinks first before attacking, he also has a tragic past that drives him to become a superhero and that is to find the killer responsible for killing his parents.

The two are joined by heroes that are interesting. Blue Rose is popular because of her sexy outfit and cute demeanor when fighting criminals but deep inside, she is torn between pursuing her dream to become a singer or being a hero. Dragon Kid is a tomboy and doesn't like to wear cute things, but as she gets older, she is starting to discover her feminine side. Meanwhile, Fire Emblem is an effeminate hero who wants to be accepted by the girls, but yet is considered as a guy. Rock Bison is more interested in partying with Kotetsu and getting drunk than capturing criminals and now he is in danger of losing his job because he is in last place. And Origami Cyclone, a shy guy who has the power to shapeshift but feels it's a worthless power and is more of a cheerleader than a person who does the fighting to capture the criminals.

Suffice to say, each of these characters are unlikely heroes but yet as a team, they are starting to work well with each other. But it takes time, and also, as much as they are a team when facing difficult criminals, they are also rivals trying to get the most points and representing their sponsors with pride.

"Tiger & Bunny" really is an anime series that is unlike anything I have seen before in my decades of watching anime.

And as for the Blu-ray release, picture quality is vibrant and colorful. Sunrise is known for creating magnificent looking anime series but "Tiger & Bunny" features wonderful character and mechanical designs and a great balance between animation and CG. I was really impressed with how cool this series looks. And you get both Japanese and English soundtracks in lossless 2.0 and a few special features are included.

Overall, the first half of "Tiger & Bunny" has turned out to be a quite awesome. A unique and original anime series that will entertain anime fans and one of the coolest looking group of superheroes ever featured in an anime series. A fantastic anime series that I highly recommended!

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watch this anime right now. do it. you won't regret it. ok? ok. Seriously good anime with good writing and great voice acting and visuals

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Lady Gaga Presents The Monster Ball Tour At Madison Square Garden (2011)

I too saw her show live twice and watched this on HBO. I wasn't expecting the magic of the live show to come across on TV but it actually did! Which once again proves what a stellar performing artist she is. The odd fashion choices and other dichotomous behavior aside, this woman is incredibly talented and will have a long career in any kind of music she chooses whether it be pop or jazz. I applaud her politics and hope more will listen to her message of love, compassion and understanding for all.

This is a great capture of the two year long, Monster Ball Tour.

I'm not going to "compare" Lady Gaga to her peers but I would like to say, what I feel makes her stand-out is her ability to connect with her audience. She does this by sharing stories and humanizing herself throughout the show. This rare ability puts Lady Gaga at a level all her own. She reminds us that shes a human being just like everyone in the crowd and that even when no one else believed in her, she believed in herself. The other aspect that makes Lady Gaga standout from her peers is her technical talent....she CAN REALLY SING! Her voice is powerful and emotive. She also plays the piano amongst other instruments. Gaga is a musicians musician and a pop star rolled into one.

Anyway, this show is half Broadway, half rock show, and a whole lot of entertaining. Several interludes are cut from the show and my personal thought is that maybe getting the rights to the samples used in those interludes were too expensive. The opening track, containing samples of "Finally" by Cece Peniston, was really awesome and I was sad not to see it. I'm taking off one star because I don't like a show to be altered or not fully captured when a dvd is released.

Overall, great show. If you missed it, definitely go see her live when you can.

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Not a big fan of Lady Gaga, or could I even call myself a little monster. But I am glad I made this concert purchase on blu ray instead of low res DVD. Even at 1080i, this is one beautiful picture! And I own many blu ray concerts and this ranks up there as the best. With all the different, brilliant colors there is no smearing or bleeding of the colors whatsoever. It is outrageously pretty to just look at!

The sound is presented in 5.1 or 2.0 Dolby Tru HD and is very impressive in the bass and surround sound envelopement.

If you own a blu ray player and like Lady Gaga, do your eyes and ears a favor and get this on blu ray instead of DVD. You will not be disappointed.

Or like me, become a new fan with this brilliant looking treat.

Crank it up!!!!

But hurry, before this blu ray is hard to find. Got mine as a Best Buy exclusive release when it came out.

Read Best Reviews of Lady Gaga Presents The Monster Ball Tour At Madison Square Garden (2011) Here

if you are looking for the unedited version in all its glory, go to the other item. Its cheaper anyway.

Lady Gaga Presents The Monster Ball Tour At Madison Square Garden

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Excellent! I am happy to have this dvd with me ... I could never go to monsterball for my geographic location and see this show hechp me feel even a little would have been like to be there! the picture is amazing:) I love gaga

Rio (2011)

A rare bird is kidnapped from his adoring owner, who must try to retrieve him. Along the way, the bird encounters various delightful, and some not so delightful, characters. Top notch animation, colorful visuals, and prudent voice selections highlight this animated delight. The storyline and the humor will appeal to adults and children alike, as I found myself getting a few laughs out of this one. The 3D effect is outstanding, and this is a movie for which you will want to lay out the extra expense for the 3D glasses. You don't need a babysitter tonight, as the whole family will enjoy this one.

My ratings are based mainly on the QUALITY OF THE 3D, not the video content.

GET THIS; There are about 145 out of screen effects that extend about 10% of the way, from the screen to the viewer and another 36 ranging from 15% to 25%.

The quality of the 3D, in screen and out is exceptional and the movie had my wife and I in stitches many times. This is defiantly a homerun by 20th Century Fox. For animated films, this ranks right at the top along with Open Season and Ice Age.

*** Put this one on your list to ***

*** add to your 3D collection ***

MY 3D RATING = EXCELLENT (poor, fair, good, very good, excellent)

Note: As far as the percentages go, everyone's eyes are different. What I see at 25% you may see at 15% or 35%. To fully realize how far something is out of the screen for you, pause on an effect and direct a partner with an extended finger to the tip of what you are seeing. You may be surprised.

Click on `' for the lowdown on other 3Ds

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The best single word I can use to describe the film Rio is 'vibrant' as it's the colors that really hit you. One can see why, when you're doing a story about birds, setting it in Brazil with its dazzling variety of brilliantly multicolored avian species is a truly inspired choice.

The story begins when a baby blue macaw in the Brazilian rain forest falls (literally) into the hands of exotic animal poachers and ends up being shipped to the US where, by a fortunate accident, he ends up being adopted by a young girl named Linda in a small town in, of all places, wintry Minnesota. A quick flash forward shows girl and bird, which she names Blu, growing up together, to fifteen years later where Linda is now an adult who owns her own bookstore. The thing is though, Blu, raised as a house-bird, never learned how to fly.

The plot really begins when a Brazilian ornithologist named Tulio comes to Linda's store, having learned from her web-site that she's the owner of Blu, who apparently is one of the last male blue macaws in the world. Despite getting off on the wrong foot with Linda, he eventually persuades her to come with him to Brazil so that they can mate Blu with a female blue macaw named Jewel that they've managed to capture. Once there, however, the mating plan hits a snag as Jewel wants only to escape back to her jungle and has nothing but disdain for Blu, who only wants to get back with his human. Further complications set in when both birds are stolen by exotic animal black-marketeers who intend to sell them to the highest bidder. The two birds, though chained together, manage to escape, but it's rough going, particularly when Jewel discovers that Blu can't fly and she can't fly away while she's chained to him, and the bird thieves are hot on their trail, right in the middle of Brazil's biggest and most flamboyant of all festivals, Carnival.

Director/writer Carlos Saldanha goes the distance in bringing some authentic Brazilian touches to the film. I particularly liked the way in which he brought out how everyone in Brazil is soccer-crazy, with good guys and bad constantly being distracted whenever a game is on.

The themes are familiar ones characters are thrust out of their familiar environments into ones they find strange and challenging, characters who don't get along but are stuck together learn to appreciate each other, danger threatens, help comes from unexpected quarters, fears are overcome, and so on but the characters in Rio are engaging and the story-telling is well done so you just lean back and enjoy the show. And Rio is a true visual pleasure to watch just for the sheer vibrancy of its colors and for the exotic setting of Rio de Janeiro during Carnival.

The voice actors for the most part do a creditable job bringing their characters to life. The stand-outs are clearly Jesse Eisenberg (The Social Network) as Blu and Anne Hathaway (The Devil Wears Prada) as Jewel, who succeed in not only bringing out the individual personalities of the two macaws but also make you believe in the way the two birds gradually begin to accept and relate to each other. But Leslie Mann and Rodrigo Santoro are also exceptional as the humans Linda and Tulio, Mann for bringing out Linda's mix of independence and introvert and Santoro for Tulio's engagingly manic if clumsy extrovert. Comedic actor Tracy Morgan has fun voicing Luiz, a Carnival-loving bulldog whose bark may be worse than his bite but whose drool trumps both. And Jermaine Clement (Flight of the Conchords) adds a deliciously nasty touch as the villainous cockatoo, Nigel.

(Note: I was wondering why a Brazilian cockatoo was talking with what sounded like an Australian accent, but I later found out that cockatoos are in fact of Australasian origin. So chalk up another point for Rio for being educational as well as entertaining.)

The songs are enjoyable if largely forgettable but nicely add to the Brazilian atmosphere. The stand-out exception is the song Nigel sings (as near as I can tell, it's simply called "Nigel's Song") where he explains why he is "not a pretty bird". There seems to be some kind of rule, in recent years anyway, that in any animated musical film, the bad guys always get the best songs.

Highly recommended for anyone who enjoys beautifully colored animation, engaging characters and good basic storytelling.

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Rio is bright, colorful, lively, and full of music--exactly what one imagines when they think of Rio, Brazil, Carnival Capital of the World.

Sure, some of the other (more critical) reviews you'll read on Amazon will gripe about forced themes and whatnot, but, really, all this movie comes down to is fun and finding love (for both the avian and human characters).

Remember, folks, these animated movies, although certainly entertaining for (and meant to include) adults, are really targeted for children.

My kids give it 5 Stars and can't wait to have their own copy. They loved all of the characters--even mean, old Nigel--as their personalities are just as colorful and varied as what is viewed on-screen.

The animation is beautiful and the storyline understandable--a plausible explanation for how Blu got to Minnesota, why he's afraid to fly, and why he needs to go to Rio.

A great movie for little and big people alike!

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When I first heard of Rio my expectations were not high, never the less I wanted to watch it, mainly because of the Studio them self i loved Ice age so i though i would give Rio a chance.

How ever my mind was blown with in the first few moments of the movie actually starting, it was a stunning and vibrant welcoming in to the movie with a exhilarating song to go with it.

Now from the moment i fount out that Blu (Jesse Eisenberg) was the last of his kind and had to mate with Jewl (Anne Hathaway) I had figured out the story but that did not stop me from watching on, and thank god it didn't, though the story was predictable it was told in a magnificent way so much to make want to watch it again.

Moving on to the cast it self, it was not until I looked at the cast list did I see what great performers were playing in the movie, this was down to that i was so took in with the characters it totally slipped my mind to think who there voice actor was, and i was even more surprised when i saw that Jesse Eisenberg played Blue, he was great in the Social network so I was shocked I didn't pick up on him while watching the movie.

Before I conclude this review I would just like to say that the music in this movie was breath taking through out, and at no point did I feel the movie was out of place or was too in your face.

Overall this is a great movie, great for the entire family and if you are on the fence on if to watch this or not then let this be the final push to convince you to watch this as i promise you will not be let down.

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My Neighbor Totoro (1988)

I have been a huge Miyazaki fan for nearly twenty years now, but I am ashamed to admit that I have only now seen MY NEIGHBOR TOTORO for the first time. The reason is a good one, as reasons go: it was the last important film by Miyazaki that I had not yet seen, and I was saving it for a special occasion. I love seeing again films that I have loved the first time through, but there is always a special magic to seeing a film for the first time. Unfortunately, I now no longer have any Miyazaki films to see that I haven't already seen (at least until he finishes his work-in-progress, which has been given the tentative English title HOWL'S MOVING CASTLE). Fortunately, MY NEIGHBOR TOTORO was worth the weight.

How does this film compare with Miyazaki's finest films? This is a hard question, because he has a large number clustered at the top, all of them excellent. I would be hard pressed to say this was better or worse than any of a number of others. However, each film is distinguished from the others by the mood and tone of the film. MY NEIGHBOR TOTORO may be the gentlest and most peaceful of all his films. True, the girls have moved to the countryside with their father because their mother is in a nearby hospital recovering from a rather vague illness, and the forest is haunted, but the illness is never perceived as especially worrisome (except near the end, when a slight cold prevents her making a brief visit home, provoking a crisis with her daughters), and the spirits in the forest are remarkably benign and benevolent. There is nothing like the ecological apocalypse in THE PRINCESS MONONOKE and NAUSICAA OF THE VALLEY OF THE WIND, or the parents who have been transformed into swine or threatening spirits of SPIRITED AWAY, or the armed conflict in CASTLE IN THE SKY. The world in this film is a loving world, all the way down to a remarkable creature that is a cross between Lewis Carroll's Cheshire Cat and a school bus (literally).

Miyazaki's animation is truly in a league of its own, and I mean that as strongly as possible. It has been decades since the Disney studios were capable of a fraction of the more challenging sequences that Miyazaki seemingly animates with ease. For instance, the wind and storm the first night the children spend in their new home display effects that Disney hasn't attempted since the more marvelous scenes in BAMBI. The way the wind is portrayed as moving through the tops of the trees, the hint of spraying mist, the manner in which the wind moves like a wave over the grass, the shuttering of the house under the assault of the air, are all things of remarkable artistry. Even more remarkable is that after this brief display of mastery, Miyazaki doesn't feel the need to build a huge storm with rain and lightening, but has the wind subside and give way to brilliant white clouds sailing across a moonlit and starry black sky.

Of all Miyazaki's extraordinary gifts as an animator and a storyteller, his greatest virtue might be his patience, and this is something he holds in common with many of the Japanese animators. American animated films are almost always frenetic affairs, in a great rush to fill the screen with activity, and in a hurry to get to the next part of the story. American animated films seem to be more interested in where they are going than in how they are getting there, while for Miyazaki the journey is the far more important part of the film. Certainly one reason for this is the distrust of the American film industry of the patience of the viewers, as if they are in abject terror of small children squirming in their seats if the story doesn't get a move on. Miyazaki, on the other hand, respects his viewers, and is confident that they won't give up on a film simply because the story moves at a steady pace. In MY NEIGHBOR TOTORO, one of the sisters will begin to enter a room, look from one side to the other, take a step, look around again, and gradually and slowly discover what is inside. In many American films, a child would simply explode into the room and that would be it. As a result, every moment of the film becomes a discovery of marvelous and wonderful things.

I would say that this is a very special film by a very special filmmaker, except for the fact that for Hayao Miyazaki special seems to be the norm.

This is an excellent childhood story unrivaled by any since "Peter Pan". The plot involves Satsuke, a girl on the cusp of womanhood, moving into the country with her father and younger sister Mei, where she discovers a child's realm of wonder and make-believe running in parallel to the adults' mundane everyday existence. The family's rickety cottage is filled with easily frightened dust bunnies, and deep within the tangle of roots and branches, in a safe hiding place only a child can access, Totoro, a benign forest creature, makes its lair.

The story is a real jewel, simply, elegantly told. The art is of extremely high quality, excellently detailed, bright and clean. The characters are especially well-depicted, complete with expressive body language and realistically animated. In part because of the excellent dub, they are all sympathetic and deeply human, instantly recognizable as real people around us.

Especially evocative is the portrayal of the children's make-believe world, full of things and places that are there only if you believe in them, like the giant Totoro and his entourage of two tiny, roly-poly furballs, and the magnificent "cat-bus" with great shining eyes and two mice announcing the next stop the exact place you want to go.

A fantastic, enchanting examination of a child's mentality, that is also a mainstay family film.

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As parents, we've been buying lot of Disney animated movies for our kids (9 and 2 year old). Then one day we saw this cute litle creature on the cover of this Japanese video cover, I decided to buy it and what an investment that was. From that momemnt on we fell in love with every single charecter of the movie, yes, there is no need for a villain in this movie, no bad guys, and the movie still great, Disney should take note of this. Totoro came into our family life such as a fresh breeze and gave us a total new look on kid's movie, more magical than any Disneyesque stuffs we saw in the past. The story was so original, the rural Japan backgound and the school scene reminded me Viet Nam of my youth ( yes , Viet Nam, when there was no fighting nearby). I wept when the kids cried and laughed throghuout the movie, specially my 2 year old. She must watch it every night before she can sleep.

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What more can be said about MY NEIGHBOR TOTORO? Get this movie. Immediately. Without a doubt one of the best animated features ever made, Japan or otherwise, TOTORO is an outstanding original creation from Hayao Miyazaki and Studio Ghibli.

It's about two sisters -Satsuki and spunky little Mei -moving with their somewhat scatterbrained but loving father to a new home in the Japanese countryside. But the place isn't just deserted; wonders galore lie within their household. Tiny, fuzzy black balls of soot ("dust bunnies", or "soot gremlins", depending on which dub you watch) scatter every nook and cranny of the walls, frightened away only by laughter. A tall, luscious camphor tree towers above the other trees in the back yard. And, lastly, the Totoros themselves, absolutely adorable little creatures who look like a cross between a raccoon, rabbit, owl, and guinea pig (a personal bias here, since I used to own one who reminds me so much of the Totoros here), live in this very forest, carrying acorns, making huge trees grow at night, and playing ocarinas on the branches of the trees. There is even one really BIG Totoro who sleeps under the tree, so cuddlesome and gentle that you'll swear that he's the equivalent of your pet. Of course, he doesn't just allow Mei to snuggle on his chest. He lets out thunderous roars, shake the ground by jumping with full force, grins as wide as a Cheshire cat (albeit with warmth and generosity), helps others when they're in trouble, and gives acorns wrapped in bamboo leaves in return for gifts.

The story isn't all hearts and flowers, however. An emotionally charged subplot involving the sisters' ailing mother (shades of Miyazaki's personal life here) gives TOTORO a dramatic edge. This is particularly evident in the third act, when the girls receive a distressing telegram about their mother. Both Satsuki and Mei are extremely traumatized by this as any real child would be if such a situation occurred in their lifetime. What follows is a tearjerking sequence that builds to a truly happy ending. This mixture of real-life situations, emotions, and magical discoveries found in your nearest back yard make TOTORO feel authentic (even with its fantasy elements). One cannot help but find this quality in any of Miyazaki's films, this one included.

MY NEIGHBOR TOTORO was not a box office success in either Japan or America, but the film has won over millions of children around the world as well as animation buffs for its gorgeous animation style; the backgrounds are lavishly detailed and imagination is galore in much of the sequences. (It was KIKI'S DELIVERY SERVICE that would catapult Miyazaki's animation company, Studio Ghibli, into box office success status.)

The movie was originally dubbed into English by Carl Macek and his infamous company, Streamline Pictures in 1993. Believe it or not, this was one of the "best" dubs they've ever produced, with everyone involved, particularly Lisa Michelson and Cheryl Chase as Satsuki and Mei, turning in very fine performances. As Disney has acquired the rights for Ghibli's movies, though, it was inevitable that they would produce their own version. Many longtime fans of the former version were furious, declaring that the Disney version is an abomination of something from their childhood. However, I beg to differ. As someone who fell in love with TOTORO with the Mecak version, I have to say that this new Disney production is entertaining in its own right. The script is a fresh new translation from the original Japanese (clarifying the origin of Totoro's name), and remains faithful to the meaning of Miyazaki's screenplay, despite a few line changes here and there (nothing major, though).

At first, I was a little worried about hearing Dakota and Elle Fanning as Satsuki and Mei, but both ended up captivating me from the start; personally, I think it was great for Disney to cast two actual sisters to play the young girls--it helps their chemistry come alive. The other actors, including a warm, understated Tim Daly, and delightful Lea Salonga provide similarly top quality work. My favorite performances? Pat Carroll, displaying maternal charm and whimsy as Granny (not sounding anything like her most-famous role, Ursula from THE LITTLE MERMAID), and Frank Welker, who does outstanding vocal foley for both Totoro and the Cat Bus.

Probably the only (minor) false note of Disney's dub is in the handling of the opening and ending songs. The translated lyrics are the same as in the FOX version, but the singer is different. Unlike the warm tones of the nameless singer who delivered "Hey Let's Go" and the showclosing "Totoro", respectively, these songs are instead handled by one Sonya Isaacs. Her voice is competent enough and she hits high notes appropriately, but her approach to the opening song has more of a "gung-ho" attitude and as such, is a bit less charming. She does fare a little better in the ending song, particularly in the bits that she harmonizes parts of the last couple of verses. One other difference is that the songs sound more crisper and vibrant in the new dub but come across as somewhat scratchy-sounding in the older one. So, basically, there are pros and cons to both versions: one is more soothing but more "old" in terms of clarity, while the other offers technical improvements but not so much on the singing end.

Otherwise, however, there really aren't any major quibbles I can find with Disney's dub of MY NEIGHBOR TOTORO. There is no denying that the FOX dub is a classic of its time, but the newer reinterpretation is by no means a disservice. While the arguments over which version is superior may rage on until the very bitter end, it's obvious that the creators of both dubs are fans of Miyazaki, and it shows in both takes. Each takes their own approach to the story, and are neither better nor worse. They simply are what they are.

FOX's initial release of MY NEIGHBOR TOTORO was a pan & scan DVD which contains only the Streamline dub and zero extras. The first two-disc DVD set from Disney provided a widescreen presentation of the film as well as the original Japanese language track. So in a way, it seems curious that a *third* DVD release is planned. What really makes it worthwhile are the extras on the second disc--this is the most that TOTORO has ever had in any of its DVD incarnations. Of course, if you already own either DVD release, then this newest edition may not be necessary.

Either way, however, MY NEIGHBOR TOTORO is far from just another kid's story. With a little bit of luck, grown-ups (and those who consider themselves too "sophisticated" for cartoons) will enjoy it too.

Want My Neighbor Totoro (1988) Discount?

Japanese animated feature about two young girls who meet a supernatural creature, or spirit, named "Totoro." Director Miyazaki's talents shine in this movie with beautiful animation and simple pleasures. The story is set in the late 1950's when a college professor moves to the country with his two daughters who are approximately five and eight years of age. The family is happy for the most part, but their mother is confined to a hospital for an illness not identified in the story. The girls are enchanted with their new home, an old spacious house situated in the country, surrounded by farms and forests. Unusual events begin to take place with mysterious little creatures running around the house and strange winds and noises outside the house at night. Eventually the girls discover Totoro, a large mythical creature who looks like a cross between a bear and rabbit; he's big! Mei, the youngest of the two girls, meets him first and she's the one who names him "Totoro." Satsuki, the older sister, meets Totoro later in the film while waiting for her father at a lonely bus-stop during an evening rainstorm, which is probably the most enjoyable scene in the movie. With Totoro are his two little brothers, miniature versions of himself, and a giant cat who looks like a bus. Totoro and the giant Catbus come to the rescue when Mei is lost in the country after running off in anguish to look for her mother at the hospital, and Satsuki is in dispair trying to find her sister. The story is simple and it's enchanting.

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The Preacher's Wife (1996)

As a rule I dont tend to warm to remakes of classic films however the Penny Marshall directed Christmas story "The Preacher's Wife", is a definite exception and has become one of my favourite festive season viewing experiences. Based on the classic Samuel Goldwyn film "The Bishop's Wife", which starred legends Cary Grant, Loretta Young and David Niven, this 1996 effort has a charm and slant on the essentially same story all its own. Denzel Washington in the role of an angel sent down to earth to sort out the life of a preacher who has lost sight of what really is important, is a most worthy successor to Cary Grant in the original film and Whitney Houston in the female lead displays a warm screen presense and great musical talent that couldn't be bettered in this type of story. Amazingly I only saw this film for the first time 3 years ago but it has become a firm favourite of mine ever since. Combining a traditional and much loved Christmas tale with some truly wonderful gospel singing gives this effort a really upbeat feel which however never sacrifices for one minute the more touching aspects of the story.

"The Preacher's Wife", focuses on the parish of St. Matthews run by Rev. Henry Biggs (Courtney B. Vance), a well meaning and dedicated preacher who has been trying to be all things to all people in his needy area. Along the way through court cases for wrongly convicted minors, leaking furnaces, and offers by local big wig Joe Hamilton (Gregory Hines), to "upgrade", to a new flashy parish of the future, Henry has lost sight of his wife Julia (Whitney Houston), and their small son Jeremiah (Justin Pierre Edmund). Just when things look the blackest and Henry feels he is acheiving nothing an unexpected answer to his prayers for help comes in the form of debonair stranger Dudley (Denzel Washington), who has a hard time convincing the embattled preacher that he has been sent down to earth by "the big guy", to help him with his problems. Dudley has his work cut out for him as Christmas approaches and Henry gets more and more ground down by his duties in the parish. Dudley begins to provide the warm understanding companionship that Julia craves much to the growing alwarm of her well meaning mother Beverly (Loretta Devine). The pair go skating, and even go out at night to the jazz club where Julia used to perform and where Henry proposed to her. Warned off by Beverly, Dudley begins to see that he is falling in love with Julia and that that was not why he was sent back to Earth. Some well timed intervention in Joe Hamilton's crass plans for Henry makes the preacher begin to see where his real value is and what is important to him, first and foremost his family. All things come together for the Christmas pageant and service where Henry reaffirms his faith in God and his family and his place in the world. Dudley realises his work is done on earth and in a poignant finale blesses the family with a beautifully decorated Christmas Tree after which they will not recall his presense in their lives at all. Dudley attends the Christmas service at St. Matthews but the adults have no memory of him, however Jeremiah still so young at heart does still know him and wishes Dudley a Happy Christmas before he returns to Heaven with his task successfuly completed.

A truly inspirational and touching story filled with some beautiful music and comic pieces is the best way to describe this beautiful little movie. I love all three lead performances here and it's a joy to see Denzel Washington, normally the star of some intensely dramatic films, in such a charming and light hearted role as Dudley. He displays a fine comic talent and teams especially well with the other two leads. If ever there was a proper successor to Cary Grant in this role then Denzel Washington is it. Whitney Houston does very well in the role of Julia and she displays a nicely touching persona especially in her scenes with her screen son. She of course comes alive in the musical numbers many of which she produced herself. I've become a big fan of gospel music after her terrific rendition of such numbers as,"Step by Step", and especially the show stopping "I believe in you and me". Courtney Vance playing the earlier David Niven role of Henry is also excellent and his performance contains alot of the dramatic meat of the story as the essentially kind hearted preacher who is torn too many ways and sees himself loosing his family. His work with Denzel Washington in particular is note worthy especially in the scenes when he can't seem to understand just "where", this mysterious helper has suddenly come from. Other standouts in the cast are Jenifer Lewis as Julia's mother in a very funny performance full of great lines and wry observations about what is happening in the Biggs household, and Gregory Hines as sharp business man Joe Hamilton who in turn is also affected by Dudley's presense in his previously rather shallow life. The look and feel of "The Preacher's Wife", makes it a wonderful newer Christmas viewing experience and much of the credit goes to the church scenes with the St. Matthew's choir taking centre stage. Their singing and expert handling of all the gospel music is perfect and really gets you into the feel of the season.

As a "modern", Christmas story I personally feel "The Preacher's Wife", is a most worthy successor to the well known and greatly loved earlier classics like "White Christmas", and "Miracle on 34th Street". Taking a very different slant on the story than the earlier 'The Bishop's Wife", it manages to be wholly original in its own way and makes delightful seasonal viewing. Try and see this touching film next Christmas and I'm sure it will become a treasured part of your holiday viewing like it is in my home.

Fine and uplifting remake has everything going for it. A great leading man (Denzel Washington) and a great cast of characters that will lift your sprits when you are down. Great support is giving by Courtney B. Vance and Whitney Houston, and the soundtrack by Miss Houston is simply amazing. See it, and let a smile come a cross your face.

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The Reverend Henry Biggs is a good man who's doubtful about his ability to make a difference in his troubled community and home. Help is on the way in the form of an angel named Dudley who soon becomes the source of and solution to their problems. This movie is wholesome, great family entertainment with a good message. I absolutely loved it.

Read Best Reviews of The Preacher's Wife (1996) Here

I'm fond of the original of this film; "The Bishop's Wife". But, contrary to your own reviewer, I think this film is just as good, and an excellent update with lively gospel/jazz musical score. Ok, it may be too sweet for some people. But the cast does a great job with the material, which is clean, non-violent comedy focused on family values and which sends you out with your feet tapping to a great jazz rendition of "Joy to the World".

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A few years ago I picked this up at a record (OK-movie, CD, DVD) store when the sales were good because the business was collapsing about their ears. Hadn't seen it until this (2011) Christmas season when I reached it in the unwatched section of the movie shelf. Naturally, I learned what I presumed many already knew. It was intended to be, and it is, a welcome addition to the regular movie fare for Christmas. Can't imagine why we should try to compare it with the Cary Grant-Loretta Young version. Different generations, unique performers, quite different socio-cultural reference and quite similar warmth. Denzil Washington is not Cary Grant; Cary Grant was not Denzel Washington (in white face). There was no Whitney Houston in the older film, there is no Loretta Young in the new one. Enjoy each when you are in the mood for one or the other.

No doubt the star of the film is the music. Whitney Houston leading a church choir or Whitney Houston in a Jazz club makes no difference. She IS ONE CLASSY SINGER. The singing with and without Ms. Houston is stimulating and satisfying. Nothing in the film can beat it; but, it makes everything else in the film better than it might otherwise be. Perhaps surprisingly, despite the number of singer/actors we have had, she also does a fine job as the Preachers Wife, who is getting a bit tired of the lack of a private life with the minister (although, with a father in the same profession, one would have thought she would have expected i)t. Denzel Washington is charming as the Angel; no room here for his normal intensity, but he fills the role well. The Preacher's role is competently handled as is the mother's; they both make solid contributions. Those handling the two little boys are to be congratulated. The boys are cute without being cloying or annoying. Hard to achieve. Gregory Hines gets to play the, was it Henry Travers', role in a Father O'Malley film, requiring nasty turned saintly (more or less). There is no way to be more than OK in such a role

All in all, therefore, this is a family picture, so-called, well worth a family viewing around the Christmas holiday (or any other time, for that matter). Don't expect a film for the Hall of Fame equal to Citizen Kane; do expect a light, good-spirited, musically satisfying, little film worth watching when in the mood.

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Fear and Loathing in Las Vegas (1998)

I find it sad that much of the country bases it's movie selections on the opinions of hacks like Leonard Maltin. I can see why this wasn't a mainstream success due to it's waaaaaay out in left field mentality, but because of all the negativity this great film remains unseen by many. As people come around to the acting genius of both Johnny Depp and Benecio Del Toro (and they will), they will inevitably want to see their earlier works and then, finally, they will see what all the hype wasn't about.

Terry Gilliam absolutely NAILED Hunter's book. The visuals are incredible and alarming. The angles, strange and enticing. I heard that they filmed this movie without a script, just the book in hand. After reading the book, I believe trying to write a script for it could have severly dampened the impact.

Now for the drug use... If you are the type of person who realized that Fight Club wasn't really about the fighting, then you will also realize that Fear & Loathing isn't really about the drug use. According to the big dog movie critics only a stoner will appreciate this movie, which leads me to believe that only idiots become professional movie reviewers.

If you appreciate ground-breaking cinema, truly innovative directing, first-rate acting and are looking for something different... the ramblings of a gonzo journalist could be just the thing.

This DVD finally gives one of Terry Gilliam's lesser-loved (but brilliant!) films the red carpet treatment. The commentary from Gilliam is crazed and passionate; Depp and Del Toro really show off their wit, charm, and intelligence along with producer Laila Nabulsi's back-stage insight, and the last commentary is a rather odd and screwball one from Thompson himself. I won't tell you a thing about the last commentary. You've got to buy this and check it out on your own. (Here's a hint: 'Screeee-ahhhh! Raaaaaaaagh!' *other assorted sounds*)

The second disc is crammed with some great goodies as well Depp reads letters written to/from Thompson. There's a great BBC documentary showing HST and Ralph Steadman undertaking a trip from Las Vegas to Los Angeles. Another gem is a snippet from an audio-book recording of Fear & Loathing with Jim Jarmusch as Raoul Duke! All definitely worth it.

Fear and Loathing isn't just a drug movie (as all the extras on the DVD will reiterate over and over again) it's a truthful, imaginative, twisted, and subversive take on the death of the most idealistic decade and generation. We get to see it all through the eyes of two renegade professionals, one a journalist and the other a lawyer, both fighting the good fight against scum and villainy.

We can't stop here! THIS IS BAT COUNTRY.

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A Review of the DVD: "Fear and Loathing in Las Vegas"

Starring:

Johnny Depp,

Benicio Del Toro

Director: Terry Gilliam

Writing credits:

Hunter S. Thompson (book)

Terry Gilliam (screenplay)

Tony Grisoni (screenplay)

Tod Davies (screenplay)

Alex Cox (screenplay)

Run Time: 118 Minutes

Released: 1998

Hunter Thompson practiced total immersion journalism. He called this form reporting gonzo journalism.

Hunter Thompson drove to Las Vegas to report on a motorcycle race and ended up writing a story about himself writing a story about a motorcycle race. If he would have written a conventional report on motorcycle racing it would have been interesting to motorcycle enthusiasts for a few days. Since he wrote a gonzo story he had a very wide canvas and he used it well to create a classic.

Johnny Depp and Benicio Del Toro do justice to the outrageous characters created by Hunter S Thompson. The reader might be turned off by the obstreperous behavior, extreme self indulgence and offensive inconsiderate language. If you can look past this offensive conduct and you will see that Hunter S Thompson gave us an insight into the American character of the 1970's.

See also: Hell's Angels: A Strange and Terrible Saga (Modern Library)

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

Fear and Loathing in Las Vegas

I completely enjoyed this film and recommend it to others.

Read Best Reviews of Fear and Loathing in Las Vegas (1998) Here

It was upsetting to see the only review of this title was not a review at all but a complaint against amazon so I had to put in my two cents. This movie has some of the best performances from Jonny Depp and Benicio Del Toro and Terry Gilliam directs one of his finest films ever. Too bad this one was missed by audiences in 1998 when it quickly came and went from theatres after the first week. If you like Hunter S. Thompson and movies like The Big Lebowski, you'll want to make sure to add this item to your movie collection. The HD transfer alone is worth purchasing this version, but make sure to check out the Criterion DVD which contains interviews from Hunter S. Thompson as well as a full movie commentary that's as entertaining as the movie itself.

Want Fear and Loathing in Las Vegas (1998) Discount?

If, when you rent this film, you are expecting a Cheech and Chong film, think twice. People frequently compare the two, but Fear and Loathing is not only infinitely better, it is not the screwball comedy everyone seems to think it is.

Johnny Depp plays Raoul Duke, alter ego to gonzo journalist Hunter S. Thompson, who wrote the book this film is based on. He is sent on an assignment by Rolling Stone to cover a motorcycle race in Las Vegas. Coming along for the ride is Dr. Gonzo (aka Oscar Zeta Acosta), Duke's repulsive attorney, played by Benicio del Toro. The two rent a very expensive convertible and bring along with them a case full of illegal drugs.

The film is essentially the journey of two drug-fueled madmen through one of the most unfriendly cities in the country, but it's also a study on what life was like in 1971. In the end, as funny as it may be, it's really a docudrama. Gilliam directs the film in his classic "nightmarish" style, creating a truly hellish vision of America. But the biggest surprise of all is how true the screenplay is to the novel. Sure, like any adaptation, some good stuff is taken out, but if you compare what's written down, there isn't that much of a difference.

Most enjoyable, however, are the performances. Johnny Depp is hilarious as Duke and Del Toro, despite how disgusting his character is, is nothing short of a scene stealer. The film is also ripe with cameos, the most memorable are the ones delivered by Harry Dean Stanton, Tobey Maguire, Gary Busey, and of course, Flea of the Red Hot Chilli Peppers.

I recommend this to any Gilliam/Thompson fans, though in order to enjoy it, you need to watch it in a generally filthy atmosphere, and for some of you, you may need to see it more than once to really appreciate this. Overall, Fear and Loathing in Las Vegas is a very good film filled with moments that stick with you for a long time.

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