Showing posts with label cheap blu ray 3d movies. Show all posts
Showing posts with label cheap blu ray 3d movies. Show all posts

Thursday, October 9, 2014

Frantic & Presumed Innocent (2010)

Frantic & Presumed InnocentUnfortunately Amazon has just combined the reviews for the old and new Blu-Rays of FRANTIC, confusing things even more.

The one for sale here as "Frantic & Presumed Innocent", with a released date of May 31, 2011, released a year after the original, is a corrected version. The first disc accidentally replaced the English audio track with the French audio track. For more details on the differences, see my review on the page for the original disc.

After I was unsuccessful in getting Warner Home Video to fix the mistake, I contacted Roman Polanski's office in Paris. They got involved, and within two months a new Blu-Ray was issued.

Note that if you see this new version in stores, it will have the same packaging. The difference is a sticker placed over the barcode.

THIS IS WHAT TO LOOK FOR to distinguish it from the old defective one:

The old number under the barcode is:

8 83929 10637 0

The NEW number under the NEW barcode is:

8 83929 20395 6

Bought it for Frantic as I like Polanski's movies.

The movie is ok but flawed (the end feels off) and did not age very well.

The image quality is not good.

Buy Frantic & Presumed Innocent (2010) Now

I was thrilled when these two finally came out in Blu-Ray, Especially "Frantic" because the original did not have subtitles. This is one great two-fer !

Read Best Reviews of Frantic & Presumed Innocent (2010) Here

This episode has caused me one hell of a headache:

1. I also had the faulty audio version as part of an order late last year 2010.

2. I only found the problem recently and on checking the feedback here, realized that I was not alone.

3. I contacted Customer Service by email and they agreed to replace the item at no cost to me. I carefully explained that there was a new version of the Blu-ray which I of course wanted as my disc was not just 'one-off' defective.

4. A new order was created, but on checking my account found that the new order was infact for the same faulty version.

5. Once again I contacted Customer Service, this time by the "CHAT" method. After about one hour of discussion, I think I have a resolution, but to get there was an epic and I'm still not convinced that the message has gotten through that there are two versions of this Blu-ray in their system, one of which is a re-issue by the manufacturer of the previous defective one.

6. The simplest solution to this, was to cancel the new replacement order of the faulty title and for me to manually re-order the newer version. For some reason, they were not able to simply swap in this order to the re-issue!

I've been assured that I'm still going to get refunded for the original order.

7. Assuming that my replacement is okay in all respects, I've still only given this Blu-ray 4 Stars as I don't think the VIDEO

on both the contained movies is as good as many of the titles that are being re-issued.

It's certainly not bad, but nothing like the apparent original resolution that is being realized these days. Infact I maybe going out on a bit of a limb here, but video wise, this Blu-ray release is no better than what would be available on a standard DVD. The advantage though I suppose, is getting the two movies on one disc.

8. Why the original, which has obviously been acknowledged by the manufacturer as defective is still in the system, escapes me.

Want Frantic & Presumed Innocent (2010) Discount?

Saturday, September 6, 2014

Legend of Zorro & Mask of Zorro

Legend of Zorro & Mask of ZorroThis set contains both Zorro films! Each movie is wonderful with Antonio Banderas perfect as Zorro! I am giving this set 4 stars for the price, and for the transfers. A quick breakdown of each film is as follows:

The Mask of Zorro: 4 Stars! Zorro (Banderas) returns to action against Montero and his band of evil doers! After Spain is run out of California, the original Zorro (Hopkins) is locked away by his mortal enemy, Montero! To add insult to injury he takes his infant daughter Elena (Zeta-Jones) as his own. Now Montero has returned with a sinister plot to buy California for his own! It is up to the old and new Zorro to stop his sinister plot and teach Elena the truth about her past!

The Legend of Zorro: 3.5 Stars! Zorro (Banderas) is called by the people of California again to stop the sinister plot by Armand (Sewell) that will destroy the union. Zorro must also save his wife (Zeta-Jones) and son from his evil clutches as well!

NOW FOR MY BLU-RAY THOUGHTS: The Mask of Zorro looks good, but it could have been better. It certainly suffers a little from age, but it's the best it's ever looked. The Legend of Zorro looks fantastic! A beautiful picture with sharp contrasts and amazing color! Each film has very good audio mixes. SPECIAL FEATURES: All special features are carried over from each special edition DVD. FINAL THOUGHTS: As a box set, this is an absolute winner! Especially if you can get it for under $30. ABSOLUTELY UPGRADE!

Save 32% Off

Sunday, August 17, 2014

Space Children (1958)

Space ChildrenIf you're read some the other reviews here, you may notice I was intially a bit skeptical of Olive Films, having not been familiar with them until now. Well, I'm happy to report that the company (actually a part of Paramount, it turns out) did a fine job with this mostly-forgotten Jack Arnold drive-in sci-fi film. While it is true that a 50+ year old low-budget film, even in 1080p, will never have the shine of a recent film shot in high definition, The Space Children is, for the most part, remarkably clear.

The film itself concerns an alien being taking possession of the children of some rocket scientists. While the film's promotional materials played up the otherworldly menace, the story itself is actually fairly subdued. This is science fiction that favors talking over action, and although there are some nifty effects, they are sparingly used. The film's anti-war message places it in the company of The Day the Earth Stood Still (Special Edition) [Blu-ray] rather than the typical alien-invasion films of the period.

As the title of the review states, this is a "bare bones" video release. All you get is the movie. Which is a shame, because there is a great theatrical trailer that can be easily found on the internet. And director Jack Arnold was a generally well-liked and prolific genre filmmaker, so a featurette or even trailers from his other films would have been a nice touch. But as someone who collects and adores films of this type, I consider it a minor miracle that a Blu-ray release of "The Space Children" ever saw the light of day. So for that, I am grateful. And I'm most satisfied to see that Olive Films is a company that cares about these old films.

Bottom line: This is a must-have for fans of 50's science fiction. And because this is the first official release of the film on video, there's a good chance that many genre fans haven't even seen it.

Producer William Alland and Director Jack Arnold were responsible for some of the best and most innovative Science Fiction films of the fifties. Olive Films has released an underrated gem which happens to be Arnold's Sci-Fi swan song , 1958's 'THE SPACE CHILDREN' into the digital age. A beautiful anti war statement made when this type of film was few and far between at that time, it emerges as Arnold's most personal film. Never has his use of landscapes been more realized. Just as he used the desert as his tableau in 'IT CAME FROM OUTER SPACE'-1953 and 'TARANTULA'-1956 , he surpasses his water and underground cavern settings of his masterpiece 'THE CREATURE FROM THE BLACK LAGOON'-1954 by placing his alien visitor in a cave within walking distance of the ocean causing the setting to be calm yet menacing in each frame brilliantly realized by photographer Ernest Laszlo. The performances by the children are excellent and even the adults are shown in different lights by being shown the errors of their ways. The icing on the cake is the eerie music score by Van Cleve who also graced Director Eugene Lourie's 'THE COLOSSUS OF NEW YORK' the same year. It emerges as a poignant children's fable predating the menacing alien-invasion-by-children thriller Director Wolf Rilla's 'VILLAGE OF THE DAMNED'-1960 and its sequel, Director Anton Leader's 'CHILDREN OF THE DAMNED'-1963. The transfer is stunning with a beautiful 1.85 transfer which is just as good as the BLU-RAY release and has an original trailer as its only extra. Highly recommended and kudos once again to Olive Films for excavating this underrated film to Sci-Fi Fans of all ages.

Buy Space Children (1958) Now

"except ye become as little children, ye shall not enter into the kingdom of heaven."

(St.Matthew, Ch. 18, v.3)

This is a William Alland production. You remember his productions.

Such unforgettables as:

Citizen Kane

The Devil and Daniel Webster

It Came from Outer Space (one of my favorites)

Creature from the Black Lagoon

This Island Earth

Tarantula

The Deadly Mantis

And many more.

This one is a toughie to find.

There is a nice spooky movie credits however it's missing the obligatory sci-fi introduction narrative.

The U.S. is about to launch a hydrogen bomb satellite to protect up from the other side. The other side may already have done so. Someone or something has other plans and a unique ally.

Sandy Descher plays Eadie Johnson; here she gets to talk instead of just screaming "Them!"

A little deviation on this review. Looking at the trailer that the family lives in on the beach I noticed the glass louvers on the door. Back in the 60s after school I had a job manufacturing the glass louvers. It brings back old times.

Read Best Reviews of Space Children (1958) Here

I really liked this movie. The picture quality was very good and so was the sound. I noticed a very familiar monster. It looked like the Horta in a Star Treck show. It was the usual 1950"s drive in movie. But I really love these movies.

Want Space Children (1958) Discount?

The late 50's were loaded with sci-fi stories about space aliens doing nefarious things. What a delight to see a pleasant film about little kids making the "powers that be" look like idiots. I first saw this back in the 50's, released on a double bill with "Kronos" as a drive-in double feature. (Both are good films). This film resonated with me a lot, and I never forgot it. Glad to know it's on (a very good) DVD.

The Cold War was brewing, and the idea to lay low til you know what the hell is actually going on is a lesson well portrayed. I like this film a lot, more than just a "guilty pleasure". It actually has something to say.

Save 26% Off

Wednesday, May 28, 2014

The Opening of Misty Beethoven Blu-ray, Directed By Radley Metzger (1976)

The Opening of Misty Beethoven Blu-ray, Directed By Radley MetzgerI am absolutely blown away by the love and care that DistribPix put into their restoration of THE OPENING OF MISTY BEETHOVEN. The aspect ratio has been restored, so that you are seeing the film as you would have seen it in the theatre. And the colors, dialog and music all look and sound the best that they possibly could. The extras are nonpariel -you get featurettes on the actors, a behind-the-scenes documentary, the complete story of the music used in the film (without equal in the annals of adult cinema), deleted scenes and much more. If you've only seen the subpar DVD made from a VHS tape, you owe it to yourself to see the film as "Henry Paris" intended. And while you're at it, don't forget to pick up a copy of the stupendous soundtrack CD!

The Opening of Misty Beethoven is widely recognised as the greatest porno film of all time, at least among those who care about the film aspects and not just the sex. It has an entertaining plot suitable for a porno, wonderful sets, a witty script gorgeous actors and actresses and is topped off by a great soundtrack. Not to forget about the sex: two scenes are really hot and the others all add to the overall experience. Distribipix's Blu-ray package truly does justice to the film: excellent transfer and superb special features including two versions of the film (hard and soft) with two separate commentaries. Fans are well rewarded and anyone new to the movie will be instantly enraptured by it.

Buy The Opening of Misty Beethoven Blu-ray, Directed By Radley Metzger (1976) Now

It is a miracle what 12 weeks of editing can do for a film! "Misty Beethoven" is widely considered the best porn movie ever made, and I can only agree. It has class, it has style, and it is very well acted especially by Jamie Gillis and directed. It is the pinnacle of the brief moment in time known as 'porn chic'. Everyone is glamorous, money is no object, and the sex is plentiful. Most memorable are the many montage sections in the film, something I have never seen in another adult motion picture, and certainly not done with the style and skill as "Misty Beethoven'.

Anything by Radley Metzger / Henry Paris is worth searching out, as he was the one true auteur of porn, but this film is the best of the best. Additionally, no expense was spared in doing a complete audio / video restoration, with tons of bonus features and even a commentary by Mr. Metzger. It looks great, it has great packaging and cover art, and it is perhaps the one great porn film. A must buy, if you are interested in that kind of thing.

Read Best Reviews of The Opening of Misty Beethoven Blu-ray, Directed By Radley Metzger (1976) Here

The Opening of Misty Beethoven(1976) is a cult classic of the 1970's Porno Chic genre. It's a loose remake of George Bernard Shaw's Pygmalion. It stars Jamie Gillis and Constance Money. It has good camerawork, good production values, and some well chosen stock music cues. Distribpix did a good job restoring the film and packing the DVD and Blu Ray's with extra features. The soft core version of The Opening of Misty Beethoven is also an extra. Two deleted scenes from Misty Beethoven were used as filler in Barbara Broadcast(1977) and Maraschino Cherry(1978). The Opening of Misty Beethoven is a classic adults only film from Henry Paris.

Want The Opening of Misty Beethoven Blu-ray, Directed By Radley Metzger (1976) Discount?

'The Opening of Misty Beethoven' (which I have just watched for the first time) is considered by some (or many) to be the greatest adults-only movie ever made. I'd have to watch a LOT more to confidently agree or disagree but I can say that I liked it very much! There is a story (which doesn't come across as a necessary evil) and would be extremely watchable in either the soft or hard core version, both of which are included on this Blu-ray. It's really quite funny, too, with plenty of jokes and sight gags, all of which the performers deliver with ease and aplomb ...except for one lady in one of the aeroplane scenes, but she's pretty and it's only one line, hehe. The music is appropriately whimsical and sexy by turns, and I now want the soundtrack!

This Blu-ray release has clearly been a labour of love for the producers, from the careful restoration and transfer of the movie to the packaging. If you are interested in this movie or this period in adults-only entertainment, I think you will not regret buying this Blu-ray. The movie itself is fully worth the money, but there are also some interesting and informative special features (many in high definition). Of course, your primary reason for buying will be to enjoy watching some really good looking people making out! ;)

Monday, May 5, 2014

The Flowers of War (2012)

The Flowers of WarI will not be a reviewer that drops the whole story on you! I really don't like that, as I think any movie should be judged by the viewer. That being said, This is a movie you must see for yourself! The story does start with a bit of the American cliche on Christian Bale's character, however, after that the story is so very good.

This movie effectively embraces and conveys so many human virtues and flaws in a way I think so many could relate to, and it is beautifully told. This movie is brutal at times and yet delves into the deepest parts of our souls.

The story itself is narrated from the viewpoint of a young Chinese girl involved in what happened. Without giving anything away the set-up is an American mortician is summoned to a Cathedral in Nanking in 1937 (the Rape of Nanking) he poses as a priest in charge of a group of convent schoolgirls, a group of Chinese prostitutes arrive, then the Japanese. No one here is perfect, nor is anyone evil, they are human and behave as such. Some die, all squabble, all want out of the city, sacrifices are made.

The acting is flawless on all parts, the story beautifully told. I guarantee, there will not be a dry eye in the house at the end!

To see a movie this good is a rare gift, embrace it!

Easily, one of the best movies I've ever seen. If you're a fan of Kurosawa, it's up there with his directing.

If you've read Iris Chang's non-fiction book "The Rape of Nanking" you have some idea of what horrors to expect. As we know, in 1937 the Japanese invaded China; after conquering Shanghai, they turned their attention to the capitol, Nanking. The result was the slaughter of over 200,000 people.

In this movie, based on the novel by Galing Yan ("Xiu Xiu, the Sent-Down Girl"), we have a fictionalized story in this chaotic setting. We are in a church compound where two groups seek shelter: the first, a dozen convent girls fleeing Japanese soldiers, and the second, a gaggle of "working girls" from a prominent brothel who throw their suitcases over the wall and demand sanctuary. A drunk but frightened Western mortician has come to prepare a priest for burial, and our story begins.....

These were the few actors I could pick out of the cast:

* Christian Bale ("The Dark Knight") is the mortician, boozy and rude; Bale seems to enjoy playing a crude American who laughs in the face of their predicament. He first puts on a priest's robe to avoid Japanese bullets, but by the time he has to bury some of their little group, he isn't quite so blithe.

* Paul Schneider ("Water for Elephants") in a cameo as another American fleeing the massacre, is incredulous that our hero is choosing to stay and try to help his charges escape the city.

* Ni Ni in her screen debut is the lovely self-appointed leader of the prostitutes. None of the women like the "big-nosed" Occidental, but a job is a job.

* Xinyi Zhang ("Love is not Blind") becomes, by default, the leader of the convent girls. She is observant, multi-lingual and expects her father to help them escape.

Instantly, the two groups of females clash: the convent girls are horrified to think that "those women" would dare sully a church, while the prostitutes see the girls as naïve, over-indulged virgins. We see moments of heroism, experience anxiety when characters make foolish choices and hold our breath when the soldiers make their demands. This is 1937 Nanking, so expect gunfire, blood, rape, and lots of blowie uppie stuff.

Note: Because soldiers are always posted outside the church compound gates, all conversations are whispered, so unless your hearing is very, very good, wait for Amazon.com to release the DVD and see if it has closed captions.

Buy The Flowers of War (2012) Now

I am a huge Christian Bale fan and have been before his mega Blockbusters and Academy Award. To put this out there now I would classify this as a Foreign Film with a great British Actor as the focal point. To be fair this is more of a survival movie than a war movie.It also has some intense scenes with violence directed at females so if that makes you squeamish, I would still recommend the movie, however turn away from said scenes.

This story does not try to overdo itself like many American Films that blow war movies out of proportion. It is not involved with an absurd love story, however hints at it. I cannot compare it to any movie I have seen because it is unlike any other I have viewed and really tugs at your heart strings. The musical score compliments the themes and atmosphere perfectly, with children's choir music to sad traditional Chinese music. The acting in this movie is great! Like many who see this movie, they probably will not identify any of the actors/actresses other than Christian Bale and everyone balances each other out perfectly. (Meaning it isn't one great actor surrounded by bad performances.) Character development in my opinion has the perfect amount. Not delving too far into one particular character, however leaving enough for you to feel connected with the individuals to "feel" for them as individuals.

I will not spoil this movie. I will tell you it is lengthy however it did not seem lengthy while watching it. (Sign of an enjoyable movie) For those who like a good survival movie, sprinkled with different forms of love, war themes, and change of heart stories, Definitely worth the watch!

Read Best Reviews of The Flowers of War (2012) Here

What's it about?

Christian Bale finds refuge with a group of women in a church during Japan's rape of Nanking in 1937. Posing as a priest, he attempts to lead the women to safety.

Is it any good?

When it comes to watching films, immediately my expectation changes upon hearing the cast and the director of a film. Therefore, using that logic I expected a film with Christian Bale by Yimou Zhang to be great...and I was not disappointed. The film is primarily shot in a church compound, so don't expect grand war scenes on the scale of `Hero'. Instead, we are treated to some top-notch acting and magnificent storytelling regarding one of the most awful periods of Chinese History. The film is startling in its unrelenting and unflinching accounts of brutality, and also beautiful in the courage displayed by the women with whom the film centres around. Considering the 146 minute run time, the pacing of the film does drag at points, but those who stick with it, should find themselves engrossed from its spectacular beginning, all the way through to its emotionally charged ending.

Best bit?

Although not a war film per se, the scenes which do feature battles are as realistic and intense as they come.

Did you know?

One challenging aspect in making the film, was what Zhang called the "very slow pace" of negotiation with the Chinese censorship authorities during the editing process.

Want The Flowers of War (2012) Discount?

The gruesome realities of the Japanese invasion and conquering of the city of Nanking, China in 1937 have been brought to the screen on a regular basis: In The Name of the Emperor form Christine Choi and Nancy Tang in 1998, Nanking form Bill Gutentag and Dan Sturman in 2007, City of Life and Death form Chuan Lee in 2009 and John Rabe from Florian Gallenburger in 2009, and now come THE FLOWERS OF WAR from Yimou Zhang in 2011. Though the story is based on facts, the various movie versions vary considerably on what really happened. THE FLOWERS OF WAR is based on Geling Yan's novel `13 Flowers of Nanjing,' the story gathers an improbable collection of people -Bale's freelance American mortician, a group of convent schoolgirls and the women from a local brothel -in the nominal refuge of a Catholic cathedral as the capital falls to Japan's Imperial Army. There are so many sidebar stories and characters introduced that the enormous impact the other films created is somewhat diluted here despite some quality direction from Yimou Zhang. As the LA Times critic stated, `The Flowers of War has broken new ground for China's movie industry: It's among the first domestically financed films to star a high-profile Hollywood actor (Christian Bale), and its reported budget of close to $100 million makes it the country's priciest production to date. But when it comes to storytelling, Zhang Yimou's 19th feature is decidedly backward-looking: A lavish period weepie set against the atrocities of the Nanking Massacre, "Flowers" abounds with well-worn movie archetypes and slathers on schmaltz.'

Briefly stated, in 1937 China, during the second Sino-Japanese war, a mortician, John (Christian Bale) arrives at a Catholic church in Nanjing to prepare a priest for burial. Upon arrival he finds himself the lone adult among a group of convent girl students and prostitutes from a nearby brothel. When he finds himself in the unwanted position of protector of both groups from the horrors of the invading Japanese army, he discovers the meaning of sacrifice and honor. Innocence-vs. -experience is an undeniably strong theme. The girls' tender adolescence heightens its impact, especially given the historical facts. The Nanking Massacre is also known as the Rape of Nanking, and it's more than a figurative description: The Japanese invaders committed horrendous sexual assaults against the female population. In "Flowers," the girls' safety becomes the paramount concern of the survivors holed up in the cathedral.

Christian Bale seems to struggle with this character and his performance is not particularly convincing or moving. The aspect of this film that overcomes the over-production qualities (hiring Joshua Bell to provide a violin solo seems a bit much, etc) is the story itself, a bit of history that cannot be replayed often enough to again remind us how war alters man and that survival, no matter the method, is the laudatory aspect of human caring. Grady Harp, July 12

Save 33% Off

Tuesday, April 29, 2014

St. Elmo's Fire (1985)

St. Elmo's FireThe mid-80's was about conservatism, Reaganomics, Miami Vice and a time where people were not fully aware about AIDS and were thinking more about working together to bring food to Africa. This was the sign of the times and for director Joel Schumacher ("The Lost Boys", "Flatliners", "Batman Forever", "8MM", etc.), while he was working on his second film "D.C. Cab", during a short stay at Georgetown, he observed graduating college students at Georgetown University and wondered how miserable some of them maybe, of having to graduate but now become adults.

It was right there and then that Schumacher wanted to make a film based on these type of college graduates who face problems of transitioning to adulthood. In order to capture the life of a young adults graduating college, Schumacher tapped into recent college graduate, Karl Kurlander ("Saved by the Bell: The New Class" and "Malibu, CA") and together they began working on "St. Elmo's Fire". Schumacher had renowned musician and producer David Foster (who wrote major hit songs for "Karate Kid, Part II", "Sleepless in Seattle", "The Bodyguard", etc.) working on his first film as a composer and cinematographer Stephn H. Burm ("The Untouchables", "Snake Eyes", "Mystery Men", etc.).

But what the film would be known for is the cast in which David Blum of New Yorker Magazine would dub as "The Brat Pack", a title that would be synonymous with Hollywood's popular young talents: Emilio Estevez ("Breakfast Club", "The Mighty Ducks" films and "Young Guns" films), Rob Lowe ("The West Wing", "Brothers & Sisters", "About Last Night...", etc.), Andrew McCarthy ("Lipstick Jungle", "Weekend at Bernies" and "The Joy Luck Club"), Demi Moore ("Indecent Proposal", "G.I. Jane", "Ghost", etc.), Judd Nelson ("Breakfast Club", "Airheads", "Suddenly Susan", etc.), Ally Sheedy ("Kyle XY", "The Breakfast Club", "Oxford Blues", "WarGames", etc.) and Mare Winningham ("Clubhouse", "Grey's Anatomy", "Wyatt Earp", etc.).

The film revolves around seven college graduates of Georgetown University who are starting off on their own careers or trying to find a job.

Kirby Keger (Emilio Estevez) Studying to become a lawyer and works as a waiter at St. Elmo's Bar. He is obsessed with Dale Biberman (Andie McDowell) and will do what it takes to go out on a date with her or to at least be acknowledged by her.

Billy Hicks (Rob Lowe) A father who is trying to find ways to support his girlfriend and child. But at the same time, he's a playboy that likes to have fun, likes to drink and be with many women. He tries to have a fling with the group's virgin Wendy Beamish (Mare Winningham). A musician who plays the saxophone, he is unable to hold onto a job and is looked as a hero at his college (because of his ability to find drugs and sell them to the students). Tends to think with his penis than his head most of the time.

Kevin Dolenz (Andrew McCarthy) Lives with Kirby, a writer, always smoking and the quiet one of the group. Tend to be seen as a homosexual because he doesn't go after women publicly and even looked by his own friends as possibly a gay man who hasn't come out of the closet. Kevin is in love with someone but isn't telling. His friend Jules thinks Kevin is in love with Alec.

Jules (Demi Moore) The socialite sporting the latest fashions and always partying. The carefree friend but behind-the-scenes, things are not as rosy with her life as it would it seem.

Alec Newbary (Judd Nelson) The future politician who ran the Young Democrats in college and now works for a Republican. Dates Leslie and wants her to marry him in order for him to end his desires of sleeping with other women. The friend that others looked up to for leadership.

Leslie Hunter (Ally Sheedy) The architect who is dating Alec. The friend that is level headed but is not sure she wants to get married just yet and wants to establish her own career.

Wendy Beamish (Mare Winningham) The wealthy daughter and the virgin. She is attracted to Billy but gets upset when he keeps asking her if she's still a virgin. Her father pressures her on how to live her life and that she should marry a guy from a wealthy family for the purpose of a family/business transaction.

The film focuses on these seven friends and how they thought that after graduating college, their friendship would continue to be strong and they would be together. But all learn that as they grow older and focus on their careers, their life as a group and as friends will start to change.

VIDEO & AUDIO:

"St. Elmo's Fire" gets its HD treatment via 1080p High Definition. For the most part, the positive is that the film looks much better than many 80's films that tend to receive a lot of DNR and overall look too soft and are devoid of colors. With "St. Elmo's Fire", there are lot of colors and scenes such as Jules pink and red apartment that look vibrant but at the same time, there was some banding that can be seen prominently in Jules apartment (towards the end of the film when Billy is talking to her) and some darker scenes with light emitting. Granted, if you are sitting far from your television, this won't be as noticeable. In fact, I didn't catch these until I rewatched certain scenes during my testing and saw the artifacts when I was 3-4 ft. away. But for the most part, the picture quality was satisfactory, considering this film didn't have much of a budget.

As for audio, the film is featured in English, French and Portuguese Dolby TrueHD 5.1 (and Spanish 5.1 Dolby Digital) and the film is primarily a dialogue driven film. Dialogue is understandable and clear. And of course, David Foster's "Love Theme from St. Elmo's Fire" and the other 80's music featured on the soundtrack comes alive during the film. There are some scenes especially at the bar that utilize the ambiance of a crowded room and is heard through the surrounds but for the most part, this film is driven by its characters and its soundtrack.

As for subtitles, English, English SDH, French, Spanish and Portuguese are included.

SPECIAL FEATURES:

St. Elmo's Fire comes with the following special features:

* Commentary with Director Joel Schumacher The commentary by Joel Schumacher at the most part is quite informative and sets up the scenes, working with talent and for the most part, Schumacher really goes in depth about the film and the people he worked with on the making of the film. A lot of the commentary is similar to what he discusses in the "Joel Schumacher Remembers St. Elmo's Fire" featurette.

* Joel Schumacher Remembers St. Elmo's Fire (14:21) The following is a Blu-ray exclusive and director Joel Schumacher talks about how the talents were cast for their roles, how the term "brat pack" started, how no studios wanted to do the film and despite the negative critic reviews, the audiences were very supportive of the film. Overall, a wonderful retrospective by Joel Schumacher. If anything, the discussion of how the talents were cast for the film, especially Demi Moore was quite interesting. Also, his disdain towards the term "brat pack".

* Original Making of Featurette (8:43) A featurette from 1985 featuring interviews with the talents and how Rob Lowe had to learn how to play the saxophone in a short amount of time for this film and interview with director Joel Schumacher.

* Music Video: John Parr "Man in Motion" (4:21) The original music video in standard definition of "Man in Motion" featuring John Parr (and the talent from "St. Elmo's Fire").

* Deleted Scenes (15:41) An exclusive for the Blu-ray release (and in standard definition with scratches and dust galore), this section features 12 deleted scenes which include: Too Young, a New Car, How About Lunch, There is No Billy the Kid, The Woman in the Fur Coat, Someone Tell Me What Happened, I'm a Loser, Secret Obsession, Just Pick a Date, A Very Well Dressed Fool, Where is the Defroster and That's My Dad. Although some deleted scenes are quite short, there are a few scenes that get into the relationship of Wendy and her father who is trying to dictate of how she should live her life.

* BD-Live This blu-ray is BD-Live enabled.

JUDGMENT CALL:

"St. Elmo's Fire" was a film not exactly well respected by critics when it first came out. But the film was part of a string of "Brat Pack" related films that would star these talents along with Molly Ringwald and Anthony Michael Hall and would define high school and young adult films in the 1980's.

The film was not well-respected because of the times. These were young adults that were quite liberal during a conservative era and most of them were not being shown in the positive light. These young adults were not perfect and they had their own personal flaws that critics saw as vane and shallow but for audiences, they saw something quite different.

For me, to have all these talents together in one film was just awesome. Ally Sheedy and Judd Nelson were just awesome in "Breakfast Club", Rob Lowe in "Oxford Blues", Emilio Estevez in "Repo Man" and "The Outsiders", Mare Winningham appeared on many shows including afterschool specials and Demi Moore was a popular soap star on "General Hospital" years earlier. And of course, for Andrew McCarthy and Andie McDowell, this film would also help put ignite their careers.

And in the 80's, who could not love David Foster's "Love Theme from St. Elmo's Fire" or John Parr's "Man in Motion". These were overplayed on the radio and MTV that "St. Elmo's Fire" was literally ingrained into pop culture. And of course, the term "Brat Pack" (as many of them despised the name), for audiences... being part of that group was just the epitome of "cool".

Watching this film nearly 25 years later, it's hard to believe that so much time has passed and how different high school and young adult films are today. Director Joel Schumacher said that he wanted to create a film with young talent but make it an "A film". These issues that the seven go through, this stress and anguish of starting a career and also suffering setbacks after graduation is real. Not everyone who graduates college, is able to have a successful life, and this even rings true so much now especially during our poor economy.

For the Blu-ray release, it's great to watch this film on High Definition but it's also great to have the Blu-ray exclusive features with Joel Schumacher remembering St. Elmo's Fire and seeing the deleted scenes for the first time. Although this film is not called a "25th Anniversary" edition of the film, it's pretty close. The only thing one could hope for is a reunion of these talents to discuss the film or even if it was a few of them, to interview them today about "St. Elmo's Fire" (note: For the Blu-ray release of the 1986 film "About Last Night...", the director and Rob Lowe are brought back 23 years later to discuss their experiences on the film).

Nevertheless, I have more appreciation of "St. Elmo's Fire" as an adult compared to when I was a teenager in high school and catching the film on HBO. I can now understand the wide range of emotions that these characters are going through after graduating from college. Granted, some situations are a bit extreme but the feelings of friendship drifting part are so real.

I also realized of how well this group of talent worked together and found the group to be well-cast. This "Brat Pack" or individual talents went on to become big stars on their own but even back in 1985, it was still a remarkable feat. to have each of these seven individuals together in one film. It's not something that can be easily duplicated today, especially knowing that this film was created on a tight budget and short schedule.

I would imagine that "St. Elmo's Fire" is one of those films that people who grew up during that time will gravitate to, partly for nostalgia reasons. But watching it nearly 25-years-later, outside of nostalgia, I found that watching this film much more enjoyable now and quite entertaining! For 80's film fans or "Brat Pack" film fans, "St. Elmo's Fire" is definitely worth picking up on Blu-ray!

A forerunner to Friends and a Brat Pack movie with the most...Brat Packers, St. Elmo's Fire was a romantic comedy that bowed out to theatres in 1985. Seven of the eight stars were in the enviable "Brat Pack" group, young and precocious actors and actresses that were considered the best of the best of their generation. While St. Elmo's Fire is often considered a mellow and almost overblown teen romcom by the starchiest of critics, it's a favorite of many 1980s film lovers.

Summary in 13 words:

Seven college graduates try and struggle with real life, some succeed, some don't.

DVD Details

2.35 Anamorphic Widescreen

5.1 Dolby Digital Surround (English),

2.0 Dolby Surround (Director's Commentary)

English, French, Spanish, Portuguese, Chinese, Thai, Korean Subtitles

Release Date: 1999

Single-Sided Single-Layered Disc

Suggested Retail Price: $14.99

Black Amaray Keepcase

Video and Audio

The video is remarkably clean. The film was issued in the early years of DVD, when most transfers looked more like cable TV quality, but the video here is exceptional. Presented in its original widescreen is always a good thing, and the print quality is great. The colors are vibrant and accurate, and there's little to no grain or dust. One minor complaint would be the main titles, in its unsettling red font, but other than that, the video is great.

Audio is offered in English, but the subtitles are in so many languages that if you wanted, you could learn Chinese by reading the film enough times. It's pretty balanced in terms of dialogue vs. background noise/music.

Bonus Features

A commentary by Joel Schumacher is one of the many audio tracks given on this disc. He does a pretty good job talking about making the movie, including various tidbits about the actors and the story (which he wrote). The guy's pretty good with a microphone. If only he could have done a commentary for his film The Phantom of the Opera in 2004.

A faded and dirt-filled 8-minute EPK about the making of the film is also presented, made at the time the film came out. It has quick interviews with the cast and director, with a narrator talking during much of the behind the scenes footage. Is it an exhaustive documentary? No. Is it a useless 8 minutes of your life taken away? No. It's pretty rewatchable, though a longer more substantial featurette would be welcoming.

"Man in Motion" is the music video that uses the St. Elmo's Fire theme with lyrics. It's got a real 80s look to it, and features most of the cast as well as video clips from the film.

There are four trailers: St. Elmo's Fire, About Last Night, Groundhog Day, and Jerry Maguire. The trailers for St. Elmo's Fire and About Last Night are not the best video-quality-wise, while Jerry Maguire is not the best movie-quality-wise. Groundhog Day is okay for what it is.

There are also cast/director biographies and filmographies up until 2000.

Closing Thoughts

Perhaps the second best brat pack movie of the 80s (The Breakfast Club, of course, is THE best), St. Elmo's Fire is a wonderful "coming-of-age...now what?" kind of film that is best enjoyed in the company of your closest friends.

Buy St. Elmo's Fire (1985) Now

I saw this movie when I was in college with a group of friends. It tells of the struggles of college life and trying to make it out alive in different ways. Sadly, one of our friends of the group could not handle life and chose a permanant way out. The music from this movie was played at his furneral. These characters do gone on and make it in different ways and when you watch this don't over look the point that no matter what life throws at you, things will work out. 15 years have gone by and this film will forever effect my/our lives.

Read Best Reviews of St. Elmo's Fire (1985) Here

St. Elmo's Fire is a coming-of-age movie that will have a certain nostalgic appeal to anyone who was a teenager or a 20-something in the mid-1980s. It will be of limited interest to anyone else, unless you are excessively interested in the pop culture of that era.

The main characters of St. Elmo's Fire are seven recent college graduates who are beginning their professional lives. As other reviewers have noted, these people aren't credible as an ensemble of friends---nor are they particularly believable on their own merits. Somewhere in this mess is a story about the transition from adolescence to adulthood; but the inconsistent characters and disjointed plotlines distract the viewer from the larger themes.

To cite just one example: Emilio Estevez's character, Kirby, develops a severe infatuation with an older woman. He acts out his obsession in ways that would disturb anyone, even threatening the woman's roommate at one point. But the woman who is the object of his desires seems to regard these antics as vaguely cute. People were not quite as sensitive about stalking and sexual harassment in the 1980s as they are today; but this behavior would have been over the top even then. No woman would have tolerated this, much less found it endearing.

Demi Moore's character, Jules, is a compulsive liar who becomes addicted to cocaine. No adequate explanation is ever given for her behavior. Throughout the movie, she moves from one unexplained crisis to the next. Nor does the partial resolution of her conflicts at the end of the movie make any sense.

I watched this DVD with high expectations. I was a teenager in 1985; and I remember that this movie was heavily hyped at the time. But after spending 108 minutes on St. Elmo's Fire, I could not help thinking that I might have gone another 22 years without this experience---and been no worse off.

Want St. Elmo's Fire (1985) Discount?

This is one of the "defining" movies of the 1980's. And with good reason. First it had almost every major 80's young star in it. If they had squeezed Molly Ringwald in there somewhere, it would have been required viewing for 80's historians.

Imagine graduating from college and then suddenly everything you have prepared for falls away, leaving you hanging onto nothing. That is St. Elmo's fire. It's a legend of sailors following lights that aren;t there. I think everyone has had that moment when you can't seem to find your way. This movie bottles it and packages it. You can put it in your DVD player and watch it like a road map when you need to figure out your life.

I am proud that I was a teen in the early 1980's. The so-called "brat pack" caught a lot of flack in the 80's, but I hold onto these films and this on in particular. I was a defining film in my life. Maybe it will be in yours too.

Save 56% Off

Monday, April 14, 2014

Mozart's Sister (2011)

Mozart's SisterI had seen the preview of this movie at my local independent movie theatre for quite some time, and had begun to wonder whether the movie would actually come to Cincinnati, but this past weekend the movie finally opened here, and I did not wait long t go see this, as I imagine this will not play very long (and the DVD is coming out soon as well).

"Mozart's Sister" (original title: "Nannerl, La Soeur de Mozart"; 2010 release from France; 120 min.) brings a look in the life of 15 year old Mari Anna (nicknamed Nannerl) Mozart. She is 5 years older than her brother and wunderkind Wolfgang, but Nannerl certainly has certain musical talents as well, in particular in playing the harpsichord. But it is not until after a chance meeting with the recently-widowed Dauphin of France that he encourages her to start developing her own composing talents. Alas, that is not the way her father sees is. There are some further turns and twists but I will let you discover those yourself.

Please note: this movie proceeds at glacial speed, and I mean this as a complement. It reflects, among other things, life in the late 18th century when things simply moved a lot slower and there was not a whole lot to do to entertain one-self. I found it refreshing, to be honest. Also note: if you are not a fan of classical music, you are probably not going to like this movie, as classical music is front-and-center all over. It appears that people in those circles really didn't have a whole lot more to do than to play or listen to classical music. The harpsichord is delightfully featured prominently throughout the movie. Last but not least there are the tremendous performances, none more so than Marie Feret as the title character (not sure if she is related to the director of this movie, Rene Feret), but check out also Lisa Feret (again, no idea whether related to either Mmarie or Rene Feret) as Louise of France. In all, I found this movie refreshing and insightful, but this is definitely not for anyone in a hurry. Highly recommended!

This is a quote from the film in which Maria Anna Mozart the sister of the child prodigy Wolfgang laments that her father has opened her personal diaries and scribbled comments about the genius of his young son but her own achievements, hard work, and devotion to music are ignored.

The movie transported me...to the eighteenth century in a way that "Amadeus" did not. Whereas "Amadeus" is spectacle, this gentle film takes place in the drawing rooms or homes of the nobility. It is the time when Mozart's father, Leopold, is dragging his two amazing children throughout Europe to show them off, to improve his son's musical education, and to advance his own thwarted ambitions. Needless to say, the photography, the costumes, and the music are a delight. I adored the film, yet was saddened by its theme. Bottom line, this is the most underrated film of 2011.

Marie Feret who plays the 16 year old sister of Wolfgang is a wonder. How does she do it? Understatement. She conveys emotions all through her eyes shyness, laughter, intelligence, joy, anxiety, and alas...disappointment. [The director actually used both of his young daughters as actresses in "his film" and gets terrific performances from them]

As for the principal character in the movie, the truth is that Mozart's sister was brilliant and talented but, as a woman, she was forced to take second place to her brother. This is not to say she was the better genius. That is impossible. But her opportunities as a violinist or as a composer were walled in by her domineering father. That she might have been an extraordinary genius at least as a musician is a serious possibility. Let anyone listen to Ginette Neveu's artistry as a violinist on a CD recording and compare her mastery of the instrument to any living violinist...and you will see what I mean.

Important scenes are the interaction of Mozart's sister with one of the princesses of France. The princess is locked away in a convent and befriends the talented young girl. The princess learns to accept her role as a bride of Christ and to find joy and contentment as an obedient nun. But Nannerl, the sister of Mozart, is different from other girls. Her heart and mind beg her to create; her society and father simply won't allow it.

When I saw this wonderful film in the movie theater, I noted that two older women in the audience were crying. I asked them how they felt about the experience of seeing "Mozart's Sister." One of the ladies said "I weep for all the women throughout the centuries whose imaginations were suffocated unfairly." A tender person would feel the same way.

There is a moment, just about the end of the film, that summarized everything the filmmaker wanted to convey. Unforgettable.

Buy Mozart's Sister (2011) Now

I loved this movie for reasons stated in above reviews as well: the movie has a beautiful atmosphere that really transports you to that time and that alone makes it well worth viewing. It is one of those rare movies that entraps you and really makes you forget you're watching a movie. The fact that it's about Mozart and his family and features wonderful music played by the two young siblings is the icing on the cake! Lovers of historical accuracy and fact checkers beware you will find fault. But it is really a beautiful, lovely film that should disappoint no one interested in classical music, Mozart, and the time period. Yes, it does move slowly but again this is truly representative of that time period when things moved at a slower pace, not today's fast paced world which only helps to immerse you in the experience!

Read Best Reviews of Mozart's Sister (2011) Here

The world may be familiar with the works of Wolfgang Amadeus Mozart, a prolific and influential composer of the Classical era and among the few classical composers that continues to be popular today.

But many do not know that Wolfgang Amadeus Mozart who was a music prodigy that played piano and violin at the age of 5, grew up playing as a duo with a musically talented sister named Maria Anna "Nannerl" Mozart.

Unfortunately, we do not hear too much about Nannerl. Reason being is that during that era in time, women, no matter how talented they were musically, were not seen as equals to men. Their status was lower and men thought that women just were not capable of having talent like men, may it be playing music or composing. In fact, women were just seen as housewives, nothing more, nothing less.

In 2010, screenwriter/filmmaker Rene Feret ("Bapteme", "Solemn Communion") wrote a fictional drama based on the life of Maria Anna Mozart.

VIDEO & AUDIO:

It's important to note that I am viewing a DVD screener ala DVR, so I am not going to comment on picture quality. I will say that with a Blu-ray and DVD release of "Mozart's Sister" being released, I recommend going for the Blu-ray version for better picture and audio quality.

With that being said, "Mozart's Sister" is presented in widescreen 1:85:1 and audio in French Dolby Digital 5.1 with English subtitles. The cinematography by Benjamin Echazarreta is very good in capturing close-up scenes of emotion but also the lavish costume and set design featured in the film, but most importantly capturing that look and feel of the 1700's. The film is dialogue-driven but there are moments of music and ambience which I'm sure is much more evident on the lossless soundtrack on the Blu-ray release than the DVD version.

SPECIAL FEATURES:

There were no special features on the screener disc provided to us.

JUDGMENT CALL:

Beautifully shot, wonderful costume and set design and a film that classical music fans will enjoy, while others will find it sad knowing that talents of women were suppressed during that era in time.

"Mozart's Sister" is a sad film which writer Rene Feret really did some intriguing writing and craft a story around Nannerl Mozart, a talented musician who had to quit her passion because of the status of women during the 1700's.

While this film is a work of fiction and there is no record that Nannerl and Princess Louise of France corresponded, nor records that she and Louis le Daphin were romantically linked, what we do know is that because of that era in time, women could not really hold a high position in power or status.

For Nannerl, she was talented, she can compose and she can play, but once she reached a certain age (and her father could no longer promote her as a child musical prodigy), it didn't matter how talented she was, she was expected to be a housewife and raise children. While I don't know if there are letters showing her regret of how women were treated at the time, as I am no erudite on Mozart historical records, I often wonder if this was just accepted by women that their status was low and not much was expected of them?

What is known is that Mozart looked up to his older sister and at a young age, wrote works such as "Prelude and Fugue C, K. 394' in 1782 for the two to perform and even sent her copies of his piano concertos. We know that Wolfgang and is father were always at odds, while his sister did everything that her father wished. And while she fell in love with one man, her father turned down his marriage proposal, despite Wolfgang trying to get his sister to stand up for herself.

So, there may be a different from what is featured of Nannerl in reality to what was Nannerl in the film. In the film, Nannerl Mozart walked on the beat of her own drum and not that I would use the word "fearless" but she did what she wanted despite what her father would think. But in reality, it was Wolfgang who walked the beat of his own drum and made his own choices, his sister did what her father asked.

And while the film is quite evident that the message was how unhappy women were that they weren't given the same liberties as men (as both Nannerl and Princess Louise have a conversation about how things would be different if both were born a boy), the sadness I have towards this film was the fact that the talented Nannerl had to give up so much and would never be recognized for her talent because she is a woman.

In reality, things even get worse as she was forced to marry a man who was in his '50s and had children, she died blind, unable to speak and even for her first son Leopold, her father Leopold literally took her son away and raised him. While it is debated of why Leopold raised his grandson and not Nannerl, it is thought that Leopold wanted to raise his grandson in a similar manner to Wolfgang and Nannerl and for him to become a musical genius.

And last, that loving relationship between Wolfgang and Nannerl ended for some unknown reason.

If anything, the more you read about what is out there of Nannerl Mozart, it is quite depressing. At least "Mozart's Sister" would make things a bit dramatic but I wouldn't be surprised if the reality was that Leopold had a tremendous hold over his daughter and literally suppressed all independence from her and that she had no voice whatsoever. She listened to her father and did everything that he wished.

As I watched "Mozart's Sister", you have to give Rene Feret some credit of trying to make Nannerl's life so dramatic. How he came up with the Princess Louise and Louis storyline was out of left field but for the film, it did work.

Feret's film doesn't follow the traditional Hollywood film of a happy ending. We know that Nannerl is not going to be able pursue her life as a musician, we see in her face how unfortunate things are that her younger brother will have all the opportunities and she won't.

While purists and the Mozart erudite may be irritated by this fictional story, and possibly would rather see another film about Wolfgang than his sister, I did enjoy "Mozart's Sister" (although I felt it ran a bit too long for my taste). The cinematography, costume and set design were beautiful, acting could have been better at times but for what its worth, while the film was banal, the fact that filmmaker/screenwriter Rene Feret was able to craft a story around Nannerl Mozart was rather fascinating but definitely opened my eyes and made me want to know more about Wolfgang Amadeus Mozart and his family.

Want Mozart's Sister (2011) Discount?

The premise behind this movie is promising. We know that Wolfgang Amadeus Mozart had an older sister, Nannerl, who was also a highly accomplished musician and was forced to give up her career when she reached marriagable age. In this biopic, the filmmakers invent a story for her that involves a steamy, if unconsummated, relationship with the Dauphin of France, the heir to the throne. There is no historical basis for such a relationship.

The filmmaker's central point seems to have been that because she was a woman, professional doors were closed to poor Nannerl. This is undoubtedly true. This point is hammered home, for those of us too dense to have understood it before, in a conversation between Nannerl and Princess Louise de France, the youngest child of Louis XV. Louise has decided to become a nun, seeing no other way forward. "But think if we had been males!" she says to Nannerl. "I would have ruled through my power and you through your artistry."

Incidentally, the Dauphin depicted in this movie died in 1765. Mozart was born in 1756 and was 11 when this visit supposedly happened, bringing us to 1766. The Mozart family's main sojourn in Paris, when they performed before the Royal, was from November 1763 to April 1764.

I know these details make me sound like a nitpicker and I don't require historical accuracy in movies -otherwise I'd be pretty frustrated all the time. But this one has such a slender grip on the historical record that I could not take it seriously. Additionally, it moved at a sluggish pace and the actors often seemed to be reading rather than speaking their parts.

But the worst offense was the sound quality of the music, which seemed to have been recorded in a padded cell. And the music itself, rather than being Mozart, is a kind of modern, Baroque-style mishmash that sounds pretty in a kind of movie soundtrack way without ever being memorable.

I can accept that Nannerl was undoubtedly a prodigiously gifted musician, as was her tyrannical father Leopold. A few of his works are still played today and have some merit. Perhaps, Nannerl would have equaled him. But there was only one Wolfgang Amadeus Mozart.

Save 27% Off

Friday, March 7, 2014

Top Gun (Special Collector's Edition) (1986)

Top GunTop Gun never claims to have epic scope, emotional gravitas, or a deep plot. I imagine that those who criticize this movie for its supposed shortcomings also look upon the Three Stooges with disgust for not exploring the depth of Moe's antagonistic relationship with Curly. The fact is that only about 10% of films released in general circulation attempt to have the depth of a Citizen Kane or Godfather. Among the other 90%, Top Gun is the best of the best.

Top Gun's obvious strength is the aerial visuals. Not since perhaps Howard Hughes' Jet Pilot has there been such an ambitious attempt to capture the look and feel of high performance flight. The F-14's photogenic qualities combine with Tony Scott's signature backlighting to create a terrific sense of energy and screen presence for the Grumman bird. The tactical realism may suffer, but the tight spacing and resulting packed frames of the ACM sequqnces are uniquely energetic and fast-paced. It is a shame that this may be the last time that anyone goes to the expense and hassle of using real film to capture such manuevers. The footage still compares favorably to state of the art CGI 20 years after its release.

The non-flying scenes are remarkable only for the collection of young talent that would eventually drive box office returns for a good part of the '90s. But the greatest compliment I could give the plot and acting is that they don't detract from the pacing and cohesiveness of a visually-driven movie.

*RE: Review TitleOK3 is the best grade possible for US Navy pilots performing carrier landings.

4:3 ratio screen is very good transfer. However, wide-screen isn't really wide screen. it's a 4:3 screen chopped off from top and bottom. in other word, instead of having a whole theatrical picture, what you get is picture that's been chopped up both vertical and horizontally. what we are seeing is only 1/3 of what's filmed, which is even smaller than 4:3. somebody cheated big time from paramount. setup menu is false leading. I want to see entire wing span on F-14! It does make huge difference on impact in fighting scene. movie this good must be done right. and while at it, make it a anamorphic enhanced.

Buy Top Gun (Special Collector's Edition) (1986) Now

"Top Gun" is the mach ten 80s mega hit that set theatre attendance on fire and established producer Jerry Bruckheimer and actor Tom Cruise as two of Hollywood's king size titans, behind and in front of the camera. All about a military flight school run for `the best of the best,' the film stars Cruise as Lt. Pete Maverick Mitchell. Pete's too sexy for his leather bomber jacket and he knows it. He's also short on pleasantries when it comes to wooing the femme fatale of the friendly skies, Charlotte `Charlie' Blackwood (Kelly McGillis). But high flying maneuvers between Pete and Charlie quickly move from the school room to the bedroom. Then tragedy strikes and Pete has to pull it together to prove himself as the hero of the hour. Val Kilmer costars as Pete's annoying and priggish rival for the top honors; Tom `Iceman' Kazanski. The cast also includes Tom Skeritt, Michael Ironside and Anthony Edwards.

What sets "Top Gun" apart from similar military film fare of the 80s is its ability to combine a sense of the miraculous within the gritty world of tougher than tough obstacles. The dog fight footage is thrilling and the plot moves effortlessly from drama, to melodrama, to action/adventure yarn on testosterone overdrive. There's even a shirtless eye candy volleyball tournament thrown in, with the guys doing their machismo best to ignite interest in the female population. However, the soundtrack album, which fueled the film's high octane performance at the box office, now seems to have dated at twice the rate of any other from the 80s save `Dirty Dancing.' Kenny Loggins' `Playin' With The Boys' and Tina Marie's `Lead Me On' have that faint tinny echo of a forgotten pop culture where hoop earrings and big hair were synonymous with wacky-tacky red carpet glamour. Berlin's `Take My Breath Away' does anything but.

After the disastrous effort put forth on Paramount's `Footloose' special editon, I didn't hold out much hope for this transfer either. However, "Top Gun's" anamorphically enhanced transfer is remarkably clean and solid. Color saturation is very nicely rendered with velvety blacks and very pristine whites. Occasionally one will note a slight hint of film grain. There are no digital anomalies (edge enhancement, pixelization, shimmering of fine details) for a smooth video presentation that is sure to please. The audio has been remixed but continues to exhibit that dated 80s quality that is best left to nostalgia for a time when sound wasn't quite so integral to one's overall appreciation of movie culture. Extras include an audio commentary that is adequate at best. There's also a 6 part documentary that really should have been played as one big one, four music videos which will confound people as to why MTV became so big, and some storyboards, production materials and vintage featurettes. So set your DVD player to `cruise' control and get ready to set off for the wild blue yonder. "Top Gun" is a blast!

Read Best Reviews of Top Gun (Special Collector's Edition) (1986) Here

I agree with many that TOP GUN is quite dated, has 1986 written all over it but is worth seeing for the fantastic stunts and sky scenes. This film was made before CGI took over (the good old days). On its release back in 1986, the film was popular because of the big stars at the time (Cruise, Kilmer and McGillis), the awesome soundtrack and the special stunts. The plot however was disappointing as well as the poor character development.

The original DVD release was in the wrong widescreen aspect ratio (2:00), but has been fixed for this new Special Edition by reinstating the correct 2:40 aspect ratio. In addition, the print has been restored to a degree and it looks fantastic! The special features are a godsend, including video clips for the key songs, a making of documentary and vintage footage of Tom Cruise speaking about the film in 1986.

Despite it's downsides, the film is worth seeing. The new DVD is worth purchasing for it's restoration and impressive special features. At last, Paramount are starting to do DVD's properly.

Want Top Gun (Special Collector's Edition) (1986) Discount?

Well, this was really a mixed bag for me. Top Gun was always one of my favorite movies growing up, and I've owned it on VHS, DVD, and now Blu-Ray. The lack of aspect ratio information on the box is quite telling, as there is no TRUE widescreen all video is letterboxed, even on a 16:9 HD LCD TV. The "widescreen" is simply a cropped version of the full screen edition, with black bars. This was very disappointing to me, as I was hoping for some full 1080 F-14 action.

That said, the EXCELLENT DTS 6.1 sound track nearly makes up for the visuals. The encoding seems theater-pure, and is one of the best BD audio tracks I've heard. It's really astonishing how defined the audio is, especially the spatial effects and rumble during the flying sequences. Simply superb audio.

Hopefully, Paramount can dig up a better quality version of the master and give us a TRUE widescreen, full HD experience for Top Gun. Until then, this is the best that we've got.

Tuesday, January 28, 2014

The Shining (2007)

The ShiningI own both the 2001 and 2007 DVDs of this film. I really don't have any interest is who is 'right' with the aspect ratio argument, I compared both versions and found that you're missing some of the video image regardless of which version you buy. I took screenshots of both DVDs and overlayed them on top of each other. I found that with the 2001 release, you get the 1:33:1 aspect ratio where the far left and right of the screen image is clipped. With the 2007 release, you get the 1.78:1 aspect ratio where the top and bottom of the screen image is clipped off. You can see what I mean by viewing the 'customer image' I posted, above. The blue border is for the 2001 release and the red border is the 2007 release.

Both DVDs are 'digitally restored and remastered', however the 2007 release is noticeabley brighter and more vivid. The 2001 image seems faded and dull.

This release has all the other special features of the 2001 DVD release, with the addition of optional commentary by Garrett Brown and John Baxter and three new featurettes.

It's tough to believe that Stanley Kubrick received a Worst Director Razzie nomination for "The Shining." While "The Shining" may not be given the classic status of some of his other films like "Dr. Strangelove" and "2001", it's actually the least polarizing of this highly-praised and atypical filmmaker's work.

This atmospheric thriller is sure to creep you out with its pacing, eery editing and cinematography (those tracking shots are highly effective), and Jack Nicholson's powerful performance as Jack Torrance. Horror films often tend to divide audiences into genre fans who follow the gore and those who laugh in the face of so-called scares, insisting their own resiliancy to cheap thrills and lamebrain plotting.

Fortunately, "The Shining" doesn't make you take sides, because its chills come from plotting and character study as much as they do from odd sights that will make you jump. It may stray from Stephen King's book and not all of it may make sense, but "The Shining" has so much going for it that you won't mind. It's a gripping and satisfying film experience, and in my opinion, one of the best films of the '80s.

This Warner DVD re-release is definitely the version to get. The fullframe presentation comes at the wishes of Kubrick and the video and audio offer significant improvement over the drab initial release. (Unfortunately, the original Mono audio track has been dropped altogether in favor of an effective 5.1 remix. They could have included both with no problem.)

In the way of extras, there is an engaging half-hour on-set documentary, filmed by Kubrick's daughter Vivian. It provides a candid experience of the film's creation, and interviews with some of the actors. In addition, this DVD re-release includes an audio commentary on the documentary (sort of a "making-of the making-of") by Vivian Kubrick. There's also the spooky trailer, which shows how a movie preview can perfectly pique one's interest in a film, without spoiling (or even saying) much.

Buy The Shining (2007) Now

The Shining is one of the horror genre's most notable films. Made in 1980 by the late, legendary Stanley Kubrick, the film stands out as not only one of his best but probably the best Stephen King adaptation as well. Though not nearly as true to the book as the later TV-movie would be, it is undoubtedly darker, more macabre, and ultimately superior to that version. Kubrick was a genius behind the camera, giving us long, beautiful shots, allowing us to take in both the beauty and the horror of the Overlook Hotel. For those who have yet to see the movie (and honestly, who hasn't at this point?), do yourself a favor and buy it today! Disappointment is impossible.

As for the transfer of the film, it is unbelievable. While clearly not as visually stunning or breathtaking as modern day flicks, this HD DVD version of The Shining boasts a virtually flawless transfer and cleans up many of the blemishes that were present on previous VHS and DVD versions. Black levels are deep, clean, and ungrainy and the majority of the film offers a surprisingly clean look. Detail is not as strong as it could have been, but Kubrick intentionally shot this film softly. The images won't pop and shine like modern movies will, as this is an old film, but for the price of the disc you are without a doubt getting the highest quality transfer this film has ever seen.

Audio has been upgraded from a mono to a TrueHD soundtrack, but for the most part audio will be very front-heavy. Most of the peripheral speakers are used only for music, to intensify the sound of it (and it is effective).

Special features are slim: the old making of documentary (with or without commentary), theatrical trailer, and a few small featurettes that delve deeper into the making of The Shining, as well Stanley Kubrick's "Visions." All pretty standard fare, all in 480i/p standard definition.

Whether you're a long time fan of the film, or new to it, this is a must-own if you own an HD DVD player and HDTV! I hope you enjoy it as much as I did.

Read Best Reviews of The Shining (2007) Here

I personally wouldn't re buy every film that comes out on Hd-dvd especially seeing as how the prices haven't really come down. That said a film like this is an exception, I believe horror fans are some of the most die hard film fans out there, and should and will pick this one up.

For Audiophiles there is a new 5.1 track as opposed to the mono you got on the previous release. The beginning score when Jack is driving to the Overlook hotel is amazing cranked up with a Dolby digital plus track in 5.1.

The transfer on this is beautiful.

The Shining is the greatest Stephen King film adapation and is one, if not the greatest of all horror films. Also one of the greatest films for any genre and right in time for Halloween you can't go wrong.

Special features

Audio commentary by Steadicam inventor Garrett Brown and Kubrick biographer John Baxter

The Making of The Shining, with optional commentary by Vivian Kubrick (from the previous DVD)

New View from The Overlook: Crafting The Shining featurette

New The Visions of Stanley Kubrick featurette

New Wendy Carlos, Composer featurette

-Theatrical Trailer This was one of the most effectives and eeriest trailers I've ever seen and it was so simple.

I'll go more in depth of the special features as I watch them.

Technical Specs:

Aspect Ratio: 1080p HD 16X9 1:85:1

Audio: Dolby true HD: English 5.1 Dolby digital plus

Want The Shining (2007) Discount?

This disc will feature an enhanced audio/video track for the feature film. Other features include commentary by Garrett Brown and John Baxter. There will be the same old "Making of the Shining" documentary that was featured on the old disc, but there are also three new featurettes: View from The Overlook: Crafting the Shining, The Visions of Stanley Kubrick, and Wendy Carlos, Composer. All in all, I'd make the purchase based on the video quality and enhanced sound alone.

Save 35% Off

Saturday, January 25, 2014

Shaun of the Dead / Hot Fuzz Double Feature (2004)

Shaun of the Dead / Hot Fuzz Double FeatureJust wanted to give a heads up to fans of these films that the US blu-ray set which was released in June of 2013 does in fact contain the two films on 2 individual discs with all the special features intact. Widescreen. I got this yesterday and it is awesome. It even has a little flyer inside announcing The World's End, the third film in this "trilogy" which is scheduled to hit theatres in August of 2013. Reviews of the inferior Alliance Canadian release have been mixed into this item listing, which is the one everyone's complaining about. Avoid that version and get Universal's to ensure you're getting the real deal. Cornettos for all!

Two great movies, some great laughs, some great action. See it! You certainly won't regret it and you'll recommend it to all your friends.

Buy Shaun of the Dead / Hot Fuzz Double Feature (2004) Now

Well the single disc doubled sided DVD set from Alliance DVD entertainment arrived the other day. The package arrived with English/French directions & short paragraphs on the back explaining what Hot Fuzz & Shaun of the Dead were about. Now the funny part neither movie is in "Widescreen Format" as the back of the box says which is why I gave it only 4 stars. Their are no extras for either film (fine with me however b.c. really how often does anyone watch that junk anyway ?" All in all this two pack contains just the films "Hot Fuzz" & "Shaun of the Dead" in English (no subtitles) an NO EXTRAS. If your a fan of the films, already know everything about them but whatever reason just never picked them up them buy all means pick up this set here on Amazon.com. However if you new to the series you may want to buy the seperate for all the extra, better packaging etc... choice is yours but I just wanted the films. Still great set to have an own if you love British humor an comedy.

Read Best Reviews of Shaun of the Dead / Hot Fuzz Double Feature (2004) Here

I ordered this movie for my zombie obsessed husband. The double feature was a hit and the seller shipped the package to me ASAP before Christmas. Would recommend to a friend!

Want Shaun of the Dead / Hot Fuzz Double Feature (2004) Discount?

Two great movies by Simon Pegg and Nick Frost, but the DVD not so great.

A cheap double-sided DVD, in a cheap eco case, with the boxart paper printed in two different languages on both sides to save money. They didn't skimp on cutting corners in every possible way, sure there are no advertisements, but that is the only positive.

Hot Fuzz was perfectly fine, Widescreen and everything, but then when I went to watch Shaun on the Dead (The main movie I bought this DVD for) it was in friggin' Letterbox... WTF?!? The DVD box even says widescreen, what a blatant lie.

Also, this DVD is not hearing impaired friendly, no subtitles at all.

This was absolutely pathetic, I will never buy any dvd made by Alliance ever again.

Save 25% Off

Sunday, January 12, 2014

Bruce Willis Triple Feature (16 Blocks / The Last Boy Scout / Last Man Standing) (2012)

Bruce Willis Triple Featuredecent films with lots of action all bruce willis films best one 16 blocks bruce willis should win an oscar one day for ass kicking bad guys

Vintage Willis is what I heard in another review and that is exactly what these films amount to. Damn if these action films were not 10x better than they are today. Much more original in many ways.

Of course this is action and humor mixed together. Boy Scout is simply one of my favorite films. A few unrealistic kills, the good guys win, and maybe too many great jokes but honestly I would not have it any other way. I am serious film fan and these ones never cease to cause enjoyment. They simply don't make buddy pics like TLBS anymore. Screenplay is F'ing WICKED funny. Makes the new Die Hards look so damn bad. Seriously, modern action films pale in comparison for the most part. This is one hilarious film to boot.

LMS is also great, more violent, arty, and still a pretty damn good film. Based on an old Japanese tale it really sets up its characters and setting like few films do. So don't expect Shakespeare but do expect to be very entertained. The cinematography is excellent.

16 Blocks is the only one presented in lossy audio but it doesn't seem to be that bad. An actually pretty good film as well. Willis is a down on his luck cop in a sea of corruption with an informant he must protect or give up. A lot of suspense. Some parts a little unrealistic but still a solid film in the genre.

On to the transfers: For being on one disc they both average around 22Mbps which is good not great but it clearly does the job. You haven't ever seen these films look this good despite the fact much attention was NOT paid to these releases.

Considering huge films like Batman Begins are STILL being sold with transfers around 13Mbps these are quite capable if nothing to write home about. It could have been better but this is cheap as heck IF you buy used and you can't go wrong here. I got it for 10 bucks and in perfect condition. Enjoy.

Buy Bruce Willis Triple Feature (16 Blocks / The Last Boy Scout / Last Man Standing) (2012) Now

I was willing to pay $10 for one movie but this was a way better deal and the supply was sent right away. Good Job.

Read Best Reviews of Bruce Willis Triple Feature (16 Blocks / The Last Boy Scout / Last Man Standing) (2012) Here

Details for this product are incorrect. The number of discs is two. "16 Blocks" is on one blu-ray disc. "Last Boy Scout" and "Last Man Standing" are combined on the second disc. The two discs come in a two-disc blu-ray hardcase. Do not order this set and expect separate blu-ray discs for the three movies. I am returning mine.

Want Bruce Willis Triple Feature (16 Blocks / The Last Boy Scout / Last Man Standing) (2012) Discount?

If you like action, Bruce Willis, and variety in story lines, these 3 totally different films are right up your alley.

Save 46% Off

Saturday, December 14, 2013

A Perfect World (2012)

A Perfect WorldContinuing his exploration of what makes a man good, bad -just plain human-is what this film delves into, even more deeply than in the stunning "Unforgiven" (to his credit, Eastwood never pretends, as some male writers and directors do, that he understands women; instead, he admits that we are mysteries to him, and concentrates his energies on what he does understand: American men). Refusing to subscribe to typical American cinematic over-simplifications of "good vs. evil," Clint Eastwood delivers films that make you realize very quickly that there is no room for such absolutes when dealing with human truths. This thesis, which he has been pursuing for some time now, perhaps starting with "Tightrope" where the line between good and evil blurs to invisibility, he has, with "A Perfect World," given us a translation of John Lee Hancock's brilliant screenplay that is both beautiful and almost too painful to bear. Noted by critics at the time of its relase, but completley ignored by audiences who, it seems, found Kevin Costner as an escaped convict just too unpalatable, this film takes us on a complex journey deep into the souls of two tortured men, Costner's "Butch Haynes" and Eastwood's "Red," the Texas Ranger who is charged with running the escaped Haynes down. The past and its consequences are a continual theme in all of Eastwood's important works, and in this film, the ironies are neck-deep and take time and patience from the viewer to unravel. Even the decision by Red to commandeer the vehicle the Governer intends to ride in the next day when President Kennedy will be in Dallas (this is 1963) brings up the question: would the Governer have been shot had he been in this vehicle instead of in the President's car? This is one subtle example of how decision and consequence are continously explored in this most thought-provoking of films.

Kevin Costner gave probably the best performance of his life, cast against type as a complex man who cannot be called either bad or good, merely profoundly human, whose life has followed a course laid by poverty, homelessness, a suicide mother and a felonious father, a bit of high spirits, and high intelligence with nowhere to go, but most importantly, the Texas penal system as it was managed in the 60's. Haynes' moral center, despite his acts, never wavers, and it is that moral center that propels events which finally spiral out of his control and into tragedy. But we see, clearly, that even a so-called "bad" man can be good enough to inspire genuine, deep love that, in the end, redeems both him and the person whose initial action started the long chain of events that ends with the 36 hours over which this film takes place (we discover who this is along the way, and I don't want to lessen the impact of any discoveries). Another reviewer here implied that it was Eastwood who is responsible for Costner's excellence in this film, but having seen so many interviews with his actors, it is generally understood that Eastwood casts his actors, then leaves them alone to find the character and reveal him without a great deal of interference, so it would seem that the credit is, indeed, Costner's. Sadly, he never again worked against type, perhaps because of this film's commercial failure, but this performance will always stand as testament to what he can do, and never is that performance better than in the house where Cajun music on the Victrola and senseless violence against a boy much of an age as Butch himself was when violence entered his life, combine to send him into a sort of fugue state of memory, pain, longing, rage, and ultimately, the loss of control that brings things to a terrible end.

The boy, Philip, with whom he bonds (played beautifully by the transparent T.J. Lowther) also gives us his heart laid bare, and the rapport between the two of them is completely believable. We understand the child's repeated choices to stay with Butch, and the reasons go far beyond the superficial need for a father (his is gone), and into the realm of love. It is from Haynes that he learns the lesson that exacts the price of Haynes' escape, but then it is his love for Haynes that makes it bearable, and even right, for both of them, as in the end, he becomes the protector--the man--whose job it is to help a loved-one who can no longer help himself.

When a film's characters are torn apart by the end of a film, its viewers should be, too, and we definitely are. It is a difficult, heart-breaking journey that Clint Eastwood insists we take with him, but taking it brings us to the point where we should start each day: from scratch. Red's last line is, "I don't know a da*n thing anymore," and that is exactly the point and the purpose of this story. We should never, ever think we have all the answers; to do so is fatal, as Red learns. Every day we should be willing to examine our beliefs and look back, with honesty, at what we've done, and look forward to what we're about to do with eyes wide open and with some sort of awareness of potential damage, and know, always, that there is no good "us," no bad "them," but that we're all only human beings, deeply flawed and yet filled with the capacity for love and connection, each of us doing the best we can.

This film has two of Hollywood's biggest stars Eastwood and Costner both of whom give great performances. But it's the young actor who plays the kidnapped boy who steals the show. This drama is set in Texas, early November 1963 shortly before JFK's fateful visit to Dallas. An escaped convict (Costner) kidnaps a boy and is on the run from the law (Eastwood) and each of their lives are changed forever. The film is especially touching whenever it focuses on the growing relationship between the convict & boy Costner's portrayal of the tough escapee with a kind heart is great and the boy is so natural and likeable. Under Eastwood's direction the film is controlled and avoids the pitfall of melodrama. The ending is tragic yet inevitable. I think this is one of Costner's best performances and was surprised when the film seemed to be overlooked by the media. I loved the whole feel of the movie and cared about the characters even some of the minor ones like the sharecropper family. I highly recommend this film.

Buy A Perfect World (2012) Now

This film is one of those rare movies that manage to use the strengths of all involved. First, this is the very best of Clint Eastwood both as a director and actor. Eastwood the director learned his trade from Don Siegel, who made a bunch of no-nonsense 70's action films, many of them with Eastwood as the star. Eastwood learned his trade well from the master. He can edit the fat out of a film very effectively. Eastwood the actor really shines in this film as well in a supporting role as a Texas Ranger at the tail end of a career doing a kind of slow burn as events unfold around him.

This film is also Kevin Costner's best work ever, and one has to imagine it came because Director Eastwood sat on him hard. Whatever, Costner gives a very, very good performance, full of depth as a prisoner on the lam. He is actually tough and touching at the same time, no small feat for any actor.

Finally, Laura Dern is also at her best in this film. What happened to her, anyway? Where did she go? Anyway, the romance between the Eastwood character and Dern is understated and very moving, as each character slowly gain respect for the other. Dern is not classically beautiful, but she comes off as very real and smart, with a sense of humor and a real humanity. Hollywood needs more like her, instead of fashion models playing cops. Dern looks natural as hell in the role with a beauty, as corny as it sounds, that comes from within.

All in all, a vastly overlooked gem that is well worth owning.

Read Best Reviews of A Perfect World (2012) Here

Kevin Costner turned up in his best role in years in this excellent drama of an escaped convict, serving time for a series of armed robberies who kidnaps a young boy and holds him hostage. Along the way the boy soon befriends Costner. This film remains tense and gripping throughout, holding many moments of suspense, The acting is great from a cast that also includes Clint Eastwood who also directed this movie. Its great to seee such two great actors together and its a pity they dont share any of their scenes together. There are some moments of comedy too giving this the balance it needs to be a good film. Very good scripts throughout the film and the ending is surprisingly quite moving. Highly recommended!

Want A Perfect World (2012) Discount?

this film kicked me in the gut. I don't understand how it has been so seemingly overlooked: Costner should have have been nominated for an academy award for his portrayal of Butch Haynes, a man with some good at heart but constantly teetering on the edge of violence. he isn't aware of his predelictions-he isn't trying to be good, quite the opposite. but he seems to do good in spite of himself. you must pity him as someone trapped in their own violent past, trying to rewrite it by befriending his young hostage, and still trying to move hopelessly towards an unattainable future.

the final scenes of this film are inevitable, and almost too painful to watch.

Eastwood's direction, especially that of the boy and Costner, is tremendous. also, the flat-eyed, totally irredeemable character of the FBI sharp-shooter makes for a good contrast with Butch: both kill an equal number of people in the film: one. yet which killing is the more justified?

Save 42% Off