Showing posts with label blu ray home theater. Show all posts
Showing posts with label blu ray home theater. Show all posts

Monday, September 8, 2014

Prep & Landing / Prep & Landing: Naughty vs. Nice (Totally Tinsel Collection) (2012)

Prep & Landing / Prep & Landing: Naughty vs. NiceI loved both of these television specials! I watched them both the night they each aired. I've been waiting to own both of these on disc for a couple of years now. I passed up the Prep and Landing DVD last year in hopes that they would create a disc with both of them. I'm glad I waited! It'll be nice to have both of them on one disc. I also hope that they put a few special features on this blu-ray as well. It would be nice to have a couple "Behind the Scenes" featurettes or something like that. Regardless, these will be nice to have to watch each holiday season!

Add these to the classics list!!! My kids LOVE these movies and watch them all year long!!! We love them too!

Buy Prep & Landing / Prep & Landing: Naughty vs. Nice (Totally Tinsel Collection) (2012) Now

I didn't buy it because I thought the price was a bit much for a short flick but with an added new short for 2012 I'll pay the price with the added bonus of blu-ray + DVD.Prep & Landing: Totally Tinsel Collection [Blu-ray]

Read Best Reviews of Prep & Landing / Prep & Landing: Naughty vs. Nice (Totally Tinsel Collection) (2012) Here

Short and cute stories even the little ones will be able to sit still for and enjoy! I love animation, and Disney did not disappoint.

Want Prep & Landing / Prep & Landing: Naughty vs. Nice (Totally Tinsel Collection) (2012) Discount?

Looking for some fun this Christmas that will also make a great gift for animated film fans? Then by all means pick up the PREP & LANDING series that arrives in time for Christmas. It features both the original PREP & LANDING and the new short NAUGHTY VS. NICE. The package features both standard DVD and Blu-ray and includes a number of extra features that are as entertaining as the specials themselves. Included are several other short shorts that involve the elves including SECRET SANTA and TINY'S BIG ADVENTURE, a training film for prospective elves, a North Pole newsreel, hilarious commercials for the North Pole viewers (like Elf-Date.com and The Fruitcake Factory), a behind the scenes look at Grace Potter as she makes a song for the toons and does one of the voices and a behind the scenes look at how the programs are made.

PREP & LANDING/NAUGHTY BUT NICE

Every year a new crop of holiday specials makes it to television, sometimes trying to capture the magic of Christmas but more often than not trying to make some sort of statement instead. The best/worst example of this is the Frosty sequel more concerned with climate change than a Christmas tale. But now and again a new show arrives that has the potential of being a great new holiday treat. The Prep & Landing shows are just that.

The first one, PREP & LANDING, works for both children and adults. The prep & landing teams are elves that make sure things are set for Santa's arrival. They make certain kids are asleep, areas are ready for toys and the landing strip on the roof is cleared and marked for Santa's sleigh. The best elf to handle this is Wayne who thinks he's being promoted this year. Instead he's kept at the job and given a trainee named Lanny.

Disappointed, Wayne doesn't exactly take to the job as well. When Lanny makes a few mistakes, everything from messing up the Christmas tree to losing part of the landing strip, Wayne must find his Christmas spirit once again and come to the rescue.

The show plays out like Mission Impossible with elves replacing Tom Cruise and his elite team. Gags revolve around the gadgets and techniques used to insure everything goes right. Christmas phrases are inserted for code words and the spirit of Christmas joy finds its way directly into the story.

Christmas is compacted into a 30 program that will offer laughs galore for kids and adults alike. A smile is sure to cross your face while watching this. As in the best of classic cartoons, this computer animated short film offers jokes that the kids will laugh at but that adults will find more subtle humor in to offer a chuckle. It is a rare treat, a new holiday special that delivers the goods.

PREP & LANDING: NAUGHTY VS. NICE

When a naughty child tries to gain access to the equipment used by the North Pole for the naughty list using a stolen device, Wayne and Lanny are assigned to put a stop to it and get it back. Accompanying them is an expert in naughty, a coal elf named Noel, Wayne's little brother.

Noel is much loved and admired by all, a loud and obnoxious sort who seems fun to almost everyone who knows him. Of course this leads to a massive case of sibling rivalry. While Wayne is the older brother, Noel always seems to show him up.

The team takes off, arrives and sets out to save Christmas by retrieving the device. Once there they discover another case of sibling rivalry, one that is about to destroy Christmas itself. In saving this disaster from ruining the holiday, Wayne and Noel learn what being brothers is all about.

This time around not only are the Christmas themes present again but a tale that might help children deal with jealousy at Christmas time unfolds as well. I know, I said earlier that stories that deal with issues ruin Christmas specials. Fortunately here the issue is one that involves Christmas rather than uses it as a backdrop. Best of all the story entertains and offers laughs for both children and adults once more.

I love Christmas. I love Christmas specials having grown up with the classics of the past, from RUDOLPH to the TV series shows that featured Christmas episodes like The Beverly Hillbillies. So to find a new special for the holidays that meets the criteria that I have for one (must be true to the spirit, must be about the holiday and not some political agenda, must entertain, must touch me in some way) makes me feel an incredible amount of joy. I've just added this DVD to my list of must watch movies for the Christmas season. I would suggest that you pick up a copy for your shelf as well.

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Saturday, August 30, 2014

Starman (1984)

StarmanMovie-5 stars, extras 0 stars, tranfer for Blu-ray (anamorphic widescreen I might add) 4 stars

Really what is Columbia thinking? "Starman" is one of John Carpenter's finest films with an Oscar nominated performance by Jeff Bridges, a moving score by Jack Nitsche and a clever, thoughtful script that takes the same themes as Spielberg's "E.T." and develops them better. We get no extras. Nada. Nothing. We also get to pay a fairly hefty amount for the Blu-ray (it's retailed at $29.00). Warner does a better copy of releasing their Blu-rays. Heck, even Fox and Universal have been making an effort to do a decent job with their films and TV shows on Blu-ray of late. "Starman" on Blu-ray is at least in widescreen and has a nice presentation with nice detail.

Sony didn't really have to do much. England got a DVD edition of this with a commentary by John Carpenter. All they had to do was port that version over for this edition and throw on the original promotional featurette made back in the day. It wouldn't have been hard. Don't get me wrong, this is a terrific movie and it looks great but it's a LOUSY effort on behalf of Sony. That's surprising given that they won the format war. You'd expect a better effort than this truly lazy package.

What can you do? I suppose write Sony or wait to see if the UK version has the commentary track and other extras ported over to the Blu-ray. Since it'll be region free buy that. If you must buy this cheap edition of the film try and pay as little as possible as this nearly bare bones (it has BD Live capacity and-whoopee!--trailers) editon of an exceptional film SHOULD retail at about $15.99 for what we get.

This film is simply impossible not to like. Jeff Bridges is unforgettable as an alien from an incomparably advanced race who is stranded on Earth (after taking human form) and seeking to return to his own civilization, and his excellent performance as such earned him an Oscar nomination. He really gets into the role, and plays it to perfection. His gestures and mannerisms as the alien trying to understand human beings are uncannily plausible. Karen Allen is also superb in her role as an ordinary human being caught up in the struggle between Bridges, seeking to escape the Earth, and those darned nasty Big Government agents who fear the alien and seek to capture and destroy him. Darned gummint, isn't that just like them?

There are few special effects in the movie, and none are needed--this is a movie that gets through by sheer excellent storytelling and wonderful acting by Bridges and Allen. It manages to be touching without being sappy, and although our human government is viewed as being narrow-minded and overly paranoid, the alien in the end forms a high and joyous opinion of mankind, which I found uplifting and optimistic.

Well worth watching and owning.

Buy Starman (1984) Now

This review refers to the DVD edition of "Starman"(Columbia/Sony)....

I love this film. It's a film I can view often and never tire of it.Beautifully directed by John Carpenter, wonderfully photographed with great music, and stars Jeff Bridges and Karen Allen have a terrific on screen chemistry. It's got something for everybody. Great Sci-Fi, Romance, some Action/Adventure, Drama and Comedy as well. It's a film that the entire family may enjoy together(may not be suitable for the very young, as there is mild language and violence). The story of a romance between an Earth woman and an alien that looks just like her dead husband, and the ensuing chase as the government tries to capture him, is one that captivates and will keep you under it's spell, time and again. But Sony..what's up with this DVD????

"This film has been modified..., and formatted to fit your screen"..UGH!! Don't ya hate that? The buying info here shows the aspect ratio of this DVD to be 2.35:1, which is the original specs. But beware, it also says full screen and does not say widescreen or letterbox anywhere. On the back of the DVD box it says 1.33:1.This is a film that really should be seen in it's original form. The way the director and cinematographer wanted you to see it. There are some spectacular scenes of the alien ship coming down, an explosion, and some wonderful scenery that begs to be seen from edge to edge. I even checked over at the Internet Movie Data Base, and they also show the DVD with both the original aspect ratio and full screen, but I could not locate a DVD like that anywhere. Maybe it was available once and has gone out of print, but if that is the case, a new edition needs to be released in widescreen, and Sony..some commentary or one or two bonus features for Sci-Fi fans on the "making of" might do nicely too.

That being said, the rest of the transfer to DVD of this fabulous film was well done. The picture is crystal clear,colors wonderful, and the sound in Stereo Surround(2.0) was actually very good. There are subtitles in English Spanish, and French and may be viewed in those languages as well. Or any combination of the languages and subtitles.

I love the film enough to go 5 stars for it, but taking off one for not even having a choice as to how I want to view it.

Sony....Puhleeese! Reissue this film in the original widescreen format. Thanks!....Laurie

also recommended:

Sci-fi Channel Trivia Book. The Ultimate Trivia Challenge

Meet Joe Black

Edward Scissorhands

Read Best Reviews of Starman (1984) Here

I first saw this movie way back in 1985 and at that time I thought it was fantastic, better than ET (hugely overrated).

Well, time has not diminshed this feeling and after recently purchasing the DVD I can only say that it's still just as good.

Jeff Bridges gives us a truly believable and touching performance, he was deservedly Oscar nominated and Karen Allen is simply gorgeous as the wide eyed widower who cannot quite believe what is happening to her. The two carry the film very well and the supporting cast especially Charles Martin Smith are also excellent.

The movie succeeds on just about every level, emotionally it's truly touching and scenes such as the deer outside the diner and when Karen Allen describes the definition of love are real chokers.

The gorgeous Arizona landscape looks sumptous and the filming overall is first rate, John Carpenter clearly demonstrates his mastery of filmmaking throughout every scene. Forget the fact that the special effects could have been better, hey this was 1984 and way before CGI overpowered us with overblown special effects. By contrast some movies made today are so full of totally unnecessary special effects that it's no longer clear whether what you are seeing is real or animated.

This movie doesn't need to rely on this level of interference, it works on an emotional and human level.

As a side note some years ago my wife and I visited Meteor Crater near Winslow and we looked for the cafe where Jeff Bridges, Karen Allen and Charles Martin Smith played out the final scene but we couldn't find it, must have been created for the movie.

Anyway, all in all simply fantastic and easily one of my personal favourites.

Want Starman (1984) Discount?

"Starman" is a top notch sci-fi movie that boasts a wonderful performance by Jeff Bridges. It is a story of first contact with a twist--an alien flys to Earth after receiving a welcome message from Voyager, only to find the human race hostile (the U.S. Air Force shoots down his ship). The alien takes the form of a dead house painter via some DNA trickery (yes, the plot is thin), then abducts the widow and makes her drive to Arizona where he will meet his mothership. The 3-day journey is one of discovery, not only for the alien, but the bewildered widow as well. Alternatively funny and touching, "Starman" turns into a love story, and it works quite well. What doesn't work is the standard Government/Military `capture-and-kill-the-threat' scenario. In spite of this weakness, "Starman" gets 8 out of 10. If by chance you haven't seen this film, by all means pick it up. It is well worth the time, even for people who don't normally like sci-fi.

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Sunday, August 17, 2014

Space Children (1958)

Space ChildrenIf you're read some the other reviews here, you may notice I was intially a bit skeptical of Olive Films, having not been familiar with them until now. Well, I'm happy to report that the company (actually a part of Paramount, it turns out) did a fine job with this mostly-forgotten Jack Arnold drive-in sci-fi film. While it is true that a 50+ year old low-budget film, even in 1080p, will never have the shine of a recent film shot in high definition, The Space Children is, for the most part, remarkably clear.

The film itself concerns an alien being taking possession of the children of some rocket scientists. While the film's promotional materials played up the otherworldly menace, the story itself is actually fairly subdued. This is science fiction that favors talking over action, and although there are some nifty effects, they are sparingly used. The film's anti-war message places it in the company of The Day the Earth Stood Still (Special Edition) [Blu-ray] rather than the typical alien-invasion films of the period.

As the title of the review states, this is a "bare bones" video release. All you get is the movie. Which is a shame, because there is a great theatrical trailer that can be easily found on the internet. And director Jack Arnold was a generally well-liked and prolific genre filmmaker, so a featurette or even trailers from his other films would have been a nice touch. But as someone who collects and adores films of this type, I consider it a minor miracle that a Blu-ray release of "The Space Children" ever saw the light of day. So for that, I am grateful. And I'm most satisfied to see that Olive Films is a company that cares about these old films.

Bottom line: This is a must-have for fans of 50's science fiction. And because this is the first official release of the film on video, there's a good chance that many genre fans haven't even seen it.

Producer William Alland and Director Jack Arnold were responsible for some of the best and most innovative Science Fiction films of the fifties. Olive Films has released an underrated gem which happens to be Arnold's Sci-Fi swan song , 1958's 'THE SPACE CHILDREN' into the digital age. A beautiful anti war statement made when this type of film was few and far between at that time, it emerges as Arnold's most personal film. Never has his use of landscapes been more realized. Just as he used the desert as his tableau in 'IT CAME FROM OUTER SPACE'-1953 and 'TARANTULA'-1956 , he surpasses his water and underground cavern settings of his masterpiece 'THE CREATURE FROM THE BLACK LAGOON'-1954 by placing his alien visitor in a cave within walking distance of the ocean causing the setting to be calm yet menacing in each frame brilliantly realized by photographer Ernest Laszlo. The performances by the children are excellent and even the adults are shown in different lights by being shown the errors of their ways. The icing on the cake is the eerie music score by Van Cleve who also graced Director Eugene Lourie's 'THE COLOSSUS OF NEW YORK' the same year. It emerges as a poignant children's fable predating the menacing alien-invasion-by-children thriller Director Wolf Rilla's 'VILLAGE OF THE DAMNED'-1960 and its sequel, Director Anton Leader's 'CHILDREN OF THE DAMNED'-1963. The transfer is stunning with a beautiful 1.85 transfer which is just as good as the BLU-RAY release and has an original trailer as its only extra. Highly recommended and kudos once again to Olive Films for excavating this underrated film to Sci-Fi Fans of all ages.

Buy Space Children (1958) Now

"except ye become as little children, ye shall not enter into the kingdom of heaven."

(St.Matthew, Ch. 18, v.3)

This is a William Alland production. You remember his productions.

Such unforgettables as:

Citizen Kane

The Devil and Daniel Webster

It Came from Outer Space (one of my favorites)

Creature from the Black Lagoon

This Island Earth

Tarantula

The Deadly Mantis

And many more.

This one is a toughie to find.

There is a nice spooky movie credits however it's missing the obligatory sci-fi introduction narrative.

The U.S. is about to launch a hydrogen bomb satellite to protect up from the other side. The other side may already have done so. Someone or something has other plans and a unique ally.

Sandy Descher plays Eadie Johnson; here she gets to talk instead of just screaming "Them!"

A little deviation on this review. Looking at the trailer that the family lives in on the beach I noticed the glass louvers on the door. Back in the 60s after school I had a job manufacturing the glass louvers. It brings back old times.

Read Best Reviews of Space Children (1958) Here

I really liked this movie. The picture quality was very good and so was the sound. I noticed a very familiar monster. It looked like the Horta in a Star Treck show. It was the usual 1950"s drive in movie. But I really love these movies.

Want Space Children (1958) Discount?

The late 50's were loaded with sci-fi stories about space aliens doing nefarious things. What a delight to see a pleasant film about little kids making the "powers that be" look like idiots. I first saw this back in the 50's, released on a double bill with "Kronos" as a drive-in double feature. (Both are good films). This film resonated with me a lot, and I never forgot it. Glad to know it's on (a very good) DVD.

The Cold War was brewing, and the idea to lay low til you know what the hell is actually going on is a lesson well portrayed. I like this film a lot, more than just a "guilty pleasure". It actually has something to say.

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Friday, August 8, 2014

A Little Bit of Heaven (2011)

A Little Bit of HeavenWithout revealing any real spoilers I have to say...

I'm not much for the "Chick Flick"/romance genre, but this movie wowed me.

Kate Hudson put in a performance of such quality, that I haven't seen from her since "How to Lose a Guy in 10 Days". She starts out fun and flirty with a bit of despicable mixed in. Then her character moved me to a bit of hatred for the treatment she issued to her family and friends. Then towards the end she made me fall in love with her character and almost come to tears for her predicament.

There's a lot of teaching, learning and cameraderie throughout the movie. There are laughs shared and tears shed between the characters. Every single moment within the movie feels genuine, and I can genuinely see myself or anybody else going through the same phases if faced with a similar situation. I honestly wouldn't be surprised to find out that this was based on a true life story(don't remember seeing that stated anywhere in the movie though).

This movie has sufficient humor to be a comedy, sufficient grief to be a tragedy and just enough love to be a romance that doesn't make you nauseous. There is only one truly over the top moment in the movie, but it's at the end. The biggest tragedy is this movie will only be in limited release at a few theatres just weeks before the DVD comes out.

If you are looking for a good combination of laughter and real life human drama with the spice of true love this is the movie. A fenomenal cast, Gael Garcia is a perfect cast for it, his crying is so passionate and sincere. Kate Hudson is a spectacular romatic gender actress. It's a light and sensitive movie about what it takes to come to peace with yourself when your time is up.

Positively recommend it.

Buy A Little Bit of Heaven (2011) Now



At the advertising agency Marley is asked if she is losing weight, a question that drives Marley to the doctor. Her new physician is Dr. Julian Goldstein (Gael García Bernal), a handsome but shy and dedicated young man who examines Marley and sedates her for colonoscopy: while Marley is under medication she dreams of being in heaven next to God (Whoopi Goldberg) who tells her she is dying and gives her three wishes Marley chooses a million dollars, a chance to fly, and to find love. Upon awakening she is informed she has extensive colon cancer and Dr. Goldstein suggests she see a Dr. Sanders (Alan Dale) who offers her two choices extensive chemotherapy or death. Marley chooses the former and from there she begins to alter her relationships with everyone around her. She gradually falls in love with Dr. Goldstein, confronts her parents and friends with her news, and the manner in which they accept her fate is where the film alters to a tender heart-warming gentle string of events that should be seen instead of read.

It is so rewarding to see Kate Hudson expand her acting talent into a serious role and she manages to find that perfect balance between the lighthearted personality we all recognize and the empathetic and vulnerable woman she becomes. Gael García Bernal assumes a new type of role and is completely charming and loveable. There is a fine cameo by Peter Dinklage a Special Escort hired by neighbor Peter to give Marley `a little bit of heaven' and Kathy Bates, Lucy Punch, and Romany Malco are particularly fine. This film will likely bring a few tears to the viewer's eyes, but those releases of emotion just make us feel better about life. Despite the few over the edge silly parts in the film this is a solid little gem that should find an appreciative audience when it reaches the theaters. Grady Harp, April 12

Read Best Reviews of A Little Bit of Heaven (2011) Here

kate hudson is amazing in this story....such a beautiful movie. Funny as she usually is but with a different twist this time. Please take the time to watch this movie you will not regret it. Awesome cast

Want A Little Bit of Heaven (2011) Discount?

The reviews run from almost zero to stellar responses. some reviewers reference folks they know who have one form of cancer or another[all cancers are NOT the same!],and how the script doesn't accurately portray the real struggle[s] as they see it through the eyes of friends,etc. or from reading books, watching documentaries,etc. this is a movie, folks, and so saying Hollywood sold out is kinda surprising to me; i halfway anticipate a 'sell-out' anytime hollywood tackles subjects such as cancer..as a person living with two last-stage lymphomas, i could if so desired pick apart its fragmented nature, or the plot holes, or a number of other things, e.g., underdeveloped character. played by Gael Bernal Garcia, Treat Williams,etc. but that would be picking and missing the point at least in the opinion of someone living with end-stage disease[s]. what i got from the movie, aside from ms. hudson's extraordinary performance, was that for some[?] or many[?] of us it often takes something, some kind of life shattering/life-threatening event to wake us up and out of our daily robotic way[s] of living and focus perhaps for the first time ever on what's REALLY important!! and it brilliantly shows the difficulties faced by the patient her or himself as to how to communicate with friends/family so as to not burden them while simultaneously informing them of your feelings, and also trying to care about their feelings too which is an ENORMOUS undertaking....and unless one is a patient, you just ain't gonna get it....so the messages contained in this yes less than ideal movie are critical and crucial IN EVERYONE'S LIFE, NOT JUST THOSE WITH LIFE-THREATENING ILLNESS!!! WAKE UP BEFORE IT WELL MIGHT BE TOO LATE!!!

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Sunday, July 13, 2014

Benny & Joon (1993)

Benny & JoonI love this feel-good movie! It's a special treat to watch Sam, Johnny Depp's quirky, sweet and child-like character, who makes grilled cheese sandwiches with an iron and entertains at a park with his impressive Buster Keaton-like routines. He looks and acts like someone who walked in from another era, maybe even another planet. Watch Depp's facial expressions -intense and hilarious!

There are heavy moments, such as the bus scene: When the romance between Sam and Joon (Mary Stuart Masterson) is misunderstood, forcing the pair to run away, Sam comes face to face with the reality of mental illness as Joon becomes severely agitated with the voices in her head. But he never gives up on love, finding a way to get to Joon at the mental hospital by dangling acrobatically just outside her room from a window washer's perch (my favorite scene). And yes, there's a happy ending.

I watched this movie with my husband and our children (ages 10 and 12). If you plan to watch Benny & Joon with kids, be aware that bad words are used a couple of times, and there's a romantic scene between Sam and Joon that's slightly steamy but not distasteful. Overall, though, the touching story, dialogue, and humor make this a fine movie to watch with kids over 9 years of age (younger kids would probably find it boring).

Creative story with fun characters! Some of the almost surreal scenes will replay in your mind to make you smile and even laugh out loud.

This is a quirky romantic comedy about two people who, deemed as misfits by society, fall in love with each other. Featuring outstanding performances by the entire cast, this is a film that lets the viewer know that there is, indeed, someone for everyone.

When eccentric Sam (Johnny Depp) enters the lives of a brother and sister, Benny (Aidan Quinn) and Joon (Mary Stuart Masterson), he changes their lives forever. Benny, it seems, is always worried about his sister who seems to be autistic. He treats her like a baby, making sure that she is never left alone. Highly intelligent, creative, and articulate, Joon, however, chafes a bit under the thumb of her protective older brother, but she does have some issues, as there are certain things that act as triggers for some odd behavior on her part.

When Sam begins living with Benny and Joon, acting as a housekeeper-babysitter, Sam treats Joon like a regular person, and before you know it they are falling in love, each accepting the quirks of the other with complete equanimity. Meanwhile, Benny is attracted to Ruthie (Julianne Moore), who owns the local diner. The only thing is that he cannot seem to concentrate on romance, as he is so worried about what the future holds for his sister.

There are some twists and turns in the romances between Sam and Joon, as well as in that of Benny and Ruthie. There are some very funny moments, as well as those filled with genuine pathos. There is also a certain amount of physical comedy reminiscent of that of Charlie Chaplin and Buster Keaton. In the hands of the adept Johnny Depp, it works.

This is a film that will be enjoyed by those who love off-beat, beautifully acted films. Bravo!

Buy Benny & Joon (1993) Now

using the quriky proclaimers hit, benny and joon is an acomplishment that pulls johnny depp into one of the cutest, most huggably, and yet eerily believable roles he's played. not just for johnny fans, this movie is truly a "romance with a twist" pulling together the impressive talents of multiple noted actors and actresses. this is the ultimate johnny depp movie, but for those who dont buy into the johnny rage, it provides a sweet evening of family entertainment while dealing with the touchy issues of social relationships, family problems, and mental instability in an origanal, touching, and comforting way that you will never forget.

with the quirky chaplin-esque stunts that depp pulls off in style, and the truly believable copncerned brother role of aiden quin, put together with the semi-insane character of Masterson, this movie has the talent to pull of what it tries to doin style.

a must see for all ages.

Read Best Reviews of Benny & Joon (1993) Here

"Benny & Joon" ranks high on my list of favorite movies. The storyline is fairly unpretentious: Juniper "Joon" Pearl (Mary Stuart Masterson) is a slightly unbalanced young woman living with her overprotective brother Benny (Aidan Quinn). The two have been on their own since their parents were killed in a car accident years before. Joon requires constant supervision, as she has a tendency to light things on fire, but her sometimes volatile moods drive away one housekeeper after another. Juggling his life between work and looking after his sister, Benny has little time of his own. At last he must face a difficult choice should he continue trying to find a housekeeper who can deal with Joon's eccentricities, or should he consider placing her in a group home, where perhaps others will do a better job of caring for her than he can?

Unable to find someone to look after Joon one night, Benny allows her to accompany him to his weekly poker game. And when Joon loses a hand, Benny suddenly finds himself saddled with an unexpected and not altogether welcome houseguest Sam (Johnny Depp), the strange cousin one of Benny's friends can't wait to get rid of. Little do they realize how drastically this odd newcomer will affect their lives. Sam's quirky ways, particularly his unconventional method of making grilled cheese sandwiches, intrigue Joon as nothing ever has before. And having Sam around to look after Joon frees Benny up to pursue a romantic interest of his own with Ruthie (Julianne Moore), the pretty waitress at the corner restaurant. But as Joon's bond with Sam grows stronger, Benny finds himself torn at the idea that he may no longer be the central figure in his little sister's life.

It's a fun, cute, slightly off-beat romantic comedy, but it isn't all fluff. Unlike many others in the genre, this movie has some substance underneath. The emotions of the characters are genuine, and the brother / sister relationship between Benny and Joon is stressed just as much as the romantic one between Joon and Sam. Though the film contains quite an assortment of oddball characters, it manages to remain rooted in reality and stresses the important things in life. For all the funny, up-beat scenes, like Sam's hilarious physical comedy routines in the park, there are also some serious sequences. The scene on the bus where Sam gets his first real dose of the gravity of Joon's mental illness is probably the heaviest in the film.

We are never told exactly what is wrong with Joon. Seeing the movie for the first time, after hearing the terms "unbalanced" and "mentally ill" used to describe her, I had expected her illness to be more serious and overpowering than it actually appears to be. She's eccentric and moody, to be sure, but for most of the movie she seems to be quite sensible and sane, sometimes even more so than the other characters. However, she does sometimes hear voices, as we see in the aforementioned bus scene. My personal guess would be that Joon is mildly schizophrenic, and perhaps also somewhat manic depressive, to explain the volatile mood swings. But the important thing is that she does not see herself as "odd" or sick. It is the rest of the world, and Benny in particular, that must realize that perhaps Joon is capable of living a more normal, independent life than she has been allowed to so far.

The entire film is very well acted. I cannot think of a single cast member whose performance was not up to par. The stars of the show, of course, are Mary Stuart Masterson as Joon and the incomparable Johnny Depp as Sam. Masterson captures the nuances of Joon's character to perfection. One has no difficulty in believing her complex character to be genuine. And despite her oddities, she remains loveable throughout. Sam is just the kind of quirky character fans of Depp would expect him to play, and he carries it off beautifully as usual, here drawing heavily on the influences of Buster Keaton and Charlie Chaplin. His character is slightly more difficult to envision as an actual flesh-and-blood person than Joon's, but in the context of the movie it works. Aidan Quinn and Julianne Moore also turn in great performances, and smaller parts are contributed by Oliver Platt, C.C.H. Pounder, Dan Hedaya, Joe Grifasi, William H. Macy, and Liane Alexandra Curtis.

This is a film I imagine almost anyone could enjoy. It doesn't adhere rigidly to the typical romantic comedy formula, it's believable despite the occasionally far-fetched elements in its plot, and it is genuinely funny and moving by turns. It's also suitable for viewers of just about any age. Again unlike so many modern romantic movies, it does not depend on sex scenes to establish romance. In fact, the physical aspect of Sam and Joon's relationship is limited to just one fairly tame kiss. There's nothing here that parents need be concerned about having their little ones watch. The movie isn't overly long, either, clocking in at only 98 minutes.

The DVD special features are not overly impressive, though there is some worthwhile material. There are two deleted scenes. One is a sequence where Benny, impresed by Sam's physical comedy abilities, has arranged an audition for him with an agent. Unfortunately, there is no option to turn off the director commentary which is placed over the scene, so one can't actually hear the dialogue, which I would have liked. The other sequence is simply a full-size version of the horror movie scene that Benny, Joon, Sam, and Ruthie watch one night. Other special features include an audio commentary, a long series of costume and make-up tests, a stunt reel, the theatrical trailer, and a music video for the theme song "I'm Gonna Be" (a.k.a. "500 Miles") by The Proclaimers. In summary, this is a terrific, fun, feel-good movie with a decent DVD. Definitely worth adding to your collection.

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This is a story about stagnant sibling relationships. Benny (a mechanic) has structured his entire life around 'protecting' his mentally ill sister, Joon. Both are dissatisfied: she in particular has withdrawn from society and broader human interaction, and has an underdeveloped ability to care for herself. The ensuing frustration manifests itself in pyromania.

His need for control and her isolation are tearing their relationship apart, despite the very real and visible love they have for each other. Sam is a much-needed catalyst for change. I suspect that his appeal for Joon, who is immediately drawn to him, lies in the fact that he makes absolutely no assumptions about her on the basis of her condition.

It has been said that this movie is arguing that love conquers all, but I disagree. Romantic love is presented as a mechanism of change and renewal: but the real story lies in a brother's struggle to overcome his own need to protect his sister from society, and in his blindness when it comes to her own requirements as an adult woman. The viewers and Sam himself are made to confront the very real facts of Joon's illness when their attempt to abscond results in a highly traumatic episode.

Essentially, the movie is a humorous and emotional one. While not the most polished movie you'll ever see, 'Benny and Joon' comes across as very sincere, and it isn't afraid to tackle the tough issues. Johnny Depp is as lovely as always, and the film contains moments of incredible wit, warmth, and a quirky kind of humor in its portrait a mentally ill young woman who has absolutely normal needs when it comes to love, sex, and independence.

And it's nicely gritty, too, and highly effective.

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Monday, July 7, 2014

Guys and Dolls (2012)

Guys and DollsYes, indeed! The booklet included is nice and glossy. Thanks! And the two documentaries added this time around are nice too. Thanks again! But what about the film itself? Has that been given the deluxe treatment as well?

Sad answer: Definitely NOT! As a matter of fact, this new "re-master" looks much worse than the previous DVD. That one was a very fuzzy non-anamorphic mess, but this new anamorphic one is just as fuzzy. In fact, when I put the old one in the zoom mode, there is no difference in focus and contrast whatsoever. And the colors are somewhat more warm and pleasant on the old edition. But worst of all, is that the new DVD is cropped on all four sides! There is quite a lot of more picture information available on the old disc, especially on top of the frame! So much for a Deluxe Edition! Shame on you, Sony/MGM-UA! Fans of this film myself included will have to keep the old DVD, and get this new one for the extras and the booklet. (The 2 stars above are for those inclusions alone.) This is certainly no way to treat loyal film fans and costumers willing to pay for an upgrade version of a beloved film!

For those uniformed potential buyers...note that the picture/aspect ratio for this specific release has been cropped (I've done identical scene comparisons with this deluxe release and the previous edition). In addition, the (2000) release is mislabeled (i.e. 2.35:1) and is actually presented in a 2.55:1 ratio (the original theatrical release format). Conversely, the deluxe edition (is labeled 2.55:1) and because of cropping, has been altered from the picture's original aspect ratio...in effect displaying a 2.35:1 image. The cropping issue has also been noted by other various reviewers, therefore confirming and/or lending credibility to this issue not being an isolated event.

In summmation...the product has been misrepresented. With this release, one does not get the complete picture...literally. I returned my deluxe edtion for a refund and will stay with my (2000) version, until the studio(s) or those responsible for a legitimate "deluxe" edtion will "do it right."

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A film by Joseph Mankiewicz

The image I have in my head of Marlon Brando is that of Vito Corleone in "The Godfather" and Terry Malloy in "On the Waterfront". The opportunity to see Brando in a musical was just too good to pass up. "Guys and Dolls" is a musical about gamblers and women, but the story is much better than that.

Nathan Detroit (Frank Sinatra) runs a high stakes craps game. Normally he does not have any trouble finding a location for the game, but the police is putting on the heat and nobody is willing to take the chance...nobody but one person who wants $1000 up front to host the game. All of the big mobsters are in town and they are looking for Nathan's craps game. Nathan makes a bet with Sky Masterson (Marlon Brando), a high roller who will bet on absolutely anything. The bet is that Sky cannot convince Sarah Brown (Jean Simmons) to go with him to Havana for the night. This may not seem like that big of a bet, but Sarah Brown works downtown at the mission and is a very straight-laced, Christian woman. Sky Masterson is not the sort of man she would associate with. Sky takes the bet and starts trying to win over Sarah. While Sky is doing this, Nathan is setting up the craps game with the promise of the thousand dollars he believes he'll win from Sky. The only thing raining on Nathan's parade is his fiancee of 14 years, Miss Adelaide (Vivian Blaine). Miss Adelaide is a show girl, and she is getting tired of waiting for Nathan to marry her and she is also completely against the crap game.

The above description sets the stage for a wonderful musical where we get to see Brando singing "Luck Be a Lady". The other song that completely surprised me was "Sit Down You're Rocking the Boat", a song I only knew from the much slower Don Henley version. With Sinatra's crooning and Brando singing like I never knew he could, this is one good musical. I would definitely recommend this movie.

Read Best Reviews of Guys and Dolls (2012) Here

"Guys and Dolls" is a fairly faithful, good adaptation of the great Broadway stage musical. Unlike "West Side Story" or "My Fair Lady", it isn't a film that cries out "SPECIAL EDITION!" but it is fine to have one available.

MGM has given the film a fine special edition (or Deluxe Edition as they call it) treatment. The box is nice and reflects some of the original artwork with modern touches. The scrapbook (A collection of old advertising and photos) is fine as well.

As for the disc itself, the two documentaries are fine. No rare photographs from the Broadway or film archives are shown, but the interviews from the children of the creators (Loesser, Goldwyn and Mankiewicz) and the choreographer, Michael Kidd are quite nice and informative.

The film itself recieves a nice treatment although it is quite similar to the previous editions.

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Like it or not, it's up there with the classic film musicals of all time. Who would want to miss a singing Brando? He does a good job as Sky Masterson but one wonders how it would have been if Sinatra had played Sky & Brando, Nathan Detroit. Apparently in reality, Sinatra wanted the part of Sky but he lucked-out to Marlon. Brando said later that when they recorded his voice, it was so bad that he literally had to sing it line by line. I personaly think he does a fine job, as does Old Blue Eyes. One of those great looking hollywood movies. Like candy for the eyes. How lucky we are to be able to see it in it's cinematic DVD glory in our own lounge rooms. Need popcorn in your lap for this one.

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Sunday, July 6, 2014

Mark 2: Redemption (2013)

Mark 2: Redemption"The Mark 2: Redemption" will be familiar to anyone who's seen other Christian end times movies like "Left Behind", "Apocalypse" or "Moment After". The rapture has just taken place and we get to follow those left behind as the world unites under a charismatic new leader (Antichrist). The bad guys still want the microchip that's implanted in Craig Sheffer's arm. "The Mark: Redemption" is less preachy compared to some other films in this genre and can be enjoyed by non-Christian fans of apocalyptic action movies if they can overlook the occasional religious references. But be prepared for another open ending that lets a lot of loose ends untied to make room for one or more sequels.

I was anxiously awaiting this sequel and was not disappointed. Not a lot of faith based action movies out there so needless to say the men in my family enjoyed it as well.

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If you did not see Mark 1 then its likely you will be confused for the first hour. Acting I found to be very wooden and I just could not get into this film. In fact I give up after an hour. Its heavily Christian based .

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This movie has you on the edge of your seat and the quality of the video is wonderful. I enjoyed the low cost and how fast the seller shipped them out. I highly recommend if you are into end time movies and the seller.

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Wednesday, June 18, 2014

Pleasantville (2011)

PleasantvillePleasantville may be one of the best, most underrated movies of all time. I admit, when it was first released, the premise seemed a bit goofy: two teenagers (played by then-unknown actors) are suddenly cast into a Leave It To Beaver-like classic TV town called Pleasantville by none other than Don Knotts (reminds you a little of the forgettable "Stay Tuned," doesn't it?). Upon their arrival, however, they discover that Pleasantville isn't everything it's cracked up to be and that being "pleasant" means missing out on some basic, vital parts of life (such as toilets, and of course, sex). What follows is an amazing transformation: of the main characters, the town, and even the movie itself, whose stunning cinematography slowly adds bursts of color to Pleasantville's black and white world while simultaneously providing a metaphor for the race conflicts of the 1950s and 60s. The two unknown actors turn out to be the now-famous Tobey Maguire and Reese Whitherspoon, both of whom shine like the stars they are in one of their first movies. Added to this are excellent supporting performances by some of the best in the business, including William H. Macy, Joan Allen, Jeff Daniels, and the late great character actor J.T. Walsh. An absolutely incredible, must-see film.

Pleasantville is a fantastic film experience, and don't let anyone tell you otherwise. A true, striking, and original masterpiece; Pleasantville is a must for any movie fan. What makes the film such a joy is how it exists on so many levels; almost anyone can find something to like here. It's at times a simple fantasy, others a biting satire, and even others an account of our history and change as people. Pleasantville is purely original and very well-structured. It deals with mature themes and if you're someone who likes to analyze films, then this is a great choice. The DVD warrants a purchase, even if you already own the VHS version (as I do), one of the few DVD's that does. Do yourself a favor and listen to writer-director Gary Ross's commentary-it's dynamite, even if you generally do not like commentaries. It's incredibly enlightening and adds much to the film's depth. Ross cleary illustates all of the overlapping themes and symbolism, and adds a personal touch to the movie's meaning. (The unintended rip-offs of The Shawshank Redemption and Citizen Kane are particularly interesting). The film has a bright, crisp transfer and excellent sound. The only way to enjoy Pleasantville (other than the theater) is on DVD. Newman's music is magical, also. There's a neat (oh, I'm talking like a 50's person now) behind the scenes documentary on the film's jaw-dropping special effects. The included Fiona Apple music video is pretty neat and directed by P.T. Anderson. (Anderson fans take note: watch for Anderson regular John C. Reilly at the video's end.) Overall, a DVD to buy: one of '98's best films with tons of extras to boot. Swell.

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Pleasantville is like a colorized movie version of Twilight Zone. A modern day boy (Toby McGuire) dreams of going back to the innocent days of the 1950s. When he gets his wish via a magical stranger played by Don Knotts, he and his sister Reese Witherspoon steps into a black and white world of Pleasantville, a town stucked in the 1950s. As the town's innocence is wiped away with the introduction of books and knowledge, color replaces the black and white starkness of the town and its people. Beautifully acted and filmed, this movie has heart and a brain.

Read Best Reviews of Pleasantville (2011) Here

O.K. I'll to try to help people get the most out of this movie.

First, I recommend you wait to see this movie until you're atleast 18 years old. And, no, I'm not saying that this movie should be rated 'R'. I just think you have to have a certain amount of education under your belt, and be contemplating life in general, to fully embrace this film.

Now, regarding what the movie is about...

It's about two siblings who have different views of what the perfect world should be--neither of which is totally correct. Despite the title, I don't think the movie is about the town of Pleasantville. Sure, almost everything we see happens there, and there are plenty of scenes that don't show either David or Jennifer (the two kids); but, I think that the town is there more as a learning device for the kids, and as a reminder to us, the audience, of our real-world history. You have to keep in mind that this movie is partly a comedy. If you get bogged down trying to figure out what everything is a metaphor for, you may miss a laugh, because most of the time there are only partial metaphors. Pleasantville doesn't represent 1950's America. (They actually did have toilets and "real rain" back then.) It's a fake world that David thought would be a great place to live in. Unfortunately, a world where nothing bad ever happens just doesn't exist (when real people are involved). David, himself, helped mess up his perfect world just by being late for work once. Jennifer, on the other hand, is upset that she's been unwillingly thrown into this world that is far from her ideal one; so, she does her best to try to change Pleasantville into what she wants.

The following are my comments on what other reviewers have said:

--Unlike what some reviewers have said, it seems like both liberal and conservative views are expressed here; and in the end, neither one is found to be always better than the other. Sometimes, change is forced on us even when nobody wants it (e.g., natural disasters). Either you find a way to deal with the change, possibly learn from it, and move forward; or, you can spend the rest of your life wishing for the olden days, feeling miserable, because you know they will never return.

--Whoever brought up Nazis in relation to this movie must have been watching something quite different from what I was. Religious freedom and sexual orientation are two subjects that this movie never even tried to touch on. And, the most physical harm that I can remember seeing in this film, was one guy with a bloody lip. Or, if you're referring to the book burning, it's not like the Nazis are the only ones who have tried to remove certain literature from society.

--Anyone who said this movie promotes sexual promiscuity wasn't watching closely enough. In fact, they must have completely ignored everything that went on with Jennifer in the second half of the movie. David and Jennifer even talked about how becoming colored couldn't just be about sex. However, I do wish that sex hadn't been used as frequently as it was, and probably shouldn't have been, if they really wanted this to be a family-friendly film.

--This story was also NOT an allegory for the Garden of Eden. The garden was made reference to a couple of times, but it certainly is not what the movie is all about. Especially with the Don Knotts part, I can't understand why anyone would seriously think that the TV repairman was supposed to represent God in anything but the loosest sense. That character was there almost solely for humor. The citizens of Pleasantville never make any mention of any religion at all. So, how anyone can say that this movie is an attack on their religion is mind-boggling to me.

If Gary Ross is guilty of anything, it might be too much ambition. But this story worked for me on all levels. I enjoyed the serious parts and the silly parts. And I hope I can continue to live in color.

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Thursday, June 5, 2014

Maximum Conviction (2012)

Maximum Convictionsteven segal and steve austin are fantastic. they are both older but they still get the job done. i always enjoy seing good and tough guys get rid of the bad guys. but a movie is never very good unless the bad guys seem to be invinsible. there are a lot of twist and turns the kept me on the edge of my seat. just when i thought there were no more good movies at the the theatres or on dvd. this one came out along with many others.

Cross (Steven Seagal) is an operational genius. His partner Manning (Steve Austin) is a weapons expert. They are ex-special forces who work as black ops contractors. Their current job is to decommission a black ops prison, one that doesn't officially exist and is located in Oregon (seriously?). For some reason our "operational genius" decides to shut down the prison while it still has prisoners in it.

During this period there are men dressed as Federal Marshals attempting a "high risk extraction" of two female prisoners to prevent them from going to a civilian prison. The film consists of Seagal/Austin and crew fighting in a prison maze against the bad guys. Seagal doesn't know if the women are in league with the bad guys or if the bad guys want them dead. It isn't hard for us to figure it out from their faces which show expressions. (Take note Steven, it's called acting!)

Early in the film Steven Seagal laughs, something I don't recall him doing in another movie. It made me laugh to watch it.

The plot is simple as most Seagal productions. There is plenty of killing, fighting, and blood. The picture appears to have been written more with Seagal in mind than Austin. I had expected more. Austin has done better films, and with Seagal it is hard to tell. This could have been one of his better productions. They need to write a part for Danny Trejo and make him the perennial bad guy. I smell sequel.

Parental Guide: F-bomb, no sex, no nudity.

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I had even expectations for this film. On one hand, this was not only one of the rare filmic team-ups between Steven Seagal and a fellow action hero of similar caliber, but it was also the longest time the former had taken to make a movie in almost ten years something I hoped was the result of more effort being made in the production. On the other hand, it was directed by Keoni Waxman, the filmmaker who's now officially worked with Steven Seagal more times than any other but whose vehicles are among my least favorite of Seagal's filmography. Then again, I liked Waxman's outing with Steve Austin well enough, so I considered that perhaps "Maximum Conviction" here could achieve some kind of acceptable balance. I was right: the movie is acceptable, but far from great. It doesn't make all it could have of the collaboration between Seagal and Austin, but is still an okay-enough DTV action outing.

The story: two private security contractors (Seagal and Austin) are caught up in a deadly situation when the two prisoners they had delivered to a secret prison are targeted by a lethal team of mercenaries led by an ex-CIA mastermind (Michael Pare, Streets of Fire).

It needs to be said: however good they may look on paper, Steven Seagal and Steve Austin do not make very exciting partners. Of course, one factor is the limited screentime they share, but even when they're both in the same scene, they seem relatively apathetic to eachother and don't display any discernible chemistry. On their own, they do alright, with Austin as definitely the more charismatic of the two but Seagal getting more fight scenes. They have equal amounts of screentime. The co-stars do fine but are sort of wasted: B-movie staple performer Michael Pare clomps his way through a boring role, and even though Steph Song (Dim Sum Funeral) one of the aforementioned prisoners has a good deal of award nominations to her name, she's given no strong acting scenes and her role could've been played by most anybody. Yes, the script by True Justice-regular Richard Beattie is pretty passive, highlighted only by a couple particularly mean-spirited deaths and the occasional funny line by Austin ("Which one of you [jerks] killed my future ex-wife?").

The action is predominantly composed of shootouts, but there's nothing special to these. Seagal's stunt doubles are hidden relatively well, but at the expense of the editing, which is once again pretty choppy during his fight scenes not as much as it has been in the past, but it's still pretty annoying. With that said, Seagal still gets the occasional cool move in, and the final brawl though painfully one-sided is fun to watch in a guilty way. Steve Austin only has one real fight, but prior to this he gets entertainingly innovative in the prison kitchen, turning a gas tank into a missile and attacking a mercenary with a pot of boiling water. The best fight in the movie doesn't belong to either of them, though: martial artist Bren Foster (Fight Science), despite being stifled by the same editing present in Seagal's fights, brings an energy to his single brawl that the other encounters were sorely lacking. Overall, I deem the action content on the low side of passable.

That also counts as my synopsis for the movie in general. Amateurish post-production inserts can be found here and there but are otherwise restrained, and Steven Seagal is doing his own voiceovers again, but these plus points are deflated a bit by the lackluster story and ho-hum pacing of the film. While it's a good deal better than the previous Born to Raise Hell and therefore a general step up for Seagal (I'm not as well-versed in Austin's output, so I can't speak for him), it's not nearly all I was hoping for during the year-and-a-half spent waiting for it. Consider it a rental.

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With Steven Seagal and Steve Austin you can't go wrong. Bad guys break into a secret government maximum-security prison but they're going to be sorry they did. Even the female prisoners who aren't supposed to be there are tough, one more so than the other and take down a burly prisoner who wants a piece. Steven Seagal is so practiced at beating up bad guys I don't think he bleeds at all. It's action with special ops backup who are a step ahead and don't make a habit of making wrong moves. Of course for the bad guys it's all about money, which they lose out on, Steven winds up with, shares with his partner and the good-guy female prisoner after all she's been through. Now where can I find a guy like that?

It's entertainment. If you've had a bad day at the office plug Maximum Conviction in and let Steven Seagal and Steve Austin beat up the bad guys for you. You'll feel better.

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Way cool to see Austin and Seagal do an action movie together it'd be awesome to see them do a more high budget film where the characters can have more dimensionality and the stakes could be something a bit more grounded and high pitched!

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Thursday, March 27, 2014

Mobile Suit Gundam Unicorn Vol. 3 (2010)

Mobile Suit Gundam Unicorn Vol. 3Sunrise did a very nice job again. This episode is the best so far and the music is as good as the original Mobile Suite Zeta Gundam. At the end of the battle between Banagher and Merida, the music theme is like the ending theme of the 50th episode of Z Gundam. Also, the song performed by Chemistry is excellent.

This episode has around 40 minutes in mobile suit battle. The recounting of Merida's past experience is sad and it touches upon the era of ZZ Gundam. I really like the appearance of the old Musai from 0079, the Gaza-C from 0087, the Dra-C from 0083. There are Hi-Zack Recon Type and Dresissen from 0088.

I'm looking forward to the next episode when Banagher landed on earth. I remember seeing a picture of Banagher hiding Unicorn Gundam in the desert and having a cloak cover himself and it resemble the scene of Amuro in 0079.

Episode 3... just awesome. You can see that every aspect of the story is executed with passion. The battle scenes are flat out amazing but maybe not as technically polished as the first Kashatria battle in Episode 1... never the less this episode delivers solid in your face Gundam from start to finish.

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Gundam Unicorn is a great extension of the Universal Century story. The animation is bright, clear and detailed with less cartoony designs and a far better story than the terrible, pandering Gundam Seed and Seed Destiny series of the last few years.

Having purchased both previous volumes while in Japan, I was very much looking forward to picking up volume 3 on Amazon.. but unfortunately it appears Bandai has other ideas and Amazon.com will NOT ship this Blu-Ray to Canada, and the disc is not available from Amazon.ca as of July. So I guess I'll just have to circumvent your idiotic licensing restrictions by shipping a disc all the way from Japan itself. Thanks for nothing, Amazon.

Read Best Reviews of Mobile Suit Gundam Unicorn Vol. 3 (2010) Here

The story seems to really be picking up speed now. There are a lot of threads happening at once and its a lot of fun to watch them evolve. The entire episode is action packed. The Unicorn Gundam exhibits some impressive new abilities that caused me to shout out "No way!" There is also a pretty epic man vs beam weapon death scene. A five star production through and through. If you are a Gundam fan you will find its money well spent. On that note, be sure to check all your buying options. Bandai Entertainment is one of them.

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This review covers volume 3 of Gundam Unicorn on bluray. So far this fantastic anime series is still only on bluray although Bandai has announced they will be released DVD versions in the future.

Story Wow, so far I'm very impressed with the series, and not just the animation and HD presentation, but the maturity and complexity of this story. Sure Banagher acts and talks like your typical teen 'why me?' Gundam protagonist but the whole plot surrounding the secret of La+ and the revelation (i'm sure MORE will be revealed) about the truth behind the intent of the NT-D system...it is a very cynical view on the future of Newtypes in the UC timeline, which makes sense with the later entires in the UC continuity. This whole 'unravelling a old mystery/conspiracy' storyline makes for a great, engaging story requiring a bit of thought, and so far I don't really indentify any clear 'heroes' or 'villains' as everyone feels like a real character and are likeable to some degree. They are just on opposing sides of the same chase.

For U.C. Mobile Suit fans you get to see a whole array of 'blasts from the past' from the Z and ZZ era Zeon suits including the Gaza-C/D, Dreissens, and the stunning new Federation Delta Plus, which sharped eyed viewers will recognize as the successful incarnation of the Hyaku Shiki MS from Zeta Gundam.

Animation crisp and clean in stunning 1080p as well, the scenes especially in the linear cockpits offer a gorgeous integration of cel and CG style animation.

Audio Terrific and comes in Dolby japanese and english audio tracks. English dub is decent and very listenable, while I usually watch Gundam in Japanese I switched to english when I was doing some other things and couldn't watch the screen the entire time.

Bonuses alas the one weak point of these DVDs, the only real extras come in the form of the BD Live which of course only works if your bluray player is hooked up to the internet. What I've heard is they have a complete audio file and japanese transcript of the garbled LaPlace speech but aside from that maybe some lineart.

Monday, February 17, 2014

Good Will Hunting

Good Will HuntingThere were few films in 1997 that enjoyed more publicity than Good Will Hunting. Most of the hype centered on the two tyro actors who penned the screenplay. It seems that they had been friends for years and in between college obligations, drinking and socialising, they had been toying with a script on the side. What started out as a rather average comedy, soon evolved into a sophisticated drama. In fact, it could hardly avoid getting better as Matt Damon and Ben Affleck must have received a ton of brutal criticism from every Hollywood executive that they approached.

The true miracle is not that two actors, unknown for writing, could get a script accepted in Hollywood but that the script was so good that it put every other effort for the year in the shade. In my opinion, the motion picture academy was correct in awarding the Oscar for best screenplay to Good Will Hunting. Everything about the script suggested writers with a profound understanding of the human condition; even now I half suspect there was an element of that old saying about an infinite number of monkeys on typewriters.

For those interested in this Cinderella story within a movie, you should listen to the director's track on the DVD. It offers a unique insight into the background of the writing and filming of Good Will Hunting. It becomes clear from Ben and Matt's reminiscences that they had a ball during every part of the process. Not only that, they took advantage of their opportunity, to offer support roles to friends and family; a situation that rarely occurs outside of independent film. Surprisingly, one of the best support performances was produced by Casey Affleck, who is Ben's cousin, (I think).

The script took a bit of a risk by making the main character a super-genius. Not only is it difficult to portray a person with such talents but it is nearly impossible to do so while making him likeable. After all, the tall poppy syndrome is strongest when it comes to intellect. We can all aspire to wealth and with plastic surgery, even beauty is not unattainable but the brains you are born with is the most you're ever going to have. However, Matt Damon proved me wrong on both counts.

Will Hunting was undeniably bright. The scene in the Harvard bar were he takes on an educational supremacist is worth watching again and again just for the superb timing that was employed. Will also manages to win our sympathy despite his I.Q. Not so much because he acts like "one of the boys" but because we discover early on that for every blessing he received in the brain department, he was given a matching curse in his life. An orphan who was raised by a series of abusing foster parents is unlikely to have much room left for pride.

The catalyst which helps Will break out of his life is Gerald Lambeau, (Stellan Skarsgård). He is an award winning mathematician and professor at MIT where Will works as a janitor. Their paths cross when Will off-handedly solves a difficult maths problem which Lambeau had set for his post graduate class. But whilst there relationship is important, it is little more than a subplot; a segue toward Will's eventual meeting with Sean Maguire, a psychiatrist played by Robin Williams.

Sean is invited by Lambeau to work with Will. The two are old friends but even so, Sean was only approached after four other therapists had been run off by Will's destructive insights and bitter insults. Sean is a bird of a different feather however. He shares a common background with Will, and if anything, he has had more pain in his life than Will may ever see. In a strange way, Sean becomes Will's mother to Lambeau's role as ambitious father.

The film is rich with detail and is a wonderful medium for the support actors. Ben Affleck's role as Will's best friend is not as visible as Matt Damon's but he carries it off with just the right amount of fatalism and aggression. Will's Lady friend Skylar, is also worth special mention. Minnie Driver takes a seemingly token "love interest" role and breaths real depth into it. Without her efforts, Will's final choice would not have rung true and might have marred the whole film.

Good Will Hunting is a tribute to the dreams of American youth. Both because two young men managed to reach the pinnacle of their craft on their first outing but more importantly, because it deals with one young man's struggle to overcome his troublesome past while reaching out to grasp life, love and happiness. It's touching, entertaining and at the same time inspirational.

Every now and then, a movie comes along that absolutely blows your world apart. It gives you a perspective on life that you never had before. It weasels its way into your psyche, unbeknownst to you, and takes root...becoming a major part of your inner workings. It's like Inception! When I first saw Good Will Hunting (1997) in 1998 when it came out, I had no idea that 13 years later this little indie film written by two wet-behind-the-ear kids from "Bahh-ston" would be one of my favorite films of all time. I mean...these two guys, Matt Damon and Ben Affleck, are my contemporaries and I was 24 when this movie touched my heart and soul. That's pretty incredible writing from two young guys in their 20s, which won them both Oscars for Best Original Screenplay. Good Will Hunting is firmly planted in my Top 25 films of all time. And I doubt it will ever leave. Especially because the film is as fresh and critical today as it ever was. Repeatedly, over and over, this movie gets to me like so few do.

It's a perfect film (5 out of 5 stars) about the inherent flaws and failures that go hand-in-hand with life's greatest successes and achievements. The human condition, especially the condition of being a man, is flopped onto the operating table in Good Will Hunting and surgically dissected into all the psychological bits and quirks that somehow magically come together to create each of our lives. The emotional and intellectual depth present in the script, the acting, the dialogue, and all the details of this film, belies its book cover. If by some odd chance you haven't yet gone on this journey with Will Hunting, then by all means, get into this film now and for many years to come.

I watched Good Will Hunting for the umpteenth time tonight, but for the first time in over a year and the first time in HD. Having seen the film in the theater, on VHS, on DVD, and on TV, I know it like the back of my hand. And yet in HD, there were details that were brought to my attention like never before. Textures in the actors faces, colors that were brighter than they've ever been, locations that popped out, and dialog that reminds us all why we enjoyed The Social Network (2010) so much this past year. Director Gus Van Sant has never been better in his cinematic craftsmanship, then with his work on Good Will Hunting. He brings his artistic flare and unique storytelling techniques to a more mainstream presentation than his typical indie fare. It's films like this that make someone's career, or bring it back to life. And it did that for all the major players here. It brought the incredible filmmaking talents of Matt Damon and Ben Affleck to the attention of Hollywood, both for acting and writing. It brought Gus Van Sant into the light of mainstream Hollywood directing. It really introduced us to Stellan Skarsgård, Minnie Driver, Casey Affleck, and Cole Hauser, all of whom are well known actors now, who got there talents showcased in this film. And it finally gave Robin Williams his much deserved Oscar for Best Supporting Actor, after being nominated for his incredible work in Good Morning Vietnam (1987) and Dead Poets Society (1989).

It's hard for me to write about Good Will Hunting because its the kind of complex, intelligent, yet very emotional story that is really best told through film, not writing. I love reading good prose like anyone, but film has a way of bringing that prose to life through its visuals, emotions, and music that our brains just don't create for us in our imaginations quite so viscerally. That being said, I'll do the best I can here! Matt Damon stars as Will Hunting, a mathematical genius in the form of a young man who was an abused orphan. Hunting has struggled all of his life, moving from foster home to foster home, job to job, and brawl to brawl. But living in South Boston, he's made some extremely close friends...brothers really...played ironically and fortuitously by real life brothers Ben & Casey Affleck and Cole Hauser. It absolutely helps sell the realism of the relationship between these actors that 3 out of 4 of them grew up in Boston together in real life.

After Will gets into another fight to defend his tough 'Southie" reputation, he gets arrested and put in jail. And this time he can't intellectualize his way out of it. But before being arrested, he catches the attention of a math professor at Harvard, played brilliantly by Stellan Skarsgård. Professor Gerald Lambeau challenges his students to solve a complex math problem that he puts up on a chalkboard. Working as a Janitor at Harvard, Will puts the solution to the math problem on the chalkboard one night while cleaning, and eventually gets discovered by Lambeau, who convinces the Judge to let Will out of jail under his guidance and care. But in return, Will has to attend weekly therapy sessions to address his issues with violence and crime. After going through a string of different types of therapists, Lambeau takes Will to his old college roommate Sean Maguire who happens to be a psychologist and community college instructor from Southie, just like Will. Robin Williams plays Maguire with absolute brilliance, creating a character that challenges, helps and befriends Will. The rest of the movie follows this journey through Will's therapy sessions, his new love relationship with Minnie Driver's "Skylar", his weekly "hang outs" with his best friends, and his work with Professor Lambeau solving complex math problems. The journey is really all about Will completing his past and starting to discover who he is and what gifts he has.

I think the main reason Good Will Hunting has such a strong place in my heart as a film is because of the story of Will. While totally different than my own, it still has the same fundamentals of growing up, finding yourself, getting complete with your childhood and your past, falling in love, and searching for your purpose in life that we all experience....and continue to experience over and over again throughout life. While I'm no math genius, never been to Boston, or been an orphan, I still strongly relate to the emotional and psychological struggles that Will has. Damon and Affleck clearly wrote this story pulling from their own lives to some degree, their own journeys into male adulthood, and brought a realism to the details of the story that makes this relatable to just about anyone. The jokes and stories in Good Will Hunting are absolutely hilarious and still give me a great laugh now, dozens of times later. And the verbal banter between Skarsgård and Williams, Williams and Damon, Damon and Driver, and amongst the 4 friends/brothers, is simply some of the best dialog ever written and acted. I laugh, I cry, and I escape in to the world of Will Hunting every single time I watch this movie.

I've said before that part of how I judge a movie to be a 4 or 5 star film is because of it's longevity and appeal over time. I rarely give a movie that I see for the first time a 4 or 5 star rating. Usually they get 3 or 3.5 stars initially, and then have to earn there way up the ladder through repeated viewings over years. I know that Good Will Hunting was probably a 3.5 or 4 star film to me when I first saw it, not that I was rating films back then like I do now. But over the years, I've connected with Good Will Hunting time and time again. It's one of those movies that I watch once a year, not so much as "entertainment" but as a heartfelt psychological escape that puts me "in touch with the universe" as I like to call it. It reconnects me, when I need it to, to the universal energy and "truths" that we are all continually seeking comfort in. It reminds me that I'm here to live the life I've been given, and not someone else's. Will feels this obligation to his friends to stick around Southie, to work in some blue collar job like the rest of them, to raise a family there and go to ball games with his friends and their eventual families. But Will has talents and genius that don't really fit into that world. And he's pulled in these two opposite directions, one with his head and one with his heart. Who in their life hasn't felt that same struggle at some point? Or goes through it again? And again? I know that I have...and that I continue to periodically. Good Will Hunting reminds me to connect my head and my heart and create a path that wins for both.

As I was watching all of the sizzling scenes between Skarsgard and Williams tonight, it dawned on me more clearly than ever how these two characters represent the two opposing, yet complimentary aspects of our human nature: our mind and our heart. Skarsgard, as the Math Professor, represents our intellect, our mind, our voice that's always rattling things off to us in our head. That logical and responsible part of ourselves. Williams, as the Psychologist, represents our heart, our soul, our gut instincts, our feelings. That lover and fighter within us. These two yin-and-yang characters play out so well when separated into these distinct characters, giving us an external view into our own internal battles. I've always known this on a subconscious level, but tonight I became aware of it consciously. Amazing how this film keeps giving me little kernels of insight into myself and into the universe each time I watch it and internalize it.

In terms of filmmaking, Good Will Hunting has excellent production design, Oscar level acting by nearly the entire cast, brilliant writing, subtle but incredible cinematography, and masterful directing. It just doesn't get much better than this! The music and score for Good Will Hunting, while subtle like the photography, are perfectly fitted for the mood, emotion, and story of this film. Music Composer Danny Elfman did his best work here, still to this day. What strikes me most about Director of Photography Jean-Yves Escoffier's work here is the stillness he brings to the shots. It's like he's waiting with his camera for something to happen. And it does! He lets the actors, the sets, and the locations do the work, instead of the handheld photography doing the work. I feel like so many current films, like Black Swan (2010) for example, get caught up in handheld photography that makes me feel like we've all got ADD and can't just sit and watch the story unfold, but that we need the camera to "jiggle" to remind us somehow that we are like voyeurs peeking into the lives of these characters. I don't need that on every character-driven movie! There's my little rant on the current state of handheld cinematography being so dominant in current films. But my point is that Good Will Hunting, which pre-dates the current popularity of handheld photography, has a more subtle yet powerful way of presenting its visuals to us through the richness of the design of the sets, the locations, the costumes and makeup, and the actors themselves.

I look forward to the eventual release of this cinematic masterpiece on Blu-ray, which I would bet comes to fruition this year or next. It will certainly be a film that I upgrade my current DVD collection to include in HD. And hopefully Damon and Affleck will re-team someday to bring us another film of this caliber. As far as I'm concerned, they both have yet to top their performances in Good Will Hunting. But they've come really close with their recent work. Damon with the Bourne Trilogy, and Affleck with The Town (2010).

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This movie goes off the charts in all the most important ways, in terms of storyline, ensemble acting presented, contemporary humor, revealing truths about life and the problems associated with a young, brilliant, but emotionally troubled young man trying desperately to make sense out of a crazy world. What is so amazing and so remarkable about the film is that it was the handywork and dreamchild of two relatively unknown (at least up until then) actors and screenwriters in the persons of Ben Affleck and Matt Damon, boyhood friends and denizens of the greater Boston area.

Add to this superb screenplay the support of wonderful actors like Robin Williams, who won a best supporting actor oscar for his role as the psychiatrist who unlocks the secrets to the protagonist (Will Hunting)and allows him to grow and mature. Minnie Driver is also excellent as the love interest drawing Will Hunting toward his beckoning adulthood. She is also the occasion for the single best line in the film; "You like apples? I got her phone number! How do you like them apples?" This film works so well on so many levels that it is really a shame that it lost the Oscar for best picture to "Shakespeare In Love", for this is a far more powerful, enduring, and worthwhile film experience. if you haven't seen it, I recommend you RUN to the nearest video store and rent it. And after you swoon before its magic, you'll want to come back to Amazon.com and order a copy for your personal video library. Enjoy!

Read Best Reviews of Good Will Hunting Here

The angry one star reviews for Good Will Hunting demean the legitimacy of the angry one star reviews for films such as Titanic, which are truly terrible. Good Will Hunting is not a lavish hollywood blockbuster that cost 70 million to make and trippled that at the box office. It did well and garnered critical praise but it's still a (relatively) art house film handled well by Van Sant who has constructed good, small, location and lifestyle specific American movies.

This movie is the same. I actually agree with some of the legitimate criticism that this movie is predictable and over wound up at the end. The other criticism about how Will shouldn't be a genius and that the film is generally "trite" seems like silly prejudice.

Take my perspective... I'm a young writer of screenplays and saw the silly looking trailers for this movie written by two young guys. I was sort of furious on the inside that these two were being lauded as great and I've never seen a Robin Williams movie that wasn't over sentimental trash. Then I go to the Angelica in New York, fuming and ready to hate this movie. But I couldn't... it was too well done, well acted by all three of my nemesis and genuinely funny and emotional. Those below who say that Matt Damon's performance is bad are one of two things without any clue about acting or jealous (and stupid because honestly I'm jealous yet I think he was great).

In addition, the features here are definately good for a couple of days watching and paint a vivid picture of how this film came to be.

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I love this movie and got it today on Blu Ray. This is not made in the states but I was lucky enough to see it listed on Ebay and got it for only $15. It was made in Canada and has cover act that has some info in both English and French. Even though its not a high action movie that would really benefit from the Blu Ray upgrade, I think the upgrade is very noticable and I am glad I decided to upgrade. GWH is one of my favorite films of all time and having it in Blu Ray is awesome!

Friday, November 1, 2013

Tora! Tora! Tora! (Extended Japanese Edition) (2009)

Tora! Tora! Tora!I'm not a big war-movie buff any more (THE SEARCH FOR PRIVATE RYAN cured me) but this is a worthwhile film if you have an interest in WWII. TORA! TORA! TORA! is a documentary-type film. Think of it as a Stephen Ambrose book recorded live. The film is neither a glorified fifties war-film (IN HARMS WAY, BATTLE OF THE CORAL SEA), nor is it a Viet Nam noir-war film (PLATOON, THE DEER HUNTER). (Neither of which are particularly authentic.)

TORA! TORA! TORA! recreates war from the perspective of news correspondent-participant-observer. The story is presented from both the Japanese and American viewpoints and it is presented like a History Channel film.

It took the film crew several months to film TORA! TORA! TORA! I was living in Navy housing on Pearl Harbor at the time and a number of our friends and acquaintences found part-time jobs acting in the film. "Real" military pilots in-between rounds in Viet Nam flew some of the planes (this was 1969).

Much of the architecture in Honolulu was vintage WWII era or earlier and the rest of the island was relatively unchanged from the 1940s. The terrain looked very much as it had when my father-in-law passed through on his way to Guadalcanel and later Iwo Jima.

I cannot tell you the names of the aircraft (my husband could) but I was told that they used real aircraft from the period including the P40s the U.S. flew and the captured Zeros the Japanese flew. We drove up to Schoffield Barracks to look at the old airplanes lined up row on row. During the filming, one of these old planes crashed in a sugar cane field and burned up before the pilot could be rescued. The daily flights overhead, the real crashes, the reenactment of the destruction in the harbor, the daily flights in and out of Hickam as men and material destined for Viet Nam left and wounded and dead arrived--was all very weird.

Well, this is an excellent film. The new PEARL HARBOR relies on all sorts of technology, but if you want to see how Hawaii really looked in 1941 and how the planes really looked, and how the crews really looked, and obtain some sense of how terrifying it was to be in Pearl Harbor on December 7, 1941 this is the film to see.

I first saw Tora! Tora! Tora! (Tiger! Tiger! Tiger! in Japanese) in 1974, when I was 20 years old on Atlanta's Channel Two. As strange as this may sound, I have always liked movies about World War II. My stepfather had served in the Navy during the war and in fact he had joined the service shortly after the Japanese attack on Pearl Harbor, which is the subject of this 2 hour and 25 minute-long Japanese-American 1970 production.

This movie was directed by several directors including Toshio Masuda and Kinji Fukasuka, but the American version (yes, there is a Japanese version) gives the credit to veteran director Richard Fleischer. Based on Gordon W. Prange's "Tora! Tora! Tora!" and Ladislas Farago's "The Broken Seal", the film accurately depicts the events on both sides of the Pacific leading up to the stunning attack on the U.S. Pacific Fleet on Sunday, December 7, 1941.

Even though it covers an 18-month period between Admiral Yamamoto's (Soh Yamamura) initial planning for Operation Hawaii and the attack itself, Tora! Tora! Tora! (the title refers to the code used to inform the Japanese that the Americans had been caught by surprise) never drags or seems dull. I learned, for instance, that Japanese Ambassador Nomura was a skilled and honorable diplomat who did not know what his country's military leaders were planning, and that he hoped to avoid war. I was also stunned by how General Walter C. Short (Jason Robards) was so preoccupied by the threat of sabotage from Hawaii's 125,000 Japanese inhabitants that he foolishly parked all the bombers and fighters in Hickam and Wheeler Fields in neat rows, supposedly to make them easier to guard but actually making them sitting ducks.

What amazed me about watching this movie is how clueless Pearl Harbor's defenders were on that Sunday morning. Though many people think the first shot of the Pacific War was fired by the Japanese, it was actually fired by the USS Ward on a Japanese midget submarine trying to sneak into the harbor. This happened roughly an hour before the first bomb fell on Battleship Row. I would have thought that the report of an unknown submarine being fired upon in a restricted area would have alerted the whole fleet. Wrong! American officers in Oahu were so certain that the Japanese would be spotted long before they could launch a strike that Captain James Earle (Richard Anderson) asks for confirmation before he tells his superiors. This does not make Adm. Husband E. Kimmel (Martin Balsam) very happy and I thought he was very angry that the Ward's initial report did not reach him in time.

The movie makes clear to the audience that history often hinges on small but significant details. Who would have thought that the fate of two great nations would be decided by a diplomat's slow typing speed, or that a report of a large radar blip off to the north of Oahu would be received with the phrase, "Well, don't worry about it."? It sounds like bad fiction but everything in this movie is based on historical fact.

Tora! Tora! Tora! has incredible battle scenes. Most of the aerial scenes were shot using either vintage planes or realistic replicas (because there are no flying Zero fighters, T-28 Texans were modified to look like the famous Japanese planes). The Navy actually allowed 20th Century-Fox to film in and around Pearl Harbor and rented a World War II era carrier that was to be decommissioned to serve as a stand in for the Japanese carrier. Clever editing, good miniature effects and carefully built live action sets give the illusion that one is actually reliving the Day of Infamy.

The 60th Anniversary Special Edition DVD was released around the same time as 2001's Pearl Harbor. It features an all new 20-minute documentary, director's commentary, the orginal theatrical trailer, and restores the movie to its original widescreen format. It has four audio tracks (English 4.1, the commentary, English Dolby Surround, French Mono), and subtitles in English and Spanish.

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I feel that the release by 20th Century Fox of the Japanese cinema version of Tora! Tora! Tora! on Blu-ray and with an additional ten minutes of Japanese produced scenes warrants further attention directed largely at its historical content. The Blu-ray is noticeably darker and the grain heavier in scenes such as the Japanese aircraft launch from the flagship Akagi in the pre-dawn of December 7. Those watching this scene closely will note that producers have erred in placing Akagi's flight deck island on the starboard side rather than the port side. Akagi and Hiryu were the only Japanese aircraft carriers with islands located on the port side of the flight deck.

Tora! Tora! Tora! is a gripping and mostly accurate account of Japan's treacherous attack on Pearl Harbor on 7 December 1941 and the events that preceded it. Fox intended that the film would be both historically accurate and balanced. To achieve that balance, Fox arranged for American and Japanese producers and directors to film their accounts of the Japanese attack independently and then blended both accounts into one story. For greater realism, Fox wisely chose to exclude top film stars, such as Charlton Heston or John Wayne, and selected a cast of fine character actors for the American and Japanese roles in the film. The American account appears to have been largely drawn from Professor Gordon W. Prange's authoritative history "At Dawn we slept" and does not shy away from depicting the succession of blunders that should have alerted the American armed forces in Hawaii to the approaching danger.

The logistical problems facing the producers were very challenging. When the film was being made in 1970, computer generated images (CGI) had not been invented. No Japanese aircraft dating from 1941 were available except in museums. So Fox converted American Vultee BT-13 and North American AT-6 Texan basic trainers to look like Zeros, Aichi "Val" dive-bombers, and Nakajima Navy Type 97 "Kate" level and torpedo bombers. The effect was so realistic that one WW II Japanese Zero pilot thought the Zeros used in the film were genuine. The Japanese built complete full-scale replicas of Admiral Yamamoto's flagship Nagato and the carrier Akagi on the beach at Ashiya airforce base. Fox built a full scale replica of the battleship USS Arizona mounted on barges. The Fox miniature department built 29 American and Japanese warship models some as long as 40 feet. The pilots who flew the Japanese aircraft replicas over Hawaii in this film were American. Japanese actors only featured in aircraft close ups.

"Tora! Tora! Tora!" is divided by an intermission into events leading up to Pearl Harbor and the actual attack on Hawaii which has been brilliantly filmed, and unfortunately, resulted in the death of one pilot. I agree completely with the views of film reviewer Leonard Maltin who described the film in these words: "Well-documented screenplay shows major and minor blundering on both sides, then recreates attack with frightening realism. Well-made film creates incredible tension. Oscar-winning special effects." (2008)

The historical context of the film is probably well settled. Tensions between the United States and Japan had been rising since the Japanese attacked China in 1937, and were not helped by the sinking and machine gunning of survivors of the American gunboat USS Panay in the Yangtze River by the Japanese in December 1937. The American government had responded to Japan's brutal and unprovoked aggression against China and occupation of French Indochina by a steadily rising program of economic sanctions including embargoes on oil and other military-related trade. The military-dominated Japanese government had already decided by mid-October 1941 to retaliate by attacking the United States unless the United States submitted to all Japanese demands removal of all embargoes and a free hand to seize resource-rich countries across East and South-East Asia. The Japanese government knew that the Americans were highly unlikely to submit to Japan's demands. To distract the American government while it secretly positioned a powerful aircraft carrier strike force for a surprise attack on the United States Pacific Fleet at its Pearl Harbor base in Hawaii, the Japanese government ordered its envoys in Washington to engage the Americans in intensive diplomatic discussions related to American concerns about Japan's aggression against China and occupation of French Indo China.

When it comes to historical accuracy, I have a serious problem with the Japanese contribution to the film. The Japanese account contains two major falsifications of history that appear to be intended to mislead viewers by minimising Japan's and Hirohito's war guilt in relation to Pearl Harbor. With the apparent intention of disguising the treacherous nature of the Japanese sneak attack on Pearl Harbor in peacetime and at 8.00 am on a Sunday morning (Hawaii Time), the Japanese producers suggest that Japan intended to submit a 14-part document containing a formal declaration of war to the American Secretary of State, Mr Cordell Hull, at 1.00 pm on December 7 (Washington Time). At 1.00 pm in Washington it would be 7.30 am in Hawaii and half an hour before the Japanese planes were scheduled to strike Pearl Harbor. The film suggests that tendering of this formal "declaration of war" at 1.00 pm was frustrated by decoding and clerical delays in the Japanese embassy in Washington. Such delays may have occurred, but the Japanese document eventually submitted to Secretary of State Hull at 2.20 pm on December 7 (eighty minutes after the first Japanese bomb fell on Hawaii) was not a formal declaration of war. It was not even an ultimatum. It was merely a summary of Japanese grievances and demands, coupled with a blunt announcement that Japan was terminating the lengthy diplomatic negotiations between Ambassador Nomura and Secretary of State, Cordell Hull. On two occasions in the film, Admiral Yamamoto and his staff officers refer to the 14-part document as a "declaration of war" which it clearly was not. Japan formally declared war on the United States several hours after the last Japanese aircraft had returned to its carrier from the smoking ruins of the American battleship fleet at Pearl Harbor.

The Japanese contribution to Tora! Tora! Tora! also falsely represents Emperor Hirohito as a benign figurehead commander of Japan's military who approved the sneak attack on Pearl Harbor because he was powerless to stop it. In a conversation prior to the attack on Pearl Harbor between Prime Minister Konoye and Admiral Yamamoto, Konoye is heard to say: "His Majesty's signature is a mere formality. The Cabinet is responsible for all matters of national policy." Both statements are untrue. Under the Meiji Constitution of 1889, Hirohito could have overridden his cabinet on any issue and refused to authorise the attack on Pearl Harbor had he wanted to do so. The only significant aspect of the added ten minutes for Japanese audiences is a conversation between Admiral Yamamoto and a senior palace official in the Imperial Palace. The palace official falsely represents Hirohito as having been opposed to war with the United States but powerless to stop it. A study of Japanese history, and especially the Meiji Constitution, will reveal that the Meiji Constitution vested full control of the Japanese armed forces in the emperor, and the chiefs of Japan's military reported directly to the emperor and not to the civilian government. The fact that Hirohito was a "hands on" commander in chief with his military attaches active on every Pacific War front and briefing him daily is confirmed by Japan's official history of the Pacific War "Senshi Sosho" and by historian Professor Herbert P. Bix in his authoritative Pulitzer Prize-winning biography "Hirohito and the Making of Modern Japan" (2000), especially at pages 327, 329-331, 359, and 387-391.

I hope these historical falsifications contrived by the Japanese producers will not spoil anyone's enjoyment of a film that I still regard as a masterful account of an appalling act of treachery. I deny TTT five stars only because of the falsification of history in the Japanese contribution. I recommend avoiding the 148 minute Japanese release and watching the 138 minute version released originally for American audiences.

Read Best Reviews of Tora! Tora! Tora! (Extended Japanese Edition) (2009) Here

Many films attempt to tell true stories. One of the few that does justice to its subject is Tora! Tora! Tora!, a full-scale recreation of Pearl Harbor and the events leading up to the Day Of Infamy.

Verisimilitude permeates throughout the film, from the full-sized mockups of Japanese aircraft carriers and the battleship Nagano to the Japanese Zero, Kate, and Val aircraft and American P-40 Warhawk fighters to the miniature and full-sized models of American battleships. Much of the combat footage was shot at Pearl itself and surrounding Air Force bases, while miniature work blends splendidly into the action.

The enormous cast captures the exchanges of ideas and arguments among the various players involved in the attack. The most sympathetic player is Admiral Yamamoto. The film very nicely captures his lack of desire to go to war with an America that could not possibly lose a war with Japan based on the comparative industrial power of both nations. Also captured is the greater bloodthirstiness of fellow Imperial Japanese Navy officers, leading to a chilling scene during final pre-sortie debriefing when Yamamoto orders that the First Air Fleet abort the mission should negotiations with America succeed; fellow officers universally reject such an order, until Yamamoto hisses that any officer unwilling to follow should resign at once.

Also captured are the motions of General Walter Short (Jason Robards) and Admiral Husband Kimmel (Martin Balsam), working to second-guess Japanese intentions minus intelligence data available to US Navy intelligence in Washington. Navy intelligence accurately guesses that intercepted Japanese diplomatic messages indicate Tokyo to be preapring for war, but there is never any indication that Pearl Harbor itself will be attacked.

But it is, and the attack is brilliantly recreated. Battleships are hit by torpedos and bombs, planes parked together to prevent sabotage are slaughtered trying to take off, and the result is the greatest naval disaster suffered by American arms.

But Admiral Yamamoto knows that what will result will be catastrophic for Japan, and the film ends with him staring into the sky into the future.

For sheer perfection, Tora! Tora! Tora! succeeds.

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I first saw this film many years ago when it was a movie of the week on network TV. Like any kid, I was interested in the battle scenes, and by the time I'd graduated with a Communications degree, I dismissed this movie out of hand as a faithful, but unexceptional telling of the Battle of Pearl Harbor.

Mea Culpa!! I finally saw this film in widescreen format, and this movie's artistic value magnified ten-fold. The idea for this film was inspired: an American director would shoot the American scenes telling the USA side of the battle, and a Japanese director would tell the Japanese side of the story. Originally the legendary Akira Kurasowa was hired to direct the Japanese side of the story, but after a falling out, Toshio Masuda ended up directing the Japanese side of the film. Richard Fleischer directed the American sequences.

Fleischer does a fine job, but Masuda is absolutely brilliant. The Japanese side of the story is the more compelling side of the story, but Masuda truly does a masterful job of setting forth scenes of eloquence and power in telling the story of highly motivated people whose actions will doom their country.

Despite truth being stranger than fiction, Hollywood all too often needlessly flushes historical truth down the toilet ("JFK" anyone?). Fortunately, this powerful story is meticulous in its historical accuracy. With a compelling muscial score and great special effects, especially considering the age of this film, this is a film which should appeal to movie lovers and history buffs both.

IMPORTANT!! This is a film which can ONLY be appreciated in widescreen/DVD format. The dogfight sequences, the impressive sets and much of the drama is lost in the version formatted for TV, resulting in the butchering of a masterpiece.