Showing posts with label bluray to dvd. Show all posts
Showing posts with label bluray to dvd. Show all posts

Sunday, September 21, 2014

WORLD AIRPORTS : Sexy St Maarten (2011)

WORLD AIRPORTS : Sexy St MaartenI almost don't know what to say about this one. The Blu-Ray quality is excellent. They alternate between airport views of takeoffs and landings, and in air footage, which is unique for Just Planes. And, they do what I have wanted them to do for a while in the Blu-Rays, which is take us on whole flights from one angle, instead of cutting in and out. So we fly in Twin Otters from island to island, sometimes in the cockpit view, sometimes hanging outside the aircraft, sometimes in the cabin. All good.

We get every Boeing jet model except early 737 and 777. Lots of 737 variations, 717, 727, 747-400, and 767. Airbus 320, 330, and 340. Brazilian too. Plus many different prop planes including a former Eastern Air DC-7, and a former Western Air as well. All good.

The runway ends at the beach, as in you could throw a shot put from the beach to the runway, the aircraft pass less than 50 feet over the beach on landing, and the jet blast on takeoff literally blows people away.

Try this:

to see a photo of what you'll see. The aircraft landing: good, particularly the KLM 747-400 landings and takeoffs.

On the other hand, we get lame classical music instead of ATC on the cockpit portion of the in flight. And, about half the time the runway video is watching the fools on the beach. Fun the first couple of times, but mostly a waste as the video goes on. Bad.

And the ugly. There are numerous cheap shots of women in and out of bikinis on the beach, and fat guys in speedos. There is actual nudity at least three times, and not of Playboy model cute women, this being a topless beach. There is a gratuitous shot of a bent over woman from behind with small bikini bottoms. You might not want to show this video to your kids. It's at least PG-13 if not R rated.

Sunday, September 14, 2014

Cinema Paradiso (1989)

Cinema ParadisoCinema Paradiso is one of my favorite movies. I finally found the new version available for rent through Netflix when I couldn't find it in any Blockbuster.

For those who have already seen Cinema Paradiso it needs no introduction. For everybody else, it won the Academy Award for Foreign Language Film in 1989 and features one of the most nostalgic treatments of the role of movies in people's lives. Ennio Morricone's theme song has also been recycled in countless commercials and movie montages and trailers.

What's good about the Director's Cut or "New Version" DVD is that one can view the director's cut with added scenes on one DVD side and the originally released version on the other.

For those of us who wanted some kind of closure to Toto and Elena's relationship, the Director's Cut has it-there's about an hour more of footage of their relationship. The new version also more footage of Toto's military service and his adulthood. The added scenes somewhat mute the focus of the movie, so I could see why they were originally cut out. But, at the same time, the added scenes fill in the blanks that originally made a lot of us think, "Hey- What about...?" And although Toto's childhood scenes are, as far as I can tell, unchanged from the original version, we also find out more about Alfredo.

After finishing the New Version I appreciated the original version better. I highly recommend the new version not because it makes Cinema Paradiso more of a masterpiece, but because it adds more characterization to what, arguably, is a masterpiece. The added scenes can be a bit superfluous, but they show how important editorial decisions are to shaping the structure and momentum of a movie.

I became aware of the existence of over 50 minutes of additional scenes in this film in the past two years. The original, pruned version received the Academy Award for Best Foreign Language Film in 1990. I have owned the video for a decade. Then, last summer, the "new version" was shown in limited release, and a DVD was promised. With the addition of the deleted scenes, an entirely different film is created. Owning this DVD is owning a brand new version of the film's events.

Initially, the film was considered too long, and massive scenes were cut, removing any and all references to whatever happened to Salvatore's great love, Lina. The original version of the film focused mainly on the young boy, fatherless in post-WWII Sicily, bonding with the childless cinema projectionist, Alfredo. The young Toto grows into the teen-aged Salvatore, who falls in love with the beautiful and unattainable Lina. They are parted. That is the last we see. Salvatore returns to his village many years later to attend the funeral of Alfredo, and the film is told nearly entirely in flashback.

In this version, Salvatore is reunited with his lost love when he returns for the funeral. To think that this entire plot was removed from the film initially is almost unthinkable. There are other parts of the film that could have been edited to keep these additional scenes in. I don't know what the producers, directors or the studio were thinking when they edited a huge part of the movie out.

Well, now the film is complete. Whereas the original version focused mainly on the relationship of Toto and Alfredo, we now see a conclusion to Toto and Lina as well. And, we understand the ending of the film in an entirely, much less sentimental light. Salvatore has spent the bulk of his life mourning his lost love, not returning to his village, and not knowing of Alfredo's hand in the matter. He is facing life-changing decisions, and must ultimately dip into a pool of acceptance and forgiveness. Without the addition of these scenes, the point is lost.

This was an excellent film to begin with, now it is nearly perfect. It is bittersweet and touching, and all the more realistic with the deleted scenes returned. If you own the original version, you must own this version. You will see this film in a completely different light.

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5 stars I've seen the original in Italian (at least 25 times) since its release... however, the version we saw in the U.S. was half hour shorter than the Italian release (I was lucky enough to obtain the original length VHS version years ago.) In the original, after 30 years we learn that Elena did come to meet Toto prior to her departure as they had planned but... well ... It would be a crime to give it away (In the hopes that you see the original.) The missing pieces make the ending and all the pieces in between fit like a perfect glove. The gift that Alfredo made to Toto (the pieced together clips of missing kissing scenes) has a greater meaning when put in the full context (I still get emotional seeing it.) It's even more poignant than before but, unfortunately, the meaning of a lot of the symbols and scenes, although pretty good in the U.S. release, were catapulted onto a different level in the longer version.

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Like many people I've seen this film countless times, and each time I end up blubbering by the end of it. A valentine to the movies, "Cinema Paradiso" tells the story of Toto, a boy in the small Italian village of Giancarlo, who is fascinated with the movies. This is long before televisions and vcrs.This was when movie going was an event to be cherished and savored. Much of the film centers on his friendship with the older Alfredo,(a heartbreaking Philippe Noiret) who runs the projector. But more than that it is a sweeping romance, and a bittersweet story of letting go of our past and moving towards the future. Its setting and characters will transport you for two magical hours and you'll feel like you've just spent time with old friends. My only beef with the DVD version of the film is that in the credits they've removed a scene. Elena, Toto's girlfriend in the film is shown in the final moments of the credits as an older woman. A scene that was obviously cut from the final print of the film. Toto turns, the camera cuts to her turning, their eyes lock, and the credits end. The DVD fades out before we see her. I don't know who's decision it was, HBO's or the director, but it's too bad because it was a neat tag for those people who stay through the credits till the end. Still, a must have movie for collectors.

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In spite of some extra scenes that I think are unnecessary, this extended new version of "Cinema Paradiso" stills makes a great impression on me. This Italian masterpiece about the growth of a Sicilian kid (Salvatore Cascio, in a brilliant debut) from childhood, adolescence (in the person of Marco Leonardi), to manhood (in the shape of French actor Jacques Perrin) through movies is marvelous, touching, and truly entertaining.

When I first saw "Cinema Paradiso" back in 1990, I fell in love instantly with it, thus becoming one of my favorite movies. The innocence of Toto as he wants to learn how to handle a projector, thanks to the help of Alfredo (French acting legend Philippe Noiret); the tough times in his adolescence, working as a projectionist, having an impossible romance with Elena, doing military service; and his loneliness as a movie producer in his adulthood. Everything caused me a great impact, and still does everytime I watch this film by Giuseppe Tornatore.

Now, in this extended version, I like the fact that Toto -as an adult -has the chance to see Elena again and discovers why they failed to meet at the Paradiso prior to his departure for Rome. In my opinion, that's the most important new scene of the movie. I really wanted to know that, and now I feel satisfied.

All in all, I still like this great work of love everytime I see it. A work of love towards life, innocence, romance and, above all else, movies. A great homage to cinema.

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Tuesday, September 9, 2014

Other Son (2012)

Other SonAs I settled in to watch the heartfelt drama "The Other Son," I was instantly wary of its contrived set-up and principle plot thread. Like a classic soap opera, the center of this well meaning movie revolves around a switched-at-birth incident. This accident, however, is wrought with political and religious significance. One family is Israeli and one is Palestinian. What happens when the mistake is discovered as the two boys approach adulthood? Such a set-up would allow for plenty of intellectual discussion, teaching moments, and heavy handed drama. I could already see where the movie was heading. Remarkably, though, director Lorraine Levy (working with an incredibly nuanced screenplay) doesn't travel down the expected path. Instead, she takes this situation and turns it into a thoughtful, restrained, and pleasingly subtle experience. Truthfully, I loved "The Other Son." It never attempts to preach at its audience, it allows its characters to discover their own way. Once I gave in to the premise, everything else felt absolutely real and relatable.

In Tel Aviv, Joseph (Jules Sitruk) prepares for national service and it is discovered that his blood type does not match those of his parents. This fact throws his folks into a tailspin looking for a rational explanation. It is soon determined that a mix-up might have occurred during a hospital evacuation during the Gulf War eighteen years prior. The other boy, Yacine (Mehdi Dehbi), lives on the West Bank with his Palestinian family. After the initial shock, the two mothers (both super) try to navigate the complex situation and natural curiosity brings the two boys together. "The Other Son" is not really a plot driven endeavor, it is a character study that showcases how all of the principle family members might adjust to such an event. As such, I found the movie to be incredibly successful. Not only are the young stars given much attention, but we see the dynamics evolve within the families as they come to terms with this devastating development.

The revelation has major religious significance, obviously, especially as Joseph is declared no longer Jewish. And a number of political prejudices are confronted as supposed enemies are now united as family. The movie doesn't make bold proclamations on these topics, though, the character wrestle believably with the issues raised and that's where Levy's subtlety is appreciated and invaluable. The impact and the power of the film really snuck up on me and got under my skin. In the end, I felt a true part of this journey toward identity. The entire international cast is top notch and I've found myself thinking about "The Other Son" with some frequency since watching it. A great drama for adults, I give this one my highest recommendation due to its perfectly balanced restraint. KGHarris, 3/13.

Alternately "schmaltzy" and alternately realistic, this film is a subtitled depiction of present-day Middle-East tensions personified by the use of an uncanny family drama. Very good acting and colorful footage of ethnic locales adds to the enjoyment level. There are, however, some elements of the story that seem to stretch rationale belief in their treatment of deep-seated political hatred and religious confrontation. To avoid "spoilers", I won't elaborate. Also be advised that there is some English dialogue, and when it is spoken, the subtitles vanish. Which is a disservice to the hearing impaired.

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Originally saw this it a local Jewish film festival. Great great movie about a Palestinian baby and a Jewish baby accidentally switched during a rocket raid when the nurses were scrambling to the bomb shelter.The fact is discovered 17 years later. Incredible portrait of parents, children, love, conflict, family and a glimpse of the war between Jews and Palestinians. Powerful, moving, disturbing and yet a real soul searcher about what the word "son" means to Mothers. P, Walnut Creek, CA

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It is a superb film, fascinating and touching.

Wonderfully played and directed.

A beautiful story that touched my heart, really !

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"The Other Son" tells of Tel Aviv resident Joseph (Jules Sitruk) who, as he is preparing to join the Israeli army for his national service, discovers he is not his parents' biological son, and that he was accidentally switched at birth with Yacine (Mehdi Dehbi), the son of a Palestinian family from the West Bank. At the time of the boys' birth, during the first Gulf War, a missile attack forced the hospital's evacuation, and in the confusion, they were sent home with the wrong parents. Now, 18 years later, this revelation turns the lives of the two families upside down, forcing them to reassess their identities, their values, and their beliefs.

Writer/director Lorraine Levy and co-writer Nathalie Saugeon focus on how the young men and their families deal with the situation, with awkward visits among newfound relatives across the border and arguments within the families about years spent haboring an "enemy." Performances are first-rate, particularly those of the two young leads, and the story is compelling.

The film is in French, with English subtitles. Bonus extras include making-of featurette, deleted scenes, and bloopers.

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Bambi II (Two-Disc Special Edition Blu-ray / DVD Combo in DVD Packaging) (2006)

Bambi IILike many people who were weaned on the classic animated films made by Walt Disney, I have been less than thrilled by the onslaught of direct-to-video sequels the company has been producing the last dozen years. Starting with "The Return of Jafar" in 1994, we have not only seen sequels to many recent animated films, such as "Beauty and the Beast: Enchanted Christmas" and "Lion King II: Simba's Pride," but direct-to-video follow ups to some of those classic Disney films, as is the case with "Lady and the Tramp II: Scamp's Adventure" and "Cinderella II: Dreams Come True." Consequently, when I sat down to watch "Bambi II" I was fully expecting to be bitterly disappointed. Instead I was pleasantly surprised (actually, I was floored).

"Bambi II" begins with the well-remembered moment from the original when Bambi (voiced by Alexander Gould) is looking for his mother and The Great Prince of the Forest (Patrick Stewart) informs his son that she will not be coming back, and ends with Bambi still a fawn. The beloved characters Thumper (Brendon Baerg) and Flower (Nicky Jones) return, as does Feline (Andrea Bowen), but having more of an impact is a character who only appears briefly in the original, Ronno (Anthony Ghannam), another fawn whose antlers have already come in. Ronno not only keeps calling Bambi a baby and a coward, but is also making moves on Feline. Meanwhile, The Great Prince is having trouble with his new responsibility for raising his young son and teaching him the ways of the forest, and Bambi is trying to impress his father. Neither one of them is succeeding all that well.

Directed by Brian Pimental (who also voices both the Groundhog and the Porcupine), this 2006 direct-to-video release has several things going for it, starting with having Patrick Stewart voice Bambi's father. But the greatest strength is the

story by Pimental and Jeanne Rosenberg with a screenplay by Alicia Kirk inspired by the original story of "Bambi" by Felix Salten. Bambi is trying to learn how to confront his fear and stand up to Ronno and other dangers in the forest. The film never uses the phrase "deer caught in a headlight," but that is what Bambi looks like at times and it is something he needs to overcome. What I liked the best is that there are several moments when father and son start to connect, but it does not quite work out, so that there is actually some character development and not just a sudden happy ending. Overall, there is actually more of a plot here than simply Bambi growing up.

The animation is done in the same style of the original classic, and if it is not as rich in detail the differences are far less than you would expect from a direct-to-video feature. I have always considered "Bambi" to have the most beautiful artwork of any of the Disney films, and this one does not suffer that much in comparison (the animators do seem to like bright yellows more this time around). There is one cutesy animal sung song, "Let's Sing a Gay Little Spring Song," based on Frank Churchill's score for the original film, but most of the songs serve as backdrops for various sequences and are done by some familiar country singers: Alison Krauss' "There is Life," Michelle Lewis' "First Sign of Spring," and Martina McBride's "Through Your Eyes." Anthony Callea performs "The Healing of a Heart" during the closing credits.

The film is shown in "Family-Friendly Widescreen" (1.78:1), which is enhanced for 16 x 9 televisions, and also has a French language track. The bonus features on this DVD consist of a Making-Of featurette, "The Legacy Continues," and a "Bambi's Trivia Track" that can provide a constant stream of pop ups with fun facts as you watch the film. Kids will enjoy "Thumper's Hurry & Scurry Game" and there is also a "Disney Sketch Pad" piece in which Disney animator Andreas Deja teaches us how to draw Thumper.

The end result is a half-step down in quality from the original classic, which is amazing enough to justify rounding up on this one. Granted, no animated film will ever take the place that "Bambi" has in the collective psyche of the millions of youngsters who were devastated when Bambi's mother was killed. Still, "Bambi II" sets the bar pretty high for a sequel (it is certainly good enough that they could have released this to theaters) and we can only hope future direct-to-video offerings will follow suit.

While some will undoubtedly find it hard to embrace a follow-up to Disney's 1942 classic Bambi, I found Bambi II to be quite enchanting, funny, and very touching. I must admit I bring a somewhat unusual perspective to this film, as I am one of the few living souls who hasn't seen the original. For whatever reason, I never saw Bambi as a child, and now that I'm an adult I've resisted watching it because I have heard how sad it is when Bambi's mother dies. I can watch films with humans doing unspeakable things to one another and never bat an eye, but it just tears me up to see animals (whether real or cartoon) sad and hurting. I can't get through Benji without sobbing, so I've just never felt up to the task of experiencing Bambi. A grown man shouldn't admit this, but just in case you're wondering Bambi II did end up bringing a few tears to my eyes, as well. That's okay, though. Movies like this aren't just for children; in many ways, their message plays more powerfully to adult viewers, reminding us of the important things in life (especially in terms of the parent-child relationship).

This isn't a sequel to Bambi, I should note, as the story actually fits in to the middle of the original film. Bambi has just lost his mother, and now it is up to his father, the Great Prince, to take care of him. The Great Prince does not take to parenting naturally or easily; he feels that a doe should raise the child, and he asks Friend Owl to help him find a new mother for Bambi once spring arrives. Bambi desperately wants to please his father, but he is just too young to meet his father's high standards. The Great Prince wants Bambi to behave as a prince, not as a young deer. Fortunately, Bambi does have friends to play with, including Thumper and Flower. Thumper even tries to teach him how to be brave. All Bambi really wants, though, is for his father to be proud of him and to actually show him some affection. Gradually, the Great Prince begins to come down off his pedestal to be an actual, caring father to the youngster. The last half of the film is really more about the Great Prince than it is about Bambi, if you ask me; it's basically the story of a father's love. The climactic scenes really work beautifully, taking you from tear-inducing sadness to exhilaration and suspense, eventually bringing every emotional aspect of the whole story to a deeply satisfying conclusion.

The two young kids supplying the voices for Bambi and Thumper are really just superb, and Patrick Stewart brings incredible presence to the film as the voice of the Great Prince. I also think the animation is wonderful. The animation crew may have used some digital tools, but they clearly tried to follow in the footsteps of Bambi's illustrators in terms of their approach to the whole project, taking pains to remain faithful to the look and feel of the original. Since I haven't seen the first Bambi, I can't compare the two films at all but I do think the artwork of Bambi II really hits the mark.

Along with the movie, you also get a good assortment of extra features on the DVD, including an interesting look at the making of Bambi II this is where you really get a sense of the reverence Bambi II's makers have for the original film. You also have the option of watching the movie with various Bambi trivia and fun facts popping up at relevant times. A Disney animator shows budding young artists how to draw Thumper, and there's also a little "find Thumper" game for one or two players. Naturally, you also get previews of some coming Disney attractions.

All in all, Bambi II is an impressive package. The film itself is what truly matters, of course, and I think it is really good. Certainly, it's aimed at a young audience, but I can't agree with anyone saying there is nothing for adults in this film. Bambi II's portrayal of the Great Prince's love for Bambi and his struggle to find the best way to raise the lad properly certainly touch upon issues that most parents will find close to their heart. Bambi II certainly managed to touch my heart and on more than one occasion.

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Bambi is one of our family's favorite movies and we all enjoyed this new version with all of its extras. It teaches the children about the importance of family and how the father can take over if the mother is not available. There are songs by some of our favorite singers, which is an extra. The DVD has many pluses in addition to the beautiful movie, including games, cute mobiles, and more. I'm sure we will enjoy watching it many times in the future. I understand it is to be available for only a limited time. Worth adding to your DVD library.

Read Best Reviews of Bambi II (Two-Disc Special Edition Blu-ray / DVD Combo in DVD Packaging) (2006) Here

I love Bambi. I wasn't too crazy about the movie when I was very little (I thought it was too cheerful and too musical), but now that I'm older and I've had a chance to see it again and really take a good look at it, it's become one of my all-time favorite movies. The song "Love is a Song" and the scene where Bambi's mother dies both make me tingle almost every time.

And Bambi 2 is a wonderful sequel to such a wonderful movie. It takes place shortly after Bambi's mother is killed by the hunters. (Those darn hunters!) Don't worry, you don't actually relive the death scene in this movie.

Bambi is running around in the woods, calling his mother's name, just like in the first movie, and is receiving no response. Then he runs smack into his father, the Great Prince of the Forest, or the Great Prince, for short. The Great Prince informs Bambi that his mother can't be with him anymore, and then he leads him to his own den, which is located in another part of the forest. Bambi, as you can well imagine, is devastated by the loss of his mother. The Great Prince then speaks to Friend Owl (who somehow knows of Bambi's mother's death and is feeling very sorry for the little fawn), asking him to help find a suitable doe to raise Bambi, as Bambi is still quite young and isn't ready to manage on his own yet.

Due to harsh conditions (such as the shortage of food and the intense wintry weather), Bambi is temporarily placed in the care of the Great Prince himself. The Great Prince is very reluctant at first (in his opinion, a prince's sole responsibility is to look after the herd; does care for the young), but he agrees. So Bambi spends the rest of the winter with his father.

Eventually spring arrives, and Bambi meets up with his old pals, Thumper the rabbit and Flower the skunk. He even meets up with Faline, his crush, and Ronno, the big brute that he battles with in the first movie.

Ronno is sort of the antagonist of this movie, but the real antagonist is man. I won't give away any details, but there is one scene in the movie where a pack of vicious dogs attack Bambi. Luckily the Great Prince arrives just in time and fights the dogs off. Then he and Bambi race into the trees together just as man is firing at them with a gun.

Bambi feels like he's a big disappointment to his father. He makes it his goal to prove that he can be every bit as brave and stalwart as the Great Prince. Thumper gives Bambi a hand (er, I mean, a paw) and Flower sort of helps out as well.

Eventually the time comes when Bambi's courage--and the Great Prince's love for his son--is put to the ultimate test. The same pack of dogs that attacked Bambi earlier in the movie start to advance on a helpless doe, and Bambi is torn between running far away and saving the doe's life. Finally he makes up his mind that the doe will not die in the same way his mother did, and he bravely lures the dogs away from her.

The Great Prince goes after his son, and soon Bambi is able to thwart every last one of the dogs. But just when it seems like everything's going to be okay, Bambi takes an unexpected fall from the edge of a cliff. When the Great Prince finds him, it looks as if Bambi has died. The Great Prince, who has all but ignored Bambi for nearly half the movie, is heartbroken. He actually gets down on the ground beside Bambi and nuzzles him gently as a single tear rolls down his cheek. (This is by far the most touching and poignant scene in the entire film. Anyone who is not affected by this scene would have to have a heart of stone.) Fortunately, Bambi comes to his senses and opens his eyes, and the Great Prince is greatly relieved. They spend the next few minutes or so rubbing their faces together, and their relationship with one another improves greatly after that.

This movie is every bit as magical as the original. The animation is just as rich, and the music is just as inspiring. And the morals this film teaches are priceless. It's not as long as the first Bambi, but it's a real keeper.

If you haven't seen this movie yet, then I strongly recommend that you do so. You will not be disappointed.

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Young Bambi has just lost his mother to a hunter's will, and he is left alone in the forest to fend for himself. Bambi's father, the Great Prince of the Forest, is urged by Friend Owl to take responsibility for the boy, and the Great Prince agrees, but only till Spring. During the time they spend together, the serious and preoccupied Great Prince learns what it means to be a father, while Bambi learns what it means to gain a father and lose a mother at the same time. Bambi also goes through the more expected trials of growing up. Along with his friends, Thumper and Flower, Bambi deals with the difficulties and dangers of girls, bullies, hunters, and proving himself to others. The real story here, of course, is about the developing relationship between a father and a son, which culminates in a very touching and perfect moment of pure Disney magic.

"Bambi II" is a masterfully done piece of filmmaking that is the ultimate proof that Disney animated classics CAN have worthy and wonderful sequels. Set amidst events from the original film, "Bambi II" picks up right from the moment Bambi calls for his mother after her death in the classic and carries on to the first sprouting of his antlers and disappearance of his spots. Subtle and not so subtle touches link this sequel beautifully with the original masterpiece, including some intense encounters with Man's dogs and Bambi's struggles with Ronno, another male fawn whose attempts to gain friends make him more of a bully than anything else. Including Ronno was a stroke of genius, and those who want to see where these confrontations lead to need only view the original "Bambi." Ronno is the buck that Bambi clashes with over Faline when they are all adults. What makes "Bambi II" such a success while so many other Disney animated sequels have been considered failures? Three main reasons: One, "Bambi II" uses real kids' voices for the kid characters, while many direct-to-video animated films, and animated films in general, use adults. Trust me, it makes a BIG difference in the believability of an animated film. Two, "Bambi II" does not simply rehash the plot of the first film or make up a very contrived plot just for the sake of making a sequel. "Bambi II" shares an important and natural part of Bambi's story that was simply left unknown before. Three, "Bambi II" was made by Disney's current master animators; the guys who worked on stuff like "Aladdin" and "Beauty and the Beast." These legendary artists should not be relegated to direct-to-video sequels, but they certainly prove that they can make such subjects every bit as big-screen-worthy as their previous triumphs. Hopefully, someday "The Man" will realize that 2D-animation for the big-screen is not dead, and then maybe I'll be re-inspired to become a Disney animator, as was my childhood dream. After all, I'm only 30, and "Bambi II" certainly stirred up some of those feelings within me once again.

There's hardly an unkind word that can be said about "Bambi II," and it would fit seamlessly into the context of the original 1942 film were it not for one thing: the songs. Much of the background music incorporates the score from the original "Bambi," but there are a few new songs, and I still am not a big fan of including modern-sounding songs in sequels to Disney animated classics. Even when the songs aren't bad, they take away from the illusion that you're watching something continuing or in the context of a MUCH older film. Here, we have original songs performed by female country music stars that we know weren't around during the making of the original film, and they just seem out of place in a story that is set during the events of the original "Bambi." Luckily, the songs aren't that frequent and aren't TOO much of a distraction. Had the film been set after the original, perhaps they wouldn't have seemed so out of place. I had the same problem with "Return to Never Land," though. That was a good film compared to other Disney sequels, but I really didn't care for the pop music in a story set during World War II. However, it had other flaws that "Bambi II" manages to avoid.

An outstanding film that receives my highest recommendation, "Bambi II" is only available for a VERY short time! Being only a single-disc version with very few extras, however, we may see a 2-disc release in the future, but who knows how long that will take?! I wouldn't wait around if I were you! If you found the first film's heavily artistic mood a bit dull, this film is still deserving of a test viewing. It's much more lively than the first in terms of action and adventure. Remember, it's the story of a boy living with his father this time around. Extras include a "find Thumper" type game for the kiddies called "Thumper's Hurry and Scurry Game," a fun "Disney Sketch Pad" clip where we get to see legendary animator Andreas Deja sketch Thumper with inspiring skill (bringing to mind those old Disney Channel moments that made so many kids dream of working for Disney when they grew up), a Trivia Track that can be run while viewing the movie, and "The Legacy Continues," a behind the scenes featurette that includes interviews with the voice talent, including Patrick Stewart of Star Trek TNG fame who voiced the Great Prince! In addition, you get several previews for upcoming Disney releases, like a Movie Surfers look at Tim Allen's version of "The Shaggy Dog" and trailers for the soon to be released "Fox and the Hound 2," "Brother Bear 2," and "Leroy and Stitch," all three coming directly to DVD. "Brother Bear 2" looks rather promising, and Lilo and Stitch are always good. "Fox and the Hound 2" looks entertaining but contrived, and it does not look like the next "Bambi II." Highly doubtful that it's being done by the same animation team, and I don't think we can expect big-screen quality direct-to-video Disney sequels from anyone else. "Bambi II" is a rare treasure of a DVD release! Pick it up before it's gone!

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Saturday, July 12, 2014

American Pie 1-3 Blu-ray Boxset (Blu-ray + Digital Copy) (2011)

American Pie 1-3 Blu-ray BoxsetThe "American Pie" trilogy is one of the freshest, funniest and most consistent comedy series in film history. I can't find one major flaw in any of the films. Oh sure, maybe there are a few quirks here nd there, but each film is absolutely hilarious and only seem to get better with age.

Here's my review for each film.

"American Pie (1999, Unrated) The first film in the series introduces to the series' colorful assortment of characters: nervous, scatterbrained virgin Jim (Jason Biggs), levelheaded, suave Oz (Chris Klein), Kevin (Thomas Ian Nicholas), who is only one step ahead of Jim thanks to the fact he already has a girlfriend (Tara Reid), sexual mastermind Paul Finch (Eddie Kaye Thomas), and one of the most dastardly comic creations ever, the unforgettable Steve Stiffler (Sean William Scott). The film chornicles their sexual mishaps (key words: pale ale, pie and flutes) and ultimate triumph over virginity. Plus, there's hot girls thrown in the mix: nerdy but lovable band geek Michelle (Alsyon Hannigan), levelheaded choir girl Heather (Mena Suvari), curious, nervous Vicki (the aforementioned Tara Reid), all knowing sex guru Jessica (Natasha Lyonne) and of course, Czechoslovokian babe Nadia (Shannon Elizabeth). The bevy of hot babes assembled for this movies is only rivaled by the classic beauties of the "Grumpy Old Men" movies. Eugene Levy is a real scene stealer as Jim's overly supportive dad, and Jennifer Coolidge is a hoot as Stiffler's mom, a.k.a. the MILF.

The film is very well written, and several of the scenes have since become classics. 5/5

"American Pie 2" (2001, Unrated) The second, and arguably best, film of the series, has all the cast members from the first film returning. In this one, the boys rent a summer home in which they will hold an end of the sumer party in which they hope toscore as many chicks as possible. Natuarally, lots of things go wrong, and old feelings start to arise, causing the boys to rethink their plans.

The film is as good as the first one, and actually improves upon it in some ways. While none of the scenes are as hilarious as, say, the pie scene, the humor in this one is more wittier and a lot of the one liners are better. The super-glue scene rightfully takes it place as one of the funniest things I have ever seen in my life, and the whole film is another laugh riot. 5/5

"American Wedding" (2003, Unrated). Often considered the worst of the series. By this point, the formula was beginning to wear thin, plus the half the cast either didn't return or wasn't asked back. Still, these do nothing to diminish this second sequel, which fins Jim and Michele preparing to tie the knot. New characters are introduced, and the same old schtick is still just as funny the third time around. 5/5

Overall, this is a boxed set I definitely recommend purchasing. Here's hoping that somewhere down the line, a fourth "American Pie" will someday see the light of day.

I too bought the boxed set from WallyWorld (aka WalMart). The cover appears the same as the rated set but one side (the sleeve) is marked as "UNRATED". Odd as well is the number on the sides ( Catalog # ?). They are different numbers. The set was only $20 bucks, but still... Since its been opened, I don't want to have to try convince the "Brain Trust" at my local Walmart that "No .. I didnt buy two sets, mix them up just to rip off the store .. DUH .. "

I love the movies and I'll keep the sets. I really wanted the unrated versions but for the price I'll keep them. Maybe a letter to the distributor of the sets would produce better results. I thought maybe it was just "My Luck" to pick up the only set in the world that was misloaded... Guess my luck has changed ..

Anyway .. 5 stars for the movie(s).. I remember 17 like it was .. ohhhhhhhh .. 27 years ago .. HEH HEH ..

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Now don't think that just because the title of my review is "Misleading" it has nothing to do with the movies themselves because they are awesome!!! IT DOES HOWEVER, have to do with what the box says. I recently bought this 3 pack at Wal-Mart and on the side of the box it said unrated. I bought it at it's cheap price and got home to open it to discover that it was all of the rated versions. I was somewhat upset, but kept it anyways because the movies rock. The second one is awesome! If you are buying this movie looking for UNRATED material STEER CLEAR OF THIS BOXED SET!

Read Best Reviews of American Pie 1-3 Blu-ray Boxset (Blu-ray + Digital Copy) (2011) Here

While I thought the series was getting a bit old by the 3rd movie, this is still a very good price for getting 3 decent movies. All have their funny moments. I still enjoy the first the best. Mainly because the jokes were original and fresh. Though it is still funny to see the strange things Jim would get himself into. Levy as his father was a great choice. This is worth the 20 dollars easy. Lots of laughs, and plenty of gross out humor.

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I brought this box set and Part 1 and 2 was unrated But the problem was that American Wedding was the Rated R version ....WTF..

Sunday, May 25, 2014

The Warlords (+ BD Live) (2010)

The WarlordsTHE WARLORDS (2007) is an ambitious film directed by Peter Chan, one of Hong Kong's known filmmakers. This film has a very impressive cast in Jet Li (Fearless), Andy Lau (Infernal Affairs) and Takeshi Kaneshiro (Returner). This period epic is loosely based on Chang Cheh's classic; BLOOD BROTHERS. I've seen a lot of Chinese epics and thankfully "The Warlords" is not a part of the colorful, overindulgent film geared towards U.S. audiences. Truly, this film is darker and grittier than most Chinese epics, but still has massive commercial appeal and will no doubt be popular to international audiences.

The Taiping Rebellion has plunged the country in chaos. General Quing-yun Pang (Jet Li) is the lone survivor of a massive battle between the Christian Taiping and the Qing dynasty under command. That evening, he finds comfort in the arms of comely Lian (Xu Jinglei) but she disappears the following day. Pang encounters a group of bandits led by Er-hu Zhao (Andy Lau) and Jiang (Kaneshiro) who are having difficulty in survival. As fate would have it, the three takes a blood oath to join the Qing army to quell the rebellion.

The Taiping rebellion is among the bloodiest civil war ever recorded in history. The body count rivals the ones during World War II. The Taiping rebellion has a lot to do with religion and cultural ideology, and those powerful issues have been downplayed in favor of the theme of brotherhood, love and war. The film fails to take advantage of its historical context. Quite disappointing really, apparently, the producers presume that the usual theme of brotherhood and loyalty are more universal and more appealing to international audiences. I looked up the details of the Taiping rebellion, and I have to say, even though "The Warlords" is in no means a bad film, it's full potential hasn't been achieved. Rather, the rebellion is only used as a backdrop and not really the film's main premise.

As for the battle scenes, it may well be the bloodiest I've seen so far in Hong Kong cinema. Limbs are severed and there are a few gruesome beheadings. The sequences still have the martial arts influence, but no hints of wires are shown. U.S. audiences may need hints of Chinese history to be able to fully grasp the proceedings, there's a lot of commentary to China's tumultuous past and there is some effective human drama in the brothers' contrasting ideas regarding war and righteousness. Pang is a realist while Er-hu is an idealist, I'm pretty certain you have an idea how two opposing ideologies cannot coexist. Sadly, the missing cultural impact of the war minimizes the film's depth, making the horrors of war less involving.

Jet Li gives the performance of his career since "Fearless". The man can indeed act, and now I understand why he wants to leave the shadow of Wu Shu. There is quite a lot of "manly" tear-jerking moments, and the existing love triangle between Pang, Er-hu and Lian seems to be minor plot devices in an attempt to relate to its audiences. The film is successful as a costume epic, and definitely has a lot of ambition. The style feels a little bit like a Hollywood production; expensive, huge and indeed loud. There are some emotional complexities inherent in its characters and conflicts but it becomes a little too predictable. The film is indeed large but somewhat hampered by its commercialism. Big name Asian stars, expensive production values (I heard that it surpassed "Curse of the Golden Flower" in dollar expense), drama and a China-friendly aversion to sensitive themes.

Now, this doesn't mean that "The Warlords" is a bad film, it is actually a VERY good one. The elaborate costumes, decent battle sequences, awesome set designs and the excellent performance by my boy; Jet Li does make the film a real note-worthy experience. It is just both a success and a victim of its own commercialism. For the most part, Peter Chan and company knew what they wanted to do with this film; a film that can please almost everyone (except maybe those who love happy endings) and has mass mainstream appeal for both Chinese and international audiences. The film's historical trappings feel more like a setting rather than a sense of history. Still, a lot of viewers will not be disappointed, the film is not subtle in execution, the melodramatic battlefields and the great performances by its actors are sure to please many. It may be a bit hollow in spirit but definitely solid and safe in the power it exudes.

HIGHLY RECOMMENDED! [4 stars]

NOTE: The U.S. release (region 1) of "The Warlords" has lost more than 15 minutes of original footage when compared to the Hong Kong release. It loses a lot of its emotions and dramatic impact. If you have multi-region capability, get the uncut Asian release.

Jet Li as a villain is quite a remarkable piece of casting, and everyone really holds their own in this action epic set in 1860s China. The title in English is Warlords but in Chinese it was Blood Brothers, and features three men who are doing their best to survive in a wartorn land.

Jet Li, a great general in the Imperial army, is betrayed and the only man in his army to survive. His resurrection from the dead is both fascinating and appalling to watch as his desire for power obliterates all before him. Andy Lau gives the performance of a lifetime as the head of a band of brigands, who first follows Jet Li but later becomes disaffected by what he sees and tries to turn back from the collision course the ambitious general has set them all on.

Takeshi Kaneshiro as the youngest of the three strong male leads is remarkable in terms of both his battle prowess and how loyal he is to both men, until he is forced to choose sides. Complicating matters still further is the fact that Li's character unintentionally fell in love with a woman on the road, who turns out to be the wife of Lau's character. The inevitable ending is anything but as each man meets his fate.

The action and battle sequences, music, costume, and above all, the depiction of warfare at the time, including trench warfare, makes this an Asian All Quiet on the Western Front, where there is no glory for anyone, only more bloodshed for the sake of ruthless territorial ambitions. I have watched it several times now, with a variety of friends, and everyone LOVED it, even as they were completely shocked by it. If you like action films, there is plenty to recommend Warlords, but the sheer depth of this epic is remarkable. This is a GREAT film in the true sense of the word.

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Great film. Great actors. Great directing. Ho-Sun Chan is in top form here. But, once again, just like with "Iron Monkey" and "Suriyothai" we get these "American" cut versions. WHICH SUCKS!!! I am a film school student and have studied films for over 20 years and I despise it when a foreign film is cut "supposedly" to our western liking. Who asked Magnolia to cut 13-14 minutes of the film anyway? Surely fans of foreign films did not ask for this. Read the dvdbeaver comparison to find out what is missing in the "American" cut. Magnolia, you dropped the ball on this one. I bought your versions of "Haeundae" (interestingly renamed "Tidal Wave". Haeundae does not mean Tidal Wave. It is the town in South Korea where the tsunami hits), "Chocolate", "Ong Bak 2", "Let The Right One In" (except for the subtitle complaints) and others and I am pleased with them. But, remember this, true film fans want the "director's vision" of a film, not the version that you "think we would want"!!! I am importing the Region A Megastar version with no "cuts" to the film. MAGNOLIA PLEASE DO NOT MAKE "CUTS" TO THE SOUTH KOREAN FILM "MOTHER" THAT YOU ARE RELEASING ON BLU-RAY JULY 20TH. I saw "Mother" and it is amazing just the way it is. No need to cut ANYTHING from that film. Stay true to your fans and supporters and we will always buy your releases.

Read Best Reviews of The Warlords (+ BD Live) (2010) Here

Like Red Cliff, The Warlords is a martial arts movie in a different sense of the word. While there are a couple scenes with Jet Li dishing out some wushu, the bulk of the action consists of large scale battles, sieges, and raids.

That said, there is definitely a rock hard moral core at the heart of this movie that fits with what I like about more typical martial arts movies: the sense of honor and the importance of male bonding over personal gain. What gives this movie its heart is that the brotherhood created by the characters played by the three male leads spins apart and leads to tragic consequences.

A little background on the Taiping rebellion, even a blurb from Wikipedia or the like, would be a good thing to read as the movie clearly assumes we know a bit about it. By and large though, this information would make the film richer but not knowing it does not impair your ability to follow the story. The position of each male protagonist is a little vague at the start of the film, but this again is a minor issue.

The battle scenes in this movie are astounding. Some really shocking shots with limbs being severed, etc. It's graphic, but not gratuitous. Despite all the effects and costumes and such, the film never loses its emotional core. I was surprised how much I came to care about the brotherhood of these three men in under two hours. That said, there were a few scenes that did drag a little, and this would be another slight flaw with the movie.

Of course, the length of the movie brings me to the major problem with the US release. From what I understand, 15 minutes has been cut from this film for the US release. why? Why? WHY??? Other reviews suggest the cut footage as was the case in the US version of Fearless eliminate scenes that enhance the emotional power of the story. In the case of Fearless, I luckily obtained and watched the full director's cut of the international release so I was able to see the intended version of the movie. However, no such option is available for us Yankees with The Warlords, and I have no doubt that the film suffers from the missing footage.

I find it increasingly irritating that I have to be careful to purchase or am simply unable to purchase the unedited version of so many films from overseas. DVDs and blu-rays can store a lot of information on them. There is not reason not to release a movie with the original cut as well as the 'for dopey Americans' cut. Let the viewer decide if it's going to kill them to spend 15 more minutes with the film!

Anyway, while the pacing is a little slow at times and some of the details of the story are sketchy given the lack of historical background and the missing footage (most likely), I enjoyed watching The Warlords, though I wish I had the real movie not a cut version for my DVD collection. I can't give the DVD release for the film more than 3 stars due to this poor packaging decision.

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General Pang Qing Yun is the sole survivor of his entire battalion. The Ching army was taken out against Taiping rebels in Hechuan. A woman named Lian spends the night with Pang and leaves before he wakes the next morning. Jiang Wuyang, one of the bandits that rides into the town Pang currently finds himself in, is impressed with Pang's fighting skills and introduces Pang to Zhao Er Hu. Jiang and Er Hu take Pang to their village where Pang is reunited with Lian who just so happens to be Er Hu's wife. The bandits from the village overthrow a passing food convoy and that is thought to be a resolution to their current desperation until the imperial army invades and usurps the food that they stole. Pang, Er Hu, and Jiang take a blood oath to become blood brothers before joining Lord Chen's army. With the odds against them, their 800 soldiers get the upper hand on Shu City's 5,000 as plans are put into motion to overthrow Suzhou and Nanjing, the capital. The brothers soon begin to fall apart on their rise to the top. Er Hu tends to be loyal with his word and his brothers no matter what as Pang will sacrifice anyone and even make deals with his enemies just to win while Jiang is stuck in the middle.

This movie is phenomenal. The battle sequences are stunning, the cinematography is brilliant, and the acting is top notch. The Warlords took everything that was fantastic about Mongol and made it just a little bit better. Jet Li deserves a mention. After seeing Unleashed and Fearless, it was nice to see him actually show his acting chops again. The desire to see him at that acting capacity was high, so it was quite a treat to see him at that caliber once again. After The Forbidden Kingdom and his rather stale performance in that, it's become a bit difficult what to expect from him other than him displaying how talented he is at martial arts. Fortunately, he did a great job in this as he showed just about every emotion in this film at some time or another. His fight scenes were also incredible, but that is kind of a given. Andy Lau also deserves a nod. His character is just so passionate about being honorable and loyal that when things go wrong, his reaction is just explosive. He has some really powerful scenes where he's fighting for what he thinks is right. There's a scene where a play is mocking him and his brothers while he's eating dinner. He begins to laugh, which leads to him crying uncontrollably, and then he begins laughing again. He just managed to pull it off flawlessly and it was incredibly impressive.

The battle scenes didn't pull any punches either. Blood flies across the screen as limbs roll on the ground. It's truly fantastic. They are the highlight of the film as the first half seems to not pull away from the battlefield. The film is also extremely colorful. Every scene is stunningly vibrant. There are so many memorable scenes from the film and half of that is due to how they were shot. There's a scene where Er Hu runs into a coliseum where there are just hundreds of dead bodies lying on the ground and the camera does a 360 degree motion around him capturing his emotions and the devastation that lies around him. It's amazing.

The Warlords is one of the best Chinese war epics I've ever seen. Not that I've seen too many of them, but even in comparison to feudal Japan films, it's one of the best. If you were a fan of films like Mongol: The Rise of Genghis Kahn, The Last Samurai, or Seven Samurai, then this comes highly recommended. It's the type of film that shouldn't be missed by anyone.

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Saturday, March 29, 2014

Godzilla Vs Megalon (1973)

Godzilla Vs MegalonFor the first time ever Godzilla vs. Megalon has an official DVD release. Yes, DVD, not Blu Ray. If youre going to wait for the Blu Ray, that is your choice, but for someone like me, a lifelong die hard Godzilla fan who flew to Burbank to meet Godzilla ( Harou Nakajima) this was a no-brainer pick up for me.

The plot is very simple. Most of you reading have seen this in some form be it VHS, TV, MST3K etc..The underwater world of Seatopia decides now is the time to strike back against Japan for all of its nuclear testing. They steal an inventors Robot named Jet Jaguar to guide the great beast, Megalon to destroy the Earth. The inventor is able to get control of Jet Jaguar just in time to get Godzilla. What we get in the payoff is Megalon and Gigan vs. Godzilla and Jet Jaguar in a tag team WWE/UFC fight.

As most of you know, the film is considered one of the, if not, the worst due to the juvenile feel this movie has, clearly made for kids. And to save a few yen, the film also boasts about 95% stock footage of city destruction scenes.

While the film itself is thought of as bad, its actually a lot of fun in a Kaiju Cult kind of a way.

As for the DVD. I was very much impressed with this widescreen transfer. Media Blasters did a tremendous job with the transfer. The movie has NEVER looked better on DVD stateside. Day scenes look great, night scenes arent too dark or black, colors are sparkling. And it is uncut, with the opening credits (in Japanese) as well as several scenes such as the boy getting kidnapped, the agent getting crushed by a rock, etc. And the ending with the song has English subs !! :)

I watched the English dubbed version and its the familiar dub and it was loud and sharp. No adjusting the remote to higher levels to listen to it it was English 2.0 , while the Japanese language has both 2.0 and 5.1

This is a barebones release with the probable release of a Blu Ray down the road. There are reasons for Media Blasters being unable to release the Blu Ray version with all the extras. These reasons can be found on Facebook, their own website, SciFi Japan, etc.

For me, this suits me just fine because it is an official release. I am a huge Godzilla fan and I want everything on DVD or Blu Ray. And while I wait for an HD version, this will proudly sit in with my other Godzilla movies, most of which are on DVD by the way. I dont like to double dip very often but with Godzilla, I will make the exception.

THIS INFO IS ACTUALLY FROM MARCH 22ND BUT IT GOT BY ME HAD A BUSY SUMMER!

Media Blasters licensed both GODZILLA VS MEGALON and DESTROY ALL MONSTERS in 2011, with MEGALON initially planned for both DVD and Blu-ray last November. But after Toho complained about some of the extra features Media Blasters included on their DESTROY ALL MONSTERS discs, MEGALON was put on hold while Toho went over the bonus content prepared for that film.

Toho has a mountain of material -including trailers, stills, publicity art, a feature length audio commentary by film historians Steve Ryfle (Japan's Favorite Mon-Star, BRINGING GODZILLA DOWN TO SIZE, ICONS OF SCI-FI: TOHO COLLECTION) and Stuart Galbraith IV (The Toho Studios Story, INVASION OF ASTRO-MONSTER DVD, TORA-SAN COLLECTOR'S SET), and an interview with English dub voice actor Ted Thomas -to review, and the approval process has moved very slowly. With no end date in sight, Toho has authorized Media Blasters to release a barebones version of GODZILLA VS MEGALON at this time. A special edition is intended for both DVD and Blu-ray once Toho has given final approvals for the extra features, however long that may take.

ALRIGHT, SO IT'S PROBABLY NOT THAT NEW TO MANY FANS, BUT WORTH ADDING TO THE FRONT OF THIS REVIEW FOR THOSE WHO DON'T KNOW ALREADY. I'M KEEPING MY PRE-ORDER IN FOR THE BLURAY, AND FOR THE MEANTIME BOUGHT THE DVD ANYWAY. IT'S NICE TO HAVE A CLEAN COPY AND I WANT TO SUPPORT MEDIA BLASTERS HOWEVER POSSIBLE. KEEP THE FAITH!

This review is to try once more to stifle the negative rumours about this release. The previous review By Mr. Bearbomb "DVD release RUMORS FALSE!!!" written just recently on December 14th, 2011 is false itself. The DVD and Bluray ARE coming out, though obviously with a bit of a delay, as they were originally scheduled for before Christmas. The original rumour was reported early this year on August Ragone's blog information being supplied to him by a source he thought was reliable. It then turned out to be false... the denial from Media Blasters came at this point in time, which pointed out that they had been denied rights to the movie (but that was several years prior, keep in mind). August reported and apologized for this. Apparently in this small and barely significant community of Kaiju (Japanese monster) fans / collectors, there is a faction who do not like Mr Ragone, for whatever reason, and it seems as if someone might have set him up for an embarrassing mistake. This kind of behavior is petty and shameful. Chances are "Mr Bearbomb" is one of the pack. Whatever, who cares. Ironically, however, upon hearing all this stupid furor over the false rumor, Media Blasters submitted a new request for rights to release Godzilla vs Megalon along with Destroy All Monsters, and were surprised that this time Toho agreed to the request. This is when the current release was scheduled. Destroy All Monsters came out after a couple delays and Megalon is set to follow very soon.

Anyone who still doubts can go visit Scifijapan.com and read interviews with respected Toho Kaiju film historians Steve Ryfle and Stuart Galbraith IV, discussing their involvement in the project (from Nov 15th, currently on page 3 of articles). Ed Godziszewski was also involved in at least preliminary stages of producing Megalon special features. They have authored books on the subject and been involved in previous DVD releases by Sony and Classic Media. The interviews with Steve and Stuart give interesting insight into the preparation of the commentary and more. Sorry, "Mr Bearbomb," but you have no idea what you're talking about.

Finally, I'll take a general stab at this movies detractors who write it off as "the worst Godzilla movie" and other such nonsense. The bottom line here is that it's fun... just good old fashioned silliness! Now, as for the so-called "good" Kaiju movies... even the best of them are still about giant radioactive lizards, so give me a break, OK? It's true that the first wave, including Godzilla, Godzilla Raids Again, Rodan, Mothra, Varan were well crafted, interesting and fun monster sci-fi movies, with a small bit of genuine horror feeling to them, but with the notable exception of Godzilla vs Mothra in 64, things pretty much went straight downhill from there. from 1962's Godzilla vs King Kong through to 1975's Terror Of Mechagodzilla they were ALL silly. I mean, if you don't have a healthy appreciation of campy genre films (psychotronic fare for the more informed among us), then how can you really call yourself a Godzilla fan anyway??? The fact that Godzilla vs Megalon is the "worst" or "most campy" or "silliest" for me makes it one of the best. I just have an uproarious good time watching this movie, whatever the quality of the release. And the fact that it's now coming out in a 2-disc package with a well-researched commentary and additional supplementary features is the icing on the cake of my Kaiju collection. To h*** with the naysayers, I for one can't wait, and I encourage any casual Godzilla fans to grab this release, grab a seat on the couch with your kids and some popcorn, and have a great time! Cheers, everybody!

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This is a review of the Tokyo Shock version released in August 2012. The wait is finally over! There is no point in describing the plot. If you are interested in purchasing this movie you already know the cheese factor is through the roof. Unfortunately, there are no extras's in this version. Total bare-bones package. The film transfer looks crystal clear. So clear you can see the strings holding up Megalon in a few scenes. Stock footage scenes look older yet still clear (i.e. army tank scenes from other G films). The not so special effects are even funnier with the high quality transfer. The film is presented in wide screen format. The sound is clear sounding with the option of Japanese with yellow English subtitles. Get ready to laugh out loud at this remastered classic. The funny song at the end of the film is in Japanese.

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First off I am sick of clowns trying to break this film down like they are Roger Ebert. If you are a fan of the genre you know what your getting yourself into. Who cares about the plot and how loosely written it is. I don't care how the monsters get into the ring or why Jet Jaguar can change like Ant Man and grow like a Giant. I just want to see a Monster Street Fight and watch Godzilla throw the leg drop on Meglon! I also want to see an Ultraman knock off who backs up his boy who happens to be a Giant Firebreathing lizard he just met. Hey for all I know this robot is just playing the role of a good Samaritan and preventing a monster from getting jumped by 2 punks. Anyway you try to spin it, just sit back and enjoy the mullet infested Carnie fair ride for what it is.......a ride on the Gravitron!

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SciFi Japan is reporting that a bare bones edition (DVD not Blu Ray) will be released Aug 14, 2012. Media Blasters and Toho are still in negotiations over the content of the Blu Ray edition, so it will eventually be released. As to when is anybodies guess, but I will wait for the Blu Ray edition since I hate double dipping DVD's

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Ace Ventura: Pet Detective (2013)

Ace Ventura: Pet DetectiveAce Ventura, for the most part, is a perfect vehicle for Jim Carrey. I was pleased with the film the first time I saw it. I have, however, seen it on network TV, and have found out that there are many more scenes present in the TV version not shown on the DVD. These scenes not only make the film better, but also more undestandable.

If at all possible, could we see a WIDESCREEN EXTENDED CUT, Mr. Shadyac???

Thank you very much.

"Ace Ventura Pet Detective" is a vehicle that is tailor-made for the comedy genuis of Jim Carrey. In his first major comedy, Carrey absolutely carries this picture on top of his broad and very funny shoulders! Carrey will tickle your funny bone in this riotous picture.

Carrey plays "Ace" a pet detective, who gets involved in solving the missing case of a dolphin from the Miami Dolphin's training camp. Co-starring the gorgeous Courtney Cox and believe it or not, Dan Marino, the plot has so many funny moments that I cannot begin to list them all. The jokes fly at you about every second minute, so if you don't like one, just wait for the next! I guarantee you will laugh out loud several times and give your tummy muscles a good workout in doing so.

Carry is a genius in facial expressions that will tie your funny bone in knots. His physical comedy ranks with that of Lucille Ball. Carry establishes his comedic "star" in this flick.

If you want to relax and take your mind off your worries and just laugh out loud, then this is the film for you! I highly recommend it! It is easily in my top-10 comedies of all time.

Jim "Konedog" Koenig

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Jim Carrey's work in Pet Detective is just short of Brilliant. Funny thing was, he was mostly being himself. Don't let the movie premise fool you. The character of Ace Ventura is not a bumbling detective who lucks out in his cases, he is actually smart and knows what he's doing. This is what I most liked about this movie. He outwits the police at many turns, staying far ahead of them on the case of the missing mascot for the Miami Dolphins, a field goal kicking Bottlenose. In his efforts he befriends, and beds, pre-friends fame, Courtney Cox (say that ten times fast). Even stranger, they seem to have great chemistry. Sean Young plays the hard-nosed Police Lt. I couldn't tell if she was hamming up her reputation as a difficult actress or just over playing the part really well, it was obvious that she wasn't taking this movie very seriously. In any case, this movie can't be taken too seriously anyway, although it does on some levels, but it works. This film marked the first in three successful films that Carrey made with Director Tom Shadyac; `Liar Liar' and `Bruce Almighty' followed. Both movies were hits as well. I love this movie I found it hysterical. But if you don't like Carrey at all, then you probably won't like `Ace', but if you have found yourself even smiling at his goofiness and rubber-face antics, this movie should make you feel good. Although there was a sequel, and it started out ok, it is no where near the level of the first.

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The cable networks such as TBS and USA have for years been showing a version of this movie with several deleted scenes that were never in the theatre and still aren't available on DVD. At a time where every studio is re-releasing special editions of every movie under the sun, how in the world has this comedy classic not gotten the royal treatment? I suppose Warner Studios has an exclusive deal with USA and TBS so that only they can show the "special" version of this movie. That's not cool.

The deleted scenes include additional insane asylum scenes and another scene where Ace visits his friend at the heavy metal club. He winds up on stage with the band "Cannibal Corpse" and graps the mic and starts screaming into it and flailing around on stage like a fish then stage dives onto the crowd. anyone fortunate enough to have seen this deleted gem probably wet themselves because it's so funny. And it's not available on DVD!!!

This movie gets 5 stars but the DVD get's 1 star for awful. Do not go in there! I think it's the pate.

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I don't know what's up with all these people who give these bad reviews to Ace Ventura: Pet Detective. I think this is amoung the Top 3 movies EVER! The character is perfect for Jim Carrey and the film is just plain and simply funny! He throws out constant one-liners that will keep you laughing everytime you quote them (If it gets cold enough... if you've seen the movie you're laughing). The best part about this movie is that no matter how many times you've seen it the sheer fun of watching it will keep you coming back, which is what makes this the perfect movie to own! Mine's so worn I'll have to replace it soon (thank-you DVD). Now, I'll be fair, I'm a huge Carrey fan so that probably tilts the scales in his favor but even so, the actual movie IS good! Sure the plot is a bit outrageous, but it's a COMEDY! Lighten up people, it's supposed to make you laugh, not make you think, and believe me, it makes you laugh. It's also got it's fair share of stars (Jim Carrey, Courtney Cox, Tone Loc) and not to mention a certain Hall-of-Fame football player (Dan Marino). In summary, this movie's got everything from comedy to stars. It's the perfect movie to watch over and over again and you'll never get sick of it. I would have given it 6 stars, but they wouldn't let me...

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Wednesday, January 29, 2014

Created Cosmos - Special Edition - Blu-ray (2011)

Created Cosmos - Special Edition - Blu-rayI hope you can buy the Blu-ray version of this, it is INCREDIBLE! Jason Lisle is one of the most sound scientists in this era and this disc shows the planatarium show he created. Gather the family around the tube when you watch this one, all ages will enjoy this video.

I have watched this 20 minute DVD numerous times. It is breathtaking. It really gives an appreciation for the power and majesty of God. It places life in perspective by showing the contrast between this life and eternity. I highly recommend.

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I got this DVD after seeing the show at a planetarium. If you liked Powers of 10, this is in the same category. The scale of the universe is depicted in breathtaking detail, wonderfully illustrated. The DVD has a great commentary track describing some of the behinds the scenes work required to program the simulation. I showed this with a projector to a bunch of high school student, about 20 feet across on the side of a building and they were equally impressed. It is pretty short, though, less than 30 min.

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This DVD is so awe-inspiring! Praise the Lord for the cosmos he created and the blessing this DVD will be to all those who see it!

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Saturday, January 25, 2014

The 39 Steps (The Criterion Collection) (1935)

The 39 StepsI just ordered the Criterion Hitchcock "set" which includes "The 39 Steps", a movie I've watched many times over the last 20 years, but NEVER in a form this crisp and well-transfered; it's been restored beautifully, and as with all the films("My Man Godfrey" and "The Lady Vanishes", to name two)that have been kicking around with duped, grainy, fuzzy prints for the last 60-some years that were FINALLY restored-it's almost like watching a new movie-even if you'd thought you'd memorized all the dialogue and action! There's just so much that's missed in a bad print. Here, we have Hitch at his finest....there just isn't a dull second in this film. It's really as sure-fire as any movie ever made, in terms of entertainment. I believe this too was Hitchcock's first huge breakout international hit, although happily for us, he didn't "go Hollywood" for another 3 years or so(and gave us the later "Lady Vanishes"-another Criterion must-have).

One caveat: if you're like me(hopeless film buff), you often get these Criterions for not only the fantastic quality of the print but for the often illuminating audio tracks, usually provided by experts of one type or another; I've never quibbled with any of them before, but I have to say, don't expect Marion Keane's wall-to-wall droning to be worth it. There's generally two kinds of film "discussion"(not counting the sort where the actual director or actors gab, which we get with new films): the sort that's superb, like Rudy Behlmer's on "Adventures of Robin Hood"-an amalgam of film history, film technique, on-the-fly biographies of the actors you're watching, tidbits about the production locations, etc.etc.-nd then there's the OTHER kind:

film "semiotics". In other words, a commentator turns a smashing, hugely exciting and entertaining movie into a dull excercise in psychoanalysis. Virtually NOTHING is said about any of the particulars of "The 39 Steps" that isn't a parsing of the symbolism, the framing, that sort of thing. That stuff's there, of course, and I'll hand it to her that the speaker *does* mention Robert Donat's acting several times(it's excellent, of course!)-but you know, for all her blather about the poignancy of the scene of the Crofter's wife, you'd think that she might bother to tell us the actress' name(Peggy Ashcroft), the fact that this was one of her few films, that she was a huge stage star eventually, etc. The sort of thing that other audio tracks do so well.

If you don't get the Criterion Edition, you will be getting an inferior transfer of this film: fuzzy images, fuzzier sound...yuck! The "bad" transfers include the one that Tony Curtis introduces.

Again, look for the Criterion Edition.

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A stylish blend of mystery, romance and light humor, "The 39 Steps" is one of Alfred Hitchcock's finest achievements. Unfortunately, the public-domain status of this 1935 classic has resulted in plenty of inferior video copies at cheap prices. Avoid them! You're better off purchasing the Criterion release, which features a stunning 35mm print and some nice bonuses. "The 39 Steps" represents the highpoint of Hitchcock's British period and should be seen in the best possible quality. In terms of value for money, the Criterion version remains second to none.

Read Best Reviews of The 39 Steps (The Criterion Collection) (1935) Here

One of his masterpieces! From 1935.. "The Thirty Nine Steps" has Hitch's trademark style all through it.An innocent man gets involved with spies and counter spies. He is at the music hall, watching a "Memory Act"(which is quite a scene in itself),there's a gun shot, panic erupts and everyone runs out. A mysterious woman attaches herself to him and comes home with him. She reveals she is spy and others are after her. She mentions the mysterious "Thirty Nine Steps", and the next morning he finds her dead. He goes on the run for fear he will be implicated in the murder and in order to prove his innocence he must uncover this spy ring on his own. His path is fraught with danger, suspense and of course a beautiful woman. It stars Robert Donat,Madeline Carroll(you know how Hitch loved those beautiful cool blondes!), and Lucie Mannheim(as Annabela the spy).Also look for his trademark staircase scene.

Looking for Hitch: Less than 10 minutes in, you'll spy him. What a litter bug!

A must have to add to any Hitch collection...enjoy...Laurie

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Five stars in all might make me sound like an easy-to-please viewer, but I don't see how this DVD could be better. Criterion never disappoints, so if you're buying this film it's worth paying extra for this one. I believe the transfer is way superior and the extras go on longer than an awards night.

The documentary focuses on Hitchcock's British films, which aren't as widely seen these days and also a complete radio broadcast from 1937. Talk about diggin' up some material! I also enjoyed the commentary and that press book stuff. I'm not even sure I've seen it all. Actually, I'm still not sure what The 39 Steps really is exactly, but who cares? I pity people who don't watch certain movies because they're old and black & white. The reason people should see this film is because no one can make a film like this anymore. This is a great film, don't miss it.

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Sunday, November 24, 2013

High Road (2011)

High RoadI have to completely disagree with the previous reviewer. I just went to a screening of this film in NYC and found this movie to be absolutely hilarious. Maybe I'm of a younger generation than the previous reviewer but I wasn't the only one who seemed to enjoy this film. The theatre was sold out, had a very diverse mix of all shapes, sizes & ages in the audience and the laughter never stopped. Everyone seemed to really enjoy it. Its clear that this film is a very low budget indie and I went in not expecting much, but I found the ensemble cast very entertaining and the story surprisingly sweet ~ which is why I came on here to purchase some copies for friends! I loved it.

Almost a perfect movie. I laughed pretty freakin' hard at a lot of the jokes, and the plot kept moving along at a decent pace. The fact that the script was improved only adds to the humor. Oh the soundtrack was excellent. I want to find it and purchase it only for the sound the drag queen dad sings towards the end.

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This movie is FUNNY. I don't think I am the target audience for this movie, but I found it hilarious laugh til you cry. I have never been a huge fan of improv but this story seems to have a path, and it is so good that it makes me want to take another look at some other improv movies!

I think this movie is perfect for watching with friends. The laughing can be contagious when watching so don't choke on your popcorn! If you have a chance to see this in a theater the theater will be FULL of laughter and joy. Great movie!!

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I was one of the lucky ones to see this movie in a theater, and I laughed my ass off!!! I'm a huge fan of Improv and UCB, so when I finally saw this movie there was no surprise that I would love it. After purchasing and watching it again I caught some subtle jokes that I didn't get before due to the fast pace and the fast dialogue. This is a type of movie that grows on you, like Grandma's Boy. At first I hated Grandma's Boy and thought it was the stupidest movie I have ever seen. Then I watched it with some friends who enjoyed it, and we laughed til we cried. High Road is shot like another Improv movie from a few years back called Cyrus (Matt Walsh, the director of High Road was also in Cyrus) but where Cyrus was a mopey melodrama, High Road plays out like a French Farce. The plot really doesn't matter, but it's the actions of the characters and listening to their dialogue that really makes the movie shine. Watch it with some friends and pay attention, or else you'll miss the funny.

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"I'm not a drug dealer, I'm an artist." Glenn "Fitz" Fitzgerald's life

is starting to fall apart. His band is breaking up and he watches his

former mates find success while he is stuck at home selling pot to make

money. This may be my shortest review ever. This movie is 100%

improved. Unlike movies like "Best In Show", "Mighty Wind", and most of

Will Ferrell's movies this one is not funny. It may be because I'm too

old but this is not my type of movie and I thought it was lame and

boring. Overall, not for me. I give it a D.

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Thursday, September 5, 2013

The Devil and Miss Jones (1941)

The Devil and Miss JonesCharles Coburn plays J.P. Merrick, the wealthy, sinister millionaire and owner of his own department store, where the overworked and underpayed workers, led by Joe O'Brien (Robert Cummings) are protesting. In order to eliminate all the ringleaders of the employee protest movement, Merrick, who's face isn't known by any of the employees, changes his name to Tom Higgins and becomes an employee in his own department store. While working in the dreaded shoe department, Higgins meets the charming Mary Jones (Jean Arthur), who takes pity on Higgins and befriends him, not knowing that he's her evil boss.

Higgins, when not gathering the names of protesters in his organization, also falls for one of his "co-workers", Elizabeth Ellis (Spring Byington). Higgins is faced with a problem however, when he discovers that Mary Jones' boyfriend is none other than Joe O'Brien. Yet over time Higgins' unlikely friendship with these people makes him forget about his sinister original plan and he becomes a new man who cares for his employees.

Now that the equally great comedy with Charles Coburn and Jean Arthur, "The More the Merrier", has been released on dvd, why can't this underated classic get a dvd release? Sure, some of the dialogue is dated and corny, but that's just part of the charm with an old-fashioned comedy like "The Devil and Miss Jones". Jean Arthur was terrific and absolutly charming as usual, but Charles Coburn really stole the show with his great performance. Charles Coburn was an incredible actor who could play very likable characters, or the worst of villians, as in "Kings Row". Robert Cummings was good in this as well, although his speech at the police station was vomit-inducing. The supporting cast, especially Spring Byington and Edmund Gwenn (who plays the grouchy section manager of the shoe department where Higgins works) is wonderful. Surely we won't have to wait too much longer before this great comedy is released on dvd!

Among the Classic Film couples, there are Garbo and Gilbert, Gable and Crawford, Tracy and Hepburn, but I have discovered that there is also Arthur and Coburn, an unlikely couple, but nevertheless one of the most engaging.

Two films: "The More the Merrier" and the one I'm reviewing now, "The Devil and Miss Jones" are the testimony of the great chemistry and rapport that existed between this two great comedians, Jean Arthur and Charles Coburn.

Last night I watched this wonderful Comedy for the first time and believe me, I hadn't seen a Comedy of this quality and class, in a long time. It's so perfect that it's difficult to really describe the effect it had on me.

The plot of the film tells the story of what happens when a millionaire (Coburn), who among many, many assets, owns a Department Store in New York, arranges to be infiltrated into the Store as a simple Shoes (more precisely "Slipper") Salesman, in order to investigate who, among its employees, participated as agitators and were responsible for the hanging of his effigy, when protesting against the Store's policies regarding workers, working conditions and Unions.

Among the employees of the Store, Coburn meets fellow Shoes Saleslady, Jean Arthur, who befriends him, not only believing he's an employee, but also a poor, almost destitute old man.

Coburn is delightful as the millionaire; I'd dare to say that it's his best role ever, along with the one he played in "The More the Merrier". Jean Arthur plays much more a "human" character than a plain-comedic one and Bob Cummings is also very good as her boyfriend and the main "agitator", getting to play together a couple of very believable love scenes.

An excellent supporting cast includes among others, Spring Byington as Arthur's sweet friend and co-worker, Edmund Gwenn as the rather nasty Head of the Shoe Department and S.Z. Sakall as Coburn's butler.

Kudos to Norman Krasna for his excellent screenplay and for the handling of social issues regarding Labour, which are timeless and still very pertinent.

This film ought to be on DVD.

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in this very funny story of how the richest man in the world decides to go undercover as a shoe salesman in a store he forgot he owned until labor agitators hang him in effigy. It's Charles Coburn's intention to infiltrate the labor movement and bring these "wrongdoers" to justice or at least unemployment. He doesn't bargain on what happens when he begins to rub shoulders with the hoi polloi, and how meeting with the peppy Miss Jones (Jean Arthur) will change his outlook on labor and ultimately life.

Jean Arthur is very appealing as this working class heroine, but it's Charles Coburn who runs away with the picture. His transformation from a Rockefeller-type cold as ice businessman into a tuna popover eating funlover is aces, especially in his dealings with the surprisingly unpleasant Edmund Gwenn as the manager of the shoe department. Ironic that Gwenn returned to the department store scene a few years later to buck authority himself as Kris Kringle in "Miracle on 34 Street". A point worth noting is that much of the dialogue concerns the misunderstanding about Coburn's true identity, and his consequently being abused as an older worker with limited skills in an emerging modern world. Although 60 years ago, this still rings true today, and gives us some food for thought.

This picture has only two things going against it: First is its terrible title. Not only does it not really make any sense given the plot of the film, but it later got co-opted as the title of a famous porn film, "Devil IN Miss Jones", so that even the librarian where I took this out gave me the once over, thinking I was taking out a smutty film. I'll bet few people ever do rent this movie because of its dubious monniker. The second thing that's not so hot is a police station scene where Robert Cummings tries (and fails) to be a Capra-esque "ordinary man" hero bucking authority by appealing to the Founding Fathers' principles. The scene is so bad it brings the movie to a complete standstill; I was afraid it would be downhill from there, but it picked up again. My advice is that should you ever rent or buy this film, as soon as Cummings enters the station, fast forward to the next scene to save yourself some grief.

Other than those two points, "The Devil and Miss Jones" is a real winner, and I still give it five stars for a funny script and Coburn's marvelous performance.

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I just caught this film one late night on TCM. I was familiar with the title but had never seen it before. What a simply wonderful comedy which stars the beautiful Jean Arthur, the gruff character actor Charles Coburn, as well as Bob Cummings and Edmund Gwenn. Coburn is J.P. Merrick, the millionaire owner of a large department store. When the employees of the store start trying to organize a union, he decides to go undercover to find out who the ringleaders are. He takes a job as a shoe salesman calling himself Tom Higgins. He is immediately confronted on his first day by the shoe department manager Mr. Hooper (Gwenn) who plays a nasty role for once and tells Higgins he had the lowest intelligence score he's ever seen.

Tom is assigned to sell women's slippers and befriends two women In the department, Mary (Arthur) and Elizabeth (played by Spring Byington). When Tom says he doesn't eat lunch, the women take pity on him because they think he's broke and give him money and some of their food. Later Tom agrees to meet Mary at night and soon finds himself in the middle of a hopeful union meeting. It turns out that Mary and her boyfriend Joe (Cummings) are the ringleaders and even use "poor" Tom as an example of a man who's down on his luck due to being tossed out by his previous employers.

At work, Tom is constantly under criticism from Hooper who thinks he's too old for the job. Tom keeps a notebook and writes in bold letters "Fire department manager!!" He wants to do a good job and so he his butler come in with the daughter of one of the servants to buy a dozen shoes. The plan goes hilariously awry when the girl screams she doesn't like the shoes and Hooper decides to take over AND get credit for the sale.

And so it goes with Merrick as the fish out of water, learning not only about these employees but himself as well. In another scene Tom and Elizabeth join Joe and Mary for a day at Coney Island beach. Tom brings along some very expensive wine but the others think he was taken with some cheap stuff and it makes for a classic clash of cultures.

The Film was directed by Sam Wood who made such classics as Goodbye Mr. Chips, A Night at the Opera, And the Pride of the Yankees. The film is very Capra-esque however with great performances from the entire cast. Hilarious, poignant and warm.

Reviewed by Tim Janson

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The star of this video is Charles Coburn and not Jean Arthur: the comic old goat steals the movie once again, as he did in "The More the Merrier," and other comedies from this era. But the supporting cast is superb: the comedic Jean Arthur, Bob Cummings from the early TV sitcom, "Love that Bob," Spring Byington, who starred in George Kaufman's "You Can't Take It With You," and Edmund Gwenn, Kris Kringle himself of "Miracle on 34th Street."

Determined to find the employees creating a union problem in his store, Charles Coburn, the wealthy owner of the department store and business tycoon, goes undercover and poses as a clerk and works humbly behind the counter, and is abused and bullied by management until befriended by Jean Arthur, Bob Cummings, and Spring Byington....This movie is a fun indictment on capitalism--when such was allowed in Hollywood, prior to the blacklisting days of Joe McCarthy--and a call to more socialistic values. When would a business tycoon take his entire staff of store employees on a cruise to Hawaii just for the fun of it? Move over, all you CEOs....If only all such miraculous conversions could occur in the workplace within a span of 92 minutes!

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