Bambi II (Two-Disc Special Edition Blu-ray / DVD Combo in DVD Packaging) (2006)

Like many people who were weaned on the classic animated films made by Walt Disney, I have been less than thrilled by the onslaught of direct-to-video sequels the company has been producing the last dozen years. Starting with "The Return of Jafar" in 1994, we have not only seen sequels to many recent animated films, such as "Beauty and the Beast: Enchanted Christmas" and "Lion King II: Simba's Pride," but direct-to-video follow ups to some of those classic Disney films, as is the case with "Lady and the Tramp II: Scamp's Adventure" and "Cinderella II: Dreams Come True." Consequently, when I sat down to watch "Bambi II" I was fully expecting to be bitterly disappointed. Instead I was pleasantly surprised (actually, I was floored).

"Bambi II" begins with the well-remembered moment from the original when Bambi (voiced by Alexander Gould) is looking for his mother and The Great Prince of the Forest (Patrick Stewart) informs his son that she will not be coming back, and ends with Bambi still a fawn. The beloved characters Thumper (Brendon Baerg) and Flower (Nicky Jones) return, as does Feline (Andrea Bowen), but having more of an impact is a character who only appears briefly in the original, Ronno (Anthony Ghannam), another fawn whose antlers have already come in. Ronno not only keeps calling Bambi a baby and a coward, but is also making moves on Feline. Meanwhile, The Great Prince is having trouble with his new responsibility for raising his young son and teaching him the ways of the forest, and Bambi is trying to impress his father. Neither one of them is succeeding all that well.

Directed by Brian Pimental (who also voices both the Groundhog and the Porcupine), this 2006 direct-to-video release has several things going for it, starting with having Patrick Stewart voice Bambi's father. But the greatest strength is the

story by Pimental and Jeanne Rosenberg with a screenplay by Alicia Kirk inspired by the original story of "Bambi" by Felix Salten. Bambi is trying to learn how to confront his fear and stand up to Ronno and other dangers in the forest. The film never uses the phrase "deer caught in a headlight," but that is what Bambi looks like at times and it is something he needs to overcome. What I liked the best is that there are several moments when father and son start to connect, but it does not quite work out, so that there is actually some character development and not just a sudden happy ending. Overall, there is actually more of a plot here than simply Bambi growing up.

The animation is done in the same style of the original classic, and if it is not as rich in detail the differences are far less than you would expect from a direct-to-video feature. I have always considered "Bambi" to have the most beautiful artwork of any of the Disney films, and this one does not suffer that much in comparison (the animators do seem to like bright yellows more this time around). There is one cutesy animal sung song, "Let's Sing a Gay Little Spring Song," based on Frank Churchill's score for the original film, but most of the songs serve as backdrops for various sequences and are done by some familiar country singers: Alison Krauss' "There is Life," Michelle Lewis' "First Sign of Spring," and Martina McBride's "Through Your Eyes." Anthony Callea performs "The Healing of a Heart" during the closing credits.

The film is shown in "Family-Friendly Widescreen" (1.78:1), which is enhanced for 16 x 9 televisions, and also has a French language track. The bonus features on this DVD consist of a Making-Of featurette, "The Legacy Continues," and a "Bambi's Trivia Track" that can provide a constant stream of pop ups with fun facts as you watch the film. Kids will enjoy "Thumper's Hurry & Scurry Game" and there is also a "Disney Sketch Pad" piece in which Disney animator Andreas Deja teaches us how to draw Thumper.

The end result is a half-step down in quality from the original classic, which is amazing enough to justify rounding up on this one. Granted, no animated film will ever take the place that "Bambi" has in the collective psyche of the millions of youngsters who were devastated when Bambi's mother was killed. Still, "Bambi II" sets the bar pretty high for a sequel (it is certainly good enough that they could have released this to theaters) and we can only hope future direct-to-video offerings will follow suit.

While some will undoubtedly find it hard to embrace a follow-up to Disney's 1942 classic Bambi, I found Bambi II to be quite enchanting, funny, and very touching. I must admit I bring a somewhat unusual perspective to this film, as I am one of the few living souls who hasn't seen the original. For whatever reason, I never saw Bambi as a child, and now that I'm an adult I've resisted watching it because I have heard how sad it is when Bambi's mother dies. I can watch films with humans doing unspeakable things to one another and never bat an eye, but it just tears me up to see animals (whether real or cartoon) sad and hurting. I can't get through Benji without sobbing, so I've just never felt up to the task of experiencing Bambi. A grown man shouldn't admit this, but just in case you're wondering Bambi II did end up bringing a few tears to my eyes, as well. That's okay, though. Movies like this aren't just for children; in many ways, their message plays more powerfully to adult viewers, reminding us of the important things in life (especially in terms of the parent-child relationship).

This isn't a sequel to Bambi, I should note, as the story actually fits in to the middle of the original film. Bambi has just lost his mother, and now it is up to his father, the Great Prince, to take care of him. The Great Prince does not take to parenting naturally or easily; he feels that a doe should raise the child, and he asks Friend Owl to help him find a new mother for Bambi once spring arrives. Bambi desperately wants to please his father, but he is just too young to meet his father's high standards. The Great Prince wants Bambi to behave as a prince, not as a young deer. Fortunately, Bambi does have friends to play with, including Thumper and Flower. Thumper even tries to teach him how to be brave. All Bambi really wants, though, is for his father to be proud of him and to actually show him some affection. Gradually, the Great Prince begins to come down off his pedestal to be an actual, caring father to the youngster. The last half of the film is really more about the Great Prince than it is about Bambi, if you ask me; it's basically the story of a father's love. The climactic scenes really work beautifully, taking you from tear-inducing sadness to exhilaration and suspense, eventually bringing every emotional aspect of the whole story to a deeply satisfying conclusion.

The two young kids supplying the voices for Bambi and Thumper are really just superb, and Patrick Stewart brings incredible presence to the film as the voice of the Great Prince. I also think the animation is wonderful. The animation crew may have used some digital tools, but they clearly tried to follow in the footsteps of Bambi's illustrators in terms of their approach to the whole project, taking pains to remain faithful to the look and feel of the original. Since I haven't seen the first Bambi, I can't compare the two films at all but I do think the artwork of Bambi II really hits the mark.

Along with the movie, you also get a good assortment of extra features on the DVD, including an interesting look at the making of Bambi II this is where you really get a sense of the reverence Bambi II's makers have for the original film. You also have the option of watching the movie with various Bambi trivia and fun facts popping up at relevant times. A Disney animator shows budding young artists how to draw Thumper, and there's also a little "find Thumper" game for one or two players. Naturally, you also get previews of some coming Disney attractions.

All in all, Bambi II is an impressive package. The film itself is what truly matters, of course, and I think it is really good. Certainly, it's aimed at a young audience, but I can't agree with anyone saying there is nothing for adults in this film. Bambi II's portrayal of the Great Prince's love for Bambi and his struggle to find the best way to raise the lad properly certainly touch upon issues that most parents will find close to their heart. Bambi II certainly managed to touch my heart and on more than one occasion.

Buy Bambi II (Two-Disc Special Edition Blu-ray / DVD Combo in DVD Packaging) (2006) Now

Bambi is one of our family's favorite movies and we all enjoyed this new version with all of its extras. It teaches the children about the importance of family and how the father can take over if the mother is not available. There are songs by some of our favorite singers, which is an extra. The DVD has many pluses in addition to the beautiful movie, including games, cute mobiles, and more. I'm sure we will enjoy watching it many times in the future. I understand it is to be available for only a limited time. Worth adding to your DVD library.

Read Best Reviews of Bambi II (Two-Disc Special Edition Blu-ray / DVD Combo in DVD Packaging) (2006) Here

I love Bambi. I wasn't too crazy about the movie when I was very little (I thought it was too cheerful and too musical), but now that I'm older and I've had a chance to see it again and really take a good look at it, it's become one of my all-time favorite movies. The song "Love is a Song" and the scene where Bambi's mother dies both make me tingle almost every time.

And Bambi 2 is a wonderful sequel to such a wonderful movie. It takes place shortly after Bambi's mother is killed by the hunters. (Those darn hunters!) Don't worry, you don't actually relive the death scene in this movie.

Bambi is running around in the woods, calling his mother's name, just like in the first movie, and is receiving no response. Then he runs smack into his father, the Great Prince of the Forest, or the Great Prince, for short. The Great Prince informs Bambi that his mother can't be with him anymore, and then he leads him to his own den, which is located in another part of the forest. Bambi, as you can well imagine, is devastated by the loss of his mother. The Great Prince then speaks to Friend Owl (who somehow knows of Bambi's mother's death and is feeling very sorry for the little fawn), asking him to help find a suitable doe to raise Bambi, as Bambi is still quite young and isn't ready to manage on his own yet.

Due to harsh conditions (such as the shortage of food and the intense wintry weather), Bambi is temporarily placed in the care of the Great Prince himself. The Great Prince is very reluctant at first (in his opinion, a prince's sole responsibility is to look after the herd; does care for the young), but he agrees. So Bambi spends the rest of the winter with his father.

Eventually spring arrives, and Bambi meets up with his old pals, Thumper the rabbit and Flower the skunk. He even meets up with Faline, his crush, and Ronno, the big brute that he battles with in the first movie.

Ronno is sort of the antagonist of this movie, but the real antagonist is man. I won't give away any details, but there is one scene in the movie where a pack of vicious dogs attack Bambi. Luckily the Great Prince arrives just in time and fights the dogs off. Then he and Bambi race into the trees together just as man is firing at them with a gun.

Bambi feels like he's a big disappointment to his father. He makes it his goal to prove that he can be every bit as brave and stalwart as the Great Prince. Thumper gives Bambi a hand (er, I mean, a paw) and Flower sort of helps out as well.

Eventually the time comes when Bambi's courage--and the Great Prince's love for his son--is put to the ultimate test. The same pack of dogs that attacked Bambi earlier in the movie start to advance on a helpless doe, and Bambi is torn between running far away and saving the doe's life. Finally he makes up his mind that the doe will not die in the same way his mother did, and he bravely lures the dogs away from her.

The Great Prince goes after his son, and soon Bambi is able to thwart every last one of the dogs. But just when it seems like everything's going to be okay, Bambi takes an unexpected fall from the edge of a cliff. When the Great Prince finds him, it looks as if Bambi has died. The Great Prince, who has all but ignored Bambi for nearly half the movie, is heartbroken. He actually gets down on the ground beside Bambi and nuzzles him gently as a single tear rolls down his cheek. (This is by far the most touching and poignant scene in the entire film. Anyone who is not affected by this scene would have to have a heart of stone.) Fortunately, Bambi comes to his senses and opens his eyes, and the Great Prince is greatly relieved. They spend the next few minutes or so rubbing their faces together, and their relationship with one another improves greatly after that.

This movie is every bit as magical as the original. The animation is just as rich, and the music is just as inspiring. And the morals this film teaches are priceless. It's not as long as the first Bambi, but it's a real keeper.

If you haven't seen this movie yet, then I strongly recommend that you do so. You will not be disappointed.

Want Bambi II (Two-Disc Special Edition Blu-ray / DVD Combo in DVD Packaging) (2006) Discount?

Young Bambi has just lost his mother to a hunter's will, and he is left alone in the forest to fend for himself. Bambi's father, the Great Prince of the Forest, is urged by Friend Owl to take responsibility for the boy, and the Great Prince agrees, but only till Spring. During the time they spend together, the serious and preoccupied Great Prince learns what it means to be a father, while Bambi learns what it means to gain a father and lose a mother at the same time. Bambi also goes through the more expected trials of growing up. Along with his friends, Thumper and Flower, Bambi deals with the difficulties and dangers of girls, bullies, hunters, and proving himself to others. The real story here, of course, is about the developing relationship between a father and a son, which culminates in a very touching and perfect moment of pure Disney magic.

"Bambi II" is a masterfully done piece of filmmaking that is the ultimate proof that Disney animated classics CAN have worthy and wonderful sequels. Set amidst events from the original film, "Bambi II" picks up right from the moment Bambi calls for his mother after her death in the classic and carries on to the first sprouting of his antlers and disappearance of his spots. Subtle and not so subtle touches link this sequel beautifully with the original masterpiece, including some intense encounters with Man's dogs and Bambi's struggles with Ronno, another male fawn whose attempts to gain friends make him more of a bully than anything else. Including Ronno was a stroke of genius, and those who want to see where these confrontations lead to need only view the original "Bambi." Ronno is the buck that Bambi clashes with over Faline when they are all adults. What makes "Bambi II" such a success while so many other Disney animated sequels have been considered failures? Three main reasons: One, "Bambi II" uses real kids' voices for the kid characters, while many direct-to-video animated films, and animated films in general, use adults. Trust me, it makes a BIG difference in the believability of an animated film. Two, "Bambi II" does not simply rehash the plot of the first film or make up a very contrived plot just for the sake of making a sequel. "Bambi II" shares an important and natural part of Bambi's story that was simply left unknown before. Three, "Bambi II" was made by Disney's current master animators; the guys who worked on stuff like "Aladdin" and "Beauty and the Beast." These legendary artists should not be relegated to direct-to-video sequels, but they certainly prove that they can make such subjects every bit as big-screen-worthy as their previous triumphs. Hopefully, someday "The Man" will realize that 2D-animation for the big-screen is not dead, and then maybe I'll be re-inspired to become a Disney animator, as was my childhood dream. After all, I'm only 30, and "Bambi II" certainly stirred up some of those feelings within me once again.

There's hardly an unkind word that can be said about "Bambi II," and it would fit seamlessly into the context of the original 1942 film were it not for one thing: the songs. Much of the background music incorporates the score from the original "Bambi," but there are a few new songs, and I still am not a big fan of including modern-sounding songs in sequels to Disney animated classics. Even when the songs aren't bad, they take away from the illusion that you're watching something continuing or in the context of a MUCH older film. Here, we have original songs performed by female country music stars that we know weren't around during the making of the original film, and they just seem out of place in a story that is set during the events of the original "Bambi." Luckily, the songs aren't that frequent and aren't TOO much of a distraction. Had the film been set after the original, perhaps they wouldn't have seemed so out of place. I had the same problem with "Return to Never Land," though. That was a good film compared to other Disney sequels, but I really didn't care for the pop music in a story set during World War II. However, it had other flaws that "Bambi II" manages to avoid.

An outstanding film that receives my highest recommendation, "Bambi II" is only available for a VERY short time! Being only a single-disc version with very few extras, however, we may see a 2-disc release in the future, but who knows how long that will take?! I wouldn't wait around if I were you! If you found the first film's heavily artistic mood a bit dull, this film is still deserving of a test viewing. It's much more lively than the first in terms of action and adventure. Remember, it's the story of a boy living with his father this time around. Extras include a "find Thumper" type game for the kiddies called "Thumper's Hurry and Scurry Game," a fun "Disney Sketch Pad" clip where we get to see legendary animator Andreas Deja sketch Thumper with inspiring skill (bringing to mind those old Disney Channel moments that made so many kids dream of working for Disney when they grew up), a Trivia Track that can be run while viewing the movie, and "The Legacy Continues," a behind the scenes featurette that includes interviews with the voice talent, including Patrick Stewart of Star Trek TNG fame who voiced the Great Prince! In addition, you get several previews for upcoming Disney releases, like a Movie Surfers look at Tim Allen's version of "The Shaggy Dog" and trailers for the soon to be released "Fox and the Hound 2," "Brother Bear 2," and "Leroy and Stitch," all three coming directly to DVD. "Brother Bear 2" looks rather promising, and Lilo and Stitch are always good. "Fox and the Hound 2" looks entertaining but contrived, and it does not look like the next "Bambi II." Highly doubtful that it's being done by the same animation team, and I don't think we can expect big-screen quality direct-to-video Disney sequels from anyone else. "Bambi II" is a rare treasure of a DVD release! Pick it up before it's gone!

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Santa Claus: The Movie (25th Anniversary Edition) (1985)

Anyone buying a copy of this film should really get the wide screen DVD version. The flying sequences are so much better in widescreen as are the scenes in the North Pole toy factory. The "full frame" pan and scan version just can't hold a candle to the widescreen (I have both so have carefully compared them.)

There is an excellent director's comment track with questions being asked by the Special Projects Consultant for Anchor Bay (the company distributing the DVD) and answered and expanded upon by the director, Jeannot Szwarc. It is worth the price of the package alone. However there is also a great "making of" feature that was produced as a TV documentary at the time of the theatrical release of the film.

This is a really great Christmas film for the whole family. The first hour telling the story of how a simple wood cutter and toy maker become Santa Claus is completely charming. David Huddleston is a wonderful Claus. Dudly Moore is excellent as the elf, Patch, who is into everything and constantly inventing new gadgets. He shows his tender side as he grooms and takes care of the reindeer. It is really tragic that Mr. Moore now has the disease that make it impossible for him to perform any longer. That makes this film that much more of a treasure as it shows him at the top of his form as an actor. (Too bad the producers couldn't have used his musical talents in some way.)

John Lithgow is a delightfully hammy villain in the second portion of the film showing the early stages of the character he later does in "Third Rock From The Sun". The two children are also great, very real and not the cloying poor child actors that could easily have been used.

Trim the tree, light a fire in the fireplace, pour an egg nog and enjoy the very special Holiday treat!.

The man who plays Santa in this movie is the cutest, sweetest, most magical Santa Claus ever captured on film. I swear to this day...this man IS the real Santa. They could not have done a better job in casting this film. I get goosebumps every time they show Santa take off in the sleigh for the first time. Outstanding movie!!

Buy Santa Claus: The Movie (25th Anniversary Edition) (1985) Now

This is one of my favorite Christmas movies. It brings the legend of Santa Claus to life in a grandiose way (i.e. great Hollywood special effects and wonderful musical score!) This movie was produced by the Salkinds (which probably explains why some of the flying sequences are similar to the Superman movies.) I just recently found it is available now on DVD. The DVD gives you four movie trailers and a very interesting hour-long behind the scenes making of "Santa Claus: The Movie." It also has director's commentary, if you like that. Buy the widescreen version. Ever since owning a DVD player, I have enjoyed watching movies presented widescreen. I hate to see them "fit to screen," because it cuts so much out of the picture. The score is by Henry Mancini and is just magical, especially "Sleigh Ride Over Manhattan"! This is a wonderful Christmas movie that you and your family will enjoy for years to come!!

Read Best Reviews of Santa Claus: The Movie (25th Anniversary Edition) (1985) Here

When this film came out 20 years ago it was really hailed for it's special effects and technical achievments. Remember this was before CGI and the use of computer generated special effects was in its infancy. The achievement of getting Santa Claus and his reindeer and sleigh to fly was truly masterful. Not coincidently the film was produced by Ilya Salkind who produced the Superman Films and brought along some of the men who did the effects on the Superman films. Besides the flying sequences, the creation of the North Pole was the most elaborate ever seen on film up to that point, and possibly ever.

The movie begins in the past showing how The David Huddleston character eventually becomes Santa Claus. Huddleston makes for a truly striking Santa Claus, certainly one of the very best ever seen on screen. The film then jumps forward to modern day and loses a bit of steam. As Patch the Elf, Dudley Moore leaves the North Pole to head to the big city where the naive elf falls under the influence of ruthless corporate toy manafacturer B.Z. played by John Lithgow. This was one in a long line of villain roles the he would play in the late 80's and early 90's. Some people thinks he steals the show as a modern day Scrooge but to me he just chews up a bit too much scenery and takes some of the heart out of the film. That aside it's really a well done film, perhaps a bit dated but still good enough to be an annual holiday treat.

Want Santa Claus: The Movie (25th Anniversary Edition) (1985) Discount?

Dudley Moore, John Lithgow, and David Huddleston star in the 1985 masterpiece (that's right, I said masterpiece), "Santa Clause the Movie". The film starts off by depicting the origin of one of the world's most favorite people, Santa Claus (David Huddleston), showing how he and his wife were brought to a workshop at the North Pole by elves in fulfillment of an ancient prophecy. There, they were granted immortality with the mission of delivering the elf-made toys to the children of the world on one night each year. The film charmingly takes us through the centuries and eventually lands in modern day, when a wealthy little girl named Cornelia befriends a homeless orphan boy named Joe in New York City. The pair also manage to befriend Santa on his nightly ride, but when he returns home and finds his heavy workload is becoming too much for him, Santa decides to take on an assistant. A competition is held, but when the result brings on disaster the following Christmas, an ambitious elf named Patch (Dudley Moore) decides to go out into the world and prove his worth to Santa. It's soon after that he meets B.Z (Lithgow), an unscrupulous, greedy maker of dangerously defective toys. Patch naively teams up with B.Z. to bring the world "something special" for Christmas, but in the end only Santa Claus himself, with the help of Cornelia and Joe of course, will be able to save Patch and everyone else from the hazardous gifts they create!

The Salkinds, the same people who brought you Christopher Reeve as "Superman," spared no expense in this epic tale of another high-flying force for good, Santa Claus, appropriately dubbed "Santa Claus the Movie." "Supergirl" director Jeannot Szwarc skillfully handles the reins on this one, and though he follows the same basic formula of the first Reeve Superman film, it's all the detail and charm that makes this holiday classic a masterpiece in its own right. With its magical first half and clever, modern-fairytale second half, "Santa Claus the Movie" adds up to the best movie about the big man in red made to date. Forget the others if you don't have this one yet! The cast is fantastic, by the way. David Huddleston simply IS Santa, Dudley is delightful as the unworldy, bright-eyed Patch, Lithgow is detestably hilarious as wicked toy pusher B.Z. (reminiscent of Dan Aykroyd's old SNL character), and the kids (Carrie Kei Heim and Christian Fitzpatrick) and Judy Cornwell as Mrs. Claus are perfectly cast as well. The chemistry throughout the cast is amazing, and so are the pre-CGI effects and classic '80's fantasy music from Henry Mancini with one song performed by Sheena Easton!

The DVD from Anchor Bay is a must own (mine is the older cover, but I hear it is exactly the same). It's presented in glorious enhanced widescreen and has fantastic extras. You get two U.S. theatrical trailers, plus the International and German trailers, an excellent audio commentary with the director accompanied by Special Projects Consultant for Anchor Bay Scott Michael Bosco, talent bios on the late Dudley Moore and director Jeannot Szwarc, and a fascinating, lengthy, revealing, and in-depth making-of featurette made during the making of the film. Try to ignore the director humiliating one of the elf actors during the "making-of" featurette, and the fact that it repeatedly drops the ball in keeping up the illusion it initially presents. If you really want to see some pre-CGI movie magic, you have to check out this excellent featurette, and this beautiful film! Get this one on DVD along with "The Nativity Story," and you'll have the two most significant origin stories of the Christmas season!

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Black Snake Moan (2013)

I was drawn to this movie because I enjoyed director Craig Brewer's earlier film, "Hustle and Flow". If anything, I liked "Black Snake Moan" even better. The movie combines tawdry and lurid components with a tale of love, forgiveness, and hope. I don't think the film is exploitative. Instead it suggests in a simple way how sensual and redemptive parts of life often complement each other.

In thinking about this movie, I was reminded of George Eliot's novel, "Silas Marner", the bane of every high school student. In Eliot's novel, Marner, an embittered miser finds redemption when he raises Eppie, an orphaned girl, from childhood to young adulthood. Similarly, "Black Snake Moan" tells the story of a middle-aged black American man, Lazarus, portrayed by Samuel Jackson, who feels embittered when Rose, his wife of 12 years, leaves him for his best friend. Lazarus happens upon a young scantily dressed white woman, Rae, played by Christina Ricci, who has been beaten and left near-dead on a country road following a wild party. Lazarus takes her into his home and tries to teach and care for her. Ultimately, the movie suggests, both Lazarus and Rae receive a kind of hope, Rae by marrying her boyfriend, Lazarus by finding what may be a promising new relationship.

The story gets life through a great deal of tawdry sex. At the turning point of the movie, Lazarus chains Rae to a radiator to prevent her escape. Rae was a victim of sexual abuse and a neglectful mother, and in her boyfriend's temporary absence for military service, she throws herself at every man she can find. She appears in the movie scantily clad, in a cut-off blouse with a Confederate flag and in shorts. Lazarus has his own frustrations to work out from the loss of Rose, his wife. A black preacher, the Reverend R.L., played by John Cotham, helps both Lazarus and Rae and is the quiet hero of this movie.

In this movie, atmosphere and scene count for a great deal. The story is set in a small Tennessee town near Nashville, and the story is redolent with poor Southern life, both black and white. There is scenes in shacks and farms, and small town stores and streets, and in clubs and bars that bring the movie to life. Brewer shows the same love for and knowledge of the rural South that he showed in "Hustle and Flow". Most importantly there is music. The tale of sex and redemption is captured in the flow of the blues in a soundtrack and in performances by Lazarus himself. Jackson spent long hours learning the blues guitar in preparation for this movie. The movie includes two scenes of footage with the great Delta bluesman Son House holding forth appropriately on love, loss, and the blues. Music is a redemptive force in people's lives, and in this movie of the hot-blooded South, redemption comes through the blues.

I found the tawdry elements of this movie an essential part of the story it had to tell. "Black Snake Moan" is rewarding.

Robin Friedman

So, let me get this straight. The Deep South. A young, white woman (Christina Ricci) who is also a nymphomaniac, ends up on the doorstep of an aging, black blues singer (Samuel L. Jackson) and he decides to chain her to his radiator. Have I returned to another era of filmmaking? When I first heard about this story, I did a double take. "Black Snake Moan" could be very bad; there are a lot of inherent problems with this story. Or it could be very good; the synopsis has so many weird, uncommon elements that it almost guarantees it will be something wonderful. I am happy to report the latter is true.

I didn't love "Hustle and Flow", writer director Craig Brewer's last film, but I liked it. I just wasn't won over by the story of a pimp who wants to become a rapper. If there's anything we learned from the film its "Don't you know it's hard out there for a pimp".

So when I first heard about "Black Snake Moan", Brewer's follow-up, I was not excited. Then I started to really pay attention to the previews and the images. Okay, this is going to be one strange movie and sometimes strange movies are beautiful because they have a license to go places we don't expect. "Black Snake Moan" is all of these things; strange, beautiful and also contains great performances from Jackson (one of his best) and Ricci (certainly her best).

The first thing "Black Snake" does is set up the two main characters, establishing their lives, before they meet. This may sound like a given, but Brewer spends a significant amount of time showing the despair each person has in their lives, for different reasons, giving us a chance to get to know each of them.

Rae (Ricci) begs her boyfriend Ronnie, (Justin Timberlake) to not go to Basic Training. But he has to go, this is the only way they are ever going to escape the trailer park they live in and have a chance to escape their white trash roots. She runs after the truck in her daisy dukes and oversize flannel shirt and then drops to the ground, crying. As soon as he is gone, she gets the `itch', something she is only occasionally able to control. This time, she won't be able to control it. She calls up the local small time drug dealer, a black man, and they are soon going at it in a seedy motel room. Later, she attends a large party, wearing the same daisy dukes and a cut off t-shirt bearing the Confederate flag (really just a strip of cloth making a valiant effort to cover her breasts, frequently giving up the fight) and tries to hook up. With anyone and everyone. Unable to find someone, she takes some pills and before you can whistle Dixie, she is running around in her panties and a football guard playing a game of football with some friends. Before you know it, she is having sex on the lawn, amid hundreds of used plastic cups. Later, she ends up with a bloody nose on the dirt road outside of Lazarus' small farm.

Lazarus (Jackson) has troubles of his own. A former Blues musician, he learns his wife has been cheating on him with his brother. She wants to leave, but his brother won't leave without his blessing. Lazarus shows great restraint in a confrontation between them. The local preacher, a childhood friend, tries to offer him guidance, but Lazarus won't have any of it. Returning home drunk, he throws all of his wife's possessions into a garbage bag before passing out. The next morning, he takes the garbage bags out to the trash and spots the young girl. He soon realizes she is hurt and tries to figure out what to do. If he calls for help, he will be immediately blamed and may end up in jail. He decides to take her in and help her. He visits the local pharmacist, Angela (S. Epatha Merkerson, TV's "Law and Order") and she gives him some cough medicine for `his niece's' cough.

Fading in and out of consciousness, Lazarus helps her get rid of her cough and tries to help with the black eye and the cuts and bruises. In a moment of lucidity, she attacks Lazarus, trying to tame her `itch' and have sex with him, leading him to find out about her nymphomania. In order to control her, he chains her to the radiator.

When she comes to, wearing her panties and t-shirt, she assumes something happened, but he assures her it didn't. Well, if he wants to, he can, as long as he lets her go. He won't have any of it. He has to help her.

This only begins to scratch he surface of "Black Snake Moan". Because the film is basically about these two characters, and we spend a significant amount of time with them, we learn a lot about each. But it is a testament to each actor that these moments of knowledge come through their performances, one of Jackon's best and certainly Ricci's best to date.

Christina Ricci deserves a lot of credit for the simple rawness of the performance. There aren't many actresses that would take on this type of role, let alone abandon themselves to the character. Rae is half nude throughout most of the film. Naturally, this character, a woman so loose with her sexuality, so promiscuous, would find nudity a natural thing. And the character does bare her breasts a few times. She also has sex with more than one person. But all of these images are presented in a very matter-of-fact way and illustrate the character's soullessness. When she meets Lazarus and he starts to care for her, this behavior stops, because he won't allow it. Gradually, as she realizes he cares for her, she starts to listen to him. She doesn't change completely, or quickly, making the character seem all the more natural.

This performance is very raw and fitting for the character. Ricci seems to give everything she has to the role, making it a memorable, vibrant performance. When she starts to change, we have lived part of the journey with her and we feel as though we have changed with her.

Samuel L. Jackson also seems to lose in the role of Lazarus. Every time we go to a movie, we may recognize the actors playing the role. Not surprisingly, the less famous an actor, the more easily they `become' the character they are playing because we are more likely to forget they are an actor playing a role. Samuel L. Jackson has made many films, many of those very popular, so he is very recognizable. An established actor always has more difficulty disappearing into the character. But Jackson seems to disappear into this character for large stretches of time, allowing me to forget I was watching the famous actor who has also appeared in "Pulp Fiction ", "Snakes on a Plane" and many others. The fact that he can fully immerse himself into the character at all speaks to his ability to make this character seem real.

From the moment we first meet him, we experience some of the troubles Lazarus has with his community, with his wife, with his life. When he finds Ricci on the dirt road, he has to help her. But he has to be cautious. It wouldn't look good for an aging black man to be seen with a half naked white woman, let alone one who has been beaten up. So he looks both ways, to make sure no one is watching and takes her inside.

The more involved he gets in her recovery, the more we realize he needed such a `project' to give meaning to his life. This also brings him into contact with the pharmacist, a woman who clearly has a little `itch' of her own for the aging Blues singer. Throughout the course of the story, Lazarus heals through his interactions with the young lady and may be able to get his life back on track after all.

Justin Timberlake is also good as, Ricci's boyfriend. Going beyond stunt casting, he actually shows he has some acting chops as he makes the character's difficulties real and substantive.

"Black Snake Moan" is a simply made film. The action centers at Lazarus' small farm in the middle of nowhere. Occasionally, he goes into town or other characters come out to the farm and interact with him, but I can't imagine this film cost a lot of money to make. Which makes sense because I am pretty sure if the budget for this film were too high, it never would have been made.

I'm glad "Black Snake Moan" was made, because it contains two great performances, introducing us to characters we have never seen before, and likely are not to see often again. It is also a believable, well-made tale of redemption for two people who need to have some meaning in their lives.

This strange film is, at times, quite a beautiful film.

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Craig Brewer (Hustle and Flow) directs his second mainstream film and John Singleton produces. Black Snake Moan stars Samuel L. Jackson as Lazarus, a religious man living in a small southern town. Lazarus is also a blues musician. His demons are that his wife left him for his own brother and for this he is riddled with anger. Christina Ricci plays Rae, who is an overly promiscuous girl who is traumatized by a history of child sexual abuse. On top of that her boyfriend Ronnie has left to join the National Guard. Ronnie is played by Justin Timberlake. After Ronnie leaves, Rae ends up having a pretty bad evening that leaves her scantily clad and beat up in the middle of a dirt road. She is left on a road just in front of Lazarus's house. After helping her get better, he soon comes to find out who Rae is and what kind of reputation she has. Lazarus sees this as a sign from god that he must heal her of her wickedness in order to receive some redemption for himself. So he ties her up to a giant 40 pound chain.

The film has a great atmosphere. It comes off as sticky and sweaty throughout and plays with that imagery as the characters develop. It consistently offers references to blues music and the characters are loud and full of life. It comes off as exploitative in some ways but that is ultimately done for a greater cause. Samuel L. Jackson is always good, even in really bad movies, but this is one of his best roles in many years. The real star here though is Christina Ricci who I've always felt is doing whatever she wants for now but one day she will be hailed as one of the best actresses around after a performance that hits the mainstream just right. Unfortunately for her though Black Snake Moan has not yet been a commercial success. None of that really matters though because it is still a very good movie although both Jackson and Ricci are even better than the screenplay and direction demand.

Some people say the film is hypocritical for sexualizing Rae and offering several erotic scenes with her, while at the same time presenting a negative view of sexuality. Firstly, I disagree that the film portrays sexuality as a negative but instead portrays excess as a negative. I did not feel hammered down by any messages that sex is wrong. Secondly, Black Snake Moan is definitely not meant to be erotic. It certainly rings of exploitation films but by watching Rae's transformation away from nymphomania and toward stabilization, away from her history of abuse to some degree of resolution, away from vulnerable to honest and confident, and away from being naked to being clothed; I can't help but think this is a fiercely unsexy film that is against hypersexuality alone. To be pro-spirituality and critical of actions often perceived as sinful is not puritanical and not even necessarily anti-sex. I would even argue that this movie uses religion only as a tool, but healing in general as its primary message despite the powerful Christian overtones. No matter how you look at it Black Snake Moan is, above all, a film that reinforces morality. It also happens to be quite entertaining.

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Black Snake Moan sure has a weird hook. Setting: Deep South. An older black man who plays the blues keeps a white nymphomaniac on a chain to cure her of her horniness. About half-way through, my husband turned to me and said "And why exactly did you think I would like this movie?" I winced and said I thought it would have blues as more of a central theme. But guess what, he stayed around and pronounced it a good movie after all! His summary is the best: "everyone has their struggles, and you are never really free of them."

The performances are exceedingly strong, the setting of Tennessee bucolic and beautiful. You really feel as if you are in this small, rural town where everyone knows each other.

Black Snake Moan is bold, and really gives you a sense of empathy for the different characters. Most importantly, it provides hope that if you have your own struggles, someone will be out there for you as well, not to judge you or cure you, but to love you.

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"Black Snake Moan" isn't a perfect movie. I am definitely not a fan of Justin Timerlake, as a singer or an actor. I find it weird that the makers of this film would really think Timberlake was the best person to play the part of Rae's boyfriend.

For the most part, however, I find this movie enjoyable because it is differnt from what is normally available in the theatres. I only saw the director's last film, "Hustle & Flow," after I saw "Black Snake Moan." This guy definitely has a different way of looking at things, and I hope he does not let too many Talking Heads start making creative decisions for him as he crafts his films.

For a movie with an unrealistic premise, I think that the conclusion of "Black Snake Moan" is very realistic. I feel that most people who view this will, at the very least, be entertained by a unique flick.

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Aspen Extreme

"Dexter Rutecki lived a life that was short and funny and sad and hard and good. Most of the time it was good. It was good the day he died. The snow was deep and pure white. The sun high and cold. He was my best friend."

This film, while some will cry "Predictable", is entirely watchable and utterly enjoyable, almost to the point of sin. Granted, it's not "Chicago", "Phantom of the Opera" (2004 version), "Dances with Wolves", or "Titanic". However, it is certainly not cutting room floor crap either, and WAY better than "Hot Dog" because it doesn't rely on nudity to sell the story. Come to think of it, that's probably why the film wasn't a smash at the box office. YES! That's it! I'm sure of it! No nudity, that remains this film's fatal fault for the vast majority of America.

As for me, this film deals with far more human issues than simply throwing the odd breast on the screen to drawn in crowds. No, this film deals with two friends desire to attain success together (and not in that way).

This is an overall good film if one can manage to see the issues at hand. A man's climb to the top, the value of friendship, and the horror when your world comes crashing down. Then, yes, there is death, remorse, and dealing with all of those feelings in a way that leaves you among the living.

Predictable, yes, but if it wasn't it would either be "too real life" or "depressing". So what if it's predictable. That is why we see films. We watch to either be happy, or sad, or vindicated. Predictability is a good thing. If it wasn't, you'd take your date to what was supposed to be a "chick flick" and need a ride home at the end.

Bravo for predictability and Bravo for Aspen Extreme. It's a fine film and a guilty pleasure sure to be watched countless times over.

This will be a short review chances are, if you're reading this, you're already a fan of the movie and looking to see how the blu ray release turned out. I won't review the movie itself other than to say I liked it quite a bit enough to buy the DVD a few years ago only to be extremely disappointed in the picture and audio quality (likewise with the other Mill Creek disc I purchased, "Indian Summer"). Thankfully, those issues have all been fixed and the blu-ray is a fine release mind you, this isn't a reference quality disc and there are no extras what-so-ever (the menu consists of 'Play' and 'Scenes'). But the picture is finally presented in 'anamorphic' widescreen which was all I was really hoping for to begin with. In fact, the picture is more vibrant than I expected I'm fairly certain there wasn't any sort of restoration done, but it looks pretty darn good nonetheless. The other nice surprise is the DTS-HD Master soundtrack again, not reference, but it sounds quite nice and many times better than the DVD. Bottom line: for the price, this is an easy purchase for fans of the movie looking to upgrade from the awful DVD. If you haven't seen it, give it a shot for a 90's film about a couple of down-n-out guys looking to live out their dreams of hitting the big slopes, it's probably deeper than you're expecting. Enjoy!

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First off, I love this movie. Sure, it's a bit ridiculous, but I like the characters, and the skiing footage is great. I'd probably give the movie itself 4 stars, but the DVD production deserves 2 stars, at best.

Issue 1: The video transfer is not very good. I did a side-by-side comparison with my VHS version, and the DVD image isn't much of an improvement. The colors are a little brighter, but the image isn't any sharper, and there is even dust evident on the DVD transfer. But what's worse is the letterboxing. I prefer to see all my movies in the original aspect ratio, so I was excited to finally see a widescreen version of Aspen Extreme. However, I was incredibly disappointed to discover that the 1.85-to-1 aspect ratio was achieved by cropping the top and bottom of the VHS image, rather than restoring the sides of the frame.

Issue 2: There is no Dolby Digital 5.1 sound. As you would expect from a not-so-popular catalog title, it didn't receive any special sound treatment. All you get is the Dolby 2.0 surround.

Issue 3: And finally, as you would expect, this title received no extra treatment in the special features department. Granted, with the ...price tag, you probably weren't expecting much, but if you didn't already know, this is the movie only. There's not even a theatrical trailer.

In short, if you already have the VHS version of this movie, don't bother to buy the DVD version. It's not offering you anything you don't already have.

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I watched this movie thinking it would be some shallow t&a moviebut one with great ski sequences (which I why i thought it worth a look). How wrong I was!

Aspen Extreme is one of the rare films about male friendship that gets its right.

It portrays, as few films do, how a close male friend can simultaneously be your emotional anchor and greatest competitor. Dexter and TJ ( the main characters) have that complexity and paul gross and peter berg are great actorsyou actually believe they are lifelong friends who need each other, even while they know they may be going in different directions as they get older.

The ski sequences are excellent and teri polo shows why she should have become a major star a decade ago (if there was any justice in the world)

the only negativefiona hughes was too one dimensional and not on par with the three leadsyou never once get the feeling this person is a successful businesswoman!

the plot twist towards the end is a little shockingbut moving and effective.

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If you love to ski or snowboard (especially if you love the 80's) you must see this film. It pretty much (along with Hot Dog!) defines the 80's ski scene. Great stunts, good story line and awesome clothes and soundtrack make this the perfect film to enjoy watching after a long day on the slopes (drink in hand of course!).

First Blood (1982)

The latest DVD version of the classic Stallone action flick provides several supplemental features, the most notable being the outstanding commentary by David Morrell who wrote the novel the film is based on. More on that in a moment.

First Blood is about a Vietnam vet named John Rambo who comes to a small Washington state town (actually British Columbia) to find the last surviving comrade from his elite Green Beret unit. When he discovers that he too is dead, Rambo makes his way into town for a bite to eat and instead winds up being arrested by the hick local sheriff (Brian Dennehy). While in custody, Rambo is abused by the locals but manages to escape sparking an all out manhunt.

This film has 55 minutes of action out of 96 total highlighted by the jail escape and subsequent chase. Jack Starrett is great as the cop that does most of the abusing while Davis Caruso is fine as the only deputy (among the surprisingly large local force) that seems to have a conscience. Dennehy is good as always and makes a worthy opponent for Rambo. Richard Crenna is great as Rambo's former CO and he and Dennehy play off one another quite well. Even though he has limited speaking parts, this is probably one of Stallone's best performances highlighted by the "Vietnam speech" near the end of the film.

The film is presented in digitally remastered widescreen 16:9, and is without a doubt the best video presentation of First Blood to date. The movie was shot in the temperate rain forest of BC and is quite dark at times. However, the darkest scenes have been enhanced here and are much improved over the various VHS versions some of which are terrible. Sound is Dolby 2.0 only but not bad considering. Also included are a cute trivia game (get all 10 right without a mistake to see a Rambo cartoon), production notes, and a teaser and trailer. The "featurette" is nothing more than a glorified trailer.

Now on to the best feature of this DVD, one that is worth the price of admission all by itself. If you are at all interested in how films are made and the behind the scenes tidbits about Hollywood, then RUN do not walk (or let your fingers do the walking online) to your local video store and get this disc. Why? For the outstanding commentary of writer David Morrell. This talented man begins to speak before the opening credits and does not stop for 96 minutes. When he does you will wish he could have continued for 96 more. You will find yourself listening again and again and picking up something new each time. This is without a doubt far and away the best commentary on any DVD.

Here is just a partial list of the things Morrell covers:

1. The many differences between his novel and the film-very fascinating stuff.

2. His experience when seeing First Blood the very first time.

3. The three act structure of films.

4. How he chose the name Rambo and other character names.

5. How First Blood set a number of precedents for the industry.

6. Why films were kept to 90 minutes in length for so long a time.

7. A touching story about his son and Stallone.

8. The story of how Kirk Douglas was scheduled to play Troutman and why Richard Crenna ended up with the role.

And that is only scratching the surface.

In conclusion, First Blood was a precedent setting film featuring top-flight actors and some of the best believable screen action. The wonderful commentary of David Morrell caps off a great experience.

NOTE***

This review was first written in 2001. There are now several DVD versions of the film available. Check the special features carefully as the David Morrell commentary DOES NOT appear on all. It IS NOT included on the latest "Ultimate Edition" DVD. There is a commentary by Stallone instead as well as some other new features. I prefer the "Special Edition" version but you may want both if you are a fan.

"You trained me. You made me. You kill me." Rambo goes off the deep-end in the original ending to "First Blood"

I will always give four stars to "First Blood" (hence, the 4 star rating above), but with this third DVD release of the film from "Lions Gate Home Video", die-hard fans should only pick this up for the so called legendary & "lost" original ending (it didn't show up on the "Special Edition" because the footage couldn't be located in time)& thats after if you can't find the footage to download from the internet or some other source.

I got an advanced copy of "First Blood" Ultimate Edition this week (the streetdate is 11/23/04), & was psyched to see what was in store on this DVD. But, after watching all the special features I couldn't help but feel like I had opened a huge Christmas Gift & finding only a flaming paper bag of dog crap to put out.

The film itself is identical to the "S.E." version with "First Blood" in the widescreen format with 5.1 Dolby Digital and 2.0 surround. The audio commentary by Sylvester Stallone is new & informative (where the hell was he for the "Special Edition" ?!?).

The deleted scenes are what fans have always been clamoring for & the original ending hasn't been shown to audiences since the film's preview screenings in mid '82. The original ending was a bit weird to watch & a bit off with the film itself. Here is a marine who went through 2 tours of Vietnam, a P.O.W., and just beat the crap out of "Jerkwater, USA" only to commit suicide at the unwilling hands of his Colonel. Huh?! Decades ago I read the David Morrell novel of the same name and I always thought, & I could be mistaken, that Rambo gave Trautman an ultimatum kill or be killed. If Trautman didn't kill Rambo first, than Rambo would attack Trautman, leaving the Colonel with the only alternative but to kill Rambo.

The other deleted scene has to do with a flashback sequence Rambo has while eating his boar meat in the cave. the scene is simple enough, in Saigon, Rambo picks up an Asian hooker & makes love to her (Suzee Pai, who was Miao Yin, the girl with the green eyes, in the Kurt Russell film "Big Trouble In Little China", plays the hooker). The scene was cut becuase it slowed the movie down to a crawl and killed the pacing of the film (at the end of this scene Stallone is shown crying and I couldn't help but wonder if his character is having a breakdown or if Stallone is crying because he just watched one of the most embarassing moments of his career).

The last deleted scene is a blooper take of the original ending, with Rambo telling Trautman to shoot him & after a long pause, with the take botched, Rambo says, "Thanks a million.", with Trautman shrugging his shoulders & replying, "O.K." (its worth the chuckle).

As for the rest of the DVD, I wasn't impressed at all. Its a barebones affair with no trailers, or documentaries at all ("Special Edition", anyone?). The "Survival Mode" feature sucks & was, actually, quite annoying. The briefing & tracking location features were lame and the other survival features could have been used as a trivia track that could run at the bottom of the screen while watching the film. The menus aren't interactive and look as if they were put together rather quickly. Pre-schoolers could have done a better job.

Ultimately the decision on whether to own this is up to you, the viewer.

Is this the final DVD release of "First Blood"?

Just remember what Rambo said near the end of the film.

"Nothing is over! Nothing! You just don't turn it off!"

You tell'em John J.

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In an age of cinema largely ruled by computer generated wizardry, FIRST BLOOD is a welcome throwback to an area where technologically created villains didn't yet exist.

In the simplest version of a story ever told, boy (John Rambo) meets boy (Wilford Teasle), boy (Teasle) hates boy (Rambo), and testosterone breaks out all over the place. After refusing to be run out of town, John Rambo is roughed up by several redneck police officers in the Pacific Northwest (what are they doing with rednecks?). Before you can say "pass the ammo," this former Special Forces Green Beret is enduring a flashback to his glory days in Vietnam, and the town will never be the same ... literally.

On board are Sylvester Stallone (back in the days when he was a 'serious' actor), the incomparable Brian Dennehy (who's starting to appear as regularly as Michael Caine in films), and Richard Crenna. Also, as a guilty pleasure, look for the youthful redheaded cop who's none other than David Caruso in his pre-NYPD BLUE days.

What works best about FIRST BLOOD is the tension-filled story of unrelenting action; once this film reaches a fever pitch, it truly never lets up. As the producers discuss in the documentary accompanying the film, FIRST BLOOD really set the standard for all other action films to follow. Upon this most recent viewing, the influence of this franchise on other similar outings is readily apparent.

A dynamic presentation, the Dolby 5.1 sound leaves a bit to be desired (as does the DTS). However, the commentary track (featuring best-selling FIRST BLOOD author David Morrell) is a fabulous exploration of the book-to-screen cycle so prevalent in Hollywood, sprinkled with tidbits about the movie-making process, actors originally attacked to the roles of Rambo and his mentor (Colonel Samuel Trautman), and (believe it or not) the use of iconographic and mythological symbols in the telling of the first (and best) of the Rambo tales.

The extras here (a new documentary, production notes, etc.) are fairly standard fare, but the preservation of the film is worth the price of at least the first installment of this popular feature film franchise.

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I was fortunate to see this on the big screen and have to say it is not only one of my fav.Stallone films but one of my fav.films for all time. We all know the story of Rambo so I just want to point out why this film is so classic. The script and music are superb and even the supporting actors have great lines(BUT WILL!! I HAVE TO BE AT THE DRUG STORE TOMORROW MORNING) Stallone has oh I'd say 30 lines of dialog in the whole movie

and yet it is one of his best. Action stars like Stallone don't need dialog

they just need to kick butt and that is what this movie does.

RAMBO:Is there someplace to eat around here?

WILL:There is a diner 15 miles down the road.

RAMBO:Is there something wrong with me eating here?

WILL:Yeah me.

RAMBO:Why you pushing me?

WILL:--"WHAT?!"

RAMBO:Why you pushing me I did nothing to you.

DEPUTY:Rambo...John J. Your going to talk to me. I SWEAR TO GOD YOUR GOING TO TALK TO ME SOLDIER! I'm beginning to dislike you(puts billy club underneath Rambo's chin) A LOT!!!

WILL:This guy comes walking in with all this good advice about how we can

save our skins. Well we saved our skins colonel and the best man lost..AND HE DOESN'T LIKE IT!!!

WILL:C'mon Steve put the magazine away will ya.

EVERYONE IN WOODS: WIIIIIIILLL OH! GOD WIIIIIILL!!!!!!!!!

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John Rambo doesn't have much to say. He's just a wanderer who entered a small town where they don't like Drifters much.

In many movies Brian Dennehy would be the typical badguy. He would be sort of like the fascist Donald Sutherland "warden" character in that Stallone prison film "Lock down". But he's not. In fact many people would probably tell him that he's doing a good job, keeping the vagrants out in a professional manner.

However, John Rambo is not the usual bum. He has flashbacks and can't tell the difference between Vietnamese Captains and Chris Mulkey. Sylvester Stallone has a great physical presense in this movie. You believe that he is a hardened Green Beret who can go through 10 cops without breaking a sweat. And his "escape" is well handled as well, with the magnificient West coast forests providing great scenery.

The movie gets the message across that there are no good guys and no bad guys, just victims. John Rambo is a victim of the US Government who trained him to be a killing machine then abandons him, leaving him with nightmares and a body full of scars and signs of Agent Orange. That and the fact he can't get a job and his fellow American hates the "Child murderers" of Vietnam.

And the police are victims as well, having to capture/kill this unstable killing machine.

The DVD is a clean copy and it has a difficult job. It has to high light the mistiness of the Oregon forrest, as well as provide good contrast between the background and foreground. While other discs do a better job (ie. Last of the Mohicans), this is a acceptable transfer. The sound is good as well. However it is unfortunate that they left the last song to go to Sly's brother Frank. He stinks as a singer and actor...

Rating: C+

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ef ~ A Tale of Memories: Complete Collection (2012)

I have been waiting for this set since 2008, this is an amazing series. It's short but they cram a lot of content into each episode. The japanese voice actors are awesome but i'm excitied to hear it dubbed in english.

Plot Summary: The anime revolves around two protagonists, Hirono Hiro and Asou Renji. On Christmas Eve, Hirono Hiro meets a girl named Miyamura Miyako who was chasing a purse snatcher. Hiro later finds out that Miyako also goes to the same school as he does and they start hanging out together. This made Hiro's childhood friend, Shindou Kei, feel left out. Kei then tries to compete with Miyako for Hiro's affection and a love triangle ensues. The anime also tells the story of Asou Renji. Renji meets a girl named Shindou Chihiro at an abandoned train station. He soon learns that Chihiro suffers from a type of amnesia where her memory span only lasts for 13 hours. He also discovers Chihiro's dream of writing a novel, but she has never been able to fulfill that dream due to her condition. Renji then decides to help her fulfill that dream.

Highly recommend buying this sereis!!!

I watched this anime a long time ago and it's one of the great ones out there! Like Clannad, it's based on an original visual novel game, "Ef-A Fairytale of the two." It's romantic and psychological. The only thing I don't really like is the sort of "darkness" present in this anime. But I guess that's why the show is so great. The ending is good too, but I won't spoil it. I'm mostly looking forward to hearing the new English dub with many actors I've seen in previous animes released by Sentai. Nagisa Furukawa from Clannad and Haruko Kamio from Air will voice Miyako. Ryou Fujibayashi from Clannad, Ayu from Kanon and Yuri from Angel Beats doing Kei's. Greg Ayres who voices Sunohara from Clannad doing Hiro's. Mizuzu from Air will do Chihiro's voice, Fuko Ibuki from Clannad will do Mizuki's voice, and Yoshino Yusuke from Clannad playing Kazuya's voice (correct me if I got his name wrong). I'm so excited that I know how the characters will sound like before the anime, but too bad we have to wait an entire month until it's released. The opening song (euphoric field sung by ELISA) and second ending song are catchy too. If you buy this anime and it impresses you, don't forget to pick up the sequal season, ef-a tale of melodies which in my opinion, is even darker and kinda more disturbing than this season.

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As you may know from hearing about this series, it is bittersweet. The plot flows great so that there is no boring times(except maybe one scene but I think it emphasized emotion)since this is a 12 episode series. Each of the main characters get some screen time and to show there character. The animation is very unique, its not very moving as in active motions but was very good. I felt an emotional/lifestyle connection to the 3 main characters. Some scenes in the story reminded me of some american drama stuff, but they were ten times better which increased my liking to this series.

The english dub shook my thoughts of english dubs. Great cast with a very accurate script.

Greg as Hiro, and Clint as Renji were very very good, it brought up there popularity as both of my favorite actors. People need to open up to understand that these actors expressed there character just like there japanese counterparts. Though I hate other stuff that Serephim dubbed just like everyone else(EX: H.O.T.D had good voices but had an inaccurate script).

Chris, David, and Illich were wonderful as usual. I suspected that Luci would voice Miyako, along with Hillary Hagg voicing Mizuki. Brittney had a very unique voice in this compared to other works which changed my opinion about her in a positive way, Monica Rial brought very good voicing as Chihiro. And I was surprised that Tiffany Grant did a wonderful dub as Renji's mom.

But what is so strange about this dub, is because that the actors used a lot of japanese honorifics in this dub. I don't know if this drops it or gives it a plus for cultural reference. I say this gives it a plus since a lot of visual novel anime series talk about honorifics in there subjects (EX:Clannad, Kanon), plus this is great for sub lovers if they complain about some parts in the script.

This series is good, but don't suspect to find a lot of comedy in this series. There are not a lot. There is some nudity in this of course, but it is very brief.

There are no special extra's in this set, just this wonderful 12 episode series that has a wonderful english dub. And it got me wanting to legally buy the soundtracks of the series. Go get this if you want a bittersweet relationship japan/U.S drama. Ef ~ A Tale of Melodies is coming out as well this year, I don't want to miss it. This series stands tall against Kyoto Animations moe visual novel anime series. Must buy for a emotional anime fan.

Read Best Reviews of ef ~ A Tale of Memories: Complete Collection (2012) Here

I was pleasantly surprised by the story line of the title. It was nice viewing an anime without the fan service that substitutes for the lack of an intelligent plot. Will be buying "A Tale of Melodies" at a future date because I enjoyed "A Tale of Memories" so much.

Want ef ~ A Tale of Memories: Complete Collection (2012) Discount?

i must say that this series really caught me off-guard, i wasn't expecting to get sucked in as far as i did, the story beautiful and i would easily recommend this to my friends and anyone who enjoyed the anime Clannad

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Bad Girls (1994)

This movie does not pretend to be a serious effort in film making. It's a funny, not so serious movie that's eye and mind candy. Think of it as Charlie's Angels set in the 1870's. Madaline Stowe, Andie McDowell, Drew Barrymore play whores that are run out of one town and are trying to make their way to another. Along the way they run into Stowe's ex boyfriend who was not so kind to her before and even worse now. It's escapist fun and I recommend it heartily.

Bad Girls is my all-time favorite movie. Okay, some of the plots are a tiny bit lame, but what can you expect from a Western? I find this movie to be a fresh look at Western style movies, with strong females using any and every card they have to do what they want. It also has a cast of amazing actors, most that are getting more successful with time. If you like action-packed movies and powerful women, buy this movie!

Buy Bad Girls (1994) Now

We first saw this movie on TV. My wife liked it so much that she didn't want to see how it ended until after we had bought it. Once we had ordered it and received the movie, my wife wanted to watch it from beginning to end. She said it was a keeper. It is now part of our collection. My wife describes it this way: "it is a no-nonsense movie with women as the lead characters."

Read Best Reviews of Bad Girls (1994) Here

I've seen this movie a couple of times over the years and thought it was decent. Like Clint Eastwood's Unforgiven, Bad Girls begins with the abuse of a prostitute whose vengeance sets the whole plot in motion. But in Bad Girls, plot development is synonymous with costume changes. Chaps, corsets, silks and flannel -for women on the run who carry no baggage other than their historical baggage as former prostitutes, these four desperadoes scam more new outfits than a bevy of runway models. And at least one of them had to be packing a curling iron. But, okay, this is Hollywood after all, and what's the point of having four women starring in a movie if they don't at least look good, albeit illogical.

The really grievous problems with Bad Girls are its lack of plot and undeveloped characters. On the lam after the most trigger-happy of the bunch, Madeleine Stowe, kills a customer who's roughing up one of the other girls in the brothel, they have very little sense of purpose once they're on their own. With a vague plan of heading toward the Oregon Territory to run a sawmill, Bad Girls moves forward in episodic fashion as they encounter one difficulty (or love interest) after another. You can practically picture it as a weekly TV series that poses hour-long detours on the road to the elusive Oregon Territory. The barrenness of the plot would be less noticeable; however, if there were at least some solid characters to hang the story on. Stowe nicely plays the sternness of her character against the delicacy of her features but even her tough-gal posture is belittled when she is whipped by one man and rescued by another. Masterson, considering her range as an actress of intelligence and physical dexterity, is given surprisingly little to do. As for the others, MacDowell flirts and Barrymore pouts, though each does what she does very well.

The Cinematography is respectable, as is the directing for what the shooting schedule allowed. Not an extraordinary film, but one that entertains on one level. That and the sexual component really didn't need the exposure it received in this film. In other words it couldve been handled more tastefully, or axed altogether.

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This is a very underrated movie about 4 women who are trapped by their circumstances in the Old Wild West. Mary Stuart Masterson and Andie McDowell are both prostitutes who dream of a better life and when that chance comes along they run with it into unknown and scary territory. All of the female leads in this movie give very solid and real performances and Drew Barrymore proves that she has indeed grown into a fine woman.I give this movie 5 stars because it is a novel concept which the makers of this film managed to realize very successfully.

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Back to School (1986)

As the word reaches us that Rodney Dangerfield has died without waking up from his coma, we take this occasion to salute him by viewing one more time his comedy classic, "BACK TO SCHOOL." Adrienne Barbeau is in it, playing a trophy wife of yesteryear, grasping and unfaithful, she's only in it for the money any more. Thornton Melon runs a men's store called, "TALL AND FAT," and I would have liked to see a whole sequel to BACK TO SCHOOL that focussed on the day to day life of running this haberdashery. Anyway he's rich enough to be able to afford to hire Kurt Vonnegut, Jr. to write a term paper for him. Sam Kinison is in the movie too as the history professor--crazy and out of this world! And Sally Kellerman is more subdued than usual playing Diane Turner, the English professor who, in a memorable scene, makes Rodney analyze the meaning of Dylan Thomas' famous poem, "Do Not Go Gentle Into That Good Night."

Robert Downey Jr is in the movie too, he's always good for a laugh or two. And Keith Gordon plays the son, maybe his best part after the young son of Angie Dickinson in DRESSED TO KILL. But most of all the picture belongs to the one and only Rodney Dangerfield. Rodney, we will miss your attitude and your "I get no respect" whining. You always saw things the way the common man did. We salute you for your tremendous achievements. As Dylan Thomas said,

"And you, my father, there on the sad height,

Curse, bless, me now with your fierce tears, I pray.

Do not go gentle into that good night.

Rage, rage against the dying of the light."

This is one of those movies I can watch every six months because of the great humor and story Dangerfield stars in. Dangerfield goes back to college to be closer to his son and the funny one-liners and humor really come together in this funny and intriguing comedy. I also enjoyed Dangerfield's acting in which he has to earn the respect of his son at school and how he cares about father-and-son issues. I think Dangerfield is at his best here and it's unfortunate we haven't seen another film like this from him and I simply have to call this film a comedy classic!

Buy Back to School (1986) Now

Coming three years after making a big splash with his first-ever starring role, in the 1983 Horror classic CHRISTINE, Keith Gordon returned in this, the 1986 Comedy classic BACK TO SCHOOL, starring one of the most beloved comedians of all time, Rodney Dangerfield.

The story actually begins in 1940, where young Thornton Meloni (Jason Hervey, who would become famous two years later as Fred Savage's older brother on the TV show "The Wonder Years") is being exhorted by his immigrant father to stay in school and not to take over his tailoring business. The kid ends up not listening to him and becomes a high school dropout, taking over the business and changing it to a "Tall & Fat Store" while taking the "i" off the end of his last name and making a fortune. The fifty-something adult Thornton Melon (Rodney Dangerfield) is having an awful second marriage to Vanessa (Adrienne Barbeau in full vamp mode), but is proud of his college freshman son Jason (Keith Gordon), whom he thinks is in a popular fraternity and on the school's diving team. Soon after arriving for a surprise visit, however, Jason admits the truth that he's not in a frat, is not popular and is, in fact, the 'towel boy' for the diving team. Jason wants to leave school because it's not going the way he thought it would. The tall, beautiful Valerie (Terry Farrell) won't even notice him, and his roommate and only friend Derek (Robert Downey, Jr.) is a complete weirdo with wild hairstyles that appear to change daily. Rich Dad has an idea: he'll enroll as a freshman himself and that will influence Jason to have a better time and to stay in school!

After pulling some strings, including donating a huge sum for a brand-new School of Business (it is, after all, not everyday that a well-respected university will take on a student who never finished high school, even someone as rich as Thornton Melon), fun-loving Thornton proceeds to throw his weight around, changing Jason & Derek's room into a plaza suite (complete with a hot tub), throwing awesome parties and even romancing his English professor (Sally Kellerman), much to the chagrin of her uptight boyfriend, Business professor Phillip Barbay (Paxton Whitehead), who would like nothing better than an excuse to drum the impudent Thornton Melon out of the university! Meanwhile, Thornton uses his considerable influence on Coach Turnbull (M. Emmett Walsh) to let Jason officially join the squad, which upsets the snobby star diver Chas (William Zabka) who suddenly finds himself competing for his girlfriend Terry, who begins to take a liking to Jason.

If this all sounds like too much plot for this 96-minute movie, let me just say that BACK TO SCHOOL makes very efficient use of its time (no slow points here), and equally good use of Mr. Dangerfield's comedic talents, that the plot itself is almost secondary to the one-liners Rodney uses in his usual self-deprecating way. Plus, the cameos are real fun, especially Kurt Vonnegut Jr. as himself, being hired to write a paper for Jason about--what else?--Kurt Vonnegut Jr.! The music is very upbeat 80's here (as you would expect for a movie of this type); however, it does mark the film scoring debut for Danny Elfman of Oingo Bongo who appears in the film (as themselves) performing their great classic "Dead Man's Party" (which, incidentally, had been on the soundtrack to WEIRD SCIENCE a year earlier).

Even if certain occurrences are patently unbelievable, such as the oral exam scene late in the film, BACK TO SCHOOL is so much fun to watch that it doesn't matter what happens, just as long as Rodney's and Gordon's characters win in the end and make us laugh while doing it. It is of definite interest to us Star Trek fans that Terry Farrell would eventually go on to play Lt. Dax on TV in "Deep Space Nine." Also, watch quickly for a cameo by Robert Picardo (who would join the aforementioned Jason Hervey two years later in "The Wonder Years" playing the dreaded Coach Cutlip, then later on joining Ms. Farrell in the Star Trek series in his wonderful role of the holographic Doctor) as the guy Thornton catches Vanessa fooling around with at a big party. Oh, and Sam Kinison is hilarious in a small role, playing himself as a shell-shocked History professor who never quite came out of Vietnam.

Everybody is great in this mid-80's comedy classic. Lastly, you have to love a Rodney Dangerfield movie that features a university dean by the name of Dean Martin (the always-wonderful Ned Beatty). BACK TO SCHOOL really takes us back to school on what a great film comedy should be. Add this one to your DVD library! Even with the lack of a lot of extras, it's still very much worth it.

HIGHLY RECOMMENDED

Read Best Reviews of Back to School (1986) Here

Before getting to the film itself, I need to say something about the Blu-ray transfer. Though you can find the BD for substantially less than the price shown, you should be aware of the problems.

The first is that the transfer is from a theatrical print. There's the occasional white speck -and a rather big white chunk missing (briefly) during the oral-exam sequence. There are also occasional density fluctuations, not surprising in a DeLuxe print (which uses the same IB process as Technicolor). Second, in scenes with very dark backgrounds, the dark areas break up into squares -not unlike poking your nose near a window screen. IMPORTANT It turns out that this is a side-effect of having Sharpness turned up all the way, and is not a flaw in the transfer. See my review of "Highlander" for a detailed discussion.)

On the other hand, the image is sharp and detailed, with no grain reduction. However, in the scene near the end where Jason is kissing Valerie, the grain on his over-lit forehead "pops" in a way that looks like an encoding artifact. In short, the transfer would have been better had the composite negative been used. But it's "good enough" that I can reasonably recommend it without feeling you're going to be badly disappointed.

The film itself is one of those "guilty pleasures" one needn't feel guilty about. It's one of those rare comedies that's actually funny -and from beginning to end. Dangerfield is funny simply standing there -his face was its own caricature. The casting is well-nigh perfect, with actors you'd never expect in such a low-budget film. Sally Kellerman and Ned Beatty are standouts, with the latter demonstrating that he can pull off just about any role. (Read the cast list and be prepared to be surprised.)

The writers aren't afraid to steal. The Melon/Turner/Barbay triangle parallels the MacMurray/Olsen/Reid triangle in "The Absent-Minded Professor", and even the opening visual gag of that film is taken. They also swipe the Marshall McLuhan gag from "Annie Hall".

A "great" film? No. Just a very entertaining one that, for this viewer, has not worn out its welcome.

Want Back to School (1986) Discount?

Don't you just miss 80's movies like Back To School? A film starring one of the funniest men on the planet (Mr. Rodney Dangerfield) with an ensemble cast of famous names unto themselves, has got to have SMASH MOVIE written all over it, and it does! A simple premise: Thornton Melon (Dangerfield) has become a wealthy millionaire even though he dropped out of high school, and now his son, Jason (Keith Gordon) wants to drop out of college, so in order to keep him from leaving, Thornton decides to go to college too! There are so many hysterical moments I just can't print them all. But some favorites are the big scene with Sam Kinison as the crazed history teacher, Professor Terguson ("Good teacher. He really seems to care. About what I have no idea".), Thornton doing the Triple Lindey swimming dive (with Derek[Robert Downey Jr.]distracting the rival diving team with loud noise and reflecting light to the face), Thornton's rendition of "Twist And Shout" at a local bar, and of course, the party in Thornton's dorm room, with Danny Elfman's band, Oingo Boingo and a killer hot tub, complete with BUBBLES! ("Now that's what I call marine biology".) But a truly winning comedy can't be completely great without heart, which is what this film has. Keith Gordon (John Carpenter's Christine), who is sorely missed in the acting world since he changed his profession to directing, is great as Thornton's son, Jason, who loves his father a lot but feels like Dad's always trying to do too much to make him happy when all he wants to do is live his own life. Terry Farrell (TVs Star Trek: DS9 & Becker) makes a good love interest for him too. I always knew she'd make a name for herself one day. Of course you can't make this sort of film without the bad guys and both father and son have each of their own: William Zabka (who we all should remember as bad boy Johnnie from The Karate Kid) as Chas, the snotty swim diver, and Paxton Whitehead as Philip Barbay, Thornton's economics professor are both out to give our duo a not so sweet time at college. But with Sally Kellerman as the funloving literature teacher, Diane, helping Thornton with reading (and biology) just made things a whole lot more fun. This film has such a great mix of comic chemistry and one-liners that you may miss after the first viewing from laughing so hard. But it's also a movie that just makes you feel good when it's all over.

The DVD isn't much on special features, only a trailer, which has a scene not in the film of Thornton and his bodyguard, Lou (Burt Young of the "Rocky" movies as Paulie) looking at a college sex book ("Well, they left out the most important thing...where to get it"). But at least they give you a letterboxed version (1.85:1) as well as a full framed version. But for the asking price, this disc is worth it. Maybe someday they'll get the gang together and make a documentary and audio commentary. Until then get this DVD. I haven't seen the picture look this good in years. The VHS pales in comparison.

So, if you're tired of all the bland humor that seems to be coming out of the Hollywood machine these days, go Back To School with Rodney Dangerfield, who will show you just how funny Comedies should be. "Ooh, I'd love to tame your shrew!"

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Monty Python and the Holy Grail (+ UltraViolet Digital Copy) (1975)

Certain individuals have erroniously indicated in these reviews that the Special Edition will not have commentaries or other special features. They are wrong.

The special edition will contain the following:

A "21st anniversary" cut of the film that is 24 seconds longer, Dolby digital 5.1, a subtitle track for people who don't like the film (with text from Shakespeare's Henry IV), an onscreen screenplay option, audio commentary with Terry Gilliam, Terry Jones, John Cleese, Eric Idle and Michael Palin, and Follow the Killer Rabbit option. Disc 2 contains "Three Mindless Sing-Alongs" and "The Quest for the Holy Grail Locations" featurette, "How to Use Your Coconuts" educational film, "Monty Python and the Holy Grail in Japanese" (with English subtitles), the BBC Film Night special "On Location with the Pythonos", an interactive cast directory, still galleries with Terry Gilliam's original sketches and behind-the-scenes photos, "A Load Of Rubbish" with mystery items, unused ideas and other material, and finally two trailers and weblinks.

There will be no special features with the special edition? RUBBISH! This is not simply a reissue of the older DVD with new sound and audio as some have implied.

As a Monty Python fan I've patiently waited for this movie to come to Blu-ray(2012) but didn't have very high expectations that it would look and sound all that good. Well I was wrong. It looks and sounds Great! And I'm not going to tell you it's an excellent movie, you already know that--great British humor(actually universal humor), ridiculously funny, great actors. And a silly price of only $9.99 (was $12.99 on release date).

Sony did a 1080p transfer(1.66:1 original aspect ratio) of this movie that looks amazing! There's lots of strong detail in faces, clothes, as well as surroundings like buildings, grass, trees. Flesh and earth tones look very natural. Blacks are deep. Strong color is not going to jump out at you, but that's just the nature of the film as the outdoor setting of much of the movie's grass, dirt, and rocks(browns, blacks, grays & greens) never contained strong color elements. But what color there is (like in the tabards,coat of arms, shields) looks very good indeed. Is the movie without soft shots or grain? No, but they've brought out a whole lot of nicely rendered detail that makes the movie a joy to watch. Until now, I feel like I've only seen this movie through a fog. Well, the fog has finally lifted and everything looks sooo fresh.

The audio is a lossless soundtrack (DTS-HD MA 5.1 lossless). Voices sound very crisp and clear. Sound effects in general are very good. Audiofiles will notice some very rich sounding sections, but also some that are just acceptable. Overall, it is very enjoyable with nice use of surround sound and I think most people will be more than happy with it.

LOTS OF EXTRAS: (Some New Stuff)

Lost Animations (1080p, 12:55) Features Gilliam animations deleted from the film. ***New for this blu-ray release***

Outtakes & Extended Scenes (1080p, 18:57)***New for this blu-ray release***

MORE INCLUDED EXTRAS:(Some HD, some SD)

Subtitles for People Who Do Not Like the Film (From Henry IV pt. 11).

3 Mindless Sing-Alongs (480p, 5:10).

How To Use Your Coconuts (An educational Film) (480p, 2:58)

Quest for the Holy Grail Locations (480p, 47:00) Special Documentary

Cast Directory Photo Gallery (1080p).

Lego Knights (480p, 1:43): A lego recreation of the "Camelot's a silly place" scene.

Meanwhile, King Arthur & Sir Belvedere...

Elephant & Castle

Run Away!

The Tale of Sir Robin

The Tale of Sir Lancelot

BBC Film Night

Re-release Trailer

There are a couple more Commentaries, a Japanese version of 2 scenes(English subtitles), a UV Digital Copy and some credits AND the first subtitle from the opening credits that was missing on the Special Edition DVD is back. Comes in BLUE AMARAY CASE, NO SLIPCOVER.

If you've never seen this movie, you are seriously missing out. Monty Python and the Holy Grail [Blu-ray]

Endless re-watchability.

FREEBIE FOR iPad Owners: Free After Rebate--get the related iPad app called "Monty Python: The Holy Book of Days" ($4.99, App Store) Re­creates the 28 days of location shooting of the landmark film. Mail-in rebate if you buy the iPad app AND the blu-ray. Rebate info is supposed to be on the back of a sticker on the outer wrapping, but some people are reporting there is no sticker so I've included all the rebate details in the first comment below this review.

According to the App Store:

"With your iPad and Blu-ray player synced via your WiFi network, the app becomes your remote control and lets you see the exact scenes talked about in The Holy Book of Days. It's an entirely new way of watching the film."

UPDATE: 7/10/12 the "Monty Python: The Holy Book of Days" app for iPad is still available on iTunes but it's $4.99 now, no longer free.

Buy Monty Python and the Holy Grail (+ UltraViolet Digital Copy) (1975) Now

This is what dvds were invented for -there are so many great features here! So in addition to seeing one of the funniest movies ever made, you can be entertained for hours with the extras, and the extras are terrific: subtitles in English, French or Spanish; audio track choices -English (the original mono or a brand new full stereo version), French, a directors' (Gilliam and Jones) track or a commentary track with Cleese, Idle and Palin; a copy of the script overlaid on the film; a painstaking, hilarious Henry the IV-ish subtitle for those who don't like the film; a hard-of-hearing feature; killer rabbit easter eggs; animated menus using Gilliam's original animation; karaoke renditions of 'Knights of the Round Table', 'Sir Robin' and the 'Monks Chant'; a delightful 45 minute visit to the locations with Jones and Palin; an educational film about the 'other' uses of coconuts; Japanese versions of the French Castle and Knights Who Say Ni scenes, including references to the 'holy sake cup'; a 1974 BBC Film Night visit to a location site during filming; photos of tickets, press releases, reviews, posters, production stills and original artwork; trailers; cast credits (Palin played over a dozen parts!) with pictures of each character; a Lego knights version of the Camelot scene; pictures of sketches that were never used (a killer snail?!); a web link.

A lot of effort went into this special edition dvd, and it shows. I particularly enjoyed seeing Jones and Palin visit locations. They were in a jolly mood, their comments are interspersed with film footage, and they meet affectionate and funny fans along the way.

If you like this film you will love this dvd version; if you love the film, you wil adore this two-dvd set. An essential item for your collection.

Highest recommendation.

Read Best Reviews of Monty Python and the Holy Grail (+ UltraViolet Digital Copy) (1975) Here

Monty Python and the Holy Grail is one of the greatest comedies of our time (in fact I think I'm going to watch it right now,) however, this "Collector's Edition" is just the same as the "Special Edition" but it comes in a fancy-dancy box and comes with a book (whooooooo!!!!) and a film cell (aren't you impressed, I thought so.) So, if you are a hardcore fan you might just want to get it because it has the Python name on it. Us regular fans will stick with our old copies of the Special Edition (for it is the same)

Want Monty Python and the Holy Grail (+ UltraViolet Digital Copy) (1975) Discount?

In the early 1970's the Monty Python troop (Michael Palin, Graham Chapman, Eric Idle, John Cleese, Terry Gilliam, and Terry Jones) stars from the immensely popular television series Monty Python's Flying Circus began producing, with the help of a fundraising concert headlined by Led Zeppelin and Pink Floyd (You lie!! No, I didn't!), initial photography on what would later become (from all my extensive years of movie watching) the single most unforgivably sidesplitting, enormously irreverent, shrewdly perceptive, unremittingly uproariously aggressive, gruesomely hysterical, and endlessly quotable comedies EVER. Not even Mel Brooks's Best Efforts (The Producers, Blazing Saddles, Young Frankenstein) comes very close to the revolutionary medieval merriment sustained in this royal purebred of cult classics. BAR NONE. No contest here.

Endlessly stockpiled with hauntingly hysterical sketches that will probably never leave your mind (no matter how hard you try) including, The Knights Who Say Nei, The Self-Abusing Monks (Eah aay ess eay dom eay nay), The Black Knight, The Trojan Rabbit, the Ever-Appearing Verbally Abusing French (I don't want to talk to you no more!!!), The Enchanter Named Tim, The Killer Bunny, The Bridge of Death (What is the capital of Hysteria?), The Old Woman Named Dennis, and so many countless more great sketches to include here that I'd die trying. Monty and Python and the Holy Grail remains an ever-enriching mirthful cult-classic that just seems to improve with age. Since Columbia has a bountifully hefty new special edition of the Holy Grail out now there should be no excuse, if you've never seen it (I think I'll go for a walk!!), just drop everything your doing (including Bringing Out Your Dead) and go experience this life changing movie today. You won't be disappointed, just tell them the Knight Not Appearing In This Film sent you, and they'll know what to do.

As for the options on the special edition here's a run-down:

Disc One: -"21st Anniversary" cut of the film running an extra 24 seconds; -Anamorphic Widescreen; -Dolby 5.1 track; -Original Mono Track; -Audio commentary with Terry Gilliam, Terry Jones, John Cleese, Eric Idle and Michael Palin; -subtitles "for people who don't like the film" (you get the text from Shakespeare's Henry IV instead); -an "on-screen screenplay" feature which lets you read the screenplay as you watch the film; -"Follow the Killer Rabbit" feature;

Disc Two: "Three Mindless Sing-Alongs"; -"The Quest for the Holy Grail Locations" featurette; -"How to Use Your Coconuts" educational film; -"Monty Python and the Holy Grail in Japanese" (with English subtitles); -the BBC Film Night special "On Location with the Pythons; -an interactive cast directory; -still galleries with Terry Gilliam's original sketches and behind-the-scenes photos; -"A Load Of Rubbish" with mystery items; -unused ideas and other material; -two trailers

and web-links.

Both discs represent the absolute final word resource for EVERYTHING and I do mean everything you'd need to know about the Python's greatest film. An Absolute Necessity for any Python Fan!!

P.S. You can't base a system of government just because some watery tart threw a sword at you.

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