Cinema Paradiso (1989)

Cinema Paradiso is one of my favorite movies. I finally found the new version available for rent through Netflix when I couldn't find it in any Blockbuster.

For those who have already seen Cinema Paradiso it needs no introduction. For everybody else, it won the Academy Award for Foreign Language Film in 1989 and features one of the most nostalgic treatments of the role of movies in people's lives. Ennio Morricone's theme song has also been recycled in countless commercials and movie montages and trailers.

What's good about the Director's Cut or "New Version" DVD is that one can view the director's cut with added scenes on one DVD side and the originally released version on the other.

For those of us who wanted some kind of closure to Toto and Elena's relationship, the Director's Cut has it-there's about an hour more of footage of their relationship. The new version also more footage of Toto's military service and his adulthood. The added scenes somewhat mute the focus of the movie, so I could see why they were originally cut out. But, at the same time, the added scenes fill in the blanks that originally made a lot of us think, "Hey- What about...?" And although Toto's childhood scenes are, as far as I can tell, unchanged from the original version, we also find out more about Alfredo.

After finishing the New Version I appreciated the original version better. I highly recommend the new version not because it makes Cinema Paradiso more of a masterpiece, but because it adds more characterization to what, arguably, is a masterpiece. The added scenes can be a bit superfluous, but they show how important editorial decisions are to shaping the structure and momentum of a movie.

I became aware of the existence of over 50 minutes of additional scenes in this film in the past two years. The original, pruned version received the Academy Award for Best Foreign Language Film in 1990. I have owned the video for a decade. Then, last summer, the "new version" was shown in limited release, and a DVD was promised. With the addition of the deleted scenes, an entirely different film is created. Owning this DVD is owning a brand new version of the film's events.

Initially, the film was considered too long, and massive scenes were cut, removing any and all references to whatever happened to Salvatore's great love, Lina. The original version of the film focused mainly on the young boy, fatherless in post-WWII Sicily, bonding with the childless cinema projectionist, Alfredo. The young Toto grows into the teen-aged Salvatore, who falls in love with the beautiful and unattainable Lina. They are parted. That is the last we see. Salvatore returns to his village many years later to attend the funeral of Alfredo, and the film is told nearly entirely in flashback.

In this version, Salvatore is reunited with his lost love when he returns for the funeral. To think that this entire plot was removed from the film initially is almost unthinkable. There are other parts of the film that could have been edited to keep these additional scenes in. I don't know what the producers, directors or the studio were thinking when they edited a huge part of the movie out.

Well, now the film is complete. Whereas the original version focused mainly on the relationship of Toto and Alfredo, we now see a conclusion to Toto and Lina as well. And, we understand the ending of the film in an entirely, much less sentimental light. Salvatore has spent the bulk of his life mourning his lost love, not returning to his village, and not knowing of Alfredo's hand in the matter. He is facing life-changing decisions, and must ultimately dip into a pool of acceptance and forgiveness. Without the addition of these scenes, the point is lost.

This was an excellent film to begin with, now it is nearly perfect. It is bittersweet and touching, and all the more realistic with the deleted scenes returned. If you own the original version, you must own this version. You will see this film in a completely different light.

Buy Cinema Paradiso (1989) Now

5 stars I've seen the original in Italian (at least 25 times) since its release... however, the version we saw in the U.S. was half hour shorter than the Italian release (I was lucky enough to obtain the original length VHS version years ago.) In the original, after 30 years we learn that Elena did come to meet Toto prior to her departure as they had planned but... well ... It would be a crime to give it away (In the hopes that you see the original.) The missing pieces make the ending and all the pieces in between fit like a perfect glove. The gift that Alfredo made to Toto (the pieced together clips of missing kissing scenes) has a greater meaning when put in the full context (I still get emotional seeing it.) It's even more poignant than before but, unfortunately, the meaning of a lot of the symbols and scenes, although pretty good in the U.S. release, were catapulted onto a different level in the longer version.

Read Best Reviews of Cinema Paradiso (1989) Here

Like many people I've seen this film countless times, and each time I end up blubbering by the end of it. A valentine to the movies, "Cinema Paradiso" tells the story of Toto, a boy in the small Italian village of Giancarlo, who is fascinated with the movies. This is long before televisions and vcrs.This was when movie going was an event to be cherished and savored. Much of the film centers on his friendship with the older Alfredo,(a heartbreaking Philippe Noiret) who runs the projector. But more than that it is a sweeping romance, and a bittersweet story of letting go of our past and moving towards the future. Its setting and characters will transport you for two magical hours and you'll feel like you've just spent time with old friends. My only beef with the DVD version of the film is that in the credits they've removed a scene. Elena, Toto's girlfriend in the film is shown in the final moments of the credits as an older woman. A scene that was obviously cut from the final print of the film. Toto turns, the camera cuts to her turning, their eyes lock, and the credits end. The DVD fades out before we see her. I don't know who's decision it was, HBO's or the director, but it's too bad because it was a neat tag for those people who stay through the credits till the end. Still, a must have movie for collectors.

Want Cinema Paradiso (1989) Discount?

In spite of some extra scenes that I think are unnecessary, this extended new version of "Cinema Paradiso" stills makes a great impression on me. This Italian masterpiece about the growth of a Sicilian kid (Salvatore Cascio, in a brilliant debut) from childhood, adolescence (in the person of Marco Leonardi), to manhood (in the shape of French actor Jacques Perrin) through movies is marvelous, touching, and truly entertaining.

When I first saw "Cinema Paradiso" back in 1990, I fell in love instantly with it, thus becoming one of my favorite movies. The innocence of Toto as he wants to learn how to handle a projector, thanks to the help of Alfredo (French acting legend Philippe Noiret); the tough times in his adolescence, working as a projectionist, having an impossible romance with Elena, doing military service; and his loneliness as a movie producer in his adulthood. Everything caused me a great impact, and still does everytime I watch this film by Giuseppe Tornatore.

Now, in this extended version, I like the fact that Toto -as an adult -has the chance to see Elena again and discovers why they failed to meet at the Paradiso prior to his departure for Rome. In my opinion, that's the most important new scene of the movie. I really wanted to know that, and now I feel satisfied.

All in all, I still like this great work of love everytime I see it. A work of love towards life, innocence, romance and, above all else, movies. A great homage to cinema.

Save 33% Off

Clueless (1995)

This new special edition is a definite improvement over the previous incarnation that had no real extras to speak of and so for fans of this movie it is definitely worth the double-dip. Watching these new extras is like revisiting the cast ten years later to see what they've been up to. They are done in the style of and maintain the same tone of the movie which is a nice touch.

"The Class of `95" examines how the film was cast. Heckerling talks about how she picked the actors. The main cast members, except for Silverstone and Jeremy Sisto, are all back to talk about how their involvement.

"Creative Writing" takes a look at the film's origins. The studio originally wanted Heckerling to write a TV show about an in-crowd group of teens but they didn't get it so she changed it into a movie.

"Fashion 101" examines the memorable costumes from the movie. What Cher and her friends wore reflected the personality of each character and ended up influencing what kids subsequently wore.

"Language Arts" is a crash course on the film's colourful slang. Heckerling had collected books and lists of slang over the years and incorporated it into the movie so that each character had their own way of speaking and favourite sayings that are now quoted endlessly by its fans.

"Suck `n Blow: A Tutorial" explains the party game that takes place in the film in an amusing featurette done during the production.

The challenge of shooting Dionne's driving lesson on the Los Angeles freeway is explored in "Driver's Ed." It was a logistical nightmare with all kinds of vehicles coming at the actors so that their scared reactions were genuine!

"We're History" features the cast and crew talking about what they think about the film ten years later. Not surprisingly, they are all proud of its legacy and how well it's aged.

Finally, there is a teaser and theatrical trailer.

This clever, modern retelling of Jane Austen's novel "Emma " was one of the best high-school theme films made in the past twenty years. Written and directed by Amy Heckerling ("Fast Times at Ridgemont High"; "Look Who's Talking) spent a year in the lives of several teens at various high schools in Los Angeles to give the filmgoer a truly authentic look at life among the young social elites of Southern California.

Alicia Silverstone ("Excess Baggage"; "Batman & Robin") stars as Cher Horowitz, a young, hip teen residing with her lawyer father (Dan Hedaya) in Beverly Hills. Along with best friend Dionne (Stacey Dash of "Mo' Money"), the girls are the doers of social good deeds at their high school. Whether it is trying to play matchmaker for two lonely teachers (playwright Wallace Shawn and Twink Caplan, who is also an executive producer of the film) or doing a serious make over for Tai (Brittany Murphy) a new, dowdy student from the east coast, Cher is the toast of the school among her peers.

However, playing matchmaker for others has made Cher realized that she too needs to find someone special in her life. Pestered by her ex-stepbrother Josh (Paul Rudd) in doping deeds that benefits others and not only herself, Cher discovers that what she truly needs is a spiritual makeover that will allow her to attain happiness and respect. Yet, she wonders why it bothers her so much on what Josh is thinking? As the story progresses, we discover that opposites attract and Cher has realized how "clueless" she was while looking for Mr. Right.

Wonderfully directed and casted,"Clueless" features some memorable performance by Julie Brown (as Ms. Stoger, the physical education instructor), Donald Faison (as Dionne's boyfriend Murray) and Justin Walker, as Christian Stovitz. Walker who plays his role with comedic sensibility is great and witty as the boy Cher has the hots for, although she has little knowledge about his background.

"Clueless" is one of the best films released in the 1990's due to his smart use of popular lexicon, icons, and attitudes that can be attributed to most American teenagers. This is Silverstone's greatest performance to date, seeing that most of her later works did not go well with critics or filmgoers. Although a television series based on the film was launched in 1997, it couldn't capture the charm, wit, and performances of this film. "Clueless" is a classic teenage film you can watch over and over again. It's destined to become a cult classic

Buy Clueless (1995) Now

Why is it the best teen movie of all time? Because it was hip, and it was smart. There was no gross-out humor or slapstick comedy. It was a big movie with a big heart. It's really hard not to fall in love with this movie.

Loosely based on Jane Austen's "Emma" (LOOSELY), "Clueless" revolves around a ditzy rich girl name Cher, whose life consists mostly of cell phones, trips to the mall, a killer wardrobe, and tons of guys drooling over her. Her best friend is Dionne, who is just as superficial as Cher. One day, a new girl, Ty, comes to school and inspires a project for Cher. Project: Makeover! What begins as a selfish way to make Cher think she's doing something to help mankind, turns into a really sweet, funny film.

Alicia Silverstone is wonderful in this movie, and sadly has not found any good roles since. A shame, since she is genuinly a great actress. This is also where Brittany Murphy got her big start, as the girl in desperate need of a makeover. And who didn't have a crush on Paul Rudd, who played her "annoying" older ex-stepbrother?

If you haven't seen this film yet, then, well, I'm wondering why. It was at one point my favorite movie, and it's still high up on my list. It's charming, sweet, funny, and smart. If only other teen movies could take notes from this one. Then we wouldn't have to sit through these ridiculous ones they keep putting out all the time ("American Pie" springs to mind...).

Read Best Reviews of Clueless (1995) Here

A wonderful up to date retelling of Jane Austen's, 'Emma'. Cher (Silverstone) has a privileged life, she goes to a great school and is popular along with her good friend Dionne (Dash).

She lives with her widowed father (Hedaya) and the only pebble under her perfectly manicured feet is her ex step-brother Josh (Rudd).

Cher loves to play matchmaker and can't resist the challenge when she meets the new girl in school, Ty, who isn't exactly 'popular' material at first glance. Having taken her under her wing and given her a complete makeover, Cher then tries to match her up with various boys.

This is alright until Ty takes a fancy to Josh and then Cher suddenly realises that she has feelings for him herself but who will get the man?

Silverstone is absolutely fantastic in this film. She handles the difficult role SO well and you can't help but really like Cher and want her to get the man of her dreams for all her obvious flaws.

Add a brilliant combination of comedy, both oneliners and visual, and the fact that it's literally such a colourful movie and you've got yourself a film that will leave you smiling for ages afterwards.

Want Clueless (1995) Discount?

The good news is that "Clueless" is witty and funny and doesn't sink into self-parody; the bad news is the rash of teen movies that followed and have consistently tried, and failed, to emulate its success. On the surface, the movie seems an homage to the materialistic snobbery of young America, but peel through the beaded curtains of shopping bags and Valley Girl-speak, and you'll find a light romantic comedy somewhere along the lines of, well, "Emma," the Jane Austen novel from which this movie comes.

This successful attempt to translate a classic into modern context doubles as an effective satire of the superficial teen culture generated on TV and in movies. You don't take these guys too seriously and because of that, the story is both fun and engaging. Cher, the pretty gum-popping, cell phone-toting heroine, loves clothes, boys, and her dad, in about that order. She manages everyone else's life just fine but is clueless when it comes to her own. Not only does she have to overcome normal teenage struggles like a doting dad, difficult homework, and rocky friendships, she's got to deal with matching her undergarments, dresses, and shoes, failing her driver's test, and falling in love with her ex-step-brother. Tough life, eh? But it's those little quirks along Cher's inflated path to self-discovery that make this movie such a gem. Her humorous approach and response to any situation immediately recalls Austen's Emma.

Critics can whine all they want about Alicia Silverstone, but she delivers a standout performance as Cher, giving her both brains and tenderness and giving us a character to care about. Cher is at once innocent, smart, sexy, compassionate, and mature. Silverstone is so convincing, she hasn't been able to escape her role. The supporting cast is excellent as well, especially Dan Hedeya as her overprotective yet loving father. This movie is full of heart, fun, and laughs and one that will stand multiple viewings; it's not a guilty pleasure, just a pleasure.

Save 13% Off

Lucky Number Slevin (2006)

I wasn't exactly sure about the whole idea and concept behind this movie as I walked into it tonight, since all it took was a fifteen second glimpse of a TV trailer and the ambiguous claim about a case of mistaken identity that uncoiled my interest into full blown curiosity.

I was floored and blown away by the movie and at the same time really proud of trusting my gut feeling about good flicks. I was thrown off many times by the black humor since I knew it wasn't a comedy as Slevin (Josh Hartnett) had what seemed like a really unlucky chain of events that have spiraled him into a big, hot mess. As he arrives in New York to meet up with an old school friend after being fired from work, cheated on by his girlfriend back home and mugged down the block, all he finds is an empty apartment and no sign of Nick, his old friend. He proceeds to shower and dress as unexpectedly the next door neighbor, Lucy Liu, drops by to borrow some sugar. They become quick friends with matching quirky personalities and from that point on things go from laughingly bad to worse.

Slevin is mistaken for Nick, who apparently owes money to two rivaling mafia type bosses who hate each other and he gets pulled into their personal war. This movie was so full of twists and turns that I forgot to eat my snacks and almost left my purse at the theater at the end. I recommend not reading too much about it and skipping long trailers because this beauty can be given away on a silver platter and to miss that feeling in the theater of realizing the true story would be a sin. I was really impressed by the actors in this movie and I think Josh who looks like a teen-movie type of an actor did a brilliant job! Bruce Willis is also quickly becoming one of my favorite actors, here as a slick top class assasin, I was impressed greatly!

I enjoyed the twisted suspense, murder mystery comic relief type of a story so much that I was unable to concentrate on my book on the way home. I couldn't read or think, all I was consumed by was the story. This movies is an odd-ball, eccentric, quirky, unconventional and refreshing cinematographic achievement. The line between good and bad guy was blurred consitantly and the story dug deeper and deeper into my curious brain. I'm really glad I got to see it on the big screen.

And last but not last let me tell you, the loud people in front of us who wear eatting and laughing quickly became mutes so sucked into the story that I forgot I was furious with them before. It kept everyone entertained and made them gasp at the right time and the hip music at the end really wrapped the whole thing together nicely.

Bodies accumulate quickly in LUCKY NUMBER SLEVIN at least eight in the first 15 minutes, not including the horse. Then, I lost count.

As background to "now", the film flashes back a couple of decades to a fateful horse race. A young husband and father, privy to a tip about a horse doped for extra speed, takes out a foolishly big loan from a bookie and bets it all. His horse comes from behind, but then fails to finish in dramatic fashion. With no way for the loser to pay back the loan, the local Mob makes an example by brutally killing him, his wife, and his young son. Flash forward to "now".

Slevin (Josh Hartnett) arrives in New York to visit his friend Nick (Sam Jaeger). On his way to the latter's apartment, Slevin is mugged, his nose broken, and his wallet stolen. Arriving at Nick's place, Slevin finds it deserted and the door open, but decides to stay the night. The next day, Slevin is kidnapped, garbed only in a bath towel, from the apartment by two thugs and forced to meet with The Boss (Morgan Freeman) in his luxurious penthouse. The Boss believes Slevin to be Nick and claims the latter owes him $96K, but gives Slevin the option of eliminating the debt by killing the son of his archrival in crime, The Rabbi (Ben Kingsley), who lives in an identical penthouse immediately across the street. Unable to prove his real identity remember the stolen wallet Slevin has no choice but to agree to terms before returning to the apartment. Then, as if the day wasn't going bad enough, two of The Rabbi's goons kidnap Slevin and force him to meet with their employer, who, unaware of Slevin's shotgun arrangement with The Boss, claims that Nick owes him $32K. Both mobsters give Slevin three days to meet his obligation.

Slevin's life is further complicated by Lindsey (Lucy Liu), Nick's perky across-the-hall neighbor and NYC medical examiner, hard-boiled plainclothes cop Brikowski (Stanley Tucci), who has both The Boss and The Rabbi under surveillance from a dilapidated van who and wonders how Slevin enters the equation, and Mr. Goodkat (Bruce Willis), a mysterious paid assassin who's apparently working both sides of the street, so to speak.

LUCKY NUMBER SLEVIN is a fiendishly clever, albeit bloody, masterpiece of misdirection and long-delayed justice with a completely unexpected plot twist. This is perhaps the first film of 2006 that contains Oscar-worthy performances Best Supporting Actor nominations for both Freeman and Kingsley.

The film, at times a very dark comedy, is given its lighter (and romantic) moments by the Lindsey character, whose presence on the screen is marked by a soundtrack turned quirky and playful, and her interaction with the vulnerable Slevin. As a couple, the two are enormously appealing.

Bruce Willis is in top form as the calm, dapper, efficient hit man working in the background to control the strings of his puppets, which apparently even include both The Boss and The Rabbi.

The cinematography, enhanced by uncluttered, modern and/or otherwise visually engaging sets, e.g. the first visit to the airport waiting room, the penthouse occupied by The Boss, and the hallway outside Nick's apartment, is inspired. Even the wallpaper in Lindsey's bedroom is eye-catching.

After a long work day followed by an evening meal, I'm likely to nod off even during a better-than-average film. LUCKY NUMBER SLEVIN kept my eyes open and riveted to the Big Screen for its entire runtime.

Buy Lucky Number Slevin (2006) Now

After watching this movie over cable in HD I was glad to see it released on HD DVD.

Warning: Possible Spoiler here! This is basically a payback story that has many twists in it that reminds me of a Hitchcock movie. Some mysteries are only good to watch once but this one has so much going on to try and trick you that multiple viewings are recommended.

The picture quality was outstanding with bright colors and deep blacks that was visably better than cable HD on my Hitachi 50" rear projection LCD as was the Dolby Digital Plus audio. No problems with playback or menu access either on my HD-A1 with 2.0 firmware. Highly Recommended!

Read Best Reviews of Lucky Number Slevin (2006) Here

This title is a testament to the absolute beauty and superior quality of HD DVD. The richness of the formats color and depth of contrast lend itself perfectly to the story told in this film. With a flawless transfer, you can enjoy the film without distraction as if you were in your own private theater. As for the film, it is one of the most amazing films as of late. Reminiscent of The Usual Suspects in it's twists and turns. With the redemptive qualities of films such as Pulp Fiction and Kill Bill. I don't want to say too much about the film because it may just spoil it if you haven't yet seen it. Trust me when I say, don't rent this movie, buy it!

Want Lucky Number Slevin (2006) Discount?

You don't want the kids to see this movie. It is very violent with a lot of killings. (Also a couple of short nude scenes.) The movie starts with a brutal killing with a big splatter of blood and guts on a car window. The movie makes no sense at all in the first few minutes, but as it proceeds all the loose ends are eventually tied up and it all makes perfect sense by the end. The ending (which I won't reveal) is somewhat a surprise, although you can kind of figure it out somewhat before it is fully revealed and perhaps early on. I don't usually like this type of movie, but it was interesting enough to keep me watching to see how the hero was going to get out of the serious predicament that he was in. The top cast keeps it interesting too, but probably not the best performances for any of them. Lucy Liu seemed a bit weak in her role and too predictably ends up in bed with the hero, but her performance is okay. A great rental for adults. Would you want to own it? Perhaps not because once the surprise ending is revealed it probably is not as interesting to watch again.

Save 20% Off

Twenty Thousand Streets Under the Sky

Although this plays continuously as a single film, it was adapted from a trilogy of novels by Patrick Hamilton. Its subject is unrequited love, as played out amongst three characters. Each section is identified first by the title of the novel, then by the character whose perspective we are seeing. Be that as it may, this is not RASHOMON, or anything like it.

I have not read Hamilton's books. However, the sections play out like novels written by authors with entirely different perspectives on the human condition. Their progression is Hegelian: thesis, antithesis, synthesis.

"The Midnight Bell" is from the point-of-view of Bob, a romantic young barman. He is infatuated with Jenny, a fresh-faced prostitute who at times seems to love him, and at other times seems only to want to drain his bank account. In Bob's view of her, she is a victim of society, a woman without options. The episode is like a novel by Zola or Dreiser, in which humans start out free of iniquity, but then have it imposed upon them by their social circumstances. This is, after all, the Britain of the 1930's, and women don't have a lot of options.

In "The Siege of Pleasure" we see Jenny's progression into prostitution. As a matter of fact, she started out as a bold young woman with a good job and a lot of promise. She made some bad decisions. The moral perspective of this episode is like that of a Graham Greene novel: you make a wrong turn into sin, and everything follows causally from there. It is indeed the opposite of "The Midnight Bell's" point-of view.

Finally, "The Plains of Cement" shows us Ella (the indelible Sally Hawkins), a timid creature who inconspicuously tends bar and lives in the same boarding house as Bob. She is tormented by an unspoken love for Bob, made worse by the fact that she is witness to his slow ruination over Jenny. In a trilogy where human will is the theme, she exists as its weakest possible vessel. Buffeted into an engagement with a possessive older man, she seems, at times, to have no idea of how to act on her own. Yet, even with the smallest allotment of willpower, she manages to extract herself from those much stronger than her, making a melancholy peace with what is gone and what remains.

This is a BBC production. It is literature competently transformed into moving pictures. That may sound like faint praise, but to have imposed a more "cinematic" style on it would only have made it unnecessarily fussy. It is perfect as it is.

If you have experienced love and rejection you might feel this movie is about you. I could identify with the main characters and at the end, I felt just like them.

Buy Twenty Thousand Streets Under the Sky Now

THIS IS NOT YOUR TYPICAL LOVE STORY. THIS IS A TRILOGY COMBINED INTO ONE ABSOLUTELY WONDERFUL DRAMA FEATURING GREAT ACTING AND WRITING. THERE'S NO "FAST FORWARDING" THIS GEM.

Read Best Reviews of Twenty Thousand Streets Under the Sky Here

Superb performances by the leads, Haygarth, Tapper and Hawkins. Evocative and gloomy, but can't-take-your-eyes-off-it great. Please make this available for U.S. DVD.

Want Twenty Thousand Streets Under the Sky Discount?

Absolutely terrific depiction of love and longing among the lower class in early 20th century London. This film is the antithesis of the typical Hollywood love story, and left me amazed at the genuine sense of feeling I felt for these characters.

Top notch.

Shrek Forever After (Single-Disc Edition) (2010)

In the fourth and last installment of the Shrek franchise, Shrek (Mike Myers) finds himself becoming tired of his "domesticated" life when the routines of married life and fatherhood meet with the constant bombardment of fame and somewhat annoying friends. After storming out of his son's first birthday party Shrek runs into Rumplestiltskin (Walt Dohrn), who learns of Shrek's desires to be the ogre he once was and offers him a magical contract that would allow him to be an true ogre for a day, in exchange for one thing. In that exchange, though, Shrek gets much more than he bargained for.

When the first Shrek came out it was a brilliant anti-fairy tale fairy tale. Openly lampooning Disney movies and theme parks, Shrek was a fresh take on the animated fairy tale where the main characters didn't live happily ever after as picture perfect prince and princess, but as ogres, typically the scourge of any fairy tale. Since then two other Shrek movies have come out, and rather than embracing the counter culture of the first film, the franchise bought into it's own hype and into pop culture and lost the spirit of the original. While not bad films, they were unnecessary and even sapped some of the brilliance of the original. Now with the finale of Shrek in theaters, how does it stand up?

More-so than it's predecessors Shrek Forever After tries to come back home to more of the feeling of the first film. Even the plot of the film of Shrek's desire to go back to being a lone ogre on the outskirts of society seems to echo what the filmmakers were desiring to accomplish in picking a premise that allowed them to nearly replicate some of the situations of the first movie. That's one of the strengths of the film is that you get to re-meet the characters in a new fashion and in slightly new characterizations than previous which amps up the fun of this film compared to the previous films.

Reaching into an alternate universe has allowed the writers, and the actors, to revision the characters adding to the freshness of this installment in the series. Fiona is now a warrior, leading an ogre rebellion against the king. Donkey, while still the over talkative, funny if slightly annoying sidekick he's a little more wary and a bit brighter than he was in Shrek's real world. Puss has let himself go, and won't even chase a mouse that's sharing his milk. The real surprise here is Walt Dohrn, a writer/storyboard artist who makes his vocal film debut as the voice of the film's baddie, Rumplestiltskin. Everyone does a great job with their vocal work, but Walt and his character steal the show.

But for all the good, you can't go home, and Shrek doesn't quite go home either. Compared to the first film this one feels a little tame, sterile. First off, the premise makes this almost seem like a remake of the first film, causing it to loose some of it's freshness. On top of that there's a moral that really stands out, which is something I don't recall being aware of while watching the first three Shrek films, even though it was there.

All in all, I would highly recommend this film. Easily it's the second best of the four Shrek films. Each of the three sequels were unnecessary, but this was definitely a higher note to go out on than the last two films. If they had to go through sequels, I'm not sure they could have asked for a better film to go out on. If you've watched the last couple of Shrek films and found yourself to be disappointed give this a try, it doesn't quite capture the magic of the first film but it gets closer than the other sequels.

3.5/5

"Shrek Forever After" (if that is its real title) achieves exactly what it wanted to achieve simply by being a fun animated comedy with characters we've come to love. Still, for something so heavily promoted as being the final chapter, I'm surprised at how small and ordinary it seemed. Movies like this should end with a bang, emotionally and physically; they should not go from beginning to end on a slow and steady burn. By the end, most will feel as if they've been entertained. I felt that way. At the same time, some may feel that, in all likelihood, this movie didn't have to be made. I felt that way, too. Perhaps it's no longer a good sign that we can be so easily amused by unnecessary films. Are they no stories left to stimulate our imaginations and broaden our horizons at the same time?

In this film, Shrek (voiced by Mike Myers) finds that he's dissatisfied with his new life as a domestic ogre. As a husband and father, he has absolutely no free time. Villagers no longer fear him. He can't take a mud bath without being invaded by swamp tourists. Knowing he's desperate for a change, the disgruntled Rumpelstiltskin (voiced by Walt Dohrn) offers Shrek a chance live one day as his old ogre self. The catch, as I understand it, is that one day out of his past will be erased from time give a day to get a day, according to Rumpelstiltskin. Shrek agrees and signs a contract, although he fails to specify precisely which day he'll let Rumpelstiltskin have. Bad move; he's transported to an alternate Far Far Away that's ruled by Rumpelstiltskin and has fallen into ruin.

There are other changes. At Rumpelstiltskin's bidding, ogres are hunted by wicked witches and forced into slavery. Shrek's best friend, Donkey (voiced by Eddie Murphy), now a lowly cart puller, has never met Shrek and is afraid of him. Puss in Boots (voiced by Antonio Banderas) is now an obese housecat and owned by Fiona (voiced by Cameron Diaz), no longer Shrek's beloved wife and mother to his children but rather the iron-clad leader of an underground ogre resistance. Like Donkey, she has no idea who Shrek is. Stranger still, she's back under the curse that factored into the first film. In this new Far Far Away, it's as if Shrek had never been born. If he's to set everything right, he must turn to that most reliable of fairy-tale clichés: Receiving true love's kiss before the following sunrise.

What are Rumpelstiltskin's motives? I leave it to you to find out. I will say that his reasons are about as good as they can be for a fairy tale. I liked this character; big of ego and short of stature, he's villainous in a childish, sniveling sort of way, making for a great deal of fun when he loses his temper.

Many of the previous film's more memorable side characters are used far less frequently in "Shrek Forever After," making for a film that feels oddly condensed. The appearances of Pinocchio, the Three Little Pigs, and Gingy the Gingerbread Man, for example, are reduced to mere cameos, which is a missed opportunity for some great comedy. I'm especially fond of Gingy, with his iced legs and candy eyes and grating voice. In the alternate Far Far Away, he has become a battle-scarred gladiator who fights for the amusement of cheering crowds; the fact that his opponents are animal crackers and that he uses a broken lollipop as a weapon is, in my warped way of thinking, inherently funny. Maybe it's because foods of such childish innocence have become violent. Or maybe it has something to do Gingy being one tough cookie.

It seems that the film's biggest draw, aside from being the last in the series, is its release in 3-D. I've championed certain 3-D films (Disney's "A Christmas Carol," "How to Train Your Dragon," "Avatar"), but now that it's back in the mainstream, I'm coming to the realization that, generally speaking, it's an overrated marketing gimmick. For this particular film, I suggest you save your cash for a traditional (and less expensive) 2-D experience. I'm quite certain the overall quality will not be affected.

The bottom line: The story is funny and exciting and sweet, and I had a pleasant time watching it. But "Shrek Forever After" is not the grandiose finale the ads have claimed it to be, and I find that a little disappointing. My recommendation relates not to its worth as a successor to the previous "Shrek" films, or even to its status as the last in the series; it relates to the belief that audiences will enjoy it on its own terms. It's a light, good-hearted animated comedy, and as such films go, it gets the job done. I can only hope the filmmakers don't treat it like a horror franchise, some of which are known to produce sequels even after a "final chapter" has been released. At that point, I don't think there will anything good left to say about Shrek and his magical misadventures.

Buy Shrek Forever After (Single-Disc Edition) (2010) Now

I have always enjoyed watching the Shrek movies with my family. The fourth movie was no exception. The problem is that the Shrek universe it getting rather stale. The same type of jokes just don't work as well the fourth time around. The Final Chapter finds Shrek unhappy with his friends and family and wishing to go back to being a scary ogre for just one day which can be supplied by an evil Rupelstiltskin. But if you are aware of the myth of Rupelstiltskin you know that every contract has a price. Shrek gives up one day of his life to get his one day of freedom. That one day though causes the entire world to change and Shrek is stuck in an alternate universe in which he never existed. The alternate characters are fun at first, especially the chubby Puss in Boots, but they all revert quickly to the characters you know so it doesn't work all that well. The best part of the movie is the introduction of the Rupelstiltskin character who is a fun bad guy. The movie's plot however is very similar to the Christmas Special in which Shrek doesn't appreciate what he has until it is gone. I like the series, but the story is best to end now.

Read Best Reviews of Shrek Forever After (Single-Disc Edition) (2010) Here

Dreamworks continues its popular, yet waning Shrek franchise with a fourth installment. I've always been a big fan of the original Shrek. It was something different, quirky, unexpected and just downright witty. The plot was simple yet complex enough to keep me interested while poking fun at traditional fairy tales. It was an innovative and fun concept. Sadly, the franchise continued past the first film into a second and third. Each of these entries were okay, but never captured the greatness of the first Shrek film. With the fourth entry into the series, it becomes even more apparent that the franchise is getting tired. Shrek's running out of steam and just doesn't have it anymore. It's time for our dear ogre friend to retire.

Shrek Forever After semi-follows the traditional "what if I was never born" plot. When Shrek finds that he misses his days as an ogre, he makes a deal with the notorious Rumpelstiltskin to trade a day in his life for a day to be an ogre again. Rumpelstiltskin, of course, tricks Shrek and takes the day Shrek was born, thereby creating an alternate universe where he rules Far Far Away, ogres are outlaws, and Fiona was never rescued from the tower by Shrek. Shrek soon discovers his mistake and must figure out how to get things back to normal.

On one hand it was really fun to see the beloved Shrek characters in the alternate universe -Fiona is the leader of the ogre resistance against Rumpelstiltskin, Donkey works any job he can get, and Puss has become an overweight lap cat. On the other hand, the concept felt tired and much of the plot seemed like a retread of previous ideas, themes and events. Mostly, it seemed redundant to have Shrek win Fiona's love again and really showed that our poor ogre really doesn't have much plot left in him.

In general the movie is entertaining, funny and enjoyable -great for families, but the 3-D aspect doesn't really add much. I'd suggest saving the extra money and just going for this movie in traditional 2-D. It was still fun to get another glimpse into the lives of these fun characters and into the wacky world of Far Far Away, but I think it's time to hang up your torches and pitchforks and call it a day.

Want Shrek Forever After (Single-Disc Edition) (2010) Discount?

This fourth intallment of Shrek, SHREK FOREVER AFTER, is, IMHO, the best of the Shrek films. The fun is back (minus the juvenile potty humor that invaded the 2nd and 3rd films), the story is delightful, and the message is clear. My kids (13 1/2 and 5 1/2) both loved this movie, as did my husband and I.

SHREK FOREVER AFTER is based losely on the story from "It's A Wonderful Life." Here, we find that our favorite ogre is confused by his new role in the kingdom. He used to live a solitary life, scaring people and doing whatever he felt like doing; now he has a family, responsibilities, and is viewed as a folk hero. In a fit of frustration, Shrek wishes that he could be a regular ogre and live his former life, just for a day. Rumplestiltskin overhears his wish and tricks Shrek into trading his "ogre day" for the day he was born. Shrek finds that he never rescued Fiona, he never had a family, never met his friends, and that he will diappear at the end of his ogre day. But there is a way out of his contract with Rumplestiltskin. Can true love still conquer all and save the day?

SHREK FOREVER AFTER is cute, fun, and charming family entertainment. The animation is beautiful, vibrant, and vivid, the story is engaging, and all our favorite voice actors are back. The message of being happy with what you have is perfect, and is understood by children of all ages.

SHREK FOREVER AFTER has heart, and should not be missed. If this is the final installment, then SHREK FOREVER AFTER is truly the perfect way to end the franchise.

Save 41% Off

Love Actually (2003)

"Love Actually" is just the right mix of romantic comedy and drama to leave you with that warm, fuzzy feeling as you leave the theatre. It's an ideal Christmas movie for moms and dads who want to see something else while the kids venture into more PG films.

Writer/director Richard Curtis enlists a plethora of some of the finest British actors (and a few noteworthy Americans) to tell several different love stories. While it seems that there may be a few too many characters at first, the overall flow of the film allows the viewer to keep track quite easily. The cast is led by the ever-so-charming Hugh Grant as the British Prime Minister. While some critics have called this casting unbelievable, Grant actually pulls it off by portraying a more human, but yet stronger PM that we would all love to have leading us. His dance to the Pointer Sisters' "Jump for My Love" borders a bit on ridiculous, but it is nevertheless fun to watch. In the film, the PM is caught between leading his country with a clear head, or giving in to his feelings of attraction to his tea server Natalie (played by musical actress Martine McCutcheon).

And then there's Emma Thompson, who plays Karen, sister to Grant's PM and a long-married devoted mother. She suspects that her husband Harry (Alan Rickman) may be cheating with a sexy co-worker. Her performance, simply put, is a revelation. The scene where she is in her bedroom is an example of phenominal acting. Hollywood Foreign Press and Academy members: please take notice!

Another strong performance award goes to Bill Nighy, who provides most of the film's comic relief as aging rock star Billy Mack. He puts out a cheesy Christmas record and then publicly bashes it. But in classic Hollywood ending style, he does have an epiphany and realizes his wild musician life has been missing true affection.

Liam Neeson shines as widower Daniel who tries to help his young stepson win the heart of a popular school crush. Equally sweet is Colin Firth as Jamie, a man recovering from a broken relationship in France who falls for his monolingual Portuguese maid. You know what? This film is such an abundance of great performances that I will run out of space discussing them all! Everybody shines! My only cast complaint is that Rowan Atkinson should have been given more screen time.

What I also love about "Love Actually" is that Curtis doesn't, if you'll pardon the pun, wrap up each story in a happy little Christmas package. There are a few sad, realistic moments, particularly in the Karen/Harry subplot and in Laura Linney's turn as Sarah, an assistant who has waited so long to be with the man she loves. She realizes, in some of the film's key dramatic instances, that family matters are getting in the way.

All in all, Curtis has struck gold again, in tradition of movies like "Four Weddings and a Funeral" and "Bridget Jones' Diary." Yeah, some of the love stories may be a little far-fetched, but aren't they all in fantasy movie world? What matters is that they are sweet and not without their share of obstacles. This film is a nice departure from some of the more disturbing violent films as of late. But be warned: it is a little more adult than most other comedies in theatres. The innuendos, language, and nudity earn the R-rating. So see it without the young kids, but do enjoy.

This is the perfect Christmas gift to get any member of the group of free-loading moochers you call your friends. It's the perfect excuse to have a movie night at THEIR house, and make them ante up some wine, cheese, grapes and lots of chocolate, then hunker down for an evening of cornball romantic comedy with a difference.

Chances are, with Colin Firth, Hugh Grant, Liam Neeson and Alan Rickman on show, you won't even notice that the storyline is hardly Pulitzer Prize material, but you do stand the chance of busting a seam when Hugh does his Footloose/Saturday Night Fever/Risky Business impression at Lot 10 Downing Street, and Bill Nighy makes like Robert Palmer for a video shoot of the worst ever chart topping Christmas song. There's also the incomparable Rowan Atkinson, making like Mr.Bean at appropriately inopportune moments.

In case you think it's all about the guys (it is but one can't take sides) there's a brilliant performance by Emma Thompson, and also Laura Linney, who has the worst cell phone ring tone ever invented. Keira Knightley is more "Bend It Like Beckham" than "Pirates of the Caribbean" in this one, feigning wide open surprise a little too often. She's cute though, even if I always get her mixed up with Natalie Portman, the Amidala girl.

There are enough love stories and love disasters here to sink a luxury liner and yes, there are "Titanic" references too. Even though the couples are for the most part separate little stories, there's a connection running through the movie that really ties them all together.

The music is great, the movie is funny, and your friends will have to entertain you at their expense what more could you ask from a movie? Did I mention it has Colin Firth, Hugh Grant, Liam Neeson and Alan Rickman?

Amanda Richards, November 17, 2004

Buy Love Actually (2003) Now

My rating is based on my enjoyment of this film. It has both major strengths and serious weaknesses, and as other reviews indicate has fostered very strong reactions, both positive and negative. Its format is somewhat disconcerting if you are not prepared for the methodology of the director. It contains nudity, profanity, sexual situations, and several situations that are very suggestive and some moviegoers may consider to border on the obscene. However, the situations that some people may consider offensive actually serve a purpose in developing the overall theme of the film.

Love, in all its manifestations wonder, joy, pain, happiness, passion, grief... is the theme of the film. A very talented ensemble cast is utilized to tell several somewhat interrelated stories concerning the emotional lives of the various characters. The cast includes Hugh Grant, Liam Neeson, Colin Firth, Emma Thompson, Laura Linney, Kiera Knightley and Alan Rickman. There are also telling cameos by Billy Bob Thornton and Rowan Atkinson. There is one other essential element of the story, it begins five weeks from Christmas and there are several aspects of the various vignettes where the seasonal aspect is a crucial element.

One of the more interesting and complex stories involves Liam Neeson and his young stepson preparing for the funeral of his wife, which has been moving scripted by her prior to her death. As he subsequently tries to deal with his grief, he is worried about the fact that the boy is isolating himself in his room. He is surprised to discover that while his son is disconsolate at the loss of his mother, more importantly he is heartsick over his unrequited love for a girl with whom he attends school. As they concentrate on his son's dilemma and develop a plan to attract her attention, the dialog ranges from comic to quite profound. And, as the movie progresses to the time of the school Christmas pageant their story gradually becomes interwoven with several of the others. Some of the most hilarious segments are in another thread of the movie involving Bill Nighy as a washed up pop singer trying to recycle one of his old love songs as a Christmas record. He effectively caricatures the dissolute rockers who abused their bodies for too long with drugs, booze and sex. Yet in the end, the alternate humor and pathos of his situation are resolved in a very effective and quite emotional scene. In yet another thread, a scene with Emma Thompson listening to a Joni Mitchell recording and thinking about the "both sides" of her life and love is a real tearjerker.

So this is a roller coaster of laughs and cheap humor combined with real insights about love and the pain that it can cause. If you aren't living in a bubble, you will probably relate to the experiences of at least one of the characters to some degree and knowingly nod in recognition of the similarities of others to people that you know. It is arguable whether the message of the film would be better conveyed with a fewer number of stories examined in somewhat more depth, but I think the result is quite powerful. Lives which seem only tangentially connected turn out to have a profound influence on others, and we really feel that we have come to understand the characters that we have been watching.

My first difficulty with the movie is that the complexity of developing so many stories means that it is well over two hours long (with the previews and unconscionable ads we were in the theater for well over two hours). Second, the audience is introduced to a very large number of characters during a very short period of time, since all the stories are interspersed sequentially as the movie proceeds toward Christmas Day. Very few individual segments until the finale are more than three or four minutes in length. However, the disorientation that I felt at first from the constant scene shifts was offset by the fact that this technique was successful in keeping the audience very interested; the film actually seemed shorter than it was because of the constant action. So, it was fun while actually conveying a message at the same time. I also want to see it again, since this is the type of movie that I often enjoy more during subsequent viewings. I find that once I know the basic story line and the relationship of the various characters, I can then pay attention to a lot of the details that went were difficult to appreciate because there was so much constantly happening during the film. (In fact, as I was thinking about the film prior to writing this review a few such instances came to mind.) So, go see this film when you have time to relax and want to laugh and contemplate life for a few hours.

Tucker Andersen

Read Best Reviews of Love Actually (2003) Here

This movie has passion, tenderness, poignancy, and humor. You are exposed to people of different classes, ethnicities, and general backgrounds in order to take a closer look at what "love" is.

You see the arrogant ex-rock star (Bill Nighy) trying to make a comeback and any cost and is chubby but likeable manager who is always there to support him. There's a prime minister (Hugh Grant) who is torn about his feelings for Natalie (Martine McCutcheon), the inconveniently beautiful head of his catering staff. After going through a horrible break up, we watch a B novelist (Colin Firth) discover love while writing his novel in France. Then there are married couples, best friends, siblings, parents, and children. As you can tell, the cast is top notch. It's a veritable who's who of British Cinema and every part is played to perfection.

What this movie does is to show how we have incredibly human experiences that tie us into something deeper. Sometimes, there is incredible pain and loss when we fall in love--or out of love--but no matter what happens, love strengthens us and reminds us that we are alive.

The DVD is fabulous because there are tons of extras in it. I've had the joy of watching it all and I love it. If you like Sam and Daniel (the father and son), you'll love the full cut of their story. There is actually 8 minutes of Sam, most of which was not in the theatrical film. I won't give away what's in it, but that is my top pick of extras to watch from the DVD. There are also hilarious bits if you watch the version of the movie with audio commentary by the director and several cast members. Hugh Grant is particularly funny in this, particularly when he talks about Colin Firth! If you are a lover of soundtracks, there is also a good section where the director goes into detail about each of the primary songs he picked in the film and why.

If you enjoyed this movie, buy it!! It makes a fabulous gift and you can watch it over and over and still see something new or have a good laugh!

Want Love Actually (2003) Discount?

Now, how many of us have actually experienced love in real life the way actors and actresses portray it in films? Love actually brings together a very potent mix of comedy and romanticism into its whole state of affairs. You get several situations in this film all of which are connected to love and that of course is the main ingredient. Set in the very English environment you get the best of everything. The characters are excellent on their own, from the prime minister of Britain to the lonely office girl downtown, to the fading rock star, love is simply all around. What makes this movie special is the down to earth element that simply decides to sell well. Colin Firth, Liam Neeson, Hugh Grant, Emma Thompson, Kiera Knightly, Martine McCutcheon, Alan Rickman, Laura Linney, Bill Nighy and Rowan Atkinson all come together to deliver one excellent holiday movie, in a very long time, not to forget the excellent soundtrack to boot.

Save 33% Off

Mystery Train (The Criterion Collection) (1989)

Mystery Train is a fascinating snapshot of Memphis through the eyes of foreigners and the disenfranchised. The stories in this film run the gamut from romantic to touching to amusing but all with a humanistic streak running through them. Jarmusch would follow this film with Night on Earth Criterion Collection which would adhere to the same structure but on a much more ambitious level.

In the way of special features, there is a "Q&A with Jim." As he has done for past Criterion editions of his films, Jarmusch answers questions submitted by fans in lieu of an audio commentary. They are by no means restricted to the film but the bulk of them do pertain to it. Jarmusch confirms that Tom Waits' D.J. heard in the film is in fact the character he played in Down by Law Criterion Collection. He talks about how he worked with the Japanese actors and the origins of their segment title. He also talks about his favourite Elvis era and addresses the barren and bleak look of Memphis in the film.

"I Put a Spell on Me" features excerpts from a 2001 documentary on Screamin' Jay Hawkins. Jarmusch is interviewed and talks about when he first heard Jay's signature song, "I Put a Spell on You," how he used it in Stranger Than Paradise Criterion Collection and then cast him in Mystery Train. Jay talks about working on the film and shares some amusing anecdotes on this fantastic extra.

"Memphis Tour" revisits many of the locations used in the film. We get a brief history of each location and what happened to it since filming. The restaurant used is the oldest in the city. Unfortunately, the hotel featured so prominently in the film was torn down a year after it was made. This is a fascinating extra that takes a look at how these locales have changed over the years.

"Polaroids" features snapshots taken on location during filming.

Finally, there is a gallery of behind-the-scenes images from a photo book published at the time of the film's release.

I can't give a plot summary except to say there are 3 acts (or mini-films) which happen simultaneously one night in Memphis in 1988. These are just random odd people that make you curious about their past and future. If you like subtle slow paced character studies this is right up your alley.

Buy Mystery Train (The Criterion Collection) (1989) Now

This review is for the Criterion Collection DVD edition of the film.

Mystery Train is the fourth film directed by Jim Jarmusch. It is quite a good film and depicts tourists visiting Memphis, Tennessee. The main two are a Japanese couple who are planning to visit Elvis Presley's home, (hence the film's title) One thing I like about the film is that the Japanese couple speaks their own language when talking to each other, making it more realistic. The other two people in the film are an Italian widow taking her dead husband back home, and a British man.

This is the fourth release and fifth film by Jim Jarmusch that Criterion Collection has released and I would love to see more.

This supplements include audio of Jim Jarmusch answering questions asked to him on Criterion's website, (Jarmusch doesn't do commentaries as he does not like watching the film's he's made after finishing them), Production photos, a documentary on the filming locations, and Memphis, and scenes from a documentary on one of the film's actors Screamin' Jay Hawkins.

Read Best Reviews of Mystery Train (The Criterion Collection) (1989) Here

In MYSTERY TRAIN (1989), writer/director Jim Jaurmusch ties three separate stories together using a run-down Memphis motel and an Elvis song on the radio (his SUN Records slow ballad, "Blue Moon"). Night manager of the hostel where everything converges is Screamin' Jay Hawkins, of "I Put a Spell on You" fame. This song was integral to an earlier Jarmusch feature (and short) called STRANGER THAN PARADISE (1984). (Hawkins BTW does a fine job here.)

First of the trio is two youngsters from Japan who make a Memphis pilgramage to visit the home and environs of Elvis Presley. The seedy part of town where they bed down for the night may in hindsight come as a culture shock, but these two are so "into" the experience of the moment, they only spend a brief time discussing the contrast to Yokohama. Her devotion to the King and his contrary preference for Carl Perkins, plus her sweet nature and his dour one would seemingly be incompatible, yet they're very much in love with each other and this American adventure. The sound of a pistol shot is the only actual link to the other stories.

Next is an Italian widow who's just passing through on her way to Rome; her husband's casketed body awaits at the airport. She meets a chatty NJ gal who's just left her boyfriend and has nowhere to go. They spend the night at Screamin' Jay's motel, where in the small hours the ghost of Elvis appears to the widow. The two also hear that gunshot.

The final segment is darkest yet most comic of all. The jilted boyfriend of the previous vignette robs a liquor store and accidentally shoots a clerk. He and two buddies tie one on, then seek refuge at the workplace of one of their cousins, yes, the same motel. The bellhop cousin gives them a wrecked room. Later, one is shot in the leg, which leads to a car chase finale where principals of the earlier segments pass by on a train.

For those unfamiliar with his work, Jim Jarmusch's pacing and sense of place and detail can be daunting. MYSTERY TRAIN offers a most approachable way to experience his unique cinematic style. Highly recommended!

Parenthetical number preceding title is a 1 to 10 imdb viewer poll rating.

(7.3) Mystery Train (1989) Screamin' Jay Hawkins/Cinqué Lee/Masatoshi Nagase/Youki Kudoh/Nicoletta Braschi/Elizabeth Bracco/Tom Noonan/Joe Strummer/Rick Aviles/Steve Buscemi/Rufus Thomas/Tom Waits (voice)

Want Mystery Train (The Criterion Collection) (1989) Discount?

This is an exception. I bought it on VHS, then DVD, and now the Blu-Ray special release. Oh yeah, and the soundtrack on CD.

I am not a film or music critic, so I won't try to shoot for lofty, heady adjectives. Suffice to say that this film is so rich in nuance that it must be watched over and over...the masses won't get it, but anyone who landed at this review must be interested in the film and will probably enjoy it.

Save 50% Off

Von Ryan's Express (1965)

Frank Sinatra is one of my favorite movie stars,not music star,movie star.i had the regular dvd for some time and have watched it several times over the years.the blu-ray version i just watched enhanced the viewing pleasure with a more crisp picture and sound.this movie has been waiting for the blu-ray reissue and it delivers.

This flick is a little known suspenseful WW II action movie from the 60's. I would say it ranks below the two greatest classic WW 2 prisoner of war films, "The Great Escape"and "Bridge On The River Kwai", but It's still one of the very best of the genre and my absolute favorite film starring Frank Sinatra. Within a minute after his entrance to the film, you'll forget he was ever a singer and completely accept him as a brash P-38 fighter pilot., ,

The plot moves quickly and the suspense and action don't let up. I purchased the DVD years ago and the Blu ray is definitely worth the upgrade in picture and audio performance if you have a high def flat screen. Highly recommended.

Buy Von Ryan's Express (1965) Now

I am comparing the Blu-Ray and DVD version, and sadly the quality in Blu-ray is slightly better than DVD version. Was expecting better quality.

Read Best Reviews of Von Ryan's Express (1965) Here

Unfortunately, this Blu-Ray release appears to be an un-restored transfer. The color balance is off in many places (bright yellow-greens and purples in places where it should be white or brown). My guess that there either wasn't a good dup negative, or they just didn't bother to find one.

I gave it 3 stars for the content of this good WWII movie, but the technical rating is no more than 2 stars. It's surprising that with Frank Sinatra and Trevor Howard, that Fox didn't bother to do this film right as it should be.

Want Von Ryan's Express (1965) Discount?

Set in Italy during World War II, Von Ryan's Express (1965) is pure `escapist' entertainment, as a group of liberated Allied POW's, commandeer a train, and attempt to sneak into Switzerland, before the German army discovers the truth and destroys them. While reality is stretched quite far, and it takes some time to build momentum, the film is quite exciting and dramatic, features some rather impressive battle scenes, and memorable ending, that reflects both triumph and tragedy.

Frank Sinatra stars as Colonel Joseph Ryan, an American fighter pilot who is shot down and taken to a POW camp, where as the ranking officer, he takes over command of a group of predominantly British prisoners. Sinatra had just finished another WW II drama, "None But The Brave (1965)" a film set on an island in the pacific, which was the only film that Sinatra ever directed.

Ryan's attitude is radically different from the English, as he looks to improve conditions for the men, and takes a dim view of escape. Seen as a sellout, the American is given the name "von Ryan" by Major Eric Fincham (Trevor Howard), the commander of the British contingent. Things change dramatically when Italy capitulates, and the Italian soldiers guarding the prisoners vanish. The British soldiers want to kill Major Battaglia (Adolfo Celli, Thunderball) the camp commander, but Ryan intercedes and spares his life, and act that will soon have dire consequences.

The prisoners leave the camp, but are soon captured by the German army, and put aboard a train bound for Germany. In a daring escape, the prisoners kill most of the German soldiers, take over the train, and then attempt to take the train through a series of checkpoints to the Swiss border. On the journey, there are a number of close calls, tense moments, and a tragic decision by Ryan.

Von Ryan's Express was based on a book of the same name, written by David Westheimer, an American flier who was actually held prisoner in the famous Stalag Luft III, the POW camp featured in The Great Escape (1963). Westheimer's original screenplay, was revised to create a more action oriented adventure tailored to suit Frank Sinatra's personality. The film's downbeat ending was something that Sinatra insisted on.

The Bluray contains the same bonus content from the two disc special edition released in 2007. This includes a commentary track, a featurette on legendary composer Jerry Goldsmith, trailers, TV spots and a still gallery. Featuring one of Frank Sinatra's stronger performances, Von Ryan's Express is a classic example of 60's moviemaking that takes you on a tense and thrilling ride, and leaves you breathless and stunned at the finish. The film has a strong international supporting cast that includes Edward Mulhare (The Ghost and Mrs. Muir), Raffaela Cara, Sergio Fantoni, Wolfgang Preis, and Vitto Scotti.

Save 44% Off

Tai Chi Master (1993)

To me, this is one of the best Jet Li movies. Or, may as well call it one of the best movies. It has a lot of humor and wisdom in it. However, as someone jokes that dubbing is the eighth sin, the dubbing in this movie, possibly to match the lip movement, has the script modified. The humor was lost, as well as the wisdom. I compared an Asian release with the US release: the script as well as the English subtitle are modified in the US release. I highly recommend this movie to you, except that it may be best to find the Asian release. I also checked that my Asian release has the English subtitle which is very close to what the actors and actresses say in Chinese. Also one thing about the US release is that the song is taken out from the movie. We usually accept a French song or Italian song in a foreign movie. How come we don't accept a Chinese song in a Chinese movie? The original Chinese song is very suited to the events of the movie. My advice remains: the Asian release of this movie probably can give you more enjoyment than the modified one.

If at all possible, get the original Chinese/subtitled version of this film under the name, Tai Chi Master. The U.S. edit version, Twin Warriors, cuts out some short but apt scenes that lend extra continuity and humor to an already fine story. The dubbed dialogue also dulls the storyline, foregoes some subtle humor and stunts some of the character development. O.K., so the English subtitles often lay waste proper (English) grammar, spelling and word useage, but that's part of the charm of this type of movie. (Why don't Chinese producers hire proficient, English-as-a-first-language editors to do a final review of the subtitles? I would be willing to do it part-time, for a modest stipend and free copies of the DVDs. :)

This film plays the classic elements of revenge, loyalty, betrayal, and the clearly emerging delineation, and struggle, between Good and Evil, quite well. Admittedly, some of the wire-work is fantastic, but it adds to, not detracts from, the epic scale of the story. Jet Li portrays the "good guy" extremely well, with Michelle Yeoh in a very good supporting role and contributing one of the movie's best one-on-one fight scenes.

I saw this film at the theaters almost ten years ago, when it was first released, and it is still on my personal, "top 10" list of the best kung-fu movies I've ever seen.

Buy Tai Chi Master (1993) Now

This movie is good. The fights and unrealistic and stylish, and the story is good. But there is no excuse for what happened to this movie. We live in America. We are one of the most diverse nations in the world. The localizers of this movie seem to think that Americans don't know anything about, and don't care about, Chinese language and culture. As a result all the original language and music has been cut, and there is only a spoken English version. This is inexcusable, especially for a DVD release. I have no problem with a dub, but on a DVD you MUST include both. It is a good movie, but on principle I will not give it a passing grade on this element alone. I bought a DVD player so I would not have any problems getting the subtitled version of a movie, and then they pull this crap! Please do not support dub only releases. Please go to ... the auctions amazon and find a DVD of Tai Chi Master. This is the Chinese version of this film. It will have English subtitles. The image quality is worse, but to have the true language and the real voice of Jet Li, it is worth it.

Read Best Reviews of Tai Chi Master (1993) Here

This is a classic Jet Li film, and I was happy to finally get my hands on it--I mean it's got Michelle Yeoh too!! The problem I have is---Dimension Films is finally releasing these great martial arts films by Jet Li and Jackie Chan, great--but they are keeping no integrity. The names of the films are changed, they're dubbed, packaged and sent out. Why not take care, and use the DVD format--so people can have the option to watch the film with subtitles. It seems the companies are more interested in cashing in on the work of these great stars, than the films themselves. It's unfortunate that the Western buying market is considered that ignorant. The movie itself has some fantastic fight sequences and the story is pretty good. Has to be ranked high in Li's catalog of films. It is in the category of "Once Upon a Time in China" opposed to his less fantastical movies like, "My Father is a Hero" or "Romeo Must Die."

Want Tai Chi Master (1993) Discount?

Do not waste your money on this blu-ray if you already have the dvd. The improvement in the picture quality is marginal at best and indiscernible at worst. This is a complete rip off; it seems no effort was made to remaster this disc and present it in true high definition.

Save 30% Off