K-On! The Movie (2011) (2011)

Alright, those of you looking for a self-contained anime film will be disappointed this was a project that was obviously made for fans of the series. It's pretty much an episode of the series expanded to an hour and forty-five mins. It contains in-jokes from the series and while there is a plot there's no major conflict. In fact, the opening few minutes makes a joke about the lack of real conflict in the film.

Now, if you are a fan of the series, this is a dream come true. The characters are all there, most side characters get enough screen time that you get to revisit just about everyone. The plot is partially about the London trip which was discussed in the season 2 OVA, but it's also about writing the song that they will sing to their underclassman as they graduate. It's sentimental, sweet and everything you've come to expect from the series. As a bonus, just about every song in the series is in it at some point.

The animation is beautiful, and expands upon the already wonderful look of the series. The London trip is well done, and for those who have been there, you'll be sure to recognize some lovingly recreated sights. There are a few moments of CGI that feel a bit off, but that may just be my personal bias against CGI.

The quality of the Blu is wonderful. The animation looks simply breathtaking at times and there are a quite a few special features. As someone who has gotten used to anime discs only containing the opening and closing as special features, this was a treat.

In closing, if you're already a fan of K-On season 1 and 2, this is totally worth a purchase. It's a wonderful closing to one of the most fun anime series to come out in years.

One of my favorite movies based off an anime, You can tell the animators took their time on it. It is cute and the music is great. If you are a hardcore K-ON you'll love this movie ^_^

Buy K-On! The Movie (2011) (2011) Now

[*First off, my apologies for the novel I seem to have written. I tried to strike a balance between short and informative. Anyhoo...*]

The overview below is based off the 2-disc DVD edition (so the content would be the same as the blu-ray but you'll have access to it all on a single disc). I outlined a summary but if you want a super short summary, it's basically: getting this movie gives you almost 2 hours of film and 2 and a half hours of special features.

The movie continues where the end of season 2 was leading into: the 5 members of the Light Music Club are going to London for their graduation trip and Yui, Mio, Ritsu, and Tsumugi plan what to get Azusa before they graduate. If you've watched the series then watch the movie; if you haven't [see my note at the bottom], start here (K-ON!, Vol. 1) or here (K-ON! DVD [Anime Legends).

--DISC 1--

-main feature [approx. 1 hour 50 minutes] *16:9 anamorphic

-audio selection [Japanese w/ English subs or English dub] *English 5.1 / Japanese 5.1

-scene selection

-"Also Available from Sentai Filmworks" [some previews to other anime produced by Sentai Filmworks; they're essentially textless openings]

-DVD credits

--DISC 2--

*note: unless otherwise noted, by "the cast", I mean the Japanese voice actresses for Yui, Mio, Ritsu, Tsumugi, and Azusa*

*the extra features are original content from the Japanese programs so they're in Japanese with English subs*

-Minami Tanaka's Dubbing Investigative Report TBS announcer Minami Tanaka visits the cast at the recording studio and interviews them (they do a little tongue twister activity, they're asked what they're favorite scene from the show is, a message to the fans, etc.) [approx. 23 minutes]

-London bus & Press Conference at TBS a pre-opening press conference with the cast (this was a week before the movie hit theaters in Japan) about their feelings about the movie, the live performances they've done, etc. [approx. 19 minutes]

-Navi Show 1-2-3 is K-On! 2 TBS announcers talk about the show and its characters (I guess this can be thought of as a crash course / refresher of the show) [approx. 24 minutes]

-Movie Premiere Event the cast and director talk to the audience at the movie premiere about their feelings about the show up to that point [approx. 22 minutes]

-Director Naoko Yamada in London the director does some "scenario hunting" in London over 4 days for the movie [approx. 29 minutes]

-Good Luck Music Hall K-On! Music Hall ...umm...I'm honestly not sure how to describe this extras clip...2 TBS announcers talk about K-On's music a bit and there are 3 short message clips about the movie from the Japanese voice actresses for Ui, Nodoka, and Jun [approx. 15 minutes]

-Japanese Trailer not much to explain here [approx. 2 minutes]

-Japanese Teaser a teaser...just a shorter version of the trailer [39 seconds long]

-Japanese Spots short, entertaining tidbits advertising the movie; it's continuous [approx. 3 minutes] but it looks like it's 3 spot shorts...just a guess though...

-Clean Opening Animation title: Ichiban Ippai [around 1:46 long]

-Clean Closing Animation title: Singing! [around 1:34 long]

My personal opinion about the special features: the extras are great! It's nice to see the original voice actresses because nothing like this is available as special features from the series. However, there are interviews from the English voice actresses that were included in the season 1 DVDs and blu-rays but there are none whatsoever here. A bit of a letdown because K-On! is one of very few animes that I can comfortably switch between Japanese dub and English dub so it'd be cool to see how both teams feel about the characters they've grown with and their journey up to it becoming a movie. But hey, you can't have your tea and drink it too...

**Just some extra information for those late to the K-On! [tea] party**

Here is where the anime and manga stand as of near-end May 2013 so you know what you need to catch up on (the following dates are relative and approximate):

K-On! volume 1 (manga): released November 2010

K-On! volume 2 (manga): released March 2011

K-On! volume 3 (manga): released August 2011

K-On! volume 4 (manga): released December 2011

K-On! College (manga): planned release date of July 23, 2013 (K-ON! College)

K-On! High School (manga): planned release date of October 29, 2013 (K-ON! High School)

*manga published by Yen Press*

K-On! Season 1 (anime): available in DVD and blu-ray (the DVDs can be purchased as 4 separate volumes or a 4-disc complete collection and the blu-ray as 4 separate volumes--there's no blu-ray complete collection) in Japanese w/ English sub or English dub; released April 2011, July 2011, September 2011, November 2011 (as the 4 volumes) and February 2012 (as the 4-disc complete collection)

K-On!! Season 2 (anime): broken up into 2 parts (released June 2012 and August 2012, respectively) and available in DVD and blu-ray in Japanese w/ English sub or English dub

K-On! the Movie: available in DVD (2 discs) and blu-ray (1 disc) in Japanese w/ English sub or English dub; released May 2013

*season 1 is produced by Bandai and season 2 and the movie are produced by Sentai Filmworks; the English dubbing is in association with Bang Zoom Entertainment so the voice cast stays the same in both seasons and the movie*

Read Best Reviews of K-On! The Movie (2011) (2011) Here

Has a quick recap of the show in the beginning so if you haven't seen the show you're not completely in the dark. For those of you who have seen it get to have a cute narration by Yui which is why you watch this in the first place. K-On! girls are back, and heading to London, and their typical shenanigans, and fun ensues. Overall it was another good show to see them all again after graduation.

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As a major fan of all things K-On!, I have been waiting nearly 18 months for the English version of this movie; it finally arrived yesterday, and I watched it last night. Suffice it to say, it was well worth the wait!

The movie covers the girls of High-school Tea Time's last few weeks before graduation (except for Azusa, who is one year behind the other four, of course). They decide to go on a graduation celebration trip, and eventually settle on London as the destination (although Yui says she would have preferred to go to England, until the others point out that London is in England!). So, in the week following their finals, and before graduation day, they pile on a plane and head for the UK. I won't elaborate on the details, except to say that the story lived up to K-On! expectations, with Azu-nyan being the most together and organised of the girls, in spite of being the youngest. They visit many famous locations in London, all beautifully filmed and then digitally imported into the proceedings. The only complaint I have is that all the Londoners they speak to (in the English dub) sound like Dick Van Dyke did in Mary Poppins; surely they could have got some real Brits in to speak the parts? They really were awful! But that aside, and it is only a minor point, I loved every minute of it; Yui is suitably nutty as usual, and Azusa gets suspicious and paranoid when the others all stop speaking whenever she walks in the room, but actually they are planning a nice surprise for her!

The movie offers a somewhat different view of the run up to the girl's graduation than the second series did; it is more light-hearted, and not nearly as emotional as the latter, but great fun, nonetheless. If you are a fan of K-On!, just get it; it's wonderful!

One last point; I had puzzled for ages over the actual meaning of the term 'K-On!', but it turns out that it is a contraction of the Japanese word for light music, 'keiongaku' (軽音楽). So now you know!

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By Brakhage: An Anthology, Volumes One and Two (The Criterion Collection)

I give thanks from Japan.

A picture of the blue-ray disc is very beautiful.

When I watch a silent film of Mr. Brakhage, I get dark the illumination and get alone at midnight.

This process make me a mysterious impression.

You can probably find ample good reviews of this set online, since this is an early Blu-Ray edition from the essential Criterion Collection, and is a lush and perfect enough package to have received awards. I purchase very few movies on disc, in spite of being a rabid cinephile; and this is one BR set that I bought _without hesitation_. Describing some of the films might sound like parody, insured boredom, or unbearable pretense, but I'm telling you....experiencing the films is something else. Theoretical baggage is posterior to the immediate, sensual experience of the films, as they unfold. Brakhage was a magician of some kind, a sui generis artist.

Listening to music while watching these silent film-paintings (even the ones that are not hand painted, as are his later films) is probably fine, but I'd personally suggest trying (and trying....and trying...) them in silence, the way he intended them to be seen. The effect is, I think, an intensification of the experience, since (if I'm correct) SB intended the films to BE A FORM OF MUSIC, or at least to be very much like music, in its essence. I've done this with friends, sometimes several hours at a time, and the effect is not just in my own head; others concur, and even bring it up afterwards without me prompting them.

The only other thing I might suggest is going out of your way to see these on celluloid if you can, while celluloid and film projectors still exist. And while these particular films still exist, _as_ films, which might not be for terribly much longer. It really is a different experience. I know, I know...isn't it always? But with many of these works, maybe all of them....it's really, really a different experience. It will shake you.

Critic Fred Camper, a sensitive and humble writer on many kinds of film art, has written extensively on Brakhage (including notes in this DVD/BR edition), and his website is a valuable resource. Also amazing is Brakhage's own short-lived radio show, which you can hear on Ubuweb. It is wonderful to hear the man speak! He's a mystic, but not a flake. And not drunk on himself, just honestly intent on, well, breaking through something to something else. How else to say this?

Buy By Brakhage: An Anthology, Volumes One and Two (The Criterion Collection) Now

Stan Brakhage is one of cinema's most unique artists. His films have a (literally) hands-on and human approach that has simply remained unmatched. Highlights include Mothlight, Window Water Baby Moving (surely one of the most beautiful films ever made), Dog Star Man, 23rd Psalm Branch, Night Music and Chinese Series (Brakhage's final work).

Criterion's massive blu-ray release of 56 Brakhage films allows his vision to shine even clearer than ever before. These films look magnificent. While some are limited by their sources, others (particularly his hand-painted films) look immaculate.

The audio is a bit hard to judge, as most of these films completely lack a soundtrack. Those that do have sound come across decent enough, though they are, again, limited by their sources.

The extras are plentiful and all worthwhile. The mulyi-part Brakhage on Brakhage series allows the filmmaker to freely discuss his creative process and influences, as well as share from interesting stories about fellow artists. Several lectures and interviews are also included, as well as For Stan, Marilyn Brakhage's short film dedicated to her husband.

The real treat here are the audio remarks by Brakhage, which detail the making and inspiration behind each individual film. These are only included on the first volume of this collection, however.

By Brakhage is one of Criterion's very finest releases, and thus, one of the greatest home video releases of all time.

Read Best Reviews of By Brakhage: An Anthology, Volumes One and Two (The Criterion Collection) Here

This is a fantastic blu ray for vj's and artists in general, a great update on the Vol. 1 and 2 on DVD. For me it is a great way to pepper my live music with his images. Stunning.

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This video was a requested gift something he had seen and wanted. This particular video was as expected, excellent quality and condition and he is quite satisfied with it.

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Charlotte's Web (2006)

I've seen several movie versions of CHARLOTTE'S WEB. The story of the friendship between a runt pig and a spider in the barn has been around entertaining children for dozens of years. But I have never seen a production that came even close to the new movie in theaters everywhere.

The recent release of CHARLOTTE'S WEB is simply amazing. I can't wait for the DVD to come out, and I'll really be disappointed if there isn't some in-depth special features regarding the making the of the film, particularly the computer animation aspects. Watching the animals talking and interacting onscreen was nothing short of magical.

There is an incredible shift from the human point of view in the film to the animal one that is almost seamless unless you're looking for it. I was, and it was still so effortless that the transition doesn't jar viewers at all. The handoff is smooth and remains highly believable.

My 9-year-old went with my wife and I, and even though he'd seen the story a number of times on DVD, he fell in love with it all over again. I loved hearing him laugh, and I couldn't help but remember the first time I'd heard CHARLOTTE'S WEB read to me by a schoolteacher.

The story is timeless and will always be around. But it's been waiting all this time for movie-making magic to truly unlock a way for audiences to watch it presented so much in the flesh.

No only is the video aspect so good, but the voice talent gathered for the film is outstanding. Julia Roberts, Steve Buscemi, Oprah Winfrey, Cedric The Entertainer, Reba McEntire, and many other recognizeable voices (including Sam Shepard as the narrator) all contributed to this amazing experience.

If you want to have a great time and be a child again, go see CHARLOTTE'S WEB. If you want to bring delight to a child, take one with you. You'll be glad you did.

First I must confess that I have never read the original book `Charlotte's Web' by E. B. White or seen the 1973 animated film version (with Debbie Reynolds' voice). So please read my review of this new live-action version as such, though probably this kind of confession is really unnecessary.

Wilbur is a `spring pig' who is destined never to see the winter. Charlotte, a spider living in Wilbur's pen, hatches a plan with Wilbur to change his fate. The story is deceptively simple, but there are messages behind it, which is not hard even for the kids to find as the story unfolds. Even for the adults the film's last 20 minutes is quite moving.

Dakota Fanning plays a girl Fern, who saves the life of Wilbur in the earlier part of the film. One thing I like about the film's script (by Susannah Grant and Karey Kirkpatrick) is that there is another coming-of-age story about this girl, who is about to grow up and leave her childhood behind. At first Fern and Wilbur look like inseparable friends. Fern tries to bring the pig to the school, hiding him in the desk. However, by the end of the film you will be seeing another Fern, more grown-up, less childlike. No one can remain a child forever, and Fern, or perhaps Dakota Fanning herself, embodies this poignant fact.

Charlotte's voice is provided by Julia Roberts. It may be slightly weird to imagine a spider speaking with Julia's voice, but it works with her voice expressing the motherly wisdom and concerns convincingly. Impressive cast is gathered for the voices of the animals in the barnyard, and Steve Buscemi as Templeton the Rat and John Cleese as Samuel the Sheep are standout.

These animals are all perfectly created with impeccable special effects, but you may feel some part of the film detract from their effects on us. I am not sure the film really needs two meddling crows or fart jokes, and if the film company thinks that their film needs them to keep the kids interested, they are utterly mistaken. They have a charming story of Wilbur and Charlotte, and they should be much more confident, especially when they have this cast and Danny Elfman's wonderful score.

If I may borrow Charlotte's word, `Charlotte's Web' is truly `some' film, and its radiant charms are more than this single word can convey.

Buy Charlotte's Web (2006) Now

As with Walden's first adaptation--The Lion, the Witch, and the Wardrobe--this is an okay movie that could have been vastly better. It is a superior adaptation to Wardrobe, in that it follows the source material more faithfully both in story and characterization, but it still fails most in those key areas, and in important ways that the animated version didn't.

The most off-putting and probably most egregious error on director Winick's part is to make Fern such an impertinent, downright snotty little girl. In the book Fern is determined, but not rude. Neither is her father the milquetoast that he's made to be in the film. Ditto Templeton the rat, who is turned from an irascible malcontent into an outright bully. Such characterizations are completely unnecessary and in fact detract from the story. (Which again was the core failure with The Lion, the Witch, and the Wardrobe. Seems to be a Walden thing.)

This ties into a problem with the casting in general. Julia Roberts was simply the wrong voice for Charlotte. The '73 version had the good grace and foresight to cast Debbie Reynolds as Charlotte. Reynolds' soothing, melodic voice was perfect for a creature meant to be soothing and enchanting. There is life and wonder and hope in it. Roberts' voice is simply too flat and nasally, and becomes actually grating. The casting on the rest of the animals was fine (though the body humor got old after the second "joke"; I long for the days when body "humor" wasn't considered simply part of kids' movie genre), but of the humans only Beau Bridges stands out. I like the actors who played the various parts, but they too come off as lifeless. The whole affair is simply flat, which is ironic considering the wondrousness of the tale attempting to be told.

And then there's the decision to go with hyperrealistic special effects. I found myself wishing they'd stayed with the neat animation that introduced the movie. Instead we're treated to super-macro shots of a spider worthy of an electron microscope. Director Winick should have had the sense to realize that there's no way to make a spider cuddly in close-up. The animated '73 film was wise enough not to try; it showed Charlotte in just enough detail to give her form and features, and left it that. This one, again like The Lion, the Witch, and the Wardrobe, wants to show off at the expense of the story.

Some of the non-book material is witty, but for the most part it's not and obviously tacked on to tickle kiddies' funny bones. It does, so in that sense I suppose it works, but it's laziness on the part of the filmmakers to feel it's necessary.

In sum, what should be a magical, uplifting movie comes off as flat and, in fact, a little boring. Maybe one of these days the film industry will discover that special effects and high-caliber casts aren't enough to save a lackluster script. It always comes down to the writing, and it simply isn't very good in this version of Charlotte's Web. It has its heart in the right place, and doesn't stray far from the original book in actual plot, for which I have to commend it at least three stars, but it's more interested in being a comedy made for kids than a drama made for smart people, young and old. This is why the '73 version continues to hold my kids in thrall after at least a score of viewings, but they were so bored on a second watching of this new film that they wanted to leave early.

Read Best Reviews of Charlotte's Web (2006) Here

Very faithful adaption of the book with an all star voice cast. This is really a terrific tale of friendship and loyalty that is a must view for the family. The story is funny and sweet and is done right from start to finish. The fun part for adults is trying to guess the voices of all the animals. A few are obvious, but some take some time to figure out. This is certainly one to pick up.

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This movie is a wonderful and entertaining adaptation of the children's book by E B. White, which was published all the way back in 1952. Lending their voices are celebs like Julia Roberts, Oprah Winfrey, Steve Buscemi, Kathy Bates, John Cleese, Thomas Haden Church, Robert Redford, Cedric the Entertainer, Reba McIntyre, Andre Benjamin and Sam Shepard, plus live performances by Dakota Fanning and Beau Bridges, among others. With this kind of star power, who can resist taking a peek at this version of the classic tale?

Here's the gist of the movie, best sung to the tune of "My Favorite Things":

Pig slops for Wilbur, the runt of the litter

Saved from the slaughter, he's one lucky critter

Fern kept the pig from her father's sharp knife

Begging and pleading for her piglet's life

Down in the barnyard are sheep for the shearing

Horses and geese, plus the cows that they're rearing

A very wise spider who cares for a friend

Promising he won't be ham in the end

Charlotte the spider worked all the night spinning

Working her webbing right from the beginning

The first ones to see it, their eyes grew so big

The words she had woven, they spelled out "SOME PIG"

Soon the time comes when they're ready for smoking

In comes the rat just a pryin' and poking

Charlotte persuades him to help with her plan

To keep little Wilbur from the frying pan

If their plan fails

At the fair ground

It'll all be in vain

But simply remember once words can be found

That things will be fine again

Notes:

The music for "My Favorite Things" was composed by Richard Rodgers, and the lyrics were written by Oscar Hammerstein II. My apologies to both gentlemen.

This is dedicated to my friend Len, who suggested the theme, even though I'm quite sure he was joking.

Amanda Richards, April 10, 2007

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Stardust (2007)

The story begins in the 19th-century village of Wall. But Wall isn't your average country village -it guards a low, stony wall between mundane England and the fantasy kingdom of Stormhold. No one crosses the wall -except for young Drustan Thorn, whose curiosity led him to an otherworldly market and a single night of passion with a captive gypsy -or princess -and nine months later he was given a son, Tristan, who was left for him by the wall.

Flash forward 18 years, and Tristan (Charlie Cox) hopes to win the heart of his beautiful but shallow love, Victoria (Sienna Miller), by recovering a star that fell somewhere beyond that wall. So Tristan sets forth on his own journey in Stormhold. Meanwhile in that magical land, the dying king (Peter O'Toole) has set his four surviving sons on a quest for the crown. And the witch Lamia (Michelle Pfeiffer) is seeking the heart of the star for an entirely different purpose, one that probably will not turn out well for anyone else involved in the story.

Despite initial trepidations over seeing a favorite Neil Gaiman story converted to film, "Stardust" is all I could hope for. The settings and scenery are lush and beautiful. The effects are seamless and spectacular. The score by Ilan Eshkeri is dramatic. Narration by Ian McKellen is compelling. And the casting is exceptional, from Robert De Niro as the delightful sky pirate Captain Shakespeare to Pfeiffer as the sumptuously evil witch.

Claire Danes is absolutely radiant as Yvaine, who in one way or another holds the resolution of every quest. Poised, beautiful and sporting a great English country accent, Danes glows even without the benefit of special effects. And Tristan Thorn is a classic everyman hero, a simple young man who grows and flourishes on his journey; Cox captures the role perfectly. A relative newcomer to the screen, he's without question an actor to watch.

Gaiman is a brilliant writer, a man with an imagination like no other. Fortunately, director Matthew Vaughn bucked the Hollywood trend by respecting the source material, creating a splendid film, one that will surely become a classic for generations to come.

by Tom Knapp, Rambles.(NET) editor

Wall looks like just about every other English village, but it hides a secret. It's not jolly old England on the other side of the wall. Few mundane English travelers ever make it over the wall and back. Drustan (Nathaniel Parker-Ben Barnes) is one of the few--and nine months later, a son was delivered to him at his doorstep.

The son Tristan (Charlie Cox) grows to 19 and falls in love with Victoria (Sienna Miller) a woman well above his means. He fears his ability to capture her heart is failing, til they see a star fall on the other side of the wall--and Victoria tells him if he will seek out the star, she will be his.

Thus, begins Tristan's quest for true love. Instead of a star, he finds a maiden Yvaine (Clare Danes) who turns out to be the earth-bound embodiment of the star. Unfortunately, Victoria is not the only person who wants the star.

From here, we encounter a multiplicity of plot complications including a King (Peter O'Toole) who sets his sons against each other in a fight for succession to the throne, a pirate (Robert DeNiro) with an interesting secret) and a triad of witches who seek the star to extend their lives and (ahem) beauty.

I loved reading Neil Gaiman's story. STARDUST is one of his best, but the film is one of those rare instances where the book has been improved. The casting for STARDUST is some of the best I have seen.

This is one of the rare films that I paid full price for in the theatre and will purchase the DVD for later viewing. STARDUST is going to be a fantasy classic and a great addition to any fantasy fan's library.

WARNING: If you have very young children, please do not show this film without some advisory. We saw STARDUST in the theatre with a couple of young families close by and the littlest kids were crying at the rough parts and some families had to leave.

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The first time I saw this movie, I didn't have high expectations. The trailer looked silly and I had practically disregarded the movie. Lately, actors of the size of Robert De Niro (who now can do anything they want) have been doing some campy and really bad movies (like Meet the Parents), so not even the big names were enough to interest me.

But then I started reading some reviews on imdb a couple of weeks after the movie got out. A lot of them agreed that the trailer didn't do justice to the film, and that although still not taking itself seriously, the movie somehow shined far beyond expectations. So I decided to give it try, and now I'm glad I watched this movie in the big screen.

For those who haven't seen it yet, the trailer indeed falls short. Michelle Pfeiffer and Robert De Niro are great, along with everyone else in the cast. The music score is amazing, the special effects are great, and the most important thing of all, the story is funny and it really taps into the best of the best of the fantasy genre.

This movie didn't have the success it deserved on the box office, so please, give it a try. It's not your typical fantasy film, it feels original, fresh, and it really entertains. Since the movie doesn't take itself too seriously, some people might consider it campy at first, but the best way to enjoy this great film is not to expect a deep drama (like the Lord of the Rings), but an entertaining fresh film.

Paramount has gone HD DVD exclusive, and for that we now get Stardust released on both DVD and HD DVD. If you have an HD DVD player, Stardust is a must in High-Def. Anyone who saw this movie in the theaters should agree.

Simply put, the movie is a visual feast without compromising the story and it really deserves a chance. Some may find it a little weird film, but Stardust is a sleeper hit that hopefully will get the success it deserves on DVD and HD DVD.

Read Best Reviews of Stardust (2007) Here

All discussion about the movie itself aside, I was disappointed by the quality of this disc. I have the DVD and have been slowly moving my collection of DVD's to Blu-ray versions. When I saw that Stardust had finally hit Blu-ray, I jumped at the chance to get better quality. Unfortunately, though, this Blu-ray doesn't look any better than the upscaled DVD. I fully believe there's some digital slight-of-hand going on here. I suppose you could lay down any type of video on a Blu-ray disc and call it, "Blu-ray," since you're referring to the media not the video. Anyway, this doesn't do 1080P justice. If you're upgrading your movie collection, don't bother with this one. If you've never seen the movie, you should really see it.

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Fantasy is hard to find in the movies -for every "Lord of the Rings," there's only a handful of bad sword'n'sorcery tales for kids ("Eragon," "The Seeker"). As for fairy tales, forget it.

But one little fairy tale HAS made its way into theatres -an enchanting little story loosely based on a Neil Gaiman novel. And "Stardust's" charm is its lack of pretension, and its willingness to be silly, romantic, fantastical, sparkling and most importantly, tongue-in-cheek. And it has pirates too.

A wall separates our world from the world of magic -and one night, Dunstan Thorn went over it, and had a brief tryst with a beautiful princess, who is imprisoned by a witch. Nine months later, baby Tristan is left on his doorstep.

Nineteen years later, a dying king magically flings a ruby into the sky, and says that the prince who finds it will be the new king. The two remaining princes -and the ghosts of their dead brothers -et off to find it. But that ruby dislodged a star, and it plummets to the ground across the Wall -attracting the attention of three ancient witches, who use the hearts of stars to restore their spent youth.

Still with me?

Tristan (Charlie Cox) also sees the star, and the snotty girl he adores (Sienna Miller) says that she will marry him if he gets her the star before her birthday. Tristan does manage to find and entrap the beautiful star, Yvaine (Claire Danes), and they start off on a magical adventure of air pirates, unicorns, evil witches, and true love.

"Stardust" has pretty much all the requirements for a fantasy and/or fairy tale movie -magic, love, an evil villain, and lots of odd characters to round out the cast, and flesh out the story. Not much is actually new. But like the original Gaiman tale, the movie winks affectionately at you as the story unfolds.

In fact, the movie only really stumbles when it stops to ruminate on true love and how precious it is, etc. Cute, but boring -especially since the romantic leanings of the leads are pretty clear. Director Matthew Vaughn really shines when he's focusing on airships, goat-men, and the occasional magical sword-fight with an dead man.

Despite the scattered nature of the plot, Vaughn directs with a smooth, sure hand, and he sprinkles plenty of comic relief through it -Captain Shakespeare dancing in drag, or the Greek chorus of murdered princes. And the dialogue avoids fantastical pomposity by being just as tongue-in-cheek ("Nothing says "romance" like a kidnapped injured woman!")

Cox makes an excellent wide-eyed, slightly blinkered country boy, who turns from a bumbling suitor to a strong young hero. Danes isn't quite as ethereal as one would expect Yvain to be, but she gives a solid performance, and Miller is perfect as the snotty, shallow Victoria.

But while the younger performers are solid, the veterans are absolutely brilliant. Pfeiffer is hilarious, chilling and pouty as the constantly frustrated witch, and De Niro steals the show as a cuddly, twinkly-eyed gay pirate who pretends to be brutal. And Peter O'Toole and David Kelly have brief but brilliant appearances.

"Stardust" is exactly what the title suggests -sparkling, funny, wry, and just deep enough to be entertaining. A solid, sweet little fantasy movie.

Eden

Based on the real life events of Chong Kim, the action in Eden starts from the opening scene and moves right up to the dramatic finish. Jamie Chung really showcases her broad array of talents in the lead role as a kidnapped teenager, for whom mere survival becomes a struggle on many levels. Director Megan Griffiths deserves kudos for her work in bringing this film to life. You will never view the "adult entertainment" world the same after watching this movie.

This is a very heartwrenching movie I saw at SIFF. It makes you want to go home and hug your daughters. I cried a lot. Every one with daughters should see this movie and even show it to your teen daughters as a warning.that human trafficking can happen to them too in an instant.

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Star Trek VI: The Undiscovered Country (Remastered) (2010)

Let me explain

-Spoiler Warning-

The first version of the film was shown in theaters.

The second version was shown on all home video formats. This version includes a couple of additional footage to certain key scenes, and a few new scenes all together.

Spock has more Dialogue in the top brass meeting.

A scene taking place in the President's office where Col. West presents his plan to sneak into Klingon territory and rescue Kirk and McCoy.

Spock and Scotty checking the torpedo inventory before Valeris informs them that the Chancellor's Daughter is now the current klingon chancellor.

The klingon assassin at the climax of the film turns out to be Col. West.

The Third version of the film is shown on this Special Collector's Edition DVD. This version includes all the material from the second version, and a few minor changes to certain scenes and effects.

When Martia gets shot, a disruption sound effect is removed to make her scream more apparent.

Valeris's interrogation scene has been entirely reedited. There are now close up shots of Kirk and McCoy when they speak their lines instead of being in wide shots. When Spock and Valeris name a particular conspirator, the face of that person briefly appears in a flashback like style.

Do I prefer this version of the film? Sure. I personally believe that Valeris's interrogation scene is much more dramatic with the flashback shots. It really helps the viewers who aren't good with names understand who Spock and Valeris are talking about, and adds a little more tension near the end of the film.

I hoped this information helps you out in spotting what has been changed. If there is anything I missed, please feel free to contact me.

Star Trek VI The Undiscovered Country, no better way to finish the movies with all of The Original Series characters. In my opinion, this was the best of their movies. The writers and producers really did a wonderful job with this one. It was great to see Sulu become Captain Sulu and get his own ship. Which later helped Voyager do an anniversary episode with Lt. Cmdr Tuvok having been a member of his crew. Kim Cattral as a Vulcan. Michael Dorn (Lt. Worf), playing his grandfather. Rene Auberjunous (Odo) as Col West, a couple years before Deep Space Nine. Many other notable Star Trek names making appearances in this great movie. Everything was great about this movie, from the state dinner with the Romulan ale, to the search of the Enterprise for the assassins. The space battle was one of the best treks ever put on screen. If you're one of the ten or less people on the planet who've not seen this, buy it, rent it or borrow it. This is the finest example of what Gene Roddenberry intended Star Trek to be.

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Star Trek VI: The Undiscovered Country, released in 1991 a few months after the Silver Anniversary of the original television series and the death of Star Trek creator Gene Roddenberry, is a suspenseful and adventure-packed "final voyage" for Capt. James T. Kirk and the Starship Enterprise.

Coming on the heels of the less-than-stellar Star Trek V: The Final Frontier and the resignation of Harve Bennett as producer of the feature films, Paramount turned to actor/producer Leonard Nimoy and director/screenwriter Nicholas Meyer (Time After Time, Star Trek II: The Wrath of Khan) to save the foundering franchise and give fans something worthy of a 25th-anniversary celebration. After looking at various options, they decided on a Star Trek version of the end of the Cold War.

The Undiscovered Country (the title is a Shakespearean reference to death and was Meyer's first choice for the title of Star Trek II) capitalizes on the similarities of the U.S.-Soviet standoff to the long-standing not-quite-war between the Federation and the Klingon Empire. Fittingly, the film begins with a bang when, in a Chernobyl-like accident, the Klingon's main energy production source on the moon of Praxis explodes.

The explosion sends both literal and political shock waves across the galaxy. The physical subspace wave buffets the USS Excelsior, now commanded by former Enterprise helmsman Hikaru Sulu (George Takei). Capt. Sulu, in the tradition of good Starfleet captains, offers assistance but is rebuffed by the Klingon High Command.

Nevertheless, three months later, Sulu's former shipmates, including Capt. Kirk (William Shatner), Dr. Leonard "Bones" McCoy (the late DeForest Kelley), Capt. Montgomery Scott (James Doohan) and Cmdrs. Uhura (Nichelle Nichols) and Pavel Chekov (Walter Koenig) are summoned to a top secret level meeting. "The Klingon Empire," they are told by Starfleet's commanding admiral, "has less than 50 years to live." Praxis' explosion has depleted the ozone layer of the Klingons' homeworld and polluted the atmosphere. Heavy expenditures on weapons and bases has weakened the Klingon economy and the cleanup is beyond their means. A special envoy has been appointed by the Federation to begin negotiations with Chancellor Gorkon, leader of the Klingon High Council. To the shock of Kirk and his officers, that envoy is Enterprise first officer Spock (Leonard Nimoy).

And when Kirk is assigned to escort Gorkon's ship into Federation space for a summit on Earth with the Federation president (That 70's Show's Kurtwood Smith), he's shocked and angry. Not only are the senior officers due to retire in a few months, but Kirk is still bitter about his son's death at the hands of the Klingons several years before. But the good captain has been issued his orders, and like it or not, he will do his duty.

Little does he know that a massive conspiracy to undermine the peace negotiations is underway, planned by those in the Federation and the Klingon Empire who have a lot to lose if peace breaks out. And soon, Kirk and the Enterprise crew are caught in a web of deceit and intrigue that will place their lives in jeopardy....and shatter the last best hope for galactic peace.

The film features a fine performance by Sex in the City's sultry Kim Catrall as Lt. Valeris, Spock's full-Vulcan protege with a hidden agenda of her own, as well as a wonderfully over-the-top appearance by Christopher Plummer as a dastardly, Shakespeare-quoting Klingon general. The Undiscovered Country also acknowledges the legitimacy of Star Trek: The Next Generation, and with an appearance by ST-TNG actor Michael Dorn as Col. Worf (the grandfather, one surmises, of the Enterprise-D's Lt. Worf, Dorn's "regular" role), the two generations are bridged on the silver screen. ("Unification, Parts I and II," guest starring Leonard Nimoy, had aired a few weeks before the film's premiere and included a few subtle references to its storyline.)

Star Trek VI's home video, laserdisc and first DVD releases contain the longer edited-for-home-viewing version which includes two deleted scenes featuring Rene Auberjonois (who would later be cast as Odo in Star Trek: Deep Space Nine) as Col. West. Paramount has released a barebones DVD since 1998, but a 2-disc Collector's Edition is forthcoming.

Read Best Reviews of Star Trek VI: The Undiscovered Country (Remastered) (2010) Here

Wrath of Kahn is the quintessential Star Trek movie. The Undiscovered Country comes close at being just as good.

As for this blu-ray version of the movie there is little I can say that is negative. My only gripe is that they changed the box art (although it makes sense for them as they are trying to re-image Star Trek). The video and audio transfer is near flawless. This disc is also loaded with special features. So far I have only watched the Farewell video to Bones as well as a few of the behind the scenes. It is really good to see that they tried really hard to make this blu-ray jam packed full of stuff for the fans rather than a rehash bare bones release. I have this movie on VHS, DVD and now blu-ray and each version has been worth every penny.

Get this movie and let your inner nerd take over!

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Following the disastrous critical and box office reception of Star Trek V: The Final Frontier, Paramount could have easily dropped the original cast in favor of The Next Generation. However, sentiment prevailed and Nicholas Meyer, who directed The Wrath of Khan (still the most popular film with most Trekkers) and who co-wrote The Voyage Home (still the highest grossing Trek film), was called in. He, along with Leonard Nimoy, fashioned a script which features most of what has made Trek endure through the years: a relevant story drawing on then current events (i.e., the lightning paced changes in the relationship between the United States and the then Soviet Union, which precipitated the end of the Cold War), with plenty of action, drama, humor (appropriate humor, not slapstick) and character development. Thus, the original cast would be able to exit the franchise with their heads held high.

The pacing of this film is much smoother than the earlier films (even Treks II & IV took too long to get moving) starting swiftly and accelerating to the pulse-pounding conclusion. The overall tone of the film is darker and edgier than any previous Trek (perhaps the filmmakers were taking a cue from 1989s Batman, which obliterated Star Trek V at the box office). The directing is fluid, with Meyer's camera swooping around the bridge (a notoriously difficult set to film in) and the other sets, and the editing is tight. Although the story primarily (and correctly) focuses the action on the triumvirate of Kirk, Spock & McCoy, the supporting cast is given plenty to do as well. Sulu, in particular--finally Captain of his own ship--has greater involvement. Guest star Christopher Plummer molds General Chang into Trek's best villain since Khan, and David Warner makes a lends an air of dignity as Chancellor Gorkon (the name is an amalgamation of Gorbachev and Lincoln). There are a few additions from the theatrical version which have appeared on all video versions: The Colonel West plotline was not in the original film (perhaps Paramount thought the parallel to Colonel Oliver North was too obvious). For this DVD, there are also few small alterations during the Spock/Valeris Mind Meld scene.

All of the charm of Classic Trek is here: a final needling exchange between Spock & McCoy; the occasional, almost improvised humor; characters being thrown every which way on the bridge during battle; Kirk kissing a beautiful female; one last bit of scenery chewing from Shatner, who holds his own against fellow hamosaurus Plummer; and, finally, a bittersweet ending.

The visual effects of The Undiscovered Country (a reference to Shakespeare) hold up well, with very little use of stock shots (three effects shots from this film would later be used in 1994s Star Trek Generations). The score by Cliff Eidelmann accentuates the activities on screen, without overshadowing them, and adds to the dark atmosphere of the film.

The transfer on this DVD is excellent, with the colors, especially the maroon uniform jackets, crisp & vibrant--an improvement over the previous DVD, and light years ahead of the VHS and LaserDisc editions. Since the film was shot in "matted" Super 35, rather than Panavision, the aspect ratio is not as wide as the other Trek films. The sound is detailed with plenty of punch.

The bonus features are the best of any Trek film so far, including featurettes on the evolution of the story, prejudice in the Trek universe, Shatner's "reunion" with Plummer (back in the 1950s, Shatner understudied for Plummer in Henry V), and a moving tribute to the late DeForest Kelley.

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Patlabor (OVA)

I admit it. I am a Patlabor fan boy. I love anything and everything Patlabor. This OVA series is no exception.

Before we start, I will say that if you already own the CPM release, keep it. The only reason to keep it isn't because the Blu Ray stinks the reason to keep it is for the Mamoru Oshii commentary. None of the other extras on the original DVDs are really worth missing, but this omission means I am keeping my DVDs close at hand.

Patlabor OVA is a collection of mostly one off stories (well, except the single two parter). The first episode goes into the formation of the squad, while each subsequent episode seems to up the storytelling ante. Whereas the movies are thought provoking mind benders (sort of... Oshii was just hitting his stride before Ghost in the Shell), these aren't quite so much, but every episode is definitely worth viewing.

The story goes that in the future the world is populated with Labors, bipedal mechs used for all sorts of things in daily life, such as construction and so on. They also use them for their police force. Patrol Labors, or Patlabors, are the name given the Labors used by the police force.

Video:

AVC encoded 1080p video. Picture size is 1.34:1, as it was originally animated. The video is completely remastered by the original film elements. I believe the video utilizes the same remaster used for the Japanese release. The difference is, we get it at more reasonable prices than the Japanese release (and we get subtitles).

The animation, being an OVA, is higher quality than that of normal TV animation. Being hand drawn and painted cel animation, there is a sublime beauty inherent in this release. The remaster retains all of the original detail from the film and doesn't push noise reduction to ridiculous levels. You know this came from film, and it's beautiful for it.

There are no real specs of dust or dirt or damage to be seen. This is the best the Patlabor OVA has ever looked for a home video release.

Audio:

You have two choices for audio, Japanese or English (the original dub as best I can tell) in DTS-MA stereo. Neither track had drop outs or any other oddness. They very much sound as best as they ever will.

The stereo sound stage is utilized nicely and works well for the show. Effects can pan left/right and separate nicely on both tracks.

One thing I will note is the optional English subtitles. They are nicely done and well translated. The one thing that MIGHT be a problem is if someone tries to watch this on a non-widescreen TV (not likely for a BD, but still a possibility). Some parts of the subtitles reside in the black space to the left and right of the image. On a standard 4:3 TV, some parts of the letters will likely be cut off. For most people this won't be an issue, and if you are buying this to view on a 4:3 TV instead of 16:9, you may want to go with the DVD if you plan on watching subtitled.

Extras:

As stated above, the CPM release had the Oshii feature length commentary. This release, however, does NOT.

All that is included are clean opening and closing animations. Nothing spectacular and nothing to write home about. Rather disappointing. Considering the Japanese release only had a bonus 16 page book, I suppose this was expected (it didn't have the Oshii commentary either, for some reason).

Overall:

I love Patlabor. The story lines are fun, sometimes thought provoking and well told. The animation looks spectacular still. The OVA, while not as thought provoking as any of the 3 movies, really shows you what Oshii could be known for in the near future.

If you watch this and love it, and don't mind paying a ridiculous price, the 3 movies can be had on Blu Ray from Amazon Japan. They include English subtitles (but unfortunately, not the English dubs). You can also pick up the North American DVD limited editions for a relatively cheap price if you know where to look (while supplies last).

Highly recommended.

This show is 6 Episodes, each one with a different story to it, some nicer some worst.

Old style animation, if you are looking for Ghost in the shell, this is NOT close even.

Patlabor is an OK show,

There is barely any action, animation is old but nothing impressive, nothing really remarkable about it, I own the 3 movies, and I love the firt 2 movies, they look great with nice action and a good plot, but the show is week for my taste.

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I have been waiting, in hope, for an affordable re-release of the original Patlabor! I have been a, sort of underground, Patlabor fan for several years, but I could not bring myself to pay the ridiculous price it originally was. However, let's move on to an actual review.

First, I am reluctant to even call Patlabor an anime. It's more of a toned-down animated sci-fi. I, myself, am really not an amine fan, but more of a general sci-fi fan. I say this meaning that Patlabor can be enjoyed by all kinds of people, not just anime fans. In fact many anime fans are fond of Patlabor because of how conservative and simple it is. Patlabor is very different from other mech shows, such as Gundam, Macross, and Eureka 7. In fact, Patlabor is only partially about mechs. The mechs in Patlabor are more like a futuristic symbol or a team mascot than a plot builder.

Patlabor is about a lousy Tokyo police unit called SV2 (Special Vehicles Unit 2). In the "future" (1999, ten years after the series was created), labors (mechs) are used for general construction work. However, in a large city like Tokyo, crime involving labors rose and now is not uncommon. Hence, the creation of police patrol labor units or patlabors. The series starts out by introducing the members of SV2 with them ... well, not doing much of anything. I admit, I too was thrown off by the series sort of awkward and boring introduction. I was especially thrown off by the lack of background sounds, and choppy, redundant dialogue. But keep watching, this is done on purpose! Patlabor, in both the OVA and TV series, starts off with SV2 doing simple everyday police missions (but with mechs), comedic filler episodes, and with SV2, as I said before, sitting around the unit doing nothing.

However, this method of story development makes the characters so much more relatable and real than in the violent, overly dramatic, typical action cartoon. But keep watching, the series builds a lot of intensity in episodes 5, 6, and 7. I promise desire for action will not go unsatisfied, as this group of lousy, ordinary cops are put into extraordinary situations. This is the beauty of the show.

So if your hoping for an unoriginal robots-fighting-and-blowing-things-up show (not that there is anything wrong with those), this is not Patlabor. However if you want something feel-good with a good story and funny characters but ends with a bang, Patlabor is the show for you. If you enjoy the OVA, watch the movies and TV series. The best Patlabor has to offer is actually movies 1 and 2. The great thing about the OVA series is that it is sort and cheap. So if it doesn't impress you, which honestly it does not appeal to everyone, you have not wasted a lot of time and money.

Read Best Reviews of Patlabor (OVA) Here

These shows have the same kind of tone/gags that the original show had with a slight re-imagining of the very beginning. Same characters of course. Except for a two part episode, the episodes are self-contained like the original series...meaning you can watch any one of them and know what is going on.

This is nice because this re-release is WAY cheaper than what the original release sells for.

Although this show has robots in it (and moreso than the original series) they're not the main focus. This is more of an "another day at the office" kind of comedy/drama. This will in no way convert people who didn't like the original series. And like the original series, it has a much lighter tone than the movies (although I loved the movies too). The production quality is nearer to the series than the movies as well. Still not bad. Not for everyone. Especially not for over the top action fans. It should be noted that all you get are the episodes. I didn't see any special features beyond previews for other shows.

I'm not even sure why I enjoy patlabor so much but I do. Maybe because it's unpretentious, doesn't take itself seriously in a smart way, and compliments a nice relaxing mood we all like to settle into after a day at our own jobs.

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I was disappointed to find that there was no new dubbing for this like the special edition versions of the movies. There also aren't really any extras included which is unfortunate. If you already own the old Central Park Media DVD version and are not concerned with picture quality I suggest you stick with it since that version includes some cool extras like director's commentary from Mamoru Oshii.

However, that version has become quite rare and expensive so if you just want to see the original Patlabor in all of its glory with subtitles (the CPM dub is only present on a few of the episodes anyway) and you don't care about the extras, this is the way to go. It's still a great work that was a brilliant deconstruction of the mecha genre in its day. It's sillier than the movies that followed and but not as silly as the TV series.

If you want serious science fiction then you may prefer the movies and if you want slapstick comedy you may prefer the TV series. This falls somewhere in-between the two. The most dramatic episode was "The SV2's Longest Day" which was essentially remade and refined into Patlabor the Movie 2.

If you love Patlabor and late-80's science fiction you can't go wrong. If you're a fan of the movies this is where that "timeline" begins (the TV series and second OVA follow a separate timeline as does the manga which is its own thing). Just expect it to be a little different than what you've seen before.

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Division III: Football's Finest (2011)

Hilarious! If you love Andy Dick, which most don't...you will love this movie. He is amped up the entire time. It's like watching the best parts of his MTV show, for an hour and a half. Gr8 stuff!

This movie is a total gem, entertaining and perfectly cast and edited. There were moments I had to replay right away because they were so funny. Like when the assistant coach, Paul Henderson's character, leads the prayer for the football team. Brilliant comedy. Andy Dick is a madman and yet he has pathos. My family has been quoting one liners from the movie ever since we watched.

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Andy Dick is genuinely funny in this movie. He's a funny comic actor, but most of the reason it works is that he's playing a very funny character. Rick Vice, a psychotic coach with a checkered past, is the perfect vehicle for Andy to channel all of his crazy, scary talent into, and it works.

Other actors have their moments but I never felt they were as developed as Andy. Will Sasso and Adam Carolla have a funny running gag as sports reporters, and I wish there had been more of Mo Collins as the loopy president or dean of the small liberal arts college.

The problem with the film is that the main character, played by co-writer and director Marshall Cook, is that he's simply the Lead Character In A Sports Film. And an under-developed one at that. He at first comes across as lazy and cynical...and then he just walks through the rest of the film, ending up with a winning game and The Girl...and we're not sure why. I guess because he's the Lead Character In A Sports Film.

The film clings too tightly to a well-worn sports movie formula and several main characters are merely formula commitments, not hilarious comic creations.

But Andy is really funny in this.

Read Best Reviews of Division III: Football's Finest (2011) Here

This movie is really funny! I was laughing non-stop. Andy Dick gives an outstanding performance and there were great jokes throughout. The actors were talented and the director did a great job of breaking the comedy mold. This movie was wild compared to all of the big budget, watered-down comedy movies normally released. I saw it in a theater but I can't wait to see it on blu-ray.

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I'm a huge Andy Dick fan and own the vast majority of his albums, TV shows and movies he's been in. I know he's not everyone's favorite, but I enjoy his funny, weird sense of humor.

That said, I didn't really like the movie he was placed into. Division III has quite possibly the worst male lead casting choice I've seen in ages (Marshall Cook). I mean, he literally gives Chris Klein a run for the money in terms of being unlikeable. He's got a bad attitude, a lazy work ethic and has zero charisma. I'm talking about both the character he portays AND him. He literally comes across like he was halfway awake in every scene. That wouldn't be so bad if the female lead (Alison Haislip) wasn't equally annoying on screen. I mean, are we supposed to want this girl to be the one everyone falls for in the film? She's snotty, talks down to everyone she meets and constantly complains about not being able to afford tuition at a college so poor it can't even afford football jerseys. It makes no sense. Like Marshall, I doubt she even wanted to be in this film (and it shows).

I could also complain about the weenie and weird Kevin Covais, a weakling and even nerdier version of McLovin. I mean, WTF! He was giving the male lead pep talks, sleeping with a girl way out of his league and scoring a game winning touch down even though he had never set foot on the field once (during an actual football game). Really? Really....?

As I said, the film around Andy is just mediocre at best. It's not particularly funny, touching or...well, anything. It's just there. I almost get the impression the Director was hesitant to make the whole film about Andy and instead tried to give the younger actors more screen time to balance him out. I think that was actually a poor choice because people will watch and remember Andy Dick in this film and no one else.

I should also say the film is surprisingly well told storytelling-wise and Dick's character is unpredictable enough that the film isn't too formulaic. I also like how non-PC the humor is. There are some gross out bits in the film I didn't expect, but luckily for Andy, they didn't seem beyond the scope of what he is known for (making the audience cringe).

Overall, for Andy Dick fans, it is definitely worth watching, despite the ho-hum story and actors surrounding him. I would recommend Danny Roane: First Time Director over this any day, mainly because that is a film all about Andy Dick and has much, much better actors in general.

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Last Action Hero (1993)

I think I know why this film was so poorly received and tanked at the box office. It was TOO "inside". Much of this film is a series of jokes about the standard, conventional, formulaic, bombastic action film genre. But the humor was so tongue-in-cheek so often that it probably didn't bode well with the average action-junkie film fan. "Last Action Hero" made fun of itself as it unfolded, and one would need a certain sense of humor to fully appreciate it on its intended level. I dare say that most folks who went to this film just didn't "get it". Too bad for them.

The major flaw of the DVD is that the film is presented in the god-awful Pan and Scan format. Pan and Scan presentations of frenetically-shot widescreen films should be outlawed, it's just that simple. You almost get a headache watching this P&S version. The digital pan is so obtrusive and distracting that it can drive one to anger! It pulls you out of the film, to say the least. I like (but don't really love) this film, and the low price of the DVD makes the purchase a no-brainer. But it is too optically uncomfortable to watch in P&S.

Release it in widescreen and all will be okay.

It's sad to think that 18 years after its release Last Action Hero is still trying to find its target audience. Audiences don't like smart movies. Or perhaps I should say audiences don't like to be OUTSMARTED by movies. In the summer of 1993 the world was going crazy for a certain dinosaur movie, almost everything else didn't stand a chance. LAH came out a week after Jurassic Park. The only people who really went to see it were those who were too late for sold-out screenings of Spielberg's movie. Bad word of mouth spread for many reasons.

Those lucky enough to actually see it on the big screen walked away confused and disorientated. They thought they were in for a straight-up action movie, not an existential, meta-fictional parody of the genre they cherish. It was just too much and they weren't ready for it. Arnold had been riding the wave of Total Recall and Terminator 2 before the release of Last Action Hero, no one expected such a radical deviation from the norm.

Danny Madigan is a lonely kid living in a tiny New York apartment with his single MILF. His only friend is Nick, an old-time projectionist at a run down theater (a REAL theater, no multiplex nonsense). Danny likes to escape into the world of action movies, his biggest hero, obviously, being Arnie himself. The latest Arnie blockbuster, the simply-titled Jack Slater IV, is a day away from its premiere, and old Nick has been tasked with checking the print. Before Danny sits down for his own personal pre-premiere midnight screening Nick gives him a magical ticket he's been saving since childhood. Five minutes after Jack Slater IV begins Danny is warped into the cinema screen and becomes part of the movie.

In the movie world Danny quickly learns that the laws of physics and simple logic don't apply (how often has THAT proven to be true?). He's partnered with Slater, a renegade L.A. cop and the absolute zenith of action hero stereotypes, to find who killed his favorite second-cousin Frank (BIG MISTAKE!). Danny and Slater smash their way into a hokey, James Bond-ish plot, though it's not long before suave English henchman Mr. Benedict discovers Danny's secret and plans to escape to the real world. Danny and Slater follow, but Slater's movie-world abilities are rendered useless in reality. Doubt begins seep in for the first time as he ends up questioning his powers as a good cop.

Last Action Hero scores huge points all round. It's technically wonderful, with gorgeous anamorphic Panavision photography full of wide angles and lens flares. The writing is sharp is funny. Arnie is great as an infallible hero in crisis as well as making fun of his screen persona. And the action, both fictional and meta-fictional, is wild, overblown, and exciting. I just love Slater's huge fall from the elevator.

It's interesting to note that it has a lot in common with Loaded Weapon, which came out earlier that year. Both are send-ups of the 'L.A. cop movie' genre, both star F. Murray Abraham in supporting roles. Both feature Frank McRae as a screaming Lieutenant. Both have obvious Die Hard references (also directed by the infamous John McTiernan).

The bad reputation is unjustified. The financial loss was a mistake entirely on Sony's part and their lack of foresight into the 1993 summer season. Last Action Hero and Jurassic Park went head-to-head with their advertising but the dinosaur movie's marketing campaign was just too groundbreaking. They also competed with each other on a technical level. JP was the first film to feature DTS sound, while Last Action Hero was the first to feature SDDS (Sony Dynamic Digital Sound), an eight-channel system that delivers every decibel of Slater's big gun and the multiple explosions of his daily life.

It may be a satire, but Last Action Hero just may be one of the last true action films. Real stunts, real explosions, real destruction, reality gone twisted. It's Arnold's most subversive movie, and it's many things, but bad ain't one of them.

The Blu Ray features a great 2.35:1 1080p picture with a loud DTS HD-MA soundtrack. Zero extras are included. Sony seems to still be ashamed of the film. The hate is not deserved.

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This is one of those movies that a lot of people that haven't seen it say, "That movie wasn't really that good, was it?" but those that have seen it, say, "Why wasn't this movie more popular?" Maybe it was bad timing, or as some others suggested, just not correctly billed to the public.

Last Action Hero is hard to describe. It's funny, it's witty, with lots of those one-liners that Arnold became so popular with, and I loved the way he constantly poked fun at his fictional character as well as his "real" self. Some of my favorite dialogue in the movie is when the kid is trying to convince "character Arnold (aka: Jack Slater)" that he's actually just a character in a movie. The kid starts asking about phone numbers and how can they possibly all start with 555in a city with several million phone numbers, when Jack Slater exasperatedly says, "That's why we have Area Codes..." Priceless. The movie is full of fun stuff like that, and I highly recommend this movie to anyone who is even remotely a Schwarzenegger fan, or who just like campy, yet intelligent, movies. The parody within a parody, and movie within a movie actually worked well in this one.

I thought the movie had a lot of great character performances, and clever scripting, and I think this movie got a bum rap. It's really a great movie, I'm glad I bought the DVD. The transfer is a little sloppy in places on the one I bought, but since it's a "Special Anniversary Edition", I have a feeling that had something to do with it. There's only a fullscreen version on my DVD, no widescreen, and the camera pans are really noticeable in a few places.

Read Best Reviews of Last Action Hero (1993) Here

The following story will tell you why this movie bombed at the box office.

While visiting family in Miami one of my cousins went to see the movie. When he got home he was telling me how much the movie stunk. As he was talking it became obvious to me that he had taken the movie seriously. So I yelled at him "It's a parody!! He's making fun of action movies in general and himself in particular!!" I could see the lightbulb go on over his head and he went right out and saw it again.

Needless to say, he loved the film. As do I. It's not often that a big star has the guts to make fun of himself just to make his fans laugh. So if you have this film languishing in your collection somewhere you need to see it with this in mind. It's parody. Satire. Comedy! Watch it and have fun.

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This is a resoundingly misunderstood film. Probably the finest parody ever made of the action genre as a whole; this film mocks the absurd excesses that most summertime action blockbusters indulge in. The script is clever enough to divide itself between the dark brutality of the real world and the campy superficiality of Hollywood. It revels in poking fun of the very films that have made Arnold Schwarzenegger (in?)famous.

The world outside the silver screen is filled with stark reminders of how un-Hollywood life is. There is crime, bullets hurt good people, and extras that are killed have families they've left behind. Young Danny (Austin O'Brien) loves film more than anything else. He attempts to put aside the problems of his life in live in the world that Hollywood has created for him. His favorite indulgence is the Jack Slater series of films. They star Arnold Schwarzenegger as the title-hero, a cop modeled after the cloned result of Dirty Harry and Rambo. Slater is a smooth operator who never makes a wrong step and never fails to land on his feet. He is essentially everything that Danny, and in reality most children, wish they could be. When he is given a magical movie ticket by Nick the friendly pathetic mildly wise projectionist at his favorite theater, Danny is transported beyond his world into that of his hero, Jack Slater. He is quickly engulfed in one of the most entertaining action sequences ever put to film. It is the crystallization of the genre where there is unexplained action and unnecessary and unequal reaction. A car explodes because another car goes near it. A would-be assassin is thrown from his perch atop a moving truck into a parked ice-cream truck that then explodes. A truck explodes in the air for no good reason, and meanwhile, all the women are attractive (by Hollywood standards). They move from action sequence to action sequence, all of which are completely superfluous and equally delightful. Anyone who has ever made fun of, or rightly criticized, the films of Jerry Bruckheimer would find this work profoundly amusing. On screen, Slater and Danny must confront the cycloptic henchman Benedict (Charles Dance) and his benefactor Vivaldi (Anthony Quinn) in order to stop a takeover the SoCal black market and to extract revenge for the killing of Slater's favorite second cousin. This plot of course, is secondary to the parody. It moves well and revels in its self-justifying fictional world where a cartoon cat can be a cop, because it's normal there.

The other side of the screen is filmed with dim lighting and always hinting at danger beneath the surface. Danny's mom (Mercedes Ruehl) is a widow who struggles to support her child both materially and emotionally. She works the unglamorous midnight shift. Nick is a washed-up never-was who had dreams of another career and justifies compromises he has made to his goals by referring to his job in the manner, "Hey, it's still show business." When Slater enters this world, and gets shot, not only do the bullets hit him, but they cause more than flesh wounds. In the "real world" the on-screen villains can take advantage of corrupt systems to come out on top.

This film parodies not only action heroes and the action genre, but also bad scripts. Danny knows not only what has already happened in the movie, he can accurately predict the next steps of the transparent plot of the action film he was watching and then participates in. The film makes groan-inducing puns and points them out. The film points out how action films sometimes modify classics to fit into modern pop culture. This movie could have been a bit shorter and could have done without some of the melodrama in the "real" world. But those are miniscule flaws next to the eminently enjoyable rest of the film.

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The Italian Job (2006)

Well done! Now THIS is what I call a popcorn movie. No big drama, no great life issues; just a fun plot, great action, and good looking people packing the screen. "The Italian Job", a remake of the 1969 Michael Caine flick, is cinema escapism at its best and a great bet for a Friday night date.

Mark Wahlberg stars as Charlie, acting head of a gang of high-tech, high class thieves. He's taking over for his mentor (played by the always welcome Donald Sutherland) as his team sets up a brilliant scheme for $35,000,000 in gold bars (the "Italian Job" of the title).

But things don't go quite as planned, and one year later Charlie reassembles his mates, plus his mentor's daughter (Charlize Theron) to take revenge on the man who betrayed them and set things right once and for all.

The action here is splendid, imaginative and well filmed. The script is tight, with plenty of snappy lines to go around (including a great running gag about just who invented Napster) and the musical score is surprisingly nice. All the actors have fun with their roles, especially Seth Green as a computer geek and Edward Norton as the slimy bad guy. And of course there's Wahlberg.

I like Mark Wahlberg. I can't help it. I like him more with every movie he makes. I like his quiet, confident walk, his little boy smile, and the way his forehead crinkles whenever somebody yells at him. He seems to actually get better looking as the movie goes along, and his chemistry with Theron is low-key but sexy.

I give "The Italian Job" five stars not because it was a masterpiece, but because I had a great time and know the film will hold up well with future viewings (it was a lot like "Ocean's Eleven" in this regard). Go on and see it; you'll like it. And probably want a Mini when you get out.

GRADE: A-

(By the way, I LOVED the way our heroes never carried guns or shot anybody. Old school baby!)

There are few genres as enduring in the movie biz as the heist and they don't come any more entertaining than this one. Michael Caine is at his best as a fresh-out-of-jail, small-time crook who decides to pull the job of the century. To achieve this, he sets about finding someone to bankroll the enterprise, in the person of Noel Coward. Coward, a big time syndicate boss is still running his business from jail and after some persuasion, agrees.

Caine then sets about assembling a cast of idiosyncratic no-hopers to carry out his bold plan, among them Benny Hill, an electronics wizard with a fondness for fat women. After much practicing, three teams in Mini Coopers (driven by "chinless wonders") set off for Italy with a bus-full or two of supporters all dressed as soccer fans. The arrival on the scene of the Mafia does little to dampen their enthusiasm and the fun really starts.

The climax of this action/farce is the car chase through the streets, sewers and even the skyline of Turin. Plenty of action, plenty of laughs and all very well paced. If anything, it's probably too short (though I don't mean the ending...) but I guess that just makes you appreciate it that much more. An old favorite which is hard to beat. Know wot I mean, Guv?

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"The Italian Job" is your classic summer movie: one villain, one hero, one beautiful intelligent woman, one computer geek, one ladies' man, one explosive expert, shake, stir, add a bunch of car chases, a few last-minute surprises, voila. The story is about a group of master thieves led by Donald Sutherland cleverly steal $35 million in gold bars from a safe in Venice, only to have it stolen again. The group must pursue the villain to get the gold back, using Mission-Impossible style technology and an enormous amount of wit.

Two things raise this far above its genre: absolute super settings: a boat chase through, under, and around Venice; a set of tricked-out Mini-Cooper cars vrooming through the sewer pipes of LA like kids through a water slide. Really fine performances: Donald Sutherland as the patriarch of the thieves, Seth Green (Scott Evil from the Austin Powers movies) as the funny computer geek, and the supremely creepy Edward Norton as the villain. Only Mark Wahlberg fails to project much of a personality.

The thing I appreciated most is that none of the action was faked by computer: it's just good old-fashioned stunt-driving. It's really pretty impressive (it's 'actually happening'); as much as you might have liked this summer's Matrix movie, this one is at least as thrilling because it's 'real.'

Read Best Reviews of The Italian Job (2006) Here

Strange that they called this one the Italian Job, since it has little in common with the caper classic it was named after. All the two movies really have in common is stolen gold and Austin Minis. The plot of this movie is really about the oldest trick in the book. The double cross.

In an attempt to put a new spin on that old plot, the creators of this movie decided to have the double cross very early in the film. After a somewhat interesting heist, the gang responsible for it is betrayed by one of their own and their gold stolen. This basically makes the rest of the movie our lovable band of thieves (and very well cast for the most part I might add) getting back the loot that they rightfully stole. This early plot twist might have made for a more interesting movie had the best actor in the film (Donald Sutherland) not been killed off in the process. Don't you just hate it when that happens?

You're a Good Man Charlie Brown

Our main character Charlie is played by Mark Wahlberg. Now don't get me wrong, he's a likable enough fellow. And he seems to do best playing the nice guy in films. But he really doesn't do much in the way of acting in any of the films I've seen him in. If there was one actor who could be replaced by a cardboard cut-out without anyone noticing, it would be him. I seriously cannot remember him saying one memorable line in the entire film. Perhaps it's because he said them all the same...

The Cast's the Thing

Well even though our main character isn't exactly Hamlet, does that make our film derail completely? No, no, no. For he is supported by a fine cast in the grand old tradition of caper films. Seth Green (the REAL Napster), is totally hilarious in this film. Sure, we've all seen a supposedly brillaint hacker in films before, but somehow he just rises above into new levels of geek parody. And then there's my man Jason "The Transporter" Statham. This guy has just got "the Driver" and "Action Star" written all over him. He's like the new Steve McQueen of Caper and driving movies. He's too darn cool. In fact, my favorite scene in the movie is one where he steps out of the car to sweet talk a girl into giving him exactly what he needs, and Seth Green (the often stereotyped super-nerd hacker genius) starts imitating both the voice of the girl and Statham's voice. Now that's funny! And then of course we have our love-interest safe-cracker (and the daughter of the guy who got iced), and the required demolition expert. Everyone does a pretty good job in their roles, but no one else really stands out in my mind.

Get Some Action

For all the hype and popcorn popping, you'd think the minis were going to be flying down the streets of L.A. in long, extended, over-the-top driving sequences. Sorry guys, but the driving action simply ain't all that. The Bourne Identity has got a way better chase scene than this movie. So does The Transporter. Heck, so does Gone in 60 Seconds. If that's all you're interested in, by all means, rent one of those.

All in All

I'd say this movie is worth seeing once, especially if you particularly like any of the cast members or love caper-flicks. It's also suprisingly low in violence, sex, and foul-language, something of a rarity in popcorn flicks these days.

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This is a truly terrific caper movie, one that works well by both showcasing the emerging star power of both Donnie Wahlberg and Charlize Theron and also having a terrific storyline. It is also a smart and well-photographed movie that proves the old adage of depending on the use of a great story and then embellishing on it with all the bells and whistles. The plot is as believable as anything can be that posits the existence of people so smart, so devious, and so daring as to be able to do some of the things that are done here. Yet the qualms about believability quickly fade with each nosiy and exciting revving up of the action, which is well choreographed, full of pyrotechnics, and absolutely fresh and new, adding to the charm of the movie.

The cast adds immeasurably to the charm of the movie, with Donald Sutherland, Ed Norton, and several notable others lending both credence and a certain gritty feel to this tale about life on the margins, on the far side of the law. I also got the impression that given the box office success of this film; much of the crew may be back to thrill us again in an inevitable sequel. I am up for it. After all, given the aplomb and cool they displayed in driving a trio of Metros through the streets, sewers, and tunnels of Los Angeles at rush hour, and added into this mix was a certain level of style and intelligence often missing in such caper flicks, it would be fun to consider a series of such films. Compared to other recent offerings at the theater, which have by an dlarge been disappointing affairs indeed, it would be a relief to consider more caper flicks like this. Enjoy!

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The American President (2012)

Okay, to weigh in on the key points of discussion that keep popping up with regards to this particular romantic comedy. First, I would have liked "West Wing" if I had never seen "The American President" and I would have liked "The American President" even if it was not a test balloon for "The West Wing." Second, of course a romantic comedy about the President of the United States is going to have a liberal in the White House. Conservatives are either (a) not that funny or (b) do not like to be laughed at, take your pick. Third, the part that bugs me the most is the "character" issue everybody keeps alluding to. I know part of the premise of this movie is "What is Hillary died and Bill Clinton was all alone in the White House and Chelsea was giving him dating tips?", but does that automatically mean we have to give all his sexual foibles to the fictional Andrew Shepherd? The man says he has only loved two women in his life and that it has been a long time since he has done anything sexual, so what is this character issue? Somebody explain it to me...like I was a six year old.

The actual plot of "The American President" is as old as the hills: boy becomes President, boy meets girl, boys falls for girl, girl falls for boy, and the entire country has an opinion. But ultimately the story does not matter because we stop flipping through the channels when we come to this movie on television because of the snappy dialogue and the excellent acting performances. Somehow screenwriter Aaron Sorkin got from "A Few Good Men" and "Malice," to this choice piece of political drama. Michael Douglas turns in his best romantic comedy performance as President Andrew Shepherd while Annette Bening plays Sydney Ellen Wade, a paid political lobbyist who discovers she has more of the President of the United States than his ear.

But ultimately "The American President" features one of those ensemble casts that makes you sit and shake your head in wonder. Actually, it is rather depressing to think that the actual occupants of the West Wing are no where as smart or as glib as this crew: Martin Sheen ("Come, friends, let us away"), Anna Deavere Smith ("I think the important thing is not to make it look like we're panicking"), Samantha Mathis ("Sir, I don't understan?"), and David Paymer ("Well, I could explain it better, but I'd need charts, and graphs, and an easel"), and in my choice for the best performance of his career, Michael J. Fox ("Can I just state very clearly I can't be part of anything illegal").

Did I mention the dialogue is really good in this film? However, the film's only Oscar nomination was for Original Musical score. Go figure.

Personally, I do not think the American people would turn upon a widowed President who started dating. But then I have this pesky idealistic streak that refuses to go away. This is a witty, literate romantic-comedy that harkens back to Hollywood's golden age. Ultimately the film's political leanings have little to do with our enjoyment because we know nothing ever happens with issues like gun control and fuel emissions in the real world and Bob Rumson's problem is not that he is running for President but that he is trying to break up the romance between these two kids.

Most Romantic Lines: (1) "Well, first of all, the two hundred pairs of eyes aren't focused on me. They're focused on you. And the answers are Sydney Ellen Wade, and because she said yes." (2) "Perhaps I didn't properly explain the fundamentals of the slowdown plan." (3) "I've loved two women in my life. I lost one to cancer and I lost the other because I was too busy keeping my job to do my job. Well, that ends right now." Of course, these are not the best lines in the movie because those are all about politics more than romance.

If you like "The American President," then check out these other films on the AFI's list: #74 "Woman of the Year" and #31 "The King and I." Why? Well, because in the former you find how hard it is to mix politics and love and in the latter you have a leader whose position does not allow him to fall in love.

I have over 150 DVDs in my collection. This film, which is one of my Wife's favorite films, has been ruined by a bad transfer to DVD. This release is the worst DVD transfer of any film in my collection. Warner Home Video should be ashamed of themselves and re-call this DVD.

There is no doubt that a re-mastered edition of this movie will someday become available. Don't waste your money on this edition.

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This movie has long been my favorite. By the way if you're scanning this to figure out why I only gave this film four stars, it's because of the DVD format. No special features whatsoever. Hey Rob! Climb down off your wallet and do a commentary with Aaron. Annette, Michael, hows about a little interview or perhaps another commentary. Delete Scenes? Outtakes? I want to see Michael Douglas trip over the phrase "Upper Bi-cuspid Region." ::Climbs down off his soap box::

The title of my review says it all in a nutshell. If you're looking for Air Force One, Executive Decision or Thirteen Days, the buck does not stop here. This movie is a fairy tale. Think Ivan Reitman's "Dave." That movie starts with the Subtitle "Once Upon a Time." Exactly. It's Boy meets girl on a grand scale. It doesn't matter that President Andrew Shepherd is a Democrat, and Bob Rumsom (By the way, can you imagine "President Rumson?" Ick.) is a Republican. Rumson is the Antagonist (all good movies have one) period.

Richard Dreyfuss plays an exquisitely delicious villan, using President Shephard's new found love of Sydney Ellen Wade, for his own political gain.

Martin Sheen as Chief of Staff AJ MacInerney, now best known as President Josiah Bartlet on the West Wing, seems to be a fore-runner for the President Bartlet's own COS Leo McGarry (After all Aaron Sorkin [who is GOD] did write this movie and the series West Wing). Sheen is brilliant as Douglas' conscience and confidant.

Michael J Fox' character, Lewis Rothschild, and David Paymer's Leon Kodak, are Shephard's Prism. They show Shephard in Black and White, with no punches pulled, where he's at, where he's going and how to get there.

The other characters, while having lessor roles, are written and performed flawlessly, especially Wendie Mallick, Samantha Mathis, Josh Malina, and Anna Deavere Smith-the last two of whom are also West Wing Alums. Lastly John Mahoney, always the consumate actor round out this amazing cast with a stellar performance of the secondary or quasi-antagonist.

Buy this movie with no political Axe to grind. Buy this movie without your reality blinders on-Yes, I know it's a ridiculous premise, but so is the guy in a white suit with the crewcut sitting on a bench, and look what Zemekis got out of that one. It's a FAIRY TALE. It's FICTION. IT'S A MOVIE. Relax. Enjoy the film.

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First I liked the movie. If you like a romantic comedy then this is good one. You must put aside any idea that it has any basis in reality. It is the expected hollywood version of the US government. If you are a liberal than you are heaven sent and if you are conservative than you are a hellbound devil who's only interest is destroying the country and starving children and old folk. In this film, you have a ultr-liberal director and the only conservative voice in the film is a monster and played by Richard Dreyfuss who has never had a conservative thought. So if you can get past the extreme bias in the film and not take it too seriously, you might enjoy it. My rating is not about the movie, it is about the distribution of the DVD by Warner Brothers. They have released three verions of the film....kind of. The first version released ten years ago indicated the film was not in enhanced widescreen. It had a poor image but was that was very common as DVDs were first coming to the marketplace. The two followup releases have claimed to be ENHANCED FOR WIDESCREEN TV...BUT WERE NOT. One version had an outer sleave that claimed this, but the actual case did not while the most recent version puts ENHANCED right on the disc insert. Both of these version are the same old version previously released. I would like to believe that this is a mistake, but it occurs too often for this to be true. What is likely more accurate is the WB intentionally mislabels the disc packaging so that owners of the old disce will buy it again, and since once it is opened it cannot be returned....FRUAD profits for WB. WB lies about the product and we simply get ripped off.

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This is an all time favorite of mine and absolutely guaranteed to lift my spirits each time I watch it.

Michael Douglas plays somewhat against his usual type as a likeable, widowed, well-meaning single father who is also the President of the United States, Andrew Shepherd. He becomes romantically interested in an environmental lobbyist, Sidney Ellen Wade (Annette Benning) which turns out to cause a lot of problems for both of them.

These two high-powered actors manage to humanize their characters into ordinary, likable people who are just trying to fall in love despite unbelievable opulence of surroundings, ugly political maneuvering and living inside a media fishbowl of publicity. Along the way, there are plenty of funny, heartwarming moments including a couple of very funny telephone calls. (Imagine what YOU would do if you suddenly received a call from someone who claimed to be the President of the United States)

David Paymer, Michael J. Fox and Martin Sheen are excellent in their supporting roles as advisors to the President and Shawna Waldron is wonderful as the 1st daughter.

If you love humorous dialog, beautiful, nearly fairy-tale settings and happy endings, be sure to see this movie. You won't be disappointed.

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