The Italian Job (2006)

Well done! Now THIS is what I call a popcorn movie. No big drama, no great life issues; just a fun plot, great action, and good looking people packing the screen. "The Italian Job", a remake of the 1969 Michael Caine flick, is cinema escapism at its best and a great bet for a Friday night date.

Mark Wahlberg stars as Charlie, acting head of a gang of high-tech, high class thieves. He's taking over for his mentor (played by the always welcome Donald Sutherland) as his team sets up a brilliant scheme for $35,000,000 in gold bars (the "Italian Job" of the title).

But things don't go quite as planned, and one year later Charlie reassembles his mates, plus his mentor's daughter (Charlize Theron) to take revenge on the man who betrayed them and set things right once and for all.

The action here is splendid, imaginative and well filmed. The script is tight, with plenty of snappy lines to go around (including a great running gag about just who invented Napster) and the musical score is surprisingly nice. All the actors have fun with their roles, especially Seth Green as a computer geek and Edward Norton as the slimy bad guy. And of course there's Wahlberg.

I like Mark Wahlberg. I can't help it. I like him more with every movie he makes. I like his quiet, confident walk, his little boy smile, and the way his forehead crinkles whenever somebody yells at him. He seems to actually get better looking as the movie goes along, and his chemistry with Theron is low-key but sexy.

I give "The Italian Job" five stars not because it was a masterpiece, but because I had a great time and know the film will hold up well with future viewings (it was a lot like "Ocean's Eleven" in this regard). Go on and see it; you'll like it. And probably want a Mini when you get out.

GRADE: A-

(By the way, I LOVED the way our heroes never carried guns or shot anybody. Old school baby!)

There are few genres as enduring in the movie biz as the heist and they don't come any more entertaining than this one. Michael Caine is at his best as a fresh-out-of-jail, small-time crook who decides to pull the job of the century. To achieve this, he sets about finding someone to bankroll the enterprise, in the person of Noel Coward. Coward, a big time syndicate boss is still running his business from jail and after some persuasion, agrees.

Caine then sets about assembling a cast of idiosyncratic no-hopers to carry out his bold plan, among them Benny Hill, an electronics wizard with a fondness for fat women. After much practicing, three teams in Mini Coopers (driven by "chinless wonders") set off for Italy with a bus-full or two of supporters all dressed as soccer fans. The arrival on the scene of the Mafia does little to dampen their enthusiasm and the fun really starts.

The climax of this action/farce is the car chase through the streets, sewers and even the skyline of Turin. Plenty of action, plenty of laughs and all very well paced. If anything, it's probably too short (though I don't mean the ending...) but I guess that just makes you appreciate it that much more. An old favorite which is hard to beat. Know wot I mean, Guv?

Buy The Italian Job (2006) Now

"The Italian Job" is your classic summer movie: one villain, one hero, one beautiful intelligent woman, one computer geek, one ladies' man, one explosive expert, shake, stir, add a bunch of car chases, a few last-minute surprises, voila. The story is about a group of master thieves led by Donald Sutherland cleverly steal $35 million in gold bars from a safe in Venice, only to have it stolen again. The group must pursue the villain to get the gold back, using Mission-Impossible style technology and an enormous amount of wit.

Two things raise this far above its genre: absolute super settings: a boat chase through, under, and around Venice; a set of tricked-out Mini-Cooper cars vrooming through the sewer pipes of LA like kids through a water slide. Really fine performances: Donald Sutherland as the patriarch of the thieves, Seth Green (Scott Evil from the Austin Powers movies) as the funny computer geek, and the supremely creepy Edward Norton as the villain. Only Mark Wahlberg fails to project much of a personality.

The thing I appreciated most is that none of the action was faked by computer: it's just good old-fashioned stunt-driving. It's really pretty impressive (it's 'actually happening'); as much as you might have liked this summer's Matrix movie, this one is at least as thrilling because it's 'real.'

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Strange that they called this one the Italian Job, since it has little in common with the caper classic it was named after. All the two movies really have in common is stolen gold and Austin Minis. The plot of this movie is really about the oldest trick in the book. The double cross.

In an attempt to put a new spin on that old plot, the creators of this movie decided to have the double cross very early in the film. After a somewhat interesting heist, the gang responsible for it is betrayed by one of their own and their gold stolen. This basically makes the rest of the movie our lovable band of thieves (and very well cast for the most part I might add) getting back the loot that they rightfully stole. This early plot twist might have made for a more interesting movie had the best actor in the film (Donald Sutherland) not been killed off in the process. Don't you just hate it when that happens?

You're a Good Man Charlie Brown

Our main character Charlie is played by Mark Wahlberg. Now don't get me wrong, he's a likable enough fellow. And he seems to do best playing the nice guy in films. But he really doesn't do much in the way of acting in any of the films I've seen him in. If there was one actor who could be replaced by a cardboard cut-out without anyone noticing, it would be him. I seriously cannot remember him saying one memorable line in the entire film. Perhaps it's because he said them all the same...

The Cast's the Thing

Well even though our main character isn't exactly Hamlet, does that make our film derail completely? No, no, no. For he is supported by a fine cast in the grand old tradition of caper films. Seth Green (the REAL Napster), is totally hilarious in this film. Sure, we've all seen a supposedly brillaint hacker in films before, but somehow he just rises above into new levels of geek parody. And then there's my man Jason "The Transporter" Statham. This guy has just got "the Driver" and "Action Star" written all over him. He's like the new Steve McQueen of Caper and driving movies. He's too darn cool. In fact, my favorite scene in the movie is one where he steps out of the car to sweet talk a girl into giving him exactly what he needs, and Seth Green (the often stereotyped super-nerd hacker genius) starts imitating both the voice of the girl and Statham's voice. Now that's funny! And then of course we have our love-interest safe-cracker (and the daughter of the guy who got iced), and the required demolition expert. Everyone does a pretty good job in their roles, but no one else really stands out in my mind.

Get Some Action

For all the hype and popcorn popping, you'd think the minis were going to be flying down the streets of L.A. in long, extended, over-the-top driving sequences. Sorry guys, but the driving action simply ain't all that. The Bourne Identity has got a way better chase scene than this movie. So does The Transporter. Heck, so does Gone in 60 Seconds. If that's all you're interested in, by all means, rent one of those.

All in All

I'd say this movie is worth seeing once, especially if you particularly like any of the cast members or love caper-flicks. It's also suprisingly low in violence, sex, and foul-language, something of a rarity in popcorn flicks these days.

Want The Italian Job (2006) Discount?

This is a truly terrific caper movie, one that works well by both showcasing the emerging star power of both Donnie Wahlberg and Charlize Theron and also having a terrific storyline. It is also a smart and well-photographed movie that proves the old adage of depending on the use of a great story and then embellishing on it with all the bells and whistles. The plot is as believable as anything can be that posits the existence of people so smart, so devious, and so daring as to be able to do some of the things that are done here. Yet the qualms about believability quickly fade with each nosiy and exciting revving up of the action, which is well choreographed, full of pyrotechnics, and absolutely fresh and new, adding to the charm of the movie.

The cast adds immeasurably to the charm of the movie, with Donald Sutherland, Ed Norton, and several notable others lending both credence and a certain gritty feel to this tale about life on the margins, on the far side of the law. I also got the impression that given the box office success of this film; much of the crew may be back to thrill us again in an inevitable sequel. I am up for it. After all, given the aplomb and cool they displayed in driving a trio of Metros through the streets, sewers, and tunnels of Los Angeles at rush hour, and added into this mix was a certain level of style and intelligence often missing in such caper flicks, it would be fun to consider a series of such films. Compared to other recent offerings at the theater, which have by an dlarge been disappointing affairs indeed, it would be a relief to consider more caper flicks like this. Enjoy!

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