Last Action Hero (1993)

I think I know why this film was so poorly received and tanked at the box office. It was TOO "inside". Much of this film is a series of jokes about the standard, conventional, formulaic, bombastic action film genre. But the humor was so tongue-in-cheek so often that it probably didn't bode well with the average action-junkie film fan. "Last Action Hero" made fun of itself as it unfolded, and one would need a certain sense of humor to fully appreciate it on its intended level. I dare say that most folks who went to this film just didn't "get it". Too bad for them.

The major flaw of the DVD is that the film is presented in the god-awful Pan and Scan format. Pan and Scan presentations of frenetically-shot widescreen films should be outlawed, it's just that simple. You almost get a headache watching this P&S version. The digital pan is so obtrusive and distracting that it can drive one to anger! It pulls you out of the film, to say the least. I like (but don't really love) this film, and the low price of the DVD makes the purchase a no-brainer. But it is too optically uncomfortable to watch in P&S.

Release it in widescreen and all will be okay.

It's sad to think that 18 years after its release Last Action Hero is still trying to find its target audience. Audiences don't like smart movies. Or perhaps I should say audiences don't like to be OUTSMARTED by movies. In the summer of 1993 the world was going crazy for a certain dinosaur movie, almost everything else didn't stand a chance. LAH came out a week after Jurassic Park. The only people who really went to see it were those who were too late for sold-out screenings of Spielberg's movie. Bad word of mouth spread for many reasons.

Those lucky enough to actually see it on the big screen walked away confused and disorientated. They thought they were in for a straight-up action movie, not an existential, meta-fictional parody of the genre they cherish. It was just too much and they weren't ready for it. Arnold had been riding the wave of Total Recall and Terminator 2 before the release of Last Action Hero, no one expected such a radical deviation from the norm.

Danny Madigan is a lonely kid living in a tiny New York apartment with his single MILF. His only friend is Nick, an old-time projectionist at a run down theater (a REAL theater, no multiplex nonsense). Danny likes to escape into the world of action movies, his biggest hero, obviously, being Arnie himself. The latest Arnie blockbuster, the simply-titled Jack Slater IV, is a day away from its premiere, and old Nick has been tasked with checking the print. Before Danny sits down for his own personal pre-premiere midnight screening Nick gives him a magical ticket he's been saving since childhood. Five minutes after Jack Slater IV begins Danny is warped into the cinema screen and becomes part of the movie.

In the movie world Danny quickly learns that the laws of physics and simple logic don't apply (how often has THAT proven to be true?). He's partnered with Slater, a renegade L.A. cop and the absolute zenith of action hero stereotypes, to find who killed his favorite second-cousin Frank (BIG MISTAKE!). Danny and Slater smash their way into a hokey, James Bond-ish plot, though it's not long before suave English henchman Mr. Benedict discovers Danny's secret and plans to escape to the real world. Danny and Slater follow, but Slater's movie-world abilities are rendered useless in reality. Doubt begins seep in for the first time as he ends up questioning his powers as a good cop.

Last Action Hero scores huge points all round. It's technically wonderful, with gorgeous anamorphic Panavision photography full of wide angles and lens flares. The writing is sharp is funny. Arnie is great as an infallible hero in crisis as well as making fun of his screen persona. And the action, both fictional and meta-fictional, is wild, overblown, and exciting. I just love Slater's huge fall from the elevator.

It's interesting to note that it has a lot in common with Loaded Weapon, which came out earlier that year. Both are send-ups of the 'L.A. cop movie' genre, both star F. Murray Abraham in supporting roles. Both feature Frank McRae as a screaming Lieutenant. Both have obvious Die Hard references (also directed by the infamous John McTiernan).

The bad reputation is unjustified. The financial loss was a mistake entirely on Sony's part and their lack of foresight into the 1993 summer season. Last Action Hero and Jurassic Park went head-to-head with their advertising but the dinosaur movie's marketing campaign was just too groundbreaking. They also competed with each other on a technical level. JP was the first film to feature DTS sound, while Last Action Hero was the first to feature SDDS (Sony Dynamic Digital Sound), an eight-channel system that delivers every decibel of Slater's big gun and the multiple explosions of his daily life.

It may be a satire, but Last Action Hero just may be one of the last true action films. Real stunts, real explosions, real destruction, reality gone twisted. It's Arnold's most subversive movie, and it's many things, but bad ain't one of them.

The Blu Ray features a great 2.35:1 1080p picture with a loud DTS HD-MA soundtrack. Zero extras are included. Sony seems to still be ashamed of the film. The hate is not deserved.

Buy Last Action Hero (1993) Now

This is one of those movies that a lot of people that haven't seen it say, "That movie wasn't really that good, was it?" but those that have seen it, say, "Why wasn't this movie more popular?" Maybe it was bad timing, or as some others suggested, just not correctly billed to the public.

Last Action Hero is hard to describe. It's funny, it's witty, with lots of those one-liners that Arnold became so popular with, and I loved the way he constantly poked fun at his fictional character as well as his "real" self. Some of my favorite dialogue in the movie is when the kid is trying to convince "character Arnold (aka: Jack Slater)" that he's actually just a character in a movie. The kid starts asking about phone numbers and how can they possibly all start with 555in a city with several million phone numbers, when Jack Slater exasperatedly says, "That's why we have Area Codes..." Priceless. The movie is full of fun stuff like that, and I highly recommend this movie to anyone who is even remotely a Schwarzenegger fan, or who just like campy, yet intelligent, movies. The parody within a parody, and movie within a movie actually worked well in this one.

I thought the movie had a lot of great character performances, and clever scripting, and I think this movie got a bum rap. It's really a great movie, I'm glad I bought the DVD. The transfer is a little sloppy in places on the one I bought, but since it's a "Special Anniversary Edition", I have a feeling that had something to do with it. There's only a fullscreen version on my DVD, no widescreen, and the camera pans are really noticeable in a few places.

Read Best Reviews of Last Action Hero (1993) Here

The following story will tell you why this movie bombed at the box office.

While visiting family in Miami one of my cousins went to see the movie. When he got home he was telling me how much the movie stunk. As he was talking it became obvious to me that he had taken the movie seriously. So I yelled at him "It's a parody!! He's making fun of action movies in general and himself in particular!!" I could see the lightbulb go on over his head and he went right out and saw it again.

Needless to say, he loved the film. As do I. It's not often that a big star has the guts to make fun of himself just to make his fans laugh. So if you have this film languishing in your collection somewhere you need to see it with this in mind. It's parody. Satire. Comedy! Watch it and have fun.

Want Last Action Hero (1993) Discount?

This is a resoundingly misunderstood film. Probably the finest parody ever made of the action genre as a whole; this film mocks the absurd excesses that most summertime action blockbusters indulge in. The script is clever enough to divide itself between the dark brutality of the real world and the campy superficiality of Hollywood. It revels in poking fun of the very films that have made Arnold Schwarzenegger (in?)famous.

The world outside the silver screen is filled with stark reminders of how un-Hollywood life is. There is crime, bullets hurt good people, and extras that are killed have families they've left behind. Young Danny (Austin O'Brien) loves film more than anything else. He attempts to put aside the problems of his life in live in the world that Hollywood has created for him. His favorite indulgence is the Jack Slater series of films. They star Arnold Schwarzenegger as the title-hero, a cop modeled after the cloned result of Dirty Harry and Rambo. Slater is a smooth operator who never makes a wrong step and never fails to land on his feet. He is essentially everything that Danny, and in reality most children, wish they could be. When he is given a magical movie ticket by Nick the friendly pathetic mildly wise projectionist at his favorite theater, Danny is transported beyond his world into that of his hero, Jack Slater. He is quickly engulfed in one of the most entertaining action sequences ever put to film. It is the crystallization of the genre where there is unexplained action and unnecessary and unequal reaction. A car explodes because another car goes near it. A would-be assassin is thrown from his perch atop a moving truck into a parked ice-cream truck that then explodes. A truck explodes in the air for no good reason, and meanwhile, all the women are attractive (by Hollywood standards). They move from action sequence to action sequence, all of which are completely superfluous and equally delightful. Anyone who has ever made fun of, or rightly criticized, the films of Jerry Bruckheimer would find this work profoundly amusing. On screen, Slater and Danny must confront the cycloptic henchman Benedict (Charles Dance) and his benefactor Vivaldi (Anthony Quinn) in order to stop a takeover the SoCal black market and to extract revenge for the killing of Slater's favorite second cousin. This plot of course, is secondary to the parody. It moves well and revels in its self-justifying fictional world where a cartoon cat can be a cop, because it's normal there.

The other side of the screen is filmed with dim lighting and always hinting at danger beneath the surface. Danny's mom (Mercedes Ruehl) is a widow who struggles to support her child both materially and emotionally. She works the unglamorous midnight shift. Nick is a washed-up never-was who had dreams of another career and justifies compromises he has made to his goals by referring to his job in the manner, "Hey, it's still show business." When Slater enters this world, and gets shot, not only do the bullets hit him, but they cause more than flesh wounds. In the "real world" the on-screen villains can take advantage of corrupt systems to come out on top.

This film parodies not only action heroes and the action genre, but also bad scripts. Danny knows not only what has already happened in the movie, he can accurately predict the next steps of the transparent plot of the action film he was watching and then participates in. The film makes groan-inducing puns and points them out. The film points out how action films sometimes modify classics to fit into modern pop culture. This movie could have been a bit shorter and could have done without some of the melodrama in the "real" world. But those are miniscule flaws next to the eminently enjoyable rest of the film.

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