Showing posts with label 3d blu ray movies to buy. Show all posts
Showing posts with label 3d blu ray movies to buy. Show all posts

Monday, September 15, 2014

Goemon

GoemonGoemon is a Japanese folk hero in the tradition of Robin Hood -fighting tyranny and robbing the rich to give to the poor.

So he was inevitably the subject of an action movie, simply called "Goemon." This sleek, stylized historical-fantasy movie looks a little like the ninja lovechild of The Adventures of Robin Hood and 300, but the mix of humor, romance and sharply-drawn action takes a shockingly dark turn in the movie's last third.

Goemon Ishikawa (Yôsuke Eguchi) is a clever master thief who likes to give his stolen valuables to the impoverished. But fifteen years ago, he was a loyal ninja serving the brilliant warlord Oda Nobunaga (Hashinosuké Nakamura) -and after Nobunaga was murdered by a traitor, the disillusioned Goemon became a wandering thief and friend to the poor.

That is, until a literal Pandora's box shows him that Toyotomi Hideyoshi was involved in his master's death -the very man who is taking Goemon's childhood sweetheart Chacha (Ryoko Hirosue) as his concubine, and preparing to declare war using Western weapons. Along with his old friend/rival Saizo (Takao Ôsawa), Goemon sets out to attack Hideyoshi... but they soon discover that this path only leads to tragedy.

"Goemon" is one of those movies that has a good-but-not-great script, paired with spellbindingly lovely visuals -explosive ninja battles on golden rooftops, waterfalls surrounded by glimmering fireflies, and sea battles full of blood and fire. It's a pretty wild ride, and the only problem is that a couple of the characters feel unnecessary (the little boy Goemon rescues).

The first two-thirds of the movie are a pretty steady stream of action, brief romantic scenes, and sepia-toned flashbacks of Goemon's childhood (and especially of the charismatic Nobunaga). But after that, the movie becomes much darker and bleaker, with innocent people being horribly killed and Goemon becoming a more hardened, dark person.

Egichi does a great job as Goemon, both as the rakish thief and the tormented ninja avenger -sort of like a Japanese Errol Flynn with a touch of Harrison Ford. He's funny, charming and eventually heartwrenching. Hirosue is decent, although she doesn't get to do much except wear enormous dresses and look sad.

But honestly, the title character often gets eclipsed by Saizo -this is a strong, tragic man who is torn between his old friendship, his intense love for his wife and baby, and his often nasty job. Osawa gives a beautiful performance full of raw emotion, which climaxes in an impassioned speech to the masses, apparently inspiring them to rebel.

"Goemon" sculpts a folk legend into a fun, thrilling and ultimately tragic adventure movie, and turns out a pretty good movie while it's at it.

Goemon a body guard to a princess turned thief after his lord Oda Nobunagas assassination chooses freedom over service but freedom as we know

comes with price. Stealing from the rich and corrupt and giving to the poor. during one of his heists he comes across a mysterious box that could

unravel a deadly conspiracy and tear Japan apart at the seams into a another civil war can Goemon put a stop to this chaos or will he be torn apart with it?

A beautifully done film with amazing special effects through green screen which most of the film is done in with plenty of emotional impact and crazy over the top action.I was truly impressed with this film on all levels and enjoyed it the beautiful done cgi scenery, the great action scenes through out the

film especially at the last 30 or so minutes of which is pure totally unrealistic but awesome action where he takes on hordes of enemies to enact revenge

for a loss of a friend and save Japan from yet another civil war and finally bring peace to a war torn land.

I highly recommend this film but if you have doubts about it then i would recommend renting it first. But if you like Japanese action films

with some history put in although changed for dramatic effect or if you simply like action films i say buy it, i did and it was truly worth it.

With my respect Thanks for reading my review

I hope it was helpful.

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This movie caught my eye, as I have been trying to increase my Foreign Film collection. I have always been curious with anything that has to do with Japanese history (especially the unification period). It literally grabbed my attention in the first minute and a half, and never let go. The time period this movie is based on was one full of civil strife and unrest for Japan, with class and rank clearly defined and Feudal Lords constantly fighting for power to control the whole country. And while the movie stylizes the mood and scenery greatly in regards to these things, it still held some historical accuracy. Most of the main characters in the movie actually existed during this time period: Oda Nobunaga, Mitsuhide Aketchi, Hideyoshi Toyotomi, Ieyasu Tokogawa, Hitori Hanzo. I'm sure there are more, but those are the ones I caught.

Many of the reviews have brought up the utter beauty of the landscape and architectural design. Needless to say, I am on the same side of the fence. Scenes in the forest FEEL like a forest, scenes in a castle FEEL like a castle, and so on. Sometimes you DO feel like it's obvious you're looking at a green screen or floor. But it all seems integrated smoothly with the actors/actresses utilizing that space, so you don't end up paying attention to it that closely. The sets are busy; lots of extras wandering around and adding "life" to the background. The colors are vibrant and the sound is crisp and clear. My only qualm with quality is that the English dub track sounds a bit "goofy," whereas the Japanese track is emotional and feels more decisive. Also with the Japanese track, you get 6.1 surround instead of Eng 5.1.....not a huge difference if you don't have the extra speaker.

The action is frequent and fast! Obviously, as one can see from the preview, the scope of realism is stretched. But what good are action sequences that abide by all natural laws of physics?! Joking....but the action is good. Some shots are up close and a little cluttered, but others are even paced and use a lot of form.

To sum it up, this movie really took my breath away with an, albeit, LOOSE historical relevance, but historical nonetheless. The combination of action, drama, atmosphere, mood, and dialog progresses the movie fluidly and you may be surprised by how many times you catch yourself saying "ah" or "wow."

*on a side note* If you are looking for any literature regarding the subject matter of this time period in Japanese history, I HIGHLY HIGHLY HIGHLY recommend "TAIKO." It is a very detailed, and very long book (but worth the read) regarding the deep relationship between Hideyoshi Toyotomi and the majority of those listed in the first paragraph of this review.

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Far from a perfect movie, but a great movie none-the-less as the whole rises above the parts. For me, it's the underlying historical themes about fate, personal choices, the lust for power and it's never-ending affect on the world that pushes it over the line. I truly enjoyed it. The plot was interesting and complex. Visually, if you accept the film on its own terms, it's stunning. It has the usual sense of duty and fate over-whelming personal lives so common in this genre, but with some hopeful twists thrown in.

An apt commentary on today's world, at heart, it can be enjoyed on many levels. Two thumbs up!

2011-08-11 Update -I think about this flawed masterpiece a lot and that's another indication of the substance and value embedded within it. I'm at 6 decades now, probably not in the target demographic, but I loved this highly original effort. It definitely struck a chord with me. Some of the visuals are quite memorable in and of themselves. Quite an interesting work.

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The movie seems to have the mask of being a "robin hood" themed movie but I found it to be such a small part of the movie to not even talk about it. Let's say maybe 5 minutes worth of the movie. Essentially Goemon goes by the "Greatest thief to live" but he started out as a ninja serving his master that saved him as a small child and taught him how to become strong so that nothing could be taken from him. His master/mentor then was assasinated in which Goemon then took on his "freedom" and went into stealing for a living.

Then his past comes back to haunt him and you begin to see how all of the main characters have such a deep history together and everything you thought was wrong.

In the end I would say this was a pretty good movie. It has some great fighting scenes but I will warn you that this is not a realistic action movie. It has unbeleiveable jumping and swordplay that go well with ninja movies.

Not sure if I will watch this movie again though. I would recommend a rent

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Friday, August 22, 2014

Foolish Wives (1922)

Foolish WivesIn 1922, Universal Pictures commissioned Erich von Stroheim to direct, write, and star in "Foolish Wives". His first film, "Blind Husbands",was quite a hit. His second film, "Devil's Passkey", has turned to dust. Prof. Arthur Lennig has edited the clearest scenes from 2 Italian versions of this ancient classic, and for the first time you may see and own the most complete edition of "Foolish Wives" in startling DVD. Green and orange sepia toned sequences alter the mood and story. "Foolish Wives" opens with von Stroheim munching on real caviar and Russian cigarettes as he gazes out of his oceanside chateau with his two female consorts. This begins his story of a bogus European count out to defraud and seduce unwary American tourists' wives. The first film to sport a Million Dollar budget, von Stroheim reconstructed an authentic replica of the Monte Carlo casino on the Universal back lot. A tour of Universal Studios today reveals no trace of this once famous set. I recommend this tale of kinky sex and mild debauchery as it winds down to a surprise ending. Just three years later, he directed "Greed" at MGM. It is now considered among the one-or-two greatest films of alltime. Eventually, Hollywood studios barred Erich von Stroheim from directing any more lavish, expensive epics. They said his style was over-rated. They've been copying and re-inventing it ever since.

Erich Von Stroheim was an absolute genius and brought the art of movie making to new heights. In a time when many films consisted of room shots with the individuals in frame overacting to compensate for the lack of sound, Stroheim was developing complex characters, plot twists and subtle nuances. He understood that a certain look, movement of the eyes, or quick smile could tell an audience more about a character than 10 title cards.

"Foolish Wives" is genuinely wonderful film that shows Erich Von Stroheim at one of his best moments; Not only writing & directing, but starring in the film itself as a hoaxing opportunist very much addicted to using women and very much in need of money. He finds a vulnerable woman that allows him to begin weaving his web of seduction over her emotional and financial state.

"Foolish Wives" is an excellent film, compared to silents and talkies alike, "Foolish Wives" holds it's own.

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Once more the genius of Erich von Stroheim can be appreciated in this superb and mature film. The astonishing handle of the camera and the facial expressions have in him an eloquent and perfect ambassador. Sobriety, charm and exquisite good taste are the real difference.

Read Best Reviews of Foolish Wives (1922) Here

FOOLISH WIVES is a great old film. Stroheim had a keen eye for the bizarre and for details. This DVD has its flaws

but all in all quite acceptable.

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Very interesting story of deception among the jet set before there was one.

Eric von Stroheim plays a real Count who dishonors his home and visiting country by enlisting two fake cousins in his schemes to extract wealth from Monte Carlo vacationers. When he's not pursuing rich married women, he's "borrowing" from the Housekeeper he has promised to marry.

One of the "cousins" is Mae Busch in an early role. Known better as "Mrs. Hardy" or L & H's nemesis in many Laurel and Hardy films, it's fun to watch her strut her stuff: the character is similiar to the one from "Chickens Come Home", from about 10 years later.

Great sets, costumes; interesting camera angles; tintype effect. New musical soundtrack is a solo piano, beautifully incorporated.

Viewer should know that the film conatins some very disturbing racial

content, of course, typical of the period.

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Tuesday, August 19, 2014

Next of Kin (2012)

Next of KinQuick can you name a movie that has Ben Stiller, Patrick Swayze, Helen Hunt, Liam Neeson, Bill Paxton, and Adam Baldwin in it? Probably not, as most people can't, and what a shame. "Next Of Kin" is a fine portrayal of the "Eastern Mountain Way" as well as the love of family and the bond of brothers.

I enjoyed this movie greatly. Although the plot has been somewhat rehashed many times the performances here stir emotion. Especially Liam Neeson's. If not for his performance in this movie I probably would have given it 4 stars, but he shines brightly here. The loyalty and love of his character combined with the contempt and anger of his character, what a great performance.

When this movie first came out I didn't even know it. I don't know how it fell off the radar screen before ever being noticed but it is cerainly worth a look.

Buy it enjoy it, over and over.

In terms of just pure plot, Next of Kin is -in many ways -a typical example of the unconventional cop vs. the mob film genre of the 1980s...However, if Next of Kin is ultimately a genre piece, its still a better-than-average example of the what the genre is capable of. Certainly, its probably the only film ever made by Patrick Swayze that can legitimately be called underrated.

Plotwise, the film sounds almost like a parody. Patrick Swayze is a former hillbilly from Appalacia Country who has left behind his rustic family to become a big city cop and to romance sophisticated music teacher Helen Hunt. (Is there a reason why big city cops with simple backgrounds always seem to end up romancing music teacers in these films?) Swayze's younger brother Bill Paxton also comes to the city, to pursue a life of petty crime that ends up getting him killed by mobster Adam Baldwin which leads to yet another Swayze brother coming down to the city, this one played by Liam Neeson. As Neeson seeks revenge, Swayze is forced to return to his roots in order to avenge both his brother and protect his girlfriend.

Yet somehow, all of this works rather effectively on screen. The film is directed by Englishman John Irvin who has made a rather unsung career out of bringing a stronger-than-usual sense of characterization to genre films (the best example being the war film Hamburger Hill). Although Irvin's filming of the action scenes are a little pedestrian, he still has a strong visual sense and manages to vividly contrast the conflicting worlds of the country and the city. The film's supporting cast is well chosen and both the heroes and the villians all come to life with a surprising amount of dignity. At no point do any of the actors demean their roles by playing ...typical hillybillys or, for that matter, ...typical mobsters and that shows an unusual and admirable amount of integrity for a film of this sort. Paxton isn't on screen long but remains, as always, a likeable presence and Adam Baldwin makes a compellingly understandable and hissable villian. Michael J. Pollard shows up as a hillbilly and brings his trademark quirkiness to the proceedings while the role of the nerdy mob scion is played by Ben Stiller, of all people. Its a little jarring to see Stiller show up on screen (especially playing an essentially villianous role) yet he gives a strong performance without resorting to do any standard Stiller bits. Helen Hunt's role is ...typical but she's probably far warmer in this role than she's been in any of her prestige pictures. Certainly, the best performance in the film is given by Liam Neeson who dominates the proceedings with the grim sincerity he brings to his quest for revenge. This Irish actor also manages to perfectly capture the unique accent of the Appalacian region. As an actor, Patrick Swayze has always been limited and he's always been better at projecting sincerity than complexity. Luckily, his role in Next of Kin has been designed to require little more of him than sincerity and, if Next of Kin doesn't represent his best performance, its certainly his most likeable.

Next of Kin isn't a great film. As stated before, the story is a tad bit too predictable and that's only made more obvious when the story is populated by a better-than-average cast and directed by a truly talented director. However, this is a rare genre piece in which it is obvious that everyone involved actually put in their best efforts to make a worthwhile film and the results are both admirable and entertaining.

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I loved this movie before I knew who Liam Neeson, Helen Hunt, Ben Stiller, Bill Paxton were! I still love it today. My younger brother knew that I had been wanting to see it again and he gave me my own copy for my birthday. I don't know why Adam Baldwin is listed here as the star, though. Patrick Swayze and Liam Neeson are clearly the stars of this movie. If you live in the South, then you realize the closeness of these people and their desire to avenge their family is not too far fetched. There are so many interesting characters in this movie. I have always felt that one day someone would be digging around and unearth this old gem.

Read Best Reviews of Next of Kin (2012) Here

Patrick Swaze is the big city cop from the backwoods whose younger brother is shot dead by the mob and he vows to track down those responsible.

However,when he takes his brothers body home to be buried,his elder brother,loose cannon Liam Neeson,is disappointed with the lack of direct action;and threatens to become involved.

Neeson does become involved with tragic results which brings a variety of strange hillbilly types into the big smoke to extract retribution.

Reasonable action thriller,but could have done with more of"the kin"and Michael J Pollard;now approaching the veteran stage;steals every scene he appears in.

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Damn good movie and entertaining, too. Being a Kentuckian, I liked how it showed the differences of the eastern Kentucky mountain people's environment, lifestyles, and their beliefs, which is still carried on to this very day, in contrast to the big city's(Chicago)smug, fast-paced attitude. The guy traveling in a converted school bus full of snakes was a bit hard to swallow, and how Liam Neeson's character could find his way around Chicago, and never having been there, is a mystery to me. Yes, there are many bow hunters in Kentucky!! They have a special time during deer hunting strictly for bow. And, yes, they are good with them! But, the movie as a whole is fun to watch with a big bowl of popcorn. Might not be suitable for small children due to language and violence.

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Wednesday, May 28, 2014

Shutter Island (2009)

Shutter IslandI tend to look for movies that draw me in and that provoke an emotional response. Martin Scorcese's "Shutter Island" did indeed draw me in, even though I found the film disturbing. Scorcese explores difficult questions of guilt, personal identity, and mind control.

The movie takes place in 1954 on a craggy, remote and forbidding island off the coast of Boston. (I have some familiarity with a United States possession called Navassa, an uninhabited, little-known island in the Carribean surrounded by steep, inaccessible cliffs and was reminded of Navassa by the movie.) Shutter Island serves as a hospital and prison for the criminally insane operated by the United States government. A United States Marshall, Teddy Daniels, and his ostensible partner, Chuck Aule, who calls Daniels "boss", are ferried to Shutter Island to investigate the disappearance of a female inmate who has apparently escaped. The inmate is said to have drowned her three children before her incarceration. Daniels himself carries with him many emotional issues. He witnessed the liberation of the Dachau concentration camp and has had problems with alcohol. His wife died in a fire set by an arsonist. Daniels sought an assignment to Shutter Island because the arsonist and another individual from Daniels' past are incarcerated there, and Daniels wanted to see for himself what was going on.

At the hospital, Daniels meets the head psychiatrist, a bearded, crafty and intelligent individual named Cawley, and his sinister German assistant, Nehring. He meets with staff, with prisoners, both male and female, and with inmates of the "C" ward, used to house the most dangerous prisoners. As the movie progresses, Daniels suffers increasingly from tremors and from hallucinations, most of which are in the form of his dead wife warning him about the island. Daniels also receives warnings and augurs from the patients. He senses that something is not right about the investigation but cannot let it go.

The movie has the makings of a gothic horror film, but it gets beyond that genre by its seriousness and development. The movie builds slowly and inexorably to itconclusion and most parts of the story contribute to the effectiveness of the whole. The feeling of isolation and doom is inescapable, with a mental hospital on a remote island, a hurricane which cuts the Shutter Island off even further from the mainland, and the chilling, hidden natures of staff and inmates on the island.

The movie includes scenes of cliffs and danger on the island, pounding waves, wild rats, a mysterious lighthouse, and lost souls. A difficult and troubled individual, Daniels comes to challenge his understanding of himself in a radical way. I found the confusion in sense of selfhood, in circumstances of isolation and helplessness, chilling.

The movie is based upon a 2003 novel by Dennis Lahane called "Shutter Island" which I have not read. The acting is convincing throughout and the musical background is erie. The movie has received mixed reviews. Scorsese's movies such as "Taxi Driver", "Raging Bull" and "Gangs of New York" with their portrayal of violence, illusion, and rawness have always fascinated me. "Shutter Island" did so as well. The movie has attained a large success at the box office, and perhaps can be viewed and responded to on many levels. I don't think it is for the faint at heart.

Robin Friedman

I think that some of the mixed things I'd heard about it come from the fact that some audiences were a) expecting something different and b) don't like to think. To be fair the studio mislead them by selling Shutter Island as a fun, edge of your seat, thrill ride. It's really a psychological drama disguised as a B grade horror movie. It indulges in all the gothic tropes: the isolated mental hospital, the hurricane that cuts everything off from civilization, hints of Nazi experiments, even the music plays into it. But really that's just the setting. If you take it as the whole thing, that's where you'll run into disappointment. It's more about what's happening in the mind of the main characterwhich is a puzzle in itselfthan the big twist ending. I think that The Sixth Sense and others of it's ilk did a disservice to audiences in a sense. People look for the "trick" in movies, studios advertise the "big twist ending". But this isn't a movie about a twist. Yes, there's a big reveal in the end, and the "what" of the reveal is fairly obvious. It's the "how" and the "why" that we should be thinking about. These are the answers to the psychological puzzle of the film. People get so into the "what" after being groomed on twist endings that they forget there is a "how" and a "why". When the big reveal comes it's more about the catharsis, the coming full circle, the emotional confrontation, than the twist itself.

Yes, it can be confusing not to know whether the main character is dreaming or hallucinating, or really seeing what is. But with patience that becomes clear and the beautifully photographed, eerily haunting dream sequences are worth watching without trying to "figure them out". Just enjoy the performances (impressive across the board), the score, the cinematography, and go where the film takes you. Some might call the ending a cop out. But really it leaves audiences with even more questions: are there some things that are so painful that we're better off (literally) cutting them out of our brains? Is a delusional mind a prison or an escape? Who is sane? Is sanity a choice? In my opinion answering these questions would be the cop out!

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It goes without saying that Martin Scorsese is an incredible filmmaker. He has added another classic to his resume with the mind-bending thriller, "Shutter Island". The film stars Leonardo DiCaprio as a federal marshal who is investigating the disappearance of a patient / prisoner from a mental institution for the criminally insane. DiCaprio shines in his part, perhaps brighter than he has in any other Scorsese film. He is accompanied by Ben Kingsley, Mark Ruffalo, Max von Sydow, Ted Levine and Jackie Earle Haley, amongst others. "Shutter Island" does a great job of playing mind games with the viewer. This film makes for a great DVD to own, because you can watch it as many times as you would like and you can discover new clues in the plot over and over again. Also, after viewing the film the first time, once you know the outcome of the plot, subsequent viewings are really terrifying if you put yourself in the main character's shoes, knowing the ending. That's what I do when I watch the film now, and I think it's genuinely scary because it is so competently written. Scorsese's direction is excellent, as are all the actors' performances in the film. The film is a dark noir styled trip down the rabbit hole that is frightful and tense throughout. Definitely a modern Scorsese classic here, folks. Well worth checking out, multiple times. Highly recommended! 4.5 stars.

Read Best Reviews of Shutter Island (2009) Here

"Shutter Island" is a mystery with a twist, and I don't want to give it away. So, I won't go into a lot of detail about the plot. Leonardo DiCaprio and his partner travel to an institution for the criminally insane on an island, and nothing is as it seems.

As my wife put it, about 60 minutes in, you know it's going down one of a few paths, all of which are cliches. Sure enough, an hour and 15 minutes later, she was proved right. The problem with the twist ending in the 21st century is that we've all seen a ton of movies with twist endings, and it has become harder and harder to actually surprise the audience. Also as my wife put it, there's a good movie buried in here somewhere. The characters are interesting; the idea of a mental hospital at the dawn of modern psychiatry is interesting; and the location is fantastic. Strip away about 30 minutes from this languidly-paced film, do a few more drafts of the script, and this could be a winner. The way Hollywood works, the remake/reimagining in 2030 will win an Oscar.

On the plus side, DiCaprio turns in a tour de force performance, as usual. The guy is a fantastic actor, and this is an actor's film. If you like watching a great actor do amazing things with a character, you will enjoy this movie.

At best, "Shutter Island" is worth a rent.

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Shutter Island is a difficult film to review. The way the film unfolds is an interesting one, but is difficult to put into words without spoiling everything from the film. It strings you along so many different paths that guessing how the film ends is nearly impossible. While watching the film, however, nothing really made sense until the last twenty minutes or so. Between Teddy's hallucinations and what's transpiring on the island, it's almost exhausting trying to grasp what's actually happening in the film and what's occuring in Teddy's head. The finale to The Departed, another Martin Scorsese/ Leonardo DiCaprio pairing, was (and still is) one of the most talked about endings when it comes to recent films. Shutter Island doesn't necessarily top The Departed, but is along the same lines. Its ending gives new meaning to at least one repeat viewing of the film.

There's no denying that I've been a fan of Martin Scorsese's films for quite some time. Films like Taxi Driver, Goodfellas, Cape Fear, Casino, and Gangs of New York are prime examples of some of the best films ever. I can't say the same about Leonardo DiCaprio. While I can't argue the fact that I enjoy quite a few films he's been in, he didn't really do anything for me as an actor. I didn't see this potential or charisma that everyone else seemed to. Until now. His work in Shutter Island puts his acting skills on display for the world to see. His devastation towards the end of the film is not only believable, but absorbing as well.

The cinematography is on a level you'd come to expect from a Scorsese picture. The way Ward C, the ward built during the Civil War that contains the island's most dangerous prisoners, is filmed in particular may be the high point as far as cinematography is concerned. The never-ending darkness makes you think something is going to jump out at you at any moment and its metal cage-like structure that constructs the walls feels claustrophobic; like you're a prisoner yourself. That "rat in a maze" line from the trailer really fits the film well. Everything in the lighthouse with the spiral staircase is pretty amazing, as well.

An interesting note about the film is that the soundtrack is used sparingly. I didn't notice one throughout the majority of the film. It seemed to only be used during dramatic moments. There's also a gunshot towards the end of the film that is going to make you jump because it's so damn loud. Seriously. It's insane. For an R-rated Scorsese film, it seemed pretty mild in the language department. The F-word is said 422 times in Casino, 296 times in Goodfellas, and 237 times in The Departed while it's only said a handful of times in this film. Just seemed a bit odd for a Scorsese picture.

Shutter Island is pretty confusing until the finale (basically from "Why are you all wet, baby?" to the end). It's pieced together slowly and is a combination of Teddy's memories, hallucinations, and what's actually occuring in reality. The way it unfolds is kind of like trying to solve a Rubix Cube. It takes time and a little bit of effort, but is well worth it in the end. Shutter Island is a film that makes you think. Remember that going in. Teddy has quite a few lines towards the end of the film that are going to stick with me for a very long time. It's a film that will only get better with repeat viewings. When it's all said and done, it was well worth waiting an extra four months for this film.

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Wednesday, April 30, 2014

High School Musical 2 (Extended Edition) (2007)

High School Musical 2I was amazed by the amount of extras on this 2-Disc DVD set. What a fantastic set--with over 5 hours of bonus material. The story is typically light-hearted fun as you would expect from this franchise. It's the last day of school, and all your favorite East High Wildcats are counting down the seconds for the final bell that tells them it's finally summer! The rousing opening song is "What Time Is It?" and gets the movie off to a high energy start. Troy (Zac Efron), Gabriella (Vanessa Hudgens), and the gang must get summer jobs; meanwhile, Sharpay (Ashley Tisdale) wants to get Troy a job at her country club, Lava Springs, so that he can sing with her at the talent show and become her new boyfriend. Unbeknownst to her, the club's manager, Mr. Fulton (Mark L. Taylor), has to hire the entire gang to get Troy...including Troy's girlfriend Gabriella. Sharpay does everything she can to break the two up, including setting Zac up with a sweet college scholarship. Can Zac resist?

Visually, this movie is a technicolor feast that harks back to the Esther Williams/Busby Berkeley musicals of MGM. One of the most spectacular numbers if "Fabulous," sung by Sharpay (Ashley Tisdale) as she lets everyone at the pool know that she has impossibly high standards. Her brother, played by Lucas Grabeel, is dolled up like Elton John and plays a pink piano in the shallow end of the pool while wearing a white tux with hot pink lapels. Definitely classic!

Spec-wise, the DVD audio is a speaker blowing Dolby Digital 5.1 mix and the video is full-frame. Sure, for those with 16x9 or widescreen TVs it's a disappointment. However, this movie was originally shown on the Disney Channel, and as you can clearly see in the behind-the-scenes documentaries (as you look over the shoulder of the camera and see the framing), this movie was COMPOSED for full-screen, even though there was spillover frame to fill out a widescreen. Minor quibbling point...still a great piece of entertainment suitable for ALL ages.

Now onto the extras...there's a ton! You get a great sneak-peak at High School Musical 3 (which will actually debut in theaters), which shows that the whole gang is back, along with three newcomers (looks like Sharpay may have some competition in the conniving department from the new girl). There are also some deleted scenes; although they were trimmed for the right reasons, one does explain a little bit of how Gabriela got to the Country Club for the talent show. Backstage Disney also gives you High School Confidential, an assortment of LOTS of featurettes such as:

*Manly the Dog: director Kenny Ortega's dog who has a featured spot in the movie as Sharpay's pampered pet.

*Sharpettes: Sharpay's sidekicks, featured in the "Fabulous" number

*Hilarious one about Ashley Tisdale; all her costars say she is like Sharpay, even though she protests. Very cute.

*Zac Factor: All about Zac Efron

*Special photo gallery where you can guess what baby photos match your fave HSM star.

*The Making Of "HUMUHUMUNUKUNUKUAPUA'A."

*Hannah Montana/Miley Cyrus is actually in HSM2; never knew that until I saw the featurette about her cameo!

*Cast Favorites: The stars dish (except for Zac who is not in this one) about their favorite singers, movie actors, desserts, and more.

*On Location Visit the resort area of St. George, Utah

*In The Kitchen Lucas Grabeel takes fans behind the scenes of the clubhouse kitchen set.

In the Music & More section you get:

*Dance Along: follow along to the moves of "What Time is it?" and "All For One." You'll be doing these dances in no time by following multiple camera angles.

*Music Video "All For One" A special performance of the song is intercut with the cast recording session and behind-the-scenes footage.

And lots more! All HSM fans should add this one to their collections!

This sequel to High School Musical features the same stars as the first film and nearly the same plot. Once again, high school hunk Troy (Zac Efron) ponders whether he should stick to the stuff he knows (in this case, the sweet Gabriella), the conniving Sharpay wants him there beside her, and eventually everyone learns that they're all in this together. OK, that wasn't fair. That's also the plot of "Grease," and for that matter, nearly every other teen musical.

In this case, though, I couldn't help feeling let down. Unlike the original (High School Musical (Encore Edition)), this film breathes not a breath of fresh air. It is, in essence, just a clone of its mama. If you loved the first film you'd like this one -it has the same feel-good bounce -but I bet you won't be watching it as often.

So why four stars? The music. It's better! "You Are The Music In Me" is a sincere, catchy duet by Gabriella and Troy (Vanessa Hudgens and Zac Efron) that uses a gospel chorus to rise above nearly everything ever cranked out by today's dime-a-dozen pop tarts. "Everyday" (also Gabriella and Troy) is in the same vein, a Britney-esque bouncer with a finale that seems literally straight out of a black church. "I Don't Dance" boogies along like an old big-band number, while the staccato boy-band rocker "Bet On It" (Troy) recalls the best of Michael Jackson. Finally, "All for One" is a hand-clapping shout-out that hints, a little, at Sheryl Crow's "Soak in the Sun." The soundtrack is available here: High School Musical 2.

Why "Extended Edition'? Because an additional music scene has been integrated into the film: the musical number Troy and Sharpay rehearse. The scene features Sharpay playing a pineapple princess looking for her "fresh fish prince" in the Polynesian fantasy "Humuhumunukunukua'pua'a." Bonus features include a sing-along feature, rehearsal footage and music videos.

One final note: Though this DVD is in fullscreen, the Blu-ray version is widescreen.

Buy High School Musical 2 (Extended Edition) (2007) Now

I have two daughters (5 & 7) and they love the movie, love the characters and can't stop watching both HSM 1 and 2. For very conservative parents (I kind of consider myself on the conservative side), this isn't all that bad. They do kiss in this one, at the end. Other than that, I can't say there is anything else in the movie that requires explanation to the kids (not that I needed to say anything about "the kiss"). It is actually good, clean fun, unlike many of the other videos that come out nowadays..

Read Best Reviews of High School Musical 2 (Extended Edition) (2007) Here

I really don't understand the negative reviews for this movie as I found it to be really great. As usual, one wonders if they saw the same film. This movie was made to appeal to pre-teen and teen viewers and it's been a hit with them this summer. I'm not a teen, but I've always loved teen movies and I found it terrific. I've had lots of kids say positive things to me about this movie and so I know it was well received. I'm just so glad that musicals are popular again as I've always liked that genre. Music has a way of touching people in ways that a regular film just can't. Yes, this film has been marketed, but I have to say that to market successfully you have to have a good product (which this is).

Ok, we all knew that the movie producers would have a really hard time matching the success of the first movie which was a real classic. This movie came so close to being even better than the first. I think what did this was the outstanding music, vocal performances of Zac & Vanessa, and choreography. Also, the "romantic quotient" is quite high and there are plenty of romantic scenes for those of us who like those kind of movies. Zac and Vanessa have a lot of onscreen chemistry & their real love for each other really shines through on film. I can see that there are a few scenes that are going to get 'stuck' in my dvd player! :) Also, the message is very good about staying true to yourself and making the most of opportunities while you are young. If you go off the track, it means nothing and you can lose sight of what's really important and become someone you don't want to be. There are more positive messages as well, and I think that's one of the things that is so great about these movies.

Extended version? This makes me happy because it seems to mean extra features and perhaps deleted scenes. Yipee! It should be great. December 11th can't come soon enough. Also, the idea of a 3rd movie about their prom in theatres is exciting to me. I say, bring it on...there aren't enough great movies like these.

Want High School Musical 2 (Extended Edition) (2007) Discount?

Having been a Disney fan all my life, I always look forward to new releases. With the Success of High School Musical I wondered how they could top this production. They did though. HSM2 is thoroughly enjoyable with great acting by all the cast and the musical numbers are out of this world. The energy exibited along with the fun they seemed to have during the production made it even more enjoyable. It is a fantastic production and I recommend it for anybody who enjoys Disney. This is sure to become a classic.

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Friday, March 21, 2014

Atonement (Blu-ray + DVD + Digital Copy) (2007)

AtonementFor those who have had the immense pleasure of reading Ian McEwan's ATONEMENT not once but several times, basking in not only the brilliant story/mystery but also in the inordinately beautiful language, rest assured that the film not only does the book justice in the transference to the screen, but in the hands of screenplay writer Christopher Hampton (we know that McEwan approved of the modifications as McEwan is one of the producers of the film) becomes even more clear in its realization of the complex plot and finds the visual beauty inherent in McEwan's prose. Joe Wright as director steers this story well, finding just the right amount of back and forth nonlinear development that formed the magic of McEwan's initial weaving.

The cast is uniformly superb. From the initial self-centered liar Briony Tallis (an impressive Saoirse Ronan) to the years' later sorrowfully guilty young nurse Briony (Romola Garai) to the 'epilogue' Briony of Vanessa Redgrave, the entire story is adroitly centered on this perpetrator of tragedy. But without the power of James McAvoy's falsely accused Robby Turner and Keira Knightley's tragic Cecilia Tallis the triad would not work. Even the smaller yet important roles assigned to Gina McGee, Brenda Blethyn, Jérémie Renier and countless others are played to perfection.

The cinematography by Seamus McGarvey captures not only the misty tranquility of 1935 pre-war England complete with creative use of luminous light sources as well as the raw brutality of the battlefields as England enters WW II. Dario Marianelli's music score (much of it played by pianist Jean-Yves Thibaudet!) incorporates the superb Sir Thomas Beecham recording of 'La Boheme' with de los Angeles and Björling as incidental music to the typing of Robby's fateful note and then proceeds to incorporate the typewriter as if it were an instrument in his orchestrations.

Rarely has this viewer been so moved by a film (and perhaps that may have been related to just having heard a performance of Britten's WAR REQUIEM at the Los Angeles Philharmonic the previous night!): it is the perfect marriage of novel, cinematic realization and commitment on the part of all concerned in the creation of this superlative film. Highly Recommended on every level. Grady Harp, January 08

"Atonement" is a great example of an excellent book that was seamlessly adapted for the big screen.

Based on the novel by Ian McEwan, "Atonement" is the story of Briony Tallis (Saoirse Ronan), a 13-year-old girl growing up in England in the year 1935. Briony is a very intense girl who is obsessed with storytelling. She witnesses a series of events between her older sister, Cecilia (Keira Knightley), and Robbie (James McAvoy), the son of the Tallis family's housekeeper. Briony things she understands what she sees, but she really doesn't. When a terrible crime is committed, Briony points the finger at the wrong man, sending an innocent person to prison and leaving Cecilia absolutely devastated.

This is an amazing story about love, truth, and justice. I have read McEwan's novel, and I was blown away by how well this story transferred to the screen. Everything in the film looked just the way I'd envisioned it when I read the book, which is a great testament to the filmmakers. I was very impressed by many of the performances in the film, especially those of the actors portraying young Briony, Cecilia, and Robbie. Ronan is a superb young actress whose portrayal of Briony is absolutely brilliant. Knightley seems to get better and better with every film she makes, and "Atonement" is no exception. She brings Cecilia to life on screen and makes her evolve from a selfish girl with a high-and-mighty attitude to a passionate woman who will do anything to be with the man she loves. The on-screen chemistry between Knightley and McAvoy is unbelievably intense (that library scene...wow!). I think Cecilia and Robbie will become one of cinema's most treasured couples, right up there with Scarlett O'Hara and Rhett Butler.

I also need to mention the amazing cinematography in the film, as well as the music. There are many spectacular camera shots in the film, and dramatic uses of light to enhance certain scenes. The film's score integrates Briony's pounding typewriter keys into the music of the entire movie, which is seamless and incredible.

I only have two small gripes about this film. First of all, the ending of the movie slightly differed from the ending of the book, and I don't understand why it was changed. Secondly, I wasn't thrilled with Romola Garai's portrayal of Briony at age 18. She just wasn't as creepy and intense as Ronan, which was disappointing. However, it's possible that I'm being overly critical of Garai just because Ronan was so utterly fantastic in her role. It would be a lot for anyone to live up to.

Overall, "Atonement" absolutely dazzled me. I appreciate that the film is so true to the book in every way, and it was wonderful to see this amazing story come to life. This is a must-see that has "Academy Award winner" written all over it.

Buy Atonement (Blu-ray + DVD + Digital Copy) (2007) Now

You will appreciate the movie more if you have read the novel. It is not a straightforward love story and definitely not a war epic. It is also not an English society story from the 30s, though it starts as such. A young girl with writing ambitions has her share of frustrations with family and with a failed crush. She sees things and misunderstands them involving her elder sister and her crush. This leads to false accusations, a wrong arrest, a life badly damaged, a love unfulfilled. The script handles the misperceptions of the girl perfectly, we get to see things in different versions. It is like time moving in loops.

The middle part shows us the struggles of the two separated lovers towards getting back to each other in the middle of war. Dunkerk for him, London hospitals' nursing wards during the bombing of London for her. The younger sister repents and tries to make up, but is rejected.

The final and shortest part is set in the recent past and has the former young girl explain what happened. You will find that the story makes perfect sense and is well constructed.

The book was one of McEwan's better ones. The movie is on par with the novel: I have rarely seen a better adaptation of such a novel. The script deserves an Oscar, as does the cinematography. Some of the images are outstanding, e.g. the 3 soldiers walking dejectedly and lost through France or Flanders towards uncertainty and Dunkerk, and the we see a bomber fly over them, but we see it only as its reflection in the small canal. Look at the pictures!

The cast is excellent and I disagree with those who think that KK is miscast, though her performance in Pride and Prejudice was more impressive.

Read Best Reviews of Atonement (Blu-ray + DVD + Digital Copy) (2007) Here

I have never read ATONEMENT (although I own the book, it has somehow never made it to my nightstand), so I brought no preconceived expectations, except that the story was emotionally shattering and the ending is supposed to be a mindblower.

Based on the movie, neither expectation was even close to being met. This is the story of the Tallis family, whom we meet in 1935, at their country estate in England. Oldest daughter Cecilia (Keira Knightley) is secretly but chastely in love with young Robbie (James McAvoy), the son of the housekeeper, who apparently received a scholarship to a good school as a young man, and actually is anticipating going to medical school. These two have obviously known each other for years, and the heat between them is just starting to really get cranked up. This is unfortunate, because on this particular day, Cecilia's 13 year-old sister Briony seems to be making a habit of being in the wrong place at the wrong time. She is an aspiring writer, and clearly thinks very highly of herself. While both sisters clearly are children of privilege and have a somewhat haughty attitude, young Briony is also a smart child whose self-esteem has probably been inflated to an inappropriate level.

So the heat turns up on the two young lovers, and Briony is there to not only read a note from Robbie to Cecilia, but to catch them in a couple of intimate acts. She misunderstands what she is reading and seeing, and this leads to disaster for Cecilia, and particularly for Robbie, who is accused of a horrible crime and sent to prison.

This covers nearly the first half of the film, and this part of the film is quite compelling. It's well-written, very well acted and oozes with atmosphere. We feel everyone simply languishing...bored and open to getting into trouble. It's dramatic stuff, and when the "act" ends with Robbie arrest, we anticipate an escalation of events and emotions that will take this film to the "shattering" levels.

And here's where the film falls nearly completely apart. Robbie is allowed into the army after 4 years in prison, and we see him at Dunkirk, the site of the historic evacuation of British troops from the mainland back to England. This daring and costly evacuation of hundreds of thousands of troops was a turning point in the early days of the war...if the evacuation had failed, Britain would have been routed, and Germany could have invaded the island. As a viewer, we are told none of this...we had just better know it. However, we are instead allowed to follow Robbie as he wanders through some fields, sees some horrific sights and generally looks like a guy who has been through hell. There is a scene on the beach that shows us the immensity of what the troops face. It is about 5 minutes long and is done in one long take. Technically, it is truly impressive...dramatically, it serves almost no purpose. It shows off for no reason.

Back in England, we see that Cecilia has become a head nurse and is estranged from her family. Briony, a nurse-in-training, continues to write and apparently is still eaten up by guilt at what she has caused...because now, of course, she believes that what she saw was mis-interpreted.

So we see some scenes of these three characters grappling with the ware. So is this a war movie? Why so much emphasis on the war when what we've been led to be interested in is these three characters...who play second fiddle to the war for nearly an hour. War scenes are certainly inherently interesting, but in ATONEMENT they should be supplementing our understanding of the characters not overwhelming them. By the time the brief third act starts, and all the surprises are revealed, we have pretty much stopped caring about the characters. And the surprises really aren't that surprising. The whole tone of the movie, and the way it has played around with time makes it a bit unsurprising when the truth is revealed. I won't say I saw it coming...but I also didn't really feel surprised. My wife felt the same.

Another problem is the character Briony. She is unlikeable throughout the film, at all ages. We aren't given a reason to sympathize with her, as she goes from arrogance to cowardice to regret. Big deal...none of those feelings compare to the damage she has wrought.

Everyone does a decent acting job, and technically the film is accomplished. But director Joe Wright doesn't handle the tone of the film well enough for us to accept all the shifts and leaps. And without knowing the book, I have to say that the script, particularly later in the game, is pedestrian and truly fails its characters. It's almost like the first half of the movie and the second half were written and directed by different people.

I can't say I cared much for the film. It's been nominated for a lot of awards, so clearly others will react to it with more affection. But it left me cold.

Want Atonement (Blu-ray + DVD + Digital Copy) (2007) Discount?

This film opens in 1935 at a spectacular estate in the English countryside, takes us to the bloody beaches of Dunkirk, and then ends in a television studio sixty years later. The well-to-do Cecilia falls in love with Robbie, the son of the housekeeper. Thanks to Cecilia's father, Robbie attended Cambridge and has plans for medical school. Cecilia's younger sister, Briony, also had a crush on Robbie, so when she watches a scene at the estate fountain, reads a love note never meant for anyone's eyes, and interrupts an embrace in the library that would shock any thirteen-year-old, she reacts in fear. Briony tells a lie about a family tragedy, the consequences of which are catastrophic for everyone, especially for her own mind and soul. Briony spends her entire life seeking atonement, and at the end of the film we're not sure that she has convinced herself, much less the audience. Atonement earned seven Academy Award nominations.

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Friday, February 21, 2014

WWE: Elimination Chamber 2011 (Blu-ray/DVD Combo)

WWE: Elimination Chamber 2011WWE

ELIMINATION CHAMBER 2011

The event that is the last stop on the road to Wrestlemania and what a fun event it was, full of action and surprises. We would see two great Chamber matches as well as some other great moments and matches. One chamber was for a title and the other was to see who would get a title shot. There was also a title match were the Miz would take on The King Jerry Lawler, as well as a return.

Spoilers

1.ALBERTO DEL RIO VS KOFI KINGSTON-I have to say that this was an excellent opener and the I-C title wasn't even on the line. Still they went at it like it was with Kofi flying all over the place and going after the Rumble winner. Missile dropkicks and all kinds of offensive maneuvers nail Del Rio but this is a back and forth match up. Del Rio works over Kofi from start to finish wearing him out like putting him in a body triangle. Which if you know anything about Jiu-Jitsu you know the pressure that puts on you for real. The match is fast paced but Del Rio lock in that arm bar and gets the win.

2.ELIMINATION CHAMBER [WORLD TITLE]EDGE VS BIG SHOW VS KANE VS DREW MCINTYRE VS REY MYSTERIO VS WADE BARRETT-Edge came in as the champ and as such had to start the match off with Rey Mysterio. Both of them go at it with everything trying to eliminate the other before another person comes in. Barrett would be the next to come in and started going to work immediately. Kane was the next and like Booker says he was "working that uppercut". Drew was next in and he went on a rampage, his first order of business was throwing Rey through the glass. Following that he took Kane out with Barrett only to turn on Wade and send him through the other side of the glass next to Rey. This match is just none stop action from start to finish and that is even between new people coming in. Once the Big Show gets in there he goes right after Wade Barrett, and although he tries to get away from him Show still slams him through the glass.

After that Show gives Wade the knock out punch and Barrett is gone, which personally upset me because I wanted him to win. Show is the next to go after every one goes after him, Kane choke slams him and Show is gone. Right after that Drew feels the pain of a choke slam from Kane and he is gone. Rey and Edge have to work together kinda to take Kane out but after a cool spear from Edge Kane is gone. Kane takes them both out after he is eliminated and leaves both of them laid out. Finally we are down to the final two and it is the two guys that started the match off. I mention all of that because after the first elimination they just happen one after the other. Rey and Edge battle it out with Edge nailing the spear at various times and Rey keeps kicking out. That is until Rey comes off the top and gets hit with the spear. But after Edge keeps the title Del Rio hits the ring and lays into him locking in that arm-bar. But Christian returns after a long lay off to help out Edge and go after the man that took him out.

After that match we get an interview with Jerry Lawler about his match and the passing of his mother. Another thing about the interview is that it is conducted by Matt Striker and that just reminds me of the fact that I miss him on the broadcast team.

Following that Booker T comes to the ring to introduce Trish Stratus back as they talk about the new season of "Tough Enough".

3.[WWE TAG TEAM TITLE]SANTINO MARELLA & VLADIMIR KOZLOV VS THE CORRE [JUSTIN GABRIEL & HEATH SLATER]-this is actually a very good match and one of the best over all in my opinion. I like all of the guys involved and the match was quick paced. The action was great and there was never a boring moment with four of them putting on a great showing. In the end we have new tag team champs as the Corre starts their climb to the top.

After that match we get an awesome interview with the Miz followed by Vickie coming out talking about Dolph getting fired. Teddy Long comes out and tells her Dolph is not getting rehired but Kelly Kelly did. After she goes after Vickie LayCool attacks her, which of course brings out Trish.

4.[WWE CHAMPIONSHIP]THE MIZ VS JERRY "THE KING" LAWLER-I was looking forward to this match so than any of the others. I love The Miz and I love Jerry so this one was going to be good no matter how it ended. I of course knew that Alex was going to get involved in this match and he does of course. It didn't matter too much though as the ref sends him back to the back. But the match its self was very good and one of the King's best showings in a while. This would be one of many times these two faced off in a match and it is one of the best. King really dominated a lot of this match and turned it into more of an old school style match and a some what brawl. Of course Cole was going off the whole time on commentary until Jerry sent Miz into Cole over the announcers table. Lawler was close to victory on many occasions with all kinds of near falls. But after Miz takes all The King can dish out ends up pulling off the win and keeping the title.

After that we get an interview with John Cena prior to the Elimination Chamber match.

5.ELIMINATION CHAMBER-JOHN CENA VS RANDY ORTON VS JOHN MORRISON VS R-TRUTH VS CM PUNK VS SHEAMUS-Sheamus and Morrison start this match off and what a great way to start it. These two have a great rivalry going on so it was perfect, Sheamus used the cage well here. Orton was the first man released from his pod and went on a rampage, even throwing Morrison through a pod. The most upsetting thing about this match is what happens to CM Punk, who is the guy I wanted to win was attacked by Orton while he was stuck in his pod. They couldn't get the pod open so Punk was stuck between it and was attacked. This of course leads to an RKO and Punk being eliminated, but thanks to the GM he is put back in the match, awesome. Cena was next to enter the match and was immediately rushed by Sheamus. R-Truth was next to exit his pod and was ready for Sheamus as he tried what he did to Cena.

Truth was ready though and took it to him until a few minutes later when he ate a big boot from Sheamus and he is the first guy eliminated. The action is all Orton for a while until Punk is released into the match, and after a quick go to sleep Randy is sent to the back. After that just like is Spiderman like performance at the Royal Rumble Morrison did another Spiderman like maneuver to take out Sheamus. After that it is not long until Morrison is taken out by the great CM Punk, by seconds later Punk is taken out by Cena. This was a fun match like one would expect from a match like this.

This was actually a very good event and better than I was expecting, don't know why I was doubting. Maybe because I knew my boy CM Punk was going to loose, still it was a really good event. Also you get another RAW episode [basically since it is most of the matches and the Rock's return, and also Cena's response form the next week]. This is an excellent set that I say go buy right now, the DVD/Blu-Ray combo is excellent.

Elimination chamber:

1. Alberto Del Rio vs Kofi Kingston: This was a very good way to start the show, very fast paced, some good high moves from kofi, excellent work from both guys ***1/2

2. Edge(c)vs Rey Mysterio vs Kane vs Big Show vs Drew Mcyntire vs Wade Barret WH Title Smackdown Elimination Chamber: What a match, just unbelievable, wasnt expecting this, such a great match, the match flows smoothly, rey takes a beating, the chamber comes to good use, each wrestler is given the right amount of time in the ring before being elimianted, and the last 10 minutes of this match is special, a must, must see match ****3/4

3. Santino Marrella/Koslov(c) vs Justin Gabriel/Heath Slater WWE Tag Team Titles: It wasnt given enough time, but this shows how much the WWE cares about the tag team division, this match is given 5 minutes and is a throw away match, worst match on the card **1/4

4. Miz(c) vs Jerry Lawler WWE Title: I didnt enjoy this match as everyone else, I thought it dragged and had a predictable ending, great to see jerry battling for the title and he put on a good show but Miz shouldnt be champion **1/2

5. CM Punk vs Randy Orton vs John Cena vs Sheamus vs Jon Morrison vs R-Truth Number 1 contender for wwe title at wrestlemania RAW Elimination Chamber match: Morrison was the star of this match and I was preying that he would win, he does some mental dives off the chamber, Punk cuts open his leg which looked cool, predictable winner but still an excellent match, again, every wrestler is given a chance to do their thing, a great main event ****1/4

Match of the Night: SMACKDOWN Elimination Chamber match

Worst Match of Night: Tag team title match

Moment of Night: Christian returns to attack del rio

Overall PPV: 8.5/10

Best PPV since wrestlemania 26, really enjoyable show!

Buy WWE: Elimination Chamber 2011 (Blu-ray/DVD Combo) Now

I enjoy these elimination chamber matches and see who will last in there. I also like see the other matches as well.

Read Best Reviews of WWE: Elimination Chamber 2011 (Blu-ray/DVD Combo) Here

The Alberto Del Rio-Kofi Kingston match was a pretty good bout even though the IC wasn't on the line. Both Raw & Smackdown Elimination Chamber were both hardcore and hard-hitting showstealers. The WWE Tag Team title match between The team of Santino Marella & Vladimir Kozlov against The Corre's Justin Gabriel & Heath Slater was not great but pretty good. The WWE title match between The Miz & Jerry Lawler was like the movie:Judge Dredd,hardly a classic but still passable. I give this event a 7 out of 10.

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Before I get started, it should be noted that the current SmackDown commentary team of Booker T, Josh Matthews, and Michael Cole did the commentary throughout the event. We also had various segments throughout the night to push various storylines (Kelly Kelly/Vickie Guerrero/Teddy Long) & promote the upcoming revival of Tough Enough with both segments featuring the return of Trish Stratus.

Kofi Kingston vs. Alberto Del Rio Eventhough Kofi is the Intercontinental Champion, this was a non-title. Kofi was real aggressive here & went straight for Del Rio by taking the fight to the outside early. Alberto was working over Kofi's abdominal section with various moves like a body scissors, gutbuster, and countering Kofi's top rope splash with knees to the ribs. Kofi delivered various loud stiff kicks throughout the match such as a stiff one to Rio's back, a "Christian-like" double face kick in the corner, a spinning & a missile dropkick from the top rope. This was a real good back & forth opener with the unexpected twist of Alberto Del Rio getting some cheers from the fans.

Elimination Chamber Match: World Champion Edge vs. Rey Mysterio vs. Big Show vs. Kane vs. Wade Barrett vs. Drew McIntyre With Dolph Ziggler being fired on the previous SmackDown, Big Show took his place. As expected, this match was full of various highlights such as Edge sliding Mysterio out of the ring to the chamber walls over the grated chamber floor, Kane's dominance including throwing Mysterio head first into the glass, Wade Barrett being cheered by the crowd, Big Show's chop to McIntyre that was so loud...it knocked the wind out of Josh Matthews, Barrett getting tossed through a pod by Show with one hand, everyone realizing they had to work together to take out the biggest threat in the match, Edge's double spear, and the showdown between the final two. The standout performance here though came from Drew McIntyre as we saw a more aggressive side of him than we've seen before as he had no problem getting in everyone's face before going into the pod, spearing Mysterio into a chamber pod's glass like a dart, throwing Barrett though another glass pod, and targeting Edge because of Kelly Kelly getting fired. Josh Matthews described this match perfectly, "Car crash after car crash!" Stay tuned afterwords as not only did the road to the World Championship match at WrestleMania start but we also saw the return of someone who also had unfinished business.

WWE Tag Team Champions Santino Marella & Vladimir Kozlov vs. The Corre Ezekel Jackson was at ringside for this match as it was pretty short & not noteworthy past doing it's purpose in putting the belts on The Corre but I'll give this match credit in that it's the most watchable match I've seen from Santino & Kozlov.

WWE Champion The Miz vs. Jerry Lawler Lawler went into this match with the story being that as long as his career has been & ever since he's been in WWE (since 1993), he's never been the WWE Champion & never wrestled at WrestleMania (he would have in 2001 but that's another story) however a week earlier, Lawler's mother passed away so he definitely came into this match as the sentimental favorite. Lawler tried to get quick falls early & was constantly in control before Alex Riley had to keep getting involved for Miz to get the advantage. Even Michael Cole got involved with his constant bickering towards Lawler was he punished Miz for it using the announce table & even using Miz to finally shut Cole up. At the end of the Day, Miz was able to overcome Lawler for the victory but it was a fun match eventhough I swear that Michael Cole's commentary was getting so "X-Pac Heat" annoying that I put it on mute.

Elimination Chamber Match: John Cena vs. Randy Orton vs. John Morrison vs. R-Truth vs. Sheamus vs. CM Punk While the other match determined who would be a champion in one match going into WrestleMania, this determined who would the challenger in the other WrestleMania match. Various highlights here include Randy Orton throwing Morrison through a pod while later giving Sheamus a hanging DDT on the steel grated floor, what happened to CM Punk when it was time for his turn to exit to pod, the RAW GM getting involved in the match, Sheamus taking the fight to John Cena & having his moment of dominance, Cena getting an RKO on the steel floor, John Morrison showcasing his par-kor all over the chamber (and I do mean ALL over), Cena & Morrison doing a throwback to the Road Warriors/Legion Of Doom, and CM Punk getting slammed on the steel floor with an A.A. One thing to pay attention to for those who think that these type of matches are "watered down" just because WWE has a PG rating & it isn't a bloodbath, just pay attention to Punk throughout this match as you see the effects of the chamber take it's effect on him as he was bruised on his upper elbow while also injured his inner thigh as well. This was different than the previous Chamber earlier in the night but quality in it's own right.

In the end, this was a huge improvement from last year's event as I enjoyed everything on the card here so this is definitely an event to add to the collection.

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Sunday, December 29, 2013

What's Eating Gilbert Grape

What's Eating Gilbert Grape"What's Eating Gilbert Grape" is a deeply moving glimpse into the frustration, sadness and triumph of love in what some would classify as a dysfunctional family. As the mentally retarded Arnie, Leonardo DiCaprio turns in an incredibly realistic performance; his gestures, his often repetitive speech...everything about his acting seems so perfect for the role he plays. (And I say this as one who has worked with the mentally retarded). It is no wonder he received an Oscar nomination. The story is told mainly through the eyes of Johnny Depp's character, Gilbert who despite his deep love for Arnie is still frustrated by the limitations that caring for Arnie places on his life. Top that off with a morbidly obese mother whom Gilbert is (reluctantly) ashamed of and a younger sister who is an oftentimes irritating troublemaker and you can see why Gilbert sometimes yearns for life to be a little easier. As a clerk in the local grocery store, Gilbert has fallen into a relationship with an older married woman (played by Mary Steenburgen) but finds himself drawn to a new girl in town (Juliette Lewis) with whom he develops a friendly, then caring relationship. Strained relations with the town's law enforcement officials ensue after Arnie repeatedly climbs the water tower and Arnie is arrested. Gilbert's mother played by Darlene Cates) who hasn't left the house in seven years, takes matters into her own hands and the results are at once triumphant and tragic. Depp is marvelous as Gilbert. His sense of despair and self hatred after he loses control and hits Arnie seem totally realistic and understandable. The younger sister who seems like such a brat at the beginning becomes more humanized as we see her vulnerability. The mother's battle with shame and humiliation over her obesity makes us all more attuned to our own shameful insensitivity. Quirky, no doubt, sad no doubt again. But ultimately, "What's Eating Gilbert Grape" turns out to be a testament to love, caring and family loyalty. A marvelous movie.

Set in the fictional town of Endora, Illinois (quite a pregnant name for a city), "What's Eating Gilbert Grape" focuses on the down but not yet out Grape family: a mother (Darlene Cates) who weighs over 500 pounds, two sisters (Laura Harrington and Mary Kate Schellhardt) with enough bottled up anger to drown a desert town, a mentally retarded brother named Arnie (Leonardo DiCaprio) who's about to turn 18 despite assurances that he'd never live a third that long, and Gilbert (Johnny Depp), the glue that holds them all together. The burdens of the family, be they running errands in his truck or bathing his brother, all fall on Gilbert's shoulders. The purpose of this particular story is to find out what happens when that burden is too heavy a weight to bear.

Everyone in the film is constantly expecting a lot from Gilbert. Whether it's the plea from his momma that he's "gotta do better", the complaints from his sisters that he never does anything (when in fact, he does everything), or the selfishness of the married woman (Mary Steenburgen) with whom he's having an unfulfilling affair, Gilbert can't seem to ever be good enough. Contrast this with the just-happy-to-be-here existence of Arnie, who blithely tells anyone that will listen, "I can go at anytime." It's a wonder that Gilbert ever has the strength to go on.

But go on he does, using just as much effort to keep the family together as he does repressing his own anger. The film's title is ironic, in that Gilbert shows little anguish; it just appears that something is "eating" at him. It's a rather benign description of his state of mind, but on the surface it works quite well. For the most part, he vents his anger in passively destructive ways. One early scene features a couple of kids standing by the side of the road, staring at the Grape house. When Gilbert sees them, he motions one over. All the kid wants to do is get a gander at the 500 pound woman inside, and Gilbert resignedly obliges, even going so far as lifting the kid up so he can see through the window. It's a very mean moment from a young man who is angelic by most accounts. But when he lets loose of his control, when his primal nature comes out, the anger and violence and wrath and fear is very apparent.

The actors are uniformly good, with a few who should be pointed out for special recognition.

Darlene Cates, who legend has it was discovered after an appearance on "The Sally Jessy Raphael" show, plays Momma. It was important for the story that Momma not be played by an actor in a fat suit; the audience needs to be as repulsed by her as the townspeople are. But it is equally important that the audience comes to understand her plight, and feel for the woman. Cates is authentic looking, and, more importantly, authentic acting. The pathos of Momma is apparent in every defeated sigh. And when she's called on for anger, as she is in one pivotal scene where she makes the terrifying choice to leave the house, it's painfully real.

Leonardo DiCaprio, in the years since this film came out, has polarized moviegoers in to two camps. There are those who swoon at the mere mention of his name, "Titanic"-philes and Tiger Beaters all. And there are those turn up their noses at the pretty boy actor, who will always be more style than substance. Neither of these groups will enjoy what Leo does in "Gilbert Grape". They may have to scrub clean all benefits of hindsight, or at the very least time travel back to 1993, to fully enjoy his performance. And oh what a performance it is. Common wisdom states that roles with physical or mental challenges, despite being the most often praised, are actually the easiest to play. Actors develop a series of ticks, and voila! A character! Leo, to his credit, is more than just a collection of ticks as Arnie. Sure, he's got messy hair, dirty fingernails, a nose in constant need of wiping, and a primal scream laugh. But he so disappears into his character, that any preconceptions you might have about the actor get lost, and a character fully emerges. It's a seamless and highly endearing performance.

As poignant as Cates is, and as flashy and sublime as DiCaprio is, it is Depp who holds the movie together. He has to play Gilbert close to the chest for the most part, relying more on his facial expressions rather than on the sparse dialogue to communicate what the character is all about. It's not an outwardly remarkable performance, but it is supremely effective. He gets drawn out of his shell, bit by bit, when Becky shows up. Becky, Juliette Lewis in star-child mode, is a perfect contrast to Gilbert. She's open and honest and willing to let others in. Lewis is charming here, a trait she doesn't get to show often enough. She and Depp have fine chemistry together, as they try to feel their way through young love.

But for most of the movie Depp plays a kind of straight man to DiCaprio's goofball antics. They have a wonderful chemistry together, for not only do they mine some restrained comedy from these scenes, but they also ably portray a strong brotherly bond. Gilbert will care for Arnie till the day he dies; Arnie loves and trusts Gilbert, even if he has not the mental capacity to understand why.

Lasse Hallstrom has a wise knack for silences, not just in the performances, where silence is golden, but also in the film's musical score. For the most part, except for some light piano work in the most important moments, everything is quiet and still. Which perfectly mimics the solitude of the small town, in which this heartbreaking, but ultimately life-affirming story, takes place.

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There aren't words enough to praise this picture. I've watched it more times than I can count, and I buy copies of it to give to other people. Leonardo DiCaptrio gives a performance a viewer will never forget; but equally invaluable is Depp's understated and perfectly sustained role as the hero. Depp can do anything as an actor! No one falters here ever, and the ultimate impact is huge and transformative. Make this part of your collection and share it with others. A great life affirming, love affirming and superbly crafted work. It's extremely entertaining as well. In fact, it's delightful. It's all that and absolutely magnificent at the same time.

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I reserve the five-star treatment to items that are well worth repeated viewing/listening/reading. This is one such film.

The story of Gilbert Grape is a coming-of-age story like none other. His father committed suicide when Gilbert was a preteen, and since then he's been the man of the family. And oh, what a family. This is as dysfunctional a lot as anyone you know.

But the great thing about the film is that they don't look down on this gang of misfits in any way. They are handled with dignity and realism, and Gilbert's stuck-in-a-rut life is as understandable as a stop sign. While the "and then enters the beautiful girl" plot line could easily become a too-easy Hollywood cliche, it doesn't come close.

Naturally I could say much about the plot here, but won't spoil it for those who haven't seen this masterpiece. Leonardo DiCaprio, in his debut as a featured movie performer, steals the show as mentally incapacitated Arnie, blowing away anyone's thought that he's just another pretty face. Johnny Depp is dead-on as the perpetually frustrated Gilbert, who's finally about to stop holding it together. And Mary Steenburgen, who's always wonderful, is again, as the small-town wife who's also hiding a dysfunctional family.

It's an emotional ride, this film, so be ready to shed some tears. No "chick flick" by any stretch, this is a film that manages to hit the bull's eye in every frame....and the bull's eye, you'll find, is painted squarely on your heart.

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What's Eating Gilbert Grape? Plenty! A simple, beautifully told story of family loyalty and brotherly love. I was thoroughly impressed by the performance of Leo DiCaprio I thought that he definitely should have WON the Oscar he was nominated for his beautiful playing of Arnie! DiCaprio plays Depp's little retarded brother in such an utterly convincing and realistic way that one is captivated by the subtlety and amazing naturalness of talented DiCaprio's playing. Johnny Depp is excellent as usual as Arnie's concerned big brother (the title character) and Juliette Lewis (with a bad hair-day!) is adequate as Becky, the girl who wants to know what makes him tick. Darlene Cates does very well as the housebound (due to obesity) mother. I just think that Di Caprio's playing should be seen because it is deserving of kudos galore his performance is like a lesson in screen acting!

Saturday, November 23, 2013

Drop Zone (1994)

Drop ZoneI loved this movie. The skydiving stunts are great, and it actually has a plot! Seems most action movies don't even bother with a plot anymore. Wesley Snipes and Yancy Butler did a great job. Their characters are believable, you feel like you're right there. I can't wait to try skydiving myself.

Basically, this plays like any other Wesley Snipe's movie. The bad guys under-estimate him so they get dealt with. Whats the difference with this one then, this one is actually good. It has good one-liners, a good-looking female lead that people would've actually heard of and, there's top action to boot. What more do you want from a movie I hear you ask?

Well, there is more and that is the soundtrack. What surprised me was that there's a lot of good rocky, funky tunes on there that fit in perfectly with the action on the screen.

Let me tell you about the action. It's excellent! Even if you're not a sky-diving fan, this will make you want to take it up. You always know when a films good and that's when you want to be or do what that actor is doing in the film. Drop Zone achieves this with flying colours.

One problem with this film however is that some of the effects are now looking a bit ropey. This, thankfully, is only on about a total of 5 seconds worth of effects from the whole film. This is quite an achievement considering that the film is all about effects and stunts. What do you expect, it is about sky-diving after all.

In complete, this film is a good, all-round action film even if you don't know anything about sky-diving or even if you don't have an interest in sky-diving.

For this price, you can't go wrong!

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I just recently watched this film and I nearly dropped dead, from how awesome this movie is. Every actor/actress in this film is completely in the zone the entire time. Not one of them drops a line or zones out for even a millisecond. My friend dropped this movie off the other night and I was getting a little bored of playing Zone of the Enders so I decided to drop the disc into my DVD player. As the laser zoned in onto the disc, action packed poetry in motion erupted onto my HD television (which has a general viewing zone of 31.5"). The first skydiving scene absolutely blew me away. So much so that I accidentally dropped my Pizza Hut PaZone on my lap.

The pacing of this film is impeccable and never drops a beat. The only thing really lacking in the pacing was heart pounding tunes dropping every couple of minutes, such as Kenny Loggins, Highway to the Danger Zone. I don't want to drop too many hints and spoil the thrilling ending to this film but it is definitely one to remember. The first thing I did after finishing the film was look it up on IMDB to see how many awards it won. Needless to say, my jaw dropped when I saw that this film had won nothing. I said to myself, "what am I in the the Twilight Zone or something?"

My "no spin zone" final review of this film is A+. The DVD version looks drop dead gorgeous on an HDTV. I also highly recommend ordering this movie on Amazon. They will drop ship it speedily to your front door within a day!(depending on when you place your order and what time zone you are in)

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as actions go this one is pretty good. the action is fast paced and the movie does not hang in any area. the aerial filmwork is excellent and addictive. if you were considering skydiving this movie might make you do it. the music is fair but does suit the movie well. if you enjoy snipes movies then you will probobly enjoy this one.

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Drop Zone is a good movie but almost or actually implausible(yes it's just a movie),Mainly a Sky-Diving movie the year it came out,one to two other similar movies came out(terminal velocity which I saw in the theater being one.)

the movie is long but the action is good and My favorite scene is the jump from the Southeast Financial Center building(called at the time or known as First Union Building then another name now Wachovia.) which was the tallest building at the time in the southeast and in Miami before the hideous Skyscrapers dotted the skyline and blocked the sun in downtown. that's one of the highlights for me in the movie.

Wednesday, November 13, 2013

Kabhi Alvida Naa Kehna (2006)

Kabhi Alvida Naa KehnaThe Compliment:

This movie is beautiful.

There area lots of great scenes of New York.

The story is compelling.

And, the classic Bollywood dance scenes are worked into the storyline cleanly in logical places.

The Complaint:

Be forewarned, I ordered this 2-disk special edition from Amazon (not the marketplace) and I was sent the single-disc, double-layer version. Unfortunately, I had torn off the plastic wrap before I realized there was only 1 disc inside, so returns seem to be out of the question. I understand that the covers of the single-disc and double-disc versions are almost the same. This was probably a picking error. So when you buy this, check it very carefully before opening it.

Movie opens on boy meets girl on the girl's wedding day to another man. The man she married was arranged n out of obligation to the man who raised her after parents died. It shows with empathy toward the characters how one can easily fall into an affair n destroy two marriages. Quite a few themes in American and Indian culture & marriage r explored. Great acting by all six main characters. I love this movie!!!

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Regardless of its flaws and faults, KANK is a bold and realistic attempt to portray the dilemma of Indian NRI's who live American lives but marry as per Indian norms. Where the director falls short is not in the right idea but in the realistic characterization, and following a script that rarely portrays the pains of two loveless marriages. A serious topic needs a serious portrayal. Karan Johar's otherwise popular attempts at comical relief have gone awry in KANK because the treatment never gets serious enough to call for a break. Pains of relationships bound by social pressures and traditions, are not an Indian wedding (KHNH) or a teenage romance (KKHH). Mixing fun and humor with such a serious issue can distract the audience and KANK suffers on this account.

The flaws of script and lack of right directorial focus can, sometimes, be made up by individual acting brilliance. Unfortunately, the movie is not helped by the typical 'Sharukh Khan show'. Neither does a reasonably happy looking Preity Zinta make the audiences sympathize with her husband's perpetual lack of involvement. Abhishek and Rani share another loveless marriage but that does not come across as a serious issue apart from during a few outbursts. Amitabh is brilliant but his impact is to distract the audience if at all and KANK's last hope is lost with his demise before the critical climax. His brilliance if properly utilized might have helped a rescue act. Even music, an otherwise strong aspect of a Karan Johar movie, rarely attains the heights Shankar Ahsan Loy have scaled in the past.

Overall, KANK a bold effort at saying goodbye to conventions has less that succeeded because of factors that are obvious in hindsight. Sadly, even the genius that he is, Karan Johar, did not see it while directing KANK. Nonetheless, Indian cinema will be better off with KANK in its archives than without it not so much for what the movie achieves but for what it fails to attain.

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Definitely a must see even for those who aren't fans of bollywood films! I've already seen this film twice, and when I showed it to my family (who would never ever sit down for a film like this) they were all at the edge of their seats with anticipation. And the music was AWESOME definitely got the album from itunes afterwards. This is by far the BEST!

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Such an inordinate number of successful Bollywood films seem to tread the jaded lines of one geometric shape, the triangle--Kuchh Kucch Hota Hai, Dil To Paagal Hai, Saajan, Kal Ho Na Ho, Parineeta, ad infinitum--that one could be forgiven for wanting to hand the industry a Camlin compass box.

Not to worry. Karan Johar, the under-30 Star Director (as they'll have you believe) rips through the shackles of that well-established formula, and offers us this putative "breakthrough" film: a quadrilaterial! Four lead actors, you see, caught ever so helplessly in the web of extra-marital flexibilities. A smart, savvy, young theme, one that showcases the intricacies and challenges of an India of the future.

Right. I hate to prick the bubble, but this flapdoodle is anything but. Notwithstanding the familiar picnics that we've seen in Sooraj Barjatya flicks (polygons?), KANK's problem is not with the moral indignations that ultra-conservatives may have with its theme. Sure, attractions beyond ill-conceived and hastily-arranged marriages are a reality. Who, having enjoyed an orange, would nevermore want an apple?

But where the film comes up short, very short, is in its sheer lack of sensibility with the subject matter for grown-ups. Like a lumpy soup in a cheap restaurant where the chef couldn't decide quite how much to put in, of what, KANK never quite makes up its mind about being a sincere film exploring a sincere theme, or a mass market slapstick, leaping instead from the frivolous to the utterly idiotic.

We see a couple of couples make what we're supposed to believe is an honest endeavor at a platonic relationship. A When-Harry-Met-Sally exploration of male-female bonds ensues. Love gratified is love satisfied, and love satisfied is indifference begun. But only the married folk in this fairy tale complete that circle, not these well-meaning friends with their thinly-veiled flirtations.

The editing doesn't help either. As the story meanders through the needless song and aerobics, Rani and Abhishek are probably the only two that carry their roles with a semblance of sanity. Big B looks like a buffoon, but he seems to have been working hard at it for a couple of years, so I suppose we must say he's successful. Shahrukh seems to continue to win accolades for his hammy prattle, which ceased to be charming quite a while ago, and is only more egregious in this self-same installment. Kiran Kher joins the jamboree for the sole purpose of bringing sobriety to an erratic old man by oh-so-coyly calling him "boyfriend" (imagine the middle-aged aunties in the audience swooning over in giggles), and because that were clearly not enough, she also manages to bag a couple of gaffes celebrating her derriere from Jullundur.

Bollywood's fascination with New York--the most usual suspect among "foreign cities", after London--continues, with just the kind of bromides we have seen in numerous previous attempts. A cavalcade of overcoats is obligatory (what a uni-seasonal city NY must be) and the Johar version of New York lives, breathes, sleeps in eternal perpetuity right by the Hudson river, because, clearly, that's where everything happens.

For viewers/reviewers gushing with praise because they "truly saw moments from their lives embedded into this film", may I recommend a healthy dose of some of our own gems -Ijaazat, Silsila, Kaash, Arth, Kabhi Kabhie, Saath Saath (for a dash of the light-hearted), Seema (with Balraj Sahni) and so forth -where similar themes have been handled with the kind of grace and cadence that the subject calls for, and heck, deserves. If one is truly inclined to expand one's perspective and savor more intelligent films about the cobweb of relationships, I wholeheartedly recommend the likes of The Ice Storm, Eat Drink Man Woman, We Don't Live Here Anymore, Lost in Translation, Heat and Dust, An Ideal Husband, American Beauty, Dangerous Liaisons. And so on.

Barring the soundtrack, which has some hummable melodies, the discerning may do well to skip this three-hour non-entertainment. It is not a breakthrough. It is certainly not a New Experiment. It's a mawkish popcorn thing that's made to appeal to the masses and to overworked engineers named Hari Prasad.

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