Cover Girl (1944)

This musical/comedy is the story about Rusty Parker (Rita Hayworth) who decides to take a chance at becoming a cover girl. But she knows that her boss and boyfriend, Danny McGuire (Gene Kelly) believes that the easy way to stardom is not the way to happiness. At first, Rusty goes to audition for being the cover girl but when a jealous friend and co-worker Maurine Martin (Leslie Brooks) tells her to act 'animated', she blows her chance in front of Cornelia 'Stonewall' Jackson (Eve Arden). So when Cornelia and her boss, John Coudair (Otto Kruger), go to 'McGuire's Nightclub' to see Maurine, Coudair immediately takes a fancy to Rusty instead! The reason is because she looks exactly like Coudair's someone long ago whom he loved, Maribelle Hicks (also played by Rita Hayworth). He finds out that Rusty is Maribelle's granddaughter then makes her his cover girl and she is suddenly flung into the world of stardom and fame! But Danny and great friend Genius (Phil Silvers) try to get Rusty back on her feet when she starts getting high and mighty ideas. On the other hand, Coudair and producer Noel Wheaton (Lee Bowman) want to give Rusty all that they think is happiness; money, fame, and stardom. But could Rusty ever be happy without the one most important thing she needs, love?

A truly dynamic movie with terrific dance numbers, hilarious humor, romantic romance, and dramatic drama. Who can't help but hum along when Kelly and Hayworth sing the lovely song, "Long Ago and Far Away", laugh when the three main stars do their 'come on pearls' bit, sigh in happiness whenever Kelly and Hayworth kiss, and be in agony at the part where Hayworth realizes her mistake? If you haven't seen this movie, I can only say that you're missing out on a lot!

My favorite dance/song numbers are:

"Long Ago and Far Away": The romantic dance number with superb Kelly and Rita Hayworth.

"Who's Complaining?": Phil Silvers is just totally hilarious!

"Alter Ego": Gene Kelly is the best! Want proof? Watch this number where he dances with himself!

"Put Me to the Test": Both versions are wonderful. One is with Kelly and Hayworth, the other one is a much funnier version with Kelly and Silvers.

"Tomorrow": And who can forget this number with all three main characters Danny, Rusty, and Genius?

Here are some of my other favorite musicals/comedies which I highly recommend. "Silk Stockings", "Take Me Out to the Ballgame", "Bandwagon", "Tea for Two", "Singin' in the Rain", "Seven Brides for Seven Brothers", "The Barkleys of Broadway", the three "That's Entertainment" videos, and "Guys and Dolls". Of course there's plenty more!

If you can get past the zany (and tiresome) antics of Phil Silvers and the corny, cliched script, there's a wonderful Technicolor musical here called "Cover Girl". Gorgeous Rita Hayworth is Rusty Parker, a nite club chorine who becomes the toast of Broadway overnite when she's chosen to be the cover girl of Vanity magazine---albeit to the chagrin of the club's owner Danny McGuire (Gene Kelly) who's her boyfriend and her catty co-workers. Hayworth is absolutely beautiful and dances with the most natural grace and elegance ever captured on screen as far as I'm concerned. Gene Kelly's acting is stiff but HIS dancing is what you're watching here as well. Boy, could he dance! He has a great solo number on an empty street where he dances with his reflection from an empty store window. Absolute artistry in motion. Eve Arden, as a talent scout, brings much needed relief to the tired script with her right-on-the-money delivery of brittle comebacks and one liners. She's also outfitted in the most outre' chic costumes and hats Hollywood ever laid out. All the costumes (by the great Travis Banton) are something to behold. But it's the Technicolor that brings things to life and Hayworth who brings the Technicolor to life. In her Broadway debut, she comes running down a seemingly endless elevated platform in a flowing gold gown like a goddess descending from the heavens---her long red hair cascading behind her. Then, after a dance number with chorus guys, she runs back up the platform through a downpour of shimmering sparkles and into a cloud of pink smoke. Sheer Technicolor movie magic. "Cover Girl" isn't the best musical ever made, but as a showcase for one of the most beautiful actresses ever photographed in Technicolor and a very nice song called "Long Ago and Far Away" it gets 5 stars from me. When you watch this, you can see there was only ONE Rita Hayworth and her grace, talent and beauty are captured in splendor on this DVD print.

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Probably one of Rita Hayworth's most memorable movies. This movie has it all, and was made to showcase Hayworth's multitude of talent. There is humor, amazing well-choreographed dance sequences, and the singing, ohhh the singing! It is hard to choose what is better. Gene Kelley gave a wonder performance as always, but Rita Hayworth shines. I never realized what a phenomenal dancer she was. It is a shame that she never received the recognition she deserved.

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This Columbia musical may be something of an artifact now, but it was designed to showcase Rita Hayworth. It does it so professionally that the movie is still a lot of fun to watch. The story is almost irrelevant to the movie. Rusty Parker (Hayworth) is a talented dancer working at a struggling dinner theater, Danny McGuire's Place, in Brooklyn. Danny (Gene Kelly) and Rusty love each other, and Danny is determined that one of these days his talents as a choreographer, dancer and showman will lead to the big time with Rusty. But Rusty gets noticed by John Coudair (Otto Kruger), a wealthy, high society publisher, and he makes Rusty the cover girl of one of his most popular magazines, Vanity. And the rest is history. Rusty becomes the hit of New York; a theater producer wants her for a show and wants to marry her. And Danny, seeing this happen, reluctantly decides he can't stand in her way. There's another story going on, too. Forty years ago Coudair had fallen hard for a showgirl, Maribelle Hicks. Despite Coudair's riches and position, Maribelle left him at the last minute to marry the poor piano player she really loved. Rusty doesn't know this story...and it turns out she was Maribelle's grand daughter. What will Rusty do? Well, watch the movie if you're in any doubt. The movie, however, is worth watching for several other reasons.

First, is the performance by Rita Hayworth. In fact, just the presence of Hayworth. She really was a beautiful creature with those long legs, red hair and a perfectly natural and friendly personality. She also was a first-rate dancer. Betty Grable once said Hayworth could dance rings around her. Many critics agree that Hayworth was the best dance partner Astaire ever had. Even when doing a fast tap routine, Hayworth could carry it off with great grace and look completely relaxed, as if she were having great fun. Check her out, for instance, in the Shorty George tap routine with Astaire from You Were Never Lovelier. She gives that same feeling of joy in dancing while working with Kelly.

Second, are the songs by Jerome Kern and Ira Gershwin. Long Ago and Far Away was the big hit, but the entire score is one classy song after another, including Make Way for Tomorrow, Cover Girl, Sure Thing and The Show Must Go On. Long Ago, in fact, was the biggest money earner for Gershwin, bringing in considerably more than any of the songs he wrote with his brother. He said several times that he didn't think the lyric was as good as it could have been. One of the songs, Put Me to the Test, has a lyric that Gershwin originally wrote for a song with his brother. It never went anywhere, so when he had some trouble with the idea he mentioned to Kern that he had a lyric that had already been set to music by George. He said he didn't know whether Kern would be offended, but Kern just laughed and asked to see the words.

Third, are some nice performances by the supporting players. Phil Silvers, as the best friend of both Rusty and Danny, plays comic relief and matchmaker. He does a nice job of it. Otto Kruger as usual plays a smoothie, but he has a few subtle double takes he handles skillfully. He also, of course, does the right thing by Rusty. He manages to show regret and affection. And it is always fun to see Eve Arden, once again as the sardonic, wise-cracking side kick, this time to Coudair. She was so type cast in granite that I always wonder how well she could have managed in a few really serious roles. I don't recall ever seeing her in one.

Fourth, is the glossy, professional, Technicolor sheen of the movie. Everything, the sets, the costumes, the lighting, the makeup is handled with the kind of Hollywood studio perfection that isn't seen anymore. Even when the showgirls are putting on their makeup, they're perfectly made up.

Kelly does a good job, especially with the alter ego dance he does with himself and which is often highlighted in specials about his career. But Cover Girl remains very much Rita Hayworth's movie.

The Dvd transfer is excellent; Technicolor never looked better. There are no extras.

Want Cover Girl (1944) Discount?

COVER GIRL'S importance lies not in it's originality as a book (it's the backstage Cinderella story extrordinaire), as much as it does in what happened to each of its stars. Gene Kelly was 'loaned out' to do CG, when MGM boss L.B. Mayer didn't have much use for him at his own studio. His performance in this film, coupled with the ground-breaking 'Alter Ego' dance solo (duo?) was so successful that it made MGM take him seriously at last and allowed him to flourish with the yet-to-come hits of "On The Town," "An American In Paris," etc. (he was never loaned out again). Likewise for Rita Hayworth; Columbia had been grooming her for years, but she had done mostly B-level films (except for the occasional musical). CG showed her off as a lead in glorious Technicolor, and paved the way for GILDA, her signature role. Here she and Kelly make a sweet couple, and are at their most romantic in the "Long Ago and Far Away" duet. Another standout number is the title song, which pays tribute to all the well-known American magazines and their cover models. Hayworth is a siren in a gold dress, running down a curved runway, with her flaming mane billowing. An absolute dream in Technicolor.