Tuesday, December 3, 2013

Patton (1970)

PattonVery first thing! There is only one version of Patton on Blu-Ray you should get if you want a proper transfer. Follow this link if you're not already on the correct product: Patton [Blu-ray]

If you're not sure you're linked on the correct one, it's the one with a full upper torso shot of Mr. Scott with the American flag hanging behind him. That's the remastered version. All versions with half his face off to the right with a gray/white background are the older, waxy transfer.

Second thing. To those who waited with me for the remaster, all I can say is WOW! It looks beautiful. Detail is strong and the image is once again alive. You can find comparison screen shots of the two version over at blu-ray.com. Their review of the remaster also explains their error in giving such high marks to the first blu-ray pressing of the film.

Only read on if you're either bored or don't fully know what the deal is with the two different versions.

Now that Amazon has combined all Patton reviews to be displayed on all versions of the film, I will sum up my original review of the 40th Anniversary Digi-Book Blu-Ray Edition to encompass a more, `in general' tone. To those wondering why so many people found my review helpful, it was because I researched and found important information about that particular release and felt a duty to inform all future Patton Blu-Ray purchasers that the 40th Anniversary, Digi-Book edition was in fact the same, horrible, DNR mess that had been available on Blu-Ray for a few years prior, just in new packaging. But the biggest reason for my review was that I knew (thanks to Bill Hunt at The Digital Bits) there was a properly re-mastered version being worked on and I felt a need to inform people so that if they wanted a good transfer, they would need to wait a bit. Now that my review is visible on all versions, I can see how it would frustrate people to read everything I had written, from the original review to all the updates on the progress of the re-master. So I shall summarize and make it more appropriately broad in an attempt to be more helpful to everyone.

Now, about the film. Patton is a classic among classics. This is perhaps one of George C. Scotts best performances of his career. And although the film has many inaccurate accounts for the sake of artistic liberties (what true story film doesn't?), all the way to the end with the `all time' ox cart dodge, the performances and cinematography are what make this movie a timeless classic. Yes, it is slow. At least for today's ADD, plot line spoon fed, 3D with no actual depth loving audiences. But to those who prefer story to gimmicks, I would call it "paced", and not slow. This is a dialog heavy film. Do not go into it thinking otherwise. And it is long. But not dull. George C Scott even won an Oscar for his performance and famously rejected it stating that he did not feel he was in competition with other actors and had this to say about the Academy Awards, "The whole thing is a goddamn meat parade. I don't want any part of it."... This film is almost like a very well directed, greatly acted, stage production. Accept the set pieces are amazing, real, and captured on a now rarely used 70mm film stock. So if you are interested in a summed up version of who General Patton was and his incredibly important role in winning WWII, than this would be the film to watch. So good in fact, that they've never attempted an actual remake of it...yet (studios, please don't).

On to the Blu-Ray issues mentioned above. If 50% of this movies awesomeness is the beautiful cinematography, than no one should be subject to a sub-par version of this film on the PQ front. What I want to do here is give everyone yet another heads up. At this time, the version linked above is the only version of Patton you should purchase on Blu-Ray. All others, the original release a few years back, the 40th Anniversary Digi-Book edition, and even the copy in the 4-Pack War Movie collection, should be avoided at all costs as they are all the same, awful, waxy looking transfer that was done when few people fully realized what Blu-Ray should be used for in the HD market.

In Blu-Ray's infancy, studios often tried to get rid of all film elements that made a movie look less "HD" by today's standards of things being shot digitally. I believe they felt that if there was any grain or softness to a film, it would make people think it was not an HD master and possibly make people not want to jump to Blu-Ray. The fact is, anything shot on film will have grain. It's one of the many elements that give film a life and character of it's own. And even though Patton was filmed on 70mm film, meaning a much finer grain structure than typical film stock, the studio decided to wipe all grain off of the image for the first pressing anyway (known as DNR, or Digital Noise Reduction). DNR is why we get a `waxy' appearance on faces and other objects on screen on some Blu-Ray discs. Much like a moving wax museum. Much of the detail is lost due to this process as well. I'm not sure why, but some people still like this. But to film purists who want a movie to look as it looked while in the theaters, this is unacceptable. Unless it's Pixar, people shouldn't look waxy. This is exactly what happened with the original pressing(s) of Patton on Blu-Ray.

Thankfully, not only have studios realized that Blu-Ray and an HD displays true role should be to accurately represent the original work as best as possible, but the complaints were heard about Patton as well and a re-master has been in the works for a few years now. It was released on November 6th of 2012. If you are looking for a version of Patton that is true to it's original intent and look, than that version is the only one you should get.

Yes, this may have gotten long. But trust me, not nearly as long as the original post, which I will be archiving in the comments section.

And once again, if you're purchasing Patton on Blu-Ray, be sure it's this version and this version only: Patton [Blu-ray]

P.S. I am leaving my stars low because the title my review is specifically linked to is the Digibook edition.

"Patton" offers one of the great marriages of actor and role with George C. Scott's riveting portrayal of the notorious American tank commander. As a film biography "Patton" forgoes the rise of the celebrated general and merely hints at his ironic death because of injuries suffered in a traffic accident, focuses entirely on his military career commanding troops in North Africa, Sicily and France during World War II. The strength of the script by Francis Ford Coppola and Edmund H. North, as well as of Scott's performance, is that the paradoxes of Patton are completely embraced. Not even Patton's loyal cadre of staff officers can keep him from shooting off his mouth every time there are reporters around, but then neither German Field Marshall Rommel or English Field Marshall Montgomery can beat him on the battlefield. Karl Malden's performance as General Omar Bradley is just as solid as Scott's, presenting a man whose personality is the complete antithesis of Patton. Viewers find themselves identifying with the German captain who is the intelligence expert on Patton and arguably the only person in the film who really understands or respects the American general. But the more I watch "Patton," the more I am very impressed with the battle sequences of director Franklin J. Schaffner ("Planet of the Apes," "Pappillon"), which were staged live and full-scale without special effects of miniatures. Schaffner provides not just the large spectacle of a desert tank battle, but smaller and equally memorable moments, such as a soldier falling dead in the snow. "Patton" deserved its Oscars.

In terms of extra features on this DVD, the second disc features the 1997 50-minute retrospective documentary, "The Making of Patton: A Tribute to Franklin J. Schaffner." Recent interviews with the cinematographer, composer, etc., are blended with audio interviews of Schaffner and Scott from 1970, newsreel footage of Patton, along with clips and publicity stills from the film make a fitting tribute to the late director. The audio commentary on the first disc is really more of a lecture on Patton by Charles M. Province, the author of the book "The Unknown Patton" and founder/president of the General George S. Patton, Jr. Historical Society. Province more than adequately fills in what the movie leaves out about Patton's life. On the second disc Jerry Goldsmith's Oscar nominated musical score is presented in stereo, including alternate takes and a series of radio spots. You certainly have to appreciate what Fox has put together here: This is a "Special Edition" DVD priced as a regular DVD, a real treat for those of us who remember being mesmerized by George C. Scott giving that profanity laced opening speech standing in front of that giant American flag.

Buy Patton (1970) Now

The Fox "Cinema Classic Collection" edition of PATTON offers a far superior picture transfer than the previous THX edition. The new image looks to be from actual 65mm elements and is far less grainy than the old transfer, which looks to have been from 35mm dupes. However, sometimes colors are a little unstable in new image, with often pinkish hues and reddish flesh tones, but most of the time the picture looks fine. The soundtrack seems the same as the old edition, which was just fine. All of the extras from the previous edition have been retained, and the new commentary by screenwriter Francis Ford Coppola is interesting.

Read Best Reviews of Patton (1970) Here

When this movie was released, it was almost immediately recognized as one of the finest, most accurate and most sensational biographies ever filmed. The unique integration in "Patton" of such fine acting, such a wonderful script, and the filming itself combined to make this a gorgeous film to watch, be entertained with, and also learn from in terms of its historical value as an absolutely superb depiction of a most controversial man and his times. All that said, this is a movie best enjoyed with the kind of visual clarity, terrific cinematography, and matchless Technicolor it offers by way of DVD technology.

George C. Scott gives the performance of a lifetime as the ego-drive, brilliant, and iconoclastic Patton, marvel of the U.S Army, a man the Germans are convinced is far and away the single best General the Allies have, and they watch him convinced he is the only logical centerpiece for American plans for the impending invasion of Europe. Of course, they didn't understand the politics of the day, or the degree to which Patton was his own worst enemy. Yet the progress of the story on the screen convinces the viewer of the accuracy of the German command's judgments of him; he is at once bold, brilliant, and innovative, willing to improvise as he goes along to seize the opportunity of a given moment, attempting to grab hold of the ever-present chaos of the situation to transform it into an asset he can employ to gain advantage and win the engagement.

Such men as Patton (and MacArthur and others) are uniquely suited for war; they do not ordinarily fare well or survive with much public acclaim during less extreme and bloodcurdling times. The fact that Eisenhower, for example, succeeded so well as President is probably due more to the fact that he was less a battlefield commander and leader of "desperate men in combat" like Patton than he was a superb organizer and a natural politician. The movie "Patton" is an investment in both great entertainment and a colorful, dramatic, and educational video you can share with your sons and daughters to help them understand better the chaos, contradictions, and cruelties of war. Enjoy!

Want Patton (1970) Discount?

I have always loved the movie "Patton". It is a true classic and a treasure in cinema. I give 3 stars to this special edition because of the following reasons. I cannot understand why 20th Century Fox chose to add the Documentary "Ghost Corp" which seems to want to imply that Patton abandoned the XX Corp and particularly the 94th Infantry deliberately with no reason. Horrible incidences happen in war, this one happened because Patton was on his way north to fight a little annoyance called THE BATTLE OF THE BULGE!, also he was going to rescue the 101st Airborne surrounded by German Forces at Bastogne from being ANNIHILATED!. In the documentary "The making of Patton" there is a clip from Oliver Stone stating that the movie "Patton" was responsible for Nixon invading and bombing Cambodia, which, according to Oliver Stone, forced the Khmer Rouge to kill millions of Cambodians. He states that only two movies he knows of ever influenced history; "Patton" and of course his movie "JFK". Naturally his (Oliver Stone)'s movie was in a good way. "Patton" just caused destruction and death. My view of this is that 20th Century Fox wanted to be politically correct and shield itself from anyone anywhere at anytime thinking that they would glorify war. I have never ever heard of a single person thinking seriously that the movie "Patton" glorified war. Whoever thought that at Fox is an idiot and obviously does not think much of the audiences' intelligence that watched "Patton". Oliver Stone is simply pitiful. He wishes that he could make a movie that would live in people's hearts like "Patton" does. He will never touch that greatness, his films will never obtain that level of affection in people's hearts. People don't love "Patton" because it is a war picture. We love it because it is great, it resonates in our hearts and it gave us an image of a complex man and the great men around him who sacrificed, bled, and accomplished heroic deeds. It is positive and gives us hope, unlike the depressing, hopeless, and disposable garbage that Oliver Stone puts out.

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