Raging Bull (30th Aniversary Edition Two-Disc Blu-ray/DVD Combo) (1980)

Revised for Blu-ray release:The two disc 30th Anniversary release combo on Blu-ray looks extremely good but is flawed--there's a noticeable translucent strip in the corner of the image that is slightly brighter than the rest of the image. It's a bit distracting at first but once you get into the film, you'll find it less noticeable. This flaw was also visible in the DVD edition of the film. The transfer is very good but not flawless.

There are some new special features for this edition including: "Marty & Bobby" featuring director and actor interviewed about how they ended up working on the film together (DeNiro brought the project to Scorsese). "Raging Bull-Reflections of a Classic" features four directors Neil LeBute, Richard Kelly and Kimberly Pierce discussing the influence and impact of the film. "Remembering Jake" allows us to listen in as the Veteran Boxer's Association of New York do their monthly get together and discuss Jake LaMotta. "Marty on Film" allows Scorsese to discuss his career as a director. All of the new material presented on this disc is in HD.

We get the previous special features carried over from the previous DVD edition. The set also includes a DVD with no special features included as well. The packaging is problematic--the Blu-ray packging is about as flimsy as it comes with the "green" packaging that isn't solid with plastic "bands" supporting the disc. The only problem is that if something pokes the packaging it'll rip the paper (and in my case it also caused the Blu-ray to be badly scratched. It also means that it's MORE likely to get knocked loose inside the packaging because it doesn't hold the disc as securely. Unfortunately more studios are going to this packaging supposedly because it's "green" but, really, it has more to do with it being cheap.

DVD Review:

The Academy has been wrong on many occasions. This would be one of them. As interesting a drama as "Ordinary People" was Robert Redford's film can't hold a candle to the complex drama that was passed over for both best director and best picture. "Raging Bull" features Scorsese's cinematic gifts at their peak. The kinetic camera of Michael Chapman and Scorsese's unusual but powerful compositions capture the boxing ring in a way never quite seen before. He also captures the human element in the same way. Jake LaMotta's gift is his ability to punish himself for his sins. He can be pummeled by others and withstand every single massive punch of his opponents. Yes he can knock them out but it's also his ability to outlast them that makes LaMotta so difficult to beat in the ring. The boxing ring changes from a place of sport to a place of war for one man's soul. Robert DeNiro's brilliant portrayal of LaMotta earned him a well deserved Oscar but without Scorsese's sharp as nails direction and the rich imagery of Michael Chapman's cinematography, "Raging Bull" would just have been another biopic about a famous boxer. The difference between the deluxe two disc edition of "Raging Bull" and the single disc version comes down to the featurettes and documentary on disc two and the commentary tracks on disc one. Both the single disc and two disc versions feature the same top notch transfer.

A beautiful, detailed transfer brings out the rich shadows, dark blacks and bright whites of Michael Chapman's cinematography. Presented in its original 1.85:1 aspect ratio for the first time this anamorphic transfer captures all the detail missing from the previous version released on DVD (which was reportedly cropped from the 1.33:1 TV version. Shot in black and white on high contrast film, the film retains it's grainy texture that added a sense of gritty reality to the original theatrical release. Presented in an enhanced Dolby Digital 5.1 and the original 2.0 Dolby Digital Surround soundtrack, the detailed soundtrack sounds terrific with virtually no compression issues and great presence.

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Extras: In Before the Fight the principle cast and crew discuss all the struggles that producers Chartoff and Winkler faced in making the movie. A project that DeNiro had first proposed to Scorsese when he was making Alice Doesn't Live Here Anymore. It's ironic that Scorsese who was never a big sports fan would make the ultimate boxing movie. Scorsese discusses how he was ultimately persuaded to make the movie by DeNiro (who had the idea of doing the physical transformation for LaMota as he ages from the very beginning). Luckily Chartoff and Winkler had produced Rocky. The duo used the success of their film as leverage to get Raging Bull.

"In the Ring" focuses on the actual production issues they faced. Watching pre-production footage Scorsese came to the conclusion that Irwin Winkler's suggestion to shoot the film in black and white was perfect for capturing the "vintage" look of the era. Editor Thelma Schoonmaker points out that amazingly Raging Bull was shot with only one camera. Schoonmaker also points out the subtle (and sometimes not so subtle) differences between fights and how changing the design of the ring, the lighting and how the sequences reflected Jake's emotional state at the time. While the film was storyboarded, Scorsese primarily used them to help keep track of the way the film would ultimately look when put together.

"In Outside the Ring" Pesci points out that the film was far from improvised. Schrader provided the dramatic structure and the actors would improvise during the rehearsal sessions and would then be, for the most part, written in stone. We learn much more about the dramatic scenes in this section with Cathy Morarity discussing everything from how the hairdresser would use corn syrup to keep her hair perfect. Chapman shot many of the color home movies then realized he couldn't shoot them with bad framing like typical home movies. The teamsters working on the production shot these sequences.

"After the Fight" Pesci and Schoonmaker justify the extreme violence of the film by pointing out that Scorsese wasn't trying to glorify it but make it as ugly as possible particularly when it came to the fight sequences but also during the domestic fights between LaMotta and his family. Sound Effects editor points out some of the simple ideas that he used to highlight the differences between the fights sometimes during various punches such as the sound of a horse shuttering or an elephant braying during two intense fights. Warner would routinely burn the tapes he used for the sound effects at the end of each production forcing himself to create anew all over again with a new concept for each movie.

"The Bronx Bull" features Jake LaMotta discussing seeing the movie for the first time. We then hear from film critics as to the reaction to the film. Schoonmaker talks about how the trade papers warned distributors NOT to book the film. Ironically, the critics asked about the film are British critics who seem to have the best appreciation for the film. The Bronx Bull duplicates many comments in the 20 minute featurettes included but, nonetheless, it provides additional background on the film not available elsewhere.

"DeNiro vs. LaMotta" compares the reel world vs. the real world from still photos and archival footage. It shows the detail that Scorsese and DeNiro went into to recreate the look and feel of the real fights. We also get the original theatrical trailer and a promo trailer for the Rocky boxed set.

If you elect to go for the single disc edition of the film, all you'll get is a bare bones presentation. It does, however, sport the best transfer to date of the film presented in the correct aspect ratio (widescreen image heighth and width). It's a pity that MGM chose not to include the commentary tracks on this edition as they would have provided information every bit as useful as the extras on the deluxe edition. Ironically, the image quality might be better in theory because there's less bit space being turned over to the commentary tracks.

A superb movie that lost the Oscar to the fine film Ordinary People on a technicality (the repulsive violence alienated much of the Academy's core members), Raging Bull proves to be the deeper, richer film of the two. There's no doubt that both are classic films of a different sort but, truly, Raging Bull proves that if a classic is overlooked that time will repair the damage done.

This is a blu-ray for film lovers. The film grain has been reproduced beautifully. There is some minor ringing on a few high contrast edges, but other than that nit-pick, this looks just like watching it at the movie theater, but with a pristine print. Looks just as Scorcese intended in gorgeous black and white. One of the greatest films has been given a great restoration and now looks its very best on blu-ray!

Buy Raging Bull (30th Aniversary Edition Two-Disc Blu-ray/DVD Combo) (1980) Now

(2008 HOLIDAY TEAM)Raging Bull is an incredible film featuring some of the greatest directing, cinematography, and acting ever to grace the silver screen. Such an incredible movie also has to have a strong foundation in the form of a powerful script, moving music and incredible set work. In all, this is a movie that comes together on all fronts, and it's a credit to Scorcese for making that happen.

Jake LaMotta is a fighter who relies on his physical gifts over his mind. Over the years, the mindless beatings he allows himself to take take a toll on his mind and body. His decline is a metaphor for his personal life as well. He neglects his wife and family just as much as he neglects his health. He eventually loses everything, but retains a certain pride in his thickheadedness.

Yes it's true, LaMotta was not an angel. But this film is great because of its honesty. Deniro's portrayal of LaMotta is legendary. His talents were never better used in a motion picture.

Joe Pesci gives a strong performance in his supporting role as Jake's brother Joey. Cathy Moriarty gives an incredible performance as Jake's Wife. I was surprised to learn she was only 19 years old and cast mainly because of looks. She is very believable throughout the entire movie, as the wild young sexpot and the resolute divorcee.

The fight scenes bring out the best in the film's cinematography. Every scene is expertly framed in the ring with realism and sharp contrast. This is the closest a non-boxer will ever get to stepping inside the ring. The music is perfectly timed with the action, highlighting the beauty and brutality of this blood sport.

The rivalry with Sugar Ray Robinson is expertly done. "You never hurt me," sums up Jake's pride after Robinson inevitably outclasses him.

From world champion to lounge bum, Jake LaMotta's rise and fall come to life in this film. Buy it, study it, watch it over and over. This is an incredible edition as well, with great clarity and nice features.

HIGHLY RECOMMENDED!

Read Best Reviews of Raging Bull (30th Aniversary Edition Two-Disc Blu-ray/DVD Combo) (1980) Here

A mood masterpiece from director Martin Scorsese, Raging Bull is the authority on boxing films as well as cinematic biographies. The life and times of Jake La Motta (Robert De Niro) are as troubled and bumpy as that of any great figure. A furious man from the backstreets of the Bronx, La Motta rises from the ravages of poverty to become one of the most unbeatable contenders in boxing history. Set amid the backdrop of the 1940's and 50's, this film is the modern pinnacle of the always-arresting theme of Rise and Fall. A man who had everything he wanted, La Motta was forever haunted by personal demons that were expressed through forceful paranoia and the obsessive need for reassurance. Driven by anger rather than passion, he was able to defeat any opponent with sheer grit and thirst for blood. Among his Achilles heels were his young wife, Vikki, whom he met when she was only fifteen. Moving at a steady and always involving beat, La Motta is shown taking more beatings, winning more titles and self-destructing. As through a looking glass, there is always a feeling of not knowing what this fighting man will do next. And in the great tradition of Scorsese's Italian American fables, this film forges a somber and exciting attitude all the way through. Intensifying the film's dismal and violent beauty is the soundtrack, which mainly consists of the Intermezzo, from Cavalleria Rusticana, an Italian opera by Pietro Mascagni. This choice of scores not only furthers the feel of darkness, but it immediately foreshadows La Motta's downfall, while at the same time bestowing Italian artistry on the picture. Always worried that his wife is cheating on him, and thinking that his counterparts are working against him, Jake La Motta ventures beyond the point of no return. As the film's flashback approach illustrates, Raging Bull is more than just a sports film. Rather, it is a look at how a person's actions decide his fate. It is an in-depth journey into how people can shun those around them to the point of doing irreparable damage, and what carelessness and misuse of ones own limits can sow. Robert De Niro and Martin Scorsese have undoubtedly constructed a picture of stark reality and emotional fire. De Niro stretches his abilities even farther than he does in Taxi Driver. This film achieves mythical direction and allegorical character figuration. With its black and white colour as well as its unmistakably subdued tone, Raging Bull delivers great performances not only from De Niro, but from Joe Pesci as Joe La Motta (Jakes' brother) and Cathy Moriarty (Vikki La Motta). In between the ring matches, lies the story of a broken spirit with a destiny for suffering, for this story is Jake La Motta himself, and not a third person reciting it.

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This is Scorsese's finest moment. A poetic work that mixes the deeply personal story of a boxer with unbelievable directorial style. The movie's fighting scene's are something to behold. We get almost a dance sequence of poetic movements and violence. There is also a religious underplay in the movie (Scorsese is a devote catholic) which is shown through the final boxing bout, where DeNiro is 'crucified' on the ropes. Aside from the black and white photography and expert use of the camera, the movie's real focus is not boxing, but masculinity. LaMotta feels somewhat inadequate sexuallly and as a man. He has to constantly prove that he can fight and be a 'contender.' He is violent and a bad husband because he is constantly beating himself up. He struggles with the notion that his girl finds another boxer attractive. His response is mauling him in the boxing ring so that he is not a 'pretty boy' anymore. Another conflict exists between LaMotta and his brother, who is played brilliantly by Joe Pesci. La Motta suspects and eventually accuses him of sleeping with his wife. By the end of the movie he is a pathetic performer. A man who is now paid to provide cheap laughs. A man who was never knocked down by one of the greatest boxers in history. He is alone and decreped. Overweight and driven to a life of sleazery by his own paranoia and narcoticism. Scorsese is showing us that it is LaMotta, and not other people, who keeps fighting himself. This movie is a touching and brutal look at a fighter. It is a hallmark movie in terms of its style and film work, but more improtantly it shows us the tragic fate of a man not being able to come to terms with his own worth and manhood.

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