Funny Girl (1968)

First off the DVD: It's a letterbox transfer of pristine new print that has been digitally restored (sometimes frame by frame) back to its original condition. Funny Girl hasn't looked this good in thirty years so if you've only seen it on VHS or TV, you're in for a visual treat. I saw the restored print on a huge screen this past fall, and believe me, this transfer does it justice. In addition they have included the pre-show and intermission music as well. The additional documentary material is nothing to write home about. But I think whoever did the DVD menu deserves kudos for styling it like the New Amsterdam theater marquee from the first shot of the movie, with highlights from the film playing in the background. Very appropriate and very clever.

Funny Girl is A.) the musical biography of comedienne-singer Fanny Brice, and B.) the Oscar-winning film debut of 26 year old Barbra Streisand. As theatrical history lesson it's pretty flawed (Arnstein was Brice's *second* husband, for example). The Streisand Brice connection is strong, however. Fanny, like Barbra, wore her Jewishness as a badge of honor in contrast to most Jewish performers of the day, who tried to blend in as much as possible. As a matter of fact, the "You Are Woman, I Am Man" seduction scene plays like a Brice "Follies" sketch.

And as a star vehicle for Striesand, it's a winner. "I'm the Greatest Star" at the beginning of the picture is an electrifying jolt of raw, pure talent. At the end of them film when she falters on the opening words of "My Man", you'll remember what it feels like to watch your beloved walk out of your life.

William Wyer seems to be aware that he's launching a new star. The way he introduces Barbra that long walk with her back to the camera in the leopard coat ending with the first teasing glimpse of her face in the mirror "Hello, gorgeous." It was a closeup that many film folk were sure would have audiences recoiling in horror. Certainly plain looking Barbra couldn't make it as a movie star. Well, it's not news anymore but it turns out that Barbra photographs beautifully. Even Barbra-hater Rex Reed had to admit at the time, "It took the combined efforts of God knows how many people to do it, but I'll be damned if they haven't made her beautiful!"

Omar Sharif plays opposite Barbra, and he holds up his end of the film nicely, no small feat when you consider that the script gives him little to do and the entire property has been tailored to Streisand's strengths. No one else registers, with the possible exception of Kay Medford as Fanny's mother. (Poor Anne Francis sued Columbia after the film was released, claiming Streisand had her cut out of the finished film. Most of you are sitting there thinking, "Anne, who?")

All in all, one of the better Sixties Broadway musical adaptations. (Note: Funny Girl was nominated for Best Picture in 1968. It lost to another Columbia Pictures musical Oliver! If you liked Funny Girl, check out Oliver! it's a better movie, even though it has no star names over the title. More 1968 Oscar trivia Barbra won for Best Actress in a tie with Kathrine Hepburn of "Lion in Winter". In Oscar balloting there can only be a tie when there are the exact same number of votes. Why do I mention this? Well, it just so happens that because of her "special stature" in the industry, Barbra Streisand was admitted as a voting member of the Academy that year with the release of just her first film. I wonder who she voted for???? If she hadn't been given special treatment, maybe Kate Hepburn's name would had been the only one announced that night!)

The ultimate showcase for an actress, Barbra Streisand's highly publicized film debut in FUNNY GIRL met every single expectation and then some. The film was the highest-grossing film of 1968, and it's very easy to see why. The film has many great qualities: It's expertly directed by three-time Academy Award winner William Wyler (the finale of the "Don't Rain On My Parade" number is just as astonishing as the chariot race in Wyler's BEN HUR), the storyline is extremely compelling, Omar Sharif is an incredibly suave and charismatic leading man, the supporting players are perfectly cast (particularly Kay Medford, Lee Allen, and Walter Pidgeon), and the song score (primarily by Jule Styne and Bob Merrill) is first-rate.

However, virtually everything that FUNNY GIRL has working for it would be worthless without Barbra Streisand's absolutely phenomenal performance. I honestly cannot think of enough good descriptive adjectives to do justice to her amazing performance in this film. She handles drama, comedy, music numbers, and tearjerking sentiment with equal aplomb, and she does it all better than any actress before or since. The Academy of Motion Picture Arts and Sciences had no choice but to honor her with the Oscar for Best Actress (in an extremely rare tie with academy favorite Katherine Hepburn; only the second tie in Oscar history to date), it is a performance that is nothing less than perfect.

About the DVD: Columbia-Tristar has done an excellent job in bringing FUNNY GIRL to DVD. The restoration of the original source elements may have taken nearly three years to complete, but it was time well spent the picture quality is gorgeous! Sure, there are a few nicks on the print, but the color, sharpness, and virtually everything else is nearly flawless. Quite possibly one of the best vintage transfers yet. The sound is also excellent, and while there are no new features included (only vintage featurettes I expect we'll see a special edition re-issue in the future) the menu design is fantastic.

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Wow. One usually becomes a Streisand fan after seeing this movie. I certainly did. Streisand's movie debut begs the question: "Is a nose with deviation such a crime against the nation?" (sung by Fanny Brice's mother in the film). Barbra is Fanny is Barbra. When Streisand as Fanny tells Omar Shariff as Nick that he made her feel "beautiful", who can not love this woman?

The new DVD includes a restored version of the film and an incredibly clear soundtrack. Unless you saw the limited theatrical release this summer, then you have probably never seen FUNNY GIRL in its widescreen presentation. For years I had watched a faded pan-and-scan VHS version. Barbra's hilarious business of straightening her dress in the "You Are Woman" scene is completely cut out in pan-and-scan! Director William Wyler shot the film with a lot of widescreen compositions that the pan-and-scan versions always butchered. Thank you, Columbia, for this restored, widescreen DVD!

I remember watching THAT'S ENTERTAINMENT and seeing highlight clips from famous musicals. They showed "Don't Rain On My Parade" from FUNNY GIRL ...Barbra on the tug boat holding that note ("Paa-aa-raaaaaad-de") as the camera revealed the Statue of Liberty. I was thrilled. The DVD contains a theatrical short that shows behind the scenes footage of how they shot the entire "Parade" number -really incredible footage!

The movie's second act, a bit slow, gives Streisand the chance to show her acting chops!

"My Man" at the movie's end features a "live" Streisand vocal as she cries on stage then triumphantly finishes. That scene won Barbra the Oscar. It is truly incredible.

I am disappointed that the DVD did not include more of the scenes I've always heard about but never seen. The AFI tribute (on ABC earlier this year) remains the only place you can see scenes from the Swan Ballet number that were cut. Also, I wish there was a Streisand commentary. Can you imagine the reflections about making this film that she could share?

People who see FUNNY GIRL are the luckiest people in the world.

Read Best Reviews of Funny Girl (1968) Here

We has the good fortune to see the newly restored version of FUNNY GIRL on the big screen last month. There were 6 of us in our group (3 men & 3 women) and we all loved every minute of it. The colors in the new print are fabulous, the soundtrack is enhanced, & Barbra is even better than you expect her to be. So here's my question: why was there so little hype for the theatrical re-release of this wonderful film?!?!?

I sent this question to the Internet Movie Database & I was told that FUNNY GIRL was "not a groundbreaking movie or even an important one."

Well, now, let's just look @ this a little closer. Watching it again for the first time in 30 years, one thing that amazed me was how deliberately Wyler had framed Streisand's famous nose. In many scenes, her face is shown in profile against a dark background, so that "the bump" is very pronounced. This actually occurs when she's singing PEOPLE, her big "romantic number."

We are used to hearing that De Niro & Pacino changed the standard of on-screen beauty & made "ethnic" stars acceptable, but it should now be clear that the bulldozer that broke this barrier was Streisand. There she is, surrounded by gorgeous chorus girls, but no one can have any question about who "the star" is.

One final comment: FUNNY GIRL was originally released in 1968, in other words about 5 years before the first publication of MS Magazine & the dawn of the Women's Movement. But here's this woman asserting herself & taking control. Framing her on that tugboat, & sending her plowing right in front of the Statue of Liberty is the most aggressive declaration of reaching out for the American Dream that I know of -in what other country could a woman even dream of such a thing?

With all due respect, I suggest folks take another look @ this film before thinking they can consign it to the dustbin of history. I can't wait to add the DVD to my permanent collection!!!

Want Funny Girl (1968) Discount?

Hello, gorgeous. Funny Girl is the ultimate Streisand film. Barbra's Oscar winning film debut as the Ziegfeld star Fannie Brice has never been in better form. After a frame-by-frame image restoration and digitally remastered audio, this popular musical packs all the glitter of its 1968 premiere.

Ray Stark, son-in-law to the legendary Brice, first began working on a screen biography of his famous mother-in-law in 1948, but Brice herself rejected several scripts. Nearly a decade later, he commissioned a new screenplay from Isobel Lennart. When studios didn't bite, Lennart adapted her script for Broadway, with Jule Styne and Bob Merrill getting the nod to write the songs. Stark tapped a young Barbra Streisand, already a Broadway sensation in "I can get it for you wholesale" to play the Brice. The rest is entertainment history.

This DVD presentation is spectacular in quality, but its "Special Features" pale in comparison to those of "The Way We Were." The documentaries "Barbra in Movieland" and "This is Streisand" are almost camp in their approach and scope, and I long for a present-day interview (better yet, audio commentary) with la Streisand that would have put the making of this film in better context. I'm hoping her future films, especially her directorial efforts, include a director commentary and background footage. (Barbra, can you hear me?)

That said, Funny Girl is still the centerpiece any Streisand fan's collection. A must have.

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