Have you watched the "extra features" yet on the BLU-RAY edition of "CRAZY HEART"? I did so last night with a rental copy ("89 cents, Thursdays only") -from my neighborhood mom & pop grocery store [which may yet outlive a nearby Blockbuster that wants six Canadian dollars for similar rental.]As an aside, may I say I'm one of those odd folks who watch ALL the closing credits of movies - the last guy left in the theatre, watching the credit roll to the bitter end (usually to find out "who wrote that song?") Glad I watched all the "deleted scenes" from this one as they included one that would have been my `favorite scene' (in an otherwise solid, '4-star' film).
I'm thinking too that, from the perspective of any male who ever fathered a child `out of wedlock' -and didn't get to meet his child for a couple of decades -the most powerful scene (I believe) was left on the proverbial `cutting-room floor.'
The segment that runs at least seven minutes, opening with the 28-year-old son, whom "Bad" has never met, or even communicated with, returning his call to say, reluctantly, "and only because my wife says I should," that he's agreed to meet with his dad after all. (We don't get to see him in the film.) "I'll be on the next plane," says his gratified father.
Immediately, we see a cab drive up a long gravel driveway to a farm house, where the young man greets his father with distant politeness, and introduces him to his pretty wife. And though she has only a couple of spoken lines, the superb actress (not named, obviously in the closing credits) conveys the most endearing blend of patience and anxious hope -trying to will this meeting, which she has arranged, into a genuine, heart-to-heart reconciliation: It is not to be.
When things begin to turn sour, she diplomatically exits to the next room, telling "Bad" - "You could use another beer." The camera intercuts to her face (only twice) as she listens-in on a conversation going all wrong. Her lovely face is SO expressive -conveying perfectly her misplaced hope for a reconciliation between father and son a hope crushed within minutes of "Bad's" arrival.
After some cynical parrying -with Bad's meagre attempts at conversation ("I saved this money clip for you and always meant to give it to you") his son says, in a flat-toned voice that drips contempt,
"You know, since you got here, you haven't asked a single thing about US -my wife and me," [and that] "you must be the most self-absorbed S.O.B. on the face of this earth."
`Bad' says, "Call me a cab," and gets up to leave; unable to look his son in the eye, he declares in obvious self-pity, "Well, at least I TRIED." And the viewer realizes that self-pity is the ONLY emotion left to this self-absorbed, alcoholic, `has-been.'
It's a scene so poignant (and so real) it reduced this viewer to tears. How can it be left out? Usually scenes are cut if they don't actually advance the plot: But THIS scene (you may agree) is a mini-masterpiece, fleshing out an aspect of "Bad's" character to make him even more 'three-dimensional.' And since no other reviewer has mentioned it, I thought it was worth pointing out this one "deleted scene." (See if it doesn't speak to your heart!)
Thanks to the screen writer (or the book's author) for composing this `note-perfect' slice of life; thanks as well to the film's director (or producers) for making sure it was included in those 'extra features.'
Mark Blackburn
Winnipeg Manitoba Canada
This is a film I wanted to see because of Bridges but dreaded because I know he plays a man who drinks. My father was a drinker. It's not a pretty sight or experience. Instead, I saw a working drunk, a man who could and did work right through his drinking, just as my father did. But the bottom line: working drunk is not living fully. And that's what this movie is about: not living a life fully and directly.
Bridges plays a washed-out (repeated phrase for a purpose) country singer, clinging to a living just enough to get the next bottle for the gig. Just how low has Bad sunk? He drives himself from one bowling alley lounge to bar to truck stop in the hot, arid western states, the heat simply reflecting the unwashed appearance that Bad carries with him, clean or not. That nasty film of drink, smoke, rock-bottom life clings to him, clean or not.
How many years has Bad lived this way? Too many. How many more until he drinks himself to death? In the beginning he wrote songs that paved his way, but that was long ago. Until he has a gig in Sante Fe in a little nightclub where he promised the owner/piano player to allow his niece to interview him. Maggie Gyllenhaall plays Janie, also a drifter through life, at a crossroads, a single mom trying to find her way as a reporter. I was touched by her also perfect performance. For some reason she is attracted to this stinky, sweaty, aging country singer.
The redeeming grace--as there must be one in such a story--comes through Janie's son. Bad really connects with the boy as much as he does with Janie. The horror scene involving the boy displays that award-winning acting by Bridges. Oh my, his facial expressions, his body language made me feel his own terror at what he had done--or not done. What place Bridges had to go in his psyche to find that terror must have given him nightmares!
That point in time changes Bad. For a rare moment in my movie watching history, I found myself not hoping or cheering or wishing for the character, just watching to discover what he would do. That next section of the story, that acting also congealed Bridges's winning performance. It is so perfect.
To his extra credit, Bridges sings. Frankly, he could make a living at it. He sings a number of times. Colin Farrell as Bad's former friend and current nemesis (only in Bad's mind) also sings. It's a country music movie with excellent performances, alone worth the price of your ticket. But to see Jeff Bridges take a simple role of a less-than-admirable man and make the viewer want that man to be better is the real reason to see this film. The singing is just part of that performance.
It's the quiet dramas that reflect life in all its aspects that make us want to continue going to the movies. "Crazy Heart" is one of those quiet dramas of the heart with a touching story and excellent acting. I might even buy the soundtrack!I know Bad Blake, don't we all know someone like him? Lovable but trouble with a capitol 'T'. You can't really trust him, but you want to.
Jeff Bridges puts his heart and soul into this film, and he becomes Bad. He is so believable that it is difficult not to trust him. He is that lazy, hazy cowboy drinking and singing his way through life, leaving those broken hearts behind. A broken down cowboy, trying to get through life the best he can. He has friends who help him, who are there for him, and that may be his best legacy. He is 57 and was once a big name in the cowboy singing business. Now he goes from joint to joint singing for his supper. He meets a woman almost every night, and leaves her as soon as he can. Until one day, a journalist,Maggie Gyllenhaal, touches his heart, his crazy heart. She has a 4 year old son and even though we hope it works out, we know he will mess it up.
Colin Farrel plays Tommy Sweet, the young singer who has won fame and fortune with Bad's songs, gives him a chance. Both Colin and Jeff sing their own songs and they are true country. This is a film for everyone, has something for everyonegreat acting, good singing, love and romance and kids. What could be better, not much.
Highly Recommended. prisrob 04-20-10
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Read Best Reviews of Crazy Heart (2009) Here
Nicely done dramtatic tale of redemption and salvation from a drinking and smoking life on a dusty road filled with meaningless relationships and a generally cantankerous attitude A talented singer begins the road back to living a cleaner and more fulfilling existence after a traumatuic incident and health-related problems that escalate out of control. Shares a strong thematic affiliation with "The Wrestler." Parenthetically, the music in this film sounded a lot better in the theater than the sound on the soundtrack CD and I'm not sure why. Could simply be that I need a new sound system.Want Crazy Heart (2009) Discount?
One of the true good things to happen this past Oscar night was to see Jeff Bridges win for best actor. He's done a number of great roles and should have been so honored several times in the past. So I was anxious to see if his performance in this week's release of CRAZY HEART was the best he's turned in. The answer lies in personal preferences, but he did do a great job here.Bridges stars as Bad Blake, a once legendary country star who's seen better days. After years on the road, years of drinking and smoking, years of bad marriages and managers, Blake is doing the only thing he knows how. He travels on his own from town to town playing small locations to make a living. The first of which we see is a bowling alley with a bandstand.
Life on the road has taken its toll on Blake. His health isn't seen as fatal when we first meet him but the excesses he's lived through seem to be catching up with him. Along with those excesses comes a certain amount of stubbornness as Blake continue to turn down attempts by his protégé from years back, Tommy Sweet (Colin Farrell), to help him by buying new songs from him. Having not written one in 3 years, Blake continues on his downward trail.
And then Blake meets a young woman who comes to interview him after a show. Jean Craddock (Maggie Gyllenhaal) has seen better days and yet goes through life with a smile on her face. A single mother, Jean is attracted to Blake and the two begin a romance that starts with one night and moves into the possibility of a more permanent arrangement.
When Blake falls asleep at the wheel on his way to visit Jean, she ends up having him stay at her place until he recovers. Before leaving the hospital, Blake's doctor sets the record straight for him: he's an alcoholic, he has emphysema, the possibility of a stroke is there and if he doesn't get his life together he won't be around a lot longer.
Unfortunately Blake doesn't take the doctor's advice. Once he's able, he heads home to heal. But he misses Jean and her little boy Buddy and invites them to his home. Can Blake make the changes necessary in his life to have the family that he longs for but lost so long ago? Or will his desire for drinking and a hard life rule over those dreams?
The movie works well because it doesn't focus totally on the ills that Blake puts himself through. It offers us enough to realize what his problems are without having to dwell on them or on the effects that his alcoholism has on him and his life. Rather than long passages showing us what's going on in his life along these lines, we get small glimpses instead. But these are enough to make their point and allow time to show the other side of Blake as well.
We get to see the side of Blake that wants to make amends for his life. We get to see the side of Blake that shows him wanting to take his life in a new direction but finding that there is no easy route to do so. And we get to see a side of Blake that through all the bluster and talk of being the big time country star, he's still a simple man at heart.
Bridges characterization of Bad Blake gives a depth to the character that some would not have been able to carry off. Blake here is a man that you want to succeed, that you want to see change, that you want to find a better life. At the same time, the story doesn't move in the normal pattern where everything ends hunky dory half way through.
The actors that support Bridges here also turn in great performances. Gyllenhaal offers a subtle approach to her character. She's not the doe eyed fan who is overwhelmed by the star presence of Blake. She's interested in him first as a person she's interviewing as a journalist and only later becomes romantically inclined.
Collin Farrell (who I had no idea was in the film based on trailers and the like) does a great job as Tommy Sweet. The character is one that could have followed directly in the shoes of Blake, but has instead embraced the fame and fortune in an entirely different way.
Both Bridges and Farrell sang themselves as the characters and it adds a nice touch. It's always better to hear the actual actors rather than see them replaced in voice over. It adds a nice touch and both actors do a commendable job here.
CRAZY HEART might appear on the surface to be just another story of a musician who fell from grace or another alcoholic tries to find redemption flick. But it's more than either of those tales. It's the story of a man who has a chance to change his life for reasons he didn't know still existed inside of him. And that makes for a great picture and a performance that is indeed Oscar worthy.
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