Weekend

Weekend is a film that can be blatantly described as a Gay/ lesbian film. But the irony of handing it that title is that Weekend itself is a terrific analyzation of the boundaries often placed between the gay community and the straight community. In this film we follow two gay men who have just met: Russell (Tom Cullen): A life Guard who is still a tad insecure about his sexuality, and Glen (Chris New) an outed artist who plans to go to America to flee the boundaries that hold him back in England. The film follows the two over the course of one weekend, the majority spent in Russell's small apartment, where the two men learn about each other, have sex, and have fascinating conversations pertaining to the stigmas placed on homosexuals in a "Straight" world. It is somewhat cliché now to describe a film as having a "documentary feel", but what other way is there to describe Weekend? Here is a film that is so intimate, so realistically acted and full of moments so private that it is impossible to look away. The performances are magnetic and unforgettable while the script is one of immense intelligence.

At its core the film deals with homosexual issues yes, but does that mean it is only for gays and lesbians? Only if you're one of those people who also think Spike Lee films and Roots are only for black people. If anything this is a film that should be viewed more so by straight people. It is a superb document on the humanization of homosexuals. It shows us that we all are pining for the same existential things: Acceptance and love. Those two things might be wrapped in different looking packages between different people, but beneath the exterior the same kind of love is there. For that insightful revelation alone I would recommend Andrew Haigh's Weekend, but there is so much more to it. It is an exceptional film that follows in the footsteps of such great films as Before Sunrise. and like that film it haunts you for days afterward. One of the best films of 2011 no doubt.

Pros: Very well acted, Great script, Kudos to putting John Grant in the Soundtrack.

Cons: None

One of the most romantic gay films I have ever seen. The reviewer before me must be even more cynical than I am to have totally missed out on the chemistry that these two have. They are not your typical gay characters, in fact it just so happens they are gay. No "after school special" or "Lifetime" feel here. No tragic illness or event. Just good conversation and attraction.

The end practically left me in tears. The relationship that builds between the two is a joy to watch.

I am not easily entertained and especially critical of film. I usually prefer more cerebral fare like David Lynch or Woody Allen. But once in a great while a film comes along that surprises you and touches your heart (and not by manipulation ala New Years Day, etc.). Sit back and watch these two very different people in a realistic portrayal of discovering each other and themselves.

Buy Weekend Now

My partner and I saw this movie in NYC at the IFC Theatre a few months ago, and it really moved us. We're not young, not into drug culture, and weren't seeing it hoping for a glimpse of some eye candy. We had read a review in The New York Times, checked it on Rotten Tomatoes and seen what a high rating both critics AND audiences alike had given it, and that was the draw for us. What a raw and beautiful film...!!

The two lead characters in the movie have very little in common, at least in my estimation, except for the fact that they're both gay, young, attractive, and affected by the slings and arrows of surviving in a predominantly straight world. They're very opposite, and therein lies the attraction. Yes, they use recreational drugs like a lot of gay youth. I think the movie does a good job of exploring the demons that cause them to have the kind of low self-worth that drives many gay people to abuse substances. Yet, there is a beauty in the love that develops very quickly between them--despite their self-destructive tendencies. Much bubbles to the surface in their drug fueled time together that might otherwise lie dormant if substances weren't being used, and the crashing down of walls that is the result.

Seldom have I seen a film of such gritty honesty. It is uncomfortable seeing the story unfold. But somehow it manages to crawl under the skin with the precision of a microscope of acuity, revealing so much about what drives us gay humans to the extremes that a marginalized existence sometimes does. I thought it said more about how societal pressures, whether real or imagined, get in the way of gay people being able to just live and love. A must see!

Read Best Reviews of Weekend Here

I always appreciate when a big DVD label like Criterion (they picked up the North American DVD/Blu-ray release) courts smaller noteworthy offerings that might not ordinarily receive a big distribution. Taking on Andrew Haigh's "Weekend" is certainly one of their more interesting offerings. Some might consider it a niche choice with its homosexual themes and same sex coupling, but "Weekend" has a lot to say about how people (of any gender or orientation) connect or don't connect in the modern world. It is a small film, to be sure, that is graced with both a minimalism and a naturalism that might remind you of Mike Leigh's most organic projects. The narrative takes place over the course of one weekend largely within the confines of an apartment. It is a piece that is bolstered by a thoughtful screenplay and two great performances. If you're looking for a big story, this micro-budgeted indie is NOT the picture for you. But if you enjoy realistic dialogue about the human condition, about life, about love and relationships--there is plenty to be admired here.

Basically, "Weekend" is structured as a brief encounter, a fleeting moment. A relationship in microcosm is played out over a couple of days. The film is completely understated and its quiet effectiveness might sneak up on you. It's a typical enough story, I suppose. Russell (Tom Cullen) heads out to a club looking for some action and as the evening comes to a close, he ends up going home with Glen (Chris New). Neither is under the illusion that this is anything other than a hook-up. In fact, it doesn't appear that the two men share much common ground. What follows is an encounter fueled by drinking, drugs, and sex. But unexpectedly, they also let down their guards and really start to connect. In many ways, "Weekend" is about that moment where two people fall in love. It's not a big or dramatic moment, but a subtle shift of how you view someone else--how you seem to fit. While the film does touch on some issues specific to the homosexual community, its underlying themes are much more universal than you might imagine.

The film played very well on the festival circuit, even picking up two British Independent Film Awards, one for Best Achievement In Production and one for Most Promising Newcomer Tom Cullen. Cullen is quite exceptional. His Russell is more aloof, more introspective, but as he starts to share more of himself--the openness and vulnerability are etched across his face. Chris New is believable and outspoken, cynical and frank, but with a need to connect maybe he doesn't even fully understand. If the thought of two men having sex or sharing intimacy bothers you, this might not be your first choice. But both actors really make this work, giving of themselves both physically and emotionally. In the end, it's bittersweet, real, natural, and unassuming. What it achieves, it does so quietly, unexpectedly and with surprising subtlety. Perhaps this tiny little movie is not for everyone, but for those that appreciate realistic adult drama--this is a weekend trip worth taking. About 4 1/2 stars. KGHarris, 5/12.

Want Weekend Discount?

My partner and I saw this movie in NYC at the IFC Theatre a few months ago, and it really moved us. We're not young, not into drug culture, and weren't seeing it hoping for a glimpse of some eye candy. We had read a review in The New York Times, checked it on Rotten Tomatoes and seen what a high rating both critics AND audiences alike had given it, and that was the draw for us. What a raw and beautiful film...!!

The two lead characters in the movie have very little in common, at least in my estimation, except for the fact that they're both gay, young, attractive, and affected by the slings and arrows of surviving in a predominantly straight world. They're very opposite, and therein lies the attraction. Yes, they use recreational drugs like a lot of gay youth. I think the movie does a good job of exploring the demons that cause them to have the kind of low self-worth that drives many gay people to abuse substances. Yet, there is a beauty in the love that develops very quickly between them--despite their self-destructive tendencies. Much bubbles to the surface in their drug fueled time together that might otherwise lie dormant if substances weren't being used, and the crashing down of walls that is the result.

Seldom have I seen a film of such gritty honesty. It is uncomfortable seeing the story unfold. But somehow it manages to crawl under the skin with the precision of a microscope of acuity, revealing so much about what drives us gay humans to the extremes that a marginalized existence sometimes does. I thought it said more about how societal pressures, whether real or imagined, get in the way of gay people being able to just live and love. A must see!

Superman/Batman: Public Enemies (2009)

Ok before I start, let me clarify something: Unlike the reviewers before me, I have actually SEEN this movie, so my review is not based on the graphic novel of which the movie is based, nor what the movie might be like based on who's behind the making of it. I HAVE SEEN THE MOVIE. Now that thats out the way, onto the good stuff.

I know a lot of Batman, Superman, and Batman/Superman fans were holding their breath on this one. With all classic the DC Comic character movies coming out lately (some of them not as good as others) it was reasonable to assume that "Superman/Batman: Public Enemies" the movie could have gone either way. Well good thing for the loyal fan base, this was definitely a hit. I can say I am more then pleased with how this came out, and I have every intention of buying this DVD and watching it again the day it comes home with me.

One thing is abundantly clear when watching this movie: WB Entertainment, and more importantly, DC Comics actually LISTENS to their fans. One of my (and others) biggest fears in this was that we were going to be hearing some sub-par voice acting for the main characters involved, i.e. Superman, Batman, and Lex Luthor. As with past offerings from WB Entertainment ("Superman: Doomsday" for example) we got some weak casting for the voices of Lex and Sups. That alone detracts greatly from the overall enjoyment of the movie. With Public Enemies however, we have the best voices ever cast for the starring 3 roles: Tim Daily as Superman, Kevin Conroy as Batman, and Clancy Brown as Lex Luthor. For those who could give two flips about these guys, they are the same voices from the popular shows Justice League Unlimited, Batman The Animated Series, and Superman the Animated Series.

On top of superb voice acting, the animation is crisp, sharp and just plain beautiful. Again, faithful to fan feedback, the artists from Justice League Unlimited seem to have had their hands in this project, because the art is pretty much the same (which is by no means a bad thing), and it looks great. Almost straight from the comic.

Speaking of which, as far as the story goes, keep in mind while watching this that its an adaptation to the comic. That being said however, the movie stays remarkably faithful to the story told in the comic. Minus a few altered frames, scenes and situations, its like reading the comic all over again, except with no imagination needed to enjoy it. The story in general is a very good one, highlighting Batman and Superman's friendship and giving you a glimpse into how deep it really goes. Granted, you get more of that in the comic then you do in the movie, but the movie compensates for the lack of inner dialogue with good script writing, full of the humorous exchanges between Sups and Bats and emotional moments and outburst we know and love from our favorite caped heroes.

This is a great movie, and you don't have to have read the comic first in order to enjoy it. Even the review value is moderately high, I can and WILL be watching this again as soon as I can, and some more times after that. This is worth price, grab it and enjoy a motion picture work of art.

Peace

So I watched Superman/Batman:Public Enemies twice in one day after I got it. And I will keep this review short as most of the main points have been hit by the people who reveiewed this already (at least the ones that waited till it came out). So here's my break down and the end will be final comments.

STORY:

It was adpated from Jeph Loeb's first arc on the ongoing comic. Love it or hate it, but it was a very faithful adaptation, streamlining something that was basically a set up for the subsequent arcs as well as Infinite Crisis. It was silly, and balls to the wall, and the only gripe I had was not explaining why the Robot was a better choice than Luthor's missles (Answer, robot was made of Metallo, not the guy, the alloy.) But hey all and all I liked what they did.

Characters (voice and portrayal):

WHOA! Okay I read the comics and almost forgot the laundry list of vilains who come out the cracks for the bounty. Batman and Superman were pitch perfect and their banter was great after seeing them so serious with each other all the time in Justice League and JLU. Tim Daly returning for Superman was great to have, though I'm one of the few that feel George Newburn's performance as the character is just as good. Kevin Conroy and Clancy Brown however are the quintessential Batman and Lex Luthor respectively. Props to getting CCH Pounder to return as Amanda Waller even if the charatcer model looked horrendous. Lastly the supporting charatcers were great. However I wonder why so much fuss was made about LeVar "Reading Geordi LeForge's Rainbow" Burton as Black Lightning when he had one line. Killer Frost was a throwaway villain that had more to say. *Sigh* Wasted talent.

ART AND ANIMATION:

Again based on the source material, the art style took a muscular turn and was fully mimicing Ed McGuiness' style where every male looks like a "Masters of the Uninverse" figure. I personally love his style and always though it would translate well to the screen. I was mostly right. They made Superman look too young, and I think it's because of the eyes. McGuiness does the squinty look better than most, and we see this in Captain Marvel's design, and in the comics Superman has the same look sometimes. That plus the cheekbone line makes him look a bit older. Well probably out of fear of backlash (last time they put lines on his face people said he looked too old, and in "Doomsday" he looked even older)they elft those lines out and he looks too young. Everyone else in my opinion looked fine. Okay Powergirl's eyes bugged me too but I was distracted by something else.

FINAL THOUGHTS:

I liked it. It was a great action flick, and didn't need too much character development. It's Superman and Batman, if you don;t know who they are why are you even picking up te movie. It's a buddy flick with wall to wall action. My biggest issue is it felt rushed. At 67 minutes it's like 15 minutes shorter than previous releases and could have really benefitted from them. That said if you like the characters and you like action this is worth it.

AFTERTHOUGHT:

The preview for the next upcoming animated feature, Jusitce League: Crisis on Two Earths was great. Yes I know after Public Enemies going back to new voices will suck but they got some good ones. Mark Harmon makes a pretty good Superman, I'm on the fence for Billy Baldwin as Batman (needs to be grittier), James Woods does an amazingly devious and twisted Owlman, and Gena Torres was great as SuperWoman. Hope you enjoy!

Buy Superman/Batman: Public Enemies (2009) Now

The first DC animated movie to make an impact with me since New Frontier (I love team-ups and big action sequences), Public Enemies features the World's Greatest Heroes joining forces to stop President Lex Luthor.

First off, other than the first Superman serial, Superman and the Mole Men and Superman III, who has been the featured villain in every movie? Luthor of course and while he can be an interesting character, when he's reused as a villain over and over, I grow bored with the character. It's not like Superman doesn't have other villains that can be used in a movie. It's also a shame that they never use any Batman villains when he's teamed with Superman. Yes Joker, Harley Quinn and Ra's al Ghul were villains in team-up episodes of the animated series, but in the team-up episodes (except the one with Ra's) there's always a Superman villain involved and my favoritism of Batman and his Rogue's Gallery aside, the Bat-Villains have always proved more interesting due to their psychology. Granted, I never read the Public Enemies graphic novel or the comics that featured Luthor as the President, its just one of the problems I have with the Superman movies; the overuse of one villain over others and the fact that when Batman`s teamed with the Man of Steel, the impression I'm given is that his villains aren't a big enough threat (sort of why the only villains we ever saw in JL were Superman villains). And why does everyone but Batman and Superman go to Luthor's side? They've battled each other for years and then just because he's the President, they think he's turned over a new leaf. And they automatically attack the two heroes that they've known and worked with for years just because Luthor says so? I find that pretty hard to believe, let alone a man who's had no political background, wins everybody over with pretty speeches of promised change and then gets the presidency (that sounds so familiar doesn't it, if only this movie had been released around late 2007-early 2008). On the other hand, the thrill I get when I see heroes team up was satisfied. Even seeing the other heroes and all the villains was enough to satisfy my tastes. But at 67 minutes (the second shortest movie I own next to Dumbo at 64 minutes), it feels rushed and with all of the action sequences, there's barely enough time to catch my breath.

I'm a little divided on my feelings on the animation. On one hand, everyone looks different than what we've seen in previously, which I like since most of these movies are adaptations of comics with different art styles. We also get many heroes and villains making their animated debut like Power Girl, Major Force, Lady Shiva, Icicle, etc. Though I have two problems with the animation; first off, why is Amanda Waller so fat? I know in JLU she wasn't that skinny but in this she looks as big as a whale. I've never read any of her appearances in the comics so JLU is the only reference I have to go by, but was she a bigger woman in her original appearances? Also why do all the males have six pack abs? I know they work out (Batman especially) but not in any comic I've read have the males been bulging out of their costumes.

A DCAU voice reunion as we get Kevin Conroy, Tim Daly, Clancy Brown AND CCH Pounder reprising their roles. Heck even Jennifer Hale has a small speaking role as Killer Frost! All still make their characters believable and its always to hear them voicing their iconic characters again. My only problem with the voicing is that, while I know not every character gets to speak, why they go through the trouble of promoting LeVar Burton as Black Lightning (going so far as to feature him in the preview feature on First Flight and getting an interview at The World's Finest) and the guy has one line of dialog! He's featured more than Hawkman and Captain Marvel and those two get much more to say than him (Hawkman's actor doesn't even get credited)!

Read Best Reviews of Superman/Batman: Public Enemies (2009) Here

The way I measure a movie's success is by how much I want to watch it again. I watched Watchmen five times in the first month of owning it, on the other hand, Superman/Batman: Public Enemies I've watch twice in the entire time I've owned it.

Lex Luthor is president, and a giant meteor made out of Kryptonite is headed for Earth. While "trying to work with Superman," and I use that very loosely, Lex frames Superman for murder, and declares him and his ally, Batman, public enemies. The reward money Luthor offers has wave after wave of supervillains coming after them, and a few well intentioned superheroes searching for the Dark Knight and Man of Steel. While it all leads to a fairly entertaining climax, it's basically one big slugfest.

Part of what hurt the film from my point of view was the hype made about the voice cast. Sure Kevin Conroy, Tim Daly, and Clancy Brown all bring their normal brand of excellence to the voices they played in Superman and Batman the Animated series. But, for instance, I remember they made such a big deal about LeVar Burton playing Black Lightning, and he has ONE LINE in the entire film. Plus a handful of stars playing other bit parts. So, in the end, you have all these heroes and villains, and they have nothing to work with, because it's only a 72 minute film.

I must admit I haven't read the source material, Superman/Batman: Public Enemies by Jeph Loeb and Ed McGuiness, but from the few glimpses I've had, they do make a good attempt to replicate McGuiness' "rippling muscles" art style. And more than likely, the book was a slightly more complex slugfest. But whatever they cut, and I have heard stuff was cut, has left the plot pretty thin.

Extras on the two disk include, "Behind the Scenes of Blackest Night" DC's major summer event focusing on Green Lantern. A short Documentary "A Test of Minds: Superman and Batman," it's fairly informative, especially for those viewers who don't understand the dynamic between the two heroes. And "Dinner with DCU, with Special Guest Kevin Conroy" where most of the team behind the film, and the other DC Animated series, converse over dinner about +10 years in animation. If you're the type of fan that likes to know the behind the scenes stuff, this is one conversation worth overhearing.

Finally, a look at Justice League: Crisis on Two Earths, and two episodes from Superman the Animated Series. The Demon Reborn, where Rah's Al Ghul tries to kill Superman, and Knight Time, where Superman impersonates Batman.

It's an okay film, but I say rent it first.

Want Superman/Batman: Public Enemies (2009) Discount?

Superman and Batman are two of my favorites. I watched their animated series, their straight to dvd movies, the comics, and pretty much anything I can get my hands on. So when I watch this movie, I was very entertained, hearing the classic voices from the animated series return, and feeling like a story that could fit into the shows continuity if you let your mind go. The trouble was that I can't help feel that I loved the nostalgia and the memories watching this brought more than the actual movie itself. Sure, it was fun, but a bit uneven, with a little less character development than I had hoped for. While I ordinarly would ding the movie, it didn't really bother me. I'm not sure if it was because the animation and story was entertaining enough to get past the flaws, or because I felt like a kid again watching my cartoon. Either way I liked the movie and will watch it again. I'd only recomend caution when watching this movie, as you may not get the same level of entertainment as I did.

Planet Earth (Discovery Channel Collector's Edition)

Having investigated these program discs, both the BBC BDs and the Discovery Channel's set are identical in imagery and transfer quality (1080i, not 1080p). But frankly, I have to say I find the Sigourney Weaver narration AND the completely different music score to be FAR superior to the bland, milquetoast British edition's sound (& I have both).

Just compare the difference in their respective teasers: vivacious & energetic versus sleep-inducing! The DC version's complete soundscape is dynamic and engaging, as well as more directly educational (Ms. Weaver's regular comments on how shots were achieved, etc.), and as much as I greatly respect and appreciate the decades of educational programming from both David Attenborough and the BBC Natural History Unit, I have to work to stay awake with their somewhat affected narration and sound design. If an exciting visual AND aural experience is what you look for in your BD collection, I highly recommend the Discovery Channel version of 'planet earth'.

I DVR'd the entire series on Discovery and was blown. Sigourney Weaver's dry humor, as well as her intricate explanation of the process of achieving the amazing shots of the series made a show worth watching even watchier.

Then, months later, my roommate bought the Attenborough version on blu ray because hipsters on slickdeals kept insisting "the original is always better", just like these same purists think the American version of the Office sucks. Well they suck and so does the BBC version -and I say this even though I am an avid fan of everything BBC (Top Gear, Mighty Boosh, etc).

I sat through the BBC version many nights asking myself AM I EVEN WATCHING THE SAME SHOW, cuz without the american editing and sound dynamics, it was a borefest. I went from being pumped about sharks snatching suckers out of mid air with tyko drumming to being tortured through watching grass freakin grow in the Andes with an elevator music backtrack. It was the cinematographic equivalent to the dismotilic bowel movements of the elderly.

Buy this version, listen to Ripley talking about animals doing crazy hijinks, and get super pumped about nature. Then go outside and plant like a million trees while listening to AC/DC.

Review done.

Buy Planet Earth (Discovery Channel Collector's Edition) Now

This DVD is AWESOME !!! I love Sigourney Weaver's narration the best. The scenes are mesmerizing ! You won't be sorry you bought this one.

Read Best Reviews of Planet Earth (Discovery Channel Collector's Edition) Here

When I bought Planet Earth in a DVD store i wasn't aware that there were two different narrators. i was so upset because i felt it lost that attention grabbing voice. Well that's why i ordered it again because although i love his British accent i couldn't handle not hearing Sigourney Weavers voice. Just youtube clips with him and her and you'll hear the difference she is much better for this type of show.

examples:

here are some links i found ..same shot almost the same music but a different feel.. Sigourney just gives more..check it yourself...

David Attenborough version (BBC)Sigourney Weaver version (Discovery Channel)(start it at 00:39 to 00:53)

Look i love everything Discovery, BBC, Nova, Science Channel, NATGEO and History Channel but i feel maybe the Discovery channel wanted to add more facts and kick it up with the music so its not so lame lol..Anyhow i hope they keep these shows coming because every time i am amazed.

Hope this helps

Want Planet Earth (Discovery Channel Collector's Edition) Discount?

I already own this, my ex had the david attendbourough version, but he put me to sleep a lot with his mono-tone voice... This Blu Ray DVD with Sigourney Weaver is more than a treasure to own... In all honesty, I feel that we are so priveledged, so honored, so lucky to be able to even have an EXPERIENCE of this sort... tied with Sigourney Weaver's voice... Magnificent, jaw dropping, breath-taking, an all around MUST HAVE!!! (Trust me, David Attenbourough leans toward the UK audience, while Sigourney Weaver leans toward the American audience). And if you don't want to listen to a man with an accent and a mono-toned voice I suggest you get your hands on Sigourney Weaver... there is a reason why its soooo much harder to find, not to mention more expensive than David's!

Frequency (2012)

I first saw Frequency the day it was released in theatres, after I saw a preview that got me extremely interested in the movie. I didn't know quite what to expect, but what I found was well written movie, with excellent acting performances and a very gripping storyline, a truly enjoyable moviegoing experience. The story focuses on a cop named John Sullivan (played brilliantly by James Caviezel in a breakthrough big screen performance) who lives in Queens, NY in early October 1999, which happens to be the date of an appearance of a phenomenon that allows John to communicate with his father Frank (with a very solid and emotional performance from Dennis Quaid), on the same radio, in the same house. The interesing part is that John talks to Frank thirty years earlier, merely days before Frank, a firefighter, dies herocially trying to rescue a person trapped in a blazing fire. Frank and John end up making catastrophic changes in the timeline, which leads to the brutal murder of John's mother(in an excellent performance from Elizabeth Mitchell) only days later in 1969. The movie is really a combination of several different elements. First of all it focuses on a father-son relationship between Frank and John. The interaction between Caviezel and Quaid is superb, and leads to some of the films most emotionally moving moments. The emotion is skillfully achieved, as Caviezel and Quaid don't act face-to-face, but across a HAM radio. The interplay between the two time periods really adds to the movie without overshadowing the its story. Frequency also combines elements of suspense, action, mystery, and tense drama. Frequency covers all of the bases, and does so very skillfully. This brings us to the DVD disc itself, which comes from New Line Home Video, who completely loaded the disc with a huge amount of special features, including many interesting DVD-ROM features that can be accessed by any PC with a DVD-ROM drive and PC Friendly installed. If you don't have PC Friendly on your computer, the DVD will install it for you if you so choose. The disc also has deleted scenes, as well as several feature legnth commentaries(by the director, producer, and actor Noah Emmerich who plays the adult Gordo, John's best friend). The disc also includes an interesting original documentary, as well as a trailer and animation galleries. If you are are willing to let your mind go a little bit to accept the science of the storyline, it actually becomes a fascinating part of the movie. This movie would definitely be a worthy addition to any DVD collection. Frequency also offers an extremely exciting and rewarding finale that will not disappoint anyone who watches it. The bottom line is this: Frequency is a wonderful movie, with incredibly strong emotional performances from the entire cast, very moving dramatic moments, as well as tense, gripping action sequences, and a rousing finale. Frequency is definitely one to remember. This movie truly has it all!

This review refers to the New Line Plarinum Series DVD edition of "Frequency"...

I consider a good thriller, one that not only keeps me on the edge of my seat after the first viewing, but one that keeps me there with every viewing. "Frequency" is one of those, that no matter how often I watch it, it takes it's hold on me from the first frame and won't let go until the last. It's more then just a thriller though. It's some fabulous Sci-Fi entertainment with great special effects, it's the poignant story of a special bond between father and son, and there's lots of heart pounding action sequences as well. Add to that one fabulous cast including Dennis Quaid, Jim Caviezel and Andre Braugher, a fresh take on time travel, and you are in for 2 hours of some fine entertainment.

A Police Officer John Sullivan(Caviezel), by a miracle of nature, is able to contact his father, Frank(Quaid), on an old ham radio. The miracle?...The Northern Lights make a rare appearance in New York. What's truly amazing is that his father died thirty years earlier fighting a fire. He is able to change the course of history, by forewarning his father about the tragedy to come. But by changing the course of history, John and Frank may have unleashed an evil chain of events yet to come. They most work together, with the time they have to stop a serial killer.

The DVD is a great buy. The transfer is gorgeuos. A wonderful widescreen presentation that takes in all the action and special effects in brillant colors. It made be viewed with DD5.1 Surround, which brings it all right into your living room, and it also has an option for DD2.0. A ton of features include deleted scenes, a documentary, "The Science and Technology Behind Frequency", Commentary, you can isolate the score, and much more(see buying info for complete list of extras). There are subtitles in English, and the snap case unfolds to some production notes and a few scenes from the film. You really get more bang for your buck with this great package.

It's a film that will have your heart racing one moment and the next will evoke a lump in your throat at the touching moments. It's got something for everyone. It's rated PG-13, but parents may want to view it before hand, as some of the scenes are quite violent.

It's A Definate Keeper!....Get the popcorn ready and enjoy...Laurie

also recommended:(see my reviews for details)

Die Hard Trilogy Letterbox Edition

L.A. Confidential Special Edition / The Usual Suspects (Special Edition) (2 Pack)

One False Move

Buy Frequency (2012) Now

This highly imaginative science fiction thriller is an entertaining mind bender of a film. Toby Emmerich's story takes a fresh approach to the time travel angle. Rather than having people traveling through time, Emmerich has them communicating through time using a Ham Radio that has been augmented by an Aurora Borealis. Ok, there aren't many Aurora Borealis events as far south as New York City, but there isn't any trans-time communication noted in the scientific literature either, so we need to allow the story a little latitude.

After we accept the premise, this ingenious plot incorporates many different elements to entice the viewer. There is the human angle of a son speaking to his dead father, the many twists resulting from altering the ribbon of time, and the solving of a thirty-year-old serial murder case. The various elements are combined effectively by director Gregory Hoblit (Primal Fear, Fallen) to produce a fast paced action thriller with sufficient character development to bind us emotionally to the characters. The fascinating thing about the detective story is that the facts of the crime keep changing in unexpected ways each time John (James Caviezel) imparts something to his father (Dennis Quaid) that causes him to change history. In addition, the action sequences are well done and the visual effects, especially the digitized Aurora are nicely rendered. The aging makeup is also realistic.

The acting was excellent as well, though the New York accents were pretty bad. Dennis Quaid alternated between the goofy and endearing dad and the action hero, and managed to keep it from seeming incongruous. This was a breakout performance by James Caviezel, who heretofore has been confined to minor roles. His was a very emotional and tense role and he handled it extremely well. I was also impressed with Elizabeth Mitchell who gave a vivacious performance as John's mother.

I enjoy a good intelligent science fiction thriller. Lately, science fiction has been subsumed into the horror category, since you seldom see a science fiction story that isn't an excuse to hack up some cast members. This film was more in the tradition of Twilight Zone, relying more on an inventive story than grisly effects to capture the audience. That's why I rated this film a 9/10. With luck, this will inspire a return to more creative science fiction.

Read Best Reviews of Frequency (2012) Here

Without a doubt, this movie will appeal to both men and women (when's the last time you agreed on what movie to watch??? lol).

Anytime Dennis Quaid is in a movie, I'm guaranteed to watch it and this one didn't disappoint. I found that everytime I *thought* I had it figured out....I was wrong. It kept me guessing throughout. Which is good because it wasn't predictable. The constant "shift" of events in the past kept changing the future that the movie because suspenseful and interesting.

I remember reading a review of this movie before I went to see it. The reviewer said that just about every man that sees it will come out of the theatre remincising about their childhood and especially their father. Sure enough, my husband talked about his dad almost all the way home from the theatre.

Buy it.... you will love it!

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Dennis Quaid and Jim Caviezel are so good in this movie. They play father and son able to communicate via an old ham radio even though his father passed away some thirty years ago. The explanation for this is due to unusual auroral activity and the effect it has on electronics. They discover they have the ability to change history by sharing information when John tells Frank how he died in the line of duty, so many years ago. They work together to stop a serial killer that was never caught, and that now threatens their family in both the past and present. Very on the edge of your seat suspenseful, and entertaining!

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The Lady (2011)

The story of Burma's Aung San Suu Kyi has surely got to be one of the most compelling, fascinating, and inspirational tales of fortitude and commitment in the arena of international politics. Winning the Nobel Peace Prize for her struggles to bring democracy to her war-torn land, Suu Kyi gave up everything (including family and freedom) for a cause and a country. It is an epic ongoing tale, one that would surely make an incredible film. Luc Besson, perhaps best known for his flair for stylistic action, takes on "The Lady" and it is a real change-of-pace from his usual fare. The wisest decision that Besson made was casting Michelle Yeoh in the leading role. She brings a tremendous dignity to the proceedings and her calm AND gravitas make her quite believable as Burma's national heroine. "The Lady" doesn't play as a straight-up biography, though. The focus of the film is Suu Kyi's family. I think this is an interesting idea to explore, but also one that I didn't think truly worked. By splitting the plot lines, we end up gaining very little insight into Suu Kyi or the political climate of Burma. If you aren't intimately familiar with the story, you might question why Suu Kyi is so passionate to the cause and just what her specific contributions are.

The movie begins with a bit of back story. We see Suu Kyi's father (a hero of the independence movement) murdered as Burma is presented as a land ruled by force. We then fast forward to Suu Kyi playing the role of an average British housewife. She has a perfect family, her husband (David Thewlis) is an Oxford professor and her two teenage boys are vaguely interchangeable. When her mother back home in Burma becomes ill, she returns to her homeland. Due to her heritage, she is held up as a prominent face for reform. Soon she is being elevated to leader status, but the screenplay never really explains this process in any detail. One day she's just ready to take the mantle. I wanted to see more of what made this transition, get closer to the Suu Kyi character. But we remain somewhat distant throughout due to the split focus. While Suu Kyi is becoming a political power (mostly off screen), Thewlis struggles with cooking and laundry. Really? But "The Lady" is meant to be a more personal telling as the family is divided and threatened. Once again, though, some insight into these personal travails would also have been appreciated. Yeoh and Thewlis never waver from their convictions, display doubt, or wrestle with these hardships in any tangible way. They just accept them nobly and, thus, the love story also lacks a certain depth.

But it's hard to dismiss "The Lady" and, indeed, I quite recommend it. I just don't think that it is the great film that it might have been. Through it all, I couldn't take my eyes off of Yeoh and this is easily her strongest performance in years. Despite the gaps in the story, she made me believe that Suu Kyi would stand as a country's role model. I wish the story wasn't so muted in its political explanations, because really understanding Burma and its struggles would have made this a profound experience. With this woman of sacrifice and solidity, though, the movie still packs an emotional punch. More a love letter to a relationship than an in-depth biography, "The Lady" is a well made film for adults. But for me, it misses the mark to make it the unforgettable epic that it deserved to be. I'd love to see the subject matter explored again with a slightly different perspective. But, for now, "The Lady" and especially Yeoh have whetted my appetite to read up on the real life Suu Kyi. And that's something. KGHarris, 9/12.

this movie is an epic and an inspirational one story.... Anyone who believes in the spirit of human being will appreciate this movie... despite some people's supression, the lady came out as iconic figure who provides voice to her people....

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This is a must see movie about love dedication and selflessness. The cast and the storyline was phenomenal.! was phSimply awesome

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Michelle Yeoh is amazing, especially since this portrayal is about a living celebrity so recently in the global spot-light. As with all positive biographies, it's difficult to be objective but Luc Bresson and Michelle put the vulnerabilities, sacrifices and hard choices made on the table. Bravo!

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"The Lady," a biographical picture of Aung San Suu Kyi, is directed by Luc Besson, best known for his "La Femme Nikita," "Léon: The Professional" and "The Fifth Element." Michelle Yeoh plays the role of Aung San Suu Kyi, Burmese political and human rights activist. David Thewlis is her husband Dr. Michael Aris. (Thewlis also plays his twin brother Anthony.)

"The Lady" starts in 1947. General Aung San was assassinated when his daughter Aung San Suu Kyi was only two years old. About forty years later, Aung San Suu Kyi, now living in Oxford with her husband and two sons, receives a call from Burma. Her mother is ill and in hospital. Aung San Suu Kyi flies back to Burma, where, witnessing the student protests and the bloody suppression of it, she decides to stay and become a leader of the movement for democracy.

Yes, it's Luc Besson and his usual collaborators cinematographer Thierry Arbogast and composer Eric Serra. Unlike in most of his films (including his recent "Arthur" trilogy), his new film is not about a fantastical universe or underworld based on his wild imagination, but about a real-life person who is alive and in the middle of her political career. Actually, Besson made a "bio-pic" once, but I don't think historical accuracy was priority No.1 in making "The Messenger: The Story of Joan of Arc" for him.

While following her life as a political activist in Burma, Besson also tries to tell us a story of her relationship with her husband Michael Aris. In this way we get to see both her public and private face but despite the film's touching finale, "The Lady" suffers from its uneven pace that sometimes feels rushed. Most people other than Aung San Suu Kyi, and Michael Aris generals, soldiers or citizens, whether Burmese or British are relegated to caricatures or cyphers.

Acting is excellent. Michelle Yeoh plays the role of Aung San Suu Kyi with grace and dignity while David Thewlis turns in a moving performance as her husband supporting her even when he is thousands of miles away from her. Their strong bond is the driving force of the film, accompanied by the compelling photography.

"The Lady" puts more focus on the relationship between Aung San Suu Kyi and Michael Aris, than her political career, for better or for worse. As a love story it works, thanks to the strong performances from the leads; as a biographical picture of Aung San Suu Kyi as one of the world's most iconic figures, perhaps we should wait for another film to be made, or read books.

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Rock-A-Bye Baby (1958)

Those who have eagerly awaited some of Jerry Lewis' post-Dean Martin classics being released on DVD and Blu-ray for the first time will have a special Valentine courtesy of Olive Films as 1958's "The Geisha Boy," 1958's "Rock-a-Bye Baby" and 1965's "Boeing Boeing" get a 2/14/12 release. It's hard to imagine that these films have not been made available on DVD prior to now! Of course, Lewis still remains a love it or loathe it proposition for many modern era film goers--but there is no denying his legacy and impact on the contemporary comedy scene. Oftentimes content to play the fool, Lewis displayed an innocent appeal on-screen that engaged a sense of silliness in us all. But he had genuine heart too, and his good-natured screen persona created some indelibly beloved characters that stand in contrast to his more complicated personal life. These films are an interesting cross section of Lewis' film catalogue as we see him doing what he does best but bringing additional elements of seriousness to the table. Made of a certain time and place, these films offer great nostalgia value for those that love Lewis--but also an opportunity for new viewers to discover Lewis in his prime.

"Rock-a-Bye Baby" provides Lewis with some of his more inspired and insane comedy bits. Were it content to be just slapstick silliness, it might be one of my favorites but (like The Geisha Boy) the film is also filled with its share of smaltzy sentimentalism. These lightweight concoctions want to tug on your heartstrings, but (in my opinion) rarely develop anything quite real enough in characters or plotting to really engage my emotions. Taking its original idea from Preston Sturges' classic screwball romp "The Miracle of Morgan's Creek" and then stripping away every element of that film's story to make a zany Lewis vehicle--this one is highlighted by Lewis hamming it up with three infants. Lewis plays a small town schlub whose former flame (a solid Marilyn Maxwell) becomes a big movie star. When finding herself in "trouble," she resorts to Lewis as a baby surrogate so that the triplets don't end her blossoming career and reputation. Put Lewis together with the babies and you've got comic mayhem.

Some of the wackier bits involve Jerry overacting a storm inside a broken television, a rock and roll contest of lunatic proportions, and (of course) a perpetually sleepy Lewis trying to attend to the multiple nocturnal needs of the infants. In addition to the unrequited love that Lewis displays for Maxwell, there's a secondary love story featuring her younger sister (an early Connie Stevens). Add in a few irresistible musical interludes, and the film has a little something for everyone. But make no mistake. As always, the primary draw is to see Lewis play the lovable clown. I don't know that in the slapstick shenanigans he breaks much new ground, but he's certainly committed to the lunacy. Suitable for family viewing, I know many people who think this is one of his best. KGHarris, 12/11.

Long before "Mr. Mom" or "Kramer vs. Kramer", Jerry Lewis made a great argument for fathers to have as much say in the raising and nurturing of their children as mothers. This delightful comedy (with just enough drama added in for good measure) is about a man who goes beyond expectation to care for three baby girls who are left at his doorstep.

Moreover, this is not merely a comedy, but a musical, with songs that deserve the right to be as well remembered as any from "The Wizard of Oz" or "The Sound of Music".

This, among other Jerry Lewis classics, should be issued on DVD, but until they are VHS still looks pretty good.

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It's tough to choose which Jerry Lewis movies is my favorite, but I have to start with this one. It's sweet, darlin' and romantic all rolled up into one. It's about Clayton Poole (Jerry Lewis) a bumbling TV repairman, who by surprise becomes an adopted father to triplet baby girls. Clayton's former girlfriend turned movie star, Carla Naples (Marilyn Maxwell) springs the surprise when she leaves them on his doorstep. Noble Clayton tries to keep everything a secret but all mayhem cuts loose. And Clayton's other love interest Sandy Naples (Connie Stevens) helps Clayton out of his dilemma and from the suspicions of their father Gigi (Salvatore Baccaloni). I'll leave the ending for you to see. If you love the wacky antics of Jerry Lewis and romantic comedy by all means go for it!

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This is one of my favorites. I had seen it many years ago as a kid, and it made quite an impression. For several years I kept track of it on the internet to see when it would be available on VHS, and now I am doing the same thing regarding DVD. Not only is Jerry Lewis hilarious as a "mother in training", but I enjoyed Connie Stevens as a "sweet girl next door" who knows what or rather who she wants.

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I have always loved Jerry Lewis! I loved him as a kid and now my children do too! This movie has always been my favorite of Jerry's and I have waited for it to be released forever it seems! I have been serching the net for quite a while... Finally! My second favorite of Jerry's is, Ladies Man. It was years before I figured out the name of that one! I never forgot Rock-A-Bye Baby, and you won't either!!! Jerry Lewis is the greatest comedian of all times! You gotta see this one again and again!

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The Lives of Others (2007)

Hopefully, Academy members will rightfully award the Oscar tomorrow night for Best Foreign Language Film of the Year (2006) to 'The Lives of Others.' Writer/Director Florian Henckel von Donnersmarck's debut stands head and shoulders not only over the other nominees, but also over all the nominees for Best Picture. That so-called 'best' list pales in comparison to the heights attained by von Donnersmarck's creation. It is a expertly-plotted, richly-told depiction of life under the dominion of the East German spying apparatus, the Stasi.

'Lives' tracks the Stasi's efforts to bug and disrupt the lives of writer Georg Dreyman (a striking Sebastian Koch) and his actress girlfriend Christa-Maria Sieland (the incomparable Martina Gedeck). Assigned to the case is Stasi agent, Gerd Wiesler, indelibly played by Ulrich Mühe. The reasons for spying on Dreyman and 'CSM' (as the Stasi calls her)? A Politburo minister has the hots for CSM. That's it. For that most personal of reasons, lives are ruined. A professional reviewer of 'Lives' really hit the nail on the head when he said that the movie turns on the fact that Weisler realizes he is spying into the life of a man who is 'vastly his moral superior.' That's it. You get propelled into Dreyman's life and you are struck immediately and permanently by his decency and the quality of his character. Over time, Weisler starts injecting himself into the proceedings. At that point, the sequence of events is irrevocably changed.

von Donnersmarck's movie is a continual series of one great scene after another. I thought perhaps it had reached its denouement with the fall of the Wall. But it keeps getting better. Dreyman requests his Stasi files. He begins to piece together the story and the role of Weisler.

'The Lives of Others' is 137 minutes of the best entertainment imaginable. Ulrich Mühe is an East German who himself was the target of Stasi oversight. For this film, he was awarded Best Actor at the 2006 European Film Awards. Is there a more just triumph than that?

I often don't agree with Oscar choices, but this time they got it right.

"The Lives of Others" is one of the most interesting movies about communism that I have seen in a decade; it shows, as few others have, how communism suffocates human imagination...not just stifles political dissent.

A spy Captain Wiesler is given the task of eavesdropping on a well known playwright, not for political reasons, but because a communist boss is jealous of the man and wants his female lover for himself. As the spy begins listening in, he begins to question the values of his society and the integrity of his orders.. Up to that point, Wiesler dutifully obeyed without question. But as the spy continues to experience the world of the playwright, he starts to live the subject's life vicariously...so the enemy ironically becomes the friend. The experience helps Captain Wiesler grow in humanity so he ultimately makes the decision to run interference to save the playwright's life.

The film details the transformation of an organization man in a hostile society...and makes us remember the great books of totalitarian dangers such as Animal Farm, Anthem, Brave New World, and of course, 1984. (It is no accident that the key YEAR in which the events take place in this film is indeed 1984). Instead of leaving the viewer in a state of deep negativity, "The Lives of Others" gives us reason to hope, reason to believe that goodness may prevail over corruption. So by the end, I was deeply moved.

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Gerd Weisler (Ulrich Muhe, appropriately drab) is an East German Stasi (Secret Police) drone: the type of man that his superiors count on to "get" his prey. Early on in this fascinating, superior film, Gerd arrives home from a hard day of spying on his fellow East Germans and prepares a meal: microwaved white rice onto which he squeezes tomato paste from a tube. This scene, in its spare, workmanlike manner sets the course and adjusts the sights of this film: the unremarkable, out of hate and jealousy assigned to bring down those deemed different, those deemed remarkable, those deemed talented. Weisler is the perfect Stasi automaton: a socialist monk with ice-cold eyes and an incorruptible true believer's faith in the system he has sworn to defend against "enemies of socialism" no matter where he finds them.

"The Lives of Others" begins in 1984 a particularly Orwellian date and 5 years before the fall of the Berlin Wall, Weisler is invited to a night of theater by his school friend and boss Colonel Grubitz (a slimy bureaucrat performance by Ulrich Tukor) for a performance of a play written by Georg Dreyman (Sebastian Koch) and starring Dreyman's live in girlfriend, Christa-Maria Sieland (Martina Gedeck from "Mostly Martha"). Dreyman is tall, handsome, dresses in colors other than grey and Christa-Maria is wondrously gorgeous and a great actress to boot.

As Weisler watches Christa-Maria on stage he also scopes in on Dreyman, via his opera binoculars, watching Christa-Maria with love and admiration. The look of distrust and envy in Wailer's eyes is frightening: his eyes widen, squint and widen again. What does Weisler see or sense on that triumphant, for Dreyman and Sieland, night? Is it watching them basking in the glory of an audience's love and appreciation? Is it the palpable love and warmth between the two themselves: something that Weisler has never, will never feel? Whatever it is, Weisler has found his next assignment.

Though Dreyman is deemed "the only writer we have who is not subversive," Weisler forces the issue and sets up a full Stasi surveillance: bugs, cameras and sets up a roost for himself in the attic of the Dreyman-Sieland home.

Then in the process of spying on these two warm, happy, talented, loving people something happens to Weisler: he slowly, through the ugly process of spying, thaws little by little: Weisler falls in love with them and more to the point.., he falls in love with their lives.

First time director, Florien Hinkle von Donnersmarck has produced a remarkable, involving, intelligent film: an intricate, frightening film full of lives caught at the difficult crossroads of patriotism on the one hand and on the other the vortex of individual duty and honor.

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First of all, this is not only one of the best foriegn films I have ever seen, but one of the best films I have seen period! I have nothing to add to the other five star reviews here that hasn't already been covered.

That said, it pains me to report that this DVD release has a serious flaw and that is the subtitling! Some other reviewers have commented on the poor quality of the translation in the subtitles, which may in fact be true. But even more of a detriment is the fact that if you watch this film on a widescreen TV you will not see ANY subtitles at all! This is because the disk was encoded to display the subtitles in the black dead space area, outside of the letterboxed region where film frames appear. Widescreen TVs don't display this dead space, they actually fill up the screen with the letterbox frame which means that the subtitles are completely lost! The disk offers no option to display the subtitles properly on a widscreen format television set, i.e. inside the letterbox frame. This is particularly ironic considering that SONY, the distributer of the DVD, is the same company that manufactured widescreen TV on which I discovered the problem! You'd think that they would have had a clue about how to format the subtitles on the DVD to work on all of their television models! If you have a conventional TV set, then you won't have this problem since it will display the letterbox with the black boundaries intact.

So if you are a widescreen television owner and are fluent in German, then I can heartily recommend this wonderful movie. If not, then make sure you have a conventional set on which to watch this DVD or wait for SONY to fix this embarassing mistake before you make the purchase!

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What a powerful movie. I felt the oppressiveness of the system from the movie in a way that i haven't seen since reading Solzhenitsyn's "The Gulag Archipelago". I don't know how anyone survived those decades, let alone how any normal human contact was possible. I wonder even more how anyone in the system like the major character could move from a position of responsibility for interrogations to actively supporting a writer who writes a damning article about suicides in East Germany.

The plot of the movie is actually rather straightforward and linear.

A playwright, a supporter of the regime has a beautiful lover, who is a well known actress.

She is blackmailed into a sexual liaison by a high ranking party member using his threats to end her career or worse.

The official decides to get rid of the playwright-boyfriend using information gained from surveillance by the Stasi on their apartment.

(so far sounds pretty much like David and Bathsheba, she who was the wife of Uriah)

The agent assigned to the case, listens into the lives. While at the same time figures out with his immediate superior that they are being used by the official to further his sexual agenda.

What happens next is that the agent covers up for the playwright's underground activities by submitting false reports that they are involved only in writing a new play, while they are actually moving towards more active resistance to the government.

But the movie isn't about the plot, it is about the character development, in all four major players.

the Stasi supervisor, the agent, the playwright and the actress-girlfriend.

And how the system changes, distorts or reinforces each of their beliefs.

The most interesting one is the agent's movement from a loyal player to a subverter of the system. What are his motivations? are they believable? how far will he go to protect these two people? will he get caught?

it feels like a gripping detective story with lives on the line, with a huge rock ready to drop on anyone of them and poof--into prison.

It is how they adapt to the pressures, how they continue to live with themselves and with their friends that forms the background for the character development.

i love books.

therefore i really liked the ending.

i hope things like this occurred in East Germany, and continue to occur in all those places in the world that are not free to speak their minds and think their own thoughts, in private, and to speak them in public.

thanks to the movie for a thrilling and thought provoking ride.

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Sword of the Stranger (2007)

This movie made a one day appearance at the theaters and thanks to a killer trailer I made a point of not missing it. Despite the movie being relatively new, there's a strange nostalgia I felt while watching it. For one, most or all of the art is hand drawn. On the big screen, the line quality is very noticeable, especially since the past decade most animation has been exempt from any line quality at all en lieu of 3D. So seeing the hand of the artist in motion was a feeling I had missed from the old days of watching Charlie Brown :-) How I manage to put Charlie Brown and a Master Samurai in the same sentence...I don't know.

But anyway...

The other thing that grabbed me was that this movie actually spends time developing both story and its characters, and it does an incredible job at that. Granted, the plot itself is a bit cliche: The bad guys are after an immortality potion that requires a young boy, Kotaro, to be sacrificed in order for the potion to work. But the cliche is padded with a strong historical back drop that gives the story a surprising gritty realism. While so many movies chop away at a good story and evolving character elements, this one slows down just enough to make you actually care about the fate of the Nameless Samurai, Kotaro and even his dog.

The steady pacing was a good way to build up to an ending so loaded with tension that I could actually feel my muscles locked up. As the Nameless character does battle with his enemies, you can't help but to feel that he may be in way over his head. In a lot of way, the movie reminded me of "Ninja Scroll": there are a host of foes that the Nameless Saurai must confront and you'll have your doubts about his skills being matched to each one. Such doubts are the hallmark of a gripping story.

I have always had a fondness for anime that explored the Bushido period; noteworthy hits such as the anime series "Basilisk" and the anime film "Ninja Scroll" have garnered a powerful following. Most recently the almost Okamoto/Kobayashi inspired "Shigurui Death Frenzy" has left me in awe. Director Masahiro Ando with screenplay by Fumihiko Takayama has adapted a tale from the original story by "Bones". "SWORD OF THE STRANGER" (aka. Sutorenjia Muko Hadan) is an animated film with fantastic action that uses the Sengoku period (a period of warring states) as its backdrop. It is a story of faith, ambition and survival.

The film was a nominee for Best animated Feature at the 81st Academy of film awards.

A young boy named Kotaro (voiced by Yuri Chinen) and his dog are wandering the lands of Japan; fleeing the Ming forces led by Lord Bai-Luan. They come across a nameless Ronin (Nanashi, voiced by Tomoya Nagase) who is haunted by the memories of his past and who has vowed to keep his blade sheathed. Chinese mercenaries are dispatched to claim the small boy for a twisted ritual for immortality. Seeing the remnants of his past within the boy, the nameless samurai chooses to act as his protector but does he have the necessary skills to keep him from the clutches of the Ming and their blood thirsty, gold-haired swordsman named Luo-Lang (Kouichi Yamadera)?

The film uses this chaotic period in feudal Japan; the Sengoku period or the era of the Warring States is a period after the decline of the second shogun. The film ponders the question: What makes a man good or evil? Is it the corruption of the amount of political power or the ambition to rise to such powers? Is it the skill of swordsmanship or the manner he serves his Lord? "Sword of the Stranger" does flesh out these questions in the spirit of its characters. Itadori is a general whose skills as a swordsman allowed him to rise above the ranks. He is ambitious and power hungry and he serves a corrupt feudal lord in the persona of Akaike; who in turn is driven by greed and lust for more power. Bai-Luan is an aide to the Emperor and seeks immortality to prolong his dwindling life. Luo-Lang is a warrior who serves the Ming Emperor but he is flawed in a way that he is longing for a worthy opponent. He is loyal, but only as that loyalty serves him. The nameless swordsman is a man exhausted, he has killed and served his Lord in the past--such actions have made his soul empty. He has tied a knot on his sword to keep him from drawing his blade, but his skills are good enough to fell highly trained opponents.

The film captures certain interpretations of the evils that men would do, for ambition, greed and loyalty. Kotaro represents the innocence and purity of youth, and as such he is the key to the Xian drug, believed to be the key to immortality. Kotaro's dog, Tobimaru also plays a significant role in the film, as he proves to be the catalyst for Nanashi and Kotaro's allegiance. The film has some touching and humorous moments, as we see the dog practice generosity and sacrifice. After all, if an animal can learn compassion, why can't us human beings? The nameless swordsman's past in shown in the form of dreams and flashbacks. (Also, there is a short film in the DVD's features that further develops his character)

It is easy to ignore the film's subtle meanings, as the film does have amazing action sequences that rival Ryuhei Kitamura's "AZUMI". The action scenes contain a good amount of gore and loads of blood. But not too bloody that the film should be rated `R'. I loved the way Nanashi defends himself without even drawing his sword, it is a true testament to his skills which provokes Luo-Lang's obsession in facing him in single combat. The fights are long, stylish and brutally violent at times. Chinese Wuxia meets Japanese swordsmanship in the encounters. I liked the manner in which Luo-Lang and Nanashi were developed through their separate fights, it allows them to be further developed and allows for build-up in the inevitable final encounter. One flaw the film has is that Kotaro's past wasn't fully fleshed out and the reasons for him being special weren't really fully explored.

The action is well animated and the moves are fluid and soft. The set designs have that minor touch of CGI, and the backgrounds almost look very photo-realistic. The mood is cleverly expressed through its effects in the form of blowing wind, ominous snowfall and the darkening of clouds. The character designs may look simple and may not be as elaborate as other anime films of this kind, but it was still pretty good. The music track perfectly complements the film's mood and attitude; I found the music quite rousing in its own right.

"Sword of the Stranger" is one good piece of animated feature. I am still rather impressed how the Japanese can keep adult themes in the form of animation, whereas here in the U.S. animation is often associated with "kiddie-flicks". The film is full of very cool action, violence that pushes the PG-13 envelope with a strong humanity that can let the film stand on its own. The viewer has to look beyond the action otherwise; he may lose some of the subtle details and may make him think the plot is a little contrived. It may not approach the classic status of other acclaimed anime hits but it is entertaining enough to keep the experienced anime fan enthralled and to attract those unfamiliar with Japanimation.

Highly Recommended! [4Stars]

Video/Audio: 1.78 ratio anamorphic widescreen. Nice, clean transfer with some muted colors on some scenes. The 5.1 Japanese Language track is powerful and clear with excellent Subtitles. There is also the option of an English Language 5.1 track.

Extras: Pretty bare bones, there are trailers and commercials but the pilot film called "Muko Hadan" is worth a look. There are also character interviews.

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I can't speak for the special features, since I haven't checked them out just yet.

PLOT (no spoilers):

Pretty standard fare. A nameless swordsman must protect an innocent boy against the hostile battlefield of two warring factions. The main antagonist group consists of an elite bunch of highly-skilled Chinese warriors who feel no pain, at the head of which is a mysterious blonde swordsman ailing at his inability to find a worthy adversary. Lacking somewhat in the originality department, the story nonetheless draws you in by the sheer charisma of its characters. The characters themselves convey their archetypes well, without being overly obvious. The cliche factor is evident, but luckily it doesn't detract from your enjoyment of the film.

ANIMATION:

Though at times inconsistent (read: some of the battle clips appear noticably choppy, while others are smooth as silk), this feature is still head and shoulders over many of its contemporary counterparts. The characters' movements are believably natural, and their facial subtext succeeds in making you actually care about what they're thinking. At times, CGI is used for set pieces and background work, but it's so well-integrated that it complements without distracting, and is often unnoticable. Most memorable of all is the climactic battle between the swordsmen No-Name and Luo Lang: this is far and away the single most visually arresting swordfight I have ever seen in an animated feature. Ever. It invokes a tangible feeling of suspense and wonder, the choreography is brilliant, the scope is incredible, the pacing is thrilling, and their movements are positively GORGEOUS. It'll make the hairs on your neck stand up, mark my words.

SOUND:

I usually prefer subtitled anime over dubbed, as English voice-overs can be spotty, and often omit certain important nuances. However, Sword of the Stranger's English voice actors are all very talented, and they mesh perfectly with the setting and their respective characters. The sound effects are particularly well-done; at the moment when No-Name strikes the killing blow against his first Chinese opponent, the explosive crack of wood beams shattering and the brutal gnashing of bone pound straight through to your core. It gives every action scene a very visceral and immersive feel.

BOTTOM LINE:

Sword of the Stranger simply must not be missed. It's certainly not the most original thing out there, but its tried-and-true story formula can be appreciated by most anyone, and the action is definitely top-tier material. This isn't a film you can watch only once.

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What can I say the only reason I gave this one a shot was because it got 5 out of 5 stars on Amazon.com. However, I notice now that it's down to 4.5 stars. Guess there are some people out there who can't be pleased. Where do I begin? This movie was gorgeous in scope and in style. The sun and moon lighted landscapes were awe-inspiring. The plot while familiar in some ways doesn't fail to intrigue. Finally the thing that really won me over was the music. Such an important part in most films this one nailed the bullseye.

The story opens with a young boy and his loyal dog being sent away from a burning temple to escape an sinister conspiracy. His trusted master assures him that he will be given sanctuary in another location. However, not all is as it seems. The boy and his dog travel and seek shelter in an abandoned hut where they rest. As luck would have it an wandering vagrant discovers the boy and asks if he to can bunk in the hut. The boy extremely reluctant to allow a stranger into his personal space rejects the man's plea. The vagabond's good nature is obvious from the begining ,but the boy doesn't budge.

This is where the story hits a great twist. I won't reveal anymore, but I will say that this movie should be seen by all who have a love for action and wandering no name type movies. Heck it should be seen by everyone who wants an excellent movie experience. I couldn't take my eyes off the screen as things unfolded and the climax was extremely satisfying. I don't feel an urge to clap at any movie, but this movie took care of that. Five stars all the way!

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This is a masterpiece, It is so vivid and in depth. The Animation alone will leave you saying WOW!

As for the story, They do not get much better than this, this is a must see movie for anyone.

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La Nuit De Varennes (1982) (1983)

All I can say is...FINALLY!!! I have waited for this film treasure to come out on DVD for 2 decades, as it is brilliant in every aspect. And having such a high interest of the French Revolution, this little chapter of the Royal's planned escape and the fictional coach ride sub-plot is pretty delicious....

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The Oranges (2011)

"The Oranges" (2012 release; 90 min.) brings the story of two married couples living across the street from each other. There is Terry and Cathy Ostroff (played by Oliver Platt and Allison Janney). Terry and Cathy are best friends with David and Paige Walling (played by Hugh Laurie and Catherine Keener), whose marriage is not going well and whose twenty-something yr. old daughter Vanessa still lives with them. This is in sharp contrast with Terry and Cathy's daughter (and Vanessa's childhood friend) Nina (played by Leighton Meester), who is living "la vida loca" in San Francisco. Things go unexpectedly sour for Nina who, tails between her legs, moves in with her parents. The two families are enjoying their time together, until Nina and David develop a crush on each other (despite their significant age difference). At that point we are about one-third into the movie, and to tell you more of the plot would simply ruin your viewing experience. But as you can well imagine, all kinds of crazy situations develop from there, some of them funny, others bittersweet, and yet other moments outright sad.

Several comments: Hugh Laurie (yes, he of the "House" TV series) shows again with this performance how versatile he really is. (Remember a year ago he released an album "Let Them Talk", which was critically well-received.) I'm sure it had to be a relief for Laurie to be playing a character so vastly different from "House". However, Catherine Keener and Oliver Platt also bring choice performances. It's difficult to assess Leighton Meester, as it is hard to make that leap of faith to see what she sees in David, who is twice her age. Also it is a bit strange that the movie was released in early October (when I saw it at the Landmark E Street Theatre in Washington), as the Thanksgiving and Christmas holidays play a significant role in the movie.

All that aside, the bottom line is that this movie is more than just a 'romantic comedy', as the movie brings home some poignant moments. I found myself enjoying this movie a lot more than I had expected. If you are in the mood for one of those "little indie movies that could", "The Oranges" is HIGHLY RECOMMENDED!

The 411 by Maria:

I watched this last week and again this week with a friend and I must say, I can't wait to watch it again.

Two families, the Ostroffs and the Wallings who are best friends and neighbors. One has a daughter named Nina who is away at college and way too busy to come home. The other family has a daughter named Vanessa who has always been jealous of free spirited Nina. After a 5 year absence Nina finally comes home after she spots her boyfriend cheating on her.

Both families are experiencing growing pains of different kind, so when Nina becomes involved with David Walling instead of the Walling Boy (which is the wish of her mom) two families find themselves at odds.

OK...boring synopsis by me and everyone else. I found the movie to be quite interesting. While I thought the relationship seemed weird, rushed and a bit flighty, that is probably because we don't see how they spent time together as Nina was growing up. Which would probably have made it that more strange but I digress. They just seem to fall into a kiss and I am unsure if that is because there was an extreme closeness, sexual tension (I saw none) or two totally pathetic people who would have simply made out with whomever had sat on the couch with them. OK..while I don't get the relationship I enjoyed the dysfunctional family's ways of dealing with it. Nina's mom follows her to a hotel. Her dad is interested in how renewed his old friend David is now that he has a hot, new, young girlfriend (hello, his daughter)

The storyline was interesting, the cast excellent, the movie loses something because it tries very hard to tie up this relationship without it being twisted, dark and unappealing. Hello, he is 50 and having an affair with his best friend's 24 year old daughter. That is twisted. BUT....I liked it but I think that has to do with Hugh Laurie, Leighton Meester, Catherine Keener, Oliver Platt, Allison Janney and Alia Shawkat who were all excellent.

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Have been a fan of Hugh Laurie & Leighton Meester since she appeared on House a few years ago. They did not disappoint. The movie was most enjoyable & surprisingly funny. The other cast members were terrific as well, particularly Alison Janey & Oliver Platt. Am sure anyone viewing this will enjoy it.

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This is another feel good, feel awkward, sometimes humorous indie. The beginning of the film establishes the characters of the six main players. Two families are best friends. They do everything together, but not all is well. David Walling (Hugh Laurie) has been sleeping on the couch. His daughter Vanessa (Alia Shawkat) does some first person narration. Growing up she was best friends with Nina (Leighton Meester) who is part of the second family. Unlike Vanessa, Nina is a free spirit and Vanessa sees her as the antagonist.

Nina breaks up with her boyfriend and comes home for Thanksgiving after two years. The parents hope to fix her up with Toby Walling (Adam Brody), but Nina has suddenly developed a taste for older men, older married men who sleep on the couch. They are quickly discovered and the film goes into a mild disaster mode with crude comments from Nina's mom (Allison Janney) and snarky remarks from the hurt Vanessa.

The film had some funny parts, but for the most part it simply makes you smile at the awkward situation. The characters were well developed. The dialouge was decent. It has appeal and is worth a view, at least once. Leighton Meester did a great job.

Parental Guide: F-bomb. No sex or nudity. Some crude sex talk.

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"If you could lean across this table right now and kiss me and no one said it was wrong and there were no rules, would you do it?" The Walling and Ostroff families live across street from each other and are best of friends. One Thanksgiving Nina Ostroff (Meester) surprises everyone by showing up unexpectedly. This innocent act changes both families forever. For awhile now I have started watching movies without seeing the trailers for it. That way I go in with no real expectations and no idea about what the movie is about. I did that with this one. I knew the basic plot but that was it. I have to say I was very surprised at how much I enjoyed this. The writing is very witty and funny and I laughed out loud most of the way through. The movie deals with a very hard and sensitive subject but has so much heart and laughs that it takes the pain away from the idea and makes it enjoyable to watch. This is a very good indi-comedy that I highly recommend. Overall, very very funny and very much worth watching. I say B+.

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Son of Sardaar (2012)

I found this movie amusing and funny. The actors, I think, carried this show rather than the script. The "Po Po" song was really very cute. I own this film because I like all the actors and I have friends who will enjoy this too.

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A Bronx Tale

This film is an underrated gem. If you're looking for a bloodbath mobster movie, this is not it. A Bronx Tale is a movie with heart--and it just so happens to be about mobsters.

Kudos to Robert De Niro on his directorial debut (may he direct many more movies). He did an outstanding job of presenting a slice of life in the Bronx of the 1960s. Though his role as Lorenzo Aiello is rather small, its effect is felt profoundly throughout the movie as Lorenzo's son Calogero struggles between right and wrong. Lorenzo, representing the upstanding, hardworking Everyman, wants the best for his son and doesn't want him to choose life with the mob. Sonny, the neighborhood mob boss, also wants what's best for Calogero, or C, as he nicknames him. The moment in the film where this struggle is most keenly felt is when Lorenzo and Calogero are at the boxing match sitting in the "nosebleed" section. One of Sonny's henchmen invites Lorenzo and Calogero down front at ringside, but Lorenzo declines the offer. You can see how hard it is for Calogero to refuse those seats. But he is torn by the love he feels for his father, and wanting to be ringside with Sonny. The most poignant moment is when he apologizes to his father for wanting to sit with Sonny and tells Lorenzo that he appreciates his seat, though it's far away from the ring.

Another interesting, though more subtle, aspect of the movie was how Rosina, Lorenzo's wife, questioned Lorenzo's refusal to get involved with Sonny. You could see that she wanted a better life than the wife of a bus driver, and she didn't seem to be too concerned with how it was achieved. That would have been an interesting angle to explore, but the movie didn't suffer because it wasn't explored.

The element of racial tension and the inclusion of an interracial romance for C gave A Bronx Tale a more gritty feel. It wasn't hard to boo C's knuckleheaded friends as they harrassed blacks who passed through "their" neighborhood. The romance between Jane and C was tastefully done, and the actors who played the roles gave authenticity to the sweet, awkward relationship. Remember Sonny's door test? Well, I was practically praying and crossing my fingers that Jane would unlock that door!

But the film belonged to Francis Capra (young Calogero) and Chazz Palminteri (Sonny). The nine-year-old Capra was so convincing as a child who was perplexed by the difference between good and bad and all the gray areas in between. Palminteri really shines as Sonny, the suave but dangerous hood. The film is based on his childhood, and I think he did a wonderful job (along with De Niro) of bringing the story to the screen. Useless bit of trivia I read on another site: Palminteri's real name is Calogero Lorenzo Palminteri.

I am writing this long overdue review shortly after the real life arrest of Lillo Brancato in the connection of a murder of a New York City police officer. He played the young man in this splendid movie which deserves to be seen by everybody. It is a beautifully written and acted production. Brancato portrayed so accurately the challenges of a young Italian-America youth being raised among the gangsters in his blue collar community. I always wondered why he virtually disappeared. Brancato's small role playing a cheap gangster on "The Sopranos" didn't even begin to equal what had earlier been expected of him.

Robert Di Niro is fantastic as the father, a proud bus driver, trying to make sure his only son remains a law abiding citizen. Chazz Palminteri is likewise brilliant playing the role of the neighborhood Mafia chieftain. He also wrote the spellbinding script. "A Bronx Tale" apparently was only modestly successful. I simply cannot understand why it isn't considered as one of the very best movies of that time period. This is a family movie. Anyone who is a teenager or older should enjoy it immensely. You truly feel like you are visiting the 1960s. It is a warm and loving story about choices that must be made early in one's life. Lastly, why hasn't Di Niro directed more films? You would think that this particular work of art might encourage the great actor to work more often behind the camera.

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This film was absolutely fantastic, this is EXACTLY the kind of material my Media Studies teacher would love, its not a boring film that goes from good to bad and a happy ending. Its realistic. Ive never felt so obliged after a film to write a review, but this film was so good i just had to. The Newspapers gave it 3 stars, and their information about it was totally wrong! This really is a must see film, after seeing it on TV last-night i just have to buy it and show my friends and my Media Studies teacher. I just sat there and was thinking "Yes, this is excelent", which IS so true.

Watch, buy, rent this film, it is so good, you can't miss it.

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This movie has been reviewed plenty of times here, so I won't even bother with that. Suffice to say that I think this film is fantastic. I just wrote this review to say that the quality on this DVD is much better than the horrendous quality of the DVD released over a decade ago. If you own the old DVD, I strongly suggest upgrading to this one. This film deserves to be seen in this quality. Hopefully a Blu-ray release is next.

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The Bronx Tale is undoubtedly one of the best movies that brings back old memories of growing-up Italian in the 50's and 60's. We all knew who the wiseguys were, we knew what they did, and we knew how to skillfully observe their actions but at the same time avoid their indiscretions. Robert De Niro tries everything to keep his only child away from the bad guys; unfortunately, it takes death and destruction to teach the young man a valuable lesson. One of my favorite scenes was the confrontation between the vegetable peddler and the children who loved to harrass him. I can remember having the same "fun" with the "rag-man" forty years ago. The nicknames of the gangsters and their customers are all too familiar to an Italian kid from the inner city. I received a valuable education from the streets and one from formal education just like C did. A great movie to enjoy, especially if you are Italian, if not just relax and have some fun.

Four Flies on Grey Velvet (1971)

First, a word of caution if you haven't already seen the film you'd do well to avoid Amazon's image gallery as it pretty much gives the game away.

As with the previous two entries in the unofficial Animal Trilogy, Four Flies on Grey Velvet is short on explicit gore but brimming with atmosphere and artistic ingenuity, with set-piece murders primed and mined for maximum tension. It was with this film that Argento began to cement his particular style and is something of a crucible for future ideas. The murder of Roberto's maid in a local park foreshadows John Saxon's fate in Tenebre, and with its sudden lapses in time and attempted escape through the cobwebbed space between two buildings (to a soundtrack of whispers and sighs) it also sows seeds that would flourish in Suspiria. Other visual motifs (crimson curtains, extreme close-ups, inanimate objects suddenly wielded by a seemingly maniacal camera) would be repeated or re-jigged in Deep Red, Phenomena and Opera.

Argento's original intention was to have a gay protagonist and though the character of Roberto is still open to such a reading his victimisation being as a result of a fear of being outed (as a murderer) has obvious correlations (note also Brandon's shaggy mane v Farmer's gamine crop or the rather tame bathtub scene with Francine Racette which sees Roberto playfully seducing his mirror image) the more overt references are passed to Jean-Pierre Marielle who brings immense likeability to a small role as the PI hired by Roberto, and whose swish factor is tempered by a steely determination to finally cracking a case. A frosty Farmer acquits herself well, though Brandon is merely okay. Argento's fascination with weird science (here ludicrous by design but ingenious in execution) gives the film its animal-themed title, and the finale boasts one of his greatest sequences a stunning, slow-motion shot of a car impacting with the back of a lorry, which marries chillingly beautiful aesthetics to Hollywood folklore, scored with Morricone's haunting "Come un Madrigale".

Having spent nearly 40 years in bootleg hell the picture quality in this release is a revelation, as has been noted, however, the English audio is problematic, there are no English subtitles included for the full Italian audio and there are minor cuts to transitions between scenes which are occasionally jarring. How much of a nuisance all this proves comes down to personal taste, but chuck in a couple of obvious factual errors on the sleeve blurb and sadly it amounts to a rather sloppy rush-release from MYA, whose claims of "fully uncut and with an astounding picture and sound quality" are at best over-zealous.

Four Flies is a solid giallo and an important entry in the Director's canon which bears repeated viewing, blurring gender roles and sexual identity, adding subtext and hit and miss humour, asylum flashbacks, well-executed deaths and a recurring nightmare in the form of a sun-bleached, public beheading the significance of which turns out to be twofold. It also has in spades what a good Argento giallo conveys like no other, that chilling feeling of something wholly alien on the loose in human form.

After suffering for so long with fuzzy VHS bootlegs, I was very much looking forward to this release. It's certainly the best the film has ever looked but after going through every single scene and comparing it to the recent RetroFilm DVD, I found that there are three scenes with missing footage totaling :40. These occur during scene transitions and include dialogue. Also, the speed of the audio seems slowed down. If you listen to Mimsy and Michael, their voices are way too deep compared to previous versions or films. It sounds like they rushed this release once they got the exclusive rights instead of getting it perfect. That is too bad. This could have been the one. It is not. I gave it 3 stars for the picture quality alone.

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Four Flies ranks somewhere in the middle of Argento's films. Way better than is 90s era stuff like Trauma, but not quite on par with Suspiria or Deep Red. Still I'd recommend it to anyone who is is even mildly an Argento fan.

I have mixed feelings about this DVD. The picture quality is great, and, let's face it, the visuals are really the main attraction in any Argento film. There is an ugly black line across the screen during the climax, but, after checking the video on some of the bootleg copies that are floating around the 'net, this appears to be part of the source film?

Also, the sound quality is poor but passable. Basically, the audio is crackly, like an old, dusty vinyl LP. Often it is too quiet and you'll be leaning in to your TV trying to hear the dialogue or the wonderful Ennio Morricone score.

Fans will still have to wait for the perfect DVD of 4 Flies, but, for the time being, this version will do fine.

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Dario Argento made many classic mystery horror movies in his career. He managed to be make successful movies that were well recieved around the world. this was his third film, the first two 'the bird with the crystal plumage' and this was followed by 'cat o nine tails' , both are available in very good blu rays in the u.s. This one, his third movie , is only available from the uk in this all region blu ray. It will play on your player here without a problem. I went to amazon.comuk to get a cheaper price on this item though. This one has been restored and looks fantastic, it looks like a brand new ptint, as if you were sitting in the theater back in 1972!. Shameless remastered this and removed print damage, they also found some lost elements and put them back in. those elements are from vhs quality film and they are rare. But you have the option to watch the film without the added footage. (which is not alot of footage actually!). This is how I wish all old movies were treated on blu ray! This is restored and has not looked this good for a long time. IN fact it was thought to be a lost movie , with only bad prints available. They found the print though and restored it and it looks great. The movie itself is a sandard giallo about a killer who is hunting down people , and a hero who must defeat the evil one. Giallos are movies that follow that type of formula. They are usually bloody and at the time they were pushing the level in violence onscreen hugely. Giallos had their peak from 1968-79. with few made after that , whereas in that period hundreds were made! the blu ray looks fantastic here, like all restored movies from that era. There are several extras on here as well. A first class effort from shameless. A company that delivers in older italian horror/giallo movies both on dvd and now blu ray. This movie is not up to 'deep reds' level of greatness however. It was that movie which was a monster classic hit and this one was a decent good solid giallo. the cating is good in this one , with the excellent Mimsy farmer doing a great job in the female lead position. Mimsy was one of the better actresses working in italian horror during this period. If you love dario argento and giallos this one is for you. Or if you just love to see a 40 uyear old movie treated with respect and restored on blu ray then this is good one. After all most older horror movies are not getting this type of treatment on blu ray. The classic film 'becket' got this treatment and for a horror to equal that kind of treatment is outstanding.

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I spent years telling myself that "One day, I'll watch all of Argento's movies!". Well, up until recently, I'd only seen DEEP RED, TENEBRE, PHENOMENA, and SUSPIRIA. A few weeks ago, I watched INFERNO and BIRD WITH THE CRYSTAL PLUMAGE, leading me to finally see FOUR FLIES ON GREY VELVET. I must say that FLIES is superb, even w/ it's sometimes-goofy characters and lifeless leading man. Argento is indeed a genius of suspense, mystery, and horror, using symbols and colors to paint his gloriously bizarre pictures. The scene of the victim entering the tight, labyrinthine passageway is brilliant! We feel her desperation and doom! If you love Argento giallos, then this one is a must...

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