The Pursuit of Happyness (2006)

"The Pursuit of Happyness" is an unabashed tearjerker about the American Dream and commitment to family in the face of great odds. It was inspired by the true story of Chris Gardner, who spent some time in the 1980s homeless while trying to care for his young son and make it through a stockbroker internship. The film is fictionalized but stays true to Gardner's struggle for success and dedication to his son. Gardner's autobiography, which goes by the same title, was actually published after the film was written. In San Francisco, 1981, Chris Gardner (Will Smith) can't make ends meet selling portable bone density scanners, while his embittered wife Linda (Thandie Newton) waitresses 2 shifts a day. Chris spies a man with an enviable sportscar on the street one day and asks him what he does for a living. He's a stockbroker. So Chris decides that's what he'll be. He must be at the top of his class after 6 months in Dean Witter's competitive internship program to be hired. Meanwhile, Chris has no wife, no money, no paying job, and a 5-year old son (Jaden Smith).

A story of hardship and hard work, paternal love and frustration, could easily be too saccharine for words. It's saved from this fate by Chris Gardner's desperation. Behind his indomitable pluck, Gardner is truly desperate. He has no money, no home, uncertain prospects, and the responsibility of providing for a young child. He hides his circumstances from his colleagues. He's spends an inordinate amount of energy chasing errant bone scanners around town. He compromises his ethics. His single-mindedness eventually takes a toll on his son. Chris is struggling for his life. And his financial problems are something the audience can understand and may themselves fear. That's why "The Pursuit of Happyness" works so well. Credit is due Will Smith's Oscar-nominated performance and Italian director Gabriele Muccino's understanding of intense emotions painted with small strokes.

The DVD (Sony 2007): There are 4 featurettes, the song "I Can" by Bebe Winans and Dave Koz (5 min, audio), and a feature commentary. "Making Pursuit: An Italian Take on the American Dream" (17 min) interviews Gabriele Muccino, Will Smith, and the producers about choosing Muccino to direct. Muccino talks about filming in San Francisco and working in English. "Father and Son: On Screen and Off" (7 min) recounts casting Jaden Smith after auditioning hundreds of other children, and Will Smith talks about working with his son. "The Man Behind the Movie: A Conversation with Chris Gardner" (12 min) interviews Gardner about his participation in the film, and Will Smith talks about learning from him. "Inside the Rubik's Cube" (6 min) is a fun short documentary on the persistent popularity of the Cube. There is a nice audio commentary by director Gabriele Muccino, in English. Muccino tells us how he got the job, discusses themes, recreating the 1980s, Will Smith's trust, locations, and some technical details. Subtitles are available for the film in English, French, Spanish. Dubbing available in French.

Those who have written reviews for this movie of anything less than 5 stars have NO idea what it means to be lower than low, at the absolute bottom with no visible way out. You see, in order to understand the struggle, you have to have LIVED it. I understand this movie because I HAVE lived it. Some other review cited that it took far too long to display the epic struggle that left us no time to relish the moment of success. I submit that were it not for the INTENSE struggle he faced, there would BE no reason to celebrate his ultimate success. It would have less meaning. I have NEVER cried so hard as I did at the end of this movie. During the course of the film, you FEEL his pain of wanting to be just that little bit more than what he felt himself to be. You yearn for him to experience that one bit of happiness to know that he doesn't HAVE to sell his blood anymore to make a few bucks to be able to fix a light in a bone density scanner he sells to provide a meal and a place to live for a few weeks for himself and his son. This man went through more tribulations than any of the other reviewers here have seen in their own lives or the family and friends that surround them. If you want to see a film that TRULY lifts you up by the climax, see the pursuit of happyness, and IGNORE the many discouraging reviews from people who have no clear understanding of personal anguish and eventual triumph. Will Smith would be hard pressed to ever again be handed a script for a more heart wrenching and satisfying movie. 5 stars +++

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The one film that sticks out in my mind as the best movie of 2006 is The Pursuit of Happyness starring Will Smith. This movie is based on a book of the same title authored by Chris Gardner.

In the movie, Gardner is a medical product salesman who ends up splitting up with his wife and ends up homeless with his 5 year-old son. Determined to not give up, Gardner endures homelessness and ends up pursuing an internship for a stockbroker position at a major Wall Street investment firm. Despite the trials and tribulations Gardner went through, not only due to the lack of a roof over his head but also the hard work related to his internship and even an IRS seizure of his money to boot, Gardner's endurance and hard work pays off.

The movie, and I am sure the book, is a testament to how anyone can get themselves out of poverty and become wealthy with hard work, persistence and determination. Gardner had an even bigger reason to work hard due to the need for him to provide a good life for his son.

The story of Chris Gardner's going from rags to riches is an inspiration for us all and all of the elements of this film makes for one heckuva great flick!

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Will Smith takes a departure from his usual daredevilry to star in this most emphatic story about a man trying to make it in the world. Chris Gardner (Smith) has made a bad business decision: He spends his entire life savings on a batch of bone density scanners that he can't sell, and now his family is in deep financial jeopardy. His wife, Linda (Thandie Newton), is forced to work two jobs and his son is placed in a day care facility that looks like a makeshift sweatshop. Chris himself travels from clinic to clinic, trying (but failing miserably) to sell what looks like a giant paperweight.

On one of his daily escapades, Chris finds himself in front of the San Francisco Stock Exchange and has an epiphany that will change his life. He wants to be one of those happy people that seem to pour out the double doors everyday with their smiling faces, shining cars, and jingling pockets. In a last ditch I've-got-nothing-to-lose effort at "happyness", Chris enlists for a non-paying internship at a brokerage firm, armed with only a high school diploma and the ability to solve the Rubik's cube at a mind-boggling speed. However, the hits keep on coming: Chris loses his home, his wife and a few of his colossal paperweights while he and his son brave unbearable odds on the streets of San Francisco.

"The Pursuit of Happyness" will make you laugh, cry and empathize with a character that is executed to three dimensional perfection. Chris is a man who is willing to stake everything to go for a dream that most people would say was far beyond his reach. He is sick of hearing "no" all his life; he is fed up with having no money all the time; and he is tired of being emasculated by his embittered wife everyday. Chris' only source of inspiration is his eight year old son, a mascot egging him on with the simplest of smiles. No obstacle is going to deter him, even if it means sleeping in a public toilet. Will he make it? You have to watch the film!

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*No spoilers*

Inspirational movies touch your heart. They have something that tells about ourselves and things we can relate to. "The Pursuit of Happyness" is the most inspirational film of 2006. Not only because we understand and care about the main characters, but also there is an important message which is to follow your dreams no matter what. The road might be difficult--maybe to the point of despair--but if you finish the journey, your life will change forever.

Story:

The movie starts in San Francisco in early 1980s. Family man Chris Gardner (Will Smith) is going through difficult financial problems. He is an unsuccessful salesman who struggles everyday trying to sell a medical machine--bigger than a microwave oven--that not many doctors want. He carries one everyday. Unfortunately, his wife Linda (Thandie Newton) doesn't make much money either. They have a five-year-old son Christopher (Jaden Smith) who Chris takes to a day care center everyday. Things go from bad to worse; the money they make is not enough to sustain them. Chris sees an opportunity, he wants to become a stock broker and gets an internship, but there is no pay until he is chosen. Linda cannot stand the poverty they live in and decides to leave him for good. Chris wants to stay with his son in San Francisco, she doesn't fight back. Now he has to take care of him and pursuit a dream to become a stock broker and leave the poverty they are in. "Will" he make it?

Review:

A compelling film, "The Pursuit of Happyness" follows the old dramatic underdog formula that most of us are used to by now, but it's done correctly this time around because you really care about the main character. In other words, Will's performance is what makes this movie great. We see Chris going through a lot of problems, not only economically but emotionally as well. Linda is sick and tired of dealing with all his issues--she is a mean and unlikable character to say the least--and poor little Christopher is always asking questions. These situations create moments of despair to Chris throughout the film. Although it seems for moments that the whole city is against him, Will Smith's character never gives up his hopes. He is smart, likable and persuasive--he is also excellent at the 80s famous Rubik's cube which gives the audience a feeling of how smart this guy is. He sends the right message to the audience of what he is about.

We appreciate the credibility and realism of this film due to great photography and costume design--the look and feel of the subway scenes are excellent. These elements give us the impression that we are back in the 80s. There are some moments where the movie drags a bit and it might feel soapy for some, but those small little flaws do not affect the final product.

The Verdict:

Probably an Oscar contender for best actor, "The Pursuit of Happyness" is a touchy film that gives us lessons of perseverance, love and the American dream. Great acting, inspiring story, and the survival factor make the film one of the best dramas of 2006. We recommend it.

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Queen's Blade Rebellion: Complete Collection

If you thought the original Queen's Blade series could not be topped,you will be delightfully surprised at this,the third "season". Claudette,the Thunder General and the oldest sister,is queen. She has abolished both the nobilities and the Queen's Blade tournaments and declared herself the eternal queen.Rebellions are rising and new heroines are introduced.

There is Yuit,an elf and editor-in-chief of a newspaper and her constant companion,a "female" robotatic warrior named Vante that wears pink panties and has serious real-looking hooters,

Liliana, the bodacious female pirate captain of a flying square-rigger,

Mirim,an innocent,sweet-hearted and hard working teenager that is impressed into servitude by the Iron Strategist for Claudette,

Ymir,who was the Iron Mountain Dwarf in the previous series but is now the Iron Strategist and one of the central characters of this series,

The Ragged Warrior,this series heroine who is the last of the Kreutz nobility;

Elina,the ever-horny incestious youngest sister of Claudette and Liena;

Leina the Wandering Warrior and principle herion of the original series now in a much-reduced role and one that seems to have narcolepsy as she suddenly falls asleep,( for reasons that are probably meant to be discovered in the next season);

the previously defeated queen is now a new bride with amneasia,

The most outrageous new cast memeber is LunaLuna,the Sun/Moon Dancer that would be less provocative wearing nothing at all instead of the "ceremonial" false penis that she uses to good "effect" to open the temple door.As quirky as she is,she adds immeasurably to the story.

Melona,the "pink rabbit" minion of the Swap Witch,makes a late but critical appearance;

The new angel in charge has an orthopedic wing;

Add two dine-and-dash sisters,an Inquistioner that gives a blessing by hoisting her skirt...and an octopus.

There are magic stones when placed on a females "three points" can turn a sweet girl into a unstoppable warrior,and a woman with dragon blood in her veins that is the slave of a gremlin...

Well,you get the picture. This is sheer delight and fun and,quit frankly,more entertaining than the prevous series. Highly recommended for late (17+)teens and adults.

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Tromeo and Juliet (1996)

First thing you need to do before you read the rest of this review is read the title of the movie again...TROMEO and Juliet...it is a Troma film. Ok...now that we have that out of the way we can move on with the review.

This film is no Gone With the Wind, but then I say to you that Gone With the Wind is no Tromeo and Juliet either. Troma is not defined by your typical Hollywood rules where movies are concerned. Troma sits off in the dark corner of the big room where all the class clowns hang out and are just in their own world. Tromeo and Juliet does what Troma does best and does it better than ever before. I never really believed that I would enjoy something more than the Toxic Avenger coming out of Tromaville. This movie quickly took over the position as my favorite Troma film. The characters are over the top and fun. The script is funny and Tromeo's black fartin' dad is hilarious. A great cast of characters with an intelligent(as in Troma intelligent) script.

I personally thought the cook for the Capulets was far more sexy than Juliet, but what do I know. I will say one thing about some of the off color content...be warned if you are easily offended. There is plenty by which to be offended in this film. For instance, a freakshow who desires his sister in every way, a father who is freakishly attracted to his daughter, as well as plenty of other off color scenes. Did you expect anything less from Troma though.

Watch for the tons and tons of memorabilia from the other Troma films throughout this film as well as the party where you see a cast of characters from the other films to include Toxie himself.

I have to say that when the characters break into their "Shakespearean" dialog, it just makes me giggle. Very funny if you ask me.

Overall this is a pretty solid Troma film with a nice story done in vintage Troma style.

I've always had this fantasy that some thoroughly disreputable quick-buck movie would end up being brilliant. Like, what if some soft-core "Erotic Thriller" ended up having gutsy, breakthrough performances and a riveting plot? What if "Police Academy 12" was Oscar-worthy?

My fantasies came through with "Tromeo & Juliet." The very concept of a punk "Romeo" is brilliant they conceived this before Baz Luhrmann's movie but seeing as how this is Troma we're talking about, Lloyd Kaufman could have steered this in a very wrong (read: conventional) direction. Fortunately, they managed to find a young mad genius named James Gunn to write the script, and they found some hungry young acting talent who threw themselves into the project. And Kaufman, perhaps inspired by all this, finally directed like a man more concerned with making a good movie than cashing in on the quick-buck exploitation trends that nearly ruined "Troma's War" and "Sgt. Kabukiman."

Not that "Tromeo & Juliet" isn't a quick-buck exploitation movie. It is. It's also a hilarious and inventive comedy, an art film, a soft-core porno, a gross-out gore flick, a surprisingly moving love story, and best of all one of the most oddly faithful Shakespeare adaptations I've ever seen. Amazingly, it's all these things all at the same time, sometimes even in the same scene (check out Murray Que's final scene, in the tattoo parlor). "Tromeo" captures the spirit, the wordplay, and the abandon that so many staid Shakespeare movies completely miss. And it's one of the most energetic and creative movies you're likely to see.

I could gush on and on about "Tromeo," for it is my favorite movie. Now that James Gunn is a big-time although still delightfully weird Hollywood writer, I wouldn't be surprised to see a surge in "Tromeo" sales. This is a good thing. "Tromeo" is a completely unique and exhilirating movie, and it deserves a huge audience. It's not for everyone, I suppose (the close-up shot of the nipple being pierced will pretty much clear the room of those who should have stayed away in the first place). But if you like a little trash in your art, or art in your trash, give "Tromeo" a chance.

Oh and the budget for "Tromeo" was $350,000, or about what it costs to cater lunch for a week on your basic Adam Sandler movie.

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William Shakespeare's play Romeo & Juliet has been interpreted hundreds of times on stage and in films. Sometimes literally following the original text (which is, at times, vague in stage directions), sometimes in new interpretations where directors chose to show their own view on the piece. Some are good, many are mediocre. Lloyd Kaufman's film certainly stands out as one of the most original, modern versions of the bard's creation, It may be placed in a modern-day decaying New York and full of the modern-day anti-social behavior, body piercing, dismemberment and kinky sex (which, for the more than casual reader, Shakespeare himself wasn't shying away from), but at the same time it stays incredibly close to the overall feel and point of what the play is all about, which is quite an effort. Kaufman wrote the script with his co-director on the film James Gunn, who is now famous for writing two successful Scooby Doo movies, doing the impossible by making a perfect remake of an already perfect film with his script for Dawn of the Dead and directing one of the best horror-films of the year: Slither. Lloyd Kaufmans innovative directorial view alongside with James Gunns original and unrestricted writing make for an interpretation of Shakespeare's play that maybe not everyone will "get" immediately, but will certainly be recognized by a truly unique and highly important view on a classic play. With a script that is written entirely in iambic meter, appearances of Motorhead's Lemmy and an outrageous forceful soundtrack watching Tromeo & Juliet is something no one will ever forget. Apart from it's historical significance, Tromeo &

Juliet is a treasure for film-lovers of all kind. Not only for the script by James Gunn, now a good influence on Hollywood while working from the inside, but also because it features an early part of legendary actress Debbie Rochon. Well known by everyone familiar with films that are made on lower budgets. The 10th anniversary edition on DVD adds to all that by including so many as-yet undiscovered gems that not only all the information one could wish for about the film itself and the experience of making it is presented in ways that make it impossible to turn off the DVD, but also a very honest (and disturbing) look is given into the ways independent cinema has to surviver these days. In many ways the extra's on the disc are an invaluable addition to the already impressive amount given on Kaufman's film-school "Make Your Own Damn Movie". Furtermore historical items from the Troma vaults which include James Gunn, Debbie Rochon and other contributors to this masterpiece are included, and the film itself is, apart from looking better then ever, accompanied by no less than four audio-commentaries, each and everyone informative, excruciatingly funny and all done for serious addition to the film instead of the boring and nonsensical commentaries that are so common these days. There are new

commentaries (one with Kaufman and Gunn together), but also the one James Gunn did for the original release of the DVD but couldn't be included there for some of honesty he displays about some other people is present on this disc. With fan-recreations of a few of the scenes from the film, a video diary of Lloyd Kaufman's visit to the set of James Gunn's Slither and a visit the two brought together to Eli Roth's Hostel Birthday party and much more, this is the ultimate set everyone must own. Weather you are a film historian, someone interested in interpretations of the great Bard's work, a fan of great cinema, a fighter for independent cinema, a fan of James Gunn, interested in learning more on making films on a low budget, a fan of Lloyd Kaufman or whatever: this is the most important DVD-release of this millennium!

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According to the Troma website, this 2-disc edition of TROMEO AND JULIET is going to include:

*4 different audio commentaries featuring writer James Gunn (SLITHER), director Lloyd Kaufman (THE TOXIC AVENGER), actor Sean Gunn (GILMORE GIRLS), film editor Frank Reynolds (IN THE BEDROOM) and Troma staff editor Gabriel Friedman (TERROR FIRMER, CITIZEN TOXIE, POULTRYGEIST).

*2 hours of interviews with cast and crew including Debbie Rochon (Ness), Tiffany Shepis (Peter), Sean Gunn (Sammy), Valentine Miele (Murray), Stephen Blackehart (Benny), and Lemmy (of Motorhead).

*GETTING HOSTEL WITH HOLLYWOOD: James Gunn and Lloyd Kaufman visit Eli Roth's birthday party.

*SLITHER-ING THROUGH HOLLYWOOD: A brand-new, expanded, uncut version of Lloyd Kaufman's video diary on the set of James Gunn's SLITHER.

*Deleted scenes, plus a featurette of James Gunn and Lloyd Kaufman commenting on the deleted scenes.

*Exclusive never-before-seen rehearsal footage of Jane Jensen and Debbie Rochon.

*Willie Wisely music video, featuring Andy Dick and Kara Monaco

*Classic Troma movie introductions featuring the cast of TROMEO AND JULIET

And more.

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"Tromeo and Juliet" is to Troma fans what "Die Hard" is to Action fans, what "The Exorcist" is to Horror fans, and what "Tootsie" is to Cross-dressing fans.

The Bards Greatest Romance gets the Troma Treatment in the Grandest Scale. Lesbianism, Language, Gore... Everything is overdone Beautifully.

Its Storyline (and it's similarity's to the Real Romeo and Juliet) is pretty Inconsequential, but, as you've probably guessed, it's about Forbidden love between two teens whose Family's are Rivals. The makers cleverly (well, cleverly compared to a lot of their previous work) twist the more famous elements and make them more Modern, more Sick and more Funny.

The Acting is Oscar worthy, (keeping in mind I'm only comparing this to Other Troma films) Jane Jensen and Will Keenan seem to have a Genuine Attraction, which threatens to make the film... Realistic, a Realistic Troma film, Times really are Changing. The Rest of the performances bring the film back to the Troma Level we all know and love.

If you Know what you're getting in for, "Tromeo and Juliet" will Surprise with its Assuredness. If you are New to this sort of film, it Will grow on you... It always does.

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Madea's Big Happy Family: The Play (2010)

I have seen this Play live in Kansas City and I must agree. I laughed, cried, was angry, sad and happy. But thank god for the majority I was laughing. :)

It involved every emotion that we experience in life, and not to be dissapointed had quiet a few lessons in it.

As with every good comedy, you take someones hardship and make fun of it' a lot of people will laugh, because they can relate. The cast was the best he has had yet. Very talented all the way through and I had my favorites of course. "Yaaaa Trick!!!" lol

I have seen all of Tyler Perry's Plays, watched all of his movies. But with this one I wasnt even out of the Sprint Center and asked if they had the play on DVD. But was told I had to wait until november. :( sniff.

I have never ever in 40 years waited on any movie or play ...on anything for that matter for 6 month,

but for this I did.

Thank You Tyler for opening my eyes on a few things and making me laugh while you are sharing your experience and pain.

Buy it, trust me you will not regret it, it's worth every penny!

(Oh and this is my first ever review. Can you tell? lol)

I saw the play, the first night in Atlanta.... couldn't wait for this dvd to come out! Buying it as Christmas presents and stocking stuffers!

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I have seen all the Tyler Perry plays on dvd, and got to see this one live this is my favorite of all of them! This one literally made me laugh and cry, and the actors are just amazingly talented.

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I went to see the play live at the paramount with my dad and sister and love it. But when it saw it on DVD we laugh even hard, I like the way tyler add more comedy in to it. This one is worth every penny so enjoy it. Madea's Big Happy Family: The Play

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I have bought all the plays and movies of Mr. Perry, and in my opinion, this play was by far the best. The message of the play is as family, we should love one another, and really respect and honor our parents, because you never know when God may call them home. Tomorrow is not promised to us. The play has humor as well as sadness and the singing is GREAT. Don't want to give to much of the play away, but I will say, it was worth the money I spent for the DVD.

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Pony Soldier (1952)

Pony Soldier rates a notch or two at least above your average western for a number of reasons. One, both the heroes and the Indians are from Canada, which for some reason wasn't done a lot, except for Alan Ladd's Saskatchewan (also a very good Canadian western). Tyrone Power plays a newly minted Canadian Mountie who is charged with rescuing two white hostages who have been captured by Canadian Cree Indians who have moved over the American border looking for food to hunt. The Indians have a reasonable head chief, but an unreasonable younger leader, played by Cameron Mitchell, who resists the head chief's wishes to follow Powers back to Canada, and relinquish the hostages.

Another discriminator making this better than average are subtle, but notable. The head Indian chief gets to be a hero in the final showdown, which is very rare for any Western. The other bad guy besides Mitchell's Indian happens to be the male hostage, played by Robert Horton, famous for starring in the Wagon Train television series. He is obviously not redeemable, and won't be a voice of wisdom to Power's rookie Mountie.

The final reason is that the way that the plot unfold is a little different than you might expect. All in all, Pony Soldier is an enjoyable and entertaining film.

Mountie (Tyrone Power)goes to indian villege to save captured white girl and retrieve bank robber(Robert Horton). Power is aided in his quest by half-breed(Thomas Gomez)and must challenge a proud indian warrior(Cameron Mitchell.

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One of those well crafted star vehicles from the twilight of the studio system era, not that much actually happens in Pony Soldier yet it still manages to be a pleasant and entertaining North Western. By 1952 Tyrone Power was getting on a bit to play a rookie Mountie who's still wet enough behind the ears to have let his man get away before the film starts, though he's more convincing once the story hits his stride and his ability to improvise solutions comes to the fore. It may begin with a spectacular battle (culled from Fox's 1944 Buffalo Bill) and a murderous raid for hostages but it's not an action picture, and nor is it a romance despite one of those hostages naturally being a pretty girl (an underused Penny Edwards). Instead, as Julie Kirgo's booklet notes in Twilight Time's new Blu-ray release observe, it's more a film about diplomacy and keeping the peace, with Power's tenderfoot having to persuade a tribe of Cree to return to their reservation and hand over two American hostages with only Thomas Gomez's portly and reluctant half-breed scout ("The Cree do not love the Blackfeet. Because I am half Blackfeet, half white man, they hate me double") and an orphaned Indian boy to help him. Naturally there's conflict in the Cree ranks to contend with as well, with Stuart Randall's chief leaning towards conciliation and an almost unrecognisable Cameron Mitchell eager for war. And it doesn't help that one of the hostages has a secret of his own, leaving Power with a bear by the tail and a bear's tail is short...

There aren't many surprises and the film never makes a play for greatness, but it's a satisfying outdoor picture all the same. Gomez gets all the best lines ("Sometimes even when smart beaver cut down tree, tree fall on beaver"), the scenery is spectacular even if it was shot in Arizona and California rather than Canada and there's enough action and incident to satisfy most Western fans while its concise 82 minute running time ensures it never outstays its welcome.

Sadly the handsome Three-Strip Technicolor photography has lost some of its original lustre. As the name implies, the film was shot on three separate films that were printed together to form spectacularly vivid colour prints. Unfortunately over the years the three separate negative strips either suffered damage (not always in the same place on all three) or proved increasingly expensive to print, so in the 50s and 60s the studio made single combined negatives that were easier to handle and needed less storage space. As dupe negatives there was a slight loss of definition (not a major issue at the time with TV increasingly becoming the only market for old films) and the constant risk of the colour being slightly out of register if one of the three strips shrank slightly (the cause of the green lines sometimes visible around objects in 40s and 50s Technicolor films). Pony Soldier certainly doesn't suffer nearly as badly as some other films from the same era, and this is certainly the best it's ever likely to look again, but there are some problems with the surviving negative that not even the best transfer can overcome.

Nonetheless, Twilight Time have done a pretty good job with what they had to work with, with a lot more detail apparent than in Fox's Spanish DVD release enough, indeed, to show up the limitations in one of the special effect shots of a conveniently well-timed mirage. Better still, Alex North's beautiful score gets an isolated track of its own, complete with recording session lead-ins from conductor Alfred Newman, and it's one of his best from the 50s. While the occasional motifs that would later be further developed in Spartacus have drawn the most attention, it's the more lyrical passages particularly the seductive American Pastorale with its insidiously developing undercurrent of menace that really stand out.

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The absence of a strong story line in the screenplay alleviates the overall effect of "Pony Soldier," but as filmed against a breathtaking Technicolor panorama, Joseph M Newman's film guarantees attention for its qualities of vivid action and the interesting authenticity with which life in last century times is depicted among the Cree Indians and the Mounted Police...

These sequences abound in effective atmosphere and are increased substantially by Newman's splendid choice of players (Cameron Mitchell, Thomas Gomez and Penny Edwards) to surround head man Tyrone Power (in a colorful uniform) assigned to stop a tribe of hostile Crees from going on wage war against the U. S. Cavalry...

The film free from weeds stands out as a little gem of Technicolor beauty... It contains: a spectacular attack on a wagon train; hostages held as a pledge; enraged Indians riding into the hills to burn at the stake a beautiful innocent girl; and a battle during which a handsome hero is saved by the arrow of an Indian lad...

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This movie was soooo hard to find. I was so happy to get it from your website, even if it was VHS! It was a GREAT movie and another my uncle of 90yrs. hadn't seen! Thank you so much!! It was in great condition as promised. You are the best!!

Wizards (Ralph Bakshi) (1977)

Wizards (1977) aka War Wizards (the name was changed at the behest of George Lucas as he thought two movies released at the same time by the same studio with war in the title, his being Star Wars, would have been off-putting to movie goers) written and directed by Ralph Bakshi, was certainly a departure from some of his previous adult animation works, Fritz the Cat (1972) and Heavy Traffic (1973), but provided Bakshi the opportunity to show he could create a animated feature for all viewers, young and old, that spoke to the viewer on intelligent terms. Were all viewers ready to hear what he had to say? No, and given the subsequent release of Star Wars (like two weeks later) Wizards, which had been enjoying a great amount of success, got pushed out of theaters to allow for space for George Lucas' epic space opera. With this release of Wizards on DVD, maybe now his film will garner the recognition it deserved so long ago.

The story goes that the Earth gets consumed in apocalyptic fire as man unleashes his most terrible achievement upon himself, and many years after his destruction, various forms of life begin to come forth, including fairies, elves, pixies along with mutants, beings once humans but changed over thousands of years of exposure to radiation. Almost all technology is gone, wiped from the face of the Earth, and, in its' place, magic has prospered. Born of the same mother are two brothers who become powerful wizards, one good, Avatar, and the other evil, Blackwolf. After a tremendous battle, Avatar vanquishes Blackwolf, but not before Blackwolf issues a statement that indicates he will not go quietly into that good night.

Blackwolf, now residing in the poisoned lands with the mutants and nasty things, puts together a massive army, but one lacking proper motivation, and, subsequently, they are easily defeated any time they are sent forth into battle. Tired of his inability to advance proper on his enemies and gain ground, Blackwolf commands that his followers dig up once forgotten technology, hoping to find aid within the scattered remnants of the powerful technology of old. His salvation comes in the form of propaganda films created by the Germans during WWII. Likening himself to the leader of the German forces during this past conflict, Blackwolf uses the films to not only motivate his troops, but to instill fear and dread among his enemies, showing the films in the sky during the battles.

This prompts Avatar, his female fairy charge Elinore, the leader of the Elves named Weehawk, and Blackwolf's captured/converted assassin robot re-named peace, to embark on an adventure to discover the source of Blackwolf's new power, and destroy it. Can this heroic group effectively end Blackwolf's reign of terror and end his powerful war machine before all is lost? There's a nice bit of irony at the end, one that really suited the feature.

So, is the film any good? I have read many opinions that will tell you it's not, and I can understand why this film would put some off, but I really enjoyed the movie. Bakshi's goal, as I understood it, was to create an animated feature with heart, one that didn't talk down to its' audience, as do other animated features released by other companies, i.e. Disney, do at times. His animation style definitely unconventional, is certainly distinctive, and swims with realism, despite the surface superficialities. I really loved how he incorporated live action footage into the film, enveloping it with animation, creating an eerie superimposed background to various scenes within the movie. The film was rated PG at the time of it's release, so I would be wary of showing it to younger viewers, but I think it's a really wonderful alternative full of heart to the shiny, happy, uber-clean, product tie-in animation put out by the larger profit-driven studios. There's nothing wrong with wanting to make a profit, certainly, but sometimes it seems like these films tend to cater to the lowest common denominator, and be more contrived to make money rather than entertain. The animation may seem crude, disturbing, and misogynistic at times, but this is animation with the sugar coating peeled away, mirroring elements within our society. Do people want to see this in an animated feature? Maybe not, but I enjoyed it, but may find myself hard presses to recommend it to all but the more discriminating viewer.

The picture looks really good here in wide screen anamorphic, and there are some wonderful special features including a commentary track by writer/director Ralph Bakshi, theatrical trailers and TV spots for the film, a still gallery with conceptual drawings, and a featurette titled `Ralph Bakshi: The Wizard of Animation'. This provides a wonderful look into the making of Wizards, and Bakshi also provides tons of background on himself, how he got started, his difficulties and successes within the animation business, his motivations for his films, his contempt for animation that talks down to audiences, and his experiences with various individuals during his career. This is the only featuette he's doing for any of his releases, mainly due to his affinity for the project. Some of his comments, especially the ones hinting towards various conspiracies leveled at him, make him sound a little nutty, but make for entertaining viewing. All in all, an excellent release of a great little animated film that went against the conventional grain. Also, keep an ear out for a voice appearance by Mark Hamill as Sean, king of the fairies.

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While it is certainly not for young children, older teens and adults will get a real kick out of "Wizards". Set in a post-apocalyptic world wrought by radiation due to a nuclear holocaust, most humans have died, and the population consists mainly of elves, fairies, dwarves, and then the mutants. The world is in danger from the threat of technology, brought upon by the evil wizard, Blackwolf. It is up to his brother, the comical, yet good hearted wizard, Avatar, to stop him. Joining Avatar in his quest are Weehawk, chief of a tribe of warrior elves, Elenor, fairy princess of the land of Montagar, and Peace, a former assassin of Blackwolf's (formerly known as Necron 99) who changes his ways and fights against the threat of technology. The WWII references abound, and there are many more adult-oriented references throughout. It dares to go where cartoons usually do not, making allusions to sex, prostitution, religion, and there's even a rather racist Vietnam reference if you can catch it. However, I still highly recommend "Wizards", because in all it's brashness, it deserves to be seen. What the animation lacks in quality, it more than makes up for in imagination. It's quite funny, and it also delivers some unexpected twists. I personally really like the way it was done. The music really seems to fit the overall style of it, and the wonderful character designs and voice acting really pulls it all together. I definetely recommend it to anyone searching for something creative and different, and I'm sure any fan of cult classics will definetely want to check it out. However, I stress the importance of having an open mind. I think those who are more open to controversial subject matter will be able to better enjoy it, with all it's dark humor and it's alternative-type feel. I think it is something that everyone should see at least once. It deserves more credit than it has been given, and I think that it will really make people stop and think about our world, and about themselves.

Buy Wizards (Ralph Bakshi) (1977) Now

Unless my memory has failed me utterly this film came out just as I was finishing up graduate school. Bakshi was already something of a god to the revolutionarily inclined of my generation, and there was no question but that a group of us were going to see it. We were wowed, enthralled, and heartened by Bakshi's brilliant combination of a strong story and inventive animation back then. And today, years later, I found myself thinking feeling the same way while watching it again.

For three weeks the film was a smash hit, when one of those weird accidents of fate happen and Wizards was pushed of the stage by the arrival of Star Wars. Suddenly Bakshi's fable was relegated to fond memorys, only to reappear in retrospectives and campus theaters. As you will find out when you listen to the excellent Bakshi interview (more of a monologue), Wizards was the film dearest to the artists heart, the one he felt was his best accomplishment.

Despite its rough language, partial nudity, and high level of violence, Bakshi though of this as a children's tale, albeit one that hewed closer to the true than the sugar coated fantasies that were coming out of Disney's studios. Set in far post apocalyptic times, two brothers are born to a queen of the fairies. One at distorted mutant (Blackwolf) and the other normal (Avatar), both potent wizards. The inevitable clash between then happened, and this is the story of the end of a 3,000 year struggle between the two over the fate of the world.

The story shifts between the two wizards. First the machinations and plots of Blackwolf, as he unearths archaic Nazi technology and turns it into an weapon designed to erase the magical from the world. Then the journey of Avatar and two elvish friends, Elinore and the warrior Weehawk, who are seeking the source of Blackwolf's power.

The story is told with a deft hand as both the narrator and the characters use humor more than dramatic horror to bring the lessons of the film home. The horror, especially that of the battlefield and the aftermath of war is never far behind. In fact it is the these grim scenes that Bakshi displays some of his greatest genius in illustration, using stock footage, illustration, and collage to build an unnerving context.

Even years later, jaded by many hours watching anime, this film still works artistically, and works well. In addition, its messages about the risks of over-dependence on technology and the inevitable losses of war ae just as fresh now, if not fresher. Bakshi was right, Wizards is his best work.

Read Best Reviews of Wizards (Ralph Bakshi) (1977) Here

This is one of the most original and creative films of the fantasy genre. It takes place after a global nuclear war. Two brothers, each a wizard in his own right, go toe to toe in their final confrontation. The film uses a lot of slapstick for comic relief mainly because some of the subject matter is so serious. Bakshi juxtaposes magic against technology and sixties style love against Nazi style hate. The overlying message is that somtimes when it comes down to it, the ends may very well justify the means, and that those who hate cause their own destruction.

Bakshi's use of stock footage is masterful, and his animation is top notch. The characters are very archetypal, but each has a quirk or flaw that makes them unique. Also the voice acting is quite good.

This is probably one of the most misunderstood fantasy films ever made. But once you get past the presentation and look at it on a deeper level, you realise that it is a stroke of genius.

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A movie lost between others, this feature used to be a staple "Midnight Show" along with Clockwork Orange & Rocky Horror. Its a simple tale that is easy to follow and exemplifies one of the oldest lessons learnable. Those who choose to forget the past are doomed to repeat it. As the evil wizard comes across ancient film of the 3rd Reich, he sees the discipline & motivation as a way to train his own (formerly inept) army. But the world (post apocolypse) has become a better, quieter, more beautiful place & most folks don't want to change. Enter the younger, seemingly simple wizard brother to "fix" the problem once and for all.

Simple to follow, an easy movie to enjoy with friends/family or even alone. There are scores of KeyNotes throughout the movie to base a college level thesis on... but as a linear story, the less you attempt to "make something mean something else" the more you'll enjoy the ride. PEACE BABY!!

For Your Eyes Only (2012)

THE MOVIE

There wasn't much further 007 could go as far as sci-fi wizardry and fantastic characters after the cartoonish MOONRAKER that had seen James Bond propelled into space.

What was called for was a `back to basics' approach that emphasized realism, exotic locations, less gadgetry, down to earth villains and a return to the ruthlessness that Roger Moore had exhibited in movies such as THE MAN WITH THE GOLDEN GUN and THE SPY WHO LOVED ME. What better way for the filmakers to return Bond to his roots than to tap into original Fleming source material.

Taking characters and situations from not only the Fleming novel FOR YOUR EYES ONLY, but also the keel-hauling sequence from LIVE AND LET DIE writers Richard Maibaum and Michael G. Wilson wove together a complex and enticing cold war spy drama that included some of the staple setpieces underwater and on the slopes that had served the character so well in the past.

As the late John Brosnan noted in his review of the movie this production is essentially one long chase, but in the one solitary tip of the hat to the fantastic plots of the previous two movies, here the stakes could not be higher. Those stakes are the fate of all the British nuclear missiles in the polaris fleet. Forget the kidnapping of a few nuclear warheads in previous movies, here the balance of nuclear brinksmanship is at risk and ultimately the fate of the world.

This movie sports several of my favorite characters from the entire EON canon. Topol plays a brilliant, amiable Greek smuggler named Columbo and the good natured trust and friendship between him and Roger Moore's James Bond is clearly evident in every scene they share together. Noted British television actor Julian Glover plays Greek mercenary and chief villain Kristatos and I love the understated mannerisms and menace that literally oozes from every line. The movie also has one of the series most beautiful women with the appealing Carole Bouquet and this particular Bond fan had a huge crush on Lynn Holly Johnson who portrayed the chipper Bibi Dahl. Add these elements together and place it against the backdrop of the Italian Alps and the Adriatic and you have one of the best entries in the series.

THE DVD

This DVD was one of the first wave of the newly refurbished Bond DVDs (most had previously been released in the snapper cases). Arriving in stores in Oct. 1999 I quickly snatched them up and devoured them.

Whereas the later two sets all had DVDs with two documentaries on them this one has just the one on the Making of the movie. For Bond fans this is a true treat because we get to see new on camera interviews with the likes of Rick Sylvestor, Topol and Lynn Holly Johnson. Narrated by Patrick MacNee it's both breezy and fascinating.

With only the one documentary and the standard selectioon of trailers, music and radio spots, we do have two audio commentaries (rather than the one that appeared in the later sets). Unfortunately these are the spliced together kind which means that often what the interviewees are talking about is not relevant to what is playing out on screen. Whereas this means we get a lot of information it does tend to get a bit dry and I would have preferred a scene specific track with participants sitting together in a studio discussing the movie as it plays.

Still...this is a great movie and the packaging isn't too shabby. For the time (late 1999) these DVDs were viewed as on-top as far as special features go because at that time most movies being released were bare-bones editions.

Highly recommended.

UPDATEIt should be noted that there is a rerelease of this movie coming up on DVD which will feature a newly recorded scene specific audio commentary by Bond actor Roger Moore. So, it may well be worth holding off on a purchase until these Ultimate Editions are released towards the end of 2006.

After MOONRAKER's excesses, it was a wise decision to bring Bond back to earth, and back to basics with FOR YOUR EYES ONLY. FYEO features one of the best casts of any of the Bond films, including standout performances from Topol (playing one of the most likeable rogues in all of the Bond films), Julian Glover, and one of the best (and most beautiful) Bond women of all in Carole Bouquet. Lynn-Holly Johnson IS a little annoying as a spoiled young olympic hopeful, but the character is SUPPOSED to be annoying, so she actually was a bit of inspired casting. The story brings Bond back to the style of the films of the 60's, as Bond once again squares off with the Soviets in a race to recover a sensitive piece of computer equipment. Roger Moore gives his best performance as Bond in FYEO, as we finally see him show some toughness as well as his suave sophistication. Humor is present, but not so much as to distract from the film. The pre-credits sequence is a fun bit of tongue-in-cheek action, but a little out of sync with the rest of the movie (although the opening with Bond placing flowers on his wife's grave is touching). The special features on this DVD are (as usual with a Bond Special Edition) outstanding. Multiple trailers, documentaries, audio commentary from Director John Glen (probably the best Bond Director!) and Executive Producer Michael G. Wilson & menbers of the crew, radio commercials, and more, make this one of the most complete DVD packages around. Not to be missed! If you are a James Bond fan, or just like good Action-Adventure movies you really should add FYEO to your DVD collection.

Buy For Your Eyes Only (2012) Now

The new range of special edition DVD versions of the Bond films are being released in groups from 1999-2002, and fortunately this fine effort was in the first batch. Others have remarked on what most fans regard as the very best of the Moore Bonds, and I won't dispute them here. From it's nifty nod to the George Lazenby performance in "On Her Majesty's Secret Service" to the fine ensemble acting, to the sheer style of the non-traditional ending, FYEO succeeds because it marks one of the few times the producers took special pains to incorporate Fleming into the script. For that effort, a full five stars are well-deserved.

Where this product fails, however, is in living up to the standards this Special Edition series has set for itself. Like other entrants in this series, FYEO has audio commentaries by the filmmakers. As with all the Special Editions, the Ian Fleming Society, perhaps the most 'serious' of the Bond Fan Clubs, provides a narrator who ties together the sometimes meandering recollections of various memebers of the cast and crew. Unfortunately on this outing, the narrator's voice is heard far more than the filmmakers', and what the narrator has to say is often inane.

For instance, something on the order of five minutes is given to a painfully detailed discussion of the Citroen car used in the chase scene, and its place in 20th century Europe. Interesting stuff for trivia buffs, but it hardly lends useful, direct information about the film itself.

Frequently, too, the narrator seems eager to do rather arbitrary comparisons between this Bond and another. It's interesting, in its way, but it prevents us from hearing primary source information from the filmmakers.

Worse, there are very few times where the audio commentary actually speaks about the action on the screen. Oh, to be sure, you find out how certain stunts were effected, but whole scenes go by without comment on either track.

This goes in stark contrast to the much superior "Thunderball SE", wherein the extra material truly amplifies your enjoyment of the film.

Having said all this, of course, I would still recommend that you buy this version of the film over any other. It does uncover some of the mysteries of the production. But it's probably not where you want to start if you're a student of the filmmaking process. Far better in this series for its depth of commentary is "Thunderball" or even "License to Kill"--even though both are actually less enjoyable films than FYEO.

Read Best Reviews of For Your Eyes Only (2012) Here

This was Roger Moore's best effort in the series (even better than The Spy Who Loved Me). I rank it in the top 3 of the entire Bond series(along with From Russia With Love and Goldfinger). Moore plays the role not only with his usual humor but in this particular movie he seems to have a dark side to him in a few scenes (not seen since Connery). The story is very believable, the characters are very believable. After Moonraker the Producers went back to more of a film that was not reliant on special effects, It was a very good move, I think that with Moore's acting and the less reliance on the gadgets make this particular film very memorable. Only nitpick I have with it are the prime minister and his side-kick who take the place of M. After this film there was a 6 year wait for another good Bond Film (Living Daylights). Octopussy was decent but should have been Moore's last effort and A View to a Kill was just god awful (Not Moore's fault though). This film should be considered the definer of Moore's legacy, not either of the last two which is what so-called critics have a great tendency to do. A definite must have and own for any Bond fan and any fan of action/spy movies

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Roger Moore is at his absolute best in this top-notch action hit. The thing I like most, aside from the splendid acting by Moore and all the rest is the fact that the plot doesn't rely on a mad super criminal.

Rather it involves Bond in a race for ATAC, a powerful system that will give the bearer unlimited control over Polaris Nuclear Submarines. The plot is simple and self explanitory. In the race for ATAC, there's no silver medal for finishing second.

Lacking extremely explosive end-of-the-movie action scenes as in "The Spy Who Loved Me" and others, the movie departs from this trend and features a cliffhanging assault on a mountaintop fortress.

A top notch Bond movie, it's a must see for Bond buffs and novices alike.

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United 93 (2006)

In 2006 two major motion pictures about September 11, 2001 were released. One, WORLD TRADE CENTER, was a film from Oliver Stone about two first responders who were saved from the wreckage of the World Trade Center. Though WORLD TRADE CENTER is a good and solid film, it does not reach the achievement that Paul Greengrass was able to do with UNITED 93.

Filmed in a style that seems to be a dreamy cinema verite (though every moment on film was carefully constructed), UNITED 93 tells the story about the one plane that went down on September 11th that didn't hit its target. United 93 was supposed to have crashed either into the White House or the Capitol Building, but because of the bravery and courage displayed by the men and women on board, the plane never reached that area and crashed in a field near Shanksville, Pennsylvania. No one alive can say exactly for sure what happened aboard the plane that day. However, UNITED 93 does an incredible job of recreating what possibly happened.

Paul Greengrass and the filmmakers spent an incredible amount of time talking with the family members of those who died. They listened intently to the tape recordings on board the plane and messages left behind. I'm sure that hundreds of hours of research went into creating the film and it shows on film. No big name actors were cast in the film and many of the smaller roles were played by people who had actually been involved somehow with United 93 on September 11th. It is an ensemble cast of the truest kind.

I was deeply moved while watching UNITED 93. The outcome is already known before even putting the film into the DVD player. Yet, the foreknowledge takes nothing away from the experience. The people on the plane reminded me of some of my own friends and family members and even though I knew they were going to die, their actions as portrayed in the film gave me hope. UNITED 93 is a powerful piece of cinema, testifying to what ordinary people can do when faced against extraordinary circumstances. The Academy might have ignored it, but UNITED 93 is the best picture of 2006 and a fitting tribute to the men and women who died that day.

The DVD includes a commentary with Director Paul Greengrass which I found much more interesting, intriguing, and thought-provoking than many other commentaries I have listened to. There's also a short documentary entitled "United 93: The Families and the Film" that interviews family members of those killed and their reactions to the film. Finally, there is a biography page that includes a small picture and a written biography about the 40 people on board (not including the hijackers) who died because of the hijacking.

September 11th 2001, 4 planes were hijacked, 3 of them reached their targets, UNITED 93 is the story of the forth.

JFK said "We must never forget that art is not a form of propaganda; it is a form of truth." After 9/11, many artists chose to respond to the horror and tragedy of the events in the way they knew best through their craft. They drew their own line offering photographs, sculpture, paintings, poetry, and film that commemorate that day. Their work, good or bad, will forever be a part of those events. So timing and quality is important. At just under 5 years since the destruction of the Twin Towers in NYC, and the crash of United 93 in a Pennsylvania field, is the time right. Maybe, it will never be right. "the Flight of United 93," although approved by the familes of the passagers, might be a story not yet ready to be told, or more accurately it might be a story not ready to be heard and seen. With public opinion of the handling of the War down, maybe the time is right for a film that depicts the courageous actions of passengers on the fourth hijacked plane.

Director Paul Greengrass thoughtfully undertakes the unenviable task of telling this pivotal chapter in the events of that tragic day. Greengrass, director of THE BOURNE SUPREMACY shoots UNITED 93 almost virtually in realtime as all 40 passengers and crew gather the morning of Sept. 11, 2001 to board United's flight from Newark to San Francisco. Along with the 40, are 5 men planning to use the plane as a weapon against the U.S. Capitol. Once it "becomes clear" that a hijacking has occurred passengers begin to sneak mobile calls, saying their goodbyes, but also discovering that 2 planes have already been rammed into the World Trade Center, confirming their worst fears. The passengers see no other choice than to risk confronting the hijackers to gain control of the plane. Greengrass, along with his superb cast and crew, reconstruct the events from factual information gained from cell calls, flight recorders, the memories of families and ground controllers. Casting of mostly unknowns adds weight to the film, intensifying the haunting reality of the situation.

This is no TV movie of the week. It is urgent, edgy, moving and ultimately a fitting memorial for the heroic passengers of flight United 93.

Approved by the families of the passengers, a portion of proceeds goes to the FLIGHT 93 MEMORIAL FUND The film was well received when it premiered at the Tribeca Film festival.

Rated R for language and scenes of terror and violence.

Buy United 93 (2006) Now

At first I didn't think I could watch this film (a sneak preview), it was a horrendous day for everyone in the USA . At last, I prepared myself to watch United 93. This is a frightening reenactment of what could have happened on the airplane that didn't make it's intended attack on Washington DC. It has always been easy for me to sit thru a fictional horror film or thriller. Because we know it is make believe and it is for entertainment.This movie strikes a new chord on the human soul. I didn't think I could handle it. But I am glad I did choose to see it.There were people who thought this movie should not be released.

Let me assure you. You will not leave the film depressed. It is uplifting in a way. Because of the heroic actions of the Americans in the film. It makes you proud to be an American. I highly recommend seeing it. Even for the families of the people on the plane. The director turns each passenger into a hero. It won't be easy to watch. But you really shouldn't turn away from this film.

Read Best Reviews of United 93 (2006) Here

devastating, deeply emotional experience. difficult to watch but very necessary. every american should see it, because as painful as it is, we must never forget. united 93 is for the most part seen from the point of view of the air traffic controllers, the miltary, and most dramatic of all, inside flight 93. and best of all, there is no political agenda whatsoever. but be forewarned, the final 15 minutes of the film are excruciating and heartbreaking to watch, especially when you hear the words "let's roll", you know what's coming. I realize there is some speculation as to what happened on board the flight, however I think this is an accurate account of what took place. I've been in audiences before at other films and heard a scattering of applause at the end. not so with united 93. most of the audience applauded, and it made my heart swell with pride to be an american, even amongst such tragedy. the spirit and resourcefulness of your average american on that doomed flight came through beautifully. not entertainment in the traditional sense but still a powerful, documentary-like film, 10 stars.

Want United 93 (2006) Discount?

As we approach the end of 2006, everyone releases their pick for the top films of the year. I do the same thing as I assess the movies that I've had the pleasure of viewing, either on the big screen or on DVD. This, in truth, hasn't been the strongest year--but I've had my share of surprises. While many of the blockbusters actually surpassed my expectations with unusual depth or sheer adrenaline, it is many of the smaller films that lingered in my memory. "United 93" was a moderate hit at the box office and received pretty universal critical acclaim, but there was not much expectation that it would fare well come awards season. It was released very early in the year which is usually problematic. However, to my delight--the film is being remembered and honored as one of the year's top films.

"United 93," for my money, was the best film of 2006. Sparse and powerful, this docudrama took about 90 minutes of real time to unfold one of the most matter-of-factly harrowing and heroic episodes put down on film. Far from being a political diatribe, the film documents a real humanity and the commonality that pulls ordinary people together in a time of crisis. Offering almost no commentary, "United 93" just presents the facts of situation about the ill-fated flight. Reconstructed largely from actual participants and phone records, this is about as close to reality as a narrative film can get.

In an audacious decision, director Paul Greenglass does not ask that we know the passengers or ground crew as individuals. You see them in brief, slice-of-life moments as they ready themselves for the day--but there is no backstory, no manufactured drama. It's just a cross section of regular men and women doing mundane things on what will become a most extraordinary day. You will start to know some of the individuals from their actions and their responses, but the film doesn't offer anything extraneous. This simplicity and lack of ordinary storytelling convention sets "United 93" apart.

By allowing an objective viewpoint, the film achieves a power that is more inherently real than 99% of scripted films. There is an honor and dignity at work here that's quite unexpected. Even though the film plays with a documentary feel, it ends up almost impossible not to envision yourself in the same situation. As such, "United 93" strikes a real and resonant emotional chord. It's easy to only accept this film as a poignant document of that day and a tribute to those involved. And that it is. It's also easy for those who wish to dismiss it as "too soon" or as a cover-up to conspiracy theories to do so. But what I don't want to get lost in any political debate is the fact that this is also great filmmaking.

I was more affected by this film emotionally than any other film of the year. And I have reflected on it more often than any other film this year. For those reasons, whatever happens at the awards, "United 93" is easily my choice for best film of the year. Heartbreaking, Intelligent, Horrifying, Uplifting--It's perfect. KGHarris, 12/06.

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The Jacques Cousteau Movie Collection[Region Free]

Its great seeing these timeless, classic Cousteau movies on blueray format, and I noticed its REGION FREE. The Undersea World series has already been released in Europe, but not here in the USA. WHY is that? If they can make this region free, why cant they make The Underwater World series region free?

the things I saw shocked me. Things we would never do as modern divers; dynamiting a reef ! carelessly killing a baby whale, and then killing the sharks for feeding on the carcass ! I could barely believe I had put him on a pedestal for all these years. Jaques' stock really went down after watching these. now, I hadn't seen them since a child, and I am grateful for all his sharing explorations. Thank goodness we (divers) treat the ocean much better now.

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These movies are amazing for two reasons:

1. They depict incredible wildlife and nature scenes in 'HD' (digitally remastered film at superb blu-ray quality, but note the 4:3 aspect ratio so I'm not sure if it's true 1080p). Much of what is shown had never been filmed before when these were released, and some never has been again due to the risks these guys were willing to take. These documentaries of expeditions to truly wild places have often been imitated, but never bested in my opinion.

2. They depict in stark reality how the world has changed. Nowadays its wooden men in iron boats held back by liability issues, money, egos, lack of teamsmanship, whatever. Back then it was iron men in wooden boats (the Calypso was originally a minesweeper and built entirely of wood). These guys were legends. Who else but Cousteau's crew would spend their time singing nationalistic songs together while enduring a lengthy, hot, claustrophobic decompression session in a tiny steel chamber strung under a ship in the middle of the ocean? Divers to fix a broken propeller shaft under the ship at sea while in the freezing Antarctic while icebergs float by? no problem!

Some of this stuff has to be seen to be believed.

These movies were a hit when they were released, and should be a hit with any viewer who is too young to have seen them the first time.

Read Best Reviews of The Jacques Cousteau Movie Collection[Region Free] Here

Jet Li's Fearless (2006)

[The following review refers to the 104 minute version of `Fearless' released in Japan in March, 2006, starring Jet Li.]

`Fearless" is inspired by the life of Huo Yuan Jia, real-life Chinese martial arts master. Jet Li plays this legendary figure, whose martial arts style and fearless fight helped the people in China regain their pride in the early 20th century when China was intimidated and humiliated by the growing Western and Japanese powers.

Well, so much for the history. Now, let's talk about actions. In `Fearless' Jet Li has shown his best performance since the days he did `Once Upon A Time In China' playing the role of Wong Fei Hung, another legendary hero in China, and the fight scenes (choreographed by Yuen Woo Ping) are all fantastic, sometimes visceral, and sometimes graceful, and always powerful. Good and smooth editing and gorgeous production designs also help greatly to create the background.

[JET LI'S PHILOSOPHY] After the opening martial arts competition sequences in Shanghai, 1910, the film begins to follow the life of Huo Yuan Jia from the days he was a boy in a flashback section. Jet Li and director Ronny Yu (yes, the guy who did `Bride of Chucky' and `Freddy vs. Jason') made a wise decision in showing Collin Chou as Father of young Huo Yuan Jia because the image of charismatic Chou (previously seen in two `Matrix' sequels as body guard Seraph) as the stern father who forbids his son to fight well-represents Li's philosophy about martial arts.

Yes, `Fearless' is a first-rate martial arts action film, but the film is more than that. The film, which was released under the title of `Spirit' in Japan, has Li's message about martial arts, which impresses without being obtrusive.

Besides splendid Collin Chou, the film has assembled interesting names from in and outside of Asia: Nathan Jones as `Hercules' one of Huo Yuan Jia's opponents: Anthony De Longis as Spanish fighter: Brandon Rhea as German fighter: Masato Harada (seen in `The Last Samurai') as Mr. Mita. Debuting actress Sun Li (Betty Li) is impressive as a blind girl, and so is Dong Yong who steals the show as Huo Yuan Jia's old friend. But probably to the Western viewers the real find is the Japanese rising star Shidou Nakamura as Anno Tanaka samurai fighter. Nakamura, who will be seen Clint Eastwood's `Red Sun, Black Sand,' is already known as a talented actor in Japan, and he shows it with the brilliant fight scenes.

But the film is of course a Jet Li film, with the genuine actions that no one but he can do, and Li also succeeds in bringing life and dignity into the character of Huo Yuan Jia. As you know, it is said that `Fearless' will be the last martial arts film for Jet Li. I don't know if it is really true, but I know this is his best film in years.

When I first saw this movie (the 104 minute version we have here) in the theatre I enjoyed it very much, but I left with the nagging feeling that something wasn't right about it. A minor quibble was that a good part of the film's main climactic scene took place right at the beginning, but more bothersome to me was the fact that the film didn't seem sure of itself-like it couldn't decide if it wanted to be a run-of-the mill martial arts picture, or a telling of a historical tale with an underlying philosophical message. Structurally it came across primarily as the former, but watching this in the theatre I had the nagging feeling that something much deeper was inside longing to emerge. For one thing, the 104 minute version contains very choppy editing. Great spans of history pass along in a flash. For example, during the scene where Huo is living in the village, years are supposed to have passed for him there, however one gets the feeling watching this that it has only been a few weeks. Furthermore, one simply doesn't buy, in this version of the movie, that he has really learned the lessons he is supposed to have learned-or even that the film itself has much awareness of what those lessons were. The narrative seems very rushed, as though the filmmakers simply couldn't be bothered to tell their own story and were eager for the next fight scene to come along. I remember leaving the theatre thinking that it was a good movie, but also that a better, more fulfilling story, was waiting to be told about this fascinating character. Little did I know!

Fast forward a few months to the release of this DVD. I bought it, as I said I enjoyed the movie, but when I watched it I noticed something different about the subtitles-they seemed to lack the same penetrating subtlety of perception that were found within the best scenes of the theatrical version. The two most glaring examples were during the "Tea" scene, where a very profound exchange between Huo and Tanaka gets reduced to a bunch of gibberish, and at the end, when Tanaka's manager asks him how he could say that Huo won and (in the theatrical version) he says "I know it in my heart" whereas in this version he simply mutters a threat. Again, it's still a good movie on some level, but watching this version one can't help the feeling that there is something much better within it waiting to come out.

AND THERE MOST CERTAINLY IS.

Surfing around online one night I discovered that there exists a "Director's Cut" of this movie that was released early this year (only in China though) that contained a whopping /40 minutes/ of extra footage. 40 minutes? How do you add 40 minutes to a 100 minute movie without basically making a whole new movie? This I had to find out. Fortunately I had previously hacked my DVD player to play all regions so I didn't hesitate to order the movie (which is presently only available in a region 3 compatible format). When I eventually watched the film, I came to a number of realizations.

1) This was the movie that was originally intended. It is not one of those "Director's Cuts" where loads of extra unnecessary crap is tacked on. This was the movie that was made to be seen, and it was butchered for its North American release.

2) The movie is an absolute masterpiece and currently resides in my top 5 movies of all time. I do not say this lightly. All my uneasiness about the 104 minute version evaporated entirely with this one. For one thing the structure of the narrative is greatly improved-the climactic fight scene takes place at the end (where it was always supposed to and where it feels much more natural). For another, the movie actually feels like a story now-told completely and deliberately. The bulk of the footage that was reinserted was from the movie's middle (and most important) act, where Huo is on his self-imposed exile. This version actually takes the time to flesh out Huo's relationship with Moon, and to show us exactly how the cosmic forces conspired to show him the error in his previous mode of life. One really gets the feeling watching this version, that Li's character is evolving, and the transition is very believable-we are right there beside him, taking notes. Compare this to the shorter version where everything seemed disjointed and rushed. Furthermore, the Director's Cut contains more footage of Huo as a precocious child, which does much to give us a full picture of his life and spiritual evolution. An added bonus is that the Director's Cut contains the original, vastly superior subtitles, which actually seem to have been translated by someone who understood the story, and the subtlety of the philosophy it was trying to convey.

3) Lastly, whoever edited this movie for American theatres wanted to do away with the philosophical soul of this wonderful film, and leave us with a stereotypical "Kung Fu" flick. The result was that one of the greatest movies ever made was almost totally lost. If you just want to see Jet Li dominate, watch Fist of Legend. If you want to see the spirit and essence of the martial arts captured on screen, a wonderfully told story of a very fascinating character, and a beautiful portrait of how the forces of Nature are constantly conspiring to push us ahead in our spiritual advancement-watch the Director's Cut of this film. Anything less is a waste of time.

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Don't miss out on a great movie because of Universal Studios mistake!

It has been confirmed that JET LI'S FEARLESS: DIRECTOR'S CUT, Universal's highly anticipated re-release of Ronny Yu's Huo Yuanjia biopic promising nearly 40 minutes of additional footage is missing the director's cut. Released July 8th, it promised three versions of the movie, one of which was supposed to be the complete two hour and 21 minute director's cut. However, upon inspecting the two-disc release purchased from Walmart today both discs contain only 103-minute international and theatrical versions. Other readers have been e-mailing and posting messages on this site stating the same problem which suggests this defect is widespread.

Additionally, both discs appear to function erratically in my player. Disc two displays nothing but pixels and disc one periodically will not start up. I was only able to confirm the contents of disc two by using a disc burning tool. Both discs appear to be identical and the director's cut is no where to be found despite what the back cover clearly states.

Universal was unavailable for comment at the time of writing and an e-mail sent Thursday has so far gone unanswered.

At this point I would suggest that anyone who is considering buying this release to not do so until Universal releases corrected discs and issues a statement, preferably along with a recall.

For those who have already purchased the defective FEARLESS discs and are unable to return them to the store, try contacting Universal direct during normal, weekday business hours. You may also want to notify your local retailer.

Universal Home Entertainment

Phone: 818-777-1000

E-mail:

!!Attention!! !!Attention!! !!Attention!! !!Attention!!

Universal Studios Writes:

Thank you for contacting Universal Studios Home Entertainment. We strive to provide the highest standard in product quality and customer care.

Please let us know your shipping address and daytime telephone number, and we will send you a postage paid envelope in which to return your "Jet Li's Fearless Director's Cut" disc #1 for replacement. In the envelope, please send the original disc #1 only, along with a copy of this correspondence.

Please allow 1 4 weeks to receive your replacement.

We appreciate your patronage and hope that you will continue to enjoy this and future Universal releases.

Sincerely,

Consumer Relations

UNIVERSAL STUDIOS HOME ENTERTAINMENT

Read Best Reviews of Jet Li's Fearless (2006) Here

Let me just say that I cannot wait to own this movie. It was not until after watching it, when reviewing my copy of Bruce Lee's Chinese Connection, that I realized that Jet Li's Fearless is actually the prequel to Chinese Connection. Remember in the beginning of Chinese Connection, when they're talking about their master dying from poison? Well this movie shows you what happened to their master as he grew up and learned to be one of the greatest fighters in the world.

I have seen over a hundred "kung fu" movies. Most of them were "B" movies at best, but I watched them because of the fascinating martial arts battles which took place in them.

Jet Li's Fearless is by far the greatest martial arts film I have ever seen. The story, screenplay, fight coreography, acting and action are all top of the line.

The fight scenes demonstrate a realism which pays great attention to detail and the authenticity of actual martial arts styles and limitations. They depict characters dishing out and taking a lot of punishment, which was characteristic of practitioners of the Iron Fist, Iron Palm and Iron Body disciplines of Kung Fu.

Taking place in colonial China, it is the true story of a man who stands up for his country against an oppressive regime which is bent upon their humiliation and dehumanization. After defeating a champion British boxer in a boxing ring using amazing Kung Fu techniques, the main character, played by Jet Li, is challenged to partake in a special tournament. Within this tournament, he must defeat four of the world's greatest fighters. They include both masters of weapons and bare handed fighting techniques. Let's just say that the battles between them are epic and amazingly done.

If you enjoy martial arts films, this is a must see. If you know someone who likes them, this movie will not disapoint them. Buy it today, you won't regret it. The flashy fight scenes guarantee much replay value.

Want Jet Li's Fearless (2006) Discount?

The reason I am giving this DVD 3 stars is not because the movie is bad, but because the DVD version is bad. I loved the movie itself and for the most part agree with the positive reviews that have been posted here. I have been a Jet Li fan, as well as a martial arts movie fan in general, for many years and this is by far one of Jet Li's finest films. Unfortunately, this DVD version suffers from terrible subtitling and a lack of extras for the price. There are no theatrical trailers, only one deleted scene out of many which have been written about throughout the internet, and no running commentary. But the biggest problem I had, as mentioned earlier, was the subtitling. I had watched the Chinese released DVD before the theatrical release and then watched it in the theatre. There were some differences between these two versions in regards to the translation of the Mandarin and Japanese being spoken, but for the most part were the same. However, the translation for the US released DVD is totally different in some parts and to me ruined some of the more important dialogue. One example is when Huo Yinjia is explaining his philosophy on martial arts to his soon-to-be opponent Tanaka. Also, since I understand just a tad bit of Japanese I knew that some of the translations on this DVD were way off the mark and ruined the overall feeling of those scenes. This was not the case of the Chinese released DVD and the US theatrical release. Again, I'd like to make it very clear that the movie itself was awesome and would rate 5 stars in book. The 3 star rating is for the US released DVD. Whether you saw the movie in the theatre or want to watch it for the first time, I'd stay clear of this version and go to your local Chinatown or Ebay and purchase the Chinese version of the DVD. How or why they did such a poor job on the translation compared to the US theatrical release and the Chinese DVD is a mystery to me.

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The Postman Always Rings Twice (2012)

I love all film noirs because of the way they were filmed and acted. The setting were always fantastic and the plots always teeming with murder, blackmail, and alienation. The characters were low-lifes, detectives, or femme fatales. In all film noirs, there is romance, but the sexiest film noir, by far, is the original version of The Postman Always Rings Twice. The on-screen chemistry between platinum blonde Lana Turner and drifter John Garfield is enough to carry a 113 minute movie. Throw in Cecil Kellaway and Hume Cronyn as part of the great supporting cast, a wonderful story by James M. Cain, and tragic irony and the result is one of the fastest moving, most enjoyable film noirs produced in the golden age of Hollywood.

Lana Turner's Cora ranks as one of the most seemingly innocent and utterly drop-dead beautiful goddesses ever to touch the silver screen.

In this film noir pot boiler, actors Lana Turner and John Garfield were two of the biggest stars in Hollywood. And both are at the top of their game in this Tay Garnett directed film. Garfield, in one of his best performances, plays Frank Chambers. After catching a ride hitchhiking he stumbles into a diner with a "Man Wanted" sign posted outside. The sign has double meaning as the story plays out. The diner is owned by Nick Smith (Cecil Kellaway) and his younger, much younger wife Cora (Turner).

In a great scene early in the film, Nick has gone into town on some errands and Cora makes her entrance by dropping her lipstick which roles over to Frank's feet. We don't see her at first, nor does Frank. He picks up the lipstick and looks up along with the rest of us to find young Cora. She's a platinum blond, decked out in a glistening white 2-piece outfit with short shorts and her hair neatly tucked into a turban. You can see Frank gasp ever so faintly, as did I. She's a knockout and yes, we know where this is all headed.

Bored with her life with dull Nick, Cora and Frank begin their affair and quietly plot Nick's demise. Based on a novel by James M. Cain and adapted for the screen by Harry Ruskin and Niven Busch, "Postman" is quintessential noir. We have the good, bad guy and the innocent good guy. And of course the bad girl that usually gets her way. This terrific picture was one of Garfield and Turner's best work, although reports were that they were not fond of each other. You would never know it by watching their work here.

The Blu ray package is a winner. The transfer is in 1080p with a 1.37:1 aspect ratio. The extras however are all in standard definition. While the film may not be quite as sharp as some black and white films I've seen, it looks very good. Some of the night scenes seem like daylight to me but than is probably just limitations of the original photography. The audio is DTS-HD Master Audio mono, delivered from the front channels. Likewise it shouldn't be expected to be groundbreaking but it is clear and crisp with limited noise. The extras include a couple excellent documentaries. Here is a brief review of "Lana Turner...A Daughter's Memoir" (2001):

Included in the Blu ray version of 1946's "The Postman Always Rings Twice," this 86 minute documentary does a nice job of highlighting the long career of glamorous film star, Lana Turner. It is narrated by Robert Wagner and includes some juicy tidbits from Turner's only child, Cheryl Crane. She was the lonely product of Turner and her second husband, restaurateur Stephen Crane. Turner was married 7 times and had numerous other lovers. Ms. Crane was a casualty of being ignored by her mother, although they became closer in Turner's later life. Crane became headline fodder in 1958, when at the age of 14 stabbed to death her mother's lover, gangster Johnny Stompanato. Crane also alleges being molested repeatedly by her mother's fourth husband, actor Lex Barker (Tarzan films). There are numerous other contributors including Kirk Douglas, Robert Stack, Juanita Moore and her make-up artist and confidant Del Armstrong. The documentary is very interesting if you are curious about actors and film studios in the late 30's and 1940's.

Here is a review of "The John Garfield Story" (2003): This is another documentary included on the Blu ray version of "The Postman Always Rings Twice" (1946). While it doesn't go into much depth of the man himself, the film does cover most of his career leading up to his untimely death at age 39. The film is narrated by his youngest daughter, Julie Garfield (Julie was John's real name). Naturally her father is shown in the best light possible with plenty of talking head accolades by various people who knew Garfield. Those included actors James Cromwell, Hume Cronyn, Richard Dreyfuss, Danny Glover, Lee Grant and many others.

Other extras include a film introduction by Richard Jewell, a 16 minute short called "Phantoms, Inc." about confidence men preying of unexpected victims of the era (1940's), a color cartoon called "Red Hot Riding Hood," a theatrical trailer and an audio only version of a Screen Guild Theater Broadcast.

Buy The Postman Always Rings Twice (2012) Now

.

At the beginning of the movie, when Frank (excellent John Garfield)arrives to the lonely gas station, a sign makes explicit the movie plot: "Man Wanted". Cora (Lana Turner) needs desperately a man to satisfy her and kill her husband.

This is a criminal drama marked by destiny, thanks to James Cain, and exasperated by Niven Busch, greek tragedy and alarm signs lover: Cora first appears with a blindy white dress, and Frank's hamburger is burning. And, as it must be, a black cat starts the fatality of treason.

This movie is EXCELLENT, undoubtly the best NOIR there's ever been. John Garfield, before being accused of being a communist by senator McArthy, gave life to Frank, a handsome tramp that gets a job at a gas station where a "man is wanted". Lana Turner steals the show performing Cora, the beautiful and dreadful wife of the gas station owner, Cecil Kellaway. This is Tay Garnett's best work, and the cinematography is perfect for a movie that it's literally creepy, dark, desperate and lusty.

Definitely in myy Top 10 of all time. A TIMELESS CLASSIC!!!!

Read Best Reviews of The Postman Always Rings Twice (2012) Here

This spellbinding 1946 B&W flick, set in California, pits sultry Lana Turner against John Garfield in a neverending love-hate relationship, which ironically parallels the lives of its 2 stars. Turner, 7 times married & dead in 1995 at 74, is electrified at first glance by Garfield, in real life, a tough Jewish bad boy who was later blacklisted during the McCarthy era, and died in 1952 at 39. Classic scenes in this all-American classic include: shots in the Twin Oaks Diner,(owned by the husband Lana didn't love), including donuts and a steaming mug of coffee full-body shots of Lana in shorts & halter top (one helluva beautiful dame) and a wonderful "love me or leave me" scene in the Pacific Ocean, where Lana tests the love of the only man she has ever loved. According to legend, the title of this short James M. Cain novella had no relevance in the book. Not so in the movie. Find out for yourself why the postman always rings twice and why this is one of the greatest movies ever made.

Want The Postman Always Rings Twice (2012) Discount?

When the picture starts, we see John Garfield exiting a car after thanking the driver for giving him a ride. There is a sign hanging on a gasoline pump that simply says "Man Wanted"(instead of "Help Wanted"). From that moment on anyone watching this outstanding film will be riveted by this story of sexual tension, adultery, murder, betrayal and everything else that screenwriters Harry Ruskin and Niven Busch took from the James M. Cain novel of the same name. This is the only time that John Garfield and Lana Turner appeared on screen together and they both give two of the best performances of their respective careers. Turner is especially outstanding as Cora Smith, the young bride(and obviously unsatisfied) of the much older Cecil Kellaway who owns the roadside diner. The introduction of Turner's character is one of the greatest ever put on film which everyone needs to see just to show how great filmmaking can be. From that unforgetable entrance until the end of the picture, Turner's Cora Smith is something to behold. She's "perfect" in every sense of the word but only on the outside. Perfect hair, perfect make-up, perfect clothes, etc. Dressing in white throughout most of the picture, she's anything but "pure". She's the ultimate "femme fatale" and Garfield soon gets caught in her web. John Garfield was loaned to MGM for this picture and Turner thought he was all wrong for the lead. Having just ended his seven year contract with Warner Bros(1938-1946) Garfield was embarking on his most productive years in films with not only this picture but "Body and Soul" & "Gentleman's Agreement"(both from 1947) and "Force of Evil"(1948). He was the first of the Method actors when he arrived in Hollywood in 1938 for his first film. By the time he died 1952 he had paved the way for Montgomery Clift, Marlon Brando, and James Dean as well as a host of other actors. The "Method" as it was called continues even today with any film Daniel Day-Lewis is in. This Blu Ray release is the third of Garfield's films to be released on Blu Ray this year. Previous to this Warner release, Olive Films released "Body and Soul" and "Force of Evil" on Blu Ray with excellent results. Warner's Blu Ray of "Postman" is not perfect like Turner's character, but it's probably the best we're going to get. It's obvious that it wasn't struck from the original negative and it's doubtful that the original still exists. There is still a lot of grain visable in the film which is why I'm only giving it four stars. There are no lines or specks running through the frames like most of the pictures from this period and the blacks and whites do look sharper. All and all, it's an above average Blu Ray but not excellent. However, compared to the regular DVD which I also have, it's much improved. It's not Criterion that's for sure. "The Postman Always Rings Twice" is 113 minutes and contains the following subtitles: English, French, Spanish(Castillian), Spanish(Latino), Portuguese, German, and Italian. Audio features include: English DTS-HD Master Audio Mono and French,Spanish,Portuguese,German,Italian all in Dolby Digital Mono. Some of the special features include "The John Garfield Story" narrated by his daughter Julie Garfield and "Lana Turner: A Daughter's Memoir" by her daughter Cheryl Crane. If you've never seen "The Postman Always Rings Twice" and love film noir at it's best, then I would highly recommend getting this new Blu Ray from Warner Home Video. If you're a fan of both Lana Turner or John Garfield then this title needs to be in your collection. Fox will be releasing "Gentleman's Agreement" in January(2013) on Blu Ray and fans of John Garfield will have another chance to re-discover this great actor. With the bulk of his Warner Bros films(1938-1946) owned by Warner Home Video, hopefully will get to see more of his films on Blu Ray in the future. Until then, "The Postman Always Rings Twice" on Blu Ray is highly recommended.

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