The opening of the film reveals many clues as to the direction the story will take. In a stark room young boys are having their hair shorn: one of the boys as a tattoo on his heal three aligned dots on the Achilles tendon. After this unsettling beginning the camera moves to Canada in the office of notary Jean Lebel (Rémy Girard) who has the responsibility of executing the will of his secretary Nawal Marwan (Lubna Azabal in an illuminating performance that plays through the entire film) and presenting the will to Nawal's Lebanese-Canadian twin children Jeanne (Mélissa Désormeaux-Poulin) and Simon (Maxim Gaudette) Marwan. The will divides Nawal's worldly goods equally between the children, but describes in detail how the deceased mother is to be buried (naked, face down, with no coffin in an unmarked grave) and provides two letters charging Jeanne and Simon to find the father and brother they did not even know existed. The remainder of the film moves back and forth between the past and the present as the twins attempt to find their living relatives and the story of how Nawal's life was an unbelievable nightmare. Nawal was a Christian Lebanese, had a lover who was a Palestinian, and when her lover is killed she realizes she is pregnant, shaming her family and thus forced to give up her boy child to an orphanage but not before her grandmother sensitively tattooed the three dots on his heel for future recognition. From that point Nawal becomes a mathematician, a hired killer, is imprisoned and tortured and once again becomes a mother. The twins trace clues as detectives to follow the rocky road of Nawal's life and make discoveries that are astonishing.
Though Lubna Azabal is clearly the central star of this film, the entire cast particularly Mélissa Désormeaux-Poulin and Maxim Gaudette as the twins is exemplary. Very little of the tragedy of Nawal's life is spared but the power that comes from the moments of discovery of the truths of that life lies in the quiet shock in the eyes of the twins. This is an amazingly powerful film that keeps the audience tension level high making the surprising ending just that much more powerful. The cinematography by André Turpin manages to capture both the vast power of the Middle Eastern desert and villages as well as the moments of intimacy. The musical score by Grégoire Hetzel enhances the atmosphere and the story line very subtlely. But in the end it is the sensitive direction of Denis Villeneuve that brings with human tragedy of a story alive. Highly recommended. Grady Harp, September 11To begin with, this is a foreign language film with English subtitles. It will appeal, above all, to viewers who might be drawn to original, story-driven cinematography complimented by rich cultural details. It also provides exceptional panoramic and intimate shots of a bustling Middle Eastern country generally shrouded in mystery. In fact, I've seen a lot of films, but I don't think I've ever come across a plot/story that even comes close to the one depicted in "Incendies".
The title of my review will give you the nexus. Although the film's religious conflict deals with the historic competition and horrific violence bewteen Christian and Muslim Arabs, it also includes a "special feature" in which current day residents of the region are interviewed--some of whom vow death and eternal vengeance on "The Jews". So--everybody's covered in this one.
Buy Incendies (Two-Disc Blu-ray/DVD Combo) (2011) Now
Powerful, intriguing. For mature audiences who can handle traumatic and violent subject matter and scenes.Not a gratuitous film, and there is no propaganda here (If so, it was not obvious to me).
I watched this film twice and believe I might purchase it and watch it some more.
Highly recommended for film watchers who need something to "up the ante" and break out of the boring routine mold.
Read Best Reviews of Incendies (Two-Disc Blu-ray/DVD Combo) (2011) Here
I rented "Incendies" because it was a nominee for the Best Foreign Language Oscar. I've seen a lot of good films from that category and "Incendies" is one of the best. This film is not for the weak of heart. It deals with the basest of human failures and it leaves the viewer emotionally exhausted. However, the film is well worth watching for many reasons. The acting, although not outstanding, is very good. The various characters are victims of different abuses yet most of them carry an innocence that is well-displayed. There is a variety of locations and a variety of cultural settings and issues that are very engrossing, sometimes almost too engrossing. The back and forth from present to past is very well done and greatly enhances the the suspense of the movie.The ultimate message that I took from "Incendies" was the depth to which hatred can destroy otherwise decent people. The innocence I previously mentioned about some of the characters is a key to the success of "Incendies". In a war-torn Lebanon there are good and bad but it is the innocents that make us take a personal involvement in the events that take place. What do we do with that involvement? Do we fight or flee or do we just ignore? There's not much you can ignore in "Incendies".
Want Incendies (Two-Disc Blu-ray/DVD Combo) (2011) Discount?
First, don't pay attention to the reviews dating from 2004. They are NOT discussing "Incendies". Next, be sure to see it in the theater for maximum impact. There are some very emotional scenes, but very little violence, which is amazing, considering what was happening in Lebanon in the '70's.
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