The Anchor Bay DVD offers a fine video transfer of this classic mystery. The picture is sharp and clear with excellent contrast throughout, and the soundtrack is clean and crisp. Although the package doesn't mention it, the DVD does offer Chapter Search (always a welcome plus). There aren't any bonus materials like theatrical trailers, cast biographies, photo galleries, etc., but this is still a worthy edition of a genuine film classic.Joan Fontaine stars as a miserably shy and awkward lady's companion who meets the sophisticated and recently widowed Maxim de Winter in Monte Carlo. They seem an odd couple, yet after a few short weeks they marry and come home to his imposing English country estate, Manderley. The young bride is overwhelmed with her new, lavish lifestyle and is especially intimidated by the forbidding housekeeper who keeps her first mistress' memory and influence alive. Maxim reveals a terrible secret which forever alters the couple's life, and affects the very existence of Manderley.
This wonderfully atmospheric tale, complete with swirling fog and spooky organ music, will take you away to a world where little Cinderella really does marry the handsome prince and lives in the mysterious castle, but things have a nasty habit of going bump in the night. Joan Fontaine gives a breathtaking performance, convincing us she really is crippled with feelings of inadequacy, despite being a flawless beauty. Judith Anderson is the sneering, contemptuous housekeeper whose devotion to her former mistress turns to madness. Laurence Olivier makes a properly snobbish and mysterious Maxim and manages to be the hero despite a fatal flaw. The title character, Rebecca (the first Mrs. de Winter), is never seen but is a powerful force, as is the imposing house of Manderley. If you like gothic romances filled with 1940's elegance and lots of creepy atmosphere, you'll enjoy Rebecca.This review refers to the Anchor Bay DVD release of Rebecca.....
What do you get when you have a great work of literature by Daphne Du Maurier, combined with the cinematic skill of Director Alfred Hitchcock,combined with the extrordinary acting talents of Laurence Olivier, Joan Fontaine, George Sanders and Judith Anderson? You get pure perfection on film. Combined that with the technology to take a movie made 62 years ago and make a transfer to DVD that looks as if it was made yesterday, and you have 2hr and 10 minutes of movie heaven.
The story begins in the South of France where a young, introverted woman(Joan Fontaine) meets wealthy widowerMaxim de Winter(Olivier) His wife,Rebecca, had recently died in a drowning accident and often he seems to be pensive and far off. They fall in love, marry, and go back to his home, an estate called Manderly. She is overwhelmed by the palacial grandeur, the huge staff of servants but mainly by the very prim but chilling head housekeeper Mrs. Danvers(Judith Andersson). The first Mrs. De Winter still seems to have a presence in the household that Mrs. Danvers keeps alive.
To say anymore will be giving away too much of this hauntingly chilling love story/mystery.However I must talk about this DVD.
Although not the more expensive version with all the extras(don't look for any with this one) this one gave us a beautiful picture, and great sound. Everything was bright and clean I saw things I had never seen before, and I have watched this movie dozens of times. The sparkling of the sequins on a woman,s gown,
the way the sun shone and the rain fell. This is a great transfer of a great film(Academy Award best Picture 1940). I personally didn't need all the extras for this one, I just enjoyed the film. There is another version by criterion with lots of goodies if you are interested in that though.
Which ever version you choose- Enjoy "Rebecca" and the splendor of Manderly--Laurie
also recommended:
Hitchcock's Notebooks: An Authorized and Illustrated Look Inside the C
The Woman of the Port
Alfred Hitchcock Double Feature Volume One Sabotage / The Man Who Knew Too Much
Read Best Reviews of Rebecca (1940) Here
Rebecca achieves greatness. Nothing is off in this film. You'll never forget Judith Anderson's sinister portrayal of the obsessed housekeeper, or George Sanders' cold and cynical charm as "Rebecca's favorite cousin." As for Lawrence Olivier and Joan Fontaine, they will never be seriously challenged in any remake of this tantalizing and psychologically molten story. It is their film from start to finish, though one fine character actor after another comes and goes with perfect pitch and perfect proportion. The black and white photography has a porcelain gleam to which color could bring nothing. Like Bronte's great novel, Jane Eyre (in which Joan Fontaine also starred), Rebecca is a seminal tale following an old pattern that has been imitated ad infinitum. But nothing can detract from this pure and innocent effort. I first saw Rebecca when I was a little girl, taken by my mother to a small theatre in New Orleans famous for showing foreign films and artistic films, and what an enchantment it was this world of Maxim de Winter and his great house and the crashing sea -and finely controlled voices with English accents speaking so carefully but with such feeling. I've seen the film a dozen times since, and it has lost none of its silvery luster. There are times when I don't want to do anything except make a cup of hot chocolate and go in and watch Rebecca. Highly recommended. Add it to your collection.Note: Get the Criterion DVD before it is too late! (It's supposed to go out of print on the 31st of December, 2003). While Hitchcock's masterpiece is still stunning after all these years, the DVD I watched, published by Anchor Bay, is pretty weak; the Criterion Collection DVD of "Rebecca" has much more in the way of extras and special features, which is half the appeal of getting a classic on DVD.Anchor Bay's DVD only has a chapter selection and "start" on the menu. Not even closed captioning, which makes this DVD inaccessible to older or deaf fans.
Still, even a weak DVD presentation can't take away from such a beautiful film. A TV presenter recently introduced "Rebecca", by saying that Joan Fontaine was too pretty to be believable in the role of a plain girl. Missing the point! "Rebecca" is a story from the point of view of a scared, insecure heroine who believes the worst of herself and is always waiting for the other shoe to drop. Like the heroine of "Northanger Abbey," perhaps the gothic atmosphere here is really created out of her hopes and fears "Rashomon"-style where each person sees a different thing. The book "Venus in Spurs" has most of a chapter devoted to "Rebecca," and how much this film and book relate to women who struggle through insecurity, despite being loved. (To say more might ruin the movie for first-time viewers).
Fontaine is, of course, very good, as is Laurence Olivier, who has scarcely *ever* been more handsome and commanding. Among the strong supporting cast is George Saunders and Dame Judith Anderson. While Anderson's usually singled out in reviews and hindsight, her obsessive maid could hardly be that malevolent, if the audience didn't feel so sympathetic towards Fontaine's sweet, mild Mrs. de Winter. Really, Fontaine needed Anderson in this performance to really pull it off; and the reverse is equally true. I also think Florence Bates adds quite a bit here as the bitchy and bossy Mrs. Van Hopper, also providing a strong showing in another wonderful film, "A Letter to Three Wives," which, come to think of it, is also about wives and their suspicions of their husbands... and Bates' character sets up trouble for one of the "Letter" wives with her thoughtlessness in that picture, too.
No comments:
Post a Comment