State of Grace

New York City's "Hell's Kitchen" is always a great setting for mob movies (for obvious reasons), and here it is used to perfection by director Phil Joanou. Add to that an impressive cast (Sean Penn, Ed Harris, Gary Oldman, Robin Wright, and John Turturro) plus wonderful music by one of the world's greatest composers, Ennio Morricone, and you've got a gripping character-driven mob story. By the way, has anyone noticed that Morricone's score for State of Grace is amazingly similar to his score for Oliver Stone's film U-Turn? Oh well, who cares, I love Morricone's music!

Terry Noonan (Sean Penn), an undercover cop, has just returned to his old Hell's Kitchen neighborhood. His goal: infiltrate Frankie Flannery's (Ed Harris) Irish mob and find enough evidence to put him and his murderous gang behind bars. But there's a problem, Frankie's younger brother Jackie (Gary Oldman) is an old close friend of Terry's, having grown up with him in the tough streets of Hell's Kitchen. Jackie is hot-tempered and is second-in-command with Frankie's mob, a fact that makes Terry's job much harder for him as time goes by. Terry's job becomes even harder when he begins seeing an old girlfriend (Robin Wright), who is the sister of Frankie and Jackie. Terry's love for her and his close bond with Jackie eventually leads to betrayal and murder, culminating in a bloody showdown between Terry and Frankie (and his mob) on a St. Patrick's Day.

Because this type of story has been overdone so much by Hollywood, the story is a little predictable. However, the top-notch cast puts a whole lot of energy and effort into the acting. Previously, I'd thought Ed Harris (with those fierce, piercing blue eyes) couldn't play a more unlikable character than the German sniper who kills a child in Enemy at the Gates, but as you'll see he's even more brutal in this well made thriller. Sean Penn and Robin Wright had great chemistry together and both delivered intense and convincing performances. Gary Oldman was very good at playing a psycho mobster, but maybe a little too extreme at times. Anyway, fans of mob movies will definitely enjoy this underated film. Highly recommended.

Phil Joanou had an incredible palette of talent to work with in creating this dark and troublesome work of art. Even the lesser parts are filled with personalities such as John Turturro, Robin Wright (then without the Penn), RD Call, John C. Reilly and Burgess Meredith. The score composed by Ennio Morricone has a haunting, eerie saunter, infected with an obvious full note that jerks you out of its hypnotic trance. Watching this film in 2005 takes one back to a number of other great and powerful films of the early 90's that used the noir anti-heroes as their central character. Comparing State of Grace to Abel Ferrara pieces such as Bad Lieutenant and King of New York would not be far-fetched.

Penn's performance as Terry is wrought with inner turmoil, culminating in his bedside confession to Wright's Kathleen. While explaining Hell's Kitchen and it's irk to Turturro he wanes "we're Irish, all we know how to do is drink," a telling testimony that typifies the culture soon to be taken over by the newly christened Clinton inner-city development. His inward reflection is mirrored by the exuberance of Jackie, played with perfection by Oldman. With his cavalier swagger he seems to lack the part of the genetic code that relays fear. Jackie takes risk to new levels while seriously jeopardizing older brother Frankie's (Harris) plans to form an alliance with elements of the Italian mob. Harris's taught composure throughout the film is a fine study in character definition; a true Jeckyl and Hyde persona, playing the suburban family man by day, and slitting the throats of childhood friends by night.

We've seen little in the form of feature offerings from Joanou, aside from U2's Rattle and Hum and Heaven's Prisoners. It is interesting to note his continuing contribution to U2's music video collection, as well as a number of TV commercials. His close association with the mega band lent a big break in acquiring music rights for his 2000 production Entropy.

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I think that this is one of the best movies ever made. The elegance of cinematography, a perfect performance of director Phil Joanu, a great casting (Sean Penn, Ed Harris, Gary Oldman, Robin Wright, John Turturo), a complex story, and a very fine ethical dilemma. All these components, in a equilibrated mix, with a perfect result: a masterpiece.

I triend to record it in several times from cable TV, but it's time is over 2 hours, and I forget it every time, and never had a complete record. Often, the TV version it was translatedd to spanish, losing a part of actor's performance.

I don't understand why the DVD wasn't released before 2005. I expected it long time ago.

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This is a great film about rival gangs in NYC's Hell's Kitchen neighborhood. Some of the later revelations are easy to pick up on early in the movie, but, all-in-all, it is very entertaining. Sean Penn is pretty convincing in his anguish over playing both sides. Of course, Gary Oldman is fabulous. When is that not the case? He is so charismatic that I sometimes cannot take my eyes off of him, even when he is not the central character in the scene. Of course, Ed Harris really makes you hate him in this movie, which, in my opinion, is a sign of a really great actor. This film is highly engrossing and entertainig. Give it a view. I watched it once and had to make it part of my collection.

Want State of Grace Discount?

Three visions ; three gazes , three generations , three points of view . The Yuppie Generation who live in The Kitchen's hell ; a police and a mobster .

The cop -Sean Penn is sent to New York and will meet again with his childhood friends but the life has invited them to complete the circle of the life .

A stunning film where the job , the feelings , the duty , the betray , the honour and the merciless violence intersect searing the screen. Full blooded film but filmed with superb good taste .

Arresting angle shots where you remember some bits of The Citizen Kane , superb illumination , and solid script make of this one of the three best mob films in 1990 with Goodfellas and Crossing Miller .

The cast is fine but Gary Oldman shines with the light of a Supernova in this case . His role is the most complex to follow due the multiple spirit states demanded .

Phil Joanou is a gifted director who should be kept in mind for next releases .