Seven Samurai (The Criterion Collection) (1954)

As a huge fan of older films and music, I am very aware of the many attempts of studios and record companies to reissue and re-market a previously released product in a new and improved format. While many of these reissues are often superior to their previously released counterparts, I have never been one to buy into the "upgrades". I feel that you don't need to have the best sound, the crispest picture, or the excess of supplemental materials in order to enjoy a film and have it affect you. In all my years collecting music CD's (particularly jazz) and DVDs, I think I've upgraded no more than three items from my collections.

I had been hearing for a while now about a new version of Seven Samurai coming out on Criterion that was supposed to have a brand new transfer from a recently discovered source that was to be greatly improved from any other previous edition. Being one of the most beloved films of all time (and one of mine as well), this has been creating alot of excitement in the world of film lovers. Being perfectly satisfied with my version of the Seven Samurai DVD from 1998, I had no plans to upgrade, but a side by side comparison on an internet site peaked my curiosity. And yesterday, being at a local retailer, I saw it on the shelf and decided to spring for it.

Let me tell you....if ANY of you are on the fence about this one, particularly those of you who are big fans of this amazing film, I advise you to go for it. The difference between this edition and the previous edition is so drastic that I could not believe my eyes and ears. I have never had this experience with a DVD before, but the improvements in picture and sound quality are SO great that I actually felt like I was watching Seven Samurai for the first time. The clarity of the picture is absolutely amazing. The glorious black and white tones are much richer, but what's most impressive is how nearly all the imperfections, scratches, and blemishes that were so prevalent on the previous edition have been removed. You can tell why this edition took so long to get released....Criterion obviously took alot of time with this one. Their efforts paid off. Also, the sound has been greatly improved as well. Not only have they cleaned up the original mono soundtrack, but they've added a stereo surround track as well. Normally, I cringe at these "new and improved" soundtracks on old films, but this track does not sound artificial at all, but rather more like an enhanced version of the mono track. The stereo surround track together with the gorgeous new picture made for a unique experience watching the film. You are still watching the great Kurosawa classic that you know and love, but at the same time it seems that even more life has been breathed into it. Didn't think that was possible for such a perfect film, but Criterion proved any doubter wrong.

Please keep in mind that I haven't even gotten to the bonus materials, the commentary tracks, nor the very attractive book yet. And there isn't much more that I can say about this amazing film that hasn't already been said. Just based on the presentation of the film itself in this new package from Criterion, I would highly recommend to everybody who loves this film and is thinking about upgrading their version of the film, that you do so. Its beautiful. And remember, this is coming from someone who doesn't generaly care for "upgrades".

Akira Kurosawa made "Seven Samurai" because he wanted to make a real "jidai-geki," a real period-film that would present the past as meaningful, while also being an entertaining film. Kurosawa considered "Rashomon," the film rightfully credited with making the West aware of the Japanese cinema, with being neither. But in his attempt to make a truly "realistic" film, Kurosawa redefined the conflict at the heart of Japanese films. Before "Seven Samurai" this conflict was that of love versus duty, where the central character is compelled by fate to sacrifice what he loves in the name of duty. In "Seven Samurai" the focus remains on duty, yet the conflict is now between the real and the pretended. Calling yourself a samurai does not make you one, something proven time and time again in the film, from the test of skill turned deadly between Kyuzo (Seiji Miyaguchi) and the tall samurai to the first appearance of Kikuchiyo (Toshirô Mifune), with his stolen pedigree. Like Katshushiro (Ko Kimura), the youngster who wants to learn from the master, Kambei (Takashi Shimura), the audience is educated as to the true nature of the samurai.

For me this film deals with the heroic, albeit in realistic terms. I have shown the film in World Literature classes, after students have read Homer's "Iliad" and as they begin reading Cervantes' "Don Quixote." Within that context, compared to the brutal arrogance of Achilles and the gentle insanity of Quixote, the heroic qualities of the seven samurai become clear. Their inspiration extends to some of the villagers. Manzo (Kamatari Fujiwara) is crazed with fear over the virtue of his daughter, Shino (Keiko Tsushima), and Rikichi (Yoshio Tsuchiya) fights to avenge the disgrace of his wife and his precipitating the death of Heihachi (Minoru Chiaki), but it is the comic Yohei (Bokuzen Hidari), who finds within himself the ability to fight, a die a tragic death, who is the true barometer for what the samurai mean to the village. But the greatest tragedy is that despite this most noble effort and the bodies buried in honor at the top of the village cemetery, this has been but a temporary union between the villagers and the samurai. When Kambei declares, "We have lost again," he redefines the battles: it was not to kill all the bandits, it was to find a true place in the world. Yet we should have already known this, for the painful truth was driven home when Kyuzo, the master swordsman, is gunned down from behind. No better proof is needed in this film of the bitter truth that the world is not fair.

Mifune is the maniacal spirit of this film, as the faux-samurai Kikuchiyo, the dancing whirlwind whose emotions overwhelm everything including himself. But it is Shimura as Kambei, who embodies the mentor mentality with a minimum of effort, evoking more by rubbing his hand over his shaved head or giving a single piercing look than by any spoken dialogue. Even in a strong ensemble these performances stand out, for clearly different reasons. To fully appreciate Kurosawa's mastery in "Seven Samurai" you need to watch the film several times to better appreciate the way he constructs scenes, using contrasting images, evocative music and varying the length of cuts to affect tempo. For example, look carefully at how the early scene of the farmers searching the streets for samurai and the later sequence where Katsushiro watches Kyuzo and Kikuchiyo waiting for the bandit scouts to return to their horses. Both of these scenes are superb primers to Kurosawa's style.

For years we had to put with the 160-minute version of the film that was made for export, which was actually called "The Magnificent Seven" until John Strugis's Western remake. Fortunately, "Seven Samurai" has been restored to full 208-minute glory, saved from being a lamentable cinematic tragedy on a par with "Greed," "The Magnificent Ambersons," and "Ivan the Terrible." There is a sense in which "Seven Samurai" is truly my favorite film, because it was the one that instilled in me a love of cinema, of the craft and art of movie making, of compelling me to understand intellectually how Kurosawa was skillfully manipulating my emotions. The final battle sequences, fought and filmed in a torrent of rain, exhausting characters and audience alike with its increasingly relentless tempo, is given its potency because of the human elements that have been established in all that has taken place before hand. "Seven Samurai" is a magnificent film against which the vast majority of epics pale in comparison. Not even Kurosawa scaled these heights ever again.

Buy Seven Samurai (The Criterion Collection) (1954) Now

After many years of only seeing this timeless work on VHS tape, to finally have and to own " The Seven Samurai " on DVD presented in 1:33:1 format, presented by the reknowned Criterion Collection...it is indeed a true pleasure for this film fan. Plus the bonus of the additional audio commentary by the Japanese film historian, Michael Jeck, provides a much deeper insight into the history of the production, it's messages and themes, Akira Kurosawa's directorial style, and the attitudes of Japanese film making in the early 1950's.

From the very first time I watched this film I was spellbound by it's power and glory....Kurosawa painstakingly assembled a team of actors with wonderful synergy and expression that are at the core of this unforgettable tale of hopes & dreams, death & revenge and honor & trust. Kurosawa's explosive and dynamic battle sequences, some filmed in driving rain, are equally balanced within the films context by the sadness and emotion of the heartfelt scenes, such as where Kikuchiyo (Toshiro Mifune) reveals his upbringings to the rest of the Samurai.

This moving, provacative and challenging film is an epic that still stands head and shoulders over many others nearly 50 years after it's initial release...and a film that you can watch time and time again, and uncover another gem within it's rich tapestry upon each repeated viewing. I've shown this movie to many friends who were either not interested in older black and white productions...or not keen on subtitled movies...and they have all enjoyed it and remarked how they never knew that they could relish a 50 year old movie so much !!

This film truly belongs in any persons movie collection who considers themselves a true afficiando of cinema...an experience in emotion, energy and vision that will not be forgotten by those who view this wonderful work.

Read Best Reviews of Seven Samurai (The Criterion Collection) (1954) Here

To get this out of the way right now, "Seven Samurai", as a film, is a 5-star picture. Provided the audience has an inkling of what they're getting into, this movie can be easily considered one of Akira Kurosawa's best efforts. The expert directing, multi-layered story, and mounds of social commentary make for a film that sits up there with "Citizen Kane" at the top of many critic's "top 10" lists. It's a truly outstanding film, and one that holds up to many repeat viewings and careful analysis.

As an aside, this movie will be quite lost on those raised on modern-day Hollywood films. Anyone going into it expecting a shallow, sword-swinging thrill ride will come away confused (and probably angry) at the "slow" pace, the three-hour runtime, the subtitles, the fact that it's in black and white, the fact that it's not particularly violent, the fact that they talk so much, etc. etc. ad nauseam. I'd figure this would go without saying, but there it is again, just in case: If your idea of a fantastic movie is "The Fast and the Furious", run away right now; what you're looking at now is the movie version of Kryptonite.

Assuming the audience has some depth perception, this becomes THE film to own, and should be a cornerstone in any great DVD collection. Fans will recognize the label of the famous Criterion Collection displayed proudly across the disc case, and under normal circumstances that's indicative of a DVD packed to the gills with extras for the real film fan. The only issue with this disc (and hence the 4-star rating) is that the DVD is VERY slight on the extras, essentially giving you the film and that's it.

Normally, this wouldn't be worth docking a point, given that this is both a very early DVD, and also given that this is the only place to get the genuine, 3+ hour Japanese version of the film. When it was picked up by RKO for it's first U.S. release decades ago, the film had been greatly reduced in length, and there have been various other cuts throughout the years. This version is easily the most complete, and that alone is quite substantial.

In all honesty, it's BECAUSE of the importance of the film that I feel like I got a little cheated with this disc. Were this a film of any lower calibur, I think I'd be fine, but this is SEVEN-FREAKING-SAMURAI we're talking about! If you're a Kurosawa fan, you really, really want to get as much as possible out of this film. As it stands, a real fan is forced to go to external sources on the film (not hard to find) to get all the juicy extra information that compliments it, which really isn't so bad, but the thought of what could have been had this film been released a year or two later on DVD makes me winsome.

What's crucial to point out, however, is that this shortcoming is really in no way the fault of Criterion, who have always had the utmost respect for the films they produce. It's much more a time factor: This is disc #2 in the collection (they're well beyond #200 by this point) and at the time, the special editions as we know them did not exist. Packing the entire film onto a single disc was a feat in and of itself, and taking into account where the technology was at the time, this really is the best the fans could have hoped for: Seven Samurai, uncut, looking and sounding as good as it was ever going to.

So, think of the 4-star rating as a time-adjusted thing. This movie is still required, but know what you're getting so there's no dissapointment.

And Kurosawa fans, take heart: Criterion's putting out a fantastic-looking version of "Ikiru", which is arguably the best Kurosawa film ever, and they're bringing all the fans' expecations to bear. It looks like it's going to be perfect.

In the meantime, Seven Samurai is a no-brainer for any film fan.

It's an honest-to-God classic, and one of the best films ever made.

Want Seven Samurai (The Criterion Collection) (1954) Discount?

This short review is on the 2006 edition and not the 1998 edition issue by Criterion. The 2006 edition issued by Criterion proves to be a highly improved version of the Seven Samurai. The first thing you will discovered when watching this edition over the 1998 edition will be the image, vastly improved and enchanced. While its not perfect like what you might see with very recent films, this 2006 issue will probably be close as you can get with the Seven Samurai.

After all these previous reviews, I am not going into the plots and additional praises. A person who buy this DVD knows the quality of the work. I won't be redundent with the usual mantra.

While the 1998 edition only had a screen commentary which proves to be interested and its still with us in the 2006 edtion, the new edition also got more supplements that should please any fan of the film. The two hour "My Life in the Cinema" should proves most educational to any Kurosawa fan and 50 minute "Making" of the Seven Samurai gives a great insight into how the film developed into the masterpiece that it is. Another great supplement titled: "Seven Samurai: Impact and Influences" reflects on the influences this movie had on other directors in other countries as well as what influenced Kurosawa himself while making this film. Once more, this supplement help the buyer gained more insight and understanding of the film and its filmmaker. To those who like film commentary, there also an additional one by various American film scholars.

Finally the DVD come with a booklet that contained various short essays written by American film experts on this film. Toshiro Mifune's essay was included as well that reflect his insight on the film.

While a great set all together in three DVD disks, I only wish Criterion packaged it into a sturdier plastic container as the 1998 verison instead the cardboard container which looked bit on the weak side.

Overall this is a very expensive DVD to buy but in all reality, if you are a fan of the Seven Samurai, buying this DVD should be a no-brainer. The improved soundtrack, improved images and the great supplements make this almost mandatory buy for any real fan of the movie.

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