The nature of the film works very well: we simultaneously meet Jonathan Flynn (Robert DeNiro), a man who believes he is `America's greatest writer along side Mark Twain and JD Salinger, who lives life day to day in a drunken stupor, driving taxis, acting out con games etc until he becomes homeless, and after seeking shelter from old friends he has neglected, he ends up in a homeless shelter. We also meet his estranged son Nick Flynn (Paul Dano, in a breakout performance) who is striving to discover who he is, perceiving himself as a writer but unsuccessful with relationships: Nick's mother Jody (Julianne Moore) we see only in flashbacks because she committed suicide, and his only communication with his absent father has been through letters. Also homeless, Nick moves with with two characters (Eddie Rouse and Steve Cirbus) who manage to help Nick find a job in a homeless shelter. As Nick adjusts to working at the shelter he comes into connect with a potential girlfriend Denise (Olivia Thirlby) and begins to feel as though his life has some degree of meaning. The jolt comes when Jonathan seeks shelter in the homeless shelter where Nick works and it is this coming together of two bruised and pained people who happen to be father and son that sets in motion the resolution of the story. Both men are pitiful but both have redeeming characteristics and it is this struggling coming together that makes the film breathe. In addition to the brilliant acting of the main characters, there are also exceptionally memorable roles by Lili Taylor, Victor Rasuk, Thomas Middleditch, Wes Studi, Chris Chalk and others.
Not only is the film pitch perfect in nearly every detail, but it also gives the viewer the opportunity to consider the plight of the homeless around us. How many tragic stories like this are untold or never will be known? When a film can produce that degree of involvement with the audience it goes beyond simply being a film and becomes art art makes us consider, think, and change. Grady Harp, July 12Based on a true story, this remarkable involving journey of relationships between fathers and sons captures your attention immediately. One father, Robert DeNiro, trys to reach out and bond with his son that he hasn't seen for a long time. His son is still feeling the loss of his mother, and trying to enter into a romantic relationship with his girlfriend. The last thing the boy wants to see is his father. This is an emotional drama as well as a comedy. Serious moments and funny moments. One young man is hurting emotionally as his father continues to struggle. The film portrays a second chance in life, inspiration, and a step forward in faith. Great acting performance, especially with De Niro, bittersweet story,and an emotional roller-coaster ride. I'd watch this again. Highly Entertaining And Highly Recommended!I haven't read Nick Flynn's memoir yet, but it's at the top of my list now. While I'm sure this movie abbreviates Flynn's struggles, it amazes me how much one person can endure and still come out the other side with such a wonderful work of art. Anyone who has dealt with the trauma of a lost parent, a mentally ill parent and the suffocating voids they leave must see this movie.
Read Best Reviews of Being Flynn (2012) Here
This movie is supremely thought-provoking within the arenas of father-son relationships, mental illness, homelessness, self-aggrandizement and the pathetic reality of unfulfilled lives and failure. Anyone who understands dark humor and films such as "Bad Lieutenant Port of New Orleans" will love this one and the acting that facilitates understanding its powerful messages. Those who are turned off by dark humor will see only the heartache, loneliness, depression and despair exquisitely and painfully depicted in "Being Flynn."Want Being Flynn (2012) Discount?
"Being Flynn" with Paul Dano and Robert DeNiro is a film devastating in it's subtlety. Considering the dramatic nature of Flynn's life and the unusual cast of characters that pop in and out of his memoirs ("Another Bulls*** Night In Suck City", "The Ticking is the Bomb") director Paul Weitz could have gone for another music video, "Basketball Diaries" MTV spot on this one, but he didn't. It is mostly believable and heart wrenching. While I could have done without so much of the self aware "Gen X" 90's culture present in the film, that is part of the time period Flynn was writing in, I guess.When Nick Flynn was a young man his mother shot herself as a result of drug use, being overworked, and also as a reaction to the abandonment of her husband, Jonathan Flynn. His father Jonathan was (is) a grandiose, megalomaniacal liar who despite his absence continuously sent him letters about what a great writer he was, and how "Nicholas" must have the same gene and be destined for the same greatness.
I remember when his first collection of poems ("Some Ether") emerged, still a standout in the vast and tiring world of Ivy League "confessional" poetry. A life can be unusual and devastating and still be uninteresting if the writer isn't talented. Though I enjoyed his poems more than memoirs, Nick Flynn is definitely talented.
Without giving away the story entirely, Nick searches for some sense of self definition by working with the homeless and thereby seeking to become less self absorbed. One day, his father shows up. Things go from bad to worse to bad again with a hint of redemption at the end; Nick is a real writer, his father a narcissistic jerk with just a few bricks short of a load. Robert De Niro does some of the best acting he's done in quite awhile. For anyone interested in Nick Flynn or those rare movies that concern writers and actually tell their story, this is a must see.


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