Several comments: the acting performances are ACE throughout this movie, none more so than from Philip Seymore Hoffman as the wounded husband and frustrated musician, and in my book better than his much hyped performance in "The Master" earlier this year. But check out also Christopher Walken as he stares into his mortality, just superb. If you don't care much for classical music, save yourself the trouble as classical music is front and center throughout this movie (the CD soundtrack of this movie, bringing original music from Angelo Badalamenti, best known for his "Twin Peaks" work, and the other assorted classical music is superb too).
Bottom line, I enjoyed this movie both for the music and the acting performances, and hence "A Late Quartet" is HIGHLY RECOMMENDED!This movie my favorite film so far this year. The all star cast, including Christopher Walken and Catherine Keener, give a stunning performance. As a violinist, I can appreciate not only he the dramatic storyline but the struggles of the musicians as well. When a world famous quartet is about to lose one of their own, a lot of unspoken and painful feelings are brought to the front burner. There is competition and resentment and friendships that took twenty-five years to build are threatened. This is a film that will make you cry but there are also moments that will make you laugh. The music was as beautiful as the storyline and I enjoyed the classical pieces interwoven with the movie. This film is a must see for anyone who enjoys a good drama but especially for anyone who has even been involved with or loved musicA surprisingly simple yet "complicated" movie that IMHO was one of 2012's best. The aging leader and cellist (played by Christopher Walken) of a classical "String Quartet" finds that he must retire due to the onset of Parkinson's Disease. What now? Well, the "second violinist" (for 25 years ...) played by Philip Seymour Hoffman takes the opportunity to suggest to the first violinist that he'd "kinda like to play first violin on occasion." The first violinist (played by Mark Ivanhir) a true virtuoso and perfectionist is aghast. The second violinist's wife (and viola player rounding out the Quartet) who's spent her entire adult life playing in this Quartet and, in fact, only met her husband through their playing in the Quartet together kinda agrees with the first violinist :-) ... What now? ;-) What a GREAT story about human / Community dynamics and Life ;-) ;-)
Read Best Reviews of A Late Quartet (2012) Here
While I never saw this movie in the theater, I heard that it was a very well produced and directed film. in watching the film itself I have to say that it was very well done. You have to know that the movie itself is a bit deeper than I would have first anticipated, but this deeper nature within the film is offset by the amazing acting of both Christopher Walken and Philip Seymour Hoffman. You're drawn into the cell and into the life of Christopher Walken's character and the medical issues that he is dealing with that is leading to his retirement. Yet, the movie so much more than just the drama of the health issues surrounding Walken's character. The movie itself explores so much about human relationships and group dynamics and a it is through these relationships that you truly get to understand the importance of the Quartet itself within the film. overall this is a movie that I would encourage all to watch as it is full of amazing acting performances as well as a plot and underlying message that should be shared with all.*I received a copy of this Blu-Ray in return for an honest review, but this did not impact the words that I shared with all of you above*
Want A Late Quartet (2012) Discount?
The moments when and idea for a story, the intelligence of a script to tell it, the sensitivity of the director to make it work, and the cast of extraordinary actors to make it visual come all too infrequently these days in the films that cross our theater screens. A LATE QUARTET is such a complete success on so many levels that it should be considered a standard for filmmaking excellence. It is cerebral, yes, it is best appreciated by people who are involved in some way with classical music even if that be solely as an audience, but the dynamics of this little `community' of people drawn together by a lasting contract to rehearse and perform for the better part of their time and the effect of physical proximity and the risks of intellectual/artistic distances have rarely been so exquisitely painted.The honored Fugue Quartet has been living and performing together for 25 years: first violin Daniel Lerner (Ukrainian American actor Mark Ivanir), second violin Robert Gelbart (Philip Seymour Hoffman), cellist Peter Mitchell (Christopher Walken), and violist Juliette Gelbart (Catherine Keener) make such perfect music together that we would never guess their lives are askew. Peter is diagnosed as having Parkinson's Disease and understands that his performing days are now severely limited; the Gelbart's marriage is at risk because of the tatters of time and the dealing with daughter Alexandra (Imogen Poots) who reacts to her history of being an alone child by entering into a physical affair with obsessive Daniel and Robert's ill-advised one night stand with the young beautiful Pilar (Liraz Charhi); Robert's surfacing jealousy of wanting to be first violin: the struggle with whether the quartet should disband due to Peter's illness or continue with a new cellist. All of this complex interplay of human relationships is underlined by the quartet's rehearing of Beethoven's String Quartet No. 14, opus 131 a long quartet of seven movements played without interval. It is a sensitively drawn allegory that takes us all the way to the end of the film.
In addition to the bravura acting of the four lead actors there are side stories that are enormously touching: the affair between Alexandra and Daniel, the conflict between Alexandra and her absentee mother (a brilliant scene), the schism between Robert and Juliette as the foundation of their marriage begins to crumble, and the extraordinarily sensitive moment when Peter longs for his deceased wife Miriam first while listening to a recording of Miriam singing Marietta's Lied from Korngold's opera `Die Tote Stadt' and then as the image of Miriam (Anne Sofie von Otter) is seen and heard in is mind.
Each of the actors in this masterfully crafted film is astonishingly fine. If there were an Oscar for Ensemble this would have won hands down, but the performances by Christopher Walken (the finest of his career) and Philip Seymour Hoffman are exemplary and the characters Catherine Keener, Mark Ivanir and Imogen Poots create are utterly unforgettable. The highest recommendation for this work it is a film every sensitive person should see.
Grady Harp, March 13


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