The Cowboys (2007)

This is absolutely one of the best of the best. John Wayne plays Wil Anderson, a rancher forced to use young boys to get his herd to market when his men desert him in search of gold. There are many wonderful messages in this film about duty, honor, and responsibility. They are messages our nation and our young people are in great need of right now. This movie contains many memorable and haunting scenes, but none more so then when Wayne is forced into a confrontation with Bruce Dern to protect the young boys he has on the cattle drive. He gives his life, and teaches them the meaning of strength, honor, and courage. I could not disagree more with Leonard Maltin's review the message is not to seek violent revenge; the boys simply "finish the job" they were hired to do and take the money from the sale of the herd back to Wil Anderson's wife. This film captures the greatness of Wayne's legacy, and why he is so adored by millions of Americans who hold duty and courage dear. If I had to recommend only one John Wayne film to someone who had never seen one, this would be it. Truly unforgettable!

This review refers to the WB DVD edition of THE COWBOYS.

From 1971,THE COWBOYS finds our guy,The Duke, as an aging rancher who must hire 11 young boys to help him on a 400 mile cattle drive. He's tough and gruff, but really has a way with the kids,(only The Duke can cure a boy's stuttering in less than 2 minutes!), and soon finds himself acting as both trail boss and father to the group. The drive is rough for all and has the added suspense of some bad hombres led by Bruce Dern who are out to rustle The Duke's cattle.

Wayne, who by this time, just awed us with his on screen presence, turns in a touching performance and if it was up to me, would have recieved an Oscar for this role. Dern is the baddest of the bad as he goes after our hero. The film is not short on talent, Directed by Mark Rydell, it includes Roscoe Lee Brown, a young A. Martinez, and a small but meaty part for the wonderful Colleen Dewhurst. A nice widescreen presentation, the picture and color were good but seemed just a little dated to me.The sound remastered in DD 5.1 is fabulous. There's a great documentary included. The Breaking of Boys and The Making Of Men, talks about how the boys were selected, and how they trained for their parts. There are 13 (count em ..13) trailers of Wayne films from the 30's through the 70's, informative production notes, and has languages and subtitles in English and French.

Collector's of Wayne may find it more economical to purchase the John Wayne Collection set. Included with this fabulous film are two greats directed by John Ford, THE SEARCHERS, and STAGECOACH. Spanning 30 years of his career, it's a wonderful selection.

Saddle up and enjoy the ride...

Happy Trails.....Laurie

Oldies but Goodies with The Duke:

Shadow of the Eagle

His Private Secretary

John Wayne

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An aging Wil Andersen (John Wayne) takes a bunch of near-adolescent boys on a last summer cattle drive and along the way they become his boys and he becomes their "father" (or perhaps grandfather). It is vintage John Wayne, as he plys the young boys into young men of courage and responsibility. Wayne had lost both of his natural sons to reasons never fully explained, and he muses whether "they went bad on him or if he went bad on them". The cattle drive is his chance to redeem himself as a father figure.

The group of cowboys is a humorous gathering of personalities. One chuckles seeing them learn the ropes of breaking horses and roping steers. The boys see this as a chance to earn some much needed money, and of course to "come of age", turning from boys into young men.

Wayne's cattle group is confronted by cattle theives led by the the evil intentioned Asa Watts (played brilliantly by Bruce Dern). The climax of the movie is when Wayne confronts Dern in a mano-a-mano fist fight. Dern's character is a slimy long-haired flea-infested sleeze, and when they face off for their battle, Wayne says as only Wayne can say: "I've broke my back once, and my hip twice. And on my worst day I could still beat the hell out of you." It is a spirited battle and it appears as though Wayne will best the much younger Dern, but Dern, sensing defeat, pulls a gun and shoots Wayne, emptying his gun one slow shot at a time, shooting Wayne as he has his back turned. It is a tortuous moment for Wayne fans, as the hero dies a slow horrible death, and it appears as though evil will triumph. But quite unexpectedly, the boys turn the tables on the outlaws and wrest back the heard, finally killing the hated Dern.

The musical score is magnificent, and I recommend it as purchase in and of itself. The main score is music that defines the western music motif.

This is one of Wayne's better movies. People of all ages will enjoy it, but the killing scene of Wayne is quite graphic and may scare younger viewers. I'd recommend that parents keep their littlest ones from viewing the violent scene between Wayne and Dern. Many a boy became a John Wayne fan in watching this movie.

Jim "Konedog" Koenig, Lifelong John Wayne fan.

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These comments will appear under my wife's name, but it's just because I don't know how to correct it, so my name appears. I had to comment on one reviewer who doubted the reality of the fact that boys function in this Western like they did. I grew up on a very large farm/ranch in the West. My father taught me how to shoot a .22 pistol when I was in the to protect the family from snakes that slithered and those who wandered in from the Interstate looking for trouble. I never had to use it. Part of the lesson was never touching it unless there was a life-threatening emergency. My dad also taught me now to ride a horse when I was very young, and by the time I was in the herding cattle was not a problem. I replaced a hired hand on the ranch when I was in the And my father assumed those roles at an earlier age. His father, as an eighth grader, went to Denver alone on a train with a load of the family's sheep. My grandfather sold them and returned home without a problem. He did what my great grandfather expected of him. So what do I think of one reviewer's doubts about boys functioning like they do in the film? The answer to that question is obvious. This film is fantastic. And according to my own experience and family stories about myself, my father, my grandfather and his brothers, the film's message that cowboys began their work at an early age makes sense. During this time, boys learned responsibility at an early time in their lives. For those who know anything about history, think about the young soldiers who fought and unfortunately died in the Civil War. Just because our present mind set views things differently, doesn't mean that the past held the same stereotypes to be true. This film is a classic, because it shows boys becoming men as they faced a difficult taskmaster, hard work, large responsibilities and adult decisions.

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No, this movie does not contain the distilled wisdom of the ages, but those who compare the movie against the accepted child-rearing practices of the present day are letting their post-modern self-righteousness flare to the point where they may need to take a "time out." It is unlikely that 12-year-olds would participate in a cattle drive, granted, but it was entirely acceptable for 16or 17-year-olds to "do a man's work and make a man's wage" in those days. It was also a time when John Wayne's widow could not have filed an insurance claim for the stolen herd, or applied for Federal disaster relief, and the movie makes it clear that this herd represented the difference between a reasonable retirement and "working out her days as someone's fry cook." Justice was often swift and harsh in the Old West because real people suffered real consequences from the effects of crime. Therefore it was NOT a sense of vengence, as one reviewer asserts, that drove the later scenes, it was a sense of justice. And while the ages of the "cowboys" in the film are a little too young, the film accurately reflects what used to be "coming of age" in frontier America: A boy became a man when he accepted a man's responsibilities and did a man's work.

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Bull Durham (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1988)

If you've never seen "Bull Durham" before, and are tempted to write it off as another sports flick, I beg you to rethink your position. Let me tell you my all-time favorite sports movie: "Hoop Dreams". What about it resonates with me so strongly? It's not a basketball movie --instead, it is a character drama that just happens to exist within a basketball court. In other words, where the story takes place is irrelevant; what dominates the picture is how the story (or real-life events) affects the characters (documentary subjects).

"Bull Durham" might not belong in the realm of that classic, but skeptics shouldn't dismiss it simply because it involves baseball. Overlookers won't realize that it's a funny exploration of how people discover their own ambition; the dirt diamond & ball are circumstantial.

The story begins when a minor league team is joined by veteran catcher Crash Davis (Kevin Costner). Crash has been given the unenviable task of mentoring an immature pitcher whose deadly fastball "couldn't hit water if he fell out of a boat". Tim Robbins plays the pitcher, Eddie Laloosh. Eddie soon takes the nickname "Nuke"; Crash decides "Meat" is a better way to condescend the undisciplined rookie.

Let me pause there, because this sound like we're going to get a fairy tale of how a cynical teacher and hotshot student will become better humans by the end of their journey. Thankfully, writer-director Ron Shelton was much smarter than this, and doesn't treat his story like a whimsical children's book. Crash and Nuke engage in some of the harshest (and funniest) banter in the history of comedies; the only times either learns anything from each other is because one just can't deal with the tension and submits. I won't give anything away, but if you've never seen this movie before, you'll thank me later when Nuke shakes off Crash's pitching calls --twice! If for whatever reason you don't like Costner or Robbins, their perfect chemistry will change your mind. It's been 20 years since "Bull Durham", and both actors have rarely been better.

When this unbearable pairing of Crash & Nuke begins, they soon meet Annie Savoy (Susan Sarandon). Annie is a strange blend of sexual creature and muse. She takes one player per season, and selects that player as her mate and student. In the hands of another actress or director, this would come off as sleazy & trashy. But once Annie begins to make her new choice stimulate his mind with poetry BEFORE satisfying his primal urges, it becomes clear that eroticism is not even a factor. You know, when I think of Sarandon, "sexy" is not the first word to come to my mind. But "Bull Durham" convinced me otherwise. Just look at the boxart! But then wait until you watch the performance: it's a treasure from her opening monologue to the emotional finale!

What results from the Crash/Nuke bickering, Annie's sensual tutoring, their bizarre triangle, and the adventurous Durham Bulls season is a movie that is achingly funny...but then Shelton gently pulls the curtain back to reveal some more layers.

I forgot the mention the Durham Bulls team name earlier because they're not the primary focus. I haven't revealed many plot points because the plot's mostly in the background. I can't recall any 'BIG GAMES' or 'TWISTS'. Hell, there's hardly any baseball for the last 30 minutes of the picture! What "Bull Durham" leaves with viewers are the characters & the little details. We don't care which games the Bulls won, but we remember the teammates' weird superstitions & conversations. Annie's teachings are incredibly silly, but she eventually acknowledges how ridiculous some of her behavior is. The three principals do discover their dreams, but in a most unlikely way. The romance is sweet, patient, and believable offbeat. Best of all, "Bull Durham" works on all paces --it speeds up to make us laugh, and still keeps our attention when it slows down for reflection.

"Bull Durham" is a hard movie to describe because there's really nothing else like it. Ron Shelton has created a small-town comedy that resembles something from Frank Capra's mind. It's as much a celebration of life as it is a parody of it. There are no grossout gags; just strong acting and intelligent writing. The game of baseball is merely a catalyst of more meaningful ideas. But have no fear: there's plenty of baseball comedy for sports buffs.

"Bull Durham" includes the good times of a "movie", but earns its place as a "film" --the perfect balance of entertainment and genius!

EXTRAS

This new DVD won't come out until March 18th. Here's what's been advertised:

* Audio Commentary from director Ron Shelton

* Audio Commentary from Kevin Costner and Tim Robbins

* "The Greatest Show On Dirt" featurette Twenty years later the cast, crew and fans remember Bull Durham

* "Diamonds In The Rough" featurette Explores minor league baseball

* "Between The Lines: The Making Of Bull Durham" featurette

* "Kevin Costner Profile"

I'll come back and review these special features. Just looking at these Extras convinces me that the earlier DVD release will soon be obsolete.

Ron Shelton spent some time in the minor leagues represented in his screenplay for Bull Durham, so he knows about the baseball things represented. But he also clearly has a gifted ear for the tempo of real life, and he knows about hopes and desires and the things that make human beings tick. The setting for this film with the minor league Durham Bulls works, and works perfectly, but the characters, especially among the central love triangle, could just as easily have been traveling salesmen or race drivers or con artists or gangsters.

Susan Sarandon plays Annie Savoy, a slightly older woman who is a Durham Bulls groupie of sorts: once a season she picks out a promising young player and begins an affair with them. During that season the promising young player has the year of his life and gets called up to the big leagues, leaving Annie to look for next year's promising young player.

The Bulls also have a million-dollar prospect of a pitcher with a right arm who the gods reached down and turned into a thunderbolt. He also has less control than a seven year old with hyperactive attention deficit disorder without his Ritalin. He's as likely to throw it over the backstop as throw a strike, although his "stuff" is like Nolan Ryan or Randy Johnson. Tim Robbins brings "Nuke" LaLoosh to life in his best comic performance.

Kevin Costner, in the best of his many baseball-movie appearances, plays "Crash" Davis, a power-hitting catcher with enough talent to be a leader on minor league teams, but only 21 days in "The Show" in years of minor league work. Crash is not only a competent minor league catcher though he also knows the history of the game, and he knows how to get into the heads of players who have mental blocks preventing them from achieving all they can as baseball players.

Crash, meet Nuke. Both of you meet Annie.

The dialogue is so witty and sparkling that more than a decade after the film's release, it still shows up frequently in discussions about baseball movies and on ESPN. Crash envies Nuke's god-given talent, and by degrees the clueless Nuke begins to appreciate Crash's baseball wisdom. Annie has the hots for both of them, and they for her, and the way this triangle evolves and resolves makes for a very satisfying baseball movie watching experience.

The movie would be worth watching if only for the hilarious little scenes that happen out on the playing field between catcher Costner and pitcher Robbins. Nuke has the million-dollar arm and the ten-cent head. Crash knows his job (and everyone elses as well) like the back of his hand. Whenever Nuke starts trying to think for himself, he quickly gets into trouble, frequently with active assistance from Crash.

Crash "calls" the game signalling to the pitcher which pitches to throw. When Nuke listens things go well. When Nuke doesn't listen, Crash whispers to the hitter what pitch is coming so that the batter can tee off on the pitch. Then as the batter circles the bases after his home run Crash goes out to the mound to remind Nuke not to try thinking for himself. "Boy, the last thing I saw fly out of here like that had a stewardess and passengers on it!"

Supporting parts are performed to hilarious perfection as well, with particular kudos to Trey Wilson as the manager and Robert Wuhl as a team coach. They have many entertaining scenes, including the one following Nuke's minor-league debut when he struck out 18..... but also walked 18 both league records! A must for grown-up baseball fans.

Buy Bull Durham (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1988) Now

If you love baseball, then odds are you've seen & love Bull Durham, a sexy fun dramady starring Kevin Costner, Susan Surandon & Tim Robbins. It's easily one of the best baseball movies ever made and the first of three in Mr. Costner's Baseball Trilogy (Field of Dreams & For Love of The Game would follow).

The extra features included in this Special Edition are pretty nice. Plus I also enjoyed the extra outer packaging sleeve that comes with the DVD case. It's all white and looks like a big baseball. The classic picture of Kevin standing next to a car with a beer in one hand and a bat in the other, with Susan perched beside him is still what's on the actual DVD case. For the first time we actually get the trailers to Bull Durham and I really enjoyed watching the teaser & theatrical trailers. But does anyone remember the original TV spots which always ended with the bathtub scene and seeing the candles getting put out with a splash of water? The new making of documentary: Between the Lines, is a nice retrospective look back at the movie, with everyone involved, from Kevin, Susan & Tim, to director Ron Shelton himself, plus Robert Wuhl and others. What also makes it fun is real Bull Durham baseball players also comment on the film and really give you the dirt on how it measured up to really being in the minors. The other featurettes: Kevin Costner Profile & Sports Wrap are a little disappointing because they're very short (maybe 4 minutes each) and aren't new, just old featurettes made during the filming of the movie. But they're still nice to have. The Photo Gallery is nice too, but don't expect a lot of pics. There's about maybe a hundred or so. Now some of you will be surprised to learn that the Joe Cocker music video is not on the DVD. I mean it might be a hidden easter egg but I doubt it. More likely they were unable to get the rights to it and therefore not allowed to include it on the disc. Which is sad because it's a great song. I was lucky enough to get the soundtrack on CD which has been out of print for years. They really should re-release it because the songs are just wonderful!

The audio commentaries included are both fun & insightful. If you own the previous release of Bull Durham on DVD then you already have the Ron Shelton commentary which I enjoyed a lot. He gives a lot of great stories and explanations about the film that really open your eyes a bit more. But the real gem is the new commentary between Kevin Costner & Tim Robbins. One thing you'll notice right away is all the scenes Kevin talks about that didn't make the final cut. It's a real shame there's no deleted scenes section on this DVD so we could actually see them because they sound pretty good. There's a couple of freindly jabs from Kevin on how Tim was lucky enough to end up with Susan Surandon and how he didn't even know they were dating during filming. It does get a little intense when the love scene between she and Kevin comes up. Tim says "This is the part of the movie I don't like watching". But Kevin handles the tension nicely like a pro and talks about other things during the scene. It's a lot of fun. I wish these guys did another movie togeher! The ironic thing I noticed is that Ron Shelton states that, regarding the famous speech given by Kevin at Susan's house, that he doesn't really like it and would not've written it the same way had he made the film today. While Kevin, in his audio commentary says that it's a great speech but he didn't deliver it well enough and the strength of it lies with the words themsleves. That's what made it powerful, not his acting. Personally I think he's too hard on himself. Plus I always smile during the part of the speech when he says "I believe Lee Harvey Oswald acted alone", since Kevin starred in JFK. It's a great speech and he does it perfectly.

For some reason MGM decided to give both a widescreen version and a standard pan & scan version for this DVD release, which means no cover art on the front of the disc. I don't understand why they needed the standard version since the film only has a 1.85:1 aspect ratio. But one reason you may want to consider keeping your old copy of Bull Durham on DVD is that the previous release was presented in THX for superior picture and sound quality. The new special edition version is not. And I think the THX version does look better too. Guess MGM didn't feel like using it for their release.

You don't have to be a baseball fan to love this movie. The acting is great, the characters are great, the music is timeless, & the romantic side is just as strong and touching as anything else. Pick up this special edition of Bull Durham. While your at it, pick up the rest of Mr. Costner's baseball trilogy on DVD and then watch 'em all back to back. You'll be glad you did.

Bull Durham -Rated the #1 Sports Movie of All Time by Sports Illustrated

"I'm the player to be named later" Kevin Costner as Crash Davis

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It's time for Major League Baseball players to get ready for "The Show", and yet I can't help but think about this funny screwball comedy about minor league baseball, written and directed by former minor leaguer Ron Shelton. For Shelton this was truly a labor of love, realistically depicting life in the minor leagues with ample doses of humor. Kevin Costner gives one of his finest performances as veteran minor league catcher "Crash" Davis, who has spent only 21 days in "The Show" (Major League Baseball) and is near the end of his own career. It is Davis' mission to train a promising young pitcher with a million dollar arm but a dim bulb of a mind to go with it, Nuke LaLoosh (Tim Robbins). Robbins offers the funniest and among the best performances in his career as LaLoosh, whom the majors think may be the next Nolan Ryan or Sandy Koufax. Vying for their affections is English school teacher and diehard Durham Bulls fan Annie Savoy (Susan Sarandon), who seeks out the most promising rookie each season and has an affair with him; though this time, both she and Davis realize that LaLoosh doesn't deserve her affections. "Bull Durham" is a hilarious mix of metaphysics, poetry, love and baseball though not quite in this order that's blessed with an excellent cast, script and direction from Ron Shelton. It's among my favorite films from the 1980s and unquestionably one of the best baseball movies ever made.

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Back when Kevin Costner made good films, this terrific one about America's two favorite pastimes and the people who love them came out. With an onscreen heat you can practically feel, the film just screams sexy. The minute the opening monologue begins, it's a fascinating and funny insight into human emotion, sex and of course, baseball. Susan Sarandon proves the older woman is eternally sexy with her baseball groupie Annie Savoy. It's not that she's easy, she just picks one player a year to 'mature'. This year there are two promising candidates. One is a fiesty, talented but inexperienced pitcher who is not that bright; the other a seasoned catcher brought in to straighten the rookie out. Ultimately she chooses Ebby Calvin 'Nuke' LaLoosh (Tim Robbins, brilliant as an idiot), the dim but wild (hence 'Nuke') pitcher. The love triangle takes a backseat to baseball but always remains in the foreground. As the film progresses, a winning streak leaves Annie without a man and she soon begins to regret her decision. Finally a wildly sexy and romantic fling with Crash (a volcanic Kevin Costner), the rugged catcher, arrives. While it is the film during which Susan fell for Tim and she shares extraordinary chemistry with both men, the real attraction on-screen is the slow seduction between Annie and Crash. The film is so hot, it usually takes a nice shower afterwards to cool off. Good for those winter nights when baseball isn't in season. And hey, any film that makes baseball this sexy can't be that bad.

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Bye Bye Birdie (1963)

This movie is an excellent time-capsule for the end of the late '50's/early'60's rock n' roll era. (It came out in 1963, just a few months before the Beatles hit our shores & changed everything forever.)

It's got everything:

An Elvis-like rock n' roll sex-machine on a motorcycle, check!

Cold War political satire, check!

A spoof of middle-class American values, check!

Young, gorgeous Ann-Marget, check & check again!

I was born too late to experience this time period & I haven't actually seen the Broadway original from 1960 with Chita Rivera in the Janet Leigh role. But this movie is a fast-paced, witty musical-comedy. I know the 1995 version sticks closer to the original story, but I think that version plays too much into the whole "nostalgia"-thing....an element that was NOT a part of any show actually made back then. That version was also slow & not very funny.

This version is great! A lot has been said about the music, but the comedy hasn't got much attention. The humor manages to be suggestive without being vulgar. It's kind of like reading an old issue of MAD Magazine, but this is acted out!

If you want laughs every second, great songs & great dancing, as well as a humorous glimpse as to what American attitudes were like back then, then this 1963 version is for you!

It's "Honestly Sincere!"

I actually played "Kim" in my middle schools rendition of Bye Bye birdie, and since then, this has been my absolute favorite musical of all time I'm sure this is partly due to my great memories of being in this play, but regardless of that, the songs are great and I love the story line.

Bye Bye Birdie is about an Elvis-type guy who has just got word that he's being drafted into the army. Because of his popularity as a singer, they decide to run a contest where 1 lucky girl will be chosen to have "one last kiss" with him. Kim wins the contest, and will be given her kiss live on the Ed Sulliven Show (a show that was really popular in the 1950's).

Much of the story surrounds the excitement about Kim winning the contest & the fact that her father and boyfriend don't want the kiss to happen. Will they be able to stop it?

Then there's "Albert" played by Dick Van Dyke an on & off again songwriter, and his girlfriend "Rosie" who wants nothing more than for Albert to propose to her. Unfortunately, Albert is such a "mommas boy" that he can't seem to make any decisions for himself, and his mother is not about to suggest that he get married and leave her all alone! Will he ever step up and pop the question?

Overall, I would highly recommend this movie to anyone who enjoys musicals. It will remind you of a much simpler time with the music and outfits in classic 1950's style. A great movie for "family night"!

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I am japanese and can understand English a little.But I can enjoyed this movie very much.

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"Bye Bye Birdie" is a classic and refreshing fun movie for all ages. I am only a 14 year old male, but I have amazing respect and love for this movie. Most of you knocking the movie are probally teens also, and probally have just seen the movie recently. I was in LOVE with this movie when i was about 5 years old all the way untill now! The movie was my absolute favorite when I was very young, I can't remember how was introduced to the movie, but I was crazy over it, and my parent's bought me the laserdisk, and just this Christmas they got me the DVD! The movie is such a fabolous fun movie. I remember how much I loved the intro to this movie, with Ann-Margret singing the amazing title track "Bye Bye Birdie". I was always amazed with her Intro and Outro of this movie. I understand the movie is different from the play, and I know thats why most of you don't like the movie. I am also very big into drama and theather, but I have yet to be in a production or seen a production of "Bye Bye Birdie". A local High School around here is doing "Bye Bye Birdie" this spring, which I will love to see. My High school is putting on "The King And I" this spring, which is going to be fabolous, I will be in it. But back to "Bye Bye Birdie"....I feel this movie is just so refreshing, when I am in a bad mood, this movie can definetly make me feel better, the songs are fun and happy, the acting is also great. Ann-Margret's performance was just absolutely outstanding, and Dick Van Dyke, Janet Leigh, and Maureen Stapleton were also fabolous. If I ever have a chance to be in a production of "Bye Bye Birdie", my dream role would be Albert, Dick Van Dyke's part, I would love to play that part.

So, I just wanted to say, I am sick of seeing so many people knock this wonderful movie, and I know some of you are probally around my age, and just recently saw it. Like I said before, I have so much respect for this movie, because I've loved it since i was so young, And I know some of you might be shocked, because I am so young, and was not even alive in 1963, and I love this movie so much.

The DVD is great, and has some great features, So I suggest you check it out!

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George Sidney was a great MGM director who, in the 1960s, had the great fortune of stumbling across a new star, Ann-Margret, and managed to make her an international star right at the beginning of the "Youth Era" that dominated Hollywood in the 1960s. Of all the young stars, maybe Ann-Margret had the most winning combination of vitality and innocence. Her lush figure and dancers' sway, and that wild mane of red hair, made her almost too hot for the movie screen, but George Sidney knew hot to focus her charms so that she became not a threat to the viewing public, but an actress of enormous appeal. He made three films with her, this one, VIVA LAS VEGAS and the later, lesser, THE SWINGER, notable for its scenes in which a group of young hipsters swing Ann-Margret through a mass of body paint to make her into a living paintbrush.

In BYE BYE BIRDIE her dancing with an ensemble to the upbeat number A LOT OF LIVING TO DO is the highlight of the film. It is one of those rare screen sequences in which every shot, every beat is perfect. George Sidney had earlier made some great showcases for Kim Novak, but his treatment of Ann-Margret shows why he is the most gallant of all Hollywood directors. Okay, so he didn't do so good by Janet Leigh, who looks awful in her black wig and can't impersonate a Puerto Rican songwriter any more than I can. She's ludicrous and almost ruins the movie.

Body of Lies (Two-Disc Edition + BD Live) (2008)

I have been awaiting the release of this dramatic action thriller directed by Ridley Scott and Starring Leonardo DiCaprio and Russell Crow for a long time and I was not disappointed.

DiCaprio plays a C.I.A. agent in the middle east who is trying to collect intelligence and is running into twists and turns around every corner. DiCaprio's performance is outstanding. You completely forget who he is and become immersed as him as a C.I.A. agent who is undercover. This is quite an acting job considering that he is the furthest thing from that. He has the grizzled appearance of someone undercover and his scenes are so strong and commanding that he doesn't have that baby boy aspect to him that I've seen in other of his pictures. His was an Oscar worthy performance.

There is the eye in the sky tracking DiCaprio by camera from above as he goes about his seemingly rouge missions for the C.I.A. Russell Crowe plays the older C.I.A. family man who is in contact with Ferris (DiCaprio) as he walks the minefield that is intelligence gathering in the middle east. Crowe is absorbed in his daily life in America and seemingly is oblivious to the hardships and deadly consequences that Ferris is facing. This is an understated role for Crowe who also very good performance. He does not look at all like that same man who played The Gladiator. And I think this is the most relaxed character I've seen him play yet.

This film was expertly directed by Ridley Scott to the point that at times I felt as if I were there. You can almost feel the sand in your lungs and the stink of death and open air markets as you feast your eyes on this gem.

Although I'm not typically an action movie man this one reeled me in because you really didn't know what was next around the corner. The action scenes are great, by the way, even though that's not why I pick movies to watch.

This is a great movie and if you like the actors, director, and genre of this film then it is a definite for you to watch.

I give it all five stars and will watch it again.

Kevin W. Mattingly

Harrisburg Times.

You really have to admire Ridley Scott's moxie.

Even though the 70-year-old director has long established himself as one of Hollywood's best and most durable directors; having helmed some of the most entertaining films of all time, in virtually every genre (including sci-fi classics like Alien and Blade Runner); and having been nominated no less than three times for the Best Director Oscar (Thelma & Louise, Gladiator, Black Hawk Down), to decide to take on theme that has produced exactly zero blockbusters thus far the Middle East and terrorism takes an incredible amount of chutzpah.

But it does help if you have the help of two of the biggest actors in Hollywood at the moment, those being Leonardo DiCaprio and Russell Crowe (who has worked with Scott on two previous films, Gladiator and A Good Year). It's ironic to think that the last time these two actors shared the screen was back in 1995, with the clichéd-but-entertaining oater The Quick and the Dead. Of course, at the time, Crowe was a complete unknown and DiCaprio was a 21-year-old newcomer with only a couple of notable titles under his belt. But oh, how that's all changed now.

It's not easy to describe the plot of Body of Lies without giving too much away. DiCaprio plays CIA operative Roger Ferris, who is trying to flush out a terrorist leader named Al-Saleem in Jordan. He gets his orders from Ed Hoffman (Crowe), a man for whom results are the only satisfactory outcome, delivered with a fair amount of arrogance and a cocky Southern drawl. Ed plays the situation like a kid playing a video game, and has the resources to change the rules anytime he feels like it, dispensing his orders from his office, from his backyard, from his daughter's soccer game, for Pete's sake! This, of course, infuriates Ferris to no end, because he is the one who is in the trenches, chasing the bad guys, dodging bullets, ducking explosions, and procuring the badly-needed intelligence that Hoffman needs. Ferris is also trying to build a productive working relationship with the head of Jordanian Intelligence, Hani Salaam (Mark Strong), a relationship that is made even more tenuous by Hoffman's double-dealings and hidden agendas.

There are so many ways that Scott could have screwed this up. A lesser director might have chosen to ramp up the action, sacrificing intelligence for entertainment. A lesser director could have taken this story of espionage and twisted it into a convoluted and indecipherable Gordian knot. A lesser director would have gotten less convincing performances from his lead actors.

But Ridley Scott is not a lesser director. Though the plot is indeed complex, with many layers and sub-layers, deceit and treachery, Scott never lets you lose sight of the overall picture. He tells a solid, wonderfully entertaining story, without the need to drive home its message with sledgehammer subtlety (after all, very few things are black and white). And most of all, he gets electric performances from Crowe and DiCaprio, whose symbiotic relationship with a thinly-veiled veneer of mutual contempt is a pleasure to watch.

I don't know if Body of Lies will end up breaking through the barrier that every movie in this genre couldn't; but for what it's worth, I hope it does. One thing's for sure... if anybody can, Ridley Scott can.

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Ridley Scott delivers again in a long line of excellent films. Blade Runner (Five-Disc Complete Collector's Edition) [Blu-ray], Alien (The Director's Cut), Thelma & Louise (Special Edition), and Black Hawk Down to name some of the more influential films he has directed.

The common theme, repeated again in Body of Lies, people's struggle to do the right thing, to fight for good. Scott also has a particular film style that he uses to great advantage in this film. This story in other hands would not be nearly as powerful. The pacing in Body of Lies is very similar to Blade Runner.

This is essentially a series of three short stories, or a play in three acts. Each act starts out calmly, building to a huge climax, and then there is the resolution. The common thread through each act is Leonardo DiCaprio and Russell Crowe. It would appear at first that this is going to be a very complicated film, mideastern conflict films or news articles are usually incredibly complex and mind numbing. However, Scott has managed to use the appropriate names and complicated cultures, but keeps the film focused on the critical story line Roger Ferris (DiCaprio). In fact, the film is very simple and easy to follow.

In the first two acts, DiCaprio was believeable with his beard, dirty clothes, and speaking arabic languages. His character was a bit less believeable in the third act and as he started the relationship with Aisha. There were a few moments where the film wandered a bit. It was especially when Roger drove himself in a vehicle. That may sound strange, but it was emphasized several times, "do want to ride in the front or back?", that he was not driving. There was a loss of focus with him at the wheel.

Russell Crowe plays an overweight, southern boy, CIA director, named Ed Hoffman. He is simply perfect through the whole film. Never a misstep. Crowe has an amazing range in his acting ability.

The story is somewhat like 24, terriorist chases, a relationship with the pretty woman, trust me I know whay I'm doing, etc. But Body of Lies moves much farther ahead, and makes a stronger more believeable message than 24.

From a production standpoint, Ridley Scott is a master. This reviewer noted only a few missteps. One sadly obvious one was a pan to follow Roger walking across a hallway late in the film. Roger walks way out of focus and then back in the camera movement was too radical and quick to keep focus. It sadly was not on purpose. Otherwise, everything else was spot on perfect considering the film genre.

This is definately an R rated film. There is a fairly brutal scene at the end, and some punishing (this was the term used in the film) earlier on. There's enough language and violence to land appropriately in this category. Probably not a film for younger viewers at all. There is no nudity.

The DVD contains no bonus features at all. Simply the movie, sound choices, and chapters. But that's the way it should be, the focus was on the quality of the transfer and DVD. Ridley Scott is actually a bigger fan of releasing different versions later on, instead of bonus features.

This was an exciting, easy to follow and understand film from start to finish. The ending was well near perfect.

Read Best Reviews of Body of Lies (Two-Disc Edition + BD Live) (2008) Here

"Body of Lies" is a taut, riveting thriller that weaves a tale of terrorism, espionage, and betrayal amid the current landscape of violence and retribution in the Middle East. The film is based on the novel by David Ignatius.

Leonardo DiCaprio continues to prove that he's got the acting chops and is believable in action films. Here he plays Roger Ferris, a CIA operative working to track down a bin Ladenesque terrorist named Al-Saleem. Al-Saleem's trail leads Ferris to Jordan, where he must balance working with and between his CIA handler (played with relish by an overweight, aged Russell Crowe) and the head of Jordanian intelligence (brilliantly played by Mark Strong), who are working at crosspurposes with each other. Ferris further complicates his mission by falling for an Iranian nurse (played by Golshifteh Farahani).

The movie uses wild technology, lies and counterlies, torture, and Ferris' growing disdain with the intelligence community. Some of the movie seems quite fanciful, and maybe it is, but except for a couple of places, it holds up as a brutually honest thriller.

"Body of Lies" isn't perfect, but it doesn't have to be. It's fiction. Some may find it unbelievable, but it's a movie, and that means it doesn't have to get everything right. It just has to entertain, and it certainly does.

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This movie is based on the novel of the same name by David Ignatius, Editorial Colmnist for The Washington Post.

Mr. Ignatius recently posted a column about the passing of the real-life spy, Gen. Saad Kheir, on whom he based the character 'Hani Pasha,' played by British actor Mark Strong in the movie.

Mr. Ignatius wrote:

Jordan's ace of spies

By David Ignatius

Sunday, December 13, 2009

When the spy movie ends, the suave intelligence chief -having outsmarted his enemies -dusts off the lapels of his perfectly tailored suit and disappears into his world of illusion and control.

That's not how it ended in real life, alas, for Gen. Saad Kheir, the brilliant but emotionally wounded spymaster who headed Jordan's General Intelligence Department (GID) from 2000 to 2005. He died in a hotel room in Vienna on Wednesday of a heart attack, the official Jordanian news agency reported. He was just 56.

Kheir at his best was among the greatest Arab intelligence officers of his generation. He ran a series of masterful penetration operations against Palestinian extremist groups and, later, al-Qaeda. "He set the standard for how we do it," said one former CIA officer who worked closely with him.

I got to know Kheir five years ago when I was researching a novel about the Middle East called "Body of Lies," which was later made into a movie that starred Leonardo DiCaprio. Kheir was the model for my fictional Jordanian intelligence chief, "Hani Salaam." Like all GID chiefs, Kheir was addressed by the Ottoman honorific of "pasha," so I gave the sobriquet of "Hani Pasha" to my fictional version.

Hani Pasha (played in the movie by British actor Mark Strong) stole the show, and for a simple reason -he was based on a true master of the game. My character's tradecraft, manners, even his wardrobe were all modeled on those of the real pasha.

It was George Tenet, then director of the CIA, who first described to me Kheir's brilliance as an operator. I asked Tenet in 2003 if any foreign intelligence services had been especially helpful against al-Qaeda, and he answered instantly, "The Jordanians," and continued with Tenetian enthusiasm, "Their guy Saad Kheir is a superstar!"

So the next time I was in Amman, I asked the royal palace if I could meet the legendary intelligence chief, and it was duly arranged. I was driven to the GID's fearsome headquarters, past its black flag bearing the ominous warning in Arabic "Justice Has Come" and escorted upstairs to the pasha's office.

Kheir had a rough, boozy charm -somewhere between Humphrey Bogart and Omar Sharif. He was dressed elegantly, as always -in this case, a cashmere blazer, a knit tie and a pair of what looked to be handmade English shoes.

The pasha told me a few stories, and others filled in the details: He made his name penetrating Palestinian extremist groups, such as the Abu Nidal organization. Once he had burrowed into the terrorists' lair, he was able to plant rumors and disinformation that set the group's members fighting among themselves. Before long, Abu Nidal's fraternity of killers had imploded in a frenzy of suspicion and self-destruction. I stole that idea for "Body of Lies."

Kheir researched his targets so thoroughly that he got inside their lives. A former CIA officer told me about one sublime pitch: Kheir tracked a jihadist to an apartment in Eastern Europe and handed him a cellphone, saying: "Talk to your mother." The man's mom was actually on the line, telling him he was a wonderful son for buying her a new TV and a couch and sending her money. "The spoken message was, 'We can do good things for you.' The unspoken message was, 'We can hurt you,' " explained the CIA officer. I took that scene, too, verbatim.

Like many Arab intelligence services, the GID has a reputation for using brutal interrogation methods, and I'm sure that it didn't get the nickname "the fingernail factory" for nothing. But Kheir's successes in interrogation often came from a different kind of intimidation. Colleagues recall him standing behind a suspect, his voice deep with menace, as he talked of the suspect's family, friends and contacts. That was much scarier than physical violence would have been. He waited for them to break themselves, and it usually worked.

Kheir ran afoul of his boss, King Abdullah, when he began pushing into politics and business. It was the classic overreach of intelligence chiefs in the Middle East, and he was sacked in 2005. His dismissal took a cruel toll: Kheir could be seen carousing late at night at his favorite restaurant in Amman, no longer a master of the universe or even, fully, master of himself. But in his prime, he was a genius, and it's hard to think of a foreigner who helped save more American lives than Saad Pasha.

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G.I. Jane (1997)

With a [beautiful] and gung-ho performance by Demi Moore, G.I. Jane is definitely fun to watch. But it has no basis in real Navy Seals training, which one can learn more about reading Dick Couch's "The Warrior Elite". In reality there is no mock P.O.W. camp where recruits are beaten and tortured, but there are endless sleepless nights of sitting in the 57 degree ocean water of San Diego. Real Navy Seals instructors are consumate professionals, who constantly put the welfare of their men before anything else. Evolutions (exercises) are mentally and physically challenging, but never grossly abusive as in G.I. Jane. Exercises are of the "run till you drop" variety than "we'll break your leg" variety. The point of real BUD/S training is to learn that teamwork can overcome any bad situation, not just how to take a beating. Also, unlike this movie, Seal recruits undergo BUD/S followed by years of intense training, qualifications, and testing before even being considered for active deployment. They are not sent into combat because they happen to be on a submarine near a hostile country.

I recently viewed this movie on television and decided to buy it. I prefer to watch DVDs rather than TV because I don't like the commercial interruptions and because usually they edit out some material for TV. I was very disappointed to find out that the TV version contained MORE scenes not less. The DVD version for sale is not the same as the version currently running on AMC. I was disappointed because some of my favorite scenes (the ones which prompted me to buy the movie) are not on the DVD.

Buy G.I. Jane (1997) Now

Demi Moore is great in this story about Jordan, a quite capable military woman who is chosen to become the first female Navy SEAL. Jordan isn't sure she wants to go through the hassle she knows will result from her presence at the training, but the congresswoman who is behind this encourages Jordan to try her best. Nobody expects Jordan to survive the harsh training program, and Jordan exceeds all expectations.

Viggo Mortensen plays the Master Chief who is in charge of the training program. He is quite harsh, as you would expect from someone who is trying to separate the "best of the best" from a group of individuals who are all quite talented. Viggo isn't a mere brute he reads poetry by D.H. Lawrence and truly cares about his trainees. He knows that if he doesn't do a good job at his training, the men here will die (and cause others to die) when sent out into combat. I understand and applaud all of that. Viggo throughout the film shows a good balance of concern for his trainees, a desire to push them to be their best, and a desire to weed out those simply not cut out to be SEALs.

However, being a fan of the military and its task of protecting the weak, I had HUGE issues with the "pivotal scene" in the SERE camp. The movie is directed by Ridley Scott of Alien fame and you would think that this man would have respect for a strong female character and the situations that result. I very much equated Jordan to Ripley, both strong women who held their own and earned respect of those around them. But instead of just having Ripley and the others tied up or left in the sun or other "see if you can resist the concerns of your body", Ridley decides to have the Master Chief *brutalize* one of the soldiers and then almost rape Jordan. What????

If we know ANYTHING about real torture situations, it is that a torturer can eventually break anybody. We all have pain limits. There are always ways to inflict more pain! At some point either our body gives out or our mind snaps. That's why spies carry cyanide capsules, because you can't be "trained" to resist torture indefinitely. So what was the point of beating up on the first soldier? What was the point of almost raping Jordan? To prove she could be raped? Heck, any GUY there could have been raped too. Is it important for them to learn what rape feels like, just in case? Would the guys have been any more or less upset to see one of their fellow GUYS being raped vs a girl? Heck they might be MORE upset to see a fellow guy be raped because that would be even less "acceptable" to them. For Viggo's character to delve to those depths after everything he'd shown us previously was amazingly out of character or indicated that Viggo was a depraved man who had no business training soldiers.

The movie was supposed to show us that women can be just as strong as men are. Heck, real life shows us that. There are plenty of strong female characters in movies from Ripley in Alien, to Sarah Connor in Terminator 2, and more come out every day. There are plenty of real life female police officers and fire fighters who are depended on by their coworkers every day. It was almost an insult to have the GI Jane character go through what she did, sort of an Archie Bunker situation where you are ashamed that there really are people left out there that think a woman with strength must be a lesbian. While I applaud the movie's intentions to say "hey you remaining bigots out there, it's time to wake up", to have to involve a supposed rape to make your point is very sad. To have to taint Viggo's character with a sadistic view towards woman (as much as he tries his best to be fair much of the time) is really saying that ALL guys will always have this power/lust attitude towards women that they have to keep under control. Which is entirely unfair to men. It weakens the entire point of the story.

For those who are interested, the poem Viggo quotes is titled Self-Pity:

I never saw a wild thing

sorry for itself.

A small bird will drop frozen dead from a bough

without ever having felt sorry for itself.

D. H. Lawrence

The point is that you do what you have to do to get by in life. You don't waste time or energy on feeling sorry for yourself, because it does little good.

Read Best Reviews of G.I. Jane (1997) Here

It is a little known fact that Demi Moore was trained for this film by former Navy SEAL Scott Helvenston (the youngest SEAL ever) who died at the hands of Iraqi Insurgents on 31MAR04.

While this film has many skeptics, there is no disputing the fact that Scott did his work and made Demi into the closest possible adaptation of a female SEAL.

RIP Scott. America misses you.

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This movie is a critically under-rated 4 star guilty pleasure for me. But like the previous reviewer, I recently watched it on cable (AMC) with a completely different opening scene not included on my GI Jane DVD. The scene depicts Demi's character Luge-ing in skintight black vinyl suit in a failed attempt to win an Olympic time trial. Later, I watched several other scenes in the AMC re-broadcast not found on my DVD. So, does this mean there going to be a G.I. Jane "Director's Cut" Version?

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White Men Can't Jump (2012)

White Men Can't Jump is a movie about basketball hustlers but the characters are multifaceted and this movie focuses on their reasons for hustling rather than the hustle itself. Sidney(Snipes) hustles as a means to get his family out of the ghetto. He is driven by an undying sense of family and a desire to be the provider that his family is looking for. Billy(Harrelson) hustles out of an addiction to gambling and also a desire to show his girlfriend(Rosie Perez) that he is becoming more responsible with money. The basketball in this movie is realistic as is the language and behaviors of the players. The real story; however, is one of loyalty, betrayal and eventually friendship. This is a smart and funny movie that transcends the "sports movie" genre.

This movie portrays loyalty, betrayal and friendship between two white and black men basketball hustlers. This movie has a lot of swearing and sex. I wouldn't recomend this to anyone under 15 unless you feel comfortable with your children watching this movie. Watch this movie because it is really awesome and I loved it so much.

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If you like basketball at all, you're going to love this movie. If you like to make fun of your friends, you're going to love this movie. Witty comedy that doesn't offend (that's hard to come by these days).

Billy Hoyle (Woody Harrelson) is a street-wise basketball player with something to prove. He heads to Venice Beach to hustle big-time players for money. Hoyle bites off more than he can chew when he meets up with Sydney Dean (Wesley Snipes) and becomes the victim of a hustle himself. However, Dean and Hoyle can't deny the bond of friendship between them, no matter how hard they try. When Billy loses his girlfriend because he loses all of their money and Dean's home is robbed they turn to each other for the solution...the ultimate pick-up game vs the legends: Eddie "The King" Farooq and "Duck" Johnson. $2500 to play, winner take all. Do they win? Well, as Gloria would tell you, "Sometimes when you win, you really lose. Sometimes when you lose, you really win. And sometimes when you win or lose you actually tie. And sometimes when you tie, you actually win or lose." Yeah, it's confusing. But that's the way it ends.

Classic comedy.

Read Best Reviews of White Men Can't Jump (2012) Here

This is one of the best films I have ever seen. I favor its technical side and the very idea itself as well. It depicts a reality that is fictious but it can easily be adopted to the real world. What is the most optimistic about this movie is the fact that a pair of main characters resemble ordinary human beings, like everybody. They need to fight their way thru life and, as it always happens in the real world, they find themselves in better or worse circumstances. The most encouraging thing is their special kind of friendship and their easiness to face whatever life brings. Due to that fact they endear themselves to the audience which turns a blind eye on their hustling activity. Still, they have to have some sort of income and, as long as it does not hurt anybody physically, the audience sides with them. I would very much like to have this movie in my home library but unfortunately there is no version available that is distributed in my region on DVD; and I feel extremely sorry about that; I think I would enumerate this as a main drawback of this movie...

Drowsy Existence

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If you like basketball, than you'll love this movie. More than a zany comedy as the ads would have you believe but witty and original with true chemistry between its 2 stars, Woody Harrelson and Wesley Snipes. Laugh-out-loud comedy, great basketball scenes and characters with enough depth that you will be routing for them the whole way. I highly recommend this movie.

Space Buddies (BD Live) (2009)

An unlikely story of 5 dogs who stow aboard a space shuttle, take a trip to a space station to pick up a Russian dog, land on the moon, then pilot the ship safely back to earth and their loving masters. It's what you would expect in a movie like this: action enough for older kids, comedy and cheese enough for younger ones. Clean fun.

The highest praise I can give it is that my children loved it and I wasn't bored (the first time.) Recommended for children of all ages.

These "Buddie" films are just so cute and enjoyable, family fun films with cute puppies that you can't get enough of.

Since the 1997 debut of the film "Air Bud", from that film of a talking canine has launched several "Buddie" films featuring the golden retriever puppies in "Air Buddies" and "Snow Buddies" and this time with "Space Buddies".

What happens when the puppies become stowaways in an experimental spacecraft? Expect a lot of fun and giggles for the family.

VIDEO & AUDIO:

The film is presented in 1080p high definition (1:78:1). The film looks great on Blu-ray and the majority of the film is done using green screen and CGI and wirework. The CG work was done quite well for this family film.. From the space station to the aircraft and its digital screens, the film looks pretty good. Also, there is quite a bit of wirework done to emulate the puppies floating due to gravity and you don't see the wires, again, it looks pretty good.

Audio is presented in English 5.1 DTS-HD Master Audio and I did notice the rear channels being used quite a bit for several action-based sequences and sound effects rather effectively. I was very impressed to hear the all channels being utilized during the film because for a children's film, I really wasn't expecting it. So, needless to say I was pleased by it. Although "SPACE BUDDIES" is primarily a dialogue-based film, the film does take advantage of your system's surround sound, so that was definitely cool!

SPECIAL FEATURES:

There are a few special features on this Blu-ray edition of "Space Buddies". The video quality ranges from 1080p, 1080i and 480i and are featured in Dolby Digital 2.0. The special features are:

* Buddy Facts: You can watch the film with pop up tidbits about the making of "Space Buddies" and about space.

* Buddy Bloopers: Outtakes and blunders (granted these were purposely done)

* "Dancing in the Moonlight" Music Video with Disney Channel's Alyson Stoner

* Disneypedia: The Buddies Guide to Space Travel: This was a 10+ minute featurette about the behind-the-scenes making of the film. Also, a insight on comparisons of how real astronauts train for space and what the pippies had to do to look like they were in space. A fun featurette that the kids will definitely enjoy!

* Buddy Finder: Exclusive to Blu-ray is a scavenger hunt game using your remote control and while watching the film, you need to find 100 items.

* Disney BD-Live Network: A US only feature which people with BD-Live equipped players can access special features from Disney's BD-Live Network.

I watched this film with the family and each of us enjoyed the film. I suppose it's really hard not to dislike a film about puppies and fortunately the technology of how they make the puppies talk on film definitely works well when they mouth the words and overall, the talking portion doesn't look cheesy at all.

This is a safe family film. For my 6-year-old, there was only one sequence in which he was a little scared but that was the Cosmonaut Yuri (because he has lived in the space station and is a bit unkept, so his hair is a bit wacky) but all in all, from his perspective, he had a lot of fun and of course, when you have a puppy who likes to eat a lot and when his paw is pulled, he lets out gas. So, I guess you can say that the "fart jokes" really goes well with the kids.

As for the puppies safety, I know that there are a few dog lovers who cringe when they see animals in a film because they worry about their well-being and if they are going to be put into any dangerous situations . The puppies were more or less kept indoors most of the time and in small and what looks like safe areas in the films, so I believe that the puppies were quite safe during filming.

As for adults who are watching this film, may you be a dog lover or a parent, the film of course is a bit farfetched especially how the puppies were always so successful into sneaking into a building or vehicle with human's nearby but with these type of films, you can't get too serious, after all it's a film made for children. But these are the types of film that are wonderful to watch with the whole family especially if your child enjoys reading about the planets, the moon and outer space, the film and the special features will definitely be entertaining. Heck, even if you are captivated by the charm of these puppies, you'll definitely find this film fun and entertaining.

The Blu-ray version of "Space Buddies" looks very good in high-definition and the audio is pretty good as well! This is the best looking "Buddies" release yet!

Overall a solid, family film for the children and worthy of purchasing on Blu-ray!

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I love the "buddy" movies but this would have to be my least favorite. Although they all stretch reality, this one really does. I know its all in good kid fun but this one just isn't as fun for the adults to watch and my 2 year old and 4 year old must know its not realistic either because its their least favorite too. They constantly ask for Snow Buddies or Santa Buddies but never this one. I maybe should have returned it. Again, the buddies are great but I wouldn't recommend this particular movie.

Read Best Reviews of Space Buddies (BD Live) (2009) Here

I love the buddies movies

Then again it all started with the original "Air Bud" and still get teary eyed thinking "bud" isn't with us

The movies are cute, sweet and this aunt of 2 is not ashamed to enjoy some of the stuff her nieces do

The costumes, the trainers do such a good job with these dogs

I love the franchise

Thanks disney

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the big explosion and the fire almost burning up the Russian man kept my son up till midnight. Good for an older child, though. Nothing really crude, that I can remember, and they didn't speak as fast as in many of the Disney movies. My son hated it and I hated the nightmares he had because of it.

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The Lost Boys (2008)

As one of two teenage vampire movies released in 1987, (the other was the miserable "Near Dark")"The Lost Boys," is a hip, modern retelling of the vampire myth set in a Southern California setting. Brothers Michael (Patric) and Sam (Haim) are the newcomers to the small seaside town of Santa Clara, which is known as the murder capital of the world due to the mysterious disappearances of many town residents.

At the town's amusement park, Michael gets himself involved with a gang of vampires, who appear as normal street punks. Meanwhile Sam, meets the Frog Brothers, who run a comic book store at night, but are vampire hunters by day. After Michael himself becomes a vampire due to drinking the blood of a vampire, he is determined to find a way to save himself, the girl he loves, and his family from the impending danger that lurks them.

Directed by Joel Schumacher ("Batman Forever," "Batman & Robin," "Flatliners," etc.), the film's appeal to teenagers is due to its young cast, great soundtrack, and great, yet campy storyline. Dianne Wiest is excellent as Michael and Sam's mother, and Kiefer Sutherland in one of his first major roles is wicked as David, the leader of the gang.

Keep an eye out for a pre-"Bill & Ted's Excellent Adveture" Alex Winter as Marco, one of the vampires. This film also marked the first collaboration of the two Cories, Cory Haim & Cory Feldman, in a string of movies they made together in the 1980's ("License to Drive," "Dream A Little Dream," etc.) that capitalized on their teen-idol status. Reportedley, Jason Patric (who is Jackie Gleason's grandson) hates it when fans mention this movie as one of his best works, but the truth is it still remains one of the late 1980's cult classics.

If you like a funny, yet scary movie in the same tradition as "Scram," then check out this movie. It gave me many memories watching it on DVD as it did when I first saw it at the theater.

When this movie came out in the eighties, I dont think many people realized that it would become a classic film from that decade. Its not just a good vampire movie, its a good movie...period.

Jason patric and Corey Haim are brothers whos mother has moved them to be with their grandfather. Their new home is Santa Clara, otherwise known as the murder capital of the world. While there the older brother Michael (Patrick) meets a gang of teenagers who just happen to be vampires responsible for most of the murders. The younger brother Sam (Corey Haim) runs into a couple of self professed vampire killers. The fact that they are twelve doesnt douse their intensity. Michael appears to be on his way to becoming a vampire and the only way to stop it from happening is to kill the head vampire (The identity of which is revealed at the climax of the movie)

The movie flows nicely with a good script. The acting is good, the effects are good, the music is great. The humor throughout the movie adds some chuckles without forcing it. It all gels together into the best vampire movie I have ever seen. (My humble opinion).

The movie is one of my top ten favorites, but I was a little dissapointed with the DVD. There are very few extras, just a trailer and some production notes. Still worth adding to your DVD collection, but I have my fingers crossed for a collector's edition.

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When a single mother (Dianne Wiest) and her two kids (Jason Patric, Corey Haim) pack up and move from Phoenix to southern California, more specifically, Santa Carla, "the murder capital of the world," they have more than a little bit of adjusting to do. The two teens and their mother move in with their quirky but loveable grandfather (Barnard Hughes), who has an inkling that there is more to this town than meets the eye. At first, things seem different but manageable, until Sam meets the "Frog brothers" at the local comic book shop. They hand him a horror comic about vampires and tell him to think of it as a survival manual. Are these two merely kids with an over-active imagination, or is there some supernatural cause for this odd little coastal town's nickname?

When the older brother, Michael, goes into town for a live concert, he runs into a rather attractive woman named Star (Jami Gertz). Star introduces Michael to her friends, who just happen to be vampires, and they decide to invite Michael to be one of them. Unbeknownst to Michael, he drinks the blood of David (Kiefer Sutherland), the leader of a band of motorcycle riding teenage vampires, thus giving Michael this supernatural dark gift. However, he must make his first kill before becoming a true creature of the night. Only one thing can save Michael from an eternity of bloodsucking. The head vampire must be killed. But who is the head vampire, and can he be found before Michael gives in to temptation? Will Sam and his newfound friends be willing and able to help Michael before it's too late?

This film is a classic, light-hearted 80's foray into the horror genre, complete with horrible wardrobe, glam rock, goofy humor, and a stellar cast performing a great screenplay with a cohesive plot. There are indeed some great lines in this film that are quite memorable. The Frog brothers, in particular, serve as some cute comic relief. The effects and make-up are outstanding, and this is really noticeable in the final, knock-down, drag-out fight in the end of the movie. The cinematography is also really well done (for example, the aerial shots when the vampires are flying towards the house).

This movie is not meant to be taken very seriously, and it is certainly not Anne Rice or Bram Stoker by any means, but it is some great old-fashioned weekend entertainment. Overall this is a great movie that everyone who grew up in the 80's should definitely own. Moreover, it's a great addition to anyone's vampire or horror collection. If you can enjoy a light-hearted romp through vampire mythology, then definitely pick this film up!

A small downside to this DVD is that there are few extras. If you merely want a great movie at a low price, then pick up this DVD. Otherwise, there is a two-disc set coming out soon that should be worth checking out!

Read Best Reviews of The Lost Boys (2008) Here

Flat out, the Blu-ray version of this classic movie is amazing, the picture and sound is as if this movie was just filmed. If you loved the movie back then, you will love it even more now....this is a no-brainer on blu-ray

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The Lost Boys is a movie that could only work in the 80s; while sometimes called a classic I don't think I would go that far, but it is a cult classic and one of the most entertaining films I have ever seen. While it is a horror movie there is nothing really scary here. And despite the R-rating it's a very light one at that. The Lost Boys is very much a product of it's time and a damn good one at that. I figured with the release of the sequel The Lost Boys: The Tribe due out this summer I might as well revisit this cult classic.

The screenplay was written by Janice Fischer, James Jeremias & Jeffrey Boam; apparently Fischer & Jeremias wrote the first draft and it was more of a kid's movie that features pre-teens. Richard Donner was the original director, but when production was delayed he dropped out, but stayed on as executive producer, Joel Schumacher was than hired and wanted to make the characters older and I assume that is where Jeffrey Boam comes in. The screenplay though is excellent; the characters are great and almost all of them get enough screen time that we get to know them. Obviously some characters will be more developed than others, but none of them are just simply there.

Director Joel Schumacher who often gets a lot of heat for his work on Batman Forever & Batman & Robin does a great job with The Lost Boys, due to the two Batman movies he's often called a hack and one of the worst filmmakers. Joel Schumacher isn't a great director, but he has made some really enjoyable movies sure he made some mistakes with his Batman movies and even he knows that. But with The Lost Boys he delivers one hell of a fun ride. His scenes are well paced and there really is never a boring moment at all. The comedy works well and the action scenes are extremely well-done and are a lot of fun. There isn't much suspense and tension, but that wasn't the point with this movie.

If anything The Lost Boys is best described as a comedy/fantasy type movie, but since it includes vampires killing people it will throw it into the horror genre. I think every kid and even adults have that fantasy of killing vampires or zombies and The Lost Boys very much plays up to that. The movie runs at 97-minutes and you'll never be bored there's always something happening to hold your interest in the movie.

What The Lost Boys is best known for now is being the very first movie to feature both Corey Haim and Corey Feldman AKA the two Corey's. After this movie they would work together several times before fading away by the end of the 80s; both Corey's work great together here. This is more of a Corey Haim movie since he plays the bigger part and he's really funny, but Feldman possibly steals the show as Edgar Frog along with Jason Newlander as Alan Frog. The Frog Brothers are played straight and serious, which makes it even funnier.

Before he was Jack Bauer, Kiefer Sutherland was David the evil vampire. I'm a huge fan of Sutherland and this is one of his very best roles. He doesn't always have a lot of dialogue, but he has a great presence on camera and makes for one of the coolest vampires to ever appear in a movie. The rest of the cast is also excellent; Jason Patric puts in a solid performance as Michael Emerson trying to fight his vampire urges.

The Lost Boys easily rates as one of the most fun filled movies of the 80s and one of the most fun period; there's never a slow moment The Lost Boys is always funny and a lot of fun. The DVD is excellent with some great features on the 2nd disc. I've seen The Lost Boys several times, but this is the first time I've seen it on DVD and I know there was a DVD out before, but the new one features a brand new HD transfer and the picture quality is excellent. If you own the original disc it's more than worth the double dip for the 2-disc set if not for the extras that at least for the transfer.

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The Sunset Limited (2011)

"The Sunset Limited" is a theater lover's dream! This HBO production takes the brilliant Cormac McCarthy's existential treatise about life and faith and adapts it with precision to the small screen. If, however, you are NOT a theater fan and are coming into this film blindly--I do think it's quite important that you know what you're getting into. This is a two person dialogue--that's it! For just under ninety minutes, two men sit in a shabby one room apartment and discuss the philosophical nature of man's reality. With a heavy reliance on religion and man's obligation to one another, "The Sunset Limited" unfolds with a surprising urgency and even poetry. It might not sound like thrilling entertainment but McCarthy's words filtered through the estimable talents of Tommy Lee Jones and Samuel Jackson make this a can't miss proposition for adult viewers. It is for lovers of word and thought--and, indeed, it's not for everyone. But it is a great way to get a prestigious theater piece to an audience that might not otherwise have the opportunity of enjoying it.

So, for that, we've got to thank HBO (the undisputed leader in TV movie productions) and Tommy Lee Jones who also takes a producer and the directing credit for this intimate work. Set in Jackson's apartment, "The Sunset Limited" unravels in real time in the aftermath of an incident at the local train station. Jackson attempts to engage Jones in a discussion about what happened as well as keeping him safe from further harm. A former convict, Jackson's real life stories are filled with harrowing details and his redemption provides ample evidence of a greater good. Jones, an intellectual with a more pragmatic worldview, spars back with an elaborate cynicism. In this contest of words, will Jones embrace the notion that perhaps life has more to offer if only he's willing to accept it? Or will Jackson start to doubt his own convictions in view of his new friend's influence?

I know my presentation of McCarthy's play might sound a bit dry--but make no mistake, "The Sunset Limited" is also filled with great warmth and unexpected humor. Jones is stilted and disaffected, making the most of the more uptight role. It is underplayed to perfection. He all but gives the stage to the more showy Jackson. This is, without a doubt, one of the meatier roles that Jackson has sunk his teeth into in recent years--and his relish is obvious. He elicits the piece's biggest laughs and tells its most vivid stories--it is a riveting performance. The devastating climax arrives courtesy of Jackson who just might have met his match with the intrepid and stubborn Jones. A cerebral and intimate chamber piece, I reiterate that this film will not be embraced by everyone! However, if the idea of seeing the work of one of our greatest writers performed by two acting powerhouses appeals to you--what's not to appreciate? KGHarris, 2/11.

Sunset Limited is a new HBO film that is located entirely in a dirty studio apartment in New York. Only two characters are presented in the film and their names are Black and White. One man, White, has decided that he is going to kill himself and the other is attempting to talk him out of it. Tommy Lee Jones plays White, the man who attempted to commit suicide by leaping into a train, and the character Black is played by Samuel L Jackson, who saved White from being hit by the train. The theme of the movie is Black trying to find out what is so bad that would make the intelligent character, White, end his life and how Black can keep White from trying to do it again as soon as he leaves the apartment.

The entire movie takes place inside Black's apartment as he tries to argue White into choosing life.

For 90 minutes they have a theological debate about God and their purpose on this earth. The debates are powerful and the conversations moving. Sunset limited makes up for the fact that it consists of no beautiful panoramic screen shots and channels all of its artistic energy into enhancing the script. The director chooses to set the scene with words of poetry rather than with colorful images. The decision to paint the movie through words rather than pictures is very rare and ends up adding a fantastic element to the Sunset Limited.

An incredibly dark tale but a very worthwhile film to watch.

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I just watched The Sunset Limited last night. ABSOLUTELY one of the best movies/plays I have seen in the past 10 years. The quality of the acting and interacting, as well as movement and camera angles between Tommy Lee Jones and Samuel L. Jackson is great to see. The dialogue is fresh, real, and sensitive to both sides hence, "Black" & "White."

The camera angles in the last few moments and the last phrase uttered by "Black" is powerfully and dramatically well done.

Doug Flor

Read Best Reviews of The Sunset Limited (2011) Here

Wow, This is a very deep and intellectual film! I'm a minister, andI was so drawn in, so mesmerized by the dialogue and the intensity of Black and White. At first, I really thought that every person in the congregation I minister to should watch this film....... However, as I began to look further at reviews and what other's thought, I now think this film probably needs to be viewed with some caution. This could confuse some people and actually draw some folks into despair. Despair....... (WARNING: MY POST FROM HERE FORWARD CONTAINS SPOILERS!!!) that's ultimately the gospel White is preaching. There was a part of my soul that could identify and understand his points. I think most humans have felt those moments at times in their lives. But, there was one thing White said that really stood out to me. It was something I wish Black would have caught on to. He kept asking God for the words..... I have no idea, if this will be helpful to those of you who have posted on this, but this was my thought. White says, he wants the "peace of darkness." But, I don't believe there is ANY peace in darkness! Think about it, when you walk into a dark, unfamiliar room, the first thing you want to do is turn on a light! If not you may stub your toe, walk into a door, or worse someone or something could be lying in wait. Darkness does not provide peace! In truth, in provides more despair! So White was only going to go from despair to true despair! From darkness to eternal darkness. Of course this is my belief, and you are free to disagree with it. But I have definitely done my share of soul searching and in16 years of ministry have stared deep DARK DESPAIR in the face. And these words I tell you about darkness are not just what I think. But I believe it is the TRUTH. We live in a world that doesn't believe in truth much anymore. But I wholeheartedly believe in it. God Is Truth. God Is Love. And God is LIGHT. These were things I found comfort in at the end of this film. I have to believe in an existence that contains REAL truth. Quite honestly, I just can't understand how anyone can believe in anything else. But, obviously White did. And I'm sure to some, White made a lot of sense. For those, I pray as Black did that they too can someday, come into the Light. Thanks for reading my comment.

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Having Samuel L Jackson and Tommy Lee Jones play the roles of Black and White, the two main characters in The Sunset Limited, is certainly bringing two outstanding talents together to provide this play with the best possible conditions for success. It is a bleak picture these two actors paint as they perform the minimalistic script of Cormac McCarthy. This play is very different from the novels of McCarthy for in the film dialogue is central whereas in his novels, dialogue is often extremely minimal whereas the plot is full of physical action and the writing is full of poetic descriptions of landscape. The play contrasts the faith of an ex-convict black man with the existential despair of a white college professor. The despair of the college professor however is not about personal conditions or circumstances but rather is complete despair around the condition of human life and human potential and human nature. The play is basically a dialogue between these two characters in a spare one room in a public housing project where the ex-convict lives. McCarthy is very poetic, even in dialogue that is philosophically charged. Tommy Lee Jones and Samuel Jackson make the dialogue come alive. After seeing the film, I suggest you reflect on who gets all the good lines. In my opinion, Black, the man of faith and human resiliency is naturally appealing and his language is extremely colorful. On the other hand, as a man who has just attempted suicide, White, is restrained and depressed. His world view is very dark, considering that he is not really committing suicide due to personal circumstances but due to the fact that humanity is so worthless and life for all humans is meaningless. Black tries to confront these concepts throughout the play. In the same way that McCarthy's novels are not for every reader, this play with its philosophical armature clearly visible may not be for every viewer. However it is stimulating to see two fine actors give outstanding performances of this script and pull out every bit of pathos from the philosophical dialogue.

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Lawrence of Arabia (50th Anniversary Collector's Edition) (1962)

** UPDATED NOV-15-2012 **

An extraordinary film has now become an extraordinary Blu-ray. David Lean's 1961 desert epic film about the enigmatic British officer T.E. Lawrence and his successes and struggles in the Arab countries during the early 20th Century remains (sadly) as relevant as ever regarding the Western world's unending struggles in the Middle East regions. The Oscar-winning classic is also a landmark event in film history, as it set a very high standard in epic film-making, acting, and, for the making of this Blu-ray, in film restoration as well. Director Lean and then-unknown actor Peter O'Toole's contribution in this film remain influential in the five decades since the film's initial release. And if it had not been for the efforts of restorers Robert A. Harris and Jim Painten, who discovered the film's original negative inside crushed and rusting film cans in Columbia's vaults in the 1980s, and proceeded to restore it to its original glory, we would not have had the pleasure of holding this Blu-ray in our hands. This 2-disc Blu-ray exclusive (no corresponding DVD is available) and a 4-disc (3 Blu-rays plus CD soundtrack) box set are the result of multi-year efforts on the part of the best professionals in the film business.

The aforementioned restoration by Harris & Painten, completed in 1989 and yielding a 227-minute director's cut, was the basis of this Blu-ray release. The running time is sometimes erroneously printed as 217 minutes, but that is actually the shortened running time of the PAL version with the typical 4% speedup. The restored version has always run 227 minutes in a 24-frame-per-second presentation. Older DVD editions may show a 217-minute run time, but be assured that this Blu-ray is not gaining an extra 10 minutes.

With a great film restoration as the basis, a digital scan in 4K resolution of the negative, and the great capacity and superior video & audio specs of a Blu-ray disc, this Blu-ray is unsurprisingly the look and sound of perfect, to borrow an old phrase. The picture is across-the-board perfect. Colors, brightness, contrast, and the amount of details are presented in demo-perfect levels, making the gorgeous deep-focus photography by Freddie Young an absolute pleasure to look at. The DTS-HD Master Audio 5.1 lossless English track, also based on material gained from the 1989 restoration, in which the restorers went to such great lengths as having the actors re-record missing dialogs, is the best this movie has ever sounded on home video. Dolby Digital 5.1 French and Japanese tracks are also included. Subtitle options are English, French, Japanese, Arabic, and Dutch. Those who need a Spanish audio track would need to get the region-free UK Blu-ray to get it, as the US Blu-ray does not have it.

The term "4K scan" refers to the 4096 horizontal pixels, a scanning density that is believed to be required to capture all the details of a 35mm film frame. Since "Lawrence of Arabia" was filmed in 65mm, almost twice as wide as 35mm film, it is apt to call this an "8K scan". Hence, some publications refer to this as an 8K scan, although 4K is a correct term as well if you talk about scanning density.

All 227 minutes of the film were put on a single Region-free dual-layered Blu-ray disc, hence no disc break as in older DVD editions. The overture, intermission, and the exit music are all played to a black screen, as per director David Lean's original wish.

Regarding bonus features, the movie disc also contains a "picture-in-graphics track" that is vaguely similar to a DVD-ROM feature (remember PCFriendly?) of the 2001 DVD edition, in which the movie playback is accompanied by on-screen trivias, stills, and maps. But fresh material seems to be used for this Blu-ray. The interface could be a little unwieldly, as the screen is divided into four areas with smallish navigational controls.

A second Blu-ray disc contains more bonuses, which include all featurettes (but not the trailers) found on the 2001 DVD edition. A couple of surprises here. Two vintage shorts, "In Search for Lawrence" and "Romance of Arabia", which were presented in crappy black-and-white on the 2001 DVD, are in glorious color on the Blu-ray, and in nice 1080p HD to boot. A nice brand-new extra is a new 21-minute interview, in HD, of Peter O'Toole, accompanied by film clips and stills.

All other extras on the 2001 DVD are presented unchanged on the Blu-ray, except that all have English, Chinese, Dutch, French, German, Italian, Japanese, Korean, Portuguese, Spanish, and Thai subtitles. These features include an hour-long making-of documentary, a Steven Spielberg interview, a newreel of the New York premiere, a montage of publicity material, and vintage shorts "The Camels Are Cast" and "Wind, Sand and Star".

** REVIEW OF 2001 2-DISC DVD EDITION BELOW, POSTED APR-06-2001 **

Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.

The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.

The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

It is unsurprising to me that some people find Lawrence of Arabia boring. If you have the attention span of a hummingbird, this is not a film you will enjoy. It has no car chases, no bikini-clad supermodels, and nary a kung-fu move to be seen. Instead, all it offers is tortured respect for everything it touches. Lawrence of Arabia is a film that elevated the art of cinematic storytelling to new heights, and it shows. It is the journey, not the destination, that the viewer should focus on. In order to enjoy this film, you must make a commitment to watch it. Get comfortable, have something to drink on hand (you'll know why about halfway through), turn off the phone, and put the remote under a pillow. I've seen a lot of films, and some I've liked to varying degrees, and others I've simply been satisfied that Hollywood didn't butcher the underlying work or premise too badly in pursuit of the lowest common denominator. Lawrence of Arabia is different. It is one of those truly rare films that makes you feel grateful for having seen it, for the efforts of all those involved to craft, create, and perserve over the years just so you might have the chance to see it. It is such a fine film that its merits are obvious, and negative statements about it tend to simply reflect back on the critic.

Why? Many reasons. The actors are likewise gifted with rare talent, and superbly cast. The settings and scenes are invariably breathtaking. The plot is engrossing and entertaining without ever becoming heavy-handed. Film students will while away hours discussing everything from the Christ imagery to the undercurrents of homoeroticism, but they do that with every film. I suggest you simply kick back and enjoy an excellent, time-honored epic about a stranger in a strange land. It is a harrowing, draining journey, but one you will not regret.

Buy Lawrence of Arabia (50th Anniversary Collector's Edition) (1962) Now

Dear Amazon,

Please stop posting reviews for films that are, essentially, written for another version of the DVD's (and cd's) and not the one posted.

There are several DVD versions of Lawrence of Arabia. They all differ wildly from each other in picture and sound quality.

How do you expect us to chose which is best for us if you post the same review from the 2001 version over and over and over again?

"Best dvd version yet."

Yeah, right in 2001 that may have been true. But Amazon, you've posted this review for every version of this DVD even though the review was for a DVD originally released in 2001!

Lawrence of Arabia has been remastered twice since then, and the subsquent versions are very, very different.

Please stop this and take some responsibility and post reviews ONLY for their specific versions or at least specify that the review was written for another version.

Read Best Reviews of Lawrence of Arabia (50th Anniversary Collector's Edition) (1962) Here

For me this epic film is tied with "A Bridge On The River Kwai" as the best movie ever made. This film had everything & more. The peerless acting of Peter O'Toole, Alec Guinness, Omar Sharif, Jack Hawkins, & Anthony Quinn were perfectly cast for their respective roles. Fine cinematography, direction, action, suspense, special effects, & musical score made this a mammoth production that took two years to complete.

Set in world war one in the turbulent middle east, T.E.Lawrence attempts to unite the Arabs to overthrow their Ottoman Turkish rulers. He starts as a mapmaker for British intelligence in Cairo. From the very first frames you can feel the extraordinary WILL of this man. He burns himself with matches saying to his comrade "the trick is not to mind that it hurts." He is sent to spy on King Feisal{Alec Guinness}, but he soon finds that he identifies more with the arabs than with his fellow Brit's. His brutal journey to the king under the scorching desert Sun alone is worth four stars. He develops an unexpected & intruiging relationship with an arab chieftain Sherif Ali{Omar Sharif}, that moves the film ever forward. Without orders he crosses the desert to lead a motley group of fifty men joining Auda Abu Tayi{Anthony Quinn}, to attack the Turks at Aqaba. With the victory comes his fame as US reporter Jackson Bentley{Arthur Kennedy}, brings the story to the media's attention. He moves from one gruelling adventure to another showing an indomitable will that encourages his men to fight above what they thought their own abilities were. Lawrence Of Arabia is an epic that celebrates the empty silence of the arabian desert. the vast clips across the glowing desert show a tiny rider approaching, mesmerizing sunsets, battles, & camp details make this a masterpiece. Peter O'Toole gave the greatest performance ever in this film. I'm not saying that Gregory Peck did not deserve the Oscar for "To Kill A Mockingbird," just that O'Toole deserved it a little more. The former still has never won the Oscar, which for me is an unpardonable sin!

Want Lawrence of Arabia (50th Anniversary Collector's Edition) (1962) Discount?

There are actually 4 versions of this movie on DVD:

1. Bare bones single disc version (don't bother; I agree with reviewer)

2. 2-disc limited edition (which has lots of extras but the film quality is not the best of the versions out there) 2001 release

3. 2-disc superbit edition (which doesn't have the extras but the film quality is superior to the limited edition) 2003 release (out of print but can get on amazon marketplace or ebay)

4. 2-disc collector's edition (which has the extras and the superbit version of the film which is an excellent version also) 2008 release

Hope that helps.

PS I would only recommend #3 or #4 as the film quality is better on these version than #1 or #2.

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