The Help (Three-Disc Combo: Blu-ray/DVD + Digital Copy) (2011)

"Oscar season", as it's typically referred to, is a period of time, usually beginning in late November, and ending in late January. This year, it starts early, with "The Help".

"The Help" is based on the well-known novel by Kathryn Stockett, someone who I had never heard of before discovering this film and book. For the most part, when I hear about a film that I want to see, I try to read the book prior to viewing the movie, to enhance the whole experience. Usually I get bored, or stop mid-way through one of these said books, before I end up watching the movie.

But "The Help" grabbed me. Stockett kept me on a leash, dying to know what happened next, and I ended up finishing its 530 pages in a few sittings. And, I'm glad it did, because "The Help" is not only the best movie I've seen this summer, but it very well could be the best one I see all year.

The film centers on Aibileen, Skeeter and Minny (Davis, Stone and Spencer, respectively) three very different women in Mississippi, in the year 1962. Skeeter is returning from college with a journalism degree, whose beloved childhood black maid Constantine has disappeared, and no one will tell her where she has gone. Aibileen is a maid who has raised 17 white children in her life. The word "maid" is pretty blandly used. She's a nanny to these children, if not a surrogate mother. Her outspoken friend Minny has never been able to keep quiet, or, because of this, hold onto a job very long, and she is hired on the sly by Celia (Chastain), a white-trash rich girl who has some grave secrets of her own. Skeeter decides to write a tell-all book of interviews from the maids of Jackson, Mississippi, which, as you could imagine, was a very taboo, and perhaps even illegal thing to take on in the time of Jim Crow, and segregation.

One of the reasons that this film succeeds is that not a single character is miscast, and there is not a single caricature. In the book, Stockett paints a vivid picture of each character, and the actors clearly got lost in their characters. Emma Stone is becoming a very important actress. I haven't seen her in a role that I didn't love her in. After getting her first notable role in 2009's "Zombieland", and then livening and carrying the otherwise bland teen comedy "Easy A", this is her first dramatic role, as Skeeter, one of the lead characters. While she sometimes blends into the background in this movie, she shines beautifully with the rest of the cast. She's definitely one to watch.

While Stone is great, this movie belongs to Viola Davis and Octavia Spencer. Davis's Aibileen is perfect. She has a silent sadness about her, a lot of pride, and a great sense of anger, her expressive eyes displaying a silent protest, while never raising her voice the whole film. She handles emotional scenes beautifully, reducing the audience to tears in more than one scene. She's a early in the year front-runner for Best Actress this Oscar season.

Spencer also does a beautiful job as Minny. Octavia Spencer was the original inspiration for the character of Minny, who voiced the character's section in the audio-book. She was clearly made to play this role. She does a lot more for this movie, than just adding comic relief, however, she does plays the comedic side the best. The "terrible awful" that her character does in the book, is made into the funniest thing in the whole movie.

The supporting cast is dead-on too. Bryce Dallas Howard plays the town's snobby ringleader, Hilly. She's absolutely chilling, nailing the evil character. Her mother, played by Sissy Spacek is a hoot. The town's secretive lush, and Minny's boss, Celia, is played by scene-stealing newcomer Jessica Chastain, who wowed earlier this year in "The Tree of Life". She was completely like I envisioned her character in the book. Chastain would be perfect to play Marilyn Monroe. Just saying. There's not enough typing space in this review to describe how much I loved the rest of the supporting cast. Everyone was dead-on.

I was under the assumption that this would be yet another disappointing film of a book loved by many. The reason for this was the director and writer. I had never heard of this Tate Taylor, and because of that, I wasn't sure that I trusted him. He had a large part in making this movie all that it was. One of the big reasons that "The Help" works as a movie is because it feels authentic. It was filmed in Mississippi, where it's based, it is set in the 1960's, and every feeling about the movie hits the right note.

I later discovered that Taylor was a childhood friend of the book's author. Not some Hollywood hack. I forget the many disappointing film adaptations of books I loved that were made by the Hollywood elite. "The Da Vinci Code" by Ron Howard, "Memoirs of a Geisha" by Rob Marshall, "Eat, Pray, Love" by Ryan Murphy. Enough said. After seeing this film, I couldn't imagine anyone better-suited to making the film.

What is special about this film is that it is not what a lot of people will probably write it off as. It's not a film designed to make audiences feel less "white guilt", and it isn't about how black folks need white ones to succeed. It's about good-hearted people wanting to make a change to a world that is unjust. It avoids the usual sentimentality and melodrama that typically plagues this kind of film. I don't know how, but it succeeds in that, like I thought it wouldn't.

While some changes are (intelligently) made from the book, it's almost a scene-for-scene adaptation of the book. Some things are different, because they need to be, and things are a little more concise, yet it's almost like watching an abridged version of the book, onscreen. It will stir up emotions in you that you didn't know you had. At the ending of this film, in a packed house, there was a thunderous applause. Almost everyone in the theater stayed seated through out the ending credits. I cannot remember a time where a movie evoked such emotion from its audience, that it wasn't until after the credits had ended that people actually started walking out. This is gripping stuff. Don't miss it.

Grade: A+

"The Help" works as well as it does because it doesn't offer easy answers. This lovely and sometimes extraordinary film is not concerned with big sermons about clivil rights, religion or easy to swallow messages. The film is simply about behavior; how we should act, morally, towards other people, no matter who they might be. This thematic line is structured nicely throughout the film by zeroing in on a select group of people. This was a smart move since the backdrop of the Civil Rights movement in the 1960s is just too large a subject to truly flesh out in a 2 hour film. Because the film is about actual characters instead of predisposed, prepackaged lessons, the audience can take with them what they choose from the story (none of the characters have a major epiphany, each just starts to become aware of their behavior and effects, both good and badthey all have so much more life to live). Surprisingly the film rarely gets melodramatic, and when it does it almost seems cheep and easy. Thankfully the films few flaws (structure, pacing, some silly dialogue here and there"You broke her heart...!") can be overlooked due to the tremendous performances. Each actress is exceptional in their own ways with the wonderful Viola Davis stealing the film. Emma Stone is reliable here as always and proves that she can be funny and carry dramatic weight in the same film. I have always considered Bryce Dallas Howard to be a very accomplished actress and hopefully her scathing, pointed work will be recognized. Octavia Spencer and Jessica Chastain find a tender chemistry all their own. I have to say that "The Help" really, truly surprised me. I have never read the mega-selling novel from which it's based but I can tell you the film is a beautiful testament to American history and is a great display for some truly fine acting. For those who are turned off by sermonizing, preachy, obnoxious message movies (like myself), "The Help" is far from that. This is a tender film about real emotions and a subject that is rarely discussed in film today.

Buy The Help (Three-Disc Combo: Blu-ray/DVD + Digital Copy) (2011) Now

Now we see this film wins award nominations aplenty. Biggest winner was the public. Leads of Davis and Spencer that stole the spotlight. DVD to own, not rent.

The only drawback with the DVD is the sparse bonus material. 4 min. of 2 deleted, and a 5 min. music video of one of the film's songs. Pathetically weak bonus, but then it is a 5.5 star film. Everyone asks to borrow our copy, I should have bought 2.

Oh yes, there are SUBTITLES.

We attended the opening matinee; we'll view it again, that good. Is `The Help' the soul of 60s era race relations? This worthy film based on Kathryn Stockett's #1 best-seller is equally a first-class view as true for the read. The story of 3 daring Mississippi women is as absorbing as any you'll see this year. The plot is writing a book which attempts to tell the truth about B/W relations in the city of Jackson, between wealthy whites and `the help'; but doing it anonymously. Without being fired or lynched.

There is humor in the way the Jackson Belle socialites operate, and eventually react to the book publication. Bryce Dallas Howard is the personification of Bad Girl, Hilly. Although beautiful, I loathed Hilly in the film and book, as you are supposed to. And Jessica Chastain (Murder on the Orient Express) has all it takes to be the scene stealer while playing Celia. Truly believable!

Humor erupts in how the help secretly reacts to their treatment. There's sadness at some injustice.

Viola Davis plays a slimmer/sexier Aibileen than was my mental image while reading the book. Octavia Spencer is right on as Minny. Both girls pack their roles with perfection.

The film has intrigue through the months of secret interviews.

There's a mystery related to Skeeter's (Emma Stone) own childhood maid's story, which is a larger part of the story in the book.

Skeeter, Aibileen, & Minny are the key book writers. The casting is near perfection. Should be some Oscar nominations someplace.

Some other stars too, like, Sissy Spacek, Cicely Tyson, & Mary Steenburgen (Proposal, Joan of Arcadia).

I remember reading the book and doing it as quickly as possible toward the end; and praying that all the `help' have a happy ending, but expecting some casualties. With the movie, it is evident when the story is climaxing, and then you just wish that you could make it last another hour or two. An excellent story, but then we all knew that from the book.

It is a tribute to the story that you forget it is fiction. How much is real, a docu-drama of the early 1960's of the south (& north)? We need reviews from the real-life `help' of the early 60's. Only they know!

If you view only one film this year...this should be it. See it soon, & as the film's dialogue states, "Before the whole civil rights thing blows over." That line brought a theater audience LOL.

As Aibileen believes, quoted from the book, "We done something brave and good here. And Minny, maybe she don't want a be deprived a any a the things that go along with being brave and good."

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Read Best Reviews of The Help (Three-Disc Combo: Blu-ray/DVD + Digital Copy) (2011) Here

This is an amazing movie. I just finished watching it a few minutes ago and my emotions are still reacting to it. After hearing a commentator talk about it, I had almost decided not to watch it, but I'm glad I did. I'm old enough to have lived through the time period covered. What I observed as a small child was only the tip of the iceberg. This movie brought out so much more that I just hadn't noticed or thought about. While the movie itself was done in an entertaining manner, I just have a sick feeling. I don't think I'll ever forget some of the scenes.

I recommend the movie, and that's the bottom line.

Years ago I got my first job, downtown, when I was 16 years old. The job was too hard for me and after a couple of days I was let go. As I waited for the bus in the department store lounge with a dozen or so other people, I picked up the phone and called my mom. I could only blurt out the words, "Mom, I lost my job" and just started crying. Nobody else in that room said anything or reacted. A very large black woman jumped out of her chair and just came over and held me while I cried. She kept saying, "Oh, you poor sweet little child. You sweet little angel." That woman was the first black person I had ever been close to, and I immediately loved her. She and her family are still in my prayers today, many years later. Now, after watching this movie, I have so many thoughts about what her life was like back then. She was in the same position as the women in this film. She had to know that I, a little white teenaged girl, had so many more job options than she would ever have, but she took the time to comfort me with everything she had to offer, and it was a great blessing to me.

I'm going to be thinking about The Help for a long time. It hit me right in the gut! What an amazing movie!

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I enjoyed the book tremendously and was disappointed in the movie. Some important aspects were lost in the film: the terror that the book authors experience every time they get together at Aibilene's house, the real reason why Constantine was fired, the fact that Hilly turned the toilet-damping incident to her advantage, etc., etc., etc. Instead, saccharine sweetness is added to all relationship and Skeeter is turned into a White savior. I would recommend the book to a friend, but not the film. Too Hollywood. Too happy-ending.

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