
Oskar is born to three parents who, like the Gdansk they live in, represent 3 ethnic groups: Pole, Kashubian, and German. He is fully conscious at birth and is presented with two paths for his life one as a shopkeeper and one as a musician. While the people of 1930's Gdansk/Danzig feel forced to choose ethnic sides and mundane occupations, Oskar rejects the "stupid" adult world. He stops growing and learns to assert some control over adults through his drumming and vocal talents.
One of my favorite sections of the book is when he musically subverts a large Nazi rally. Not only was this well done in the movie but was worked into a bonus feature that had Grass reading the book chapter while we watch the corresponding section of the film. The words of the spoken German as well as the subtitled English translation have a lot of power and poetry this feature is a very rare treat.
You also experience in the film something Schl?ndorff confirms in interviews: it is hard to imagine this film existing without David Bennent. His voice and eyes carry so much of this film. The short interview feature with Bennent is delightful.
I thought the bonus feature on the Oklahoma censorship was interesting and somewhat balanced in that it portrayed the zealousness on both sides. However, I would have preferred to see more of Grass or material on the creative efforts of the film.
On a more serious note, I find Oskar's indictment of society very compelling. Something about the way the film brings themes to life (more than the book) makes 1939 Germany frightenly parallel to the US of 2004. In Oskar's world, the people in power make false claims in order to invade other countries, human rights abuses increase and all objections are shouted away with "patriotic" speeches and political rallys. For the most part people remain ignorant or apathetic to the suffering their government officials are causing. (Perhaps we need a few Oskars drumming at the democratic and republican conventions this summer.)
The film stands very well on its own but I would encourage people to read the book first. The book is more complex, covers more years of Oskar's life and it develops some important ideas that are not at first obvious in the film. For example, as Oskar ages he still looks 3 years old and he consciously exploits this by manipulating the adults around him by behaving more childish than he really is. There is also an interesting theme in the book related to Rasputin and Goethe.
It is also worthwhile to do a little browsing on the web for historical material related to Gdansk/Danzig, Kashubia and the large population resettlements after wars in this area. The excellent bonus features also explore the themes of the film and add a lot of value.Schlondorff brought a superb cast together to tell the story of Oskar, who ceases to grow beyond his three year old size; a symbolic representation of Germany in the twentieth century. Oskar's mother is courted by a German and a Pole. Gunther Grass's allegorical solution to the wrenching of national borders and ethnic shuffling brought about by World War I is to show the mother, unable to choose between her lovers, choosing them both. One becomes the father of Oskar. Which one? Does it matter? Thus Oskar arrives amidst the confusion of the twenties, only to witness the degradation of the homeland by revolution, runaway inflation and finally, the steady growth of National Socialism through the thirties. Oskar mirrors the turmoil of Germany's struggle of the twentieth century, unable to free itself from its own dream of Teutonic superiority, unable to find peace in the national soul. View this work with an eye to the inadequacies of your own country and begin to see Gunter Grass's dilemma with his.
Buy The Tin Drum (Criterion Collection) (1979) Now
This movie was fantastic. I read the book first and loved every word of it. The only reason the book is better than the movie is because, sad to say, is that the movie was only half the book. When I first got the movie and watched it, I couldnt wait until the pivetal point in the movie where the main character drastically changes, but when that part came it was the end of the movie. This would have been a GREAT GREAT movie classic if the director made a longer more fuller version or a second film that ended the full story of the book. But I must say the actor who played Oscar, the main character, was exactly as I envisioned. I highly recommend you buy the book first and then the movie, but both are a MUST to anyone who likes a bit of the strange.Read Best Reviews of The Tin Drum (Criterion Collection) (1979) Here
The Tin Drum is based on Gunther Grass's Nobel winning novel. The whole setting revolves around the most tumultous period in recent German history, spanning from the late 19th century till the end of the second World War, Germany had seen boundaries and name drawn and redrawn numerous times. Not to mention the various follies of wars that had ravaged the country. Oskar, the perpetual 3 year old kid, who refused to grow after observing the immorality that adulthood has to offer. Oskar represented the conscience of the ordinary German of that era. Being impassive, and at the same time bitter and vulnerable and again embittered (especially after the armistice treaty), Oskar presented a whole range of emotions that reflects the public mood of that period.The DVD presents a beautiful transfer and a Dolby Digital 5:1 audio track. It also comes with an enlightening audio commentary by the director and co-writer, even though at times the commentary may seem bland and screen specific. Nevertheless, it's insightful in the discussion of the production of the film. Another noteworthy extra feature in the 2nd disc is the documentary "Banned in Oklahoma", which chronicled the banning of the film in that state and its ensuing consequences to the country's values of freedom and liberty.5 stars to the film and 4 1/2 stars to the DVD transfer! Kino Video did a superb job in producing the DVD version (not perfect but way, way better than most transfers). The DVD is a must have for film buffs. This stunning film is about the family of Oskar in Danzig (Poland/Germany) during the time Nazism was creeping its way through Europe and is seen through the eyes of Oskar, a boy who refuses to grow at the age of 3 and does so by throwing himself off the stairs. Unlike Peter Pan, Oskar does this in protest of the inevitable Third Reich. Beautifully shot in the same location with a haunting musical score by Maurice Jarre and a brilliant performance by David Bennent as Oskar. The story is bizarre enough to keep you glued to your seat and at the same time mesmerizes image after image. A great extra is an audio commentary by Volker Schlondorff, the film's director. One of the best films of its decade rivalling Fellini's Amarcord and Szabo's Mephisto.
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