Scrooged (2013)

Other reviewers have commented on their likes or dislikes for this 1988 Christmas movie starring Bill Murray. I'm a Bill Murray fan and I love this movie. What I want to comment on in this brief review is the quality of the blu ray transfer. I'm happy to report that the transfer is excellent! Finally fans of Scrooged can enjoy watching Frank Cross discover the true meaning of Christmas in beautiful hi-def. I'm so tired of buying a blu ray of a favorite movie and getting something that looks worst than standard-def. This is NOT the case with Scrooged. It looks and sounds great. Buy and enjoy.

Bill Murray is the new Scrooge in the classic tale done yet again. I remember a reviewer giving it a low rating because he said it seemed as though Murray's character really didn't like people. Helllooo, isn't that what actors are supposed to do? This version of the old Chrsitmas tale is a good retelling of the story. Murray is mean to everyone including his only brother (played by his real younger brother). The 3 spirits that visit Frank Cross (Murray's role) are wacky to say the least. Carol Kane plays the ghost of Christmas present and is probably the funniest of the spirits. Murray has this act down pat. He's a big t.v. exec and fires Elliot Laudermilk (Bobcat Goldthwait) just for disagreeing with him. By the way, his fires Laudermilk on Christmas eve.

Alfre Woodard plays his longsuffering assistant and tries to be Cross' conscience since he doesn't have one of his own. In the visit to Christmas past we learn that television played the biggest role in raising him since his parents weren't the greatest in the world. Christmas doesn't mean much because his parents didn't put up Christmas lights, buy a tree or get him presents. His father does come home one night and drop a package of veal in front of him as a Christmas gift but the young Frank Cross tells his dad that he wanted a choo-choo train. His dad, a butcher, (played by Brain Doyle Murray, Bill Murray's real life brother) is totally unsympathetic and suggests that his son get a job even though he's only four.

There are lots of laughs here as the cast pokes fun at the t.v. industry from behind this comedy. The end of the film might be a little mushy bit it's fine here since Cross is so mean during the rest of the film. He even steals a cab from a little old lady carrying a load of packages. This movie would fit nicely in your holiday collection.

Parents Advisory: There is no nudity or sex. However, there is a small bit of foul language. It may frighten very young children. I suggest a viewing age of at least thirteen.

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Since the first time I ever saw this movie, I have watched it a few times a year, never tiring of the modern take on the Dickens classic. Bill Murray is excellently cast as cold hearted TV exec Frank Cross and with each scene, the movie draws you ever-closer to the Christmas feeling.

I watch this EVERY Christmas Eve and no matter how bad a year you've had, by the time this movie finishes and it's time to go to bed before Father Christmas comes, you'll be in the true Spirit of the Season.

I've yet to meet someone who doesn't lean towards this as their movie of choice for the festive period. And now... I finally get to see it on DVD!

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Bill Murray lends his comedic talents to this contemporary version of the Dickens' classic "A Christmas Carol," with somewhat skewered results in "Scrooged," directed by Richard Donner from a screenplay by Mitch Glazer and Michael O' Donoghue. This time around, Ebenezer is one Frank Cross (Murray), programming executive for a major television network with an office in New York. Above all else, Cross covets the "ratings" he can add to his coffers, and this year he's going all out with a "live" broadcast of "A Christmas Carol" planned for Christmas Eve, starring Buddy Hackett as Scrooge and Mary Lou Retton as Tiny Tim. And that's just a taste of the kind of humor this film has to offer. There's more, much more, and it's all handled with aplomb by Donner, Murray and a great supporting cast. Whatever genre he's working in, Donner knows his stuff and knows how to deliver the goods. Here he wisely lets Murray lead the way, but keeps his star on task and the film moving along with a tempered pace and great timing. The story remains the same, but placing Scrooge-Cross-in the entertainment industry was a stroke of genius, and it all works exceedingly well, as it gives the audience a medium with which it can readily identify. Let's face it, television is a part of our culture, like it or not, and it's here to stay; and in this instance, using it as a setting for this story offers a "tableau vivant" rich with possibilities that are tapped to the fullest. There's a promo for the upcoming live broadcast like you've never seen before; there's the "inside" industry jokes, like Network executive Preston Rhinelander (Robert Mitchum) urging programming for cats; "Marley's ghost" becomes Lew Hayward (John Forsythe) the exec who sold his soul for ratings; the casting of Hackett and Retton; but most of all, it puts Murray right in his element. Murray gets right to the heart of the character, imbuing Cross with a sense of jaded, dubious and sarcastic paranoia that so perfectly fits the psychological make-up of an executive in a business where you're only as good as yesterday's ratings. And Murray plays him to the hilts; he has the tone and the body language, and nobody can look "askance" like he can, a nuance he makes the most of here. it's an original take on a familiar character, and in Murray's skin Cross becomes a memorable and entirely believable figure, from his credible ruthlessness (he fires an underling, Eliot Loudermilk--played by Bob Goldthwait-just before Christmas for disagreeing with his "vision") to his epiphany on Christmas Eve. The terrific supporting cast includes Karen Allen as Claire, the girl Frank lets slip away as he follows the siren's song of career; John Glover (Bryce Cummings) as Frank's new "assistant," plotting his way to the top; Alfre Woodard (Grace) as Frank's secretary, a single mom with a sick child; Michael J. Pollard (Herman); Nicholas Phillips (Calvin); John Murray (James); Brian Doyle-Murray (Earl Cross); David Johansen, as the cab-driving Ghost of Christmas Past; and Carol Kane, who turns in an unforgettable, hilarious, scene-stealing performance as the Ghost of Christmas Present. There's plenty of laughs and some touching moments in "Scrooged," which is a wonderfully entertaining holiday treat, especially if you want your "Christmas Carol" served up just a little bit differently this year. And the speech Murray gives at the end, once he's had his revelation, is worth the price of admission alone; it's one of those things Murray does best, and he really connects with the audience, especially when he finishes up by leading everyone involved (including the audience) in song. This is a movie that has become an annual event for many since it's arrival on video; give yourself a present this year and put this one under your tree. You'll be glad you did. Like the song at the end (sung by Annie Lennox and Al Green), it'll "Put A Little Love In Your Heart."

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Christmas movies are fun. I like Christmas movies because they're generally nice, lightweight, enjoyable pieces of fluff with important moralistic messages ("It's a Wonderful Life," "Scrooge") or sometimes they're just fun to watch ("Gremlins," "Home Alone").

"Scrooged" isn't lightweight, cheery, or happy. It's dark, brooding, sort of evil, and it's the only Christmas movie I can think of that seems as if Tim Burton directed it.

Am I insulting the film? Heavens, no. I love it. In fact, I'm complimenting it. Instead of repeating old traditions, it's trying something new, and the secret to the film is the way it actually pulls it all off.

The plot: Frank Cross is the youngest television station president in recorded history because he knows the people. At least he thinks he does. In reality, he's just a greedy tycoon who gives people bath towels for Christmas -including his own brother.

Cross is a modern day Scrooge, and the movie "Scrooged" is a modern reworking of the classic Charles Dickens story. Frank Cross is played by Bill Murray absolutely perfectly. He's cynical, dry, and sarcastic, and doesn't give a darn about anyone else other than himself.

So the night before Christmas Eve, Frank is visited by an old business partner -who has been dead for seven years. ("I wouldn't have guessed more than three, tops," says Frank in his usual sarcastic tone.) His old associate warns Frank to change his ways or he'll end up like himself -angry, bitter...and dead.

Frank doesn't pay any attention to his "hallucination," and continues being his usual self during the festive Christmas holiday -by ripping off old ladies' cabs and firing Elliot (Bobcat Goldthwait) on Christmas Eve. (Elliot is sort of today's version of Bob Cratchitt.)

Frank is putting on a Christmas Eve production of Charles Dickens' immortal classic "Scrooge" (what happened to "A Christmas Carol," I wonder?), and in the film's funniest scene, introduces his ad for the program. (It later scares an old woman to death and Frank takes it as a wonderful sign -controversy is as good as advertising!)

The three ghosts do indeed come and haunt Frank. Except Frank is more cynical than Ebenezer Scrooge ever was, and convincing him that Christmas is a season of giving will be hard. (Frank: "I get it, you're here to show me my past and I'm supposed to get all dully eyed and mushy. Well forget it pal, you got the wrong guy.")

Frank is revisited by an old flame (Karen Allen) and his heart starts to beat once again after years of silence. Frank slowly but surely starts to learn to appreciate Christmas once again, following all of Scrooge's examples. His intern's son, who witnessed his father's murder and hasn't spoken since, is a sort of Tiny Tim, and "Scrooged" does indeed follow all of the elements of Charles Dickens' classic. Only it updates the tale, throws in a bunch of cameos, and great acting on Murray's behalf.

Frank revisits scenes from his childhood and adulthood first hand with the wacky ghosts as companions. They can't see or hear Frank -his cab driver ghost tells him that he's in the middle of a rerun.

Frank remembers how his father brought him meat for Christmas, how he broke up with his girlfriend over a matter of greed vs. happiness, and how his life was a complete waste. (Ghost: "Let's face it, Frank, garden slugs got more out of life than you." Frank: "Yeah? Name one!")

It was a matter of time before "A Christmas Carol," or "Scrooge," got a modernized treatment. And it comes out fresh and ingenious, dark and hilarious. The movie owes its entire success to the casting of Bill Murray, whose cynical ways shone through in such early films as "Stripes" and "Ghostbusters," and here compliment the film the way no other actor's talent could.

Take, for example, the way he can remain unmoved but, at the same time, flippant and sarcastic, towards his boss when he tells Frank that cats and dogs are starting to watch television, and that he thinks Frank should target some advertising at the canine and feline demographic. Frank just stares at his boss as if he's crazy and whispers, "Call the cops."

The movie was directed by Richard Donner ("Lethal Weapon"), and is one of the films I watch as an annual tradition around Christmas. It's dark and often quite disturbing, and its eerie music adds to the mix. But it helps the film because it makes us see through Frank's eyes. And the outcome is, quite frankly, an instant Christmas classic. This is a film I'll be watching for years, and so far, it's only been getting better every time.

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