With excellent cinematography, interesting characters, an engaging story and good acting, "Pale Rider" is an excellent film. Other memorable characters include LaHood's son Josh (Chris Penn), Club (Richard Kiel, who is better known for his portrayal of the character "Jaws" from the James Bond films "The Spy Who Loved Me" & "Moonraker" in 1977 & 1979 respectively), McGill (Charles Hallahan), Ma Blankenship (Fran Ryan, 1916-2000) and Jed Blankenship (Richard Hamilton, 1920-2004). Memorable scenes include the Preacher's arrival, the boulder, visiting LaHood's hydraulic mine, the arrival of Stockburn and the final scenes. Overall, I rate "Pale Rider" with 5 stars.In "Pale Rider", Clint Eastwood has taken the classic 1953 Alan Ladd movie "Shane" and turned it into a "modern" sexualized version. There is no mistaking the sexual tension in this film. Clint plays the mysterious "Preacher" (a character the antithesis of sex,), who comes to a mining settlement to rescue persecuted settlers who are a target for a larger mining interest. Eastwood's "Preacher" creates sexual tension with both female leads, the widow Carrie Snodgrass and her duaghter Megan, played by the beautiful Sydney Penny (the memorable "Meggie" in "The Thorn Birds"). Due to previous trauma, the widow has a dead love life and her interest in a new love is reborn with the arrival of Eastwood. Megan, a precocious child of 14 is ready to give her young love to the answer to her prayers, the Preacher.
"Pale Rider" is Eastwood's first western since "The Outlaw Josie Wales", 9 years earlier. In the mid-1980's, the western genre was considered "dead" in Hollywood with little public interest, but the success of this movie resurrected the western, and led to several more movies and made-for TV movies with old west themes (Silverado). Eastwood would make one more western, "Unforgiven" (1993), which Hollywood critics would heap praise on and award with several Academy Awards.
Eastwood resurrects another character in this movie, that of the mysterious stranger in "High Plains Drifter", who comes out of the past to exact revenge on a town that abandoned him when he was sherrif. His "Preacher" in "High Plains Drifter", has a clouded past as well, and throughout the film, there are hints given that the Preacher is perhaps a man back from the dead to repay past atrocities.
The showdown in town between Eastwood and the evil gang of killers is renimicient of the final scene in "Shane", where Alan Ladd goes to town to face down the evil Mr. Wilson and his gang of gunmen. Eastwood's Preacher faces down his former tormenters one by one until he finally faces the man who he once met in his dark past, the man who once put 6 shots in tight pattern in his back. As th film ends, Megan also appears much like "Little Joe" did in "Shane", but not to beg him to come back, but to tell him thank you and say her last loving goodbye. The Preacher, his past atoned, rides off into the cold snowy mountains, his job finished.
It is a very entertaining movie, but one that is not fit for the entire family. Younger children should not be allowed to view the close up shooting scenes where good and bad alike are shot through the forehead and other places. The gruesome violence is not toned down, typical Eastwood film technique. I'd recommend that children under 12 not be allowed to see the film due to the violence. Adults and western film fans will find the movie entertaining.
"Pale Rider" does not match "Shane" in terms of its classic movie status. "Shane" is a much better movie, but "Pale Rider" is still one of Eastwood's better received films, receiving warm praise from critics and fans alike.
For the Eastwood film fan, you will want to have this one for your collection.Very, very poor HD transfer save your money and make warner Brothers do this one right. The new BluRay release has poor picture quality. Buying this one for $10 does not justify a poor transfer. The 20 25% of this film that takes place in a brighter sky does look very nice. But a dominant amount of the film reveals poor black levels, look at the far right side of your screen throughout the film. Even visible to some degree in the brighter scenes. The story is a classic, but hang on to your DVD for a while longer. Shame on you Warner Brothers!
Read Best Reviews of Pale Rider (1985) Here
A mysterious, unarmed stranger known only as "Preacher" (Clint Eastwood) rides into town on a pale horse and immediately rekindles the hopes and dreams of a group of poor, struggling panhandlers that have been fighting a losing battle against a wealthy strip mining family and their hired guns. While the odds suggest the stranger should give up and get out while he still can he decides otherwise. Once he removes his collar and straps on his sixshooter there's no turning back. A classic western, good guys versus bad guys all the way!Let me begin by saying I'm not a Clint Eastwood fan. However with that said, I also have to say that this particular movie is the rare exception to the rule. Here Eastwood is at his best; tall, silent, deadly and remote. He plays the part of the anti-hero to perfection.
Also fine performances by Michael Moriarty, Carrie Snodgress, Richard Dysart, Chris Penn and my personal favorite, the lovely Sydney Penny (Thorn Birds).Pale Rider foreshadows the genius of Unforgiven, following a more compact and focused story than Eastwood's multi-Oscar winner. This one gets behind the myth of the Western hero by overlaying that archetype onto a preacher--the viewer has to rethink either his stereotypes about the clergy or his equation of violence with heroic action, if not both. Pale Rider doesn't take on the scope of Western folklore the way Unforgiven does, instead concentrating on a good vs. evil allegory in which a robber-baron raping the earth for mineral riches is equated with a rich boy raping a poor girl. Chris Penn is surprisingly effective as the "heir to the throne" for whom sex is just another expression of power. Pale Rider features some impressive visual passages, especially an Eastwood staple, an interior dimly lighted and all but blacked-out in contrast to daylight outside. Here, that effect supports a scene in which Eastwood's Preacher keeps the town baron "in the dark" about his intentions and loyalties. The shootout at the end of the film is exciting even while it is winking at and parodying some of Sergio Leone's more operatic moments of violent excess. This film doesn't have the broad ambition of Unforgiven, instead providing a closely focused, intensely sustained narrative world both realistic and fabulous in equal doses. In this widescreen version with digital sound, Pale Rider proves a real treat to recover from its undeserved obscurity.
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