Evita (15th Anniversary Edition) (1996)

I just purchased this DVD and I remembered instantly why I enjoyed this film so much when it came out. I would just like to answer some of the critiques listed here.

1) The character of Ché was always meant to be a nemesis to Evita, but not the real character as such . In the stage production that I saw, it was a man with the typical beret and machine gun singing to the side of the action. It would have been ridiculous and historically inaccurate to portray Ché as such in the movie version. Ché Guevara was still a medical student when Eva died. I think it is very effective to blend Ché into various characters because it represents the silent and not so silent opposition to the Perón Revolution. The only time the two characters meet for real interaction is when Evita is having delusions. The song argued in that moment perfectly clashes Ché's "idealism" with Evita's "realism." Ché is always there in some form, yet Evita is oblivious to his presence, brushes him off with a quick lyric or purposely chooses to ignore him. This adds a metaphysical dimension to the plot as if Evita were increasingly self-justifying her growing power as a simple tool to help the impoverished.

2) The soundtrack to the movie is not an operatic stage version but the songs are presented using the operatic techniques of repetition. This was done on purpose, not due to a lack of creativity.

3) When I saw this off off broadway, the people that were with me were straining to understand the singing beside the fact that they had no idea about the history of post WWII Argentina. I don't think they enjoyed it as much as they wanted to let on.

4) Madonna sings very well and is completely understood. I had the argument with some friends that heard the soundtrack and thought she was singing off key on the last couple of tracks... Ummm. Not really. She was about ready to pass away in those scenes which in the movie are close-ups. It would have been ridiculous to have anyone belt out the lyrics in such an intimate moment before passing on. It sounds like she is dying, because she is...

5) The cinematography is simply amazing. The funeral scene at the very beginning was incredible as well as the scene where Eva puts her foundation to work. Pictures of the real Evita meeting the Pope and others perfectly match the costumes used in the movie.

6) For me, the main focus of the movie is the strategy of propaganda and how it can dominate reason. The mystery lies in how much of the persuasion was authentically from the heart of the Peróns and how much of it was naked manipulation. The movie captures both aspects and yet leaves them unanswered...Much like the historical analysis of Eva Perón.

This movie is an awesome production ...

Boy do people miss the point on this movie. You can't present a movie like a broadway show. Everytime this has been attemped, historically, the results are bad, most adaptions of famous shows are only OK at best, some are awful. The medium is totally different, the demands are different, the singing is different, the acting style is different. Yes, the shows usually are "better", in a sense, that's how it was originally written, as a stage play. You have got to really change things to make a successful movie.

So how good an ADAPTION is this? Very good indeed. The story was changed to very effectively fit the medium. Madonna stretched herself unbelievably to do this role, and I think she did very well. You may quite validly prefer the stage version of Evita (I like both), but its almost like apples and oranges. As good as Patti Lupone and Mandy Patinkin were, they would, if they played it the same way anyway, come off mannered and absurd in a movie context. All the conventions of the stage would be laughable. (unless it was simply, of course, an actual filmed stage production). On the other hand, Madonna and Banderas are not nearly strong and polished enough for a stage. Most of the changes (a few I don't understand), make a lot of sense, when you consider how a movie has to flow.

As for this movie not being deep or historical, its a musical for Pete's sake, not "Saving Private Ryan." I don't know enough about Eva Peron to really say, but I don't see how you could present a real historical drama in a musical context. I think the problem is people don't like or understand opera, which this essentially is. Most of the great operas have ludicrous story lines! Also if you are going to go in knowing you "hate" musicals, "hate" Madonna, then fine, this is not to your taste. Banderas is not a polished singer, but his rough edged singing is very appealing and effective in this context.

The cinematography, costumes are outstanding, and serve the story well. Only as the dying Evita, do I find Madonna not very believable. I think Evita is thrilling, its one of my favorite movies of recent years.

I love the show Evita, and I love this too, but in a very different way.

Buy Evita (15th Anniversary Edition) (1996) Now

Worth noting that Evita is wall-to-wall music with virtually no spoken lines: not an opera so much as an extended music video, so the pop-music motifs need not be an anachronism.

I'm not a fan of Madonna, I find Andrew Lloyd Webber's music a bit obvious .. and yet -and yet. Here everything seems to come together. It's a visually gorgeous film, the added songs (The Lady's Got Potential, You Must Love Me) are strong enhancements. The Che character's change from Che Guevara in the stage version to an Argentine Everyman here (desk clerk, bartender, cabinet minister, union activist) is an improvement over the stage musical and Antonio Banderas is a smoldering presence who carries the movie. Jimmy Nail is perfect as the oily tango singer; Jonathan Pryce capable in an equally slick role. The montage songs are splendid, like Goodnight and Thank You, that bucket-brigade sequence of Eva's lovers that she uses (and the film uses) to get her from the street to the Casa Rosada, or like A New Argentina, in which Eva takes Juan from jail to the presidency. The faux-English country house lawn where Eva faces down upper-class disdain (Peron's Latest Flame, The Actress Hasn't Learned the Lines You Like to Hear) is another brilliant staging. It all rings true, visually.

I've had others tell me the lyrics seemed shallow. "Don't cry for me, Argentina, and don't forget to get milk and bread at the store ... " Well, yes. That's the point. She didn't say much more than that. Banality often suffices in public life; politics are shtick in a media age; actors can leverage elections. The lady couldn't act but she could, as others have said, seduce a nation. She won't be the last actor to do so.

Recommend owning the DVD for the cinematic values at the very least. It's a dark vision of public affairs but the times probably affirm it. And it was the best role of Eva's lifetime. And Madonna's.

Read Best Reviews of Evita (15th Anniversary Edition) (1996) Here

I saw this movie when it first came out and loved it, and just saw it again on video. This is one of the most under-rated films of the decade. Hollywood just doesn't like Madonna, which resulted in this wonderfully-acted film being unfairly snubbed by critics and the Oscar establishment. Despite the presence of half the population of Argentina as extras, this is essentially an intimate story that rides on the performances of the three principals--Evita, Peron, and Che. Although Madonna's voice isn't quite up to some of the vocal challenges, her performance is otherwise on the mark. Antonio Banderas surprised me--his somewhat gritty vocal quality is totally appropriate to his character as a peasant revolutionary. Nobody smolders better. His feelings for Evita were intriguingly ambiguous; it was fascinating to watch him veer from hope to contempt to something close to sexual attraction. And Jonathan Pryce is one of the premier musical theater artists of this era. What he does with the rather underwritten part of Peron is a joy to see. Watch his performance of "She is a Diamond"--two minutes of subtle, superb acting with voice, face, body--absolutely wonderful. It seems that most of the naysayers saw the show on Broadway and find the movie a poor comparison. Each should be taken on their own terms. Patti LuPone is undoubtedly stronger vocally than Madonna, but you have to give the latter credit for taking on a huge challenge and (mostly) pulling it off. And I never thought Mandy Patinkin's light tenor was right for Che--Banderas, though not half the singer Patinkin is, has an earthy vocal quality that works better in this role. I recommend this movie highly for all lovers of musical theater.

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Icon playing icon ... from her death in 1952 she was immortal and immortalized by the famous musical and then the 1997 film starring Madonna. Banderas is a great protagonist against Madonna's Evita. Just like Desperatley Seeking Susan ... Eva Peron was a role made for Madonna, she really was born to play her. Their personal stories parallel ...

Both raised in VERY Roman Catholic environments they rebelled against

15 year old Eva runs off to Buenos Aires/17 year old Madonna dashes off to New York both against the concerns of parents

Eva began as a radio and stage show actress/Madonna as a dancer and somewhat professional club kid

Eva went from zero to Frist Lady/Madonna went from semi-homeless street urchin to Reigning Queen of the Pop World

Both have legions of fans who love her, and their critics who don't. There is no middle ground to the reactions they stir

Eva and Madonna both lived out the line "you were just a backstreet girl, hustling and fighting, scratching and biting. High Flying Adored. Did you believe in your wildset moments ... all this would be yours? That you'd become the Lady of them All

Eva went from poor illegitimate fatherless child to the cover of time at 26/Madonna went from working class motherless daughter to the cover of Time also at 26

Both looked stunning in designer clothes

And ultimatley ... both are self-made, calculating, and aimed for the stars with a fire in their belly and becamein their own right .... one of the most powerful women of their time ... all before turning a mere 27.

Evita is mostly sung but it will inspire, politics aside.

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