Moneyball (Two-Disc Blu-ray/DVD Combo + UltraViolet Digital Copy) (2011)

Every year, I get wary of the inevitable film set in a sporting arena where an underdog player or team must triumph against adversity to become unlikely heroes. As accomplished or heartwarming as many of these films can be, they never seem to be able to break free of the conventions that we've all seen a hundred times. While I can't say that "Moneyball" isn't inspired by the genre, I will say that it looks at the phenomenon from a decidedly different angle. Based on Michael Lewis's non-fiction account of the same name, this is actually an intriguing story ruled by the business of baseball as opposed to the emotions the game elicits. As such, it seems like something entirely new. Director Bennett Miller (Oscar nominee for Capote), along with heavyweight screenwriters Aaron Sorkin and Steve Zaillian, has created one of the brainiest and least sentimental baseball films you're likely to see. "Moneyball" tells the true story of how the Oakland A's GM Billy Beane rebuilt the team for the 2002 season with enormous financial constraints using computer analysis and statistics. While admittedly, this might not sound like a particularly sexy plot--it was a pivotal moment in sporting history well worth documenting. And despite knowing the outcome, the film is never less than fascinating.

"Moneyball" refers to the inherent unfairness in the sport as teams with deep pockets can rule the game by outspending their smaller competitors when selecting the top tier players. When Oakland lost its powerhouse line-up, the team was left scrambling for replacements. Eschewing traditional recruitment methods, Beane (Brad Pitt) placed his trust in a new assistant (Jonah Hill) that had a new way of looking at statistics to determine the game's most undervalued players. Against all advice, he assembled a team of misfits that no one thought could succeed--including his own manager (Philip Seymour Hoffman) who constantly challenged and opposed Beane. What happens at the start of the season only cements the team as a league (and national) laughingstock and has the country thirsting for Beane's sacrificial blood. But against all odds, things start to gel and history is made.

Pitt plays Beane with a world-weary grace. It may, in fact, be his most grounded performance to date. Aloof at first, we see how he thaws to his own superstitions to become an invaluable part of the club. Through flashbacks and interludes with his daughter, we see different sides of a man who has dedicated his life to the sport. Jonah Hill plays it straight as the assistant who is instrumental to the team's new direction. Hill is surprisingly good, deadpan even, and he and Pitt develop a chemistry that is as unlikely as it is effective. Hoffman has a small, but vital, role and is spot-on. The actors that comprise the team all turn in solid work as well, but fundamentally this is Pitt's picture from start to finish. And understatement is the name of the game. A smart screenplay, an interesting topic, effective performances--it's all handled with a refreshing minimum of schmaltz (a key element in many sport's films). By tackling the back office side of baseball, "Moneyball" sets itself apart as a true original. A film that doesn't just love the game, but really understands it (foibles and all). A rarity and a surprisingly adult entertainment, about 4 1/2 stars. KGHarris, 12/11.

I really don't understand baseball. Like it, but don't really understand it. I can watch the game and understand superficially what's happening, but I don't get the strategy and, of course, it's all strategy. So, I went to see this in the theater and loved it and then just rewatched the blu-ray. Loved it, and only partly understand why. One thing: You can't take your eyes of Brad Pitt. Not because of his good looks, but because he's just utterly charismatic and engaging. Jonah Hill is an unexpected but perfect casting choice. But, overall, it's a tribute to the filmmakers that a movie that shouldn't work this well works this well.

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"Moneyball" is based on true events, and provides valuable insight regarding the on-field and off-field dynamics of the Oakland A's Major League Baseball Club.

This film has the capacity to engage viewers who are familiar or unfamiliar with the sport, based on the avant-garde approach to managing resources that is utilised by Billy Beane (Brad Pitt), which any person in business can appreciate.

The narrative is also inspiring, as the viewer is presented with what seems like impossible circumstances for the A's to be successful, yet through innovative thinking high performance is achieved.

Brad Pitt provides a solid performance, as does the entire cast, and the viewer is entertained with plenty of humour and quality drama.

This movie is a win for baseball, as it has the capacity to introduce new people to the game from all over the world.

Nicholas R.W. Henning Australian Baseball Author

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For those of us who love baseball, and even for those who don't, this is a wondeful 'feel good' film of statistics and brains versus intuition and brawn.

We find Billy Beane, played by Brad Pitt, GM of the Oakland Athletics, making it to the World Series but failing to win. In the process the team is losing three of its best players. The Athletics have a thirty million dollar cap on their players versus the Red Sox and New York Yanklees, who have hundreds of millions. Beane needs to replace these players, but the members of his scouting teams just give him the same old tired story of the players that will probably work out with practice. Beane wants another method to pick his players. At a meeting with another team he finds a young, short, chubby man, Peter Brand, played by Jonah Hill, who spouts statistics and crunched numbers to arrive at an algorithm for players who will do well. He hires Brand and changes his methods and that of his team.

Brand is a nerdy Yale graduate who looked at the strict cost-benefit analysis of baseball players. He persuaded Beane that he should hire based on key performance statistics that pointed to undervalued players. They assembled a team that seemed foolhardy at first, but during the course of a season, proved itself the biggest bargain in baseball. Beane antagonized most of his scouts, but he was proved correct. At the end of the season he is invited to Boston to meet the Red Sox owner. When he returns to Oakland he talks with Brand, and tells him, "I don't play for money, I play for the love of the game". Oh, yes, the love of what you are doing. A lucky man and one who knows and is happy with himself. A loner, a divorced man with a daughter he loves, but all in all a man who is fine living alone.

This is not just a film for baseball lovers, but a film for all of us who can see that a new way, a change from the old ways is almost always a good thing.

Highly Recommended, prisrob 01-12-12

The Tree Of Life

Accepted (Widescreen Edition)

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I love baseball. Played 14 seasons growing up. Even helped win some championships. Batting was always my favorite. There's nothing more intense than standing there, staring down that pitcher, bat twisting between your palms, waiting for the ball to come whipping out of that hand at insane speeds. Watching the pitch come flying toward the plate is the only way I've ever experienced bullet time, and the satisfaction of tracking a curveball in perceived slow motion until it smacks into the sweet spot of your bat can't be matched. Fielding was good too. I mostly played pitcher, first, second, shortstop, third, left, right, and center. Plus, when my dad was the manager, every night he'd look over all of the team's stats with me and spend hours agonizing over how to arrange the team to create the perfect fun/success ratio.

What I'm saying is, I know a thing or two about baseball, so when I go to a movie on the subject, I expect a lot, and if they don't get it right, I'll tear into it with a passion.

They got it right.

But then again, it almost wasn't a baseball movie. Brad Pitt plays Oakland A's general manager Billy Beane at a time when the team's just lost its three star players. Faced with the difficulty of getting new hotshots on a bare bones budget, Beane turns to economy major Peter Brand (Jonah Hill). Brand convinces Beane that stars don't win games. Runs win games, and runs aren't scored with big hits and amazing plays in the field. They're scored by getting on base.

Beane takes this advice to heart and throws out all the conventional wisdom of baseball sages, willing to hire players who don't know anything about fielding as long as they can take pitches and end up with a walk. Most of the film is about people who think they know baseball not believing in this new system and Beane trying to stick with it in the face of early failure. Like I said, it's not a baseball movie.

But The Social Network was a movie about computer programming, and if they can make that exciting, I guess they can do it with anything. Brad Pitt helps with a great performance as the conflicted manager, and Jonah Hill is surprisingly good. The success of the film rests squarely on their shoulders, and while shots of endless statistics scrolling across a computer screen are a little cheesy, they're not that bad. As the film builds up the hopelessness of being such a monetarily poor team, you can't help but root for them. Right from the beginning, you'll be emotionally hooked, and it won't let up until the very end.

One of the cool differences about this underdog story is that the characters aren't stars. The power wasn't inside them all along. Instead, you're rooting for the players to get walks, to get hit by pitches, to hit scrappy singles, to allow runs to score on a bunt and take the easy out. The movie gets around this by making the climax not about a championship, but about the potential for a record-breaking winning streak, and man is it exciting.

Another key difference is that, for something advertised as a pure sports drama, it's surprisingly funny. I think I laughed harder at this than at The Hangover 2. In fact, I think it's the funniest movie I've been to this year.

This movie makes you believe. It's makes you believe on the same level as Remember the Titans or any of the great sports movies, except you believe not in the players, but in the power of statistics, and for some reason you care. When the other characters in the film refuse to believe, when they work at every opportunity to undermine and diminish our hero, Statistics, you want to punch them in their grubby little faces. I love when a film can really make me despise somebody, and Moneyball pulls it off.

If you love baseball or Brad Pitt or sports movies or economics or feeling emotions or laughing or good cinema in general, go see this movie. It's worth your time.

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